quarantine strategic touring project y1 audiences presentation taa
TRANSCRIPT
Strategic Touring Project
Audience Analysis
What were your aims?
Audience Spectrum
A segmentation of the population based on
people’s cultural habits and preferences. There
are 10 segments which have distinct profiles and
can be located by postcode.
Helps organisations understand their audiences, plan to meet their needs, and find new ones.
Metroculturals
Commuterland Culturebuffs
Experience Seekers
High engagement
22% population, 60% of audiences
Confident, enthusiastic, educated
Habits and tastes vary based on lifestage
Donate: 11% arts, 20% museums
Donors: 14% £100+ arts (exclusively), 7% museums
Digital: Heavy-users
Volunteer: Leading, general 31%, 4% culture
Participation: Highest
MetroculturalsHighly engaged prosperous liberal urbanites, with wide range
of arts and cultural interests.
3% of population
Commuterland CulturebuffsAffluent suburban and greenbelt consumers of culture as
part of their social lives.
12% of population
Experience SeekersDiverse urban audiences, students and recent graduates into
a variety of cultural events.
6% of population
Dormitory Dependables
Trips and Treats
Home & Heritage
Medium engagement
41% population, 30% of audiences
Risk-averse, not culture-averse
Location and lifestage are critical
Donate: 4% arts, 14% museums
Donors: 5% £100+ arts, 1% museums
Digital: Moderate – light, varies e.g.lifestage
Volunteer: Some, general 21%, culture 1%
Participation: Some, varies
Dormitory DependablesRegular but not frequent cultural attenders living in city
suburbs and small towns.
15% of population
Trips and TreatsSuburban households, often with children, whose cultural
activities usually are part of a day out or treat.
14% of population
Home & HeritageConservative and mature households who have a love of
the traditional.
12% of population
Up Our Street
Facebook Families
Kaleidoscope Creativity
Heydays
Less engagement
37% population, 10% of audiences
Do engage, but low proportions
Lack of interest AND lack of resources
Donate: 4% arts, 10% museums
Donors: 1% £100+ arts, 0% museums
Digital: Moderate – light, varies e.g.lifestage
Volunteer: Some, general 17%, culture 0%
Participation: Low
Up Our StreetReasonably comfortably off households, occasional audiences for
popular arts & entertainment, museums and heritage sites.
10% of population
Facebook FamiliesHarder pressed suburban and semi-urban households for whom arts
and culture plays a small role.
10% of population
Kaleidoscope CreativityUrban and culturally diverse, their arts and cultural activity happens
in their community and outside and mainstream.
8% of population
HeydaysOlder people who find it harder to access the arts and cultural
activities that they may use to have enjoyed.
9% of population
Results
Geographical Spread
• Successfully engaged local communities
• Majority of audiences from a hyper local area
Audience Spectrum Profile
3 largest Audience Spectrum segments across the
overall audience are:
• Facebook Families (40%)
• Trips and Treats (12%)
• Up Our Street (12%)
• 65% of all audiences are from one of the four less
engaged segments
What are your aims for year 2?
Audience Development approach: Ansoff matrix
Programme
Existing New
Audie
nces
New
Exis
ting
Market penetration
Forging deeper relationships
* Grow the work
* Develop loyalty
Product development
Encouraging regulars to take a risk
* Provide incentives
* Talk in different ways, emphasising
benefits of new product.
Market development
Making relationships with new
people
* Demystify the offer
* Develop your welcome
Diversification
Encouraging new audiences to try
something new for the first time
* Community engagement & outreach
* Trial offers & taster events