pedro azevedo architect portfolio
DESCRIPTION
ÂTRANSCRIPT
JUNIOR ARCHITECT
CV
EDUCATIONAL BACKGROUND
SKILLS
LANGUAGES
OTHERWORK EXPERIENCE
PUBLICATIONS
PEDRO AZEVEDO
3D MODELING GRATUATION - YOUREXIT PORTOADVANCED 3DS STUDIO MAX
SPEAK FLUENTLY AND READ/WRITE WITH HIGH PROFICIENCY
NATIVE LANGUAGE
SPEAK AND READ WITH GOOD COMPETENCE
SPEAK AND READ WITH GOOD COMPETENCE
BASIC KNOWLEDGE
AUTOCAD | ARCHICAD | SKETCHUP | 3DS MAX | CINEMA 4D
GRAPHIC DESIGN | PHOTOGRAPHY | TRAVELLING AVAILABILITY
ARTLANTIS | VRAY | MENTAL RAY
ADOBE PHOTOSHOP, ILUSTRATOR, INDESIGN, PREMIER, AUDITION
HAND DRAFTING AND MODELING | DIGITAL FABRICATION
FREE LANCER ARCHITECT/DESIGNER
DRª PATRÍCIA DIOGO, PEDRO AZEVEDO; MASTER THESIS: O VAZIO, A FUNÇÃO E O NOVO NÚCLEO, EQUIPAMENTO CULTURAL NA CIDADE DE CHAVES. 2012, 120 PAGES
ENGEL&VOELKERS; HOUSE’S CATALOGUE 2008, 30 PAGES
HIGH SCHOOL BEST WORKS, 2005
ARCOLINHA ARQUITECTURA, LDA - ARCHITECTURE INTERNI LEARN EVERY PROJECT STEPS SINCE CONCEPT TO DETAILING
ENGEL&VOELKERS - ARCHITECTURE PHOTOGRAPHER
FACULTY OF ARCHITECTURE - UNIVERSIDADE LUSÍADA DO PORTOARCHITECTURE MASTER’S DEGREE
HIGH SCHOOL - ESCOLA SECUNDARIA DE PENAFIELDEPARTMENT FOR ART & PHOTOGRAPHY
JAN.-APRIL 2013 ENGLISH
PORTUGUESE
SPANISH
FRENCH
GERMAN
SEP. 2013 - NOW
JUN.-2012
APRIL 2008
JUN.-2005
SEP. 2012 - SEP. 2013
JAN. 2008-JAN. 2009
SEP. 2006-MAY 2012
SEP. 2003-JUN. 2006
PORTUGAL +351 91299904320/04/1988PORTUGUESE NATIONALITYOBJECTIVE: SEEKING A POSITION AS JUNIOR ARCHITECT/DESIGNER
CHAVES, CHOSEN CITY BY PROJECT III COURSE, TO DEVELOP ANY PROJECT WE WANTED, WICH ALSO WOULD BECOME OUR FINAL DISSERTATION TOPIC.
RIVERSIDE CITY, BATHED BY TÂMEGA RIVER, RICH IN HISTORY AND MONUMENTALITY, SUFFERS FROM A COMMON SYNDROME OF MEDIUM-SIZED CITIES WICH AVIDLY EXPAND OUTWARDS FROM HISTORIC CENTRE; THE URBAN VOIDS.
WAS CHOSEN A VOID ATTACHED TO THE RIVER, WICH WAS REDESIGNED AND EQUIPED WITH NECESSARY INFRASTRUCTURE, NOT ONLY FOR COMMON DAILY ROUTINE, BUT ALSO FOR THE DEVELOPMENT AND SUPPORT OF THE VOID, WITH THE CREATION OF A NEW CULTURAL NUCLEUS, BY INCLUDING A MARKET (SMALLER SCALE BUILDING) AND A CULTURAL CENTER ( LARGER SCALE BUILDING).BOTH BUILDINGS SHARE TIMBER AS EXTERIOR FINISH AND STRUCTURE TOO, HIGH GROUNDED BY PILOTIS SAFEGUARDING ANY RIVER FLOODING.
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CURRENT OCCUPATION, CENTURY XXI
ROMAN OCCUPATION, CENTURY III MEDIEVAL OCCUPATION, CENTURY IX NEW FORTIFICATION SYSTEM, CENTURY XVII OCCUPATION, CENTURY XVIII
CULTURAL CENTERLOCATION: CHAVES, PORTUGALSTATUS: SCHEMATIC DESIGNFOCUS: BUILD A CULTURAL NUCLEUS IN A CITY’S VOID.
