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Page 1: Patricia Morton

SouthsideCameraClubInc.Canberra

2019Yearbook

MembersoftheCanberraSouthsideCameraClubinc.December2019

#DenotesLifeMember

*Denotesacontributortothisbook

CoverphotobySubramanianSukumar

RichardArculus

ChrisAubrey

BarbaraAubrey

ShaneBaker#*

BevBayley*

NickyBazley-Smith

AllenBills*

NormanBlom

GabeBloxham*

VeraBloxham

LuisBonilla

FionaBowring-Greer

GaryBrook

RodBurgess*

PeterCheng

TonyClark

IainCole*

WarrenColledge*

JennyCoutts

LorraineCrawley

CindyCrawford

DougCrawford

HeatherCrawford

KenCrawford#

LorraineCrawley

BobCrawshaw

SheilaCudmore*

PeterCudmore

DianeCutting*

JeffCutting*

HelenDawes*

BarbaraDros

ElspethDuncan

PatriciaMorton

LuminitaQuraishi*

DavidRaff*

RossRowe

PaulRummery

RobinRummery

JohnShaw

MarkStevenson*

GregStringer

KumarSukumar*

JulieTaylor*

GraemeTaylor

RodTier

RobertTriggs*

DerekTrow

MarilynWalsh

DenisWalsh

MalcolmWatson

GilesWest*

LaurieWestcott*

RobWignell*

MikeWoolley

VickiWoolley

NormFisher

NerylFoy*

RodneyGarnett

TonyGarr

MichaelGauntlett*

AnnGibbs-Jordan

JamesGrigg

HelenHall*

PeterHanrahan*

GraemeHarmer

TimHeenan*

JeanHerring

WarrenHicks*

RegJohnson

PeterKeogh*

LynKeogh

AlKlovdah

GraemeKruse#

RobLee*

MadeleineLees#

StephenLees#

RobLewis

Tina-LouiseLewis

PaulLivingston

DennisLovatt

PeterMcCabe

BarryMcGloin

BobMcHugh*

JanMcKenzie

AlisonMilton*

JohnMitchell*

BrianMoir*

JuanitaMoolman

SouthsideCameraClubInc.Canberra2019Yearbook

Page 2: Patricia Morton
Page 3: Patricia Morton

1

SouthsideCameraClubInc.

2019Yearbook

Page 4: Patricia Morton

2

©2019bytherespectivemembersoftheSouthsideCameraClubInc.

Canberra.Thebookauthorsretainsolecopyrighttotheircontributions

tothisbook.

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3

TheCanberraSouthsideCameraClubwasformedin1990byagroupofpeoplewhosoughtafriendlyapproachto

photographyinasharingenvironment.TheClubcurrentlymeetsmonthly,withadditionalmeetingsofspecial

interestgroups,fromtimetotime.TheClubmeetingsemphasiselearningaboutphotographythroughpresentations

ontechniqueandotheraspectsofphotography,aswellassharinginformationandshowingimages.Mid-weekand

weekendexcursionsgivemembersachancetogainpracticalexperienceinequipmentandtechnique.

Theimagesinthebookareselectedbymembersastheirfavouritephotostakenin2019.ThankstoalltheClub

memberswhohavecontributedtothisbook.Itisyourcontributionsthatmakethisbookpossible.

AlisonMilton

PhotobookEditor

April2020

Page 6: Patricia Morton

4

ShaneBaker

I'velovedphotographyasfarbackasIcan

remember,withportraitureandlandscapes

probablymymajorinterests.

IuseaNikonD850almostexclusively,andhave

hadsomegoodresultswithmyNikon200-500.

Iamaferventbelieverthatphotographsaremade

inthecamera.Thatsaid,IuseCaptureOneto

processmyimagesandveryoccasionally,Affinity

Photo.

Myworkcanbeseenatwww.shanebaker.photos

whereIalsohostmyblog"Miscellaneous

ThoughtsofaPhotographer".

