robert whitman passport - dia art foundation · robert whitman passport april 16 and 17, 2011, 8 pm...
TRANSCRIPT
Robert Whitman Passport
April 16 and 17, 2011, 8 pm Riverfront Park, Beacon, New York www.diaart.org
Dia
Art
Fou
ndat
ion'
s pr
esen
tatio
n in
Bea
con
is s
uppo
rted
in
part
by
Lisa
and
Ric
hard
Bak
er,
Hei
di O
lson
and
Rog
er D
uffy
, an
d T
he P
ace
Gal
lery
. Add
itio
nal s
uppo
rt i
s pr
ovid
ed
by th
e N
ew Y
ork
Sta
te C
ounc
il on
the
Art
s, a
Sta
te a
genc
y.
The
pre
sent
atio
n at
Mon
tcla
ir S
tate
Uni
vers
ity is
mad
e po
ssib
le i
n pa
rt b
y a
gran
t fr
om t
he
Ass
ocia
tion
of P
erfo
rmin
g A
rts
Pre
sent
ers
Cre
ativ
e C
ampu
s In
nova
tions
Gra
nt P
rogr
am,
fund
ed b
y th
e D
oris
Duk
e C
harit
able
Fou
ndat
ion.
Sup
port
ed i
n pa
rt b
y th
e N
atio
nal
End
owm
ent f
or t
he A
rts.
Fly
ing
effe
cts
at M
ontc
lair
Sta
te U
nive
rsity
pro
vide
d by
Fly
ing
by F
oy.
Spe
cia
l tha
nks
to S
teve
Gol
d, M
ayor
of
the
City
of
Bea
con,
and
the
Bea
con
City
Cou
ncil,
City
of
Bea
con
Par
ks D
epa
rtm
ent,
and
the
citiz
ens
of B
eaco
n.
The
art
ist
wou
ld l
ike
to e
xpre
ss h
is t
hank
s to
Kat
elyn
n A
ltgilb
ers
, And
rew
Atk
inso
n,
Gia
nluc
a B
ianc
hin
o, K
limen
tina
Jau
lesk
a, C
hris
Lu
ongo
, Jul
ie M
artin
, E
lizab
eth
Ree
se,
and
Hed
i S
orge
r fo
r th
eir
cont
ribut
ions
to
the
proj
ect,
as w
ell
as t
he s
taff
at D
ia a
nd
Pea
k P
erfo
rman
ces
and
all t
he v
olun
teer
s w
hose
gen
erou
s he
lp a
nd s
uppo
rt m
ade
this
prod
uctio
n po
ssib
le.
Fro
nt c
over
: R
ober
t W
hitm
an,
Pas
spor
t. Reh
ears
al p
hoto
, H
udso
n R
iver
, Bea
con,
NY
, N
ovem
ber
2010
.
Pho
to:
Ben
Blo
om.
" •.J
'1
Ro
ber
t W
hit
man
P
assp
ort
Rob
ert
Whi
tman
's P
assp
ort
was
co-
com
mis
sion
ed
by D
ia A
rt F
ound
atio
n an
d P
eak
Per
form
ance
s @
Mon
tcla
ir S
tate
(N
J).
Sim
ulta
neou
s pe
rfor
man
ces
are
pres
ente
d at
Riv
erfr
ont
Par
k, B
eaco
n, N
Y, a
nd A
lexa
nder
Kas
ser
The
ater
, M
ontc
lair,
NJ.
