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Pavilion of the United Arab Emirates at the 57th International Art Exhibition – La Biennale di Venezia --- Artworks Announced for ‘Rock, Paper, Scissors: Positions in Play’, the National Pavilion UAE’s exhibition for the Biennale Arte 2017 Artworks by UAE-based artists Nujoom Alghanem, Sara Al Haddad, Vikram Divecha, Lantian Xie and Dr. Mohamed Yousif will be included in the UAE’s exhibition Artists Rokni Haerizadeh, Ramin Haerizadeh and Hesam Rahmanian, writer Deepak Unnikrishnan and WTD Magazine have been commissioned to contribute to the exhibition publication, which serves as an additional site of exhibition The exhibition explores the theme of playfulness in artistic practice as a source of vitality and inspiration, and a mode of experimentation with movement, sociality, times and places 12 April 2017, Abu Dhabi: The National Pavilion United Arab Emirates (UAE) has announced the selection of artworks to be displayed in its exhibition at the 57 th International Art Exhibition of La Biennale di Venezia, as well as additional commissions to be included in the accompanying publication and a series of activations and projects with cultural institutions in the UAE. Curated by Hammad Nasar, the exhibition, titled “Rock, Paper, Scissors: Positions in Play”, will explore the concept of ‘playfulness’ as a connecting thread across multiple generations of artistic practice in the UAE. It attempts to address a set of nested enquiries: Where does ‘playfulness’ in artistic practice come from? How and where is ‘play’ nurtured? What does ‘play’ do? Commissioned by the Salama bint Hamdan Al Nahyan Foundation and supported by the UAE Ministry of Culture and Knowledge Development, the exhibition will run from May 13th to November 26th, 2017, with a preview from 10th to 12th May, 2017. The exhibition will present a mix of new commissions, existing works and re-fabrications of ‘lost’ pieces by five artists who call the UAE home: Nujoom Alghanem, Sara Al Haddad, Vikram Divecha, Lantian Xie and Dr. Mohamed Yousif. Their exhibited works approach play through movement, rhythm, form, time and place. The accompanying publication and program serve as additional sites of play. “Play and playfulness are vehicles through which we as children learn to understand the world around us and navigate our place in it. This exhibition foregrounds a selection of artists whose practice takes this process of understanding and navigation as a source of inspiration and vitality,” says Hammad Nasar. “These artists fit within an artistic trajectory in the UAE of play and playfulness as a mode of creation. They variously experiment with materials, sound, texts and physical and social processes as part of their artmaking.” “With more than half a million visitors attending each edition, the International Art Exhibition of La Biennale di Venezia is one of the world’s most prominent cultural events. The UAE is proud to be participating in the Art Exhibition for the fifth time with an exhibition that captures a snapshot of the

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Page 1: Pavilion of the United Arab Emirates at the 57th ... · Unnikrishnan and WTD Magazine have been commissioned to contribute to the exhibition publication, which serves as an additional

PavilionoftheUnitedArabEmiratesatthe57thInternationalArtExhibition–LaBiennalediVenezia

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ArtworksAnnouncedfor‘Rock,Paper,Scissors:PositionsinPlay’,theNationalPavilionUAE’sexhibitionfortheBiennaleArte2017

• ArtworksbyUAE-basedartistsNujoomAlghanem,SaraAlHaddad,VikramDivecha,LantianXieandDr.MohamedYousifwillbeincludedintheUAE’sexhibition

• ArtistsRokniHaerizadeh,RaminHaerizadehandHesamRahmanian,writerDeepakUnnikrishnanandWTDMagazinehavebeencommissionedtocontributetotheexhibitionpublication,whichservesasanadditionalsiteofexhibition

• Theexhibitionexploresthethemeofplayfulnessinartisticpracticeasasourceofvitalityandinspiration,andamodeofexperimentationwithmovement,sociality,timesandplaces

12April2017,AbuDhabi:TheNationalPavilionUnitedArabEmirates(UAE)hasannouncedtheselectionof artworks to be displayed in its exhibition at the 57th International Art Exhibition of La Biennale diVenezia,aswellasadditionalcommissionstobeincludedintheaccompanyingpublicationandaseriesofactivationsandprojectswithculturalinstitutionsintheUAE.

