Fri 12 & Sat 13 June 7.30pmRiverside Theatre, Perth Convention and Exhibition Centre

PROGRAM

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Book Now Call 9326 0000 visit waso.com.au or ticketek.com.au*Transaction fees may apply.

UPCoMiNG CoNCErts

FAMILY EVENT

Rhythm in Your RubbishSun 28 June 1pm & 3pm Perth Concert Hall

In the hilarious and imaginative Rhythm in Your Rubbish, items you might consider junk are transformed into working musical instruments and join the Orchestra in concert. Classical music pieces are woven into a fascinating story with all the action projected onto a screen above the stage.

Suitable for 5–12 year olds.

Platypus Theatre actors

Tickets $26*

FAMILY EVENT

the music of Harry PotterSun 1 November 1pm & 3pm Perth Concert Hall

Experience the magical symphonic music of Harry Potter performed live by WASO in a one hour concert. A delightful old wizard guides you through Harry’s thrilling years in a world filled with witches, wizards and muggles, with all the live action projected onto a big screen.

Suitable for 5–12 year olds.

Tickets $26*

EY PRESENTS

James morrison & waso a Journey through JazzThurs 3 & Fri 4 Dec 8pm Perth Concert Hall

WASO, talented young vocalist Hetty Kate and Australia’s favourite trumpet player, James Morrison, perform the greatest jazz hits made famous by Louis Armstrong, Ella Fitzgerald, Benny Goodman, Duke Ellington and many more.

Tickets from $35*

Josh Pyke with wasoFri 24 July 8pm Perth Concert Hall

ARIA Award-winning singer/songwriter Josh Pyke joins forces with WASO for one night only. Described as a modern-day storyteller, Josh Pyke’s unique and intelligent lyrics weave warm melodies that place him in a league of his own. Don’t miss this chance to hear hits like ‘Leeward Side’, ‘The Lighthouse Song’ and ‘Middle of the Hill’ like you’ve never heard before.

Tickets from $50*

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tHE lorD oF tHE riNGs: tHE rEtUrN oF tHE KiNGHoward Shore’s Academy Award®-winning Score. Performed Live to the Epic Motion Picture.

Ludwig Wicki conductor Ben Phelps assistant conductor Grace Davidson vocalist West Australian Symphony Orchestra WASO Chorus St George’s Cathedral Choristers

PART ONE Roots and BeginningsJourney to the Cross-roadsReturn to EdorasThe Chalice PassedGollum’s VillainyThe PalantírThe Grace of undómielThe Eyes of the White TowerA Coronal of Silver and GoldThe Lighting of the BeaconsThe Stairs of Cirith ungolAllegiance to DenethorThe Parting of Sam and FrodoThe Sacrifice of FaramirMarshalling at DunharrowAndúril–Flame of the WestThe Paths of the Dead

Interval (20 mins)

The concert will conclude at approximately 11.10pm.

Special thanks to the Consulate-General of Japan in Perth and Consul-General, Koichi Funayama, for providing their Taiko Drums for this performance.

PART TWOThe Siege of GondorShelob’s LairGrond–The Hammer of the underworldShelob the GreatThe Tomb of the StewardsThe Battle of the Pelennor Fields“A Far Green Country”Shieldmaiden of RohanThe Passing of ThéodenThe Tower of Cirith ungolThe Last DebateThe Mouth of SauronFor FrodoMount DoomThe Crack of DoomThe EaglesThe Fellowship ReunitedThe Journey to the Grey HavensDays of the Ring

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tHE lorD oF tHE riNGs: tHE rEtUrN oF tHE KiNG

The climactic chapter in Howard Shore’s music for The Lord of the Rings, The Return of the King gathers all that has come before and sets it charging relentlessly towards conclusion. Each character theme, each cultural style, every motif associated with the precepts of Tolkien’s work must reach the destination set before it in the previous two scores.

The Fellowship theme, after forming then breaking, must draw itself to a newfound level of heroic focus as the Company reaches Mount Doom. The Elves’ themes must bestow their final melodic gifts upon Middle-earth before receding into the West. Isengard’s metallic fury must meet its wrenching demise, but not before scraps of its rhythmic and melodic gestures migrate to Sauron’s domain and join with Mordor’s twisted themes, which are consolidating into their own terrible apotheosis.

