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Page 1: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,
Page 2: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

Road Not Taken Concerto for Bass Trombone and Trombone Ensemble

by James M. Stephenson

Three Movements:

I. Two Roads

II. Diverged

III. All the Difference

Duration: Approx. 16 minutes.

Scored for Solo Bass Trombone and 11-player Trombone Ensemble:

1 Alto/Tenor Trombone 7 Tenor Trombones

3 Bass Trombones

Program Notes:

The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner.

Much of the piece is based on off-beats, set in many different forms; therefore my working title was always “Off the beaten path”. This title didn’t really hold much water for me, and after a bit of stretching and re-working, I arrived at the current title, based obviously on Robert Frost’s famous poem. The more I thought about it, the more connections I began to realize between my musical life, this piece, and the title.

First of all, in my own life, I have chosen the less traveled path. Having been comfortably situated in two steady performing jobs for almost 20 years, my wife and I decided to quit, move to a completely different location, and follow my new-found passion for composing. One might argue also that composing a bass trombone concerto, in and of itself, is a ‘road less taken’. It is not the most common choice for a concerto. Lastly, it was my goal to allow for the solo bass trombone to be featured in a manner inconsistent with the often misguided preconceptions: at the request of the dedicatee and co-commissioner, Matthew Guilford, the instrument is presented lyrically, and the upper range is displayed equally, if not more than, the lower.

More technically speaking, the movements themselves are pretty standard in form, with themes, ideas and harmonies recurring and developed throughout the piece to form a consistent whole. An interesting device only used in the slow movement is the introduction of a separate trio of players, who interrupt occasionally with their off-kilter fragments, almost a skipping old record-player. The last movement is quite virtuosic, calling for much endurance, agility and extended range from the soloist.

It is with much gratitude that I dedicate this score to the co-commissioners: the Washington Trombone Ensemble (Sam Woodhead) and Matthew Guilford, the latter of whom I am delighted to reconnect with after our paths again converge more than 20 years after our shared college years at the New England Conservatory.

Jim Stephenson, February 1, 2010©Stephenson Music, Inc. and the composer. www.stephensonmusic.com Cover photo ©Mark S. Cox www.ettu2studio.com

Page 3: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

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44

44

44

44

44

1 - Alto2 - Tenor

3 - Tenor4 - Tenor

5 - Tenor7 - Bass 1

6 - Tenor8 - Bass 2

Solo Bass Trbn.(Guilford)

˙ Jœœ ..œœ

˙ jœœbb <..œœn

Andante - chorale q = 66

p

p

Jœœbb ¯ ..œœbn ˙

jœœb <..œœb ˙˙

Ó ˙np

∑UÓ ‰

.œu

w jœ .œbUu

wwU

∑U

œ œb . œb . œb .œb . œ. œb . œb . œ

.ŒU3

3

p

P paccel. rit.

π

π

∑UJœ- ‰ Œ Óu˙ U˙

u

˙# U˙

uÓ ÓU

Ó ÓU

π

π

˙# Jœœ ..œœ

˙b jœœ#n <..œœ##

p

p

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1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

6 ∑

Jœœ ..œœ# ˙

jœœn <..œœ ˙

Ó˙np

ww

ww

œ œ. œ# œn . œ. œ# œn . œ.œn œ œ# . œ# . œ.

3 3 3sim.

P

.jœ ≈ ˙ œn.˙# œn

..˙ œœbb

Œ ˙b jœ- ‰∑

œ. œ# . œ# . œ. Jœ# . ‰ Óp

p

Ó ÓU

˙ U˙u

˙ ˙˙U

Ó ÓU

Ó ÓU

π

π

Ó ‰ Œ .U

˙ Jœœ# ¯ ..œœ## U

˙bb jœœnn <..œœnU

Ó ‰ Œ .U

Ó ‰ Œ .U

p

p

James M. Stephenson

©2010 by Stephenson Music, Inc. and the composer. All rights reserved. Duplication of any kind without permission is strictly prohibited.

