portfolio bach / master digital laura ve

132
PORTOFOLIO L A U R A _ V E _ 2 0 0 4 - 2 0 1 0 BERGEN SCHOOL OF ARCHITECTURE

Upload: laura-ve

Post on 21-Jan-2015

4.542 views

Category:

Education


11 download

DESCRIPTION

This e-book shows some of the works from my bachelor and master courses from Bergen School of Architecture.

TRANSCRIPT

Page 1: Portfolio Bach / Master Digital Laura Ve

PORTOFOLIO L A U R A _ V E _ 2 0 0 4 - 2 0 1 0BERGEN SCHOOL OF ARCHITECTURE

Page 2: Portfolio Bach / Master Digital Laura Ve

BACHELOR LAURA VE LAST BACHELOR COURSESBERGEN SCHOOL OF ARCHITECTURE

Page 3: Portfolio Bach / Master Digital Laura Ve

B Y R O MBACHELOR COURSE AUTUMN 2006

Page 4: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_BYROM

Page 5: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_BYROM

PANORAMA SKUTEVIKEN

SKETCHING 1:1HISTORISK KONTAKT SJØ-FJELL IDAG : BLOCK NYTTEVERDI? BRUK?

INV

ITER

E

OPPRETTE NY FORBINDELSE

NY BRUK : REKREASJON

NY IDENTITET SKUTEVIKEN

HOW TO CONNECT TO THE WATER AND MAKE PEDESTRIAN DIRECTIONS FLOW

Page 6: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_BYROM

Page 7: Portfolio Bach / Master Digital Laura Ve

FLATER MØTER:D

AV

:OVERG

AN

GER

:MATERIA

LER

Page 8: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_BYROM

:PRO

JECT

Page 9: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_BYROM

Page 10: Portfolio Bach / Master Digital Laura Ve

B Y G R E N DBACHELOR COURSE WINTER 2007

Page 11: Portfolio Bach / Master Digital Laura Ve
Page 12: Portfolio Bach / Master Digital Laura Ve
Page 13: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_BYGREND

Page 14: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_BYGREND

Page 15: Portfolio Bach / Master Digital Laura Ve

D E LTA K A RBACHELOR COURSE SPRING 2007

Page 16: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_DELTAKAR

Page 17: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_DELTAKAR

Page 18: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_DELTAKAR

Page 19: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_DELTAKAR

Page 20: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_DELTAKAR

Page 21: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_DELTAKAR

Page 22: Portfolio Bach / Master Digital Laura Ve

:USE O

F TH

E B

UIL

DIN

G

Page 23: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_DELTAKAR

Page 24: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_DELTAKAR

sections and perspectives from building

section showing light coming in to the building from south

perspective showing vest-fasade groundfloorperspective from inside first floor facing north-vest

shows different type of use of the building in levels, the open form and the vertical use. potential

Page 25: Portfolio Bach / Master Digital Laura Ve

BACHELOR_AUTUMN 2006_DELTAKAR

:MODEL PERSPECTIVES

Page 26: Portfolio Bach / Master Digital Laura Ve

M A S T E RLAURA VE MASTER COURSESBERGEN SCHOOL OF ARCHITECTURE

Page 27: Portfolio Bach / Master Digital Laura Ve

L A R G E E N E R G Y EFFICIENTBULDINGS MASTER COURSE AUTUMN 2007BERGEN SCHOOL OF ARCHITECTURE

Page 28: Portfolio Bach / Master Digital Laura Ve

Bergen School of Architecture (BAS)

The Course :

Large, Complex, Energy Efficient New and Existing Buildings 1.9.2007. - 25.1.2008.Task 1 - Study Trip : One week in London Task 2 - Refurbishing : Buckingham Palace towards a zero en-ergy complex Task 3 - Practical Task : Building small Solar Heating System at BAS, BergenTask 4 - Design : Europe’s most energy efficient building, Oslo

Course Designed By Harald N. Røstvik Sivilarkitekt Harald N. Røstvik AS Kirkegt 3, PB 806, 4004 Stavanger, Norway. + 47 92226710 www. sunlab. no

Teacher 2 : Øyvind Beyer.

DAV : Suvi Nieminen.

Seminar 1 : Max Fordham, London.

Seminar 2 : Alexandros Tombazis, Athens

Attending students: Agathe Hoff, Anja Drozdik, Anja Egebakken, Are Foss, Eva Oulie Alvarez, Fredrik Sund, Jonas Bjørklund, Kjersti Uhre, Laura Ve, Lisa Selvåg, Maja Cimmerbeck, Marit Kornberg, Pål Hystad, Thuy-Duong Thi Vu, Tove Grande Dyb, Tryggve Solløs, Øistein Myklebust.

Page 29: Portfolio Bach / Master Digital Laura Ve

BACKGROUND

The work of architects and planners probably include respon-sibilities for as much as half of the global CO2 emissions, if we encompass the manufacturing of building materials, the build-ing process and the running of buildings and their demolition plus all the transportation need this causes throughout their lifetime.Where we build dwellings in relation to where we work and shop, as well as how we build, creates considerable energy and transportation needs.Hence – the challenges and responsibilities of architects are huge.Architects are in other words one of the most powerful profes-sions and the one that probably can respond most adequately to the global environmental challenges.At Bergen School of Architecture (BAS), Norway, we educate architects that are taught to take on challenges as well in-formed individuals that see their important role in society.Throughout the course “Large Energy Efficient Existing and New Buildings” we have tried to strengthen the ability of the students to respond architecturally to environmental challeng-es. We have done this through design tasks that aim at both refurbishing existing buildings in an environmentally satisfac-tory way and through new designs and practical tasks like that of building solar collectors.The aim has been to learn through seeing and doing and the experience has uncovered that even by doing mistakes one can learn how to improve crucial abilities.It is the aim of BAS to develop design abilities based on sus-tainability knowledge - or as we name it here HOLDBARHET – as a key and crucial throughout-flowing-element in the edu-cation of architects. We believe it is this sort of architects the world need and is now calling for.

Harald N. Røstvik, Sivilarkitekt - Course Designer

OVERALL CURRICULUM

1 Introduction2 Global Energy : Environment- and Climate Challenges. The Role of the Architect. In Norway - 40 % of energy is used in buildings. Half of global CO2 from buildings + materials. 3 Shelter : Designing for the Homeless. The Big Picture. 4 The Site : Character, Possibilities and Limitations. 5 Energy Efficiency : EC Building Directive on Energy. Insulation. Wind-barriers. Equipment. Glass in Architecture. 6 Ventilation : Forced-, Natural- and/or Combined. 7 Energy Source : Fossil or Renewable. Cost. Architectural Consequences. Centralised or decentralised. 8 Materials : Life Cycle Analysis (LCA). Healthy Buildings.

CONTENT

STUDYTRIP LONDON

DAV-COURSE, teacher Suvi Nieminen

REHABILITATION EXISTING BUILDINGS - Buckingham Palace

MAKING OF SOLAR WALL

DESIGN TASK -“Europes most energy efficient building”

Page 30: Portfolio Bach / Master Digital Laura Ve

STUDY TRIP, LONDON

Theme : A critical view on how the ”masters” of architecture of our time respond to the environmental challenges.

Visit The Mayor of London’s offices / GLA. Foster & Partners.

Visit Swiss Re. Foster & Partners.

Visit and tour of Foster & Partners’ office.

Visit Tate Modern by Herzog & de Meuron

Visit the British Museum, Foster & Partners

Millenium Bridge, Foster & Partners

Visit RIBA Bookshop

Visit Serpentine Gallery, Snøhetta

Visit Design Centre, The Zaha Hadid Exhibition.

Page 31: Portfolio Bach / Master Digital Laura Ve

Sammendrag av møte med /foredrag av Stefan Behling, ansvarlig for ecoplanning og sustainability i Foster + partners, prof. Univ. Stuttgart.

Vi møter Stefan Behling i Foster + Partners lokaler i Kens-ington, Vest London. Behling har vært partner siden tidlig på nittitallet, og har i følge nettsidene ansvaret for satsingen på økologi og bærekraftig utvikling. I tillegg er han leder for Fosters Tyskland-kontor, og står ansvarlig for ombyggingen av riksdagen i Berlin.Kontoret ved bredden av Themsen er et svært landskap, med et svært innfall av naturlig dagslys. Et hundretalls arkitekter sitter og jobber, selv om det begynner å bli kveld. Behling slår ut med hånda. -En gang måtte vi si opp mesteparten av folkene våre, på den såkalte ”black friday”. Vi var bare 60 stykker i alt. Nå har vi mye å gjøre, og ingenting er bedre enn det. Han viser frem bygningsmodeller i 1:500 laget med 3D-printer, der solinnstrålingen på bygget er markert i ulike farger. -Dette er fremtiden, forklarer han. -3D-printing har forandret faget nesten like mye som selve computeren. Slik jobber vi med design.Han tar oss med opp til et møterom på en mezzanin over kon-torlandskapet. På veggen henger et nytt byprosjekt fra Sau-diarabia, som vi ikke får lov å referere fra, og i hvertfall ikke ta bilder av. Byggherren har nettopp vært på møte, og tegnin-gene henger fortsatt oppe. Klienten ville aller helst ha et mye større areal, men har blitt overtalt til å gjøre byen mer kom-pakt, ut fra hensyn til transport- og energi-effektivitet samt et redusert fotavtrykk. -Vi forsøker å skyve fremover miljøvenn-lige løsninger, hvis klienten er villig til det, og av og til lykkes vi i å overtale klienten, forklarer Behling. -Men hvis klienten ikke er interessert, bygger vi naturligvis etter ønskene, og in-

nenfor de avtalte rammene til prosjektet.Ivrig tar han oss med videre, og stanser foran Green Mountain Prosjektet i Libya. -Byggherren her er.. det er litt komplisert og mange mellommenn, men det er broren til Ghadafi som vil at vi skal gjøre dette. Og et så stort prosjekt som dette, med alle elementene i det, selvsagt gjør vi det.Prosjektet i Libya er det første hydrogenbaserte prosjektet, med lokal arkitektur\, solceller i ørkenen etc. Like stort som hele cote d azurWith its emphasis on renewable energy and integrated re-gional planning Cyrene Declaration will also be of relevance to other countries.Solceller i ørkenen skal produsere elektrisitet, varme og hy-drogen til transport.new model of socio-economic development The Green Moun-tain region covering some 5,500 sq kilometresThe region is rich with prehistoric, Greek, Roman and Islamic antiquity. Of equal urgency is the protection of the local ar-chaeological and natural treasures-Men hva hjelper det hvis velstående turister flyr hit og spiser argentinsk biff? Det genererer endel inntekter til lokalsam-funnet, men hjelper lite for økoregnskapet... Vi pusher hele tiden, men våre ferdige prosjekter blir fort som ”gamle hat-ter”, de representerer den beste tenkningen for ti år siden. Vi forsøker hele tiden å anvende den siste tenkningen, og høste energigevinst hele veien. Det er noe som er absolutt gitt. Tårn er naturligvis ikke bærekraftige, men noen vil bygge dem uansett! Vi vil ikke være dem som foreslår å bygge små stråhatter i stedet, dessuten vil vi at våre bygg skal se fantas-tiske ut...

Hvor bevisst er dere på materialbruk?-Bærekraftige materialer er underutviklet i dag, den ibo-ende energien i materialene i dag er ganske liten i forhold til byggets totale energibruk, og har liten betydning globalt. Vi vil ha glass, men glass er ikke bærekraftig, resirkulert glass ser heller ikke bra ut enda. Dette ligger langt inn i fremtiden, er ”token stuff” egentlig.

Page 32: Portfolio Bach / Master Digital Laura Ve

Hvordan vil du beskrive din tankegang; Eco, grønn bærekraftig?-Ord er farlige. Et par økobygg kan få folk til å snakke om temaet, tenke litt, men betyr ingenting. Samfunnet, folk flest, må finne en måte å leve bærekraftig på, finne en motivasjon. Byplanlegging er mer interessant enn enkeltbygg, det tar ten-kningen endel videre. Det avhenger igjen av klienten, og hvor mye en klarer å påvirke dem.

Er det interessant å jobbe med å endre eksisterende byer i Europa, i stedet for å planlegge nye byer i tredje verden?-Alt er der allerede, og vanskelig å endre. Hvis noen bor godt, i en leilighet for 4000 pund i uka, flytter de ikke frivillig. Å rive bygget er umulig. Fremtiden ligger i den tredje verden. Eu-ropa er for verden omtrent som Italia er for Europa. Pittoresk, nydelig og interessant, men uten betydning globalt. Forskjel-len kan skapes i Kina, India og lignende land. Deres utvikling kan bringe situasjonen til et ”tipping point”. Det er viktig å tenke globalt i denne sammenhengen. Gjennom min praksis blir verden til et mindre sted, der ting finner sted simultant på alle kontinenter. Som en tysker kan jeg selvsagt godt se at Europa utvikler ideene, og sprer de ut i verden, men det er heller ikke avgjørende. Prosjekter må ha en viss skala for å gjøre en forskjell, jeg er som sagt skeptisk til retrofitting. Nye vindusglass...resten er panikk. Kina for eksempel, utvikler seg voldsomt raskt, men på en amerikansk måte. Maskinen kjører og kjører, det er ikke lett å stoppe den, eller påvirke i noen retning. Et aspekt er jo verdensøkonomien, som i stor grad dikterer tempoet i dette. Og verden er ikke syk, men har en litt rennende nese.

Økonomisk eller økologisk?Økonomien trenger gjennom alt, er alt. Et økonomisk krakk vil legge hindringer for en hver utvikling, postitiv eller negativ.-Hvordan holder du deg oppdatert på fagfeltet?-Vel, det er min plikt å holde meg oppdatert på alt som skjer. Jeg ville vel ha gjort det dårlig på en quiz, men kjenner alle prinsippene. Vi kjøper de beste konsulentene vi kan få for penger, men i bunn og grunn er de grunnleggende prinsip-

pene de samme. Hvis man ser på denne hellige gralen av bærekraft, så jobber folk bare rundt på kantene, uten å berøre det sentrale i materien. Byer derimot, er mer kom-plekse og altomfattende, byplanlegging er ”the next big thing” etter min mening. Jeg kan se for meg et skifte i fremtiden, vi kan gjøre massive endringer, men det går alltid senere enn jeg forventer. Men jeg sitter med en følelse av at de ulike landene forsøker å sette dette på agendaen. Men det er mye opp til de enkelte lederne. Se for eksempel på USA, og valget Al Gore tapte. Det minner meg om ”Sliding Doors”, hva om...? Hvis han virkelig ville praktisert det han preker nå, som leder for verdens mektige land, hadde verden sett annerledes ut i dag. Så med alle disse variablene er jeg i bunn og grunn opti-mistisk, alt er mulig!

Hvilket prosjekt er du mest, eller minst, fornøyd med?-Jeg er alltid fornøyd. Og jeg har ikke egentlig noe favor-ittprosjekt heller. Tvertimot, med en gang et prosjekt er fer-dig, orker jeg nesten ikke å se det engang. Det tar lang tid før jeg kan se kritisk eller vurderende på det. Altså, jeg sitter i design-styret her i firmaet, og overser i dag 150 prosjekter parallelt. Hver morgen vurderer vi nye prosjekter, det er et stort volum.Og i det siste, etter å ha jobbet på spreng med prosjektet i Libya, med pressen hengende over oss dag og natt, klienten er tilfreds og økonomien i prosjektet er god, vel, jeg er en fornøyd gutt!

Dermed er møtet over, og vi rusler ut i London-kvelden, betenkte og oppstemte på en gang. Vi har fått et verdifullt innblikk i hvordan en av de største aktørene i den globale arkitektur- industrien forholder seg til temaet bærekraftig utvikling, og prosessene som skyver det hele fremover. Og jeg lurer på hvor mye en Guiness koster i Kensington, Foster’s er ikke fullt så aktuelt i kveld...

Page 33: Portfolio Bach / Master Digital Laura Ve

Møte med Max Fordham, i hans kontorer nær Camden Town, London

Kontorene til Max Fordham er naturlig ventilert, naturlig belyst og fulle av folk som arbeider. På veien gjennom bygget ser vi en stor plansje der den siste tidens energibruk er visu-alisert med tabeller og grafer. I den øverste etasjen inntar vi et møterom, en videokonferanse med Edinburgh-kontoret er nettopp ferdig.

-Hvis man ser på historien, er det svingninger i arkitekturen, som gjerne varer over hundrevis av år. Det virker vanskelig å bryte ut av tidens fashion. Mies begynte å designe skysk-rapere på 1920-tallet, og for nåtidens arkitekter virker det svært vanskelig å ikke bygge skyskrapere. Men det er alltid noen som går foran. På femtitallet bygget Field and Clay et bygg med 40 cm yttervegger, 30 cm isolasjon, hulromsveg-ger, små åpninger og liten innhyllingsflate. De brukte tredo-ble glass, det var totalt nytt den gangen. Og interiørene var mørke og kalde (latter). Og nå, i senere tid, har Peter Clay sagt at ”vi må slutte å bruke alt det glasset”! De skyver det fremover hele tiden. Tidlig på syttitallet ble jeg kontaktet av Rogers og Foster, i daværende Team 4. De ville ha meg med på laget, og de ville forandre arkitekturen, de ville lede sin generasjon. Problemet var at de ikke ville betale meg (lat-

ter). Men de gikk inn i tidens mote på sett og vis, og nå leder de absolutt sin generasjon. Hvis en ser på andre som Gehry, Hadid, Liebeskind og Koolhaas, virker det som om de subjek-tive verdiene er veldig viktige. På samme måte som couture var viktig for rike kvinner for å vise seg, er arkitektur nå viktig for rike organisasjoner for å vise seg frem. Ta for eksempel agurken til Foster, eller Swiss Re bygget som det heter. Ingen her visste hva Swiss Re var før det bygget, nå vet alle det! Byggekostnadene var kanskje 20-30 000 kr pr kvadratmeter, det er et svært bygg, men en reklamekampanje ville ikke hatt samme effekten. Og nå har de solgt bygget, med fortjeneste! Det er en funksjon her som er viktig. Samti-dig er det farlig å tenke smått. Jeg oppfordrer alle dere unge arkitekter til å drømme om å gjøre de største og mest fantas-tiske prosjektene. Når jeg startet opp, nyutdannet ingeniør, hadde jeg tanker om å sysle med små prosjekter, og gjøre de så godt jeg kunne. Nå jobber jeg i en veldig bred sammen-heng, og har muligheten til å bidra til svære prosjekter, og derfor gjøre en forskjell.