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VEGETATION COMUNICATION SURROUNDING BUILDINGS + BUILT STRUCTURE
FOR THE DESIGN OF THIS CULTURAL CENTER, WE PROPOSED TWO BUILDINGS;ONE MARKET (BUILDING OF SMALLER SCALE), ORGANIZED IN BATTERY THAT SHOULD SATISFY THE REQUIREMENTS OF DAILY USERS AND RESIDENTS NEIGH-BORS;AND A CULTURAL CENTER, WITH WORKSHOP ROOMS, SHOWROOMS, DANCE ROOM AND ITS RESORTS AND A MIDDLE SIZE CONCRETE HALL.
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mGROUNDFLOOR PLAN - 350.00m FIRST LEVEL PLAN - 356.00m
schematic transverse section schematic west facade
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1. EXTERNAL COVERING, TIMBER 2x0,12m2. ASPHALT CANVAS 22mm3. THERMAL INSOLATION4. DOUBLE GIRDER, 180x60mm5. INTERIOR COVERING, TIMBER 500x500mm6. THERMAL INSOLATION7. PILLAR IN SIGHT 8. EXTERIOR PERPENDICULAR SUBSTRUCTURE9. EXTERIOR PARALLEL SUBSCTRUCTURE10. AIRBOX 30mm11. DRANAGE WATER CAISING12. IRON INGOT, “Z” SHAPE13. CONCRETE FOUNDATION14. COMPACTED GRAVEL
10 20 50 cm
THE MAIN PURPOSE OF THIS PROJECT, WAS PHYSICALLY CLOSE AN EXISTING PORCH TO EXTEND THE HOUSE INTERIOR.THEREFORE, WE WERE CONDITIONED TO A SPECIFIC VARIETY OF MATERIALS, THAT THE OWNER HAD, TO MINIMIZE THE COST OF THIS EXTENSION.THE CONCRETE BRICK (20x50x25cm) AND TIMBER RULERS (120x12cm) WERE TWO OF THOSE MATERIALS. THE BRICK’S MEASU-RES ESTABLISHED THE METRIC AND THE OPENINGS SIZE AS WELL TO CONTROL THE WASTE. WERE THOUGHT WOOD BOXES BUILTED IN BRICK SPACES, TO SERVE THE NEW SPACE VALENCES, AND WORK AS LIGHT POINTS AS WELL.
INSIDE, THE BRICK WAS AT SIGHT JUST PAINTED WHITE, AND THE TIMBER RU-LERS LAYERED ALL THE BACKWALL TO ENSURE THE ELECTRIC INSTALLATION.OUTSIDE THE PORCH WAS COVERED WITH WAVY METAL PLATE, WICH IS A CHEAP AND USUAL IN AGRICULTURAL SHEDS NEARBY.
HOUSEEXTENSION
LOCATION: VILA CAIZ, AMARANTE, PORTUGALSTATUS: BUILTDESIGN BY: RAÚL SOUSA CARDOSOROLE: PROJECT COLLABORATORFOCUS: BUILD A PORCH, EXTENDED FROM PRE-EXISTING HOUSE, WITH MINIMUM OF RE-SOURCES
GROUNDFLOOR PLAN
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SECTION A-A’
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1. TIMBER VALANCE, WITH EMBEDDED LEDS2. TIMBER BOX, WITH LIGHT INSIDE3. IRON FRAME4. WAVY METAL PLATE IN SIGHT5. TIMBER SILL6. BLASTED GRANITE EXTERIOR SILL7. CONCRETE BRICK (20x50x25) 8. INTERIOR THERMAL INSULATION9. CONCRETE BRICK (20x50x20)10. EXTERIOR LAYER OF BLASTED GRANITE
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10 20 50 cm
THE PURPOSE OF THIS WORK, WAS TO DRAW A FURNITURE, FOR A LIVING ROOM. IT WOULD SUPPORT A TELEVISION, TURN-TABLES AND ITS SPEAKERS, BUT SHOULD BACK UP SOME TRIVIAL OBJECTS OF THAT ROOM; AS CUPS AND BOTTLES, AND SMALL ITEMS WICH WOULD BE STORE IN LOCKERS TOO.
LIVING ROOMFURNITURE
STATUS: BUILTDESIGN BY: RAÚL CARDOSO & PEDRO AZEVEDOFOCUS: DRAW A TELEVISION & SPEAKERS FURNITURE.