ROAD NOT TAKENConcerto for Bass Trombone

and Trombone Ensemble

for Matthew Guilford and the Washington Trombone Ensemble

I. Two Roads

Score

Page 4: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

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1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

11 Ó ‰ Œ .U

˙# jœ# ¯ .œ#U˙# œ<œ#- Œu

˙ jœœbb <..œœnU

Ó ‰ Œ .U

Ó ‰ .œ#U

π

π

π

Œ œ# œ# œ∑∑

Ó˙

ww##

∑Ó Œ œœ# œ œ œ#p

p

p

p

p

œ# œ# œ œ∑∑œ# œ œ œ

ww∑œ œ œ# œ

˙ ˙#

w#UŒ Œu Óww## U

ww#U

Œ ŒU Óœ# Œu Ó

œ# ŒU˙n

π

π

π

π

π

p

jœ ‰ Œ Ów#

jœ ‰ Œ ‰ ‰ jœ- Œ3

Jœ# ‰ Œ Œ ‰ Jœ-jœœ ‰ Œ

jœ#Ó- ‰ Œ

w#w

œ œ. œ œ# . œ. œ# . œ# .œ# . œn . œ. œ œ# œ# . œ#

.3

3

π

p

pp

π

quick fall-off

quick fall-off

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1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

16 ∑w

wwœ# œ ˙lazy gliss.

Ó Œ œJœ ‰ Œ Óww#

ww##

jœ ‰ Œ ÓJœ‰ Œ ˙w

π

π

π ww#U

wwU

wwU

∑Uwu∑U

Ó ˙#p

FreelyA

œ œ# . œ# . œ.œ œ# œ. ‰ Ó3

‰ œ. œb . œ. œ. œ. œb œ œ. œ# . œ

. œ. œ. ‰3

33p P

3

Concerto for Bass Trombone - 1st movement

Page 5: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

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?

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1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

22 ∑

Ó ˙bF

∑Ó Œ ‰ Jœ-

∑Ó ‰ . Rœ- Œ

œ œ. œb . œb . œb . œb .œ œ# œ# . œn . œ# œ#

œn . œn .3 3

p

p

quick fall-off

quick fall-off Ó Œ ‰ jœ-∑

‰ œœb . œœ. Œ jœÓ- ‰ Œ

‰ œ. œ. Œ Ó∑

‰ œb . œ. Œ ‰ . rœb - Œ≈ Rœ- ‰ Œ Óœb . œ. ‰ œ œb œn . œb . œ. œb . œ. œ

. œ œb œ. œ.p

p

pp

p

p

p

p F

poco a poco accel.

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43

43

43

43

43

44

44

44

44

44

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

25 Œ ≈ rœ.‰ ‰ . rœ. rœ. ‰

.≈œb . œ. ≈ Œ Œ ≈ R

œb- ‰

Œ ≈ rœn . ‰ Œ ≈ rœb- ‰≈œb . œ. ≈ Œ ‰ . Rœb . R

œ. ‰ .

Œ ≈ rœ. ‰ ‰ .rœ. rœ. ‰ .

≈œb . œ. ≈ ‰ . Rœ- Œ ≈ Rœ- ‰Œ ≈ rœ. ‰ ‰

. rœ. rœ. ‰ .≈ œ. œ. ≈ Jœ# -‰ ‰ Jœ-

≈ Rœ- ‰

œ. ≈ œ. œ# . ≈ œ# . œ. œn œ# œ.≈ ‰ œn . œb .

P

P

P

P

F

≈ rœ. ‰ Œ ŒŒ ≈ Rœ- ‰ ŒŒ Œ ≈ rœ- ‰≈ Rœ. ‰ ‰ Rœb . ≈ ŒŒ ‰ . rœb - ŒJœ- ‰ Jœ- ‰ ‰ œ. œb .≈ rœ. ‰ ‰

rœ. ≈ Œ‰ Jœ- ‰ Rœb . ≈ Œ

œ. œn . œ. œ. œ.œ. œ. œb . œ. œ. ‰

F

F

F

≈ rœ. ‰ Œ ‰ œ. œb .

Œ ≈ Rœ- ‰ ‰ œ. œb .Œ Œ ≈ rœ- ‰≈ Rœ. ‰ ‰ Rœb . ≈ ‰

œ. œb .≈ rœ. ‰ ‰

rœ. ≈ ŒRœ. ≈ Jœ- ‰ Rœb . ≈ ‰ œ. œb .Œ ‰ . rœb - Œ

Jœ- ‰ Jœ- ‰ ‰ œ. œb .≈ œ. œ. œ. œ.

