painel 4: que memória preservar?

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Which memory to preserve?

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Georgina Young - Museum of London

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Page 1: Painel 4: Que memória preservar?

Which memory to preserve?

Page 2: Painel 4: Que memória preservar?
Page 3: Painel 4: Que memória preservar?
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“Dullness in a museum is the deadliest of sins.”

Sir Guy Laking

Page 5: Painel 4: Que memória preservar?

“If you haven’t got an object, you either go out and

get one, or you find another way of dealing with the

subject – you do not just ignore or exclude it.”

Colin Sorenson

Page 6: Painel 4: Que memória preservar?

Gräv där du står

(Dig Where You Stand)

‘Factory History could

and should be written

from a fresh point of

view – by workers

investigating their own

workplaces’

Sven Lindquist, 1978

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Stretch thinking Take stock Become a content provider

Page 11: Painel 4: Que memória preservar?

An editorial framework that governs everything we do Describing our boundaries - the content universe Content priorities and aims

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Exploring the talking points Building on our strengths Our method

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Georgina Young Senior Curator

Contemporary History

Museum of London

[email protected]

@reluctantgeorge