NowlivinginPerth,I’mhonouredtobealife

memberoftheSouthsideCameraClub.

Dave

NikonD850,withaNikkor85mmf/1.8manuallysetatf/4,

1/200secandISO64,illuminatedwithaGodox

AD400Prowithumbrelladiffuser.ProcessedinCapture

OnePro12.

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5

SunsetfromtheZigZag

NikonD850withaNikkor16-35f/4at16mm.Exposedfor4secsatf/13andISO64inapertureprioritymode.NiSiGraduatedFilter.

ProcessedinCaptureOnePro20

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BevBayley

Ifindthephonecameraisveryhandy,as

it'snearlyalwayswithmeanyway.ButI

stilltrywithmyNikonD7000,whichis

alwaysmorechallenging,tryingtocome

togripswiththemanualsettings.

OtterwithstonesatCanberraZoo

NikonD7000(ISO1800,F5.58at1/400sec.)

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7

Gardenfungigrowth

Shotwithmobilephone

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8

GabeBloxham

NewtotheworldofdigitalPhotography,Ionly

pickedupthecameraaftermyretirement.

MyfirstyearwiththeSouthsideCameraClub

hasbeenaveryenjoyableexperience.

TravelinthecountrysideofNorthernThailand

providesspecialphotographicopportunities,

especiallywiththefriendlylocalpeople.These

aretheImagesthatIenjoyasmybesttravel

memories.

LongNeckKarenLady,atBaanTongLuangVillage,

ChiangMai

Sony7M2,Sony90mmFL,1/125secandF/5,ISO640

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9

Ourexcellentdriver,KhunYut,capturedatamorningcoffeestop,inNorthernThailand

Sony7RM2,Sony85mmFL,1/600secandF/2.2,ISO125

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10

AllenBills

I’manenthusiastamateurwhodelights

inphotographingbirds’actionsand

interactions.Ienjoytheoutdoorsand

thechallengesrecordingbird

behaviours,whichIhavedoneforfive

yearstodate.

TheDelicacy

TheCockysavouringtheextractedgrub

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11

TheChainsaw

ACockatoohackingintoacaciahardwoodforagrubinahollow

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12

RodBurgess

Mymainphotographicinterestisinlandscapes,

whereItrytocapturesomeofthemovement

anddramafoundinnature,butIalsoenjoy

wildlifephotography,particularlybirds.

Myphotosbookendtheyear.Theseascape,

capturedinthefirstweekof2019,demonstrates

whyIenjoybeingatthecoastatsunrise.I

especiallylikethemovementinthewater.The

othershotwastakenonthesecondlastdayof

theyear,whenahugeplumeofsmokefromthe

ClydeMountainfiremadeaspectacularsunset.

Littledidthepeopleinthephoto,goingabout

theirnormalholidayactivities,knowthatduring

thenightandnextdaythefirewoulddevastate

partsofBatemansBay,Mogoandthecoastal

settlementslikeMaluaBayandRosedale.

Sunset

IPhoneXRISO32,F1.8,1/120sec,4.25mm

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13

Seascape

Canon5DMarkIV,EF16-35f4lens,ISO50,f22,0.4sec,20mm

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14

IainCole

Selfportraitwithpumpkins

TakenattheNationalGallery.YayoiKusama'sThe

SpiritsofthePumpkinsDescendedintoHeavens(2017)

Canon5DMkiiwith24-105mmat24mm,Hand-held,

1/30thsecondatf/4andISO200

Istartedtakingphotosseriouslyin

2001whenworkdecidedthatIhadto

learntotakephotosofcomputer

systems.I'veworkedprettymuchwith

digitalsincethen,withoccasional

foraysintoB&Wfilm.Ienjoytaking

picturesofanythingthatdoesn'tmove

aswellasanythingthatdoes.

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15

Dayisdone

NinhBinh,Vietnam.Theboatingtripisover.