Global oppvarming er deprimerende. I Asia for eksempel, kopierer en 20-tallets internasjonale stil, på en dårlig måte. Hvis de for Norman Foster til å tegne det for dem, blir det kanskje litt bedre, men de samme tingene skjer. Foster har en ganske stor praksis, og folk må ha noe å gjøre. Naturligvis selger de det markedet ønsker. Men de får til noen bra ting, da (latter). Ta for eksempel Stansted flyplass. Den er svært god. Hele publikumshallen er naturlig belyst, det er et vel-dig bra forhold mellom gulv og tak-areal, store deler av lyset blir reflektert tilbake til taket gjennom perforerte solskjermer som reflekterer på ene siden, noe som øker dagslysfølelsen. Det trengs neppe noe air-condition heller, siden rommet er så høyt. Jeg vet ingenting om oppvarmingen av bygget.Uansett, visjoner må ha et mål! Bærekraft-temaer kommer kanskje litt for sent for Foster, det blir mye lipservice. Og jeg av alle vet hvor enkelt det er å manipulere med tall. Det spørs bare hvem som regner ut tallene! (latter) Men utregningene er likevel helt sentrale for valget av designstrategier. Og dere må finne ut hvilke strategier som er best, og ikke vær pessi-mistiske, en utvikling finner alltid sted!

Page 34: Portfolio Bach / Master Digital Laura Ve

Hva er din vurdering av GLA-bygget som vi nettopp har besøkt, eller rådhuset i London?

Det er litt vanskelig å svare på for meg. Måten bygget er orientert på har som kjent en hensikt relatert til innstråling og avskjerming, men jeg er glad ikke jeg fikk jobben med å forsvare formvalget (latter). For å forsøke å forklare hva jeg mener, må jeg gi et eksempel fra et annet bygg. Cocomas, en regional administrasjonsbygning i Saudi-Arabia, tegnet av Otto Frei. Dette var nær ekvator, og lokale tradisjoner førte til at bygget ble utformet som en hemisfære, men av glass, med et amfiteater inni.Problemet her var å skjerme mot direkte sollys, det viste seg å være vanskelig. For i dette området står solen svært høyt, og hvis en tenker å lage solskjermer og i tillegg slippe inn mest mulig dagslys, står en egentlig foran ett alterna-tiv, og det er bevegelige solskjermer. Sola vil i løpet av året skinne sterkt på alle deler av overflaten. På et prosjekt jeg gjorde i Finland engang var det mulig å montere permanente solskjermer i tillegg til å slippe inn nok dagslys gjennom et relativt stort takvindu, av den grunn at solbanen er lav. Men i cocomas-prosjektet var dette altså ikke en mulighet. GLA-bygget møter lignende problemer, og bruker nok for mye en-ergi på temperatur-regulering.

På en overskyet dag, blir lyset svært diffusert, solen er skjer-met. Hvis en forutsetter at designet til et kontorbygg slipper inn nok lys på en overskyet dag, blir det for mye innstråling hvis sola skinner. Lysstyrken øker da med ca 50 ganger! En liten stund er det deilig med sol, men over flere timer blir det et stort problem. En trenger bevegelig solskjerming, om bygget er tiltet mot nord eller sør er uten betydning.

Hva mener du om Norman Foster?

Foster vet alltid hva han vil ha, og folk som jobber for Fos-ter vet det også. En gang jeg jobbet på et prosjekt for dem, skulle vi ha et kveldsmøte før presentasjonen om morgenen. En ung arkitekt hadde ansvaret for designet, og en senior-partner fra Foster var tilstede. Og han likte ikke det han så.

Beskjeden var klar; få skikk på disse tegningene til i morgen, dette er ikke bra nok! Og han satt vel hele natten og jobbet, for dagen etter var det blitt mye bedre. Derfor har Foster en veldig tydelig, gjenkjennbar stil. Rogers gir gjerne folk mer frihet, og porteføljen hans er også mer variert.

Belysning?

Hvis en benytter et rør av reflekterende materiale innvend-ing, f.eks. aluminium, kan en plukke opp lys fra taket på en overskyet dag. Ute er det 5000 lux, og en kan belyse et rom på 10 m2 til 500 lux, eller 20m2 til 250 lux. Dette finnes det ikke noen fasitsvar på, det avhenger av en lang rekke fak-torer. Men jeg er overbevist om at en må senke lysnivået i kontorbygg, særlig nå som bruken av computer er så utbredt. Til noen oppgaver er det nødvendig med 1000 lux, men også 200 er tilstrekkelig, etter at øyet har vendt seg til det. Hvis en er på et slikt minimumnivå, kan dagslyset klare jobben, og en kan evt. tilføre energi fra strømkilder. For å si det helt brutalt, i et energieffektivt bygg kan en bli nødt til å velge mellom å ha det lyst, eller ha det varmt!

Max holder en lang tale;

For ti tusen år siden oppdaget mennesket ilden, og vi fortsatte å eksperimentere. Vi oppdaget kullet, som med sin super-varme flamme gjorde det enkelt å lage stål. Kullet ble driv-ende i all industriell aktivitet, og gir en rekke fordeler, som å kunne ha det varmt og lyst inne hele vinteren. Problemet er at all denne velstanden er basert på fossilt brennstoff, og at vi er en milliard mennesker som holder på med dette. Hvis ti mrd. av oss skulle ha disse samme fordelene, ville vi bruke ti ganger mer energi enn i dag. Derfor må energibruken re-duseres, og den må reduseres gjennom bygningenes energi-bruk, som er godt over halvparten av det samlede forbruket. Mange av godene den industrielle revolusjonen har gitt oss er åpne for diskusjon, som hvor lyst skal det være inne en vin-terkveld, om en trenger varmekabler ute for å slippe å måke snø... Lyskvalitet er et uspesifikt begrep, mens spesifikke be-grep er en del av et hvert design.

Page 35: Portfolio Bach / Master Digital Laura Ve

Et kjempeproblem med bygningers energibruk er som kjent at de aller fleste bygningene er gamle og ineffektive, og i tillegg er mange av dem beskyttet av antikvariske lover. Her i Eng-land har vi en rekke statlige organisasjoner som jobber med å beskytte historiske bygninger, pluss en rekke private, mektigelobbyorganisasjoner. Hvis en i fornuftens navn ønsker å et-terisolere eller sette inn doble vindusglass i en eldre bygning, møter en som regel dette trollet. Hvilke motiver de har er vel klart, men hvis de virkelig vil gjøre noe godt for verden kan de gå å henge seg. Det som er viktig er at folk ikke sulter og lider nød rundt i verden, ikke at Somerset House ser nøyak-tig ut som det gjorde på attenhundretallet. Folk må se litt på prioriteringene sine.Og hvilke alternativer har vi egentlig? Ideen om kald fus-jon, som en rekke forskere har jobbet med i tiår nå, virker jo svært god, og vil gi tilnærmet gratis og ren energi til hele verden. Men forløpig er det helt i det blå, og er ikke en god strategi å satse på fremover. I tillegg, hva skal en gjøre med all spillvarmen?Vi står foran sannsynligheten av en nedgangstid foran oss, men vi kan planlegge mot det. Foster var skuffet over respon-sen fra Kina på miljøvennlige tiltak, men vi har vært nervøs og skuffet over kineserne før. For en tid tilbake var mange bekymret over befolkningsveksten i Kina, men kineserne fikset det. Hvem vet, kanskje i fremtiden vil de forby kull og fossile brennstoff, og hvis de i tillegg dominerer verden, kan-skje kull vil bli forbudt internasjonalt! I 1939 ble alle vinduene i England blendet på bare to uker. Folk gikk rundt i byen om kvelden, og hvis noen så et opplyst vindu, ga de beskjed straks til de det gjaldt. Tenk hvis en lignede aksjon ble satt i gang om doble, eller triple vindusglass! Bare folk innser den umiddelbare trusselen er de motivert nok.

Hvem vil betale en slik regning?

Hvor mye koster Irak-krigen? Finans er et interessant tema.

Penger er bare et symbol for ressurser. Tidligere var ressursen arbeidskraft. Den økonomiske prossessen er økonomisk ut-vikling. Drivstoffet olje! Hva gjør vi når det blir tomt? Hvis for eksempel alt skattetrykket blir skiftet over på bruk av fossilt brennstoff, vil en stimulere operasjoner som ikke bruker olje eller kull. Dette er selvsagt politisk, og vi trenger en puritansk revolusjon! (latter)Men en kan ikke forvente i et demokrati at folk vil gjøre noe som de fleste hater, folk må rett og slett overtales. Men husk at kristendommen spredte seg gjennom hele Romerriket på bare 60 år!

Page 36: Portfolio Bach / Master Digital Laura Ve

D A V L A R G E E N E R G Y

E F F I C I E N T B U L D I N G S

Page 37: Portfolio Bach / Master Digital Laura Ve

DAV DEL1 03.-08.09. og 12-13.09.2007

Som oppvarming til store komplekse energieffektive bygg Oppgave-formuleringen i forkortet versjon:Undersøke detaljer, celler, enheter, prinsipper, som en del av større strukturer, organismer, konstruksjoner. Innenfor fysikk, fysiologi, teknologi, arkitektur, musikk, språk, ornamentikk, design, etc. Lage notater, raske skisser, bemerkninger om detaljer som interesserer deg. Kanskje pga det visuelle, funksjonelle eller konstruktive. Meningen her er å gi ideer, en ramme for en situasjon, et utgangs-punkt som kan brukes i videre undersøking og registrering av vindens, vannets og solens (eventuelt andre mulige energigilder?) bevegelser og egenskaper.For å oppnå situasjoner der du gjennom egenerfaring kan komme i kontakt med naturelementene som representerer energipotenssial. Tenke ut og velge materialer som har egenskaper til å kunne reflektere, lede, fange, samle, videreføre etc. Prinsipper, detaljer prøves ut gjennom valg av materialer og handling i rommet. Materialer som har sannsynlige egenskaper til å kunne fange, lede vind, vann / reflektere, motta, solstråler. Skape situasjoner som gir rom for å undersøke flater, vinkler, hul-rom, spor, masse, letthet, mulighet for bevegelse. Undersøke hva må til for å maksimere, vindens, vannets, solens en-ergieffekt i enkle prinsipper.

Suvi Nieminen(Eng.)As the heating of large complex energy-efficient buildings Task word-ing in the abbreviated version: Examining the details, cell, devices, principles, as part of larger structures, organisms, structures. In physics, physiology, technology, architecture, music, language, orna-ment, design, etc. Make notes, quick sketches, notes on the details that interest you. Perhaps because of the visual, functional or con-structive. The idea here is to provide ideas, a framework for a situa-tion, a point that can be used in further investigation and registration of wind, water and sun (or other possible energigilder?) movements and characteristics. In order to achieve situations where you through

my own experience may come in contact with the natural elements that represent energipotenssial. Devise and select materials that have properties to be able to reflect, lead, capture, collect, carry on, etc. Principles, Details tested by the choice of materials and ac-tion in space. Materials that have characteristics likely to be able to capture, manage air, water / reflect, receive, sun rays. Creating situations that allow for examining surfaces, angles, cavities, slots, plenty, ease, opportunity for movement. Investigate what is needed to maximize, wind, water, solar energy power in simple principles.

MY APPROACH TO THE TASKBased on the polar bear utilization of solar energy for heating of the body I was working with transparent layers and dark surfaces in this task. Polar bear fur is apparently white, but actually transparent. The skin under the translucent fur is black and is warmed by the sunrays that penetrate the layer with fur. At the same time as the coat allow the sunbeam-energy through to the skin, it is insulating and holds the energy that is transformed into heat energy in the encounter with the black skin.

Laura Ve

Page 38: Portfolio Bach / Master Digital Laura Ve
Page 39: Portfolio Bach / Master Digital Laura Ve

DAV DEL2 28.- 30.11. 2007

Som utgangspunkt kan du bruke din september DAV erfaringen, kombinert med info og erfaring av kurset for øvrig, så langt. En bestanddel, enhet, som innebærer noe av prinsipp(er) i henhold til lys- / vann- / vind tankegang som du arbeidet med tidligere DAV En bestanddel, et volum som lar seg bli omformet, bli multiplisert, repetert på en forholdsvis enkel måte. Kobles til tilsvarende eller andre ulike enheter. Undersøk og finn en løsning så langt du kan, allerede i detaljfasen. Bestanddelens, volumets forhold til lys, funksjoner og energi-effek-tivitet. Bruk det som veiledende i måten du setter sammen, kon-struerer, bygger videre. Detaljen/ bestanddelen kan innebære, med-bringe koden til løsningen i det store formatet Størrelsen og formen på bestanddelen kan varieres så langt prinsippet ivaretas. Størrelsen av arbeidet og arbeidsmetoden velger du selv og materi-aler deretter.

Suvi Nieminen

(Eng.)

As a starting point, you can use your September DAV experience, combined with information and experience of the course in general, so far. A component, device, which means some of the principle (s) according to the light / water / air thinking as you work with former DAV. One component, a volume that allows them to be transformed, be multiplied, repeated in a relatively simple way. Connects to simi-lar or different devices. Investigate and find a solution as far as you can, already in the detail phase. ingredient, the volume ratio to light, features and energy-efficiency. Use it as guidelines in the way you put together, construct, build on. Detail / component may involve, bring the code to the solution in the large format size and shape of the component can be varied as far as the principle is maintained. The size of the work and working method, select materials and even then.

MY APPROACH TO THE TASKWorking with Anja Drozdic and Fredrik Sund on this task it became more an investigation of group intuitive light re-sarch. Working with material surfaces and textures, with angles and directions etc against the window discoveries for natural lighting vere explored in detail.

Laura Ve

Page 40: Portfolio Bach / Master Digital Laura Ve

LIGHT STUDIESSURFACES OPENINGS ORIENTATION

ANGLES COMBINATIONS DIRECTIONES

Page 41: Portfolio Bach / Master Digital Laura Ve

REFURBISHMENT TASK BUCKINGHAM PALACEGrade 1 listed building. The Challenge :What can you do when you are not allowed to do anything which is visible ? Bringing energy need down from 350 kWh/m2/year to zero.

L A R G E E N E R G Y

E F F I C I E N T B U L D I N G S

Page 42: Portfolio Bach / Master Digital Laura Ve
Page 43: Portfolio Bach / Master Digital Laura Ve
Page 44: Portfolio Bach / Master Digital Laura Ve
Page 45: Portfolio Bach / Master Digital Laura Ve
Page 46: Portfolio Bach / Master Digital Laura Ve

PRACTICAL TASK

Design and construction of a small solar heating system for the BAS building.

Based on the technical content of the lecture by HNR 16 No-vember you will sketch design a solar heating system of 0,5 meter width and 1,5 meter height. It shall produce hot air from its mounting position on the wall by the staircase. The hot air shall be blown into your studio via the already accessible open-ings made by rusty old ducts in the wall.

Ducts and fans plus energy for same shall be considered and equipment type proposed.

You shall obtain acceptance by the building caretaker for any works that changes the building. You shall also make sure that nobody can be damaged by the construction works and/or fall-ing parts. You shall collectively check that BAS has insurance for all kinds of eventualities and you shall report on this to the teachers in charge.

BUILDING A SOLAR WALLL A R G E E N E R G Y

E F F I C I E N T B U L D I N G S

Page 47: Portfolio Bach / Master Digital Laura Ve
Page 48: Portfolio Bach / Master Digital Laura Ve
Page 49: Portfolio Bach / Master Digital Laura Ve
Page 50: Portfolio Bach / Master Digital Laura Ve
Page 51: Portfolio Bach / Master Digital Laura Ve

BUILDING A SOLAR WALL1:1L A R G E E N E R G Y

E F F I C I E N T B U L D I N G S

Page 52: Portfolio Bach / Master Digital Laura Ve
Page 53: Portfolio Bach / Master Digital Laura Ve
Page 54: Portfolio Bach / Master Digital Laura Ve
Page 55: Portfolio Bach / Master Digital Laura Ve

DESIGN TASKL A R G E E N E R G Y

E F F I C I E N T B U L D I N G S

Page 56: Portfolio Bach / Master Digital Laura Ve

Design Task

New Building : Design of Europe’s most energy efficient building.

Site : Bjørvika, Oslo.

On a site at Bjørvika (B13) near the Oslo S railway station be-hind the new Opera, a planning principle named Barcode won a planning competition a while back. On one of the Barcode strips of 100 metres (North-South) x 24 metres (East-West) you shall design a building with the ambition of becoming Europe’s most energy efficient commercial building. It shall have a total en-ergy need of less than 80 kWh/m2.

Indoor temperature is set at 21 degrees C in the occupation time, which will be both for the offices and the hotel on average : 10 hours a day and 5 days a week.It shall contain 8500 m2 office and 8500m2 hotel, totalling gross area of 17.000 m2. Restricted parking of 1,6 places per 1000 m2. No building parts shall be higher than 20 storeys. Site is on level + 4 meters. Maximum building height must not exceed + 67 meters. There are streets and traffic on all sides of the site.The distance to neighbouring buildings on the long sides is 14 metres. On the South side it is 42 metres. On the North side it is 25 metres.

