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Self-Portrait (earlier known as Self- Portrait at Twenty-Eight Years Old Wearing a Coat with Fur Collar or Self-Portrait in a Wig ) is a painting on wood panel by the German artist Albrecht Durer. Painted early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. It is considered the most personal, iconic and complex of his self- portraits, and the one that has become fixed in the popular imagination. The self-portrait is most remarkable because of its resemblance to many earlier representations of Christ. Art historians note the similarities with the conventions of religious painting, including its symmetry, dark tones and the manner in which the artist directly confronts the viewer and raises his hands to the middle of his chest as if in the act of blessing. It is likely that Durer portrayed himself in this way through a combination of arrogance and a desire by a young and ambitious artist to acknowledge his talent as God given.

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Page 1: Portraits

Self-Portrait (earlier known as Self-Portrait at Twenty-Eight Years Old Wearing a Coat with Fur Collar or Self-Portrait in a Wig) is a painting on wood panel by the German artist Albrecht Durer. Painted early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. It is considered the most personal, iconic and complex of his self-portraits, and the one that has become fixed in the popular imagination.The self-portrait is most remarkable because of its resemblance to many earlier representations of Christ. Art historians note the similarities with the conventions of religious painting, including its symmetry, dark tones and the manner in which the artist directly confronts the viewer and raises his hands to the middle of his chest as if in the act of blessing. It is likely that Durer portrayed himself in this way through a combination of arrogance and a desire by a young and ambitious artist to acknowledge his talent as God given.

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'Self-portrait with cut ear' by Vincent Van Gogh. 1889

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“Last name exaggerated fourteen times vertically”, 1967, by Bruce Nauman,

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Hannah Wilke: S.O.S.(Curlers),1975 Whitney Museum

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Hannah Wilke. Intra Venus #4. 1988 - 1993.

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Image: Do-Ho Suh, Who am we? (detail), 2000, four-color offset print

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Perfect Lovers, 1991, Felix Gonzalez-Torres

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Robert GoberUntitled1992-1996

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Tony Oursler

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Matthew Barney

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Charles Ray

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Hiroshi Sugimoto

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Hiroshi Sugimoto

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Kiki Smith

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Tim Hawkinson

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Tom Friedman

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Sophie Calle

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Marc Quinn

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Marc Quinn