Canon6Dwith24-105mmlensat58mm,1/125secatf/9.ModifiedinON1RAWtoB&W

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WarrenColledge

Ienjoytakingphotographsforthepleasure,

enjoymentandcreativeopportunitieseachimage

presents.Whetheritbe“happysnaps”,macro,

landscapeorstreetphotographytheimages

capturedallhaveastorytotell.

OrigamiPeaceCranes–NagasakiJapan

ThecoloursofthousandsofPeaceCranesattheNagasaki

PeacePark.

LeicaQ2,28mmf/1.7lens.1/50s@f/5.0,

ISO1250

Imagedcropped.Lightroom8minoradjustments.

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Carsforexport

ICarswaitingtobeloadedontransportship,LePort,ReunionIsland

LeicaQ2,28mmf/1.7lens.1/800s@f/5.6,ISO100

Imagedcropped.Lightroom8minoradjustments.

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SheilaCudmore

SculptureatBatemansBay

NikonD500,Lens:16–85mmExposure:1/320

sec.atf8,ISO100

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YachtsonClydeRiver

Camera:NikonD500,Lens:16–85mmExposure:1/120secatF8,ISO100

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DianeCutting

ThemajestyofanadultWedge-tailEagle

Canon7Dmark2Tamronlens150-600mm,Exp2500,

ISO800,Shutterpriority

Mymainfocusinphotographythisyearhas

beenbirdsofprey,particularlytheWedge-tail

Eagle.Iaminaweofthesemagnificentbirds

andastoundedbytheemotionbeingcloseto

themevokeinme.Iamnotaloneinthis.Many

birdphotographersreadilyadmitshakingso

muchatacloseencounterthatthephotosare

blurred.Whatisitthatmakesusreactthisway,

isitthesheersizeofthem,thepowertheyhave

orthewaytheycansoareffortlesslyinthesky

andinagalestaymotionlessforlongperiods.

Thetwoimagesselectedshowthedifferencein

thejuveniletoanadulteagle,predominatelythis

isthelightcolouring.Aneagletakesanumber

ofyearstoacquireitsfulladultplumageand

withthefemalesbeinggenerallylighterin

colourbutlargerinsize.

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TheGoldenYoungster,Gudgenby

Canon7Dmark2,Canon400mmprimelens5.6,Exp2000,ISO640,Shutterpriority

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JeffCutting

Notsurehowtoexplainmyinterestin

landscapephotography,Iguessitisaninnateor

primalinterest,somethingallhumansareborn

with.Thelandiswhereweexist-thebirds,the

airandfish,thesea.Thelandfeedsandshelters

uswhilstthemoodsbroughtonbyweather

interestusasrainfallnourishesthelandand

restoreslifeinallitsvariety.Mountainsarefor

contemplationandtherhythmsofthesea,

relaxation.Itmustbeanantidotetobeing

coopedupinanartificialenvironmentthatcity

liferequires.NowIdearlyhopethisenforced

lockupendssoon.

MorningontheCoxesRiver,BlueMountains

NationalPark

NIKONFM100mmLENS1/60SecF8,35mm

Kodacolornegative.

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Snowonwattleshrub,Cabramurra

NIKOND810,28mmlens,1/60secatf11

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HelenDawes

Ihavedabbledinvariousformsofphotographyovertheyearsbutstillfavour

photographyofflora-particularlyattheAustralianNationalBotanicGardens,

fungiandlandscapes.

ThephotographsIhavechosenIenteredintotheEurobodallaBotanic

Gardens2019photographycompetition.Iwon1stprizeandahighly

commended.Ihaverarelyenteredcompetitionsanditjustgoestoshowthat

youhavetobeinittowinit!Sadlythesegardenswereburntoutinthe

bushfireswithonlybuildingsremaining.

Mushrooms

1/25sec.f/6.330mm

ISO800-dimlighting

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Butterfly

1/500sec.f/2.44.32mmISO50

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NerylFoy

Pelican

Thischeekyfellowwasphotographedat

TidbinbillaNatureReserveearlyone

morning;takenwithhisreflection.