œ. œ. œb . œ. œ. ‰

F

f

f

f

f

4

Concerto for Bass Trombone - 1st movement

Page 6: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

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?

?

?

?

44

44

44

44

44

42

42

42

42

42

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

> >˙>

˙>

Œ œ> œ> jœb> ‰˙

>˙>

Œ œb> œb> jœb> ‰

> >Œ œb> œb > jœ>‰

> >∑

Spirito {q = c 120}

f

f

f

B jœ#>‰ œ# œ œ œ# jœ. ‰ ŒJœ#> ‰ Œ Œ. ‰ œ# œB

jœ#> ‰ ‰ .rœ# œ# œ œ œ œ œ œ# .Jœ> ‰ Œ Œ ‰ œ# œn

jœ#>‰ œ# œ œ œ# jœ. ‰ Œ

Jœ#>‰ ‰ . Rœ# œ# œ œ œ œ œ œ# .jœ#>‰ œ# œ œ œ# jœ. ‰ Œ

Jœ> ‰ ‰ .Rœ# œ# œ œ œ œ œ œ# .

Œ ˙#>jœ ‰

ƒ

∑œ# œ œ. Œ ÓÓ Œ œ œ œ# œœ# œ œ. Œ Ó

≈ œ. œ œ# œ. œ. œ. Ó≈ œ. œœ# œ. œ. œ. Œ œ œ œ# œ

Œ ‰ œ œ œ œ# œ œ œ œ œ# œŒ ‰ œ œ œ œ# œ œ Jœ ‰

>œ#> œ> Bloco

B

?

?

?

B

42

42

42

42

42

44

44

44

44

44

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

31 œ œ œ# œ œ œ# œ œ∑jœ ‰ ŒŒ œ œ# œ œ

œ œ œ# œ jœ ‰Jœ ‰ œ

œ# œ œ

jœ ‰ Œœ œ œ# œ Jœ ‰

œ> œ> œ>3

fjœ ‰ ŒU

U

Óu ÓuB>U UJœ ‰ Œu Óu>U UJœfl ‰ Œu Óu>U UÓu Óu˙N>U Jœ ‰ ŒUZ P

P

P

P

p .˙ œŒœ# œ œ

w ˙

wœ œ œ œ

ww

pTempo Primo q = 66C

π

π

π

π

œ œ œ œœ œ# œ œ

Œ œ œ œ#œ# œ œ œ

˙ ˙˙ ˙

ww

.˙ œŒœ œ# œ

œ œ ˙˙# ˙

wœ œ œ œ

ww

œ œ œ œœ# œ œ œœ œ œ œœ œ# œ œ

˙ ˙˙ ˙

ww

∑5

Concerto for Bass Trombone - 1st movement

Page 7: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

B

?

?

?

B

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

37 wwb

wwb

wwb

wwÓ ˙?

π

π

π

π

p

ww

ww

wwww

Jœ .œ Jœb¯ .œb

Ó ˙b

Ó ˙b

Ó ˙b

Ó ˙˙

w

π

π

π

π

ww

wwb

wwbb

ww

Óπ

˙ ˙##

ww

w˙ ˙#

Jœb¯ .œb Jœb¯ .œb

œœ Œ ˙#

œ Œ Óœ Œ ˙# -œ Œ Óœb Œ ˙œœ Œ ˙#

w

wwnU

∑Uw-u∑Uwu

wwnU

Ó˙bU

B

?

?

?

?

46

46

46

46

46

44

44

44

44

44

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

44

Jœœ ‰ ŒU Ó

∑UJœ ‰ Œu Ó∑U

Jœ ‰ Œu Ójœœ ‰ ŒU Ó

˙U

œ œb . œb . œn .œn œ# œn . ‰

3

ÓU Ó

ÓU Ó

ÓU Ó

ÓU Ó

ÓU ‰ œ. œ. œ#. œ. œ.3

3p

Ó ŒU ‰ . œœ> œœ>

Ó ŒU ‰ . œœ> œœ>

Ó ŒU ‰ . œœ> œœ>

Ó ŒU ‰ . œœ> œœ>œ œ œ. œ# . œ#

. œ. œ. ‰ ÓU3P

ƒ

ƒ

ƒ

ƒ

ww> œœbb >U œœnb>U

ww> œœb>U œœnb>U

ww> œœbb>U œœn#>U

ww>œœbb >U œœbbU>

Œ œ#> œ> œ> œb>U œn>UB ?

