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![Page 1: OneTouch 4.0 Sanned Documents - Shodhgangashodhganga.inflibnet.ac.in/bitstream/10603/395/12/... · Formalist Criticism with an Introduction by Mark Schorer. Ed. William J. Handy](https://reader034.vdocument.in/reader034/viewer/2022052615/608de20bfae7cd456a65b8d8/html5/thumbnails/1.jpg)
BIBLIOGRAPHY
Primary Sources
Books
Ransom, John Crowe. Poems About God. New York: Henry Holt
and Co., 1919.
--- . Chills and Fever. New York: Alfred A. Knopf, 1924.
--- . Grace After Meat. London: Leonard and Virginia Woolf, 1924.
--- . Two Gentlemen in Bonds. New York: Alfred A. Knopf,
1927.
--- . God without Thunder. New York: Harcourt, Brace and
Co., 1930.
--- , ed. I'll Take My Stand; The South and the Agrarian
Tradition, by Twelve Southerners. New York: Harper
and Bros., 1930.
--- , et al., eds. Fuqitives: An Anthology of Verse. New
York: Harcourt Brace and Co., 1930.
--- . The World's Body. New York: Charles Scribner's Sons,
1938.
--- . The New Criticism. Norfolk, Connecticut: New
Directions, 1941.
--- . Colleqe Primer of Writinq New York: Henry Holt and
Co., 1943.
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--- . Selected Poems. New York: Alfred A . Knopf, 1945.
--- . Selected Poems. London: Eyre and Spottiswoode, 1947. The Kenyon Critics ed. John Crowe Ransom. Cleveland: The
World Publ. Co., 1951.
Ransom, John Crowe. Poems and Essays. New York: Vintage
Books, 1955.
Selected Poems of Thomas Hardy. ed. John Crowe Ransom. New
York: The Macmillan Co., 1961.
Ransom, John Crowe. Selected Poems New York: Alfred A.
Knopf, 1963.
--- . Selected Poems. New York: Alfred A. Knopf, 1964. --- . Selected Poems. New York: Alfred A. Knopf, 1969.
--- . Selected Essays 1941-'70. New York: A New Directions
Book, c. 1972.
Essays and articles
Ransom, John Crowe. "The Future of Poetry." Fusitive 13
(Feb. 1924): 2-4.
--- . "Freud and Literature." Saturday Review of Literature 1 (4 Oct. 1924): 161-162.
--- . "The Mixed Modes." Fuqitive 4 (Mar. 1925): 28-29. --- . "Thoughts on Poetic Discontent." Fugitive 4 (June
1925): 63-64.
--- . "A Man without a Country.'' Sewanee Review 33 (July
1925): 301-307.
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--- . "A Doctrine of Relativity." Fugitive 4 (Sept. 1925):
93-94.
--- . "The Poet and Critic." New Republic 51 (22 June
1927): 125-26.
--- . "The ABC of Aesthetics." New Republic 53 (14 Dec.
1927): 104.
--- . "The South--Old or New." Sewanee Review 36 (Apr.
1928): 139-47.
--- . "The South Defends Its Heritage." Harper's 159 (June
1929): 108-18.
--- . "Flux and Blur in Contemporary Art." Sewanee Review
38 (July 1929): 352-66.
--- . "Classical and Romantic." Saturday Review of
Literature 6 (14 Sept. 1929): 125-27.
--- . "Statement of Principles." I'll Take My Stand; The
South and the Agrarian Tradition, by Twelve
Southerners, ed. John Crowe Ransom. New York: Harper
and Bros., 1930. ix-xx.
--- . "Reconstructed But Unregenerate." I'll Take My Stand
1-27.
--- . "The State and the Land." New Republic 70 (17 Feb.
1932): 8-10.
--- . "Land1 An Answer to the Unemployment Problem."
Harper's 165 (July 1932): 216-34.
--- . "Happy Farmers." American Review 1 (Oct. 1933): 513-
35.
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--- . "The Aesthetics of Regionalism." American Review 2
(Jan. 1934): 290-310.
--- . "Modern with the Southern Accent." Virqinia Quarterly Review 11 (April 1935): 184-200.
--- . "Poetic Strategy." Saturday Review of Literature 12
(27 July 1935): 6.
--- . "What Does the South Want?" Virqinia Quarterly Review 12 (Apr. 1936): 180-94.
--- . "The South Is a Bulwark." Scribner's Maqazine 99 (May 1936): 299-303.
--- . "Autumn of Poetry." Southern Review 1.4 (1936): 609-
23.
--- . "Mr. Empson's Muddles." Southern Review 4 (1938-39):
323.