Page 57: Portfolio Bach / Master Digital Laura Ve
Page 58: Portfolio Bach / Master Digital Laura Ve
Page 59: Portfolio Bach / Master Digital Laura Ve
Page 60: Portfolio Bach / Master Digital Laura Ve
Page 61: Portfolio Bach / Master Digital Laura Ve

: FACADES & PLANS

SOUTH FACADE

EAST FACADE NORTH FACADE

VEST FACADE

Page 62: Portfolio Bach / Master Digital Laura Ve

EXAMPLE HOTELL ROOMS

Page 63: Portfolio Bach / Master Digital Laura Ve
Page 64: Portfolio Bach / Master Digital Laura Ve

:per

spek

tivs

kiss

e av

nord

vest

fas

aden

(in

ngan

g h

ote

ll)

Page 65: Portfolio Bach / Master Digital Laura Ve
Page 66: Portfolio Bach / Master Digital Laura Ve
Page 67: Portfolio Bach / Master Digital Laura Ve

Evaluering

Bergen Arkitekt Skole 1 september 2007 – 25 januar 2008.

Kurs : ”Store, komplekse energieffektive nye og eksisterende bygninger.”

Kursansvarlig Lærer 2 DAV Seminar 1 Seminar 2 Energiberegning

Generell evaluering: Sivilarkitekt Harald N. Røstvik : Sivilarkitekt Øyvind Beyer : Kunstner Suvi Nieminen : Ingeniør Max Fordham, London : Arkitekt Alexandros Tombazis, Aten : Sivilingeniør Magnar Berge

Denne evaluering omhandler i hovedsak Bjørvika prosjektet, men må også sees i sammenheng med evalueringen av Buck-ingham-oppgaven som tidligere er oversendt (se eget vedlegg :BAS-VurderingBUCKPAL(1).doc).Summene av disse to oppgaver, samt kortoppgaven for byg-ging av solfanger og DAV- kurset til Suvi Nieminen (se egen vurdering som er under utarbeidelse av Suvi), danner grunn-laget for å trekke følgende totale kurskonklusjoner

Generelle tilleggskommentarer til kurset

Prosjektdelen miljøkonsekvenser av materialbruk ble amput-ert pga at beregningsprogrammet kostet endel og av tidshen-

syn ble det vedtatt å prioritere å arbeide med energiberegn-ingene i stedet. Miljøhensyn av materialbruk ble imidlertid et gjennomgående tema i hele designprosessen og økte studen-tenes bevissthet om emnet.Energiberegningsgrunnlaget vare for å være likt for alle basert på 10 timers dag og 5 dager i uka. det viste seg å være en-kelt å komme ned i energibehov med så korte arbeidstimer med full byggdrift. Noen økte derfor timeantall og antall dager per uke. det resulterte i noe usammenlignbare beregninger og slutt resultat.Bruk av datategning, PowerPoint (PP) presentasjoner og kom-pliserte energiberegninger på regneprogram ble for manges vedkommende gjort for aller første gang. Kurset har hatt den bi-funksjon at mange ble tvunget til å kaste seg ut i det ukjente midt i et hektisk studieprogram og lære seg noe helt nytt. Alle ser ut til å ha greid å legge på svøm i dette nye farvannet. Ingen druknet. Imponerende omstilingsevne ble avdekket hos mange.

Laura Ve og Anja Egebakken

Kompakt. Gode tegninger som viser horisontal og vertikal kommunikasjon. Store fellesareal i hotelldel utenfor rom-mene. Konfliktfylt, støy. 7 meter dype hotellrom. Uforløst ventilasjonskonsept med varmluft som suges av nedover - mot retningen varmluft vanligvis vil vandre ; oppover. Støy og trekk fra vifter langt nede i bygget ? Tregulv, men trinnlyd ser ikke ut til å ha vært vurdert. Stor etasjehøyde (3.3.m). Hotell-del nordvendt mot byen. Kontordel mot utsikt i sør. Interes-sant grep.God sammenheng til DAV. Bra energiberegninger viser kontor-behov på 38 kWh/m2/år. Erfaringene med å jobbe i tospann ble diskutert. Mange positive erfaringer. Laura har hatt såpass mange slike tospann at hun anbefales å jobbe alene i neste oppgave.Bestått.

Page 68: Portfolio Bach / Master Digital Laura Ve

ARCHITECTURE+URBANISM MASTER COURSE SPRING 2008BERGEN SCHOOL OF ARCHITECTURE

Page 69: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008_ESSAY : ON URBANITY AND MOVEMENT

(essay er en fri form - essaier fransk betyr å prøve) Om urbanitet og bevegelse. Finn interessante utgangspunkt,la refleksjonene flyte fritt....Målet er å skaffe en bred refleksjon av de problemstillingene vi skal arbeide med i kurset.

OM URBANITET OG RØRSLE :Urbanitet er eit ord eg er særs usikker på. Før eg byrja på høgskulen og ikkje eingong ante kva ordet ”arkitektur” innebar, trur eg at eg ante endå mindre kva ordet ”urbanitet” favna om. Etter fire år på Ber-gen Arkitektskule er nok det einaste eg føler meg sik-ker på at det er mykje eg ikkje forstår og kan hende vil eg heller ikkje få det med meg nokon gong. Heile omfanget. Å favne tak om...

Det er så mange ord som på eit vis går seg til i kvardagen. Av ei eller anna grunn misser dei den generøse meininga ordet eigentleg var tiltenkt. Det er akkurat som at vi menneske påfører den late haldnin-ga me har til eigne liv denne same latskapen til desse orda. Ein dag er det plutseleg slik, kan hende når me er blitt ca 21; me evnar ikkje sjå heilskapen,omfanget og alle sidene av eit ord. DESIGN er eit slikt ord trur eg. Påverka som me blir av BOLIA og IKEA og BUBETRE og GADGETS osb. Design-ordet gir nok litt ulike assosiasjonar hjå ulike folk. Men kva er liksom design då? Er ikkje det meste som ein eller anna type eller dame har brukt energi på å tenke fram, av hensyn til seg sjølv eller andre, des-igna? Eg veit ikkje. Og diskusjon om kva som er god eller dårleg design tør eg ikkje begi meg ut på.

LIVSSTIL er eit anna slikt ord. Kva legg du i bruken av dette ordet? For ikkje lenge sidan vitja eg ei veninne i heimen hennar. Det var eit heilt middagslag på vitjing denne kvelden og me snakka om laust og fast. På eit tids-punkt rota me oss inn i ein diskusjon om eit utstill-ingstema nokon hadde tend på som ein god idé. Dei ville vise fram bla ”nordisk-livsstil” som tema i ein type uformell galleri/butikk situasjon. Då var det ei som rynka på nesen og sa at ho var mektig lei dette livsstil-begrepet, og spurde kva som eigentleg var vitsen med å vise fram livsstil-retro-design objekt til nokon? Var ikkje det ganske klisjéaktig på ein ganske klein måte? Me måtte diskutere videre. Utsagnet vart møtt med samtykke og motstand. Nokon uttykte at ein opplevde denne reaksjonen som noko snever, følte

at livsstil er jo eit enormt tema å vise fram, både som ei konseptuell greie og som eit meir banalt retro-design-tema. Det viste seg at fleire assosierte også ”livsstil”-ordet med BOLIA og kan hende ein Arne Ja-cobsen stol eller to. Trendnissar og eigedomsmeklarar vart nemnt. Det breie omfanget av ordet var ikkje medrekna når dei snakka. Dei hadde gløymd at td å vere bilfri er ein livsstil.

Så lett som det er å gløyme den fulle tydinga av eit ord kan det vere godt å tenkje seg om av og til. Eg spurde ein psykriatisk pasient då eg var på jobb her om dagen kva han tenkte på når eg nemnte ordet livsstil. Han ramsa opp:

-utfoldelse -samhold -livets opprinnelse -fra barnsben -tidsbegrep (men det var tragisk..) -søken etter rikdom -fri flyt av blomsterstøv i gatene i Bagdad

Rett nok er dette ein nokså tungt medisinert mann pga eit mangfald av mentale lidingar etter mange år med tungt rusmisbruk, men eg tykte han hadde nokre interressante vinklingar eg nok ikkje hadde kome opp med på eiga hand. Då eg spurte han om han hadde noko innslag rundt ”urbanitet” fekk eg eit spørsmål i retur: ”Ka betydning har urbane element for ein toåring?”. Spørsmålet mitt var irrelevant. Men eg fekk ein tilleggskommentar: ”Bruk av dødsstraff må fjernast”. Etter dette innspelet tykte eg det var vanskeleg å fortsette å skrive. Eg var ikkje sikker på kva som var viktig å ta opp videre. Eg tydde til ein velkjent taktikk og slo opp ”urbanisme” i Robert Cowan si ”Dictionary of urbanism” utgitt av Streetwise Press i 2005. Eg vart opplyst om at urbanisme (urbanism, på engelsk) har hovudsakleg 6 tydingar:

URBANISM ; 1 The study or appreciation of the pro-cesses of change in towns and cities; making towns and cities work; town-(UK) or city-(US) planning. 2 The process of becoming urban. 3 The product of town planning or development. 4 Patterns of social life characteristic of urban areas. 5 Architecture in an

urban context. 6 A building`s characteristic of having internal spaces that create something of the sense of being in a street, square or other external urban space.

I den norske framandordboka mi kunne eg lese at urba´n (som adjektiv) er noko bymessig, noko som gjeld byar. Det sto også at det er noko høfleg, belev-ent, fint og danna. Ein urbanisasjo´n er eit område med samla bebyggelse for ferie- og fritidsopphald (evt. heile året), særleg på Spanias middelhavkyst(?). Å urbanise´re er å gjere eit strøk meir bymessig, medan urbani´sme er ein framvekst og utvikling av befolkningssentra, særleg storbyar, og studium av storbyutviklinga og problem dette medfølger.

(Kva no dette eigentleg måtte tyde...)

Definisjonen avgrensa tildels og utvida mykje utover caffe-latte og café. Den føltes tekisk og teoretisk. Om ein tenkjer på urbane element tenkjer ein kan hende på byelement. Men kva betydning har skilnaden på by og forstad for urbanisme begrepet? Og er det rel-evant? Finn ein like mange urbane element i forstaden som i byen? Eller er det kan hende færre av dei ute i suburbia? Det er vel ganske relevant. Det er lett å få ei kjensle av at byen er det som gjeld og at forstaden og alle andre tettstader kun er wannabees. Er det dette som gjer at ein opplever forstaden så annleis enn byen? Kva er det som manglar og kvifor er det så mykje vanskelegare å få planar og intens-jonar til å fungere her? Kan det vere ein samanheng mellom urbanitet og rørsle? Kvar er og, kva er, overgangen frå sentrum til nærområde, og frå nærområde til forstad?

Bil, buss, trikk, t-bane, sykkel, føter: Kommunikasjon.

Kan hende er det viktige sider med å bevege seg som er avgjerande premisser for skilnadane. Ein bev-eger seg gjerne anleis i byen enn på veg til og i subur-bia. Ein har gjerne anna å gjere.

Her kan ein vere inne på noko...

Laura VeURBANISMEKURS, Bergen Arkitektskule, vår 2008

Page 70: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008_STUDYTRIP : ODDA

Page 71: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008 _STUDYTRIP : ODDA

Page 72: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008 _STUDYTRIP : ISLAND

Page 73: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008 _STUDYTRIP : ISLAND

Page 74: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008 _DAV POROSITY

Page 75: Portfolio Bach / Master Digital Laura Ve
Page 76: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008_LAGUNEPARKEN _REGISTRATING LAGUNEN

SKOG

Page 77: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008_LAGUNEPARKEN _REGISTRATING LAGUNEN

Page 78: Portfolio Bach / Master Digital Laura Ve

LA

GU

NE

PA

RK

EN

AN

ALY

SIS

+P

RO

CE

SS

A+U VÅR2008_LAGUNEPARKEN _ANALYSIS

STUDY AERA LAGUNE-PARKEN: SITUATED IN THE BERGEN VALLEY

: RELATING TO THE CITY OF BERGEN, TRANSITION-POINT NESTTUN,: SURROUNDING WORK- AND COMMERCIAL ZONES,: THE AIRPORT AND THE FJORD(s)

LAGUNE PARKEN AND ITS SORROUNDING LANDSCAPE- AND HOUSING AERAS

main study-aera : lagune parken (lagoona park) within fana- and ytrebygda-cityadm.aerasmainly focus on closest surrounding living aeras within pink sircleapprox no. of people living in/with connection to this aera today(school/health/post++):6500 (13000/2)

approx no. of people using services in lagoona park aera every week : 200 000

picture shows study-aera outside BERGEN-CITY : fana-/ytrebygda with selection of influenced city adm.aeras(grunnkrestser) and no. of people living here.

DENSITY

Page 79: Portfolio Bach / Master Digital Laura Ve

LAGUNE-PARKEN TODAY:

MAIN CARACTERISTICS:PRIVATE CONSUMPTION:LARGE WEARHOUSE BOX BUILDINGS:LARGE AERAS FOR CARPARKING:CONFUSING PEDESTRIAN ENVIRONMENT:TRAFFIC PASSING, ENTERING, LEAVING; TRANSPORTING PEOPLE AND GOODS:HIGH CAR DENSITY:APPARENTLY NEGLECTED LANDSCAPE ENVIRONMENT:FUTURE TRANSITIONPOINT FOR THE PLANNED METRO-LINE (together with Nesttun)

MAP 1:250

CONDITIONING ELEMENTS :

PLANNED CONDITIONING ELEMENT :

FURTHER ANALYSIS OF LAGUNE PARKEN AND SURROUNDINGS

HISTORYLIMITS

OUTDOOR ZONES TRANSITIONS : HOUSING

QUALITIES SECTIONS

A+U VÅR2008_LAGUNEPARKEN _ANALYSIS

Page 80: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008_LAGUNEPARKEN _ANALYSIS

SUN CONDITIONS

TRANSITIONS :VISUAL/PHYSICAL

TRANSITIONS :VISUAL/PHYSICAL

Page 81: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008_LAGUNEPARKEN _ANALYSIS

IMPORTANT SOCIAL MEETING-POINTS

PEDESTRIAN WALK-ING PATHS IN AREA

CAR ACCESS IN-OUT OSBANEN- IMPOR-TANT PEDESTRIAN ROUTE

PEDESTRIAN AC-CESS-POINTS TO AREA

PEDESTRIAN MOVE-MENT IN AREA

existing schools (white) and buildings in sit

existing water in situation MOVEMENT IN LAGUNENmaps showing existing movement in area; by foot, by car,by bicycle

Page 82: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008_LAGUNEPARKEN _ANALYSIS

(OTHER)IMPORTANT ELEMENTS IN AERA :NATURE : LANDSCAPE/TOPOGRAFY : WATER : FORREST : MOUNTAINS

CULTURE : PEOPLE :OLD,YOUNG,LIVING,VISITING,PASSING THROUGH,WORKING,MOVING (DRIVING,BIKING,WALKING)

Page 83: Portfolio Bach / Master Digital Laura Ve

CHALLENGES FOR THE LAGUNEN AREA IN THE FUTURE

:GROWING POPULATIONS NEEDS FOR QUALITY IN THEIR SURROUNDINGS

:DEMANDS IN ENVIRONMENTAL ISSUES:FLOAT IN TRANSPORTATION OF PEOPLE AND GOODS

:PRODUCTION:LANDSCAPE ORIENTATION AND EXPERIENSES

FOR INHABITANTS AND VISITORS

A+U VÅR2008_LAURA VE_LAGUNEPARKEN _CONSEPT

the role of humansin the environmentis to understand how it functions,and to promote itscontinuedfunctioning.since man is just onespecies amongthe great diversityof species in nature,he cannot hopeto intervene andto exploit thisdiversitywithout jeopardising the mechanismsof interaction amongthe many forms oflife on the planet.

gilles clement;Environ(ne)ment: Approaches for Tomorrow

THE ANATOMY OF LAGUNEN:WHAT IS MISSING?

Page 84: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008_LAURA VE_LAGUNEPARKEN _CONSEPT

EVAPORATIONthe filtering of urban run-off

WHAT IS THE NATURE OF NATURE? WHAT IS THE NATURE OF LAGUNEN?