CuratedbyHammadNasar, theexhibition, titled“Rock,Paper,Scissors:Positions inPlay”,willexploretheconceptof‘playfulness’asaconnectingthreadacrossmultiplegenerationsofartisticpracticeintheUAE.Itattemptstoaddressasetofnestedenquiries:Wheredoes‘playfulness’ inartisticpracticecomefrom?Howandwhereis‘play’nurtured?Whatdoes‘play’do?

CommissionedbytheSalamabintHamdanAlNahyanFoundationandsupportedbytheUAEMinistryofCultureandKnowledgeDevelopment, theexhibitionwill run fromMay13th toNovember26th, 2017,withapreviewfrom10thto12thMay,2017.

Theexhibitionwillpresentamixofnewcommissions,existingworksandre-fabricationsof‘lost’piecesbyfiveartistswhocalltheUAEhome:NujoomAlghanem,SaraAlHaddad,VikramDivecha,LantianXieandDr.MohamedYousif.Theirexhibitedworksapproachplaythroughmovement,rhythm,form,timeandplace.Theaccompanyingpublicationandprogramserveasadditionalsitesofplay.

“Playandplayfulnessarevehiclesthroughwhichweaschildrenlearntounderstandtheworldaroundusandnavigateourplace in it.Thisexhibition foregroundsaselectionofartistswhosepractice takes thisprocess of understanding and navigation as a source of inspiration and vitality,” saysHammadNasar.“Theseartists fitwithinanartistic trajectory in theUAEofplayandplayfulnessasamodeofcreation.Theyvariouslyexperimentwithmaterials,sound,textsandphysicalandsocialprocessesaspartoftheirartmaking.”

“With more than half a million visitors attending each edition, the International Art Exhibition of LaBiennale di Venezia is one of the world’s most prominent cultural events. The UAE is proud to beparticipating in theArt Exhibition for the fifth timewith anexhibition that captures a snapshotof the

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diverse cultural and creative conversations to which our nation is home,” says Khulood Al Atiyat,ManagerofArts,CultureandHeritageattheSalamabintHamdanAlNahyanFoundation.

NujoomAlghanemwillpresentBetweenHeaven&Earth,theBodyIBorrowed,asoundinstallationbasedonapoetryperformance,Space,avisualpoem,andareproductionofSilsilatAlRamad,Volume1,aself-publishedjournalproducedbytheartistandothermembersoftheAqwascollectivein1985.

SaraAlHaddadwillcontributethreecrochetedtextileinstallations,includingoneexistingworkasyoutrytoforgetmeandtwonewcommissions:don’tyoueverleavemealone,ahangingscreen,andcan’tyouseehow i feel,whichHaddadsheathsoneof theblack steelpillars supporting thepavilion indifferentsizedcrochetedlayersofpinkyarn.

The works by Vikram Divecha are Degenerative Disarrangement, an existing work made from brickswhichwill be “relocated” in anew iteration, andBathingBoulders, a commissioned videoworkwhichdocuments the process of washing large rocks as they were installed as part of Divecha’s 2014 workBoulderPlot.

Lantian Xie presents a selection of ‘things’ throughout the pavilion space, including existing worksHassan’sAshtray,HalfCupSaffronandTaxidermyPeacock,aswellasamajorcommissiontitledArumbleinterrupted our chat – a series of objects and happeningswhichwill unfold inside and outside of thepavilionthroughouttheArtmonthsoftheBiennale.

Dr. Mohamed Yousif has refabricated two previous works which were no longer in existence: Alinsiyabiyya bil majadeef taht al maa, a large-scale installation of wooden oars, and Al Shawahid, anassemblage of anthropomorphic spoons looking on a burial mound, with a small mirror affixed in itscenter.

