portfolio - brett macfarlane july 2013
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7/28/2019 Portfolio - Brett Macfarlane July 2013
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!EFG6HBGG!DBGF47G!Campaign picked up in 20 markets.
Systemwide over-acheivement on brand
measurement and sales metrics. Historic
agency performance review high.
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Agency of the Year
2010 Bessies Digital Gold
2011 Bessies Broadcast Gold Lotus best Non Traditional/Guerilla
Creativity Feature (USA)
Campaign Feature (UK)
Featured by Jimmy Fallon, ESPN and
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Regularly ranked as YouTube most
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Communication Arts
Cannes & Clio short list
D&AD
Lüezers Archive
2 x CMA (Automotive & Retail)
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<FE>HCIE!FEBAGHB! Lüezers Archive - 5 films inducted
Lüezers Archive – Volume 6 feature profile !10 x Lotus Awards (November 2008)
12 x Bessies
2009 Bessies Best in Show
Miami Ad School UGC Film Contest
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7/28/2019 Portfolio - Brett Macfarlane July 2013
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KnutmaniaTheBerlinZoo’scelebrity polar-bearcubhasbecomeamerchandisingsensation
PAGEA34
PAGE A33MAKE • SAVE • SPEND GORDONCLARK (EDITOR) • 604-605-2020 • [email protected] R SUNDAY, APRIL 8, 2007
Bigfoot barker for Boston PizzaSPOKESBEASTIES: WhyRichmond-based chain chosea sasquatchas itsfront man
BY PAULLUKEBUSINESSREPORTER
He’s tall,dark and hungry — andhe has joined the zoo that adver-tisers are building in yourbrain.
He’s Louie, a meatball-lovingsasquatch Boston Pizza Interna-tional has just hired as its spokes-thing.
Theseven-foot-tallmoptopisthestarofamultimillion-dollaradver-tising campaign the Richmond-based chain has launched acrossCanada.
The use of animal advertisers, which began with the snake Satanhired in the Garden of Eden, haslasted too long to be a mere trend.Butonething’sforsure:Consumerscan expect the parade of spokes-beasties to getlongerand longer.
“Animalscanbeprovocative.They can be very powerfulcommunica-tors,” says Tim Silk, a professor atthe University of B.C.’s SauderSchoolofBusiness.
“People are genuinely interestedin animals and are, perhaps, evenhard-wiredtopayattentiontotheirbehaviour.” Animals also have the big advan-
tageofbeingable toaceacriminal-record check.
Human spokespersons not only costbucketsofmoney—theydam-ageabrand when theyscrew up intheirpersonallives,experts say. William Shatner’s integrity as a
spokesman is as spotless as the Aflac duck’s — tha t’s part of hisenduringappealforadvertisersandconsumers.Butimaginethefalloutif he were found in a car wit h a white powder said to be Romulanlaundry s oap and t wo hookersdressed as Klingon transvestites.
“Celebrities can blow up in yourface,especiallyiftheywindup withcriminal records,” says Lindsay Meredith,amarketingprofessoratSimon FraserUniversity.
“Acartooncharacterissomething you have a lotmore controlover.”
When a co mpany settles on aspokescreature, consumers willhave to learn to live with it for a while.
Ittakesrepeatedexposuretocon-sistentmessagesforaconsumertoforgealastingassociationbetweena productand an animal,Silk says.
“Confusion or interference canoccur if people have difficult y creatinganassociationbetweenananimaland a message,” Silk says.
“Because you’re competing for afinit e am ount of as s ociat ionstrength,itbecomes difficult.”
One of the biggest challenges in
t he advert is ing world is t o cutthrough the “clutter”ofcompetingmessages,Meredith says.
Ithas been estimated an averagepersoncommutingtoworkinacity is exposed to 3,000 to 5,000 adver-tising messages a day,he says.
“People develop defence mecha-nisms that screen out a lot of thatstuff,” he says.
“How do I get through to you?How do Imake you notice me?”
Boston Pizza, which has previ-ously used comedian Howie Man-delandactorJohn Ratzenbergerasspokesmen, decided a sasquatch was the answer.