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27

NationalArboretum

TakenatsunsetonaNovemberevening

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MikeGauntlett

Ihadafewadventuresin2019including

Hawaiibutthesetwophotosaretheonesthat

stoodoutforme.Theyweretakencloseto

home.MorningFogwastakenonaregular

morningwalkwithfriendsaroundLake

TuggeranongACT.Ionlyhadmyphonewith

mebutcouldn’tletanopportunitylikethis

pass.

TheCassowarywascapturedduringatripto

NorthQueensland.Wehadalmostgivenupon

seeingaCassowarywhenthereitwas.Just

wonderingdownthesideoftheroad.Itpaid

noattentiontousinthecarevenwhenI

movedforabetterviewpoint.

Cassowary,NorthQueensland,July2019

Canon60DwithCanonEF-S18-200mmat

50mm1/500secatf4.5andISO800

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MorningFog,LakeTuggeranong,ACT,June2019

HTCOneM9PLUSat1/1600secatF2.2andISO50

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HelenHall

IhavebeenamemberoftheSSCCfor27years.

Inspiredbymyfather'skeeninterestin

photographyIbeganattheageof11takingblack

andwhiteprintswithaKodak620.Myfirstreal

camerawasanSLRPentaxSpotmaticII.WhileI

tookprintstohavereadyaccesstomemoriesI

spentmanyyearsfocusingonslidephotography-

nowdigitalphotographyhaschangedthat.

Apassionofmineiscreatingfamilyhistory

photobooks.

WhileIcontinuetoenjoylandscapeandpeople

photographyIamalsoworkingonimprovingmy

macrophotographyskills.

RestingLady,Peru,SouthAmerica

CanonEOS650D,LensCanonEF-S18-135mm,

72mm,1/50,f18,ISO200

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SunriseonTorresDelPaineNationalPark,Chile,SouthAmerica

iPhoneXS6mm,1/141,F2.4,ISO16

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PeterHanrahan

Iama63-year-oldex-tradiehopingtoretire

soIcanpursuemyinterestsbeforeI

becomeincapacitated.Married,three

daughtersandtwogranddaughters.

Myinterestinphotographystartedatabout

12yearsoldwithmyparents'boxbrownie

anddevelopingblackandwhitesinthe

bathroom.Itwasanon/offaffairuntilthe

eventofthedigitalcamera.

IntheearlytwothousandsIboughtmyfirst

digitalcameraandit'sbeenaconstant

learningcurvesince.(Andlovingit.)

Smokysunrise

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Highcountrycreek

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TimHeenan

IjoinedtheSSCCin2017andamcurrently

theClubTreasurer.Mykeyinterestsare

seascapeandaviationphotography.These

photosweretakeninearlyautumnwhen

Canberraweatherisatitsbest.

Balloonsunrise:LakeBurleyGriffin,Canberra

Canon5DMkIVwith24-105mmf4Lat50mm,

1/40secatf/8withISO500

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Poetryinflight:NationalArboretum,CanberraACT

Canon5DMkIIIwith100-400mmf4.5-5.6Lat400mm,1/1000secatf/5.6withISO3200

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WarrenHicks

I’vepresentedsometravelimagesfroma

2019winterroadtriptoCentralAustralia.

Itookmorethan2000images,soevery

nightentailedashortdiaryentry,animage

sort,keywordingandbackup.Thewide

vistasencouragedtheshootingof

panoramas.Iwaspleasedwithmyefforts

inthisregardandthinktheywereimages

evocativeoftheland,butunfortunately,

theyarenotsuitableforpresentationina

yearbook.Canisdingo,GlenHelenGorge,West

MacDonnellRanges,NT

Sonyα5000,50mm1/100s,f9.0,ISO100(EPZ

16-50mmf3.5-5.6)

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KingsCanyon,WatarrkaNP,NT

PentaxK1D20mm,1/50s,f/5.6,ISO100(TokinaAF19-35mm)

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PeterKeogh

“Agem”AustralianNationalBotanic

Gardens,Canberra

During2019Ihaveenjoyedanumber

ofvisitstotheANBGandaholidayin

Italy,bothrepresentedhere.

