PRELIM TA

SK

BY CALUM G

FRAME 1 THIS WIDE SHOT CLEARLY SHOWS WHAT IS IN THE SHOT, THIS GIVES THE AUDIENCE ABOUT THE SPACE WE ARE WORKING WITH.

FRAME 2 THIS OVER THE SHOULDER SHOT GIVES US THE POINT OF VIEW OF CHARACTER B.

FRAME 3 THIS CLOSE UP GIVES US A BETTER IDEA OF WHAT THE CHARACTER IS FEELING AND MAKES THE MESSAGE MUCH CLEARER TO THE VIEWER.

FRAME 5 IN THIS WIDE SHOT WE CAN SEE BOTH POINTS OF VIEW FROM A THIRD PERSON PERSPECTIVE.

FRAME 6 IN THIS OVER THE SHOULDER SHOT WE CAN SEE THE POINT OF VIEW OF CHARACTER B BUT WE ARE MAINLY WATCHING THE WAY CHARACTER A ADDRESSES THEM, WE CAN UNDERSTAND WHAT THEY A FEELING FROM THIS.

FRAME 7 IN THIS CLOSE WE ARE SEEING HER REACTION TO CHARACTER A’S SENTENCE.

FRAME 8 IS A WIDE SHOT, WE HAVE DONE THIS SO WE CAN CAPTURE THE TENSION BETWEEN THE TWO CHARACTERS.

FRAME 9 IS A CLOSE UP OF CHARACTER A FACE. THIS SHOWS US HIS FRUSTRATION AT WHICH

CHARACTER B IS INFLECTING ON HIM.

FRAME 10 IS ANOTHER OVER THE SHOULDER SHOT SHOWING CHARACTER B’S POINT OF VIEW, THIS CREATES DRAMATIC EFFECT.

FRAME 10 THE WIDE SHOT TO FINISH OF THE CONVERSATION IS USED TO ENSURE YOU THE VIEWER SEES ALL THE EMOTIONS THAT ARE BEING PORTRAYED.

FRAME 11 THIS LAST CLOSE UP SHOWS THE VIEWER THAT THE CONVERSATION AND SCENE IS DONE. THIS IS ACHIEVED BY A SIMPLE TURN OF THE SHOULDER AND CHARACTER B WALKING OFF.

THE SOUND

• For the sound in this scene we just used a regular diegetic sound.

• This creates a real feel to the scene, showing that it is a regular conversation.