renaissance art italian early and high renaissance art
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Renaissance Art
Italian Early and High Renaissance Art
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Art and PatronageArt and PatronageItalians were willing to spend a lot of
money on art.
/Art communicated social, political, and spiritual values.
/Italian banking & international trade interests had the money.
Public art in Florence was organized and supported by guilds.
Therefore, the consumption of art was used as a form of competition for social & political status!
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Characteristics of Renaissance Art
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Realism & ExpressionRealism & Expression
Expulsion fromExpulsion fromthe Gardenthe Garden
MasaccioMasaccio
14271427
First nudes sinceFirst nudes sinceclassical timesclassical times..
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2. Perspective2. Perspective
First use First use of linear of linear
perspectivperspective!e!
The TrinityThe Trinity
MasaccioMasaccio
14271427
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3. Classicism3. Classicism
Greco-Roman influence.
Secularism.
Humanism.
Individualism free standing figures.
Symmetry/BalanceThe The “Classical Pose”“Classical Pose”Medici “Venus”Medici “Venus”
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4. Emphasis on 4. Emphasis on IndividualismIndividualism Batista Sforza &
Federico de Montefeltre: The Duke & Dutchess of Urbino
Piero della Francesca, 1465-1466.
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5. Geometrical 5. Geometrical Arrangement of Arrangement of FiguresFigures
The Dreyfus Madonna with the Pomegranate
Leonardo da Vinci
1469
The figure as architecture!
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6. Artists as 6. Artists as Personalities/CelebritiePersonalities/Celebritiess
Lives of the Lives of the Most Most Excellent Excellent Painters, Painters, Sculptors, andSculptors, andArchitectsArchitects
Giorgio VasariGiorgio Vasari
15501550
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Early Renaissance
The First Three
Hall-of-Famers
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Masaccio1401-1428
Founder of early Renaissance Painting
Painted human figure as a real human being
(3D) Used perspective Consistent source of
light (accurate shadows)
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The Tribute Money
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#2 Donatello 1386-1466
The sculptor’s Masaccio
David (1430-32)– First free standing,
life-size nude since Classical period
– Contrapposto– Sense of Underlying
skeletal structure
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The Penitent Magdalen (Donatello)
realgaunt
“Speak, speak or the plague take you!”
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#3 Boticelli
1482 Rebirth of Classical
mythology Fully Pagan THE BIRTH OF
VENUS
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The Italian Renaissance
Leonardo Michelangelo Raphael Titian
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Da VinciMona Lisa (1503-06)Perspective,Anatomy, Composition
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Cultural icon
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The Last Supper
Emotions Response
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Michelangelo
DavidDavid
MichelangeloMichelangeloBuonarottiBuonarotti
15041504
MarbleMarble
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Raphael School of Athens 1510
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Raphael
Da Vinci
Michelangelo
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AristotleAristotle::looks to thislooks to thisearth [theearth [thehere andhere and
now].now].
PlatoPlato::looks to thelooks to theheavens [or heavens [or
the IDEALthe IDEALrealm].realm].
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Pythagoras
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Ptolemy
Euclid
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Titian
Dazzling contrasting colors
Ample female forms Asymmetric
compositions Bacchanal of the
Adrians 1518
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Venus of Urbino Venus of Urbino – Titian, – Titian, 15581558
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A Portrait of SavonarolaA Portrait of Savonarola By Fra Bartolomeo,
1498.
Dominican friar who decried money and power.
Anti-humanist he saw humanism as too secular, hedonistic, and corrupting.
The “Bonfire of the Vanities,” 1497.
/ Burned books, artwork, jewelry, and other luxury goods in public.
/ Even Botticelli put some of his paintings on the fire!!