Dubai-based artists Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian have beencommissionedtocontributea30pageseriesofpaintingsandcollagesconceivedasacreativeplaygroundforthepublication,whichwillgobeyondtheexhibition’scontentstoexplorethecuratorialconceptfromadditional creative perspectives, both visual and textual.DeepakUnnikrishnan haswritten a series ofcontemporary fables for the publication, whileWTDMagazine contribute a projectmapping informalspaces of play in the UAE; both contributionswill also have a physical presencewithin the exhibitionspace. These creative responses to the exhibition’s themes will sit alongside a series of essays. ArthistorianMurtazaVali explores theartistic genealogyofplay in theUAEwitha focuson theworksofHassan Sharif and Abdullah Al Saadi.Uzma Rizvi will write about fluidity and spaces of belonging, asjournalist Osman Samiuddin contributes a piece on cricket, its history and stories within the UAE.EthnomusicologistAishaBilkhairanalysesAfro-Emiratimusicandfolkloricgames,andReemFaddaandMaisaAlQassimiwriteabouttheresearchonAbuDhabi’ssocialclubstheyincorporatedintheircurationofEmiratiExpressions2015.

Inlinewiththecuratorialpremise,severalculturalinstitutionsacrosstheUAEhavebeeninvitedtojointheconversationaroundthethemesoftheexhibitionwithactivationsintheirownprogramming.SomeoftheconfirmedinstitutionsincludeSharjahArtFoundation,TheArtGalleryatNYUAbuDhabi,AlserkalProgramming,Tashkeel,MarayaArtCentre,Warehouse421andLondon-basedartschoolCentralSaintMartins.

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DubaibasedartistHindMezainahasbeencommissionedtodevelopaprogramfortheNationalPavilionUAEexploringthecuratorialconceptsthroughherownpractice.

ResearchforthepublicationwasdoneincollaborationwithArtJameel.Aboutthecurator

HAMMADNASAR

NasarisaLahore-born,London-basedcuratorandwriter,andmostrecentlyservedasHeadofResearchandProgrammesatAsiaArtArchive,HongKong(2012-2016).Heearlierco-foundedGreenCardamom,aLondon-based, not-for-profit organization with a focus on art from South Asia and a commitment toexhibition-led enquiry. Nasar has curated or co-curated numerous international exhibitions, including:LinesofControl:PartitionasaProductiveSpace,JohnsonMuseum,CornellUniversity(2012,Ithaca,NY)andNasherMuseum,DukeUniversity(2013,Durham,NC);DrawnfromLife,AbbotHallArtGallery(2011,Kendal); Beyond the Page: TheMiniature as Attitude in Contemporary Art from Pakistan, Pacific AsiaMuseum (2010, Pasadena, CA); Where Three Dreams Cross: 150 Years of Photography from India,Pakistan and Bangladesh, Whitechapel Gallery and Fotomuseum Winterthur (2010, London andWinterthur); IntheMilieuofFatahHalepoto,SindhMuseumandVMArtGallery(2010,HyderabadandKarachi);SafavidsRevisited,BritishMuseum(2009,London);WhoAreYou?WhereAreYouReallyFrom?Whitworth Art Gallery (2006, Manchester); and Karkhana: A Contemporary Collaboration, AldrichContemporaryArtMuseum(2005,Ridgefield,CT)andAsianArtMuseum(2006,SanFrancisco,CA).

HeservesontheEditorialBoardofTate’s journal (Tateetc),onthe juries fortheV&A’s JameelPrize4andArtBasel’scrowdfundingpartnershipwithKickstarter;andonadvisorypanelsforanumberofartsorganizations internationally, including Delfina Foundation (UK), Alserkal Avenue (UAE) and LahoreBiennialFoundation(Pakistan).NasarwasaFellowoftheUK'sCloreLeadershipProgramandaResearchFellow at Goldsmiths College, London. Prior to entering the art world, heworked in professional andfinancialservices.