Combating Mordor’s rise, the two kingdoms of Men summon their might—Rohan by aligning itself with Nature’s Reclamation, Gondor by calling upon the two grand themes established in The Fellowship of the Ring, the Realm of Gondor and Minas Tirith. These two lines, heretofore heard in isolated statements, are brought to the fore in The Return of the King, assuming lead roles in the breaking war.

And yet it is the Ring itself, that slim band of gold that has become the focal point for all Middle-earth, that undergoes the most profound and disturbing musical fusion. The Ring’s long journey to Mordor is nearing completion. Heeding its master’s call, the Ring has united its characteristics: Shore’s three principle Ring themes—history, seduction and evil—now impact each other directly, intertwining contrapuntally or pulling at melodic contours to form new lines, exposing the Ring at the dangerous height of its wicked promise.

In the end, Middle-earth survives the War of the Ring to enter its Fourth Age. ushering in a new dawn of peace and unity, Shore grants the surviving cultures Fourth Age themes that maintain the aesthetics of each society, but which cultivate newly enlightened ideals. Men are granted respite; the Elves, peace; hobbits, wisdom—and the Ring is granted its just fate: destruction.

Original text copyright © 2007, 2010 by Doug Adams

Additional information available in The Lord of the Rings: The Return of the King – The Complete Recordings on Reprise Records, in the book The Music of the Lord of the Rings Films by Doug Adams, and online at http://www.musicoflotr.com/

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aboUt tHE CrEators

Howard ShoreComposer

Howard Shore is one of today’s premier composers whose music is performed in concert halls around the world by the most prestigious orchestras and is heard in cinemas across the globe.

Shore’s musical interpretation of J.R.R. Tolkien’s imaginative world of The Lord of the Rings and The Hobbit, as portrayed in the films directed by Peter Jackson, have enthralled people of all generations for years. This work stands as his most acclaimed composition to date awarding him with three Academy Awards®, four Grammy Awards®, two Golden Globes® as well as numerous critic’s and festival awards.

He is an Officier de l’ordre des Arts et des Lettres de la France and has also been recognized by Canada with the Governor General’s Award for Performing Arts. The National Board of Review of Motion Pictures honored Howard Shore with an award for Career Achievement for Music Composition and the City of Vienna bestowed him with the Max Steiner Award. Shore has received numerous other awards for his career achievements.

Perhaps most notable from his early career, Shore was one of the creators of Saturday Night Live and served as musical director from 1975-1980. At the same time he began collaborating with David Cronenberg and has since scored 15 of the director’s films, including The Fly, Crash, and Naked Lunch.

He was awarded Canadian Screen Awards for Maps to the Stars for score and Cosmopolis for both score and song. His original scores to A Dangerous Method, Eastern Promises and Dead Ringers were each honoured with a Genie Award. Shore continues to distinguish himself with a wide range of projects, from Martin Scorsese’s Hugo, The Departed, The Aviator (for which he won his third Golden Globe Award) and Gangs of New York to Ed Wood, Se7en, The Silence of the Lambs, Philadelphia, and Mrs. Doubtfire.

Other recent works include the piano concerto Ruin and Memory for Lang Lang, and a song cycle, A Palace Upon the Ruins, featuring mezzo-soprano Jennifer Johnson Cano. Mythic Gardens a cello concerto, and Fanfare for the Wanamaker Organ in Philadelphia.

His opera, The Fly, which premiered at the Théâtre du Châtelet in Paris and at Los Angeles Opera, recently completed a successful run in Germany at the Theatre Trier.

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Fran WalshLyricist

In 2004, Fran Walsh was awarded Academy Awards for Best Adapted Screenplay, Best Original Song, and Best Picture for The Lord of the Rings: The Return of the King. For her work co-writing The Lord of the Rings: The Fellowship of the Ring, Walsh was nominated for an Oscar, a British Academy of Film and Television Arts award and Writers Guild of America Screen Award, and (along with Peter Jackson, Barrie Osborne and Tim Sanders) won the AFI Film Award. Walsh first garnered an Academy Award nomination for Best Screenplay for the feature Heavenly Creatures, which she co-wrote with her collaborator Peter Jackson. Walsh, who has a background in music, began her writing career soon after leaving Victoria university where she majored in English Literature.