Co
ord
inat
ing
P
rod
uce
r Ju
lie M
artin
DIA
AR
T F
OU
ND
AT
ION
Cu
rato
r Y
asm
il R
aym
ond
Cu
rato
rial
Ass
oci
ate
Jean
ne D
resk
in
Au
dio
-Vid
eo
Tec
hn
icia
n
Pat
rick
Hei
lman
Ass
ista
nt
to C
oo
rdin
atin
g
Pro
du
cer
Hed
i S
org
er
Pro
du
ctio
n M
anag
er
Will
Kna
pp
Sta
ge
Man
ager
Je
nni
Bow
man
Lig
ht
Des
ign
er
Fra
nk D
enD
ant
o
Mas
ter
Ele
ctri
cian
G
reg
Gof
f S
cen
ic a
nd
Pro
p F
abri
cati
on
C
had
Bow
en
Kur
t D
iebb
oll
Cur
tis H
arve
y Je
rem
y Ly
dic
Ca
leb
Tag
gart
Vid
eo N
etw
ork
ing
S
yste
ms
Des
ign
er
Sha
wn
Van
Eve
ry
Au
dio
-Vid
eo
Ass
ista
nts
B
rian
Loat
man
D
an M
aste
rson
E
mily
She
pard
D
an W
olfe
Per
form
ers
at D
ia:B
eaco
n
Ash
ley
Bro
cio
us
Nic
k D
jand
ji C
urtis
Har
vey
Josh
Hur
t R
ayva
wn
John
son
Kit
Mes
sick
Je
nna
Otte
r N
ick
Rui
z R
ober
t V
ince
nt S
mith
H
edi
Sor
ge
r
Hor
se c
ourt
esy
Cha
tea
u S
tabl
es,
Inc
.
PE
AK
PE
RF
OR
MA
NC
ES
@ M
ON
TC
LA
IR S
TA
TE
Exe
cuti
ve D
irec
tor
Art
s &
Cu
ltu
ral
Pro
gra
mm
ing
Je
dedi
ah
Wh
eele
r
Exe
cuti
ve P
rod
uce
r Ji
ll D
om
brow
ski
Ass
oci
ate
Pro
du
cer
Jess
ica
Wa
sile
wsk
i
Pro
du
ctio
n M
anag
er
J. R
yan
Gra
ves
Cu
ltu
ral
En
gag
emen
t D
irec
tor
Car
rie
Urb
anic
Med
ia a
nd
Mar
keti
ng
S
pec
ialis
t T
hom
as P
. M
iller
Tec
hn
ical
Dir
ecto
r Ja
ck
Bra
dy
Au
dio
an
d V
ideo
En
gin
eer
And
rew
Lul
ling
Pro
du
ctio
n C
oo
rdin
ato
r R
ache
l Ma
lbin
Lig
ht
Des
ign
er
Will
iam
Gro
wn
ey
Vid
eo P
rod
uct
ion
an
d E
dit
ing
K
ate
lynn
Altg
ilber
s G
ianl
uca
Bia
nchi
no
Klim
ent
ina
Jaul
esk
a C
hris
Luo
ngo
Sce
nic
an
d P
rop
Fab
rica
tio
n
And
rew
Boy
le
Tim
othy
DiG
rego
rio
Eliz
abet
h F
lynn
Jo
seph
Ge
itner
Je
rem
y Ly
dic
Jess
e M
onah
an
Chr
isto
pher
S
anti
lli
Vid
eo N
etw
ork
ing
S
yste
ms
Des
ign
er
Sha
wn
Van
Eve
ry
Per
form
ers
at M
on
tcla
ir S
tate
T
ony
Bor
dona
ro
Klim
entin
a Ja
ules
ka
Eric
Sta
low
ski
Dan
a T
hom
as
Dan
i Via
lpan
do
Pro
du
ctio
n R
un
Cre
w
Cor
dero
Ace
vedo
A
ndre
w
Boy
le
Chr
isto
pher
S
antil
li
Ro
ber
t W
hit
man
P
assp
ort
A d
arin
g fr
ankn
ess
and
irrev
eren
ce t
owar
d ae
sthe
tic c
onve
ntio
n an
d re
finem
ent
have
bee
n pr
omin
ent
trai
ts o
f ar
tist
Rob
ert
Whi
tman
's t
heat
rical
wor
k. A
n ou
tsta
ndin
g
prop
onen
t of
the
rob
ust
mul
tidis
cipl
inar
y ac
tiviti
es t
hat
flour
ishe
d du
ring
the
1960
s,
Whi
tman
sou
ght
to r
adic
aliz
e pr
esup
pose
d de
finiti
ons
of m
ediu
m t
o co
ncei
ve o
f an
artis
tic p
rogr
am t
hat
inte
grat
ed
pain
ting
and
scul
ptur
e w
ith J
ive
actio
ns,
colla
ge a
nd
draw
ing,
slid
es,
and
Sup
er 8
film
pro
ject
ions
. E
mer
ging
alo
ngsi
de a
rtis
ts s
uch
as
Geo
rge
Bre
cht ,
Jim
Din
e, A
llan
Kap
row
, C
laes
Old
enbu
rg,
and
Luca
s S
amar
as,
he o
rche
stra
ted-
thro
ugh
loos
ely
orga
nize
d sc
ores
tha
t no
tate
d ac
tion
in s
eque
nces
of u
ncan
ny i
mag
ery-
eve
nts
perf
orm
ed b
y am
ateu
r ac
tors
aga
inst
bac
kdro
ps o
f ad
hoc
prop
s.