IN THE ANALOGY OF SEEING OUR SURROUNDINGS LIKE ONE LARGE ORGAN-ISM (EX. OUR BODY), MANY OBVIOUS CONFLICTS REVEALS IT SELF : IF YOU WORK IN A HOSTILE EN-VIRONMENT FOR A LONG PERIOD OF TIME WITHOUT PROTECTION, SAY WITH POISONOUS CHEM-ICALS, IT WILL EVENTUALLY HAVE AN IMPACT ON YOUR BODY. YOU DEVELOP LUNG DISEASES, YOUR SKIN REACT AND DEVELOP ECZEMA. MAYBE YOU DON’T LIKE TAP WATER AND DRINK TOO LITTLE OF IT SO YOUR BODY IS SHORT ON FLUID TO WASH OUT TOXINS THAT STORES UP IN YOUR CELLS INSTEAD OF BEING FLUSHED OUT. ONE OUT OF THREE PEOPLE DEVELOP CANCER DURING THEIR LIFETIME,”HARMLESS” OR AGGRES-SIVE TYPE, PROBABLY CAUSED BY THE ENVIRONMENT WE LIVE IN. ITS EASY TO SEE THE META-PHOR RELATED TO CITIES, SUBURBS OR CULTURE-LANDSCAPES. THE LIFESTYLE WE HAVE CHO-SEN, AND KEEP LIVING, HAS AN IMPACT ON OUR ENVIRONMENT, AND OFTEN INDIRECT IMPACT ON OTHER PEOPLES (AND WHOLE ECOSYSTEMS) ENVIRONMENTS SIMPLY BECAUSE THE PLANETS SYS-TEMS IS TIED TOGETHER VERY MUCH LIKE THE ONES IN OUR BODY THAT TAKES CARE OF EVERYTHING RUN-NING SMOOTHLY THROUGH OUR LIFES. STILL WE KNOW THAT BOTH OUR BODY AND PLANET EARTH IS CAPA-BLE OF ADAPTING AND MANAGING EXTREMELY WELL WHEN PROBLEMS OCCUR. LOOSE A KIDNEY; WE ADAPT. LOOSE PRO-DUCTION OF A HORMONE; (DEPENDING ON WHICH ONE) WE ARE LIKELY TO MANAGE. A LAKE IS POISONED; NA-TURE SPREADS IT INTO HARMLESS AMOUNTS WITH HELP OF TIME AND WATER. TIME IS AN ADVANTAGE FOR EARTH WHEN IT IS TO DEAL WITH ITS PROBLEMS, IN DIFFERENCE TO HU-MANS IT CAN AFFORD TO WAIT... WHEN WE GET A MEDICAL PROBLEM, SUCH AS MENTIONED ABOVE, WE HAVE MEDICINE. THE HU-MAN BODY LIVES FOR QUITE A WHILE SHORTER THAN EARTH AND ALSO WE DON’T LIKE PAIN AND DISCOMFORT SO WE PRE-FER THE SHORT CUT INSTEAD OF WAITING FOR THE BODY MECHANISMS TO TAKE CARE OF ITS PROBLEMS. NOT TO MEN-TION THE HUMAN BODIES MAL CAPACITIES TO DEAL WITH EVERYTHING. IT OFTEN NEEDS HELP TO GET WELL. CULTURE HAVE LEARNED THAT ALSO EARTH NEEDS BOTH MECHANICAL AND CHEMICAL HELP TO SOLVE THE PROBLEMS WE OFTEN HAVE CREAT-ED. WE CHALK LAKES TO TAKE DOWN ACID-LEVELS, WE CLEANSE OUR WASTEWATER BEFORE RETURNING IT TO NA-TURE. WATER IS THE STRONGEST LIFE CONDITIONING ELEMENT WE HAVE. IT IS THE BEST CLEANSER OF BOTH THE HU-MAN AND THE EARTHS BODY.HOW CAN WE USE THESE THOUGHTS TO MAKE A DIFFERENCE IN A SITUATION LIKE LA-GUNEN, AND WILL THEY BE VALID FOR FUTURE URBAN PLANNING FOR SUSTAINABILITY?

Page 85: Portfolio Bach / Master Digital Laura Ve

A+U VÅR2008_LAURA VE_LAGUNEPARKEN _DAV:STRUKTUR LEVANDE STED

wednesday 07.05. kl. 1000-1230: subjectmøtepunkt med koblinger mellom program og tomt.meetingpoint development, organizing program on site.

LAGUNEN choose and combine some programs

:art without museums:urban identities

:fortunate accidents:celebration:urban wilds

:revitalizing streets:street furniture

:urban park as work of art:waterfront

:a street is defined by its buildings:images of site-spesific quality

:pedestrian program/slow impression:marked

:urban plaza:conceptual open spaces

:search for new spaces: mobile program

:places for play/ playground:urban recreation

: An urban wild is a remnant of a natural ecosystem found in the midst of an otherwise highly developed urban area.: Urban wilds, particularly those of several acres or more, are often intact ecological systems that can provide essential ecosystem functions such as the filtering of urban run-off, the storing and slowing the flow of storm water, amelioration of the warming effect of urban development, and gen-erally benefiting local air quality.

urban identities:fortunate accidents:

urban wilds:

urban recreation:

: associations to city elements makes impression on perception of situa-tions: unplanned spaces provide unexpected pleasures: temporary open spaces, the attraction of construction work: lack of emotional nourishment?: WHERE ARE THE ACCIDENTS IN LAGUNE PARKEN?: fruitfully struck by lightening

: safe place, life-changing experiences, opportunities to grow, personal commitments, second chances: not focusing on the new super center, or the next hot revenue source: focusing on people and their small and bigger experiences

: what identities people living in urban areas?: what identities a urban situation?: what is the identity of urban elements? : what are the urban identity elements for Lagunen and the people using this area?

MATERIALIZATIONscaling of city happens projectsite-specific or city happens active

PROGRAM new

existing

living

transportation

traveling

pedestrian

consumption

parking

communication accessibilityID:recreationurban wild

all the people sens-ing the flowers on their way to the train..

feeling like on top of the world when go-ing to work 6 am..

walking through the sump on the way home...

DIAGRAM 1

PROGRAM new

existing

food

plants

water

building retail

parking

digestion recreationrestitutionwork out

sleeping by the lake....

sumpparkjuice

swimming in the lake....

shopping

shopping plants and eating in a climaticwarm environment

DIAGRAM 2

Page 86: Portfolio Bach / Master Digital Laura Ve

plastic nature landscapeculture-nature contrastculture/nature switch?

PLAUSIBLE ACTIONS FOR THE FUTURE :

culture-nature

switch: shop-

p i n g / d i n i n g /

resting/enjoy-

ing/working in-

side a plastic na-

ture in a climatic

greenhouse con-

necting all the

large buildings

and the parking?

STRATEGIES FOR VERIFICATION ON CITY-HAPPENSinvestigate conditions for expected effect circulation in the area/on site/best action timing property/rules/

risk/permission/legalizationLAGUNEPARKEN _DAV:STRUKTUR LEVANDE STED

A+U VÅR2008_LAURA VE_LAGUNEPARKEN _CONSEPT

Page 87: Portfolio Bach / Master Digital Laura Ve

”Byens metafysikk” Rolf Jacobsen (1907–1994)

Under rennestensristene, under de skimlete murkjellere, under lindealléenes fuktige røtter og parkplenene: Telefonkablenes nervefibre. Gassledningenes hule blodårer. Kloakker. Fra østens skyhøie menneskealper, fra vestens villafasader bak spirea – de samme usynlige lenker av jern og kobber binder oss sammen. Ingen kan høre telefonkablenes knitrende liv. Ingen kan høre gassledningenes syke hoste i avgrunnen Ingen kan høre kloakkene tordne med slam og stank hundrede mil i mørke. Byens jernkledde innvolder arbeider. Men oppe i dagen danser jo du med flammende fotsåler over asfalten, og du har silke mot navlens hvite øie og ny kåpe i solskinnet. Og oppe i lyset etsteds står jo jeg og ser hvordan cigarettens blå sjel flagrer som en kysk engel gjennem kastanjeløvet mot det evige liv. “Byens metafysikk” er fra samlingen Jord og jern (1933), her gjengitt etter Jacobsen (1990)

HOW TO CONNECT EXISTING PROGRAMS IN SITUATION AND TO MAKE

NEW ATTRIBUTES TO THE MOVEMENT LINES (new and existing)

SOLVE THE PARKING ISSUE FOR FUTURE TRANSITIONS TO CITY TRAM AND BUS.

MAKE THIS A REJUVENATED LAGOON AND A BEAUTIFUL PLACE TO LIVE.....

HISTORICALWATERLINEOSBANELINJAHIST. WETLAND

SCHOOLS

NEW CITYTRAIN

NEW BUS STOP

EXISTING BUILDINGS

PLAUSIBLE NEW HAPPENING-LINES?

A+U VÅR_LAGUNEPARKEN_PROJECT

Page 88: Portfolio Bach / Master Digital Laura Ve

A+U P R O J E C T

Page 89: Portfolio Bach / Master Digital Laura Ve

A+U VÅR_LAGUNEPARKEN_PROJECT

green surface green surface

NEW PROGRAMFrom beeing a monotonous grey tarmac surface with basically shopping by car in large boxes and poor access from surrounding housing areas, the Lagoona Park Re-Grown is transformed, into a two layered multi programmed area. Under the nature layer, on the ground surface there is still the shopping by car activity, but parking intended also for car-to-bus/car-to-light rail for popula-tion living in outside areas travellig to work in the city area. On top of the nature layer the pro-gramme is more small shops, living, pedestrian connections to services in the area and the two sides of “the valley”. The large construction also gives the benefit of nature-services; cleaning run off and air with planting and the visual benefits this gives the new inhabitants.

Page 90: Portfolio Bach / Master Digital Laura Ve

A+U VÅR_LAGUNEPARKEN_PROJECT

ZONESdifferent culture activitiesshops facing outwardswaiting for the light railurban wild areasactive recreational zones

WATER AND GREEN SURFACEthe historical green floormoved up one layernature compromising with the commercial program

Page 91: Portfolio Bach / Master Digital Laura Ve

A+U VÅR_LAGUNEPARKEN_PROJECT

QUIET AND ACTIVEquiet and active zones changing through the dayand the week days

ACCESS NATURE LAYERsecond layer connecting the two sidesgiving a new nature layer where nature service can happento some extentflowers and grass and bushery grow giving space to biodiversity

Page 92: Portfolio Bach / Master Digital Laura Ve

3D MODEL PHOTOS

FACADES

A+U VÅR_LAGUNEPARKEN_PROJECT

Page 93: Portfolio Bach / Master Digital Laura Ve

A+U VÅR_LAGUNEPARKEN_PROJECT

UNDER NATURE LAYER:SHOPPING-PARKING-ACCESS BUS-CARGO DELIVERY

Page 94: Portfolio Bach / Master Digital Laura Ve

EVALUERING A + U KURS

Laura Ve: Layering.Studiereise: IcelandKonseptet er godt. De små modellstudiene viser vei.Etter en avventende mellomperiode løftet prosjektet seg til etnivå som ennå ikke er ferdig formet.Noen korreksjoner i presentasjonen vil bidra til forståelsen av prosjektet.

Layering er et prosjekt som arbeider med natur vs urbanitet og som bearbeider kjøpesenteret Lagunens skala i landskapsrommet. Prosjektet bryter modern-istisk og mer klassiske prinsipper for byplanlegging. Gjennom blandet bruk og oppløste skiller mellom gate – byrom og natur/kunstig natur utfordres det konvensjonelle. Prosjektet introduserer behovet for en diskusjon om hvilke kvaliteter nye former for urbanitet inneholder. Dette gjør prosjektet aktuelt og interessant og reiser nettopp de viktige spørsmålene om hvordan denne tilfeld-ige formen for urbanitet som Lagunen er, kan videreutvikles.

Prosessen har hatt ujevn progresjon og det er kanskje derfor det gjenstår å se kritisk på det prosjektet du har utviklet for å diskutere konsekvenser og kvaliteter. Presentasjonen har behov for en bearbeiding før det presenteres for kommune og utbyggere. Stol på egne formingsevner. Fritt arbeid i modell klargjorde konseptet og utløste prosjektet ditt.

DAVporøsitet/ Island: har ikkje vist DAV på GG. levande sted: jobba med dette, og kom gjennom ei kneik i løpet av tre dager. Fekk eit gjennombrot som tydeleg kan lesast i viare prosjektering. DAV ikkje vist.

Karolin Møllmann / Lina Lahiri: To many issues at one time! Very interesting that one thinks about a mall as a mega structure. One could one open up the box a mall often is? Could differ-ent uses be combined in a public space- what are the tools? How could explore the big roof in space that encloses the space below. Diagrams were good- com-parison old vs. new good but were maybe on the wrong place in the display (and too small!) sections and isometrics could capture the concept easier as well as be great pleasure to draw. It would be really important to think about the connections between the layers as well as landscape.

As it looked like Laura enjoyed her small concept drawings the most she should think of a way to test her idea 1 to 1 with a piece of built roof. (I guess she will be on maternity leave by then though?)

25.06.08JSL/MSK/MEB/KM/LL

A+U VÅR_LAGUNEPARKEN_REVIEW

Page 95: Portfolio Bach / Master Digital Laura Ve

CITY AS BIOTOPEMASTER COURSE AUTUMN 2009BERGEN SCHOOL OF ARCHITECTURE

Page 96: Portfolio Bach / Master Digital Laura Ve
Page 97: Portfolio Bach / Master Digital Laura Ve

mosaïc::readingmosaïc::reading is about discovering and appreciating, - it is about how the landscape must be explored again and again, and how the plan can prepare for the unknown futures. It is about a method and a structure that open up instead of proposing ready made images and sce-narios, it is about creating acting space where the big challenges of the future are possible to solve.

mosaïc::reading serves as a metaphor both for understanding the complexity and significance of a city or a region, as well as an open and inviting planning strategy.

mosaïc::reading - the city as biotope is a master studio at BAS run during the autumn term 2009 by Gisle Løkken, Magdalena Haggärde, Kjerstin Uhre and Knut Eirik Dahl.

Under the themes of new hierarchies, imbedded information, elasticity, dynam-ic of small cultures, points of departure, vulnerability and charging the landscape with new energy different aspects, ideas and possibilities of planning will be dis-cussed and discovered - at the school in Bergen, on study trips to Malmö and Paris and on this blog. The blog will grow with the students’ work, the presentation of new themes and your comments - join the conversation!

Page 98: Portfolio Bach / Master Digital Laura Ve

http://cityasbiotope.blogspot.com/

: THE BLOG www.cityasbiotope.blogspot.com

Page 99: Portfolio Bach / Master Digital Laura Ve

#1 new hierarchies29 August 2009new hierarchies is the theme for the studio September 1 to 14, an intro-duction will be held by Gisle and Magdalena at the school.

Mapping the hyper normal -the strategy of the open and unfinished planA traditional planning strategy is, even if it is based on laws and formal democratic processes, hierarchical and linear, and ideas and investiga-tions are interpreted and implemented by a bureaucracy of experts.In addition to the formal democratic structures in the society there is an infinite web of knowledge and informal processes that creates a limitless amount of interfering, weak connections.As an experience of the computer technology and the internet’s struc-ture of collecting and storing data and knowledge, it should be possible to develop new, open and unlimited web-structures of planning. This again should open up for an infinite input and output of knowledge, where there has to be more focus on the process than on the final prod-uct (as a fixed plan).A hyper-mapping might be more subjective and give focus to values re-lated to the context of the plan, than being strictly neutral and objective. All layers of processes, programs and events contribute to an open web. All citizens and all professionals can use the web and make their input of ideas, events, wishes, visions and specific knowledge. The knowl-edge becomes endless and un-abrupt. The idea would be to access the knowledge by the google method, and to make it for everyone to use by the wikipedia method.By working within the hierarchical planning system, but at the same time continuously develop the weak networks outside the system, an elas-tic, but continuously more robust rhizome structure will grow. The plan will not be enclosed and conclude fixed images but work along a De-leuze/Guattarian ‘lines of flight’ model. Doina Petrescu (Losing control, keeping desire) describes; Guattari and Deleuze’s ‘lines’ challenge the usual designer thinking about ‘lines’. They are an abstract and complex enough metaphor to map the entire social field, to trace its shapes, its borders, its becomings. They can map the way ‘life always proceeds at

several rhythms and at several speeds’. They map individual cracks and collective breaks within the segmentation and heterogeneity of power. The ‘line of flight’, ligne de fuite, is defined not only as a simple line, but as the very force of a tangle of lines flung out, transgressing thresholds of established norms and conventions, towards unexpected manifesta-tions, both in terms of socio-political phenomena and in individual des-tinies.In an open plan-network it is possible for anyone to take position and to act (that means to influence the decisions) – a computer-assisted web is a necessity for this type of processes.The amount of data and knowledge is limitless – the strategy is to make operational systems to receive, handle, store and re-call the information that is relevant, - like a librarian that that can find a book on the theme that you, at any time, need. The interesting evolves in the meeting and the crossing points (the folding) of information and action. In these con-nection points and foldings new things and exiting possibilities always exceed.Through a rhizomatic thinking where former hierarchical systems no lon-ger are valid, new ideas of validation, new encounters and new priorities will become relevant.Deligny ́s use of lines differ from any other form of mapping exactly be-cause they do not pretend to represent anything other than our own ignorance about what is mapped. Rather than a negative thinking, it is an active form of negative mapping of what is common within the mem-bers of an ‘impossible community’. (Losing control, keeping desire, from Architecture and participation, D.Petrescu, Routledge, London oct 2004)

key word: Rhizome

Page 100: Portfolio Bach / Master Digital Laura Ve

#1 industrial symbiosis

UNITED KINGDOMKALUNDBORG,DENMARK

STOCKHOLM,SWEEDEN

RUHR-AERA,GERMANY

AUSTRIA

CHINA

KWINANA,AUSTRALIA

HUSTON SHIP CHANNEL,USA

TORONTO,CANADA

Industrial Symbiosis Timeline

18

00

s -

pre

sen

t M

any

indust

ries

par

ticu

larly

those

lo

cate

d in c

itie

s w

ere

wel

l kn

ow

n for

utiliz

ing “

was

tes”

of

oth

er indust

ries

as

raw

mat

eria

ls in t

hei

r ow

n p

roduct

ion.

19

47

The

term

‘in

dust

rial

sym

bio

sis’

was

firs

t use

d in

the

econom

ic g

eogra

phy

liter

ature

by

Ren

ner

to

des

crib

e ‘o

rgan

ic r

elat

ionsh

ips’

bet

wee

n d

issi

mila

r in

dust

ries

, in

cludin

g t

he

‘use

of

was

te p

roduct

s fr

om

one

as input

to a

noth

er

19

59

M

ajor

faci

litie

s (S

tato

il re

finer

y, A

snae

s pow

erpla

nt,

N

ovo P

har

mac

eutica

l pla

nt)

loca

ted in K

alundborg

, D

enm

ark

star

ting u

p.

19

70

s In

dust

rial

sym

bio

sis

activi

ties

beg

in in K

alundborg

. (G

ypro

c si

ted t

o u

se fl

ue

gas

fro

m S

tato

il,

Asn

aes

join

s Sta

toil

in p

ipin

g w

ater

fro

m

Lake

Tis

so,

Nov

o b

egin

s sh

ippin

g s

ludge

to f

arm

ers)

.