--- . "The Arts and the Philosophers." Kenyon Review 1
(Spring 1939): 194-99.
--- . "The Aesthetic of Finnegan's Wake." Kenyon Review 1
(Autumn 1939): 424-28.
--- . "Apologia for Modernism." Kenyon Review 2 (Spring
1940): 247-51.
--- . "Criticism as Pure Speculation." The Intent of the
Critic. Ed. D. A. Stauffer. Princeton, New Jersey:
Princeton UP, 1941. 91-124.
--- . "Muses and Amazons." Kenyon Review 3.2 (Spring 1941):
240-42.
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--- . "Eliot and the Metaphysicals." Accent 1 (Spring
1941): 148-56.
--- . "The Aesthetic of Music." Kenyon Review 3 (Autumn
1941): 494-97.
--- . "Ubiquitous Moralists." Kenyon Review 3 (Winter
1941): 95-100.
--- . "An Address to Kenneth Burke." Kenyon Review 4
(Spring 1942): 218-37.
--- . "Bright Disorder." Kenyon Review 4 (Autumn 1942):
430-32.
--- . "The Inorganic Muses." Kenyon Review 5.2 (Spring
1943): 278-300.
--- . "E. M. Forster." Kenyon Review 5 (Autumn 1943): 618-
23.
--- . "Artists, Soldiers, Positivists.'' Kenyon Review 6.2
(Spring 1944): 276-81.
--- . "The Bases of Criticism." Sewanee Review 52 (Autumn
1944): 556-71.
--- . "Art Needs a Little Separating." Kenyon Review 6
(Winter 1944): 114-22.
--- . "On Shakespeare's Language." Sewanee Review 55
(Spring 1947): 181-98.
--- . "Poetry: I, The Formal Analysis." Kenyon Review 9
(Summer 1947): 436-56.
--- . "Poetry: 11, The Final Cause." Kenyon Review 9
(Autumn 1947): 640-58.
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--- . "The Literary Criticism of Aristotle." Kenyon Review
10 (Summer 1948): 382-402.
--- . "The New Criticism." Kenyon Review 10 i~all 1948):
682-88.
--- . "The Poetry of 1900-1950." Kenyon Review 13 (Summer
1951): 445-54.
--- . "Poets without Laurels." The Literature of the South. Ed. R. C. Beatty. Chicago: Scott Foreman and Co.,
1952. 757-766.
-- - . "An Age of Criticism." New Republic 126 (31 Mar.
1952): 18-19.
--- . "Symbolism: American Style." New Republic 129 (2 Nov. 1953): 18-20.
--- . "Empirics in Politics." Kenyon Review 15 (Autumn
1953): 648-54.
--- "The Concrete Universal: Observations on the
Understanding of Poetry." Kenyon Review 16 (Autumn
1954): 554-64.
--- . "Old Age of An Eagle." Poems And Essays. Vintage
Books, 1955: 79-87.
--- . "The Strange Music of English Verse." Kenyon Review
18 (Summer 1956): 460-77.
- - - . "In Amicita." Sewanee Review 67 (Fall 1959): 528-39. --- . "The Contemporary Poet as Artist and Critic." Eight
Symposia. Ed. Anthony Ostroff. Boston: Little
Brown and Co., 1964. 30.
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--- . "Theory of Poetic Form." Formalist Criticism with an
Introduction by Mark Schorer. Ed. William J. Handy.
Austin: Humanities Research Center, Texas, 1965. 14-
25.
Ransom's Letters and Conversations
Letters
Ransom to Allen Tate, 5 Sept. 1926.
Ransom to Tate, c. 1927.
Ransom to Tate, undated, written sometime in the Spring of
1927.
Ransom to Tate, 5 ~ u l y i929.
For further reference see Selected Letters of
John Crowe Ransom. Ed. with an Introduction by Thomas
Daniel Young and George Core. Baton Rouge: Louisiana State
UP, 1985.
Conversations
Ransom in conversation with Cleanth Brooks and R.P.
Warren. See Conversations on the Craft of Poetry. Ed.
Brooks and Warren. New York, 1961.
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Secondary Sources
Books
Bornhauser, Fred H. "Disowned Progeny." The Early Poems
of John Crowe Ransom. Diss. Cornell U, 1966.
Bradbury, John M. The Fuqitives. Chapel Hill: U of North
Carolina PI 1958.
Brooks, Cleanth. Modern Poetry and the Tradition. Chapel
Hill: U of North Carolina P, 1939.
Buffington, Robert R. "'But What I Wear Is Flesh': John
Crowe Ransom's Poetry." Diss. Vanderbilt U, 1967.
Cowan, Louisie. The fuqitive Group. Baton Rouge: Louisiana
State UP, 1959.