Whi
tman
's e
arlie
st p
erfo
rman
ces,
whi
ch w
ere
orig
inal
ly s
tage
d in
New
Yor
k at
art
ist
run
colla
bora
tive
spac
es s
uch
as R
eube
n G
alle
ry, 9
Gre
at J
ones
Str
eet,
and
the
galle
ry a
t Ju
dson
Chu
rch,
tran
scen
ded
the
boun
darie
s of
tra
ditio
nal
thea
ter
and
ques
tione
d th
e di
scip
linar
y re
stra
ints
of
the
visu
al a
rts
to o
ffer
spec
tato
rs a
n un
rele
ntin
g
expe
rienc
e dr
iven
mor
e by
sta
ged
actio
n th
an b
y na
rrat
ive
sim
ulat
ion.
In
such
wor
ks
as T
he A
mer
ican
M
oon
(196
0),
Flo
wer
(19
63),
an
d H
ole
(196
3),
Whi
tman
opt
ed t
o
susp
end
mim
icry
in
exch
ange
for
im
med
iacy
and
inf
orm
ality
. 'A
lot
of
wha
t I d
o co
mes
out
of t
he t
radi
tions
of
ent
r'act
e th
eate
r, t
he p
erfo
rman
ces
give
n be
twee
n th
e ac
ts o
f
a pl
ay,"
the
artis
t re
calls
. 'A
nd i
t co
mes
dire
ctly
out
of
Bus
ter
Kea
ton
and
sile
nt f
ilms.
"1
The
con
stru
ctio
n of
a th
eate
r of
int
erm
issi
ons
and
tran
sien
t im
ager
y in
trod
uced
new
liber
ties
that
sub
ordi
nate
d th
e rig
idity
of
a tig
htly
wov
en s
crip
t.
Pas
spor
t, W
hitm
an's
mos
t re
cent
the
atric
al w
ork,
is
to b
e pe
rfor
med
sim
ulta
neou
sly
in tw
o se
tting
s, o
ne i
ndoo
rs a
nd a
noth
er o
utdo
ors,
loc
ated
six
ty-f
ive
mile
s ap
art.
The
doub
ling
of l
ocat
ion
and
audi
ence
reg
iste
rs W
hitm
an's
con
cern
s fo
r qu
estio
ns o
f
pres
ence
and
tra
nsm
issi
on-is
sues
al
so r
ecen
tly e
xplo
red
in L
ocal
Rep
ort
(200
5).
Per
form
ed a
gain
st a
bac
kdro
p of
pro
ject
ed i
mag
es g
ener
ated
in
rea
l tim
e an
d m
edi
ated
thr
ough
aud
io a
nd v
ideo
bro
adca
stin
g, w
ebca
stin
g, a
nd d
igita
l tr
ansm
issi
on,
Pas
spor
t de
ploy
s a
plet
hora
of
impr
ompt
u an
d ar
bitr
ary
actio
ns l
inke
d by
a s
et o
f
twen
ty-t
wo
even
ts t
hat
revi
ve s
ome
of t
he a
rtis
t's s
igna
ture
mot
ifs,
incl
udin
g w
ater
,
fire,
a h
orse
, whi
te s
hirt
s, a
boa
t, an
d th
e m
oon.