Philippa BoyensWriter

Since being named by Variety in their list of Ten Writers to Watch in 2000, Philippa Boyens, who made her debut as a screenwriter with The Lord of the Rings trilogy, has won an Academy Award for Best Adapted Screenplay for The Lord of the Rings: The Return of the King and was previously nominated for an Oscar, a British Academy of Film and Television Arts Award and a Writers Guild of America Award, among others. Boyens worked in theatre as a playwright, teacher, producer and editor. Boyens moved to film via a stint as Director of the New Zealand Writers Guild. Her love of J.R.R. Tolkien’s work brought her to this project, having been a fan since she was eleven years old.

Peter JacksonDirector

Jackson has made cinema history in making The Lord of the Rings film trilogy, comprising nine hours of a continuous cinema that can be enjoyed by audiences worldwide. The films have become a phenomenon cross culturally around the world, not only embracing the respect of established Tolkien fans and scholars, but introducing young audience to Tolkien’s classic novels. He was awarded three Academy Awards for Best Director, Best Picture and Best Adapted Screenplay for The Lord of the Rings: The Return of the King.

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aboUt tHE artists

Ludwig WickiConductor

A native of Lucerne, Switzerland, Ludwig Wicki was raised in a musical environment influenced by church and folk music. As a child and young adult, he studied trombone and became a member of the Lucerne Symphony Orchestra, eventually expanding his studies to include orchestral and choral conducting.

Maestro Wicki’s long-time passion for film music reached an important milestone in 1999 with the creation of the 21st Century Symphony Orchestra. This professional ensemble, which he leads as its sole Artistic Director, currently offers a series of more than ten projects every season as well as guest appearances in London, Paris and New York. Maestro Wicki and the 21st Century Symphony Orchestra have developed partnerships with renowned film composers, including Howard Shore, Michael Giacchino, Patrick Doyle, Randy Newman, Martin Böttcher, and George Fenton. The 21st Century Orchestra also accompanies silent classics of Charlie Chaplin and Buster Keaton, as well as cult films, such as Nosferatu.

In 2008 Ludwig Wicki led the 21st Century Symphony Orchestra and Chorus in the world premiere of The Fellowship of the Ring at the KKL in Lucerne. In April 2015 and for the first time ever in the united States, Maestro Wicki conducted the entire The Lord of the Rings Trilogy in seven concerts at the David H. Koch Theater at Lincoln Center, in New York.

Ludwig Wicki teaches chamber music and conducting at the conservatories in Lucerne and Bern. In 2007 he was honored by the city of Lucerne for his accomplishments as a musician and educator. In 2013 he was given the Award for Excellence in Cultural Creativity from the Global Thinkers Forum.

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Grace DavidsonVocalist

“Grace Davidson has one of the most beautiful and pure soprano voices on earth.” Eric Whitacre, composer

“Grace Davidson sings with gorgeous purity and warmth and hits some extraordinarily ethereal high notes.” Classic FM

Grace Davidson is an English soprano who specialises in the performance and recording of Baroque music. Winner of the prestigious Early Music Prize whilst studying singing at London’s Royal Academy of Music, she has since carved a successful international career working with the leading Baroque vocal ensembles of our day under the batons of Sir John Eliot Gardiner, Paul McCreesh, Philippe Herreweghe and Harry Christophers.

Her discography includes a decade of CDs with The Sixteen, many of which feature her as soloist: Handel’s Jephtha (as “Angel”) and Dixit Dominus, Monteverdi’s 1610 Vespers and Pianto Della Madonna and the Lutheran Masses of Bach.