ƒ6

Concerto for Bass Trombone - 1st movement

Page 8: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

B

?

?

?

?

44

44

44

44

44

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

wÓ Jœ# . ‰ Œ

Ó Jœœ#.‰ Œ

Ó jœ# . ‰ Œ∑Ó jœ# . ‰ Œ∑∑

Allegro {m q = c 144}

F

F

F

F

D

wÓ œ# . œ. Œ

Ó œœ#. œœ.Œ

Ó œ# . œ. Œ∑Ó œ# . œ. Œ∑∑

wÓ ‰ Jœ# . ‰ Jœ.Ó ‰ jœ

.‰ jœ.

Ó Œ Jœ# . ‰Ó ‰ jœ# . ‰ jœ.∑Ó Œ jœ# . ‰Œ œb . œ. J

œ. ‰ Œ

wœ œ. Œ Óœ œ.Œ Ó

‰ Jœ# . œnœ.

œ œn . Œ Œ jœ. ‰Ó Œ œb . œ.‰ jœ# . œ# œ#. Ó

Ó œb . œ. Jœ. ‰

f

f

‰ jœ. ‰ jœ. œ œ. ‰ jœ.w

‰ Jœœ##. ‰ Jœœ. œœ œœn . ‰Œ J

œ.

jœ. ‰jœb . ‰ ‰ jœ. œ œ

.

Jœ.‰ Œ Ó

Œ jœ# . ‰ ‰ jœ. œ# œ#.

F

B

?

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?

?

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

53 œb œ. Œ Ówœ œ.Œ Ó

Ó Jœ. ‰ Jœ. ‰œ œb . Œ ÓÓ œb . œ.

œ.œb .

∑Œ œb . œ. Jœ. ‰ ‰ Jœ.∑

Œ jœ. ‰ ‰ jœ. œ œ.

w

Œ Jœœ##. ‰ ‰ Jœœ

. œœ œœn .

‰ jœb . ‰ jœ. œb œb Œœ œb . Œ Ó‰ jœb . ‰ jœ. œ œ

. Œœ œ.Œ Ó

‰ jœ. jœ. ‰ ‰ jœ. jœb

.‰w

‰ Jœœ##. Jœœ.‰ ‰ Jœœ

. Jœœbb.‰

jœb . ‰ ‰ jœ. œb œb. Œ

Ó Œ ‰ Jœb .jœb . ‰ ‰ jœ. œ œ. Œ

Ó Œ ‰ jœœ.

˙

Ó œ œ œ œ jœ. ‰‰ Jœ. ‰ J

œ. Œ ‰ Jœ.

Ó œ jœ ‰œ.œ.Œ Ó

Ó œ œb œ œ jœ. ‰‰ Jœb . œ.

œ. Ó

Ó ˙

ƒ

ƒ

ƒ

fP

P7

Concerto for Bass Trombone - 1st movement

Page 9: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

B

?

?

?

?

46

46

46

46

46

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

57 Jœœbb . ‰ Œ œœ œœb œœ œœ Jœœ. ‰

‰ jœ. œ œ. ÓJœ# . ‰ Œœ Jœ ‰

‰ jœ# . œ œ. Ó

Ó Œ ‰ Jœ.‰ jœ# . œ œn . ÓÓ Œ ‰ Jœ.w

ƒ

ƒ

Œ œ. œ. Œ œ. œb

.∑

Œ œœ## . œœ.Œ œœ. œœbb .

jœb . ‰ Œ jœ. ‰ Œ‰ Jœ. Œ ‰ Jœ. Œ

jœb .‰ Œ jœ.

‰ Œ‰ Jœ. Œ ‰ Jœ.