Therewasaslightchallenge,how-ever,for the pizza chain and DDBCanada,its advertising agency.
Companies ranging from Koka-nee beerto CingularWireless havealreadyenlistedbigfeetasmascots.
DarylGardiner,associatecreative
directorin DDB Canada’s Vancou-ver office and the brains behindLouie,saysearliersasquatcheshavebeen port rayed as elus ive andmysterious.
Louie, he says, is different: Hespeaks,hasrough-hewncharmandhis character will develop as theadvertising effortprogresses.
He’s disarming enough he won’tpolarizeviewersintothosewholovehim andthosewhocan’tstandhim— as often happens with celebrity spokespersons,Gardinersays.
DDB cons idered t wo ot herspokescharacters forBoston Pizza— arobotanda fictionalathlete—butabandoned both ofthose con-cept s in favour of a legendary critter who is, psychologically, ablank slate.
“People assume he knows noth-ing about the world around him,”Gardinersays.
“For Boston Pizza,that becomesa good device to convey a lot of tactical information in an enter-taining way.”
Boston Pizza launched Louie inprint and t elevis ion s pot s las tmonth.Joanne Forrester,the com-pany’svice-presidentofmarketing,says the Louie campaign will cost$14 million to $17 million.
B.C.’sJohnDeSantis,asix-foot11-inch actorwhose resume includesa stint as Lurch in television’sThe
New Addams Family , was cast asLouie. Whether Louie, who looks like a
Wookie-Neandertha l cross, canspark a rush to Boston Pizza’s 272Canadian locations remains to beseen.
UBC’s Silk says the public oftenperceivesadvertisersascalculating,highly methodical machines thatknow how t o choos e s pokes -creaturesthatwillpushconsumers’buttons.
“That’s notalways the case.A lotof these decisions are made fairly quickly and they don’t necessarily have a lotofforethought,” he says.
“An idea may be good,butitmay notbeexecutedwell,andall weseein public is the execution.”
DarylGardineisthebrainsbehind‘Louie,’BostonPizza’snewspokes-sasquatch. LES BAZSO — THEPROVINCE
S&P/TSXIClosed for
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Thewombat,dungbeetle and gila monster haveyet to makemuch ofa splash in theworld of advertising.
But theadvertisingworld’s animal houseis bustingattheseams with other four-,six-and eight-leggedmouthpieces.
Herearea few members oftheglobal marketing
menagerie:RCA Victor’s dalmatian,Telus’smonkeys and lizards,Aflac’s duck,theBell beavers,Fido’s dogs,A&W’s Root Bear,theMGMlion,Coke’spolar bears,Taco Bell’s chihuahua,Frosted Flakes’ Tony theTiger,Budweiser’s bull terrier SpudsMacKenzie,Borden’s Elsiethecow (Elmer,her hus-band,was spokesbull for Elmer’s Glue),9Lives catfood’s Morris theCat.
Otherfamousspokescritters
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7/28/2019 Portfolio - Brett Macfarlane July 2013
http://slidepdf.com/reader/full/portfolio-brett-macfarlane-july-2013 11/13
7/28/2019 Portfolio - Brett Macfarlane July 2013
http://slidepdf.com/reader/full/portfolio-brett-macfarlane-july-2013 12/13
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! Max Lenderman, GMR
Bob Scarpelli, DDB
George Helliwell, Economist
Photographer Albert Normandin
Terry McBride, Nettwerk Records
James Chutter, NYU Film School
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7/28/2019 Portfolio - Brett Macfarlane July 2013
http://slidepdf.com/reader/full/portfolio-brett-macfarlane-july-2013 13/13
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Canned Japan: A look into Japanese
vending machine culture.
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Foodists: Columnist for online food and
gastronomy publisher.
http://foodists.ca/author/brett-macfarlane !
Everyday Paris: Insight driven cultural
briefings for the curious contemporary
traveler (September 2013 release.)
http://www.everyday-paris.com
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Age of Conversation 2, 3 and 4:
Contributor discussing technology and
brand structures.
http://www.ageofconversation.com/ !