production management and direction (part 2)

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PRODUCTION MANAGEMENT and DIRECTION (Part 2)

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This is part of my lesson on TV Production Management and Direction. In this part, i discussed about camera shots and direction cues.

TRANSCRIPT

Page 1: Production management and direction (part 2)

PRODUCTION MANAGEMENT and DIRECTION (Part 2)

Page 2: Production management and direction (part 2)

DIRECTION

Page 3: Production management and direction (part 2)

Camera SHOTS categories: PROPORTION of the object NUMBER of people in the frame MOVEMENT of the camera Movement of the SUBJECT with respect

to the frame POSITION of the camera with respect

to the subject FUNCTION in the Cinematic sequence.

Page 4: Production management and direction (part 2)

PROPORTION of the object

Page 5: Production management and direction (part 2)

PROPORTION of the object

Page 6: Production management and direction (part 2)

NUMBER of people in the frame ONE-shot TWO-shot GROUP-shot CROWD-shot

Page 7: Production management and direction (part 2)

MOVEMENT of the camera ZOOM (in/out) shot

Page 8: Production management and direction (part 2)

MOVEMENT of the camera PANORAMIC/PANNING (pan left/right)

shot

Page 9: Production management and direction (part 2)

MOVEMENT of the camera SWISH PAN shot

Page 10: Production management and direction (part 2)

MOVEMENT of the camera TILT (up/down) shot

Page 11: Production management and direction (part 2)

MOVEMENT of the camera DOLLY (in/out) shot

Page 12: Production management and direction (part 2)

MOVEMENT of the camera RUNNING/TRUCKING (truck left/right)

shot

Page 13: Production management and direction (part 2)

MOVEMENT of the camera FOLLOWING shot

Page 14: Production management and direction (part 2)

MOVEMENT of the camera WALKING shot

Page 15: Production management and direction (part 2)

MOVEMENT of the camera CRANE shot

Page 16: Production management and direction (part 2)

Movement of the SUBJECT with respect to the frame Run-Through Shot

Page 17: Production management and direction (part 2)

Movement of the SUBJECT with respect to the frame Walk-Through Shot

Page 18: Production management and direction (part 2)

Movement of the SUBJECT with respect to the frame Fall-Through Shot

Page 19: Production management and direction (part 2)

POSITION of the camera with respect to the subject LOW-ANGLE shot

Page 20: Production management and direction (part 2)

POSITION of the camera with respect to the subject HIGH-ANGLE shot

Page 21: Production management and direction (part 2)

POSITION of the camera with respect to the subject AERIAL shot

Page 22: Production management and direction (part 2)

Function in the CINEMATIC Sequence ESTABLISHING shot

Page 23: Production management and direction (part 2)

Function in the CINEMATIC Sequence MASTER shot

Page 24: Production management and direction (part 2)

Function in the CINEMATIC Sequence REVERSE shot

Page 25: Production management and direction (part 2)

Function in the CINEMATIC Sequence REACTION shot

Page 26: Production management and direction (part 2)

Function in the CINEMATIC Sequence INSERT shot

Page 27: Production management and direction (part 2)

Function in the CINEMATIC Sequence POINT-OF-VIEW shot

Page 28: Production management and direction (part 2)

Function in the CINEMATIC Sequence POINT-OF-VIEW shot

Page 29: Production management and direction (part 2)

Function in the CINEMATIC Sequence CUT-AWAY shot JUMP CUT

Page 30: Production management and direction (part 2)

Function in the CINEMATIC Sequence

LEAD-IN shot

Page 31: Production management and direction (part 2)

DON’T SHOOT, when… TOO MUCH/LESS HEADROOM

Page 32: Production management and direction (part 2)

DON’T SHOOT, when… RULE-OF-THIRDS

Page 33: Production management and direction (part 2)

DON’T SHOOT, when… SCENE STEALER

Page 34: Production management and direction (part 2)

DON’T SHOOT, when… MUTILATING YOUR SHOTS

Page 35: Production management and direction (part 2)

VISUALIZATION CUES

Director’s TerminologyDirector’s Terminology

Page 36: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Headroom or tilt up

Page 37: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Center it or Pan left

Page 38: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Pan left

Page 39: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Pan right

Page 40: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Tilt up

Page 41: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Tilt down

Page 42: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Pedestal up or Crane

up

Page 43: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Pedestal down or Crane

down

Page 44: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Dolly in

Page 45: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Dolly out

Page 46: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Zoom in or tighter

Page 47: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Zoom out or looser

Page 48: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Truck right or center

Page 49: Production management and direction (part 2)

DIRECTOR’s terminology (Visualization Cues) Arc left

Page 50: Production management and direction (part 2)

FLOOR DIRECTOR

Director’s Cues to theDirector’s Cues to the

Page 51: Production management and direction (part 2)

DIRECTOR’s terminology (Cues to Floor Director) “Move talent to camera

left”

Page 52: Production management and direction (part 2)

DIRECTOR’s terminology (Cues to Floor Director) “Move talent to camera

right”

Page 53: Production management and direction (part 2)

DIRECTOR’s terminology (Cues to Floor Director) “Have talent turn toward camera, face

camera or turn in”