The
sco
re,
deve
lope
d fr
om a
ser
ies
of i
nk s
ketc
hes
with
few
not
atio
ns,
focu
ses
on v
ario
us e
lem
ents
of
the
perf
orm
ance
,
such
as
the
bodi
es o
f th
e pe
rfor
mer
s, o
bjec
ts,
and
the
enig
mat
ic s
cena
rios
to b
e
enac
ted
in th
e K
asse
r T
heat
er i
n M
ontc
lair,
New
Jer
sey,
and
on
the
Hud
son
river
fron
t
in B
eaco
n, N
ew Y
ork.
The
out
door
mis
e-en
-sce
ne
rene
ws
Whi
tman
's p
redi
lect
ion
for
natu
ral
setti
ngs,
lik
e th
e po
nds
and
park
s of
the
ear
lier
thea
ter
wor
ks S
toun
d (1
980)
,
1 l
mou
nted
in
the
woo
ds o
f S
tate
n Is
land
, and
in
A W
alk
in t
he P
ark
(198
1 ),
per
form
ed
in th
e U
nder
cliff
s ar
ea o
f P
alis
ades
Int
erst
ate
Par
k. W
hitm
an's
not
ion
of a
n ex
pand
ed
stag
e th
at i
ncor
pora
tes
the
spon
tane
ity o
f na
ture
-the
ra
ndom
sou
nds
and
pres
ence
of a
nim
als,
the
poss
ibili
ty o
f w
ind
and
rain
, for
exa
mpl
e-pa
rtia
lly
dete
rmin
es a
nd
cons
truc
ts
the
wor
k's
chor
eogr
aphy
.
Unl
ike
pref
abric
ated
foo
tage
, w
hich
can
be
stric
tly c
ontr
olle
d, t
he v
isua
l im
ager
y an
d
soun
d tr
acks
of
Pas
spor
t en
gage
a r
eper
toire
of
chan
ce w
hen
proj
ecte
d in
rea
l tim
e
at t
he r
espe
ctiv
e si
tes,
thus
ren
derin
g a
land
scap
e of
opp
osin
g re
aliti
es.
The
tw
o
loca
tions
neg
ate
any
prim
acy
of s
ourc
e; e
ach
site
is
both
sou
rce
and
rece
iver
,
as th
e ar
tist
stat
es,
'a m
assi
ve c
ente
r fo
r im
ages
tha
t co
me
in fr
om s
omew
here
els
e
and
show
som
ethi
ng c
ompl
etel
y el
se."2
The
var
iabi
lity
of t
he p
roje
cted
set
tings
-the
back
drop
s at
eac
h lo
catio
n fo
r W
hitm
an's
im
prov
ised
and
unp
redi
ctab
le a
ctio
ns
unde
rpla
y th
e m
etic
ulou
sly
engi
neer
ed t
echn
olog
y th
at c
hann
els
the
uned
ited
foot
age
from
one
site
to
the
othe
r. W
hitm
an h
as c
onsc
ious
ly i
nteg
rate
d ad
vanc
ed t
echn
olog
ies
in h
is w
ork
sinc
e 19
66,
whe
n he
, tog
ethe
r w
ith B
illy
Klu
ver,
Rob
ert
Rau
sche
nber
g,
and
Fre
d W
aldh
auer
, fou
nded
E
xper
imen
ts i
n A
rt a
nd T
echn
olog
y (E
AT
.).
The
tech
nolo
gy
impl
emen
ted
in P
assp
ort
mak
es p
ossi
ble
the
fusi
ng o
f ac
tual
and
virt
ual
even
ts a
nd t
he t
rans
form
atio
n of
ord
inar
y rit
uals
fro
m e
very
day
life
into
mak
e-be
lieve
appa
ritio
ns o
n th
e bo
rder
line
of t
he p
hant
asm
atic
and
mira
culo
us.