THE WOOD HOUSE, IT’S THE FIRST APPROACH TO PRIVATE ARCHITECTURE IN AR-CHITECTURE COURSE. WE SHOULD DESIGN A HOUSE FOR A ARCHITECTURE STU-DENT. THE PHYSICAL SUPPORT OF THE WORK WAS IN CENTER OF OPORTO, 2º BIG-GEST CITY IN PORTUGAL. THE TERRAIN WAS ALMOST SQUARE AND LEVELLED, HAD A DENSE ROW OF TREES WICH SHOULDN’T BE ALIENATED.
THE TREES MARK THE ENTRY INTO THE HOUSE, A PLATFORM RECEIVES THE USER AND LEADS HIM. THE FACADE FACING THE STREET IS IMMACULATE OF OPENINGS ONCE THE HOUSE LIVES TO ITS WON INTERIOR, AWAY FROM THE ROAD CONSFUSION, ALLOWING A GREATER CONCENTRATION TO STUDENT. ALL INTERIOR ORGANIZATION FEATURES IN BATTERY, RESPECTING A GRADATION, FROM THE COMMON SPACES TO INTIMITATE ONES.
THE WOOD HOUSE
LOCATION: PORTO, PORTUGALSTATUS: SCHEMATIC DESIGNFOCUS: BUILD A HOUSE FOR A ARCHITECT STUDENT
1 2 5 m GROUNDFLOOR PLAN
1. ROOF CONSTRUCTION: TWO-LAYER BITUMINOUS SHEETING 200-260 mm ROCKWOOL THERMAL INSULATION VAPOUR BARIER 68mm SOFTWOOD/FIR LUMBER CORE PLYWOOD, 3-PLY2. SUSPENDED CEILING: 35mm WOOD-WOOL ACOUSTIC BOARD 40mm MINERAL-FIBRE THERMAL INSULATION 60/175mm SQUARED TIMBER SUPPORTING STRUCTURE3. DOUBLE GLAZING
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10 20 50 cm
THIS PROJECT, INVOLVES REDESIGNING AN EXISTING SPACE, IN FIRST FLOOR OF A TALL BUILDING. THE SPACE HAD NO FUNCTION TILL THAT MOMENT. IT WAS A LARGE, EMPTY AND UNFINISHED ROOM, WITHOUT FLOOR LAYER OR ANY PAINTED WALLS.THE BUDGET WAS VERY SCARCE.ROOM SHOULD HAVE THREE DIFFERENT FUNCTIONS, STATIONERY / BOOKSTORE, HABERDASHERY AND REPROGRAPHIC.IT WAS USED TWO COLORS TO SEPARATE REMAIN (PURCHASE/SALE) SPACES OF COMMUNICATION SPACES.THE BOOKSTORE, IS LOCATED NEAR A SCHOOL, WILL EXIST A CONTINUE FLOW OF PEOPLE IN AND OUT, AND FOR THAT REASON THE TRANSITION SPACES MUST BE CONTROLLED WITHOUT ALLOW CONGESTION. THE SERVICE SPACES, ARE ORGANIZED IN BATTERY FOR A EASY AND DIRECT ACCESS AS YOU CAN SEE IN ORGANIGRAM (NEXT PAGE).
THE BOOKSTORE
LOCATION: VILA MEÃ, PORTUGALSTATUS: BEING BUILTDESIGN BY: RAÚL CARDOSO & PEDRO AZEVEDOFOCUS: BUILD A BOOKSTORE, HABERDASHERY, AND STATIONERY, IN A PORTION OF AN EXIS-TING BUILDING.
ORGANIZATION SCHEME, MERGED LAYERS
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3D MODELING
THIS IS HOW BOOKSTORE SHOULD LOOK LIKE IN THE END.
OTHER PROJECTS
I CAN SHOW THIS PROJECTS UPON REQUEST
KITCHEN REDESIGNLOCATION: MARCO CANAVESES, PORTUGALSTATUS: BEING BUILTDESIGN BY: RAÚL CARDOSO & PEDRO AZEVEDOFOCUS: REDESIGN AND UPDATE AN EXISTING KITCHEN
LIVING ROOM REDESIGN
LOCATION: PORTO, PORTUGALSTATUS: BEING BUILTDESIGN BY: PEDRO AZEVEDOFOCUS: REDESIGN AND UPDATE AN EXISTING LIVING ROOM
THANK [email protected]