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39

Allinrows-Positano,Italy

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40

RobLee

During2019Icontinuedwithmy

‘BookSpaces’project;takingphotographs

inlibrariesandotherspacesdedicatedto

theprintedword.Thechallengesalways

exceedmyskills,especiallyasIaimto

celebratetheseplaces,notmerely

documentthem.Mythankstoclub

memberswhoarealwayswillingtohelp

otherswithourcraft.

Informationtechnology–GenealogyLibrary

(Canberra)

CanonEOS5DMkIII,30mm1/25secF7.1ISO200

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41

Notonlybooks–SalePublicLibrary

35mm1/30secF9.0ISO400CanonEOS5DMkIII

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42

LuminitaLenuta

LuminitaLenutaQuraishi,anartist

photographer,Ilovenature,allrelatedto

watersuchasice,fog,rain,usingthe

environmenttoexpressmyart,totalkwith

natureandalsotoencourageotherstolook

aroundthem,toexploreandrespectthe

unknown,thesofragilenaturethatisso

generouswithushumans.

Traveltotheunknown

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43

Adream,theoceanandice

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44

BobMcHugh

Noexoticlocationsinspiredmy

photographyduring2019.Forseveral

reasonsIstayedclosetohome.Butchance

addsagoodmeasureofzesttofamiliar

scenesvisitedmanytimes,likethetwo

shownhere.Thesheerunpredictabilityof

landscapephotographycanbedevilishly

frustratingbutitisalsoasourceofgreat

delight!

OldFriends,LakeBurleyGriffin,Canberra

PentaxKp,PentaxDA16-85lensat28mm,

1.3sec,f16,ISO125,tripodmounted

Page 47: Patricia Morton

45

BitterSunset,UrambiHills,Canberra

PentaxKp,PentaxDA16-85lensat21mm,110sec,f18,ISO100,tripodmounted

Page 48: Patricia Morton

46

AlisonMilton

Iamakeenphotographer,butnot

necessarilyagoodphotographer.My

interestsrangefrombirds,insects,orany

aspectofnature.I'dliketodomore

landscapephotographybutdon'ttravel

muchtovisitnewinterestingplaces.

ThisyearIhadanumberofvisitstothe

southcoastwherethesephotosweretaken:

achangefrominsectsandbirds.

Ihappenedtobeintherightplaceatthe

righttimetowitnesstwomaleLace

Monitorsmeetandensueinalongbattlefor

territoryrights.Ididn'tstaytoseethe

outcomeastheybegantumblingdownthe

hillsidetowardsme.

Earlymorningsilhouette,Broulee

CanonEOS1DXMarkII,EF24-105mm,f6.3,

1/80sec,ISO2500

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47

Maledominance:territorydisputebetweentwolacemonitorsatEurobodallaBotanicGardens

CanonEOS1DXMarkII,EF100-400mm,F10,1/1600sec.ISO1600

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48

JohnMitchell

TharwaBridge,lateMarch2020.Availablelightfromtownslighting

Singleframe,CanonRPmirrorless,[email protected]

Page 51: Patricia Morton

49

TherocksattheGigerlineRecreationareaonaridgewhichleadstotheMurrumbidgeeriver.Milkywaycoreat1am

Sixframes(ISO3200,[email protected],15seconds)forthesky,blendedwith3(ISO8005seconds

@f2.8)framesfortheforeground.Cameracontrolledbywifi

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50

BrianMoir

IhavebeenphotographingsinceIwas10or

11yearsold,butitisonlyinthelastdecade

orsothatIhavebeenseriouslytryingto

makebetterpictures.Ihaverecentlymoved

fromaDSLRtoamirrorlesscamera,andI

continuetobeimpressedwiththeresultsI

getwiththissmallerandlightergear.

