peter upton - september 2014

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Peter Upton The Arab Horse: an equine work of art 16 – 26 September 2014

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Page 1: Peter Upton - September 2014

Peter UptonThe Arab Horse: an equine work of art

16 – 26 September 2014

Page 2: Peter Upton - September 2014

1. Front cover: Galloping Mares, oil on canvas, signed, 36 x 48 inches (91.5 x 122 cm)

Page 3: Peter Upton - September 2014

Peter Upton

The Arab Horse:an equine work of art

16 – 26 September 2014

Mathaf Gallery57 Jermyn Street, St James’s, London SW1Y 6LX

T: + 44 (0)20 7584 2396 M: + 44 (0)7785 250953 E:[email protected]

Page 4: Peter Upton - September 2014

I am honoured to be a part of this latest exhibition of Peter Upton’s, even in so small a way as writing this brief introduction. The title of this exhibition speaks for itself, and indeed anyone acquainted with Peter will attest to his enthusiasm for and detailed knowledge of the arab horse and all things associated with it, from history of the desert tribes to the lives of individual horses bred in far flung corners of the world to modern day horses and the eclectic mixture of human characters involved with them, in equally diverse and fascinating ways.

Peter’s ubiquitous sketch books are filled with images of these characters, both equine and human, as well as amazing landscapes, historic buildings and anything else which may have caught his eye at any given moment. This exhibition, his latest of many, is the outcome of some of the horse sketches he has made over the years. The pictures each convey the individual character of the subject as well as its outward appearance, and this is what renders Peter’s works so precious: they express the essence of each of his subjects. HRH Princess Alia al Hussein

Page 5: Peter Upton - September 2014

2. A Chestnut Colt and Groom oil on canvas, signed, 24 x 20 inches (61 x 51 cm)

“ThisChestnuteventuallybecameanationalchampion andwasexportedtotheUSA”

Page 6: Peter Upton - September 2014

3. White Mare and Foal, oil on canvas, signed, 20 x 24 inches (51 x 61 cm)

“TheMareturnstocallherColtfoalwhocomestrotting”

Page 7: Peter Upton - September 2014

4. A Mare and her Daughter oil on canvas, signed, 18 x 24 inches (45.5 x 61 cm)

“AlthoughtheMareisaChestnut,itisclearthat herlittledaughterwilleventuallyturnGrey”

5. A Mare and her Son oil on canvas, signed, 18 x 24 inches (45.5 x 61 cm)

“ArichChestnutMare,havingachattoherson– probablyofferingadvice!”

Page 8: Peter Upton - September 2014

6. A Bay, Chestnut and a Grey, oil on canvas, signed, 20 x 30 inches (51 x 76 cm)

“ontheirwaybacktothetents”

Page 9: Peter Upton - September 2014

7. Trotting Mares and Foals, oil on canvas, signed, 20 x 30 inches (51 x 76 cm)

“ThreebroodMaresandtheirwell-grownfoals.OneisaColtwithhistailup!”

Page 10: Peter Upton - September 2014

8. The Fleabitten Grey Mare, oil on canvas, signed, 24 x 30 inches (61 x 76 cm)

“AfavouritecoatcolourandfoundalotintheArabbreed.AwonderfulMare,fulloffemininetypeandgoodconformation”

Page 11: Peter Upton - September 2014

9. Halima and Haboub, oil on canvas, signed, 36 x 48 inches (91.5 x 122 cm)

“LargepaintingofaBayUmArgub,andadarkGreyKehiletAjuztrottingoutthroughthesand.Bothgreatmovers”

Page 12: Peter Upton - September 2014

10. Three Sheykhs, oil on canvas, signed, 24 x 30 inches (61 x 76 cm)

“EachrideshisownwarMare”

Page 13: Peter Upton - September 2014

11. The Falconers oil on canvas, signed, 24 x 20 inches (61 x 51 cm)

“ThispictureincludestwoBedouinandfourfalcons, somestillbeingtiedtotheirwokars,onebirdishidden bythenearmanstoopingdowntotiehisfalcontoits block.ItsshadowcanbeseentotheleftoftheBedouin”

12. Saker Falcons oil on canvas, signed, 30 x 24 inches (76 x 61 cm)

“Twosakerfalconsatrestbeforeanafternoon huntinghoubarainthedesert”

Page 14: Peter Upton - September 2014

13. Bedouin Riders, oil on canvas, signed, 20 x 30 inches (51 x 76 cm)

“Attar,HassanandfourothersontheirMares”

Page 15: Peter Upton - September 2014

14. Saluki, oil on card, signed, 12 x 161/2 inches (30.5 x 42 cm)

“AstudyofaSalukiinthedesertfromwhencehecame –alleleganceandspeed”

15. The led Mare, oil on canvas, signed, 20 x 24 inches (51 x 61 cm)

“ABedouinonhiscamel,withhiswarMarebeingled,which washowtheytravelledwhenonlongjourneys”

Page 16: Peter Upton - September 2014

16. Four Greys and a Chestnut, Egypt, oil on canvas, signed, 20 x 30 inches (51 x 76 cm)

“ThispaintingisbasedonsketchesdoneattheEgyptianStateStud(EAO).TheMares spendthedayoutinsandpaddocks,withfeedingtroughs,asintheforeground”