19

89

The

inte

r-firm

lin

kages

in K

alundborg

wer

e ‘u

nco

vere

d’ th

rough a

hig

h s

chool sc

ience

pro

ject

, an

d t

he

term

‘in

dust

rial

sym

bio

sis’

w

as c

oin

ed t

o d

escr

ibe

the

syst

em.

19

50

s La

rge

pro

cess

indust

ries

incl

udin

g o

il, n

icke

l an

d a

lum

ina

refinin

g,

cem

ent

and c

hem

ical

man

ufa

cturing,

and e

ner

gy

co-g

ener

atio

n p

lants

loca

ted

in t

he

Kw

inan

a In

dust

rial

Are

a in

Wes

tern

Aust

ralia

.

19

91

The

firs

t in

dust

ry a

ssoci

atio

n w

as form

ed

in t

he

Kw

inan

a Are

a in

Wes

tern

Aust

ralia

to

colle

ctiv

ely

monitor

regio

nal

em

issi

ons.

It

s fo

rmat

ion led

to incr

ease

d c

ooper

atio

n

on a

num

ber

of

issu

es o

f co

mm

on c

once

rn.

19

89

Frosh

and G

allo

poulo

s publis

hed

the

articl

e “S

trat

egie

s fo

r M

anufa

cturing”

that

is

regar

ded

as

the

beg

innin

g

of th

e fiel

d o

f In

dust

rial

Eco

logy.

19

90

sThe

US P

resi

den

t’s

Counci

l fo

r Sust

ainab

le D

evel

opm

ent

pro

mote

d t

he

conce

pt

and d

evel

opm

ent

of

“Eco

-Indust

rial

Par

ks”

model

ed a

fter

Kal

undborg

’s s

ucc

essf

ul in

ter-

firm

syn

ergie

s.

In s

pite

of

thes

e ef

fort

s fe

w E

IPs

ever

cam

e in

to

exis

tence

, how

ever

, th

ere

are

man

y ex

ample

s of

byp

roduct

exc

han

ges

and u

tilit

y an

d s

ervi

ce

shar

ing t

hro

ughout

the

US.

19

96

Kal

undborg

Cen

tre

for

Indust

rial

Sym

bio

sis

was

form

ed t

o h

elp f

acili

tate

inte

r-firm

inte

ract

ion

and p

rovi

de

educa

tion a

bout

the

syst

em.

20

04

Firs

t In

tern

atio

nal

Indust

rial

Sym

bio

sis

Res

earc

h S

ymposi

um

hel

d a

t Ya

le b

ringin

g t

oget

her

res

earc

her

s an

d p

ract

itio

ner

s fr

om

aro

und

the

world.

IS r

esea

rch s

ymposi

a hav

e su

bse

quen

tly

bee

n h

eld in S

tock

holm

, Sw

eden

; Birm

ingham

, Engla

nd;

and T

oro

nto

, Can

ada.

20

02

Chin

a’s

Sta

te E

nvi

ronm

enta

l Pr

ote

ctio

n A

gen

cy (

SEPA

) pro

mote

s th

e co

nce

pt

of

the

circ

ula

r ec

onom

y an

d

dev

elops

a pro

gra

m t

o h

ighlig

ht

and a

ssis

t m

odel

ec

o-i

ndust

rial

par

ks a

cross

the

countr

y. T

he

Tia

njin

Eco

nom

ic-T

echnolo

gic

al D

evel

opm

ent

Are

a (T

ED

A)

is o

ne

exam

ple

of

an e

xist

ing indust

rial

re

gio

n t

hat

has

wel

l dev

eloped

indust

rial

sy

mbio

sis

linka

ges

am

ong f

acili

ties

. TED

A

was

form

ed in 1

984,

and p

rovi

des

a

utilit

y sh

arin

g infr

astr

uct

ure

incl

udin

g

elec

tric

ity,

gas

, st

eam

, w

ater

and w

aste

wat

er

trea

tmen

t, f

or

all re

gio

nal

fac

ilities

incl

udin

g

reuse

s of

rubber

, as

h,

met

als,

an

d o

rgan

ic m

ater

ials

.

20

02

-The

Kw

inan

a In

dust

ries

Syn

ergie

s Pr

oje

ct

was

est

ablis

hed

to iden

tify

and fost

er g

reat

er

reso

urc

e-bas

ed s

yner

gie

s am

ong fac

ilities

; th

e re

gio

n c

urr

ently

boas

ts 3

2 b

ypro

duct

ex

chan

ges

and 1

5 u

tilit

y sy

ner

gie

s.

20

01

Inte

rnat

ional

Soci

ety

for

Indust

rial

Eco

logy

was

form

ed.

It p

rom

ote

s “t

he

use

of

indust

rial

eco

logy

in r

esea

rch,

educa

tion, polic

y, c

om

munity

dev

elopm

ent,

an

d indust

rial

pra

ctic

es”

around t

he

world.

- 2

00

0s

Sym

bio

sis

activi

ties

continue

thro

ugh

the

pre

sent,

with n

ew lin

ks f

orm

ed

bet

wee

n e

xist

ing e

ntities

, new

fac

ilities

lo

cate

d t

o u

tiliz

e byp

roduct

s, a

nd lin

ks

that

wer

e no longer

eco

nom

ical

ly

feas

ible

wer

e dis

continued

.

20

05

UK’s

Nat

ional

Indust

rial

Sym

bio

sis

Progra

mm

e (N

ISP)

was

lau

nch

ed a

s th

e firs

t nat

ional

sca

le

IS initia

tive

in t

he

world t

o p

rom

ote

in

ter-

firm

syn

ergie

s in

reg

ions

acro

ss t

he

UK.

re-use, repair, recover, re-manufacture, recycleSymbiosis means co-existence between diverse organisms in which each may benefit from the other. In this context, the term is applied about industrial co-operation. The Industrial Symbiosis or co-operation, has developed spontaneously over a number of decades. Kalundborg is a very well known symbiotic-cooperative, and their knowl-edge has now spread to several other locations around the world between a number of companies and Municipali-ties, all of which exploit each others residual or by-products mutually. Further, with initiatives and examples from among others ; the UK and The Kwinana project, it continues to spread through networking,education and from inspiration for better economy.

logical developementIt is in the process of exchanging byproduckts the system and buis-nesses improves the environmental factors and economic perfor-mance.The exchange of wastes, by-products, and energy among closely situated firms in Kalundborg has become the impetus to and main template for the movement to plan eco-industrial parks. In re-cent years, however, similar by-product exchange patterns have been observed in other regions of Europe and North America. Cit-ies may have, historically, played an important role in facilitating the creation of recycling linkages between different industries. If Kalundborg and other newly documented cases of localized inter-firm recycling linkages are contemporary manifestations of much older processes, then what are the policy implications for current attempts to plan eco-industrial parks?It is important to look at the economic incentives that have always led to the formation of cities and interfirm recycling linkages at both the local and interregional levels. A critique of current interpretations and policy prescriptions based on the Kalundborg case is argued that regulatory reform would prove more effective than planning to replicate the Danish experience.Is current attempts to foster the development of eco-industrial parks and eco-industrial networks too narrow in their geographical scope, that public planning is unlikely to prove more efficient than private initiatives, and is the most important lesson to be learned from Kalundborg the value of a flexible regulatory framework?

from the article; Eco-Industrial Parks and the Rediscovery of Inter-Firm Recycling Linkages, Pierre Desrochers

Page 101: Portfolio Bach / Master Digital Laura Ve

google photo of Kalundborg industrial park, Danmark

Page 102: Portfolio Bach / Master Digital Laura Ve

#2 imbedded information12 September 2009Imbedded Information is the theme for the studio September 15. to 16. Kjerstin and Knut Eirik will give a lecture on the theme on Tuesday morn-ing. Then we will present the second assignment: Encircling the Malmö dynamics and having dialogues with you the rest of the day. Wednesday starts with a small lecture on The City under Pressure and is followed by continuos dialogues on the assignment. Gisle has urged you to start The Malmö discoveries. We will appreciate that each of you present one such finding, or discovery, on Tuesday.

Found papers and texts, and parts of texts, gives direction and connects to a way of thinking, to a concept, a project. The notions we introduce in this studio was not apparent and clear, ready for use, when we started out on our two explorations in the Öresund metropole. They evolved and appeared through series of readings and experiments with a kind of hy-per awareness and eagerness related to change.In Florian Sauters conversation with Stan Allen the notion imbedded in-formation relates to what a concept, a project, introduces and opens for:“One of the things we learnt from Bateson is that he understands ecol-ogy as information exchange. He is essentially applying a kind of cyber-netic model to natural ecologies. This seems to me very powerfull for a number of reasons.: first of all it does not idealize natural ecology as opposed to social ecology or any other kind of ecology. In other words you can understand all of them as systems of informational exchange. For example if you look at Central Park: it is a landscape with a certain amount of imbedded information. That imbedded information could be comprehended from the fact that the traffic is separated at different lev-els or that there is a way people have of using it with big open spaces that provoke one kind of activity and dense landscapes that provoke an-other kind of activity. You can separate Central Park from its sort of cul-tural or historical context and then you can understand what works about it. The brilliance of Central Park arises from this continued usability” and Stan Allen summons up in this way: “Olmsted hit the dynamic just right: there is enough information to keep the system alive, but not to much to overdeterminate the uses”1.

From our side the introduction of this notion is directed to what is to come, it is forward orientated. To keep in the terminology of landscape we can say that temporality, concepts that can give a direction, an archi-tecture and landscape attitude that invites multiple actions, interpreta-tions and programme represent this kind of embeddedness.That what is imbedded in also introduces a kind of research that evolves between surface and deep structure. When it comes to the discovery and observation of how things relates the notion can be described in this way, from another field of knowledge:“Metadata represents a crucial difference between electronic and print-ed documents. All the information in a paper document is displayed on its face. Not so with electronic documents. Electronic documents carry their history with them. Paper shows what a document said or looked liked – metadata tells where the document went and what it did.” (Em-bedded information in electronic documents. Why metadata matters by Scott Nagel in Law Practice today/2004)Related to the global financial crises the critical journey that research-ers, journalists and critics now explore – in the metadata - discover a problematic embeddedness between economic action and social struc-ture to put it mildly. Therefore the philosopher Jürgen Habermas can be interviewed on www.signandsight.com under the heading Life after Bankruptcy!When we discovered Iñaki Ábalos, El Paix chronicle “I would prefer not” as part of the up-front Mosaic reading, a paper document, we discovered his conclusion: “ A credible map of sustainability has yet to be drawn, but there can be no doubt that other aspects already trailed and trialled have run out of whatever credibility they had”. This lines, imbedded in the text, was presented as the headliner for the mosaic concept and informed our project, gave a direction to it.In the Nordhavnen project the imbedded information concerning the sta-tus of Öresundet in different scientific research, in the text and images from our guest writer Peter Sylwan showing a dying biotope, with sur-face earth floating into the sea and warnings from the biologist Peder Agger on the possible dystopic futures alerted our concept,

Page 103: Portfolio Bach / Master Digital Laura Ve

understanding our roleinformed it and gave birth to the introduction of the edge dynamics be-tween land and sea – and the introduction of the archipelago of biodiver-sity. The deep structure of knowledge, the imbedded information on theseascape informed our project, and gave its direction. In the Mosaïc read-ing the guest can be seen as the projects imbedded information. Each guest opens their library exploring the mosaic-concept. A conversation in the mosaic concept with professor Carola Wingren, who we will meet at SLU in Malmø, is titled When beauty arrived in town ends like this:Mosaic team:“And what is such a new topography in a landscape that is to be strength-ened as a network of biotopes, that must be understood as a productive landscape of a new type, and that shall “farm out” new urban qualities?” CW “That we apparently don’t know. That’s what it is about. To give op-portunities and game rules so these processes can gain speed. I would like to describe it as a mesh of....why not “biotopes”, that can be looked upon and changed in different layers, and where every human being is a significantly more important actor than we have seen up to now in Malmø”.It is a fact that 30% of the inhabitants of Malmö lives in a kind of diaspora (Carolas phrase), with imbedded information that can reformulate atti-tudes and actions in both the urban setting and its landscape that informs her thinking. Its our attitude toward the migrant that encloses or unfolds this embeddedness as creative force.Related to discoveries in the Malmø DNA, how our rethinking, research and new kinds of explorations unfolds, We will propose this kind of at-titude towards conceptual thinking: Our method is to launch some initial decisions that can expect to release a reaction both in the excisting urban landscape and in the city to come – to hit the right dynamic, with traces to follow so to speak.KED/KEU

litterature: 1Theory, Practice and Landscape, Conversation between Stan Allen and Florian SauterArchtectural papers III, Natural Metaphor, An An-thology of Essays on Architecture and Nature. ETH/ActarWhen Beauty arrived in townConversation between the mosaic::team and Carola Wingren. First pub-lished (in swedish) at www.mosaic-region.no

#2 human in its environmentThe role of humansin the environmentis to understandhow it functions,and to promoteits continued functioning.

Since man is just one spiecesamong the great diversityof species in nature,he cannot hopeto interveneand to exploitthis diversitywithout jeopardisingthe mechanismsof interactionamongthe many formsof life on the planet.from ; environ(ne)ment : approaches for tomorrow(on the teories and appoaches of Gilles Clément and Philippe Rahm)

Eco-economics and “natural capital”

“the wise gardener”Clément tells the story of the

wise gardener who attentively observes every aspect of the garden,

from plants to animals, from wind to clouds,

on the strengt of his belife that “observation is the ideal mode of

gardening for tomorrow”. Given his capacity to ob-serve and to understand the organisational complexity

of nature, as well as to desipher the subtle relations between living things,

Cléments wise gardener is able to engage nature`s own evolutionary

processes and to guide its creative forces.

How will Malmø be “gardened” in the future?How does one deside

what matters more, and how will one learn about

all the cities (missing) ingredients?1 CommentNice, or should we say brilliant, of you to introduce Gilles Clément to our studio. Our bookshelves contains some of his books. In the magazine Scape 2007/2 (which also contains an intervieu with D&U) it is an inter-esting intervieu by Loretta Coen with Gilles Clément titled “The Planetary Gardener”.You ask: How does decide what matters more, and how will one learn about all this ingredients. In the Scape text Cléments attitude is described in this way:“He bases his position on the work of sustained observation, patient experimentation, a knowledge fed by all sorts of cross-disciplinary relationships. This complement the knowledge he acquired during his constant travels – to which Algeria, which he saw as a child, South Africa which he saw as an adolescent, and Ni-caragua as a development aid volunteer, constituted the prologue. His attitude is the opposite of that of a specialist”.Gilles Clement notion “The Third Landscape” may contain some answers to your question – check it out. At Alnarp on Thursday you will encounter “all sorts of cross-disciplinary relationships” that can enlighten your questions.Your link to the Malmö Street Project reflects on what you can refer to as “sustained observation”.KE+K

Page 104: Portfolio Bach / Master Digital Laura Ve

I WOULD PREFER NOT TOInaki Abalos 2007

Page 105: Portfolio Bach / Master Digital Laura Ve

#3 elasticity26 September 2009Any system of nature and culture is in reality based on interaction and dynamic. It is therefore easy to argue that a planning method that is going to handle such dynamic systems has to be elastic and dynamic. This in opposition to a more traditional, linear and hierarchical planning regime, that to a far extent is built up on simplification and limitation.

A ‘high’ civilization shall contain whatever is necessary (...) to maintain the necessary wisdom in the human population and to give physical, aesthetic, and creative satisfaction to people. There shall be a matching between the flexibility of people and that of the civilization. There shall be diversity in the civilization, not only to accommodate the genetic and experimental diversity of persons, but also to provide the flexibility and ‘preadaptation’ necessary for unpredictable change. (Gregory Bateson, Ecology and Flexibility in Urban Civilization in Steps to an ecology of mind. 1972/2000, p.503)Even though Bateson wrote this paper in 1970 it contains a strong pre-diction of the coming climate changes and a foreseeing of the challeng-es that planners and architects have to deal with concerning profound ecological matters. Bateson prescribe the survival of our Civilization as closely linked to our understanding of natural processes; We are not out-side the ecology for which we plan – we are inevitably a part of it. (IBID p. 512) The new invention gives elbow room or flexibility, but the using up for that flexibility is death. (IBID p. 503)The mosaic-metaphor is a picture of everything that happens, both on a physical and on a metaphysical level. A mosaic inspired planning must contain a strategy for seeing, finding, and adapting everything that goes on. If one piece of the mosaic is painted in a different colour, the pic-ture changes, - not much, but the sum of many small pieces changed, eventually gives a totally new picture. The colours of the pieces are de-pending on political visions, local initiatives and the collective will in the region.Our postulate is that the Öresund region is anti-generic but adaptable. Anti-generic means multifarious and unique, generated of specific land-

scapes, long impact of historical events and individual performance. In addition the region has an opening towards the world through economi-cal, political and technological structures. The success of adaptation, sturdiness and change in the region, is dependent on the will to de-velop open structures, and on the self image and collective hubris of the people living there. Today’s region is not homogeneous and in a mosaic inspired planning it will open up for a wider equivalence in how the differ-ent pieces are perceived and treated.Any system of nature and culture is in reality based on interaction and dynamic. It is therefore easy to argue that a planning method that is going to handle such dynamic systems has to be elastic and dynamic. This in opposition to a more traditional, linear and hierarchical planning regime, that to a far extent is built up on simplification and limitation.Bateson talks about survival not in resisting change, but in terms of ac-commodating change. It means that your thinking has to be every bit as fluent and adaptive as the kind of systems you are talking about. In other words you can not apply rigid or dogmatic principals to systems that are themselves fluent, adaptable, changing and always incorporating feed-back. (...) It is a way of thinking that mirrors the dynamism of ecological systems themselves.(Stan Allen in dialog with Florian Sauters, ‘Theory, practice and land-scape in Natural metaphor’, architectural papers III, 2007)The basic purpose of the plan as a dynamic process will always be as a tool, in opposition to how it often works today; as a goal in it self. The idea of the plan should change from creating rigid structures to process a continuous work in progress.GL/MH

key words: Elasticity, adaptation, transformation and survival

Page 106: Portfolio Bach / Master Digital Laura Ve

#3 DISPOSING OF FUTURE RESOURSES“Biodiversity matters for Ethical, Emotional, Environmental and Economic. Ecosystems have intrinsic value. They provide emotional and aesthetic experiences. They offer outstanding opportunities for recreation. They clean our water, purify our air and maintain our soils. They regulate the climate, recycle nutrients and provide us with food. They provide raw materials and resources for medicines and other purposes. They form the foundation on which we build our societies....Human well-being is dependent upon “ecosystem services” provided by nature for free, such as water and air purification, fisheries, timber and nutrient cycling. These are predominantly public goods with no mar-kets and no prices, so their loss often is not detected by our current economic incentive system and can thus continue unabated. A variety of pressures resulting from population growth, changing diets, urbaniza-tion, climate change and many other factors is causing biodiversity to decline, and ecosystems are continuously being degraded. The world’s poor are most at risk from the continuing loss of biodiversity, as they are the ones that are most reliant on the ecosystem services that are being degraded.”from the Biodiversity Policy of the European Commission

reading:The Economics of Ecosystems and Biodiversity (TEEB)by Pavan Sukhdev for the German Federal Ministry for the Environment and the Euro-pean Commission

The study is evaluating the costs of the loss of biodiversity and the as-sociated decline in ecosystem services worldwide, and comparing them with the costs of effective conservation and sustainable use. It is intend-ed that it will sharpen awareness of the value of biodiversity and eco-system services and facilitate the development of cost-effective policy responses, notably by preparing a ‘valuation toolkit’.