--- . The Southern Critics: An Introduction to the
Criticism of John Crowe Ransom, Allen Tate, Donald
Davidson, Robert Penn Warren, Cleanth Brooks and
Andrew Lytle. Irving, Texas: U of Dallas P, 1971.
Davidson, Donald. Southern Writers in the Modern World.
Athens: U of Georgia P, 1958.
Duffy, Donald D., Jr. "The Inferential Narrator in the
Poetry of John Crowe Ransom." Diss. Oklahoma State U ,
1971..
Duncan, Joseph E. The Revival of Metaphysical Poetry.
Minneapolis: U of Minnesota P, 1959.
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Gross, Harvey. Sound and Form in Modern Poetry: A Study
of Prosody from Thomas Hardy to Robert Lowell. Ann
Arbor: U of Michigan P, 1964.
Handy, William J. Kant and the Southern New Critics.
Austin: U of Texas P, 1963.
--- , ed. Formalist Criticism with an Introduction by
Mark Schorer. Austin: Humanities Research Center,
U of Texas, 1965.
Hinkel, Robert C. "The Development of John Crowe Ransom's
Poetry." Diss. Northwestern U, 1967.
Joyce, James A Portrait of the Artist as a Younq Man.
London: Grafton Books, 1977.
Knight, Karl F. The Poetry of John Crowe Ransom: A Study
of Diction, Metaphor, and Symbol. London: Mouton and
Co., 1964.
Ostroff, Anthony, ed. The Contemporary Poet as Artist and
Critic: Eiqht Symposia. Boston: Little Brown and Co.,
1964.
Parsons, Thornton H. John Crowe Ransom. New York: Twayne
Publ., Inc., 1969.
Purdy, Rob Roy, ed. Fugitives' Reunion: Conversations of
Vanderbilt, May 3-5, 1956. ~ashville: Vanderbilt UP,
1959.
Richards, I. A. The Philosophy of Rhetoric. New York,
1936.
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Rubin, Jr. Louis D. and Robert D. Jacobs, eds. South:
Modern Southern Literature in its Cultural Setting.
Westport: Greenwood Publ., 1961.
Stewart, John L. John Crowe Ransom. Minnesota Pamphlets
No. 18. Minneapolis: U of Minnesota P, 1962.
--- . The Burden of Time: The Fugitives and Agrarians.
Princeton: Princeton UP, 1965.
Stocking, Fred H. Poetry as Knowledge: The Critical Theory
of John Crowe Ransom and Allen Tate. Ann Arbor: U of
Michigan P, 1946. /
Wellek, Rene and Austin Warren. Theory of Literature. New
York: Harcourt Brace and Co., 1956.
Williams, Miller. The Poetry of John Crowe Ransom. New
Brunswick, New Jersey: Rutger's UP, 1972.
Young, Thomas Daniel, ed. John Crowe Ransom : Critical
Essays and A Bibliography. Baton Rouge: Louisiana
State UP, 1968.
--- , ed. The New Criticism and After. Charlottesville: UP
of Virginia, 1976.
--- . Gentleman in a Dustcoat : A Biography of John Crowe
Ransom. Baton Rouge: Louisiana State UP, 1976.
--- . An Annotated Biblioqraphy. New York and London:
Garland Publ., Inc., 1982.
--- , ed. The History of Southern Literature. Baton Rouge:
Louisiana State UP, 1985.
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Reviews
Aiken, Conrad. "The Poetic Scene." Independent 118 (26
Feb. 1927): 246.
Beatty, Richmond Croom. "John Crowe Ransom as Poet."
Sewanee Review 52 (Summer 1944): 344-66.
--- . "The Heritage of Symbolism in Modern Poetry." The - Yale Review 33 (Mar. 1947): 467-77.
Bergonzi, Bernard. "A Poem About the History of Love:
'The Equilibrists' by John Crowe Ransom." Critical
Quarterly 4.2 (Summer 1962): 127-37.
Bleifus, William. "Ransom's 'Here Lies a Lady.'"
Explicator 11 (May 1953): Item 51.
Brooks, Cleanth. "The Doric Delicacy." Sewanee Review 56
(1948): 402-15.
--- . "Homage to John Crowe Ransom." Shenandoah 14.3
(1964): 50.
Brownjohn, Alan. New Statesman 13 Feb. 1970. A Signed
Review.
Buffington, Robert. "Overlooking the Last Infirmity."
Mississippi Quarterly 30 (1977): 5-27.
Campbell, H. M. "John Crowe Ransom." Southwest Rerview
24 (July 1939): 476-89.
"Contribution to Poetry." - Time 57 (12 Feb. 1951): 94.