Grace’s solo credits extend into the realm of contemporary classical/crossover music where widespread critical acclaim for her exceptional purity of tone has resulted in a number of successful recordings with high-profile composers. Most notable of these is the Grammy award-winning Light and Gold disc by Eric Whitacre, several albums for Christian Forshaw and The Sanctuary Ensemble and Patrick Hawes’ celebrated album Angel. Hollywood film credits include The Hobbit, The Desolation of Smaug, the Five Armies and Pirates of the Caribbean 4 in which Grace sings the voice of the evil mermaid.

gracedavidsonsoprano.com

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We hope you enjoy WASO’s The Lord of the Rings: The Return of the King, combining memorable orchestral and choral music with the stunning movie on the big screen. There are many people that would love to attend this event but are unable to, some because of the cost, and others because they cannot make it to the venue.

WASO’s Education and Community Engagement programs reach out to people who cannot easily access live music. We are a not-for-profit organisation and community donations are essential in enabling WASO to produce beautiful music for thousands of Western Australians across the state.

Join us on the journey today by making a donation. All donations over $2 are tax deductible and your gift will be tax deductible this financial year if it reaches us by 30 June. Go to waso.com.au to make your donation or you can contact Jane on 9326 0014 or clarej@waso.com.au to find out more.

The West Australian Symphony Orchestra (WASO) is Western Australia’s largest and busiest performing arts organisation. WASO’s resident company of full-time, professional musicians plays a central role in creating a culturally vibrant Western Australia.

WASO’s vision is to touch souls and enrich lives through music. Each year the Orchestra entertains and inspires the people of Western Australia through its concert performances, regional tours, innovative education and community programs, and its artistic partnerships with West Australian Opera and West Australian Ballet.

The Orchestra is led by Principal Conductor and Artistic Adviser Asher Fisch. The Israeli-born conductor is widely acclaimed for his command of the Romantic German repertoire and is a frequent guest at the world’s great opera houses.

Each year the Orchestra performs over 175 concerts with some of the world’s most talented conductors and soloists to an audience in excess of 190,000.

For further information visit waso.com.au

Waso PHilaNtHroPy

WEst aUstraliaN syMPHoNy orCHEstra

Philanthropy Partner

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Waso oN staGE toNiGHt

PrincipalAssociate PrincipalGuest Musician^

VIOLINGraeme NorrisAssoc ConcertmasterSemra Lee-Smith Assistant Concertmaster Zak RowntreePrincipal 2nd ViolinAkiko MiyazawaAssoc Principal 2nd ViolinSarah BlackmanFleur ChallenSara Duhig^Rebecca GlorieBeth HebertAlexandra IstedShaun Lee-Chen*Christina KatsimbardisEliza McCracken^Andrea Mendham^Kathleen O’Hagan^ Ken PeelerElena PhatakJolanta SchenkJane SerrangeliKathryn ShinnickJacek SlawomirskiBao Di TangCerys ToobyTeresa Vinci^Susannah Williams^ David Yeh

VIOLACaleb WrightAlex BroganNik BabicGeorge Batey^Ben Caddy^Katherine DrakeAlison HallRachael KirkAllan McLeanHelen Tuckey

CELLOLouise McKayChair partnered by Penrhos CollegeMelinda Forsythe^Shigeru KomatsuOliver McAslan Emma McCoy^

Laura McGrogan^Nicholas MetcalfeAnna Sarcich^Fotis SkordasTim SouthJon Tooby^Xiao Le Wu

DOUBLE BASSAndrew Sinclair*Joan Wright Sarah Clare^Christine ReitzensteinLouise RossAndrew TaitMark ToobyPhil Waldron^

FLUTEMary-Anne Blades Michael Howell^

PICCOLOMichael Waye

OBOEPeter Facer Elizabeth Chee

COR ANGLAISLeanne Glover

CLARINETAllan Meyer Lorna Cook

BASS CLARINETGeoff Bourgault^Chair partnered by Altegra Property Group

BASSOONJane Kircher-Lindner Chair partnered by Sue & Ron Wooller

Adam Mikulicz

CONTRABASSOONChloe Turner

HORNDavid EvansSharn McIverRobert Gladstones Principal 3rd

Julia BrookeFrancesco Lo SurdoJulia Touissant-Jackson^

TRUMPETBrent GrapesChair partnered by ConocoPhillips

Evan Cromie Breanna Evangelista^Peter Miller

TROMBONEJoshua Davis Liam O’Malley

BASS TROMBONEPhilip Holdsworth

TUBACameron Brook

TIMPANIAlex Timcke

PERCUSSIONTroy GreatzA/Principal Richard GleesonJoel Bass^Robyn Gray^Paul Tanner^

HARPSarah Bowman

CIMBALOMJoshua Webster^

PIANOGraeme Gilling^

GUITARJonathan Paget^

MUSETTECathie Travers^

*Instruments used by these musicians are on loan from Janet Holmes à Court AC.