Whi
tman
's c
orpo
real
im
prov
isat
ions
and
com
plex
im
ager
y ex
posi
ng a
n in
timat
e an
d
prim
al s
tate
of
refle
ctio
n in
vite
s vi
sual
cog
nitio
n. A
cal
ibra
ted
and
irrep
rodu
cibl
e ev
ent,
Pas
spor
t is
a d
emoc
ratic
pl
ay in
that
it
intr
oduc
es a
dia
logu
e be
twee
n th
e op
tical
and
the
expe
rient
ial,
gran
ting
both
equ
al f
ootin
g as
pre
senc
e. T
he e
vent
s un
fold
ing
indo
ors
as w
ell
as o
utdo
ors
dem
and
a pe
rcep
tual
exe
rcis
e th
at s
urpa
sses
dic
hoto
mie
s
of r
ealit
y an
d fic
tion,
tru
th a
nd l
ie, m
irror
and
sha
dow
to
inve
stig
ate
time
beyo
nd t
he
limits
of
geog
raph
ic
dem
arca
tion.
By
inte
grat
ing
live
foot
age,
Whi
tman
bid
s th
e vo
latil
e
and
rand
om a
nd r
elin
quis
hes
disc
rete
nar
rativ
es i
n fa
vor
of a
pro
duct
ion
in w
hich
mul
tiple
mes
sage
s co
llide
to
form
a m
yria
d of
rel
atio
ns b
etw
een
obje
cts
and
even
ts.
Yas
mil
Ray
mon
d, c
urat
or
no
tes
1. R
ober
t W
hitm
an, q
uote
d in
"C
hron
olog
y,' i
n R
ober
t W
hitm
an: P
layb
ack
(New
Yor
k: D
ia A
rt F
ound
atio
n,
2003
),
p. 2
04.
2. R
ober
t W
hitm
an,
artis
t st
atem
ent,
Feb
ruar
y 10
, 201
1,
arch
ive
of D
ia A
rt F
ound
atio
n.
bio
gra
ph
y
Ro
ber
t W
hit
man
w
as b
orn
in N
ew Y
ork
City
in
1935
. H
e re
ceiv
ed a
BA
in
Eng
lish
liter
atur
e fr
om R
utge
rs U
nive
rsity
in 1
957
and
stud
ied
art
hist
ory
at C
olum
bia
Uni
vers
ity i
n 19
58.
He
bega
n in
the
late
195
0s t
o pr
esen
t pe
rfor
man
ces,
inc
ludi
ng
the
pion
eerin
g w
orks
The
Am
eric
an
Moo
n (1
960)
an
d P
rune
F
lat
(196
5),
as w
ell
as to
exh
ibit
his
mul
timed
ia w
ork
in s
ome
of N
ew Y
ork'
s m
ore
influ
entia
l ve
nues
for
show
ing
new
wor
k, s
uch
as th
e H
ansa
, Reu
ben,
Mar
tha
Jack
son,
and
Sid
ney
Jani
s ga
llerie
s. I
n 19
66,
Whi
tman
cof
ound
ed,
with
eng
inee
rs B
illy
Klu
ver
and
Fre
d
Wal
dhau
er a
nd a
rtis
t R
ober
t R
ausc
henb
erg,
Exp
erim
ents
in
Art
and
Tec
hnol
ogy
(EA
T.)
, a
foun
datio
n th
at p
rovi
ded
artis
ts w
ith a
cces
s to
tec
hnol
ogy
thro
ugh
colla
bora
tions
with
eng
inee
rs a
nd s
cien
tists
. H
is o
ne-p
erso
n ex
hibi
tions
hav
e be
en
pres
ente
d at
suc
h ve
nues
as
the
Jew
ish
Mus
eum
, N
ew Y
ork
(196
8),
the
Mus
eum
of
Con
tem
pora
ry A
rt,
Chi
cago
(19
68),
the
Mus
eum
of
Mod
ern
Art
, N
ew Y
ork
(197
3),
and
Pac
eWild
enst
ein
Gal
lery
, New
Yor
k (1
995,
19
97,
2004
, an
d 20
07).