Coulthard, A. R. "Ransom's 'Vision by Sweetwater.'"
Explicator 46 no. 3 (Spring 1988): Item 41.
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Cowan, Louisie. "The Pietas of Southern Poetry." South:
Modern Southern Literature in its Cultural Setting.
Eds. Louis D. Rubin, Jr. and Robert D. Jacobs.
Westport: Greenwood Publ., 1961. 95-114:
Crupi, Charles. "Ransom's 'Conrad in Twilight. "'
Explicator 29 (1970): Item 20.
Curley, Dorothy. "Ransom's Revisions." Library Journal 94
(July 1969): 2620.
Eberhart, Richard. "The Search for Perfection." Poetry 67
(Jan. 1946): 212-15.
Egan, Maurice F. An Untitled Review. Bookman 50 (Oct.
1919): 222-23.
Flynn, Robert. "Ransom's 'Miriam Tazewell.'" Explicator 12
(May 1954): Item 45.
"The Fugitive." Time 51 (10 May 1948): 69-70.
Hall, Vernon. "Ransom's 'Captain Carpenter.'" Explicator
26 (1967): Item 28.
Hough, Graham. "John Crowe Ransom: The Poet and the
Critic." Southern Review 1 (1965): 1-21.
Jarrel, Randall. "John Crowe Ransom's Poetry." Poetry and
The Age. New York: Vintage Books, 1955: 89.
Knight, Karl F. "Ransom's 'Conrad in Twilight.'"
Explicator 30 (1972): Item 75.
Koch, Vivienne. "The Achievement of John Crowe Ransom."
John Crowe Ransom: Critical Essays and A
Bibliography. Ed. Thomas Daniel Young. Baton Rouge:
Louisiana State UP, 1968. 115-42.
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Lowell, Robert. "John Crowe Ransom's Conversations."
Sewanee Review 56 (Summer 1948): 374-77..
MacCaffrey, Isabel Gamble. "Ceremonies of Bravery: John
Crowe Ransom." South: Modern Southern Literature in
its Cultural Settinq 210.
Mann, David and Samuel H. Woods, Jr. "John Crowe Ransom's
Poetic Revisions," - PMLA 83 (Mar. 1968): 15-21.
Moorman, Charles. "Ransom's 'Painted Head.'" Explicator
10 (Dec. 1951): Item 15.
Morton, Claire Clements. "Ransom's 'The Equilibrists,'"
Explicator 41.4 (Summer 1983): 37-38.
Muir, Edwin. "English Poets and Others." Saturday Review
of Literature 1 (6 June 1925): 807.
Nemerov, Howard. "Summer's Flare and Winter's Flaw."
Poetry and Fiction. New Brunswick, New Jersey:
Rutger's UP, 1963: 95-96.
Pratt, William. "Metamorphosis of A Poem." Mississippi
Quarterly 30 (Winter 1976-77): 29-58.
Rubins, Jr., Louis D. "Southern Literature: The
Historical Image." South: Modern Southern Literature
in its Cultural Settinq 108.
--- . "John Ransom's Cruel1 Battle." Shenandoah 9 (1958):
23-25.
--- . "The Wary Fugitive." Sewanee Review 82 (1974): 598-
99.
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--- and Robert D. Jacobs. "Allen Tate: The Arrogant
Circumstance." South: Modern Southern Literature in
its Cultural Settinq 231.
Taggard, Genevieve. New York Herald Tribune Books (26 June
1927): 12.
Tate, Allen. Nation 124 (30 Mar. 1927): 346.
--- . "For John Crowe Ransom at Seventy five." Shenandoah
14.3 (1964): 33-48.
--- . "Gentleman in A Dustcoat.." Sewanee Review 76 (Summer 1968): 375.
--- . "Reflections on the Death of John Crowe Ransom."
Sewanee Review 82 (1974): 545-51.
Untermeyer, Louis. - Dial 66 (31 May 1919): 562-63.
Warren, Robert Penn. "John Crowe Ransom: A Study in
Irony." Virqinia Quarterly Review 11 (1935): 93-112.
--- . "Notes on the Poetry of John Crowe Ransom at his
Eightieth Birthday." Kenyon Review 30 (1968): 319-49.
Wasserman, G. R. "The Irony of John Crowe Ransom." U of
Kansas City Review 23 (1956): 151-60.
Woodberry, W. Potter. "The Sword between Them: Love and
Death in Ransom's 'The Equilibrists.'" Southern
Literary Journal 9.2 (1977): 51-65.
Young, Jr., Thomas Daniel. " A Checklist 1967-1976."
Mississippi Quarterly 30 (1976-77): 155-68.