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Waso CHorUs

Christopher van TuinenChorus DirectorAndrew FooteVocal CoachLea HaywardAccompanist

SOPRANOChristine AllnutValerie BannanMarian BirtwistleAnna BörnerClara ConnorCate CreedonAntonietta D’EliaBronwyn ElliottFay FarahDavina FarinolaJoanna FawcettLindsay FosterKath GoodmanPauline HandfordBlanche HolzmanMichelle JohnGinny LuffCiara McCaugheyAlicia MetuselaGemma MullaneyRochelle RabelErika RieckenSarah ShneierMargo WarburtonNicole Zago

ALTOMarian AgombarLisa BarzJanet BaxterLlewela BennDaniela Birch

Patsy BrownAmber CasonImogen CastledineCatherine DunnJulie DurantJenny FaySusanna FleckDianne GravesLouise HayesVictoria HoggSerena KayGaylene KelsoShew-lee LeeKate LewisTina McDonaldLyn MillsLynne NaylorDeborah PearsonDeb PiesseShannon ReidLiz RombawaNeb RylandLouise SuttonClaire TaylorOlga WardJacquie Wright

TENORPeter ClayPeter HandfordChad HendersonJohn MurphyGrant O’NeilJay ResoRey Rombawa JRChris RylandStephen TurleyMalcolm VernonTed Yan

BASSJustin AudcentMichael Berkeley-HillRoger BlazeyCohen BourgoultJonty CoyAllan DaviesJames DevenishHubert DurandJake GardnerKen GasmierStephen HastingsBrian KentTony KingBenjamin LeeTony MarrionBenjamin MartisPeter OrmondJim RhoadsLee RhodesSteve SherwoodChris SmithTim StrahanGeoff SuttieRay ThorneloeMark WiklundDonald WilsonAndrew Wong

WASO CHORUSFormed in 1988, the WASO Chorus brings together auditioned singers who volunteer their time and talents to perform under the WASO banner in a variety of programs and concert settings. Led by Chorus Director Christopher van Tuinen and Vocal Coach Andrew Foote, this passionate and enthusiastic group has performed with acclaimed conductors including Asher Fisch, Simone Young, Vladimir Ashkenazy and Richard Hickox.

For more information on the Chorus and how to join, visit waso.com.au/about/chorus

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ST GEORGE’S CATHEDRAL CHORISTERSLeo BeilinOscar Beilin Alexander BoeddinghausLeo BrownEduardo Caceres-SandovalJames ChapmanIsaac ChingRuben DaviesGriffin DescantAdam DringEdward EliasOliver FreyneSam GillardJoel HurworthPaul KikirosOwen KorollDominic McClearyThomas McQuillanHarry PlayfordKoert van der Laan

Christopher van TuinenChorus Director

Christopher graduated with a Bachelor of Music from the Victorian College of the Arts (VCA) in 2001. In 2005 he completed a Masters in Conducting at the VCA. Experienced in both vocal and instrumental music he was awarded the John Williams Conducting Scholarship for 2004-05. In 2006 he received a Green Room Award nomination in the ‘Best Conductor’ category. During 2008 and 2009 he was a member of the Young Artists program as a Conductor with Opera Australia and in 2007 he was appointed as the inaugural Conducting Fellowship at the Australian Ballet. He has worked with WASO, Orchestra Victoria, Australian Opera & Ballet Orchestra and the Queensland Symphony Orchestra. In addition to his work as Chorus Director for WASO, Christopher is also Conductor of The university of Western Australia Choral Society, Musical Director of Fremantle Chamber Orchestra and Artistic Director of Lost and Found Opera.