Œ

w

Œ ‰ Jœœ. ‰ Jœœ# . Œ

Œ ‰ jœ. ‰ jœ# . ŒÓ ‰ œ# œ œ œ œ

Œ jœb . ‰ jœb . ‰ Œœ œb . Œ Œ ‰ Jœ.Œ jœb . ‰ jœb . ‰ Œœ œb .Œ Œ ‰

Jœ.wF

F

p

p

p

Œ œœ# . œœ. Ó

Œ œœ# . œœ. Ó

Œ œb . œ. Ó‰ Jœ. Œ ‰ Jœ.Œ

Œ œb . œ. Ó‰ Jœ.Œ ‰Jœ.Œ

˙ jœ ‰ œb

p

pp

p

F

œb œb œb œ œb œb3

B

?

?

?

?

46

46

46

46

46

44

44

44

44

44

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

62 ∑Ó ‰ Jœb . Œ Ó

Ó ‰ Jœœb . Œ Ó

Ó ‰ jœ. Œ Ó

∑.˙ .˙f

π

π

π

lazy gliss.

Œ jœ# . ‰ ‰ jœ. ‰ jœ∑

Œ Jœœ. ‰ ‰ Jœœ

. ‰ Jœœ#

‰ jœ# . ‰ jœ. œ œ. Œ

∑∑

‰ Jœ# . ‰ Jœ. œœ. Œ

.˙ œ

p

p

p

pP

E œ. œ# . jœ. ‰ ‰ jœ. jœ#

. ‰∑

œœ. œœ. Jœœ##. ‰ ‰ Jœœ

.Jœœ# . ‰

jœ# . ‰ ‰ jœ. œ œ. ‰ jœ# .∑

∑Jœ# . ‰ ‰ Jœ. œ

œ. ‰ Jœ# .

œ œ œ# œF

Œ Jœœ. ‰ ‰ Jœœ

. œœ## œœ.

Œ Jœœ#. ‰ ‰ Jœœ

. œœ œœ.

‰ jœ. ‰ jœ. œ# œ#. Œ

∑∑

‰ Jœ# . ‰ Jœ. œ#œ. Œ

.˙# œP

8

Concerto for Bass Trombone - 1st movement

Page 10: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

B

?

?

?

?

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

66 ‰ Jœœ## Jœœ. ‰ Œ œœ œœ# .

‰ Jœœ Jœœ#. ‰ Œ œœ## œœ.

jœ. ‰ ‰ jœ. œ# œ#. Œ

∑∑

Jœ# . ‰ ‰ Jœ. œ#œ. Œ

œ œ œ œF

Œ ‰ jœ .œ jœ#Œ ˙ œ‰ .œ jœ .œ˙ ˙˙ œ œ œ œp

p

p

∑ ?

.œ jœ .œ jœ#œ ˙ œ#

jœ .œ# jœ .œ˙ ˙œ œ œ œ œ

‰ .œ jœ .œ#˙ ˙Œ ‰ jœ .œ jœ#Œ ˙# œ

œ Œ Óœ Œ Ó

˙# œ œ# œ œ#p

p

p

p

jœ .œ# jœ .œ#˙ ˙.œ jœ .œ jœ#œ ˙# œ#

œ# œ# œ œ œ#

?

?

?

?

?

1 - A2 - T

3 - T4 - T

5 - T7 - B1

6 - T8 - B2

SoloB. Tbn.

Œ jœ# . ‰ ‰ jœ. ‰ jœ∑

Œ Jœœ. ‰ ‰ Jœœ. ‰ Jœœ#

‰ jœ# . ‰ jœ. œ œ. Œ∑∑

‰ Jœ# . ‰ Jœ. œœ. Œ

˙ ‰ Jœ œœ

p

p

p

Pp

F œ. œ# . jœ.‰ ‰ jœ. jœ# . ‰

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Concerto for Bass Trombone - 1st movement

Page 11: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

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10

Concerto for Bass Trombone - 1st movement

Page 12: Road Not Taken · The title for ‘Road Not Taken’ was arrived upon after completion of the score, and in a rather ‘wandering’ manner. Much of the piece is based on off-beats,

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1 - A2 - T

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Concerto for Bass Trombone - 1st movement