photography april 2016

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    Lennart Durehed – Vicinity Art And Theory Publishing 2015 ISBN 9789188031181 Acqn 25670Hb 23x29cm 96pp 62col ills £33.50

    Time and place have a central significance in Swedish photographer Lennart Durehed’s work,manifested in titles that usually refer to specific cities or neighbourhoods. Often utilisingreflections to great effect, surroundings become mirrored by glossy facades of glass and metal.This creates visual layers and, like a montage, ambivalent and angular spatialities arise. Twoseries are included in this book, ‘Vicinity’ and ‘Ceilings’, in which buildings are seldom depicted intheir entirety; rather, as details and segments of the urban realm that emphasise the image as animage, drawing out the graphic interplay between surface and depth through their sharpcomposition.

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    Nathalia Edenmont Arvinius + Orfeus Publishing 2015 ISBN 9789187543500 Acqn 25613Hb 23x33cm 264pp 250col ills £52

    Nathalia Edenmont challenges art viewers by touching subjects that are often taboo in westernsociety. With cogent references to historic oil paintings, religious symbols, as well ascontemporary art and fashion photography, Nathalia Edenmont’s artworks can be viewed as amodern expression of traditional iconography. With poignant texts by authors Barbara Pollack,Ingela Lind and Jean Wainwright, this beautifully illustrated book provides a retrospective ofNathalia Edenmont’s artworks throughout her career as an artist, from the beginning of 2002 up

    to today.

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    Dafy Hagai – SunsetPerimeter Editions 2015 ISBN 9780994388315 Acqn 25571Pb 21x28cm 40pp 31col ills £22.50

    Young Israeli photographer Dafy Hagai has made a name for her playful, sexually curious imagesof young women amidst a uniquely Middle Eastern geographic, cultural and architecturalparadigm. Her first book 'Israeli Girls' engendered a new perspective on the queer gaze,bouncing between visual cadences skirting fashion and editorial photography and a refreshinglywide-eyed sense of candidness. Her new publication, 'Sunset', prefaces a more experimental line

    of approach. Shot in and around Israeli beach resort towns, 'Sunset' sidles architecture,abstraction and fragmented figurative gestures amongst an idyllic and faux-idyllic tableaux oflandscapes and beach scenes – the tension between reality and artifice ever-present.

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    Zoe Croggon – ArcPerimeter Editions 2015 ISBN 9780987353061 Acqn 25570Pb 21x30cm 80pp 38ills 25col £27

     Arc  is the debut book by Melbourne artist Zoë Croggon and the winner of the 2015 Asia-PacificPhotobook Prize, sponsored by Grenadier  Press, Singapore, and published by Perimeter  Editionsand Asia-Pacific Photobook  Archive, Melbourne. Croggon's practice revolves around collage in itsmost economical and decisive form. Drawing on found images mining the histories of modernistand minimalist architecture, dance, performance and sporting endeavour, Croggon orchestrates

    highly aesthetic and formally charged arrangements via the simplest of cuts and gestures,pointing towards the limitations and potentials of the body and the built form

    .

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    Lloyd Stubber - Fossil FuelsPerimeter Editions 2015 ISBN 9780987353092 Acqn 25569Hb 17x14cm 48pp 24col ills £32.95

    The Phillip Island Classic in Victoria represents Australia’s premier racing festival for historic cars.Each autumn, racing and motoring enthusiasts travel from around Australia to the Phillip IslandCircuit. Photographer Lloyd Stubber has been accompanying his father Ray, uncle Paul andsister Marlo to Phillip Island to document the race, its enthusiasts and his family’s place in it overthe last three years. Fossil Fuels serves as a repository for these images. Shot between 2013and 2015, the photographs not only speak of the action and aesthetics of old-school racing – the

    blazing paint jobs, brash slogans and exacting attention to detail – but of the various subculturesand family histories that inhabit it.

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    C Photo 10 - Don't Call Me A PhotographerIvory Press 2015 ISBN 9788494282065 Acqn 25581Hb 24x30cm 248pp 200ills 145col £38.50

     After ten years exploring the diversity of approaches employed by contemporary photographers,the final volume of C Photo acknowledges the artists who eschew this label. 'Don’t Call Me aPhotographer!' brings the project to a close with a series of essays by contemporary thinkers whoreflect on what being a photographer means today and what direction the medium is taking. Thevolume includes a selection of images from C Photo that blur the lines between photography andother artforms and whose authors invite us to go one step beyond the image: to its revelation.

