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This is about what happens on the streets.

Street View Photography is the first address to learn and promote street photography! To get connected with a strong and vibrant community, to get inspired by our many street photography tips, blogs, articles, and gui-des, and to broadcast your own ideas, adventures and projects!

If you love street photography, straight photography, candid photography, black and white photography, color photography, urban photography, street portrait photography, documentary photography… then you found the right place!

http:// http://www.streetviewphotography.net/

IntroductionIf there are people who have any commitment with certain photos,and do not wish the photo’s on this bookplease let it now to XinXii, so they could contact me and I make sure the photos will be deletedout this book.

Greatings,

PH. Light

Note

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In combination Canon EF 70-200mm f/2.8L IS II USM ; Sigma 70-200mm F2.8 EX DG Macro HSM and Canon EF 35-70 mm f3.5-4.0

The EOS 40D becomes the sixth Canon ‘pro-sumer’ digital SLR, a line which started back in 2000 with the EOS D30, and how far we’ve come. It’s been eighteen months since the EOS 30D and although on the surface the 40D looks like a fairly subtle upgrade there’s a lot that makes this an even better camera. Of course we expect a step up in megapixels, and so the 40D comes with a ten million pixel CMOS sensor with the same sort of dust re-duction as the EOS 400D, an ultrasonic plat-form which shakes the low pass filter. Other improvements bring the EOS 40D closer into line with the EOS-1D series, these include a move to the same page-by-page menu sys-tem, both RAW and sRAW (2.5 MP), 14-bit A/D converter and 14-bit RAW, cross-type AF points for F5.6 or faster lenses, a larger and brighter viewfinder, interchangeable focusing screens, a larger LCD monitor (3.0”) and faster continuous shooting (6.5 fps).

Canonhttp://www.canon.be/

• Canon 40 DEquipmentOn the next 5 following pages I describe the equipment that I have use to take the photo’s in this book

PH. Light

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Quite some time prior to my testing of the Sony Cyber-shot H55, I used to shoot 35mm slides (mostly Ekta-chrome and Kodachrome). I loved the bold and vibrant, but highly accurate colors and the incredible detail captured by slow ISO speed 35mm transparency films, but I hated waiting two weeks to get my Kodachrome slides back. The digital imaging revolution changed all that. Today’s photographers can do things that old time shooters never imagined possible like adjusting color (in-camera) to mimic slide film and reviewing images im-mediately after you shoot them.

• Sony DSC-H55 • Canon-EF-35-70mm-f3.5-4.0

This compact, lightweight standard zoom lens went on sale in 1987 at the same time as the EOS 650. Incorpo-rating the same three-group zoom optical system as the New FD35-70mm F3.5-4, it realizes a minimum focus-ing distance of 0.39m, making possible macro photography throughout the entire zoom range, and features a rotating zoom ring. As a lightweight, easy-to-use standard zoom lens, the EF35-70mm F3.5-4.5 played a cen-tral role within the early EF lens lineup.

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The Sigma 70-200mm f/2.8 EX DG APO Macro HSM features 70-200mm at focal length with maximum aper-ture of f/2.8. The lens construction has 17 elements in 14 groups and has diagonal angle of view at 34.3 de-grees. Closest focusing distance at 180cm/70.9 in and has a filter size of 77mm. The Sigma 70-200mm f/2.8 EX DG APO Macro HSM lens weighs 1270g/44.8 oz and it measures 3.4 inches in diameter and 7.2 inches long.

• Sigma 70-200mm F2.8 EX DG Macro HSM

Sigmahttp://http://www.sigma-global.com/en/

In combination Canon 40D

The EF 70-200mm f/2.8L IS II USM Lens from Canon improves upon its predecessor, one of the most ac-claimed lenses in the Canon EF line, with superior performance, increased speed and optical quality.

This lens construction consists of one fluorite and five ultra-low dispersion optical elements which help deliv-er the sharpness and reduced aberrations. The IS II Optical Image Stabilizer provides up to 4 stops of correc-tion at all focal lengths and features two modes for stabilization of still objects and while panning to follow moving subjects. An ultrasonic focusing motor provides fast, smooth and silent autofocus action.

This lens has a minimum focusing distance of 3.9’ (1.2 m) at all zoom settings so you can shoot close to your subject even in smaller spaces. Like all Canon L-series lenses, this telephoto zoom is dust and moisture resis-tant and designed to keep on going even in the most challenging of environments.

• Fluorite & ultra-low dispersion lens elements reduce aberrations and contribute to high resolution, high-contrast imaging.

• Two-mode Image Stabilization can correct for all types of camera shake. Mode 1 corrects for still images and Mode 2 for the extraneous up and down movement created when panning with a moving subject.

• An ultrasonic autofocus motor provides fast, smooth and silent autofocus. • Manual focus override enables precise manual focus even when in autofocus mode. • A focus range limiter lets you set the range of focus distance which enables shorter focusing times. The

two ranges are 3.9’ to infinity and 8.2’ to infinity. • A truly round aperture hole results in more pleasing out-of-focus areas. • Tight seal structure ensures excellent dust-proof and moisture-proof performance. • Removable, rotatable tripod collar is included.

• Canon EF 70-200mm f/2.8L IS II USM In combination Canon 40D

Canonhttp://www.canon.be/

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Canon 40D Focal Lenght lens 175 mmCanon EF 70-200mm f/2.8L IS II USM

1/200 : shutterf 3.2 : diaphragma

100 : iso

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Canon 40D Focal Lenght lens 200 mmCanon EF 70-200mm f/2.8L IS II USM

1/320 : shutterf 2.8: diaphragma

200 : iso

Canon 40D Focal Lenght lens 70 mmCanon EF 70-200mm f/2.8L IS II USM

1/400 : shutterf 2.8 diaphragma

200 : iso

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Sony DSC-H55 Brandpuntsafstand 4,25 mm

1/100 : shutterf 8.0 : diaphragma

80 : iso

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Canon 40D Focal Lenght lens 200 mmCanon EF 70-200mm f/2.8L IS II USM

1/800 : shutterf 2.8 diaphragma

200 : iso

Canon 40D Focal Lenght lens 200 mmSigma 70-200mm F2.8 EX DG Macro HSM

1/400 : shutterf 5.0 diaphragma

200 : iso

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