H
e ha
s
pres
ente
d th
eate
r w
orks
in
vario
us E
urop
ean
venu
es, i
nclu
ding
the
Mod
erna
Mus
eet,
Sto
ckho
lm (
198
7 an
d 19
89),
the
Cen
tre
Pom
pido
u, P
aris
(20
01
and
2002
), a
nd
the
New
Med
ia F
estiv
al in
Lee
ds,
Eng
land
(20
04).
D
ia A
rt F
ound
atio
n or
gani
zed
a
retr
ospe
ctiv
e of
his
thea
ter
wor
ks i
n 19
76,
and,
in 2
003,
pre
sent
ed "
Pla
ybac
k," a
n
exhi
bitio
n br
ingi
ng t
oget
her
a se
lect
ion
of k
ey w
orks
fro
m t
he e
arly
196
0s t
o la
te
1970
s sp
anni
ng v
ario
us m
edia
, inc
ludi
ng p
rese
ntat
ions
of
Ligh
t T
ouch
( 1
976)
and
Pru
ne
Fla
t. In
200
5, W
hitm
an l
aunc
hed
Loca
l R
epor
t, fiv
e liv
e pe
rfor
man
ces
held
on
succ
essi
ve w
eeke
nds
at f
ive
loca
tions
aro
und
New
Yor
k C
ity i
n w
hich
par
ticip
ants
used
cel
l ph
ones
to
crea
te a
nd s
end
shor
t vi
deos
and
sou
nd r
epor
ts f
rom
the
ir
area
s, th
e fin
al p
layb
ack
resu
lting
in
a m
ultis
cree
n vi
deo
and
soun
d in
stal
latio
n.
He
revi
ved
his
hist
oric
wor
k T
he A
mer
ican
M
oon
for
the
exhi
bitio
n "N
ew R
ealis
ms:
1957
-196
2"
at M
useo
Nac
iona
l C
entr
o de
Art
e R
eina
Sof
ia,
Mad
rid, i
n 20
10.
Whi
tman
is
repr
esen
ted
by th
e P
ace
Gal
lery
.
sele
cted
bib
liog
rap
hy
New
Rea
lism
s: 1
957-
1962
: O
bjec
t S
trat
egie
s B
etw
een
Rea
dym
ade
and
Spe
ctac
le.
Ed.
Jul
ia R
obin
son.
Mad
rid:
Mus
eo N
acio
nal
Cen
tro
de A
rte
Rei
na S
offa
, 20
10.
Rob
ert
Whi
tman
: Lo
cal
Rep
ort.
Ber
kele
y, N
J: E
xper
imen
ts i
n A
rt a
nd T
echn
olog
y, 2
007.
Tex
ts b
y Ju
lie M
artin
, B
ettin
a F
unck
e, S
haw
n V
an E
very
, and
Han
s-C
hris
toph
S
tein
er.
Rob
ert
Whi
tman
: T
urni
ng. N
ew Y
ork:
Pac
eWild
enst
ein,
200
7.
Inte
rvie
w b
y C
oosj
e va
n
Bru
g ge
n.
A T
heat
er w
ithou
t T
heat
er. B
arce
lona
: M
useu
d'A
rt C
onte
mpo
rani
de
Bar
celo
na,
2007
.
Sta
tem
ent
by R
ober
t W
hitm
an.
La P
rade
, E
rik. "
The
See
ing
Wor
d: A
n In
terv
iew
with
Rob
ert
Whi
tman
." B
rook
lyn
Rai
l
(Jun
e-Ju
ly
2003
).
Rob
ert
Whi
tman
: P
layb
ack.
New
Yor
k: D
ia A
rt F
ound
atio
n, 2