SunsetatLakeEyre

LumixGX8with25mmLeicaSummiluxlens,

1/125,f13,ISO400

Page 53: Patricia Morton

51

Fishingforbait,TinCanBay

LumixGX8with25mmLeicaSummiluxlens,1/160,f11,ISO200

Page 54: Patricia Morton

52

DavidRaff

In2019JanandIspent8weeksinSouthernAfricaandwewere

presentedwithsomewonderfulphotoopportunities.FoggyMorningwas

takenfromaboatnearRobbenIslandoffCapeTown.GiraffeatSunset

wascapturedattheendofthedaywhenthegiraffecametoasuddenstop

whenitsawourvehicle.

FoggyMorningCapeTownSouthAfrica

OlympusOMD1Mark2:Lens12-100mmf4ISPro:21mm,1/400,f5,200ISO

Page 55: Patricia Morton

53

GiraffeatSunset,Serengeti,Tanzania

CanonPowershotG1XMark3:Lensf2.815-45mm:15mm,1/125,f2.8,ISO250

Page 56: Patricia Morton

54

MarkStevenson

Rum,saltandsass

Page 57: Patricia Morton

55

TheMargaretWhitlamPavilion

Page 58: Patricia Morton

56

SubramanianSukumar

Rose:infrontofhouse

Page 59: Patricia Morton

57

SydneyOperaHouse:takenfromacruiseship

Page 60: Patricia Morton

58

JulieTaylor

IwasborninMalaysiaandwasgivenmyfirst

camera-alittleallmanualRicoh-whenIwas13

yearsold,graduatingtoaNikonFMSLRwhenI

was18-my18thbirthdaypresentinfact.TheFM

sawgreatserviceuntilitcametoawateryendona

glacierinNewZealandin2004,afterwhichI

enteredthedigitalagewithacompactOlympus.But

myloveforNikonwasnottobedeniedpurchasing

aD80in2008,progressingtoaD7000,whichIhad

foranumberofyearsbeforemovingtoaD750.

OverthelastcoupleofyearsI'vebeen

experimentingwithusingmysmartphonecamera,a

SamsungS7,andin2019wenttoVietnamwithmy

phoneasmyonlycamera.TheVietnamphotointhis

year’syearbookistakenusingthatcamera.

Vietnam

SamsungS7-ISO50,1/380f1.74.2mm

(autofunctiononphonecameraused).

Page 61: Patricia Morton

59

Gundaroo

NikonD750,Tamron15-35mm,ISO4001/400f916mm

Page 62: Patricia Morton

60

RobertTriggs

Imostlyfindmyselftakinglandscapesandseascapesbutoldbuildingsand

gardensmakegreatsubjectstoo.OpenGardensintheCanberraRegion

providegoodopportunities.IliketouseHDRwhenIcantoprovideextra

dynamicrange.

BungendoreOldStoneCottage

Exposure1/100atf5.6ISO400,50mmf1.4Canonlens

Page 63: Patricia Morton

61

CottageGarden

Exposure1/80atf9.0ISO400,50mmf1.4Canonlens

Page 64: Patricia Morton

62

GilesWest

Itisalwaysgoodtotraveltorekindleones

interestinphotography.Mongolia

providedjustthatopportunitywithitsvast

landscapes,traditionalwaysoflifeand

troubled,thoughnowstable,politicalpast.

Oldsitescanalsobeveryrewardingwitha

Merimbulaearlymorningseaprovidinga

beautifulwavetobecolouredbythesun.