In the foreword of this document Stavros Dimas (Commissioner for En-vironment European Commission) says;“The aim of the Convention on Biological Diversity (CBD) and its 190

Contracting Parties is to significantly reduce the loss of biodiversity by 2010. This is an ambitious goal which can only be achieved through the concerted efforts and combined strength of all sections of society. We therefore need both national and international alliances between policy makers, science, the public and business.”

Biodiversity makes ecosystems//communities//cities more flexible. So how will Malmø plan for the keeping and growth of the richness for the future? And what economic loss/gain is the potential for some sites historically and for the future?

resource : watergreen areas // parkspreserved natural placestransitional spacesundeveloped spaces

NATURE SERVICESNatural resources, and the ecosystems that provide them, underpin our economic activity, our quality of life and our social cohesion.“There are no economies without environments, but there are environ-ments without economies”.Ultimately we must answer to nature, for the simple reason that nature has limits and rules of its own.Already we see conflicts caused by competition for biodiversity resourc-es and ecosystem services (WBGU 2008).

In the last 300 years the global forest area has shrunk by approximately 40%. Forests has completely disappeared in 25 countries, another 29 countries have lost more than 90% of their forest cover.Since 1900 the world has lost about 50% of its wetlands.Approximately 30% of coral reefs, with higher levels of biodiversity than tropical forests, have been seriously damaged through fishing, pollution, disease and coral bleaching.

Page 107: Portfolio Bach / Master Digital Laura Ve

In the past two decades 35% of mangroves have disappeared, some countries have lost up to 80% through conversion for agriculture, over exploitation and storms.The human-caused (anthropogenic) rate of species extinctions is esti-mated to be 1000 times more rapid than the “natural” rate of extinction typical of earths long-therm history.

HOW DO WE SET THE VALUE OF OUR LAND?The task I had given myself turned out more complex than I had first anticipated. The variables are many and the potential future advantages complex.production: food, fibres, medicine, timber, fuelscleansing of surface watercleansing of airCo2 bindingclimatic protectionhabitats / biodiversityWhen energy prices rises, price for food and clean water will rise.How will natural systems supporting this be valued?Potential economic valuation in the future.Giving room for green structures in city planning is to invest in future natural economical / energy efficient solutions.50% of Malmø is hard surfaces; buildings without green roofing, hard floors. In Malmø´s green plan (GRØN PLAN MALMØ) they want to in-crease green areas from 33m2 pr inhabitant to 48m2.

For this goal they have developed a strategy:Areal disposition and developing for nature services to take place through ecosystems and biodiversity.

Page 108: Portfolio Bach / Master Digital Laura Ve

#4 dynamics of small cultures12 October 2009Dynamics of small cultures is the next theme for the studio. Knut Eirik will give a short introduction to the theme and present the fourth assign-ment: What informs your project at 12.00 Thursday October 15, in lille auditorium.The dynamics of small cultures introduces an awareness both related to expertise, unknown voices and voices usually unheard of. The interior of this notion demands a new type of observation and definitely it demands a vibrant cartography, or a (personal) rhizomatic library, leading up to the notion what informs your project. The asignment 4 also contains the journey to Paris and possible comparative studies on Malmö and Paris. Up to the 5th asignment, Points of Departure, after Paris, we want you to charge the aspects that are important in your Malmö City Reader and address how they will inform your project and your next step.

Our research and observations in the Mosaïc period set a searchlight on different aspects of how to aquire knowledge, how to enlargen our views and how to direct our studies, summoned up in this phrase : What informs our project? Inherent in this lies a critical approach to planning statements and strategies that is more reductionist in its approach and methods. At a certain point in our Mosaïc explorations we discovered the urgent need for voices and capacities in fields unknown to us. Through an advanced research and with a little help from knowledgeable friends we discovered a series of possible guests all over Scandinavia, hitherto unknown to us, who were invited to enter our concept, charge it and transform it. Peter Sylwan, who you met at Alnarp was one of these guests, who we met in person for the first time at this event.The introduction to this kind of offensive discovery of unknown voices (for us) had as its stepping stone our joint research under “The Year of City Development in Tromsø. Most significantly in what we called The City of Chronicles, in this one year time-out and reflection on the appear-ing city. With KED as editor 40 articles from sources usually not known as informators in the world of planning appeared every Saturday in the main newspaper in the Northern region. These voices, a pressure from

inside the city, interpreted the outside pressure, a changing world, as formative for the planning strategies for the future city. One interpreta-tion of the notion weak voices lies inherent in that these voices where not heard before – they appeared through an intense research for new competence. We discovered them, so to speak.The attitude towards these voices was described in this way in the Mosaïc::Region under the heading The elasticity of the thought and the plan: “We pinpoint our guests from a field of knowledge, an energy net-work, and we are the receiving station. For us earlier ‘weak voices’ be-come meaning-bearing and visible. The anthropological term ‘the gift’ may be meaningful in our dialogue between adaptive performing spaces and mind fields. We have learned that only an ongoing and loving open-ness in this mosaïc must be the norm. Although not ‘everyone’ involves in the open network, an (op)position developes that in the mosaïc-search is in a moving conversation with the superstructures - and undercurrents. When we ‘charges the landscape with new energy’ and discusses ‘the producing landscape’, we are in a discourse of the larger time span, in a larger shared scale between the two countries in the region. We open the discourse in an era in his-tory where the imbalance is a recognition, that planning institutions of all types are challenged to take in. The tableau of images of change generated by our visits in the future pinpoints the need for new types of collaborations between hegemonic institutions both in the region and in the wider European field. Meanwhile we are in the core (the internal life) of the mosaïc and discuss examples that strengthen the considerations. Elasticity of thought where ‘everyone can have a position’ can thus lead to a rupture in the planning regimes. ‘The Plan’ must therefore extend its elastic field, and recognize the ‘discursive nature’ by opening the dif-ferent bases, cultures and practices - and understand this as the ‘gift’. ‘Almost immediately, reality collapsed at several points - the truth is that it wanted to give way (Borges)”When KED guest-edited the magazine MARG, on the city, he was intro-duced to a story about an owner of a bookshop in Beirut who had as his ambition and intention to keep his bookshop open during all periods

Page 109: Portfolio Bach / Master Digital Laura Ve

of war in Beirut, which he mostly has managed. Keeping open this tiny little bookshop as a continuous feature and vibrant location in the (dra-matic) changing cartography of the city. The beauty of this stamina, this tiny culture, confirms the possible discovery of importance on all levels of the activities in a city that can inform our way of thinking. To learn to appreciate and observe different events and activities that can repaint our mosaic, charge it with new meaning.In the Mosaïc concept we described this attitude under the heading The Dynamics of small cultures: “Research on premature infants in Lund is world leading, a reference culture in dialogue with a network of other premature cultures. This mini culture is trying to increase the population growth in the Öresund region, in a simultaneous dialogue with the lead-ing research journal ‘Pediatrics’. The small culture of the Art Academy in Malmö has allied itself with a handful of state of the art art scenes worldwide and is growing out of its pre-stage. The multi-cultural youth movement in Copenhagen has been out every Thursday to defend and develop the small vulnerable biotope “Ungdomshus”. Attempts at nor-malization of Christiania have the intent to direct that earlier attraction into a disappearing landscape. The region’s immigrant model, Malmö, is a universe of small cultures merging into the cityscape after Friday prayers in the mosque - and become something else than a superstruc-ture. The mosaic Metro-Polis quality is the small worlds of cultures and their networks and intersections, locally and globally. However, demarca-tions and the distance to small (vulnerable) cultures dominate the larger political picture in the metropolis. If the border between the two countries is to be challenged, the political challenge will be the sensitivity for the diversity in small cultures and the perceiving of their dynamics. When the COP-15 launches “what we must understand and what we must do” in December 2009, it is the energy and talent in urban habitats, their moti-vations, that can emerge as a reliable map of a sustainable Metro-Pole, in a new premature situation”.The notion The dynamics of..... is our transformation of the title of the classical landscape study from 1988 by Peder Agger and Jesper Brandt titled The Dynamics of small biotopes in the Danish agricultural land-scapes, where they say in the introduction: “Hedges, roadside verges, drainage ditches, small brooks, bogs, marl pits, natural ponds, thickets,

prehistoric barrows and other small uncultivated areas laying within and between the fields in the Danish terminology are named ‘small biotopes’. Conceptually they correspond to the ‘network’ that is embedded in a ‘ma-trix’ of cultivated fields as defined by Forman and Godron (1986). They can also be described as “ecotopes”, the smallest unit to be studied in the landscape (Naveh 1984).....”In our interpretation refering to ‘systems of informational exchange’ (Bateson) this set a possible searchlight for our observations on what is embedded in the Malmö matrix.

In our contiunos interwiev with Stadsbyggnadsdirektør Christer Larsson the next question to him is titled Does she speak Arabic. Refering to how Malmö explores the network that is embedded in the migrant community. We have asked Tove Helen on bases of her cartographic exploration, to enter into this question and she asks: “I see the numbers, where are the facts? Visiting Malmö through the internet, I got to know that people from 171 different nations live in the city. These people represent almost 40 % of all ”Malmöers”. Getting to know Malmö by diving in to the world of statistics, I understand that ”new malmöers” are representing 12 - 60 % of the population in every township. At least 38 nations are represented in each township by more than 10 persons. Centrum got inhabitants from 94 different nations. The nation that is biggest represented in one town-ship, is Irak with 2881 persons. Encircling the city of Malmö and being a visitor that sees all the different townships by foot, by cycle, by buss, I find the expression of different social layers, different life situations and different ways of living. But, I can’t see and I can’t stop wondering, where does the diversity, richness and potential of all the new malmöers come to expression? By using Knut Eiriks formulation “ Does she speak Ara-bic?”, I wonder... Where is her cultural treasure expressed? How is her cultural treasure expressed? When is her cultural treasure expressed?.

The dynamics of small cultures introduces an awareness both related to expertise, unknown voices and voices usually unheard of. The interior of this notion demands a new type of observation and definitely it demands a vibrant cartography, or a (personal) rhizomatic library, leading up to the notion what informs your project.

Page 110: Portfolio Bach / Master Digital Laura Ve

The asignment 4 also contains the journey to Paris and possible com-parative studies on Malmö and Paris. Up to the 5th asignment, Points of Departure, after Paris, we want you to charge the aspects that are important in your Malmö City Reader and address how they will inform your project and your next step.schedule:oct 14: oct 15:09.00 09.00 12.00assignment #3 review assignment #3 review presentation of assigment #4 short lecture on dynamic of small cultures

Study trip to Paris assignment #4: oct 19-23 litterature:’Losing control, keeping desire’ by Doina Petrescu

KED/KEU

key word: what informs your project?

STUDY TRIP TO PARISNext week we are visiting Paris, a city known historically as an attrac-tor on different migrants who has shaped and formed French life and culture, we will explore The dynamics of small cultures and we will meet Doina Petrescu. Magdalena opens up our Paris journey in this way:The micro politics of small cultures - aaa and urban tacticsHow to discover and make visible the small cultures and develop their dynamics, to capture desires, know- hows, relationships and skills?When the ‘small culture’ is not a network of researchers eager to put into play their knowledge but people invisible not only in the political and planning processes but even in the public space and life: illegal immi-grants, women confined by cultural expectations or people linguistically and/or socially restricted. People that for different reasons never show up on those citizen meetings (that most of the time is the only, and com-pulsory, outcome of ‘participation’ in planning) to claim their point of view or knowledge, but still living a strong, pertinent and parallell reality in our cities.Doina Petrescu and her studio aaa (atelier d’architecture autogerée – studio for self-managed architecture (http://urbantactics.org/) in Paris are using the tactics of micro-political acting and participation to ‘create relationships between worlds’.By the use of everyday activities such as gardening, cooking, playing, chatting etc they make it possible for those previously excluded to par-ticipate and even change roles in an ongoing process of architecture and (local) politics: the cook becomes a debater, the inhabitant an architect and the urbanist becomes an activist. Attending by one accessible entry releases the possibility of participation on another level of collaboration and exchange. Disused urban spaces in disadvantaged areas are trans-formed into poetic and political gardens of urban biodiversity.

Page 111: Portfolio Bach / Master Digital Laura Ve

#4 (one) dynamic, cultural paris experienceAn extrusion of the Paris experience must be the Chapelle neighbourhood in the 18th and 19th district;

The crazy tall housing-buildings in different shapes and sizes that makes la Chapelle vis-ible on the parisian skylineAll the different people in the streets and in the parksThe difference in the building typologyThe old parisian funeral parlour in Rue d´Aubervilliers, that is transformed into an arts centre, the 104

The everyday park between the rail-lines of Gare de l´Est and Rue d´Aubervilliers, Jar-dins d´Eole that almost lost the 12 year long fight for its right to exist to the plans for ex-tension of a storage hall. Now it is a beautiful addition in peoples life in this aera; people working out, playing, talking, growing vegetables and fruits in the parcel-garden, having coffe and crèpe and talking, and the children experience to see how a sunflower grow, or how a turnip they planted taste when it is finished (school project).

The beautiful metro stop at la Chapelle, when coming out; people playing ping pong out in the park, while someone is watching... and talking. The wall-pieces of the narrow streets giving them an extended sensation... While some of its history disappears with the demolished buildings and transforms into something new... A beautiful skyline of crazy buildings....

Page 112: Portfolio Bach / Master Digital Laura Ve
Page 113: Portfolio Bach / Master Digital Laura Ve

25 October 2009-what informs your project?The term Points of Departure used as a planning tool is an invention made by 70°N/D&U for the competition entry Excentral Park - Edge Dy-namics, in the Nordhavnen competition, Copenhagen 2008/-9 - (though used by others with partly different meaning; - e.g. Henry Lefèbvre in Urban Revolution, as a theoretical starting point for analyzing urban con-ditions; taking real life as the point of departure, (Lefèbvre, Critique of Everyday Life, Volume One)).The intention of the PoD is to confront the recent processes and ideas on urban planning and the strong belief in making long-term and rigid images of urban development structures. It is an attempt to define urban planning as something more than urban design. By creating and defining the Points of Departure we are investigating and looking for entries to a process and a project that contains a sort of otherness, -but which are strongly connected to the situation and the landscape. The PoDs could represent an open attitude to the imbedded information there is, and lift the importance of weak voices and small cultures (see previous texts).In the Nordhavnen competition the PoDs were a reaction to the pro-gramme invitation to make plans for a period of 50-60 years. Instead of creating a fixed urban fabric for the future, we opened for a long-term strategy of adaptation, changeability, resistance from nature and culture, and in general; -a planning strategy of elasticity. In addition to the physi-cal information we find, the cognitive aspects of the situation open for a comprehensive approach, e.g.: -the historical relevance of the site, -the idea for an ideal urban life, -the context of neighbours and inhabitants and so on.

Creating PoDs is an exercise in investigating the hidden possibilities in a situation, -for making a starting point and an entry to the plan and the project, and finally create a consciousness about; -what informs your project?

key word: Points of Departure

From the competition text to the (70°N/D&U) entry; Exentral Park - Edge Dynamics, describing the use of PoDs in Nordhavnen:

Points of Departure / PoDs - Activating the FieldActivating the Field is to create a ‘hyper responsive milieu’ where it is possible to leave an imprint - something that one can return to, charge with energy and follow in time.