IMAGESANDPRESSMATERIAL:http://bit.ly/npuaemedia2017

Forpressinquiries:BrunswickArts,+971(0)22344600+44(0)[email protected] join the conversation followNational PavilionUAE on Facebook | Instagram | Twitter and use thehashtags#UAEinVeniceand#PositionsinPlay

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ARTWORKIMAGESCAPTIONS(ADDITIONALIMAGESAREONTHELINKABOVE)

NujoomAlghanem

BetweenHeaven&Earth,theBodyIBorrowed,1994.Text,documentaryphotographsofperformance,sound(soundrerecorded2017).Imagescourtesyoftheartist.

Space,1984.Typedmanuscript.Imagecourtesyoftheartist.

PagefromSilsilatAlRamad,Issue1,1985(reproduced2017).Photocopiedzinewithpoetry,writing,anddrawingsbyKhalidAlbudoor,NujoomAlghanem,YousifKhalil,andHassanSharif.Imagecourtesyoftheartists.

SaraAlHaddad

asyoutrytoforgetme,2015.Yarn,metalrings,cardboard;dimensionsvariable.ImagescourtesyofNationalPavilionUAE.

VikramDivechaDegenerativeDisarrangement,2013.Interlockingpavementbricks;dimensionsvariable.RelocatedfromAlFahidiHistoricalNeighborhood,Dubai,2017.UprootedfromAlGhubaibabusstand,Dubai,2013.SIKKA2013,commissionedbyDubaiCulture&ArtsAuthority.ImagecourtesyoftheartistandGalleryIsabellevandenEynde,Dubai.

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DegenerativeDisarrangement,2013.OriginalsiteofpavementbricksAlGhubaibabusstand,Dubai.Imagecourtesyoftheartist.

DegenerativeDisarrangement,2013.PavementbricksbeinginstalledCourtyard,House33,AlFahidiHistoricalNeighbourhood,Dubai.Imagecourtesyoftheartist.

BathingBoulders,2017.VideostillsfromHDvideo.VideostillsfromHDvideo,silent,color,singlechannel,04:24min.WashingAssistant:HelalThakurTitonThakur;Videography:VikramDivecha,SwapnaKurup;Editing(BlacktopFilms):DominiquePetrot;PostProduction(WhiteLightStudio):NuttachaKhajornkaitsakul(Colorist),SorawichKhunpinij(DigitalConform),NathamonThatthanakan(VFXArtist),MaxTersch(PostSupervisor),SiripunSangjun(PostProducer).CommissionedbytheNationalPavilionoftheUnitedArabEmiratesforthe57thInternationalArtExhibition-laBiennalediVenezia.

LantianXie

HalfCupSaffron,2016.Saffron,Rainbowcondensedmilk,Liptontea,styrofoamcup,hotplate.CollectionofArtJameel.

Hassan'sAshtray,2014.Ashtray,ashes,cigarettebutts,lighter.CourtesyoftheartistandGreyNoise,Dubai.

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TaxidermyPeacock,2014.CourtesyoftheartistandGreyNoise,Dubai

(Excerptfrom)Arumbleinterruptedourchat,2017.Thingsthathappen;liveband,groupoffriends,party,painting,object.Researcher:MichelleWong.CommissionedbyNationalPavilionUnitedArabEmirates-laBiennalediVenezia.

MohamedYousif

AlShawahid,1981(refabricated2017).Handmadealuminumspoons,wood,mirror,plaster,emulsionpaint.Dimensionsvariable.ImagecourtesyNationalPavilionUAE.

Alinsiyabiyyabilmajadeeftahtalmaa,1995(re-fabricatedin2017).Wood,rope.ImagecourtesyNationalPavilionUAE.

RokniHaerizadeh,RaminHaerizadehandHesamRahmanian

Untitled,2017.Ink,collage,binder,gouache,watercolourandgessoonprintedpaper.A30-pageseries,eachspread23x34cmeach.ImagescourtesyofNationalPavilionUAE.