Page 54: Production management and direction (part 2)

DIRECTOR’s terminology (Cues to Floor Director) “Have the woman turn to her left”

Page 55: Production management and direction (part 2)

DIRECTOR’s terminology (Cues to Floor Director) “Turn the object counterclockwise”

Page 56: Production management and direction (part 2)

TIME CUESFloor Director’s CuesFloor Director’s Cues

Page 57: Production management and direction (part 2)

Floor Director’s CUES (time cues)

STANDBY

Meaning: Show about to start

How: Extends hand above head

Page 58: Production management and direction (part 2)

Floor Director’s CUES (time cues)

CUE

Meaning : Show goes on the air

How : Points to performer or live camera

Page 59: Production management and direction (part 2)

Floor Director’s CUES (time cues)

ON TIME

Meaning : Go ahead as planned (On the nose)

How : Touches nose with forefinger

Page 60: Production management and direction (part 2)

Floor Director’s CUES (time cues)

SPEED UP

Meaning : Accelerate what you are doing. You are going too slowly.

How : Rotates hand clockwise with extended forefinger. Urgency of speed up is indicated by fast or slow rotation

Page 61: Production management and direction (part 2)

Floor Director’s CUES (time cues)

STRETCH

Meaning : Slow down. Too much time left. Fill until emergency is over.

How : Stretches imaginary rubber band between hands.

Page 62: Production management and direction (part 2)

Floor Director’s CUES (time cues)

WIND UP (WRAP UP) Meaning : Finish up

what you are doing. Come to an end.

How : Similar motion to speed up, but usually with extended arm above head. Sometimes expressed with raised fist, goodbye wave, or hands rolling over each other as if wrapping a package.

Page 63: Production management and direction (part 2)

Floor Director’s CUES (time cues)

CUT

Meaning : Stop speech or action immediately.

How : Pulls index finger in knifelike motion across throat.

Page 64: Production management and direction (part 2)

Floor Director’s CUES (time cues)

5 (4,3,2,1) minute(s)

Meaning : 5 (4,3,2,1) minute(s) left until end of show.

How : Holds up five (four, three, two, one) finger(s) or small card with number on it.

Page 65: Production management and direction (part 2)

Floor Director’s CUES (time cues)

1/2 minute

Meaning : 30 seconds left in show.

How : Forms a cross with two index fingers or arms. Or holds card with number.

Page 66: Production management and direction (part 2)

Floor Director’s CUES (time cues)

15 seconds

Meaning : 15 seconds left in show.

How : Shows fist (which can also mean wind up). Or holds card with number.

Page 67: Production management and direction (part 2)

Floor Director’s CUES (time cues)

ROLL VTR (and countdown) 2-1 Take VTR

Meaning : VTR is rolling. Tape is coming up.

How : Holds extended left hand in front of face, moves right hand in cranking motion. Extends two, one finger(s); clinches fist or gives cut signal.

Page 68: Production management and direction (part 2)

DIRECTIONAL CUESFloor Director’s CuesFloor Director’s Cues

Page 69: Production management and direction (part 2)

Floor Director’s CUES (directional cues)

CLOSER

Meaning : Performer must come closer or bring object closer to camera.

How : Moves both hands toward self palms in.

Page 70: Production management and direction (part 2)

Floor Director’s CUES (directional cues)

BACK

Meaning : Performer must step back or move object away from camera.

How : Uses both hands in pushing motion, palms out.

Page 71: Production management and direction (part 2)

Floor Director’s CUES (directional cues)

WALK

Meaning : Performer must move to next performing area.

How : Makes a walking motion with index and middle fingers in direction of movement.

Page 72: Production management and direction (part 2)

Floor Director’s CUES (directional cues)

STOP

Meaning : Stop right here. Do not move any more.

How : Extends both hands in front of body, palms out.

Page 73: Production management and direction (part 2)

Floor Director’s CUES (directional cues)

OK

Meaning : Very well done. Stay right there. Do what you are doing.

How : Forms an “O” with thumb and forefinger, other fingers extended, motioning toward talent.

Page 74: Production management and direction (part 2)

AUDIO CUESFloor Director’s CuesFloor Director’s Cues

Page 75: Production management and direction (part 2)

Floor Director’s CUES (audio cues)

SPEAK UP

Meaning : Performer is talking too softly for present conditions.

How : Cups both hands behind ears or moves hand upwards, palm up.

Page 76: Production management and direction (part 2)

Floor Director’s CUES (audio cues)

TONE DOWN

Meaning : Performer is too loud or too enthusiastic for the occasion.

How : Moves both hands toward studio floor, palms down, or puts extended forefinger over mouth in shhh-like motion.

Page 77: Production management and direction (part 2)

Floor Director’s CUES (audio cues)

CLOSER TO MIC

Meaning : Performer is too far away from mic for good audio pickup.

How : Moves hand toward face.

Page 78: Production management and direction (part 2)

Floor Director’s CUES (audio cues)

KEEP TALKING

Meaning : Keep on talking until further cues.

How : Extends thumb and forefinger horizontally, moving them like a bird beak.