The dynamics of small culturesThe urban utopia created for Nordhavnen comprises a diversity of small cultures and programmes not easily attainable in usual developer-run processes. In the competi-tion programme for Nordhavnen both Århusgade and Fiskerihavnen are mentioned as ideal milieus one wants to preserve in the coming plan. In our strategy for Nordhavnen we insert small enclaves (sociotopes) of free, imaginative and provocative structures to be established now, and continuously, -independent of the plan’s timelines. These Points of Departure can be seen as embed-ded resistance and meaning in the future urban fabric. The coming urban structure has to embrace and meet these programs in the same way as the Barcelona Cerda-plan is dispersed in the meeting with the old village of Gracia, and Paris’ Haussmann axesdeviate when meeting ‘les buttes’ (aux Cailles/Montmartre). Strategically this is a new way to establish constructive resistance in large urban projects, learning from historical urban renewal processes.Complex, dynamic fields of life forms and accumulated knowledge exist on several lev-els in Copenhagen and its region. Through such action this may evolve into a sustain-able voice in the urban development process, and at the same time disturb a unilateral and defined developer-run process and imprint it with new meaning. This evidently is true for those people who through time will settle in the area, but also for those land-scape structures and events, which will be initiated. In planning terms it represents the importance of weaker economies and voices that, allowed to work on all timescales in Nordhavnen, representing an archipelago of formative opportunities in a constructive resistance to all linear development. This gives us the possibility to create what the voices of the citizens express as: ‘No-regulation Zones’, ‘Use temporary functions and features’, ‘A bit rough, messy and unpolished, it would be great to be able to plan the unpolished’, ‘The unexpected is attractive’.Urban woodsIn preserved places within a demarcation one invites to tree planting. This might be initiated somehow as a land art experience from the start and provides a possibilityfor the inhabitants of Copenhagen to acquire a physical and mental belonging to Nor-dhavnen. In the later urban development the woods planted will yield resistance in the structures and become programmatic crossings. The urban woods of Nordhavnen will belong to the mythical narrative constituting the identity of Nordhavnen from the begin-ning.Urban gardening and agricultureIn citizen meetings, quoted in the competition programme, strong wishes arose: ‘Nord-havn might become the green part of town’, or as a field which ‘one might set aside for experimentation’. In a demarcation of fields and lines, an urban farming and gardening strategy can be explored with two options: Cleaning the infected ground over time and establishing temporal, seasonal large scale qualities in the global fieldNordhavnen - gardens of urban delight. Both Excentral Park and the delimited fields for built-up structures will in time be introduced for intermediate actions, landscapes and programmes that due to its quality might give a long term impact on the spatial concept, - to be formulating Points of Departure. G/M (D&U/70°N)

#5 points of departure

Page 114: Portfolio Bach / Master Digital Laura Ve

#5 valuation of land and spaceOur environment as a space to move in, to meet others, experience others lifes, and at the same time see the function it provides.

n a t u r e s e r v i c e :earth regulatingitself

The ID-builder of this common space, ori-enting ourselves on large scale in local scale.The consept of scale as a representation of spatial difference to engage relation-ship between nature / culture : architecture, landscape and the city...

“There are forces acting at multiple scales, often invisible at the physical lo-cation of the site itself”

(Linda Pollak;”constructed ground:questiones of scale”)

nature // culture and the criterias

work

site

figure

ground

architecture

landscape

object

space

culture

nature

space fo

r :

building mem

ories

(and ex

periences

) environmentobject - event - relation

the developement of our lokal identity

G

M

P

g

m

p

g

m

p

g

m

p

Lefebvre ; spatial difference

(rethinking) urban conditions

everyday (r)urban spaces that do not exclude nature

the consept of scale as a representation of spatial differencecan be used to engage relationship between

nature / culture(architecture, landscape and city)

across a range of formal, ecological, sosial and other

criteria

“there are forces acting at multiple scales,often invisible at the physical location of the site it self”

(linda pollak;”constructed ground:questiones of scale”)

Page 115: Portfolio Bach / Master Digital Laura Ve

#6 vulnerability16 November 2009Architecture and planning interacts with a wide range of disciplines. As an architect you need to get an overlook, an understanding of the dy-namics in fields far outside our own discipline. How to get there? We already, by keeping updated on the news, know too much about climate change, injustice, financial crisis, poverty and wars to be touched by it. Only rarely something floats up, an image, a story, and moves us. We know too much and it does not exist. But in the undercurrent of this flow of information it is possible to find people, experts on their field, researchers, humanitarian workers and artists that lend their eyes and voice to for us invisible people. You have all done discoveries on the web, and we have shared with you our findings through the tests we have introduced. These observations and findings can bring the dynam-ics of wast theoretical fields and actions within range, opening up for a possible cartography of vulnerability – a discovery.

This text is written with the possible vulnerability of the event taking place in Copenhagen in December, the United Nations Climate Conference in my mind – be aware.Vulnerability is one of the basic conceptions of survival. It is an aggre-gate measurement that indicates susceptibility to be harmed. Vulner-ability is an intimate term in the sense that it is rooted in deep human experiences. At the same time it applies to systems of all scales from the smallest biotope to global systems, on all categories and all sectors of society. It floats through language, adapting content from the given context and it always occurs with specific sets of associations borrowed from the context it appears in.Architecture and planning interacts with a wide range of disciplines. As an architect you need to get an overlook, an understanding of the dy-namics in fields far outside our own discipline. How to get there? We already, by keeping updated on the news, know too much about climate change, injustice, financial crisis, poverty and wars to be touched by it. Only rarely something floats up, an image, a story, and moves us. We know too much and it does not exist. But in the undercurrent of this

flow of information it is possible to find people, experts on their field, researchers, humanitarian workers and artists that lend their eyes and voice to for us invisible people. You have all done discoveries on the web, and we have shared with you our findings through the tests we have introduced. These observations and findings can bring the dynam-ics of wast theoretical fields and actions within range, opening up for a possible cartography of vulnerability – a discovery.In mosaic::region, we related to vulnerability issues in this way:Vulnerability mapping is a part of our anti-generic mindset where plural-ity and diversity is crucial, and where the mosaic’s unique strength is to be grown and processed. This applies of course the maintenance and protection of a diverse nature, but it applies just as fully to the Socio-topes of different origins that are vulnerable to economical and political pressure and change. In both cases, it is all about strengthening by link-ing together and open up for new opportunities, rather than to preserve.Through a hyper mapping of the super normal the survey answers with a flexible and evolving strategy, where the vulnerable, first and foremost are protected by active intervention, and not primarily through boundar-ies.Vulnerability is the new GeographyWhile the vulnerability on the personal level is universal, the geography of vulnerability is specific. Stresses and resources are unequally dis-tributed. Global forces and local dynamics interact and produce vary-ing regional conditions. When this information is put together, a new geography is revealed, a geography where vulnerability comes in the foreground. This cartography spans from the local to the international. Researchers enter this geography from different disciplines, with differ-ent tools, traditions and interest. Vulnerability mapping and assessments are produced in all sectors of society. They are made to provide decision makers with necessary knowledge to protect and strengthen vulnerable social, economic and natural systems.When the impact from climate change and variations becomes manifest, it comes on top of already existing stresses, interacts with them and makes them worse.

Page 116: Portfolio Bach / Master Digital Laura Ve

As the insight of climate change began to make its presence throughout the 1990s, vulnerability assessments began to focus on vulnerability in relation to environmental changes combined with socio- economic vul-nerability of individuals and groups. IPCC’s 4 report from 2007, provides an overview on the geography of vulnerability under climate change. Here they use a specific definition on the term vulnerability in relation to adaptive capacity: Adaptive capacity is the ability of a system to adjust to climate change (including climate variability and extremes) to moderate potential damages, to take advan-tage of opportunities, or to cope with the consequences.Vulnerability is the degree to which a system is susceptible to, and un-able to cope with, adverse effects of climate change, including climate variability and extremes. Vulnerability is a function of the character, mag-nitude, and rate of climate change and variation to which a system is exposed, its sensitivity, and its adaptive capacity.The impacts of climate change have big regional variations, but are reg-istered in the whole biosphere. Developing countries, those who have contributed least to the co2 emissions, are worst affected by the con-sequences. Large and growing populations are climate refugees. The human potential of entire regions is used up in a daily fight for survival. When a country is preoccupied to tackle drought, flood, famine and con-flict, it loses the creative expression of entire generations and the poten-tial to work their way out of poverty and bring the world forward.

“Man vet for lite, og det finnes ikke. Man vet for mye,og det finnes ikke. Å skrive er å trekke det somfinnes ut fra skyggene av det vi vet.”Karl Ove Knausgård

We know too little, and it does not exist. We know too much, and it does not exist. To write is to draw what exists out of the shadows of what we know.

Vulnerable potentials for changeThe concept of vulnerability has a built-in appeal to do something about a situation; it is a concept that mobilizes into action. This makes it a po-litical tool. It is implicit that if something is highlighted as vulnerable, it is

entitled to some form of protection. How this call for action are received, the ways decision makers relate to the information, will be dominant in terms of priorities. In planning and politics there will always be overlap-ping interests and needs in relation to territory and economy. When re-sources are under pressure, sector interests will impact on priorities and policy guidelines. Vulnerable landscapes often end up as the loosing part in priorities.National states do not only attempt to protect their territory, population and production, but also the global systems that they feed on. If those systems are based on global injustice it is inevitable that they have nega-tive impact in other regions of the world. Energy conflicts are an example of this: All big military and political conflicts from First World War up to now have been related to the control of the world’s oil-reserves. (Ryg-gvik). A system that is not sustainable will over time become vulnerable. Biological, social, economic, technical and cultural systems overlap and affect each other in structural dependencies. Many of the systems we are dependent on are unsustainable, and as a consequence the vulner-ability of communities and ecosystems increases.Decision makers are often ignorant to undercurrents in society as op-portunities to redefine the future. When processes are closed, structured and formalized, the experimental and not yet displayed potentials are ruled out. It is crucial to open up and create a reception apparatus for vulnerable initiatives as potentials for change.We need to find the ideas that is in the making, under the surface, the things that we don’t yet know. To draw what exists out of the shadows of what we know. Projects need to be extremely observant and proactive in pointing out new directions, to meet future challenges which can only be met through a hitherto unseen dynamism and flexibility in planning, international cooperation and development.KEU

Page 117: Portfolio Bach / Master Digital Laura Ve

#6 malmø facing future challenges

Three factors defines landscape in Ian

Thompson´s theory:

Ecology

Community

Delight

It is obvious that delights have a key role in giving iden-tity to the urban landscape. This assumption means that landscape aesthetic and its enhancement should be con-sidered beyond its visual aspects, in combination with other dimensions of the urban environment. The bal-ance between natural environment and human societies has always existed in societies; and searching for delight and aesthetics, delight and balance of human tasks and their environmental relationship, has always been con-sidered in such a way that man can live comfortably with nature. (From Thompson´s point of view “Ecology” is one of the effective elements in landscape).

The importance we give our senses

On background of analyses on Malmø and investigations on the city through walking, reading, talking, googling etc a blue-green web has developed.The blue-green web strategically de-veloped to better dealing with a wetter future, handling the increasing amount of ur-ban runoff in a more sustainable eco-nomical way.However the most important issue of this structure is the experiences it cre-ates for people moving through the streets and neighborhoods on their way to their everyday destination.

Connecting urban public and semi-public rooms by a mentally easy re-membered and physically inviting and easy oriented structure. It brings unexpected and new experiences to both the visitor and the inhabitant.Imagine walking along a small stream, with trees, straws, insects, flowers, birds and more living things and all the different smells and sounds they bring with them through the seasons.It might turn into a really refreshing start of the day on your way to work...

not like this more like this

Assuming fuels for private car use will be unattractive-ly expensive in the future and that this will make the use of private transportation less important, I focus on alternative use of space in the street-scape regard-ing amount of space for car parking, number of lanes needed for cars in a street etc.

Using this space to receive, treat and experience wa-ter gives a city and its inhabitants and visitors a lot more back.It brings life into the streets on a hole new level.

in the street-scape

Malmø,S:t Knuts Square may-03 artist project on Agenda 21http://koloni.dbskane.se/kolonienglish.htm

alotment gardens neighbourhood community garden-projects

private publicsemi-publicparks

allotment gardens of Elisedal next to Fosie industrial aera

aerialphoto and view over Pildammspark showing parcelgarden-aera close to the Pildammstheater

Ribersborgpark aera

Page 118: Portfolio Bach / Master Digital Laura Ve

#DAV The walk as a method and an artistic practice13 November 2009workshop with PublikHow do we approach a space? How do we make research of a specific place in the best way? What kind of impressions and experiences create the sense and the character of a certain place? How do we physically experience places? How do our own body, experience and personality influence our experiences of the new places that we explore?

With this workshop we aimed to make a research on Malmö as a city through the walk and the walk’s forms and methods. The students have been working together in teams where they together have been given an area of research and chosen a theme for their research. As a starting point they have uses the area of research on a walk and represent it in their own chosen format.By this workshop the students have tried out their ideas and tested them on reality by using the walk and thereby choosing an optic to see the city through. Here you can see the different results of the groups works.

Background knowledgeBy the beginning of modernity and the rise of the cities a new term was made for a specific group of men that walked or strolled around in the city. They were given the name ‘flaneur’. A person with a certain self-consciousness who had time and peace to just walk around and watch the life of the city and the ever changing character of the city – and there-by stood out of the mass but at the same time was the quintessence of the city. The perfect flaneur combined empathy and distance. Often the persons were writers or artists who would depict their experiences in text and pictures. The movement is the essence for the flaneur and his strolling through the city in contrast to the life of the city that he moves through that constantly haste by him. This gives him the possibility to voyeur the city but also to take it in on his own conditions.

Concurrently with the rise of the city sociologists, theorists, artists, urban scientists and city-planners have found a profound interest and core re-

search material in the space of the city and the changes as well as the urban population way of taking over the space of the city. Important to mention is the French theorist Michel de Certeaus thoughts in his book ‘The Practice of Everyday Life’ where he analyses how people as indi-vidual has a need to create his or her own rolls and rituals in a mass-society such as the city. So when the citizen goes against the planned paths in the parks and makes her own ruts by walking across the lawn she takes in the place in her own way and creates her own rules.

Today many artists still use the walk as a method and an approach for an artistic practise. Here plays the artists personality an important roll for the outcome of the artwork. This becomes clear in the choice of frame or thematic the artist wishes to present. One of the most important and contemporary artists using the walk, as a method is the Mexican based artist Francis Alÿs. He has been doing his city walks in a lot of cities such as London, Mexico City, Jerusalem, Copenhagen, Berlin and Lima – just to mention a few. Before doing his work he first walks the city where he research for the character and the special sphere of the city. Then he sets a certain complex of problem in play of that specific place and often combined with an existential and self-referring approach. As for instance his walk through Mexico City where he pushed a big ice cube, which due to the high temperature quickly became smaller and smaller. This doing for no reasons points at mankind’s ever lasting wondering around with no goal. The walks of Francis Alÿs are afterwards turned into videos, photos, drawing and paintings.

The workshop is made by publik – a Danish organisation producing contemporary art for public spaces in Copenhagen since 2005. publik initiate and produces temporary art projects that has a debating and researching approach towards the boundaries of today’s public spheres. www.publik.dk

Nils Rømer and Johanne Løgstrup

Page 119: Portfolio Bach / Master Digital Laura Ve

#DAV : the xerox - project Xerox- A tool for communication, on Møllevangen, a place for sales and meetings in the city, a dazzling, vibrant place full of ephemeral information and cultural activities. Our interpretation of Møllevangen as an area was a place for cultural exchange, a multi layered area were different cultures could intermingle and exist side by side, how to strengthen this…An area of juxtaposi-tion, no matter where you come from in the city you´re allowed to enter and participate and after spending quite some time there and observing the movements, our eyes frozed on the informa-tion column. In the square, an old, battered information column was full of posters, both political and cultural, we observed within an hour approximately a dozen people walking up to it, pasting different flyers about different happenings not only in Møllevan-gen but also in the greater Malmø area, including Copenhagen. This triggered our interest for cultural exchange, how to use this element as a creation for a rhizomatic spreading of information. Something uncontrollable, something that was made by the peo-ple, for the people. Our idea grew on us and we started to flirt with the idea of a Xerox machine for copying these flyers. By strengthening the already existing column and by adding a Xe-rox, was it possible to establish an autonomous place for gather-ing the information, copy it and then spread and display it? Let people come from all over the city to this exact point, do their business and then again let them walk of in every direction as they please, this is our story…

Page 120: Portfolio Bach / Master Digital Laura Ve

#7 charging the landscape23 November 2009The new energy is first and foremost your own research and discoveries, and positively you can read them together as systems of informational exchange (G. Bateson). What you do in your projects is in fact to charge the landscape. Ask yourselves; “What is my discovery?” How can a new interpretation of the landscape penetrate the linear understanding of de-velopment? How can resistance be transformed into an offensive, as a necessary deviational act. As we discussed related to the offensive and creative understanding of vulnerability? How do you prepare the landscape for future potential impacts, how do you open for new types of dynamics? Adaptation to climate change has obvious become a key challenge of this image at large (The COP 15 is very soon taking place in Copenhagen). A quotation from Mathias et al, introducing a contrary logic, can underline this charging of Malmö with new energy: “Through a series of evocative actions the hidden qualitative layers of the site is examined. In this way the monoprogramatic appearance of the site is questioned”.And to end this charger with Borges: “Almost immediately, reality col-lapsed at several points - the truth is that it wanted to give way “.