MalchinPeakinTavanBorgmountainsin

northwestMongolia

NikonCoolpixW300,125,f9,1/500

Page 65: Patricia Morton

63

SunriseMerimbulaatShortPoint

NikonD700,ISO200,f81/800second

Page 66: Patricia Morton

64

LaurieWestcott

In2019RobinandItravelledtotheUK,

NorwayandItaly.Wetravelledalongthe

Norwegiancoastvisitingfjords,townsand

islandsfromBergentoKirkenesnearthe

Russianborderandreturn.InItaly,wejoineda

‘GardensofSicily’tourwhichtookusto

placesofftheusualtouristtrailwithout

missingoutonthehistorical,architecturaland

geographicalgemsSicilyhastooffer.

Infiorata,Noto,Sicily

OlympusOMDEM1;OlympusM.12-40mm

F2.8;ISO400;22mm;f/111/200;0.0ev

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65

SaintPatrick’sWell,Orvieto,Italy

OlympusOMDEM1;OlympusM.12-40mmF2.8;ISO1600;12mm;f/5;1/13;-0.3ev

Page 68: Patricia Morton

66

RobWignell

InthephotooftheGreekmanatthemulticulturalfestivalinFebruary2019I

wantedtocapturetheintensityandenjoymentinhiseyes.Thesecondshotofthe

moonrisingatMollymookinAugust2019,didn'tactuallyhappenlikethis.I

wantedtoseethemoonrisejustabovethehorizonbuttheseamistwastoothick

andIcouldn'tseethemoonuntilitwasmuchhigher.Itookphotosoftheseaand

seamistcoloursandphotosofthemoonhigherinthesky.Aprojectfor2019was

tolearnmoreaboutPhotoshopwhichIusedittoblendthephotoofthemoonwith

theseascape.ThisimageistheonethatIwantedtosee.

Greekman,MulticulturalFestival

Page 69: Patricia Morton

67

Risingmoon,Mollymook

Page 70: Patricia Morton

68

Page 71: Patricia Morton
Page 72: Patricia Morton

SouthsideCameraClubInc.Canberra

2019Yearbook

MembersoftheCanberraSouthsideCameraClubinc.December2019

#DenotesLifeMember

*Denotesacontributortothisbook

CoverphotobySubramanianSukumar

RichardArculus

ChrisAubrey

BarbaraAubrey

ShaneBaker#*

BevBayley*

NickyBazley-Smith

AllenBills*

NormanBlom

GabeBloxham*

VeraBloxham

LuisBonilla

FionaBowring-Greer

GaryBrook

RodBurgess*

PeterCheng

TonyClark

IainCole*

WarrenColledge*

JennyCoutts

LorraineCrawley

CindyCrawford

DougCrawford

HeatherCrawford

KenCrawford#

LorraineCrawley

BobCrawshaw

SheilaCudmore*

PeterCudmore

DianeCutting*

JeffCutting*

HelenDawes*

BarbaraDros

ElspethDuncan

PatriciaMorton

LuminitaQuraishi*

DavidRaff*

RossRowe

PaulRummery

RobinRummery

JohnShaw

MarkStevenson*

GregStringer

KumarSukumar*

JulieTaylor*

GraemeTaylor

RodTier

RobertTriggs*

DerekTrow

MarilynWalsh

DenisWalsh

MalcolmWatson

GilesWest*

LaurieWestcott*

RobWignell*

MikeWoolley

VickiWoolley

NormFisher

NerylFoy*

RodneyGarnett

TonyGarr

MichaelGauntlett*

AnnGibbs-Jordan

JamesGrigg

HelenHall*

PeterHanrahan*

GraemeHarmer

TimHeenan*

JeanHerring

WarrenHicks*

RegJohnson

PeterKeogh*

LynKeogh

AlKlovdah

GraemeKruse#

RobLee*

MadeleineLees#

StephenLees#

RobLewis

Tina-LouiseLewis

PaulLivingston

DennisLovatt

PeterMcCabe

BarryMcGloin

BobMcHugh*

JanMcKenzie

AlisonMilton*

JohnMitchell*

BrianMoir*

JuanitaMoolman

SouthsideCameraClubInc.Canberra2019Yearbook