Joseph NolanMaster of Music, St George’s Cathedral

Joseph Nolan enjoys an international reputation as an organist and musician.

BBC Music Magazine, Gramophone, Limelight Magazine and Music Web International, amongst others, have awarded his substantial discography, featuring the world’s most famous organs, multiple five-star reviews, editor’s choice, recordings of the year and star recording awards. 

Joseph was Organist of Her Majesty’s Chapels Royal from 2004 to 2008 performing many times at Buckingham Palace. Specially invited for the position of Master of Music at St George’s Cathedral, Perth in 2008, Joseph is widely acknowledged to have transformed the Cathedral music to an international standard with the Australian and West Australian newspapers hailing the choirs as now ‘elite, perfect and world-class’.

Andrew FooteChorus Vocal Coach

Helpmann Award-winner Andrew Foote is one of the most experienced singers and teachers of voice in Australia. For more than 30 years he has been a regular guest artist for Western Australian arts companies, a national broadcast artist for ABC Classic FM, a freelance opera principal artist performing throughout Australia with Opera Australia, OzOpera and West Australian Opera, a regular recitalist and oratorio soloist, and more recently as an opera director. After an 11-year break from teaching, Andrew Foote has been appointed Head of Voice at The university of Western Australia (uWA) School of Music.

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All Compositions by Howard Shore (ASCAP) Except:“Into the West” by Fran Walsh, Howard Shore and Annie Lennox“The Green Dragon” Music by Janet Roddick, David Donaldson, Stephen Roche and David Long; Lyrics by Fran Walsh and Philippa Boyens“The Edge of Night” Vocal Melody by Billy Boyd“Aragorn’s Coronation” Vocal Melody by Viggo MortensenChoral Text by J.R.R. Tolkien, Philippa Boyens and Fran Walsh.

Published by New Line Tunes (ASCAP) © 2003. All Rights Reserved.Except: “Twilight and Shadow Song,” “The Grace of undómiel Song,” “Borne From the Darkness Song,” “The Destruction of the Ring Song,” “The Eagles Song,” “Queen Arwen Song,” “Twilight and Shadow Song, Pt. 2” Co-Published by New Line Tunes (ASCAP) and South Fifth Avenue Publishing (ASCAP). “Into the West” Co-Published by South Fifth Avenue Publishing (ASCAP), New Line Tunes (ASCAP) and La Lennoxa Ltd (BMG)

The Lord of the Rings, The Return of the King and the name of the characters, events, items and places therein are trademarks of The Saul Zaentz Company d/b/a Tolkien Enterprises under license to New Line Productions, Inc. All Rights Reserved.

PUblisHiNG riGHts CrEDits

Thanks to: Peter Jackson, Fran Walsh, Philippa Boyens, J.R.R. Tolkien, Ronald Wilford, Jean-Jacques Cesbron, New Line Cinema, Paul Broucek, Lori Silfen, Elizabeth Cotnoir, Alan Frey, Ludwig Wicki, Pirmin Zängerle, Doug Adams, James Sizemore, Amy Baer, Jeffrey Markowitz, Javier Manzana, Kevin Lacy, Grace Davidson, Ben Phelps, the West Australian Symphony Orchestra, WASO Chorus and St George’s Cathedral Choir.

Producers

Columbia Artists Music, LLC: Ronald A. Wilford - Chairman and CEO Jean-Jacques Cesbron - President Danny Evans - Associate Manager Jeffrey Markowitz – General Manager & Production SupervisorJavier Manzana - Production AssociateKevin Lacy - Sound Engineer

Howard Shore Prince in New York Music CorporationJames Sizemore – Auricle

Perth Convention & Exhibition Centre

Nigel Keen, General Manager Karen Teong, Director of Sales & Events Neil Mather, Food & Beverage Manager Richard Taylor, Executive Chef

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FRI 13 & SAT 14 NOV 8PMRiverside Theatre, Perth Convention & Exhibition Centre

Take a trip back to 1985/1955 and celebrate the 30th anniversary of Back to the Future with WASO performing the musical score live as the film plays on the big screen!

™ & © Universal Studios and U-Drive Joint Venture.

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