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    Inari Tekla - Perinto/ Legacy Aalto 2015 ISBN 9789522920171 Acqn 25844Pb 15x21cm 216pp 75ills 30col £33.75

    This photobook combines found images with poems and photographs by Finnish artist TeklaInari. Divided into chapters, its narrative thread follows the story of a post-war Finnish family.

     According to the book’s creator, the old portrait photographs appearing on its pages werediscovered at flea markets. Other images depict interiors, or the Finnish landscape. At its heart isthe premise that war affects individuals long after the fighting has ceased, evoking complexemotions that are sometimes impossible to express. Those who lost their homes or were forcedto flee may continue to feel like refugees, despite resettling elsewhere. Includes an essay by

    novelist Sirpa Kähkönen.

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    Hannele Rantala - The End Of The Wonderful Times Aalto 2015 ISBN 9789522920188 Acqn 25847Hb 14x18cm 304pp 250ills 125col £28.95

    This book is published in conjunction with a retrospective exhibition on photographer HanneleRantala in the Finnish Museum of Photography that includes works from 1975 to 2015, offering acomprehensive overview of her artistic career. Although it spans four decades, there is clearcontinuity in the themes, as the works explore departures, homelessness, and changes, alongwith borders and liminal situations. Rantala, a long-time expatriate, possesses a great deal ofexperience in such issues. Structured in part chronologically, the book illustrates the changes that

    have taken place in her own oeuvre. Each section includes an explanatory, oftenautobiographical, text by Rantala.

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    Michael Wolf - Hong Kong Assemblage DeconstructedPeperoni Books 2015 ISBN 9783941825895 Acqn 25919Hb 16x21cm 80pp 58col ills £27

    The small back alleys of Hong Kong are utilised by its residents in various ways, often serving asplaces of respite within the relentless rhythm of this densely packed metropolis. For some time,Michael Wolf has been exploring this rich, ever-changing vernacular world, focusing in particularon the interplay between the myriad different objects found there. In a celebration of theaccidental artistry of everyday life, he deconstructed one of these object assemblages,photographing each of its composite parts – coat hangers, plastic ribbon, umbrellas, metal clips,etc. – in his studio. Wolf gives these utilitarian objects a significance symbolic of the individualoccupying the city.

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    Quick Scan NL#02 - Photography NowNederlands Foto Institute 2016 ISBN 9789490119409 Acqn 26059Pb 27x39cm 100pp 125ills 75col £9

    Printed on the occasion of an exhibition at the Nederland Fotomuseum, this large-formatpamphlet includes detailed overviews of work by the seventeen participating artists, together with

    engaging critique and analysis. Presented as an overview of photography in the Netherlandstoday, its focus is largely on a new generation of image makers who are distinguished by theirinvestigative attitude. Its goal is to give an impression of the various positions in the currentlandscape of this artistic vanguard, including the role of the Web as a subject of research andreflection. With work by Gwenneth Boelens, Anne Geene, Stephan Keppel, Ola Lanko, SjoerdKnibbeler, and others.

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    Hideyuki Ishibashi – Presage Amana 2015 ISBN 9784865872880 Acqn 25848Hb 21x26cm 192pp 48ills 24col £78.95

    Hideyuki Ishibashi held his first solo exhibition in Tokyo in 2013. Entitled ‘Présage’, it focused onthe dilemma produced by today’s plethora of digital images and its impact, most noticeably in theshortened attention we give individual images. Ishibashi used photographs found at antiquemarkets, random postcards, shots from Google Street View, and anonymous online images,carefully disassociating them from previous meanings and combining them to create new imagesas a platform for the act of viewing itself. Part collage, part conceptual sketch, fullyphantasmagorical, the photobook with its many foldout pages offers a wealth of visual stimulationand hidden meaning.