“The Landscape is not focussed until it becomes “necessary” to do so, and in this respect is not prepared for the future. The present map pro-poses to develop a new legend that seeks to enlighten the shadow. The landscape must be prepared for and resist the next leap by remaining the superior space in an unforeseeable future. This will force an aesthet-ics which will have to operate on a large scale, and which must deal with more temporal than the constructed world.”Knut Eirik coined the term “charging the landscape with new energy” for the first time in the international idea competition “The Helsinki Tampere Visions” in 1993, where the matter of concern from the Finnish govern-ment was: How can we avoid irreversible damage to land and landscape by the creation of the planned TGV track between Helsinki and Tam-pere? The term has proved itself sustainable, has followed our practice and entered the idea universe which we share with Gisle, Magdalena

and a wide range of collaborating partners, including you.In a discussion of the origin and interpretations of the term, I asked him: “Was it a new mental relation to the landscape you were referring to back in 1993?” KED: “The concept emerged during a four days slow journey Nils and I did into the strangest, forgotten paths and places be-tween the two cities. The Suomi summer was really hot,+ 30 °C, and Nils took these stunning beautiful photos of disappearing landscapes that were absolutely not in the searchlight of those forces planning the TGV. The ultimate speed compresses the landscape, and we asked ourselves whether it was possible at all to establish, in this landscape, a mental condition through interventions which could define entire scenarios in this field for future use –preparing the landscape for what is to come, so to speak. The human activities which to the present had shaped it were in a process of change and apparently constituting disappearing men-tal landscapes.” (In an even warmer August of 1993 Gisle helped KED putting together the water colour collages for this competition and then stated: I have never seen anything like this!)A very slow progress from Helsinki to Tampere along this walking line is a mental quest to gain understanding about cultural change. Theo-retically it leads toward the Arctic Sea, touching a landscape which the future should be able to investigate as such; it is all about how to recircu-late the uniqueness of this nature, which is both exhaustible and vulner-able. With a view to a near future it is uncertain where Helsinki ends and Tampere begins --’one arrives before spotting the city.In the article A journey through the picturesque (2003), Iñaki Àbalos and Juan Herreros, observes the landscape in the periphery of the city, un-protected landscapes that have been influenced by the city growth be-fore urbanity has appeared: “They are formerly degraded zones, endowed with a new urbanity by the gaze of new social subjects. Look at the wasteland beyond the outer suburbs; look at the way almost all the emerging forms of socialization have been constructed in them (although – or precisely because- they are degraded territories). We are tempted to ask whether they might contain a metaphoric model, or whether it is possible to think of it of their complement, de–edification, given that the term” wasteland” embodies

Page 121: Portfolio Bach / Master Digital Laura Ve

a fascinating concept: land that has lost its attributes before the approach of the city, that is sterilized as the occupation proceeds, but also given a transcendental role in its new context. We ask ourselves whether archi-tecture could be constructed the same way.”To see the landscape as foreground means to examine the ecosystems opportunities for survival through human intervention. With this back-ground we entered the Øresund region with the mosaic::team.When we are ‘charging a landscape with new energy’ and discussing ‘the producing landscape’, we are in a discourse in a larger time range, in a larger common scale between the two countries in the region. We openup for discourse in an era in history where imbalance is a recognition, as planning institutions of all types are challenged to act on. The tableau of change generated by our visits in the future underlines the need for new types of collaborations between hegemonic institutions both in the region and in the wider European field. At the same time we are deep into the mosaics inner life and discusses examples that strengthen the line of thought.These three different Works is based on various indepth research and slow hyper-observational journeys, as you now are deeply into. I have made a cartography of your concepts and discoveries, and charged the Malmö land and cityscape with your research, as I observe it. This car-tography is only tentative and should be seen as a challenge for you all to create a challenging common “ tableau of change”. The blog contains research that can charge this kind of reconsidering and remapping of Malmö; A new Malmö Legend. The new energy is first and foremost your own research and discoveries, and positively you can read them togeth-er as systems of informational exchange (G. Bateson). What you do in your projects is in fact to charge the landscape. Ask yourselves; “What is my discovery?” How can a new interpretation of the landscape penetrate the linear understanding of development? How can resistance be trans-formed into an offensive, as a necessary deviational act. As I discussed related to the offensive and creative understanding of vulnerability? How do you prepare the landscape for future potential impacts, how do you open for new type of dynamics? Adaptation to climate change has ob-vious become a key challenge of this image at large (The COP 15 is

very soon taking place in Copenhagen). A quotation from Mathias et al, introducing a contrary logic, can underline this charging of Malmö with new energy: “Through a series of evocative actions the hidden qualita-tive layers of the site is examined. In this way the monoprogramatic ap-pearance of the site is questioned”. And to end this charger with Borges: “Almost immediately, reality collapsed at several points - the truth is that it wanted to give way “.

KEU

litterature:Appearing And Disappearing Landscapes by Knut Eirik Dahl and Nils Mjaaland/Blue line, 1993

key word: “What is my discovery?”

Page 122: Portfolio Bach / Master Digital Laura Ve

#7 malmø growing green veinsPARIS INSPIRATION JARDIN ´d EOLEA sosial binder/meeting space for the aera in 18th + 19th district. Exists in many forms and levels;gardening (time-reflecting activity close to natural prosesses),play, exercise, kiosk (as a gathering element/activity), conversation, reflection.A everyday park that gives an aera in a city the platform for meet-ing of different types of people and culture that can strenghten the neighbourhood feeling of identity.The mixed qualities in this public space can happen more fre-quently in a city,providing nature-service on a larger scale. handeling of urban run-off

gardening

play

exercise

gravel surface with nat-ural seeding straw

water bassin (with fish)

grass surface

public WC

kiosk play zones

low activity zones(sitting,talking, having lunch,watching,thinking)

parcel-garden aera

Page 123: Portfolio Bach / Master Digital Laura Ve

low activity zones(sitting,talking, having lunch,watching,thinking)

BackgroundBy early 1970, the deleterious ef-fects of urban runoff on stream water quality had become appar-ent (Coughlin and Hammer, 1973, and sources cited therein). At the time though, relatively few stud-ies had focused on the nature, ex-tent, and effects of urban runoff. Reports from the states began to accumulate a considerable body of information. By the late 1970s, these reports had indicated that urban runoff is a significant source of Nonpoint Source (NPS) Pollu-tion. However, it was difficult to determine the particular effects of urban runoff on water quality due to interferences from other pollut-ant sources (USEPA, 1984). (The Delaware Urban Runoff Manage-ment Approach)

Effects of Urban Runoff on Ground-water QualityThe movement of pollutants in ur-ban runoff is a concern. Urban run-off contains chemical constituents and pathogenic indicator organ-isms that could impair water qual-ity. Studies by EPA (EPA 1983) and the US Geological Survey (USGS 1995) indicate that all monitored pollutants stayed within the top 16 centimeters of the soil in the re-charge basins. The actual threat to groundwater quality from recharg-ing urban runoff is dependent on several factors, including soil type, source control, pre-treatment, sol-ubility of pollutants, maintenance of recharge basins, current and past land use, depth to groundwa-ter, and the method of infiltration used. (from the California Water Plan Update 2009)

SUSTAINABLE MANAGEMENT OF URBAN RUNOFF URBAN RUNOFF MANAGEMENT IN MALMØAs the City of Malmø already has established guidelines and direc-tives to manage runoff in a sustain-able way, taking the use of rainwa-ter (and maybe greywater?) to the next level is much closer in time than in other cities as the political currage is of high standard, and the bureaucracy prosesses and coop-eration between departments in the city is alrady established. Tak-ing this to any desired level of good management with nature seems possible.

Repeating the most important goals regarding SUR-management of the City of Malmø

: The natural water balance shall not be affected by the urbanization: Pollutants shall to gratest possible extent be kept away from the urban runoff (source control of pollutants): The drainage system shall be de-signed so that harmful backing up of water in the existing drainage system is avoided.: The drainage system shall be de-signed so that part of the pollutants in the runoff are removed along its way to the receiving waters.: Stormwater shall wherever pos-sible be looked upon as a positive resource in the urban landscape (from the document “BlueGreenFin-gerprints” by Peter Stahre)

not like this.... but maybe like this....

Page 124: Portfolio Bach / Master Digital Laura Ve

TRAVELING FROM RURAL TO CENTRAL

waterways/ponds : -movement-collecting runoff-holding water-play-cleansing

bikepaths/lanes :to ensurequicktravel

Rural / industrial areas

urban “furnishing” :-attractors/ background for social encoun ters-relaxation-reflection-play

public gardens :-brings action in to space-education-time in space-sosial encoun- ters-fighting UHI- effect

bikepaths/pedestrian lanes :-to ensurequicktravel

waterways/ponds : -movement-collecting run off-holding water-play-cleansing

trees :-shadow-decrease wind-rain shelter-Co2 binding-fighting UHI-effect-absorbes water from runoff-zoneing-elements/ creates space

accesiblebus-stops/prioritized bus-lanes :-to ensurequick and easytravel

broad side-walks :space for interactionand play

Urban neighbourhood street aeras

industrial/lagre warehouse sites:-use of green roofing, gravel pits with vegetation and connecting runoff stream to waterways-use of trees and bushery to fight UHI-effect-penetratable surfaces for water to “dis-appare”

trees :-shadow-decrease wind-rain shelter-evaporation-Co2 binding-fighting UHI-effect

-absorbes water from runoff-zoneing-ele-ments/ creates space

Page 125: Portfolio Bach / Master Digital Laura Ve

vy

vy

vy

vy

vy

vy

growing the green veins in the grey

Page 126: Portfolio Bach / Master Digital Laura Ve

TREATING RUNOFF ON THE CITY SURFACE AND USING THIS AS TRAVELING CORRIDORS WHERE UNEXPECTED SOCIAL EXPE-RIENCES CAN HAPPEN IN THE NEW URBAN ROOMS

FIGTHING THE URBAN HEAT ISLAND- EFFECT; RISING TEM-PERATURE IN THE CITIES IN SUMMERTIME IS CAUSED BY THE EXTENSIVE USE OF HARD AND GREY SURFACES; USE OF TARMAC AND STONE IN THE STREETS, METAL AND STONE ON ROOFS ETC. TREATING RUNOFF ON THE SURFACE WITH VEG-ETATION AND EXPOSING THE WATER, THE BLUE-GREEN WEB WILL FIGHT THE UHI-EFFECT

THE RAINWATER WASHES ALL THE CITY SURFACES. THIS MUST BE CLEANED BEFORE IT CAN BE LET INTO THE OCEAN. HAN-DELING MALMØ´S RUNOFF ON THE SURFACE USING VARIA-TION IN VEGETATION AND SOIL TO CLEANSE THE RAINWATER BEFORE IT WASHES INTO THE ØRESUND CAN BENEFIT THE IN-HABITANTS IN SEVERAL WAYS.

BIODIVERSITY AND THE VALUATION OF LAND; THE SELECTION OF SPIECIES IN THE CITY WILL INCREASE WITH THE USE OF GREEN ROOFS AND BLUE-GREEN CORRIDORS.NATURE EXEEDS TECHNOLOGY IN PRODUCTION. A BIE-COLO-NY CAN POLLINATE HUNDRED-THOUSANDS OF FLOWERS ON A SUMMER DAY, ONE WETLAND AERA OR POND CAN CLEANSE SEVERAL CUBIC LITERS ON ONE DAY-COST FREE.

THE PLEASURE OF TRAVELING TO WORK BY BIKE ALONG THE CORRIDOR EXPERIENCING EVERYTHING THAT IS HAPPENING ALONG IT

On background of the slightly sloping landscape of the city, surface runoff wants to trav-el towards the sea. The urban runoff is the rainwater washing all surfaces in the city and this makes the water polluted and it needs to be rinsed before it can enter the seawater in Øresund. On the roofs (now covered with extrusive greenery) and in the transformed small squares and former parking-spaces the urban runoff is treated for all pollution and contamination with variation in planting, with cleansing abilities, and with different types of soil and gravel the water will floate through on its way. With differentiation in size, planting, still or running, variation (depending on amount of rainwater falling in a day/period/season), hidden or open use of water; the blue-green structure can create unike urban rooms and streets that can attract people to spend more time outside. The new urban spaces can be a good background to developing neighbourhoods with stronger and more differantiated cartacters that can give the traveler many new experiences on the way to school or work.Valuation of land: Treating runoff on the surface and taking advantage of nature-service in the streets and spaces today occupied by the enormous private carpark can be seen as unvise disposing and use of space and public wealth as the same space can provide so much more to the city.Pinpointing this subject is the raport from the study “The Economics of Ecosystems and Biodiversity” (TEEB) by Pavan Sukhdevfor the for the German Federal Ministry for the Environment and the European Commission. The intention is that it will sharpen awareness of the value of biodiversity and eco-system services and facilitate the development of cost-effective policy responses, notably by preparing a ‘valuation toolkit’. In the future landvalue will no longer be set by the mar-ket-value in the real-estate market like we do today. The valuation is more likely to be measured by the nature-service abilities an aera can provide, and the cost of the loss of this the city will suffer...

INTRODUCING THE BLUE-GREEN WEB: The growing blue green corridors and transforming squares

: points of importance

: bus-connecting stations

: recipients of runoff downtown

: new cityline

: important buffer situation for cleansing runoff: spaces in the city ideal for transformation: wide alley ideal for bufferzone

: wide car-streets ideal for transformation

Page 127: Portfolio Bach / Master Digital Laura Ve

3 2

1

1 situation one :Møllevångstorget, the marketplaceImportant location in Malmø due to many layers of activity.Main traffik lane for several bus-lines and pass-es, and close by is the second bus-connecting station, after the central station.Meltingpot; the experience of the cultural diversity of Malmø is very accessable here.

situation2 :Møllevångens skola, childrens school close to the most important park in Malmø.A location suitable for introducing a neighbourhood urban garden project where neighbours and the children in the school together with the passers-by can share a daily experience and interaction in a “garden of delight”-environment.

2

3 situation3 :Large parkingspace behind Triangelen shoppingmall. Becomes a new square and a very important location in Malmø when the cityline (fastrail underground connection between Cen-tralstation and Øresunds bridge; under construction)is finished. Situ-ation today pays little honour to the church situated here.

Page 128: Portfolio Bach / Master Digital Laura Ve

s i teone:møl levångstorgetTHE MELTINGPOTLayers of cultural and human actions, exists with many meetings and cross-ings, busslanes passing, market activity, cafés,restaurants,bars,clubs (outdoor/indoor), walking past/through, biking past/through,public toilets (with belonging activity), small shops, gourmet shop, statue (function as) waiting-hotspot, kiosk/snackbar

public WC

kiosk

road-surface

cafés/bars/restaurant

shops

market activityzoneoutdoor café trees

pedestrian crossing

hotspot(statue)

car/bus-lanes

bike-lanes

Green roofs on all buildings surrounding the marketplace.Water and bike paths passing the square and all the runoff is cleaned locally in a medium-sized pond, with a fountain to keep circulation in the water, surrounded by trees for sun-shelter in the summer.

Page 129: Portfolio Bach / Master Digital Laura Ve

sitetwo:møllevångenschoolNEIGHBOURHOOD OF GARDEN DELIGHTSThis situation is to me ideal to introduse a semi-public garden project. The potential for a new pedestrian route through the situation, and the school on one side and the private appartment-building on the other side make the site a perfect location to be developed into a new zone for in-teraction with nature and with people.

public park (Folkets Park)

public/commersial school

school playground

private housing

undeveloped spacepossible new pedestrianroute through new activi-tyzone

bike lane through aera

The today empty space between the school and a apartment building is transformed into an urban garden project. An urban space for interaction between residents,children and people passing by. A different place that changes character through the day and seasons.

vegetated roof:-slowing and cleansing water

vegetated roof:-slowing and cleansing water

permeable surface

pond

pond

pond

cleansing medium

(vegetation)

parcel

gardens

parcel

gardens

cictern

cictern

new pedestrian path

Folkets Park

Schoolbuilding

Schoolplayground

inletoutlet

Page 130: Portfolio Bach / Master Digital Laura Ve

sitethree:st.johannessquareNEW METROLINE STOP TRIANGELENLarge parking space behind Triangelen shoppingmall. Becomes a new square and a very important location in Malmø when the cityline (fastrail underground connection between Centralstation and Øresunds bridge is finished. Situation today pays little honour to the church situated here.

with new significance this space is transformed into a large green squarewith a pond and water stair to clean water. Arriving with the new cityline one enters a untraditional public space where water is given a new role.

shopping mallart gallery+café

st johannes church

bike lane throughtrees 4 lane traffic street

new cityline stop

pond

new cityline st.

TRIANGELN

st johanneschurch

inlet

new entrance to

shopping-center

outdoorcafé aera

waterstair

for rinseoff

delivery-zone (trailers)

triangeln

shoppingmall

smallercleansing-pond

vegetated roof:-slowing and cleansing water

vegetated roof:-slowing and cleansing water

vegetated roof:-slowing and cleansing water

outlet

outlet

inlet

inlet

Page 131: Portfolio Bach / Master Digital Laura Ve

Review: Master class; City as biotope, mind field Malmö, au-tumn 2009.

Studio summary:This master studio has been conducted under the themes of new hierarchies, imbedded information, elasticity, dynamics of small cultures, points of departure, vulnerability and charging the landscape with new energy. There has been one study trip to Malmö and a comparative study trip to Paris. DAV has been used as an integrated tool for investigation and study of the city of Malmö. The basic working tool for the studio has been the blog; www.cityasbiotope.blogspot.com

The studio has followed a weekly-based structure with alter-nation every second week with introduction of new topics and discussions, and every other week a collective review and debate about the student’s work and project content as a con-tinuous academic discussion.

The pedagogical development in the course has been based on what we call Mosaïc::reading; - an alternative planning process that confronts existing methods and introduce inves-tigation, experimentation and subjectivity as legal means in planning. The method opens for the unknown and for things that not necessarily are heard, seen or immediately obvi-ous. It accepts the complexity as a positive factor in planning, invites for dialogue and openness as basic planning elements, and defines the plan as a continuously process and work in progress.

We see the studio as a comprehensive experience and investi-gation of layers of information that sometimes go beyond the immediate reading of the city. The class has worked thorough-ly through the semester, and has developed a collective and profound understanding of different approaches to urban sur-vey. A method that implies a distorted reading of the city has been continuously debated and elaborated. All the students

have elevated their capabilities to understand and work with complex theory, and the ability to develop alternative entries to projects in urban situations.

Teachers: Gisle Løkken, Magdalena Haggärde, Knut Eirik Dahl, Kjerstin Uhre

Individual summaries:

Laura Ve – has been a pro-active student trough the whole semester, has taken part in all studio activities and delivered consistent work under all studio topics. She has a significant academic progression during the autumn. Here final project shows good ability to use the studio topics and methods in an architectural process, but the project could have been devel-oped with a slightly higher level of clarity and coherence.

Page 132: Portfolio Bach / Master Digital Laura Ve

Laura Ve_Master study at Bergen School of Architecture 2004-2010_PORTOFOLIO