Page 17: Peter Upton - September 2014

17. Eleven Mares in the Dust, oil on canvas, signed, 24 x 30 inches (61 x 76 cm)

“Thethreeleaders,aGrey,aChestnutandaliverChestnutarefollowedthroughtherisingdustbyeightmoreMares”

Page 18: Peter Upton - September 2014

18. The Bay Stallion, oil on canvas, signed, 20 x 24 inches (51 x 61 cm)

“AKehilanAjuzandratherfullofhimself”

Page 19: Peter Upton - September 2014

19. Sunlight Patterns: two Mares, oil on canvas, signed, 20 x 30 inches (51 x 76 cm)

“Asceneofsunlightandcastshadowsundersometress,fromasketchdoneataSpanishArabStud”

Page 20: Peter Upton - September 2014

20. Two Foals, oil on board, signed, 10 x 12 inches (25.5 x 30.5 cm) 21. Two Sisters, oil on board, signed, 81/2 x 11 inches (21.5 x 28 cm)

“Actually twins, born to Fana, a 21 year old Mare”

Page 21: Peter Upton - September 2014

22. Raissa – a Bay Mare, with two Grooms, oil on canvas, signed, 153/4 x 20 inches (40 x 51 cm)

Page 22: Peter Upton - September 2014

23. A Chestnut Stallion, oil on canvas, signed, 20 x 24 inches (51 x 61 cm)

“AportraitbasedonayoungStallionIusedtoride”

Page 23: Peter Upton - September 2014

24. A Chestnut and a Grey Mare, oil on canvas, signed, 20 x 24 inches (51 x 61 cm)

“AnberandAmal–friends”

Page 24: Peter Upton - September 2014

25. A Chestnut and a Grey under some Palms, oil on canvas, signed, 18 x 24 inches (45.5 x 61 cm)

Page 25: Peter Upton - September 2014

26. A Grey Egyptian – head study with a Groom oil on canvas, signed, 141/2 x 18 inches (37 x 45.5 cm)

27. A Chestnut Mare – head study oil on canvas, signed, 10 x 12 inches (25.5 x 30.5 cm)

Page 26: Peter Upton - September 2014

28. The lone Camel Rider, oil on canvas, signed, 20 x 30 inches (51 x 76 cm) 29. In the shade, oil on canvas, signed, 20 x 24 inches (51 x 61 cm)

Page 27: Peter Upton - September 2014

30. Mares and Bedouin in a Wadi, oil on canvas, signed, 20 x 30 inches (51 x 76 cm)

Page 28: Peter Upton - September 2014

31. A Four year old Grey Stallion oil on canvas, signed, 20 x 24 inches (51 x 61 cm)

“Stillquitedarkinhiscoat,withsomedapplesanddark legs,butquiteoldenoughtoshowoffashetrotsaround hisyard”

32. Three Grey Mares oil on canvas, signed, 18 x 24 inches (45.5 x 61 cm)

“ThreeMaresallofEgyptianbloodlines.Thegroupbythemanger includestwooldermaresandatwoyearoldfillygoingthroughthe pink(mahwardi)stage”

The Sladmore Gallery, who are kindly providing the venue for this exhibition, will be displaying a selection of bronze sculpture related to the Arab world

Page 29: Peter Upton - September 2014

Barye’s Turkish horse will be included along with a collection of other fine bronzes by this sculptor who was a close friend and collaborator of Delacroix.

This Goshawk cast in a limited edition in bronze of just twelve examples is by Nick Bibby one of our stable of leading contemporary sculptors whose work is represented and shown at our sister gallery Sladmore Contemporary in Bruton Place.

TurkishHorse,c.1857byAntoine-LouisBarye(French,1796-1875)Height:13"(34cm),Length:7"(18cm)

GoshawkbyNickBibby(English,Contemporary) Height:15”(38cm),Length:17”(43cm)

19th and 20th Century Sculpture

57 Jermyn Street,St James’s,

London, SW1Y 6LXTel +44 (0) 207 629 1144Fax + 44 (0) 207 495 3668

Email [email protected]

The Gallery is open 10am to 6pm Monday to Friday11am to 5pm Saturday during this exhibition, or by appointment.

The Sladmore Gallery, who are kindly providing the venue for this exhibition, will be displaying a selection of bronze sculpture related to the Arab world

Page 30: Peter Upton - September 2014
Page 31: Peter Upton - September 2014

33. Back cover: Good Morning, oil on canvas, signed, 16 x 20 inches (40 x 51 cm)

“I was greatly affected by the painting of Peter Upton. Somehow, all these years later, I realise how much I have missed along the way. I am grateful to get it.

The way in which Peter captures the light and the living brilliance of natural colour, while respecting and honouring the authenticity of the Arabian Horse, so that the horse does not

become a caricature... his art is extraordinary and I really love it.”

RALPH SUAREZ (USA)

“I love the superb work of Peter Upton... probably the best living painter of Arabians.”

ARABIAN LINES FORUM

Page 32: Peter Upton - September 2014

Peter Upton The Arab Horse: an equine work of art

Mathaf Gallery