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    Peter Truschner - Bangkok StrugglePeperoni Books 2015 ISBN 9783941825888 Acqn 25918Hb 22x29cm 128pp 75col ills £35.50

    Bangkok. This name is loaded. Sex tourism, night markets, construction and high-tech boom. Notof any interest for Peter Truschner. When he was in Bangkok in 2011 and 2013 for severalmonths, he stayed in the neighbourhoods where traders, craftsmen and workers live, peoplewhose lives are dominated by hard, strenuous work without any prospect of prosperity. Work, eat,drink, sleep - often without a solid roof over the head - an endless cycle. Truschner does notshoot explicit pictures of the misery, but simply the everyday life of these people whose trust hehas won. A daily life, that millions of people share, not only in Bangkok.

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    Charlotte Lybeer - Epidermis II Art Paper Editions 2016 ISBN 9789490800406 Acqn 25982Pb 22x30cm 72pp 37col ills £22.50

    The tension between the real world and the parallel world is intensified in these portraits ofmorphsuits. The design and theatricality of public space extends into the private realm. Self-design is a statement in the virtual arena that is the Internet. How do I present myself to theother’s gaze? Which lifestyle do I use to construe an imaginary identity? In their Zentai suits thesemorphers succeed in escaping from the obligatory, omnipresent perception, the pressure of beingseen, all the time, everywhere. They are encapsulated and unrecognisable in a completelyenclosed form, vanishing into a trans-human identity that suddenly infiltrates reality in the placewhere Lybeer portrays them.

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    Gerco De Ruijter - Almost NatureTimmer Art Books 2015 ISBN 9789462261631 Acqn 26055

    Pb 30x30cm 264pp 172col ills £35.50

    Since 1990, landscape photographer Gerco de Ruijter has made abstract images from aboveusing rods and kites. In his photography and films, he explores the boundaries of therecognizable and the reducible presentation of the landscape. De Ruijter’s work is a quest forboth purely natural scenery and the wholly cultivated landscape, and all gradations in between.He seeks to reveal the structured order that humans have made of the landscape, as well as thenatural processes, like erosion, that cause change over time. The book contains familiar scenes,such as Dutch tree nurseries, plus surreal photographs produced in places like Dubai, Iceland,and the United States.

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    Hennric Jokeit - Negative VisionPeperoni Books 2016 ISBN 9783941825918 Acqn 26063Hb 21x30cm 80pp 48ills £32

    “We can think about the negative without being able to see it.” Thus begins photographer HennricJokeit’s series of negative images, which challenges our eyes and brain to focus, taking time toadapt and virtually decipher what we are seeing. Confronted with negative depictions of urbanand natural landscapes, interior scenes, and buildings and objects, the viewer is asked toconcentrate on the singularity of each image, to translate dark into light and vice versa. As such,it allows us to focus more clearly on aspects like composition and formal arrangement within the

    frame of the image, levels of comprehension that are often overlooked. With an essay by PhilipUrsprung.

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    Anne Greene & Arjan De Nooy – OrnithologyDe Hef 2016 ISBN 9789069060491 Acqn 26112Pb 17x24cm 336pp 400ills 300col £26.50

     Anne Geene and Arjan de Nooy combine visual tools from the science of birds with the specificcharacteristics of photography, thereby imparting a fresh look at both. Through theirpseudoscientific approach, Geene and De Nooy explore the boundaries between the twodisciplines, adding a layer that is usually absent in the representation and science of birds:humour. Their classifications form comical results through creative and associative thinking, andyet they use the scientific method to also create an artistic microcosm that seems far removedfrom its strictly ornithological counterpart. Together, Geene and De Nooy depart from the “classic”aesthetic of bird representation.

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    Patrick Zachmann - So Long ChinaEditions Xavier Barral 2016 ISBN 9782365110938 Acqn 26019Pb 17x23cm 592pp 345ills col £36Text in French

    For over thirty years, Patrick Zachmann has travelled across China, a country he discovered in1982 while reporting on the Chinese film industry. From Hong Kong triads in the 1980’s to themutation of the city of Beijing through Tiananmen Square protests, this book brings togetheraround 350 B&W and colour photographs, in which the small and the great history meet in achanging country. The underlying theme of this long-term work is the issue of identity, thatbecomes for the new generations in loss of marks of identity, a major concern.In an intimate format, this book recalls the travel diary punctuated with excerpts from PatrickZachmann’s travel log written during his travels. These quotes bring new light on thesephotographs, as well as on the work of a photographer in a society where censorship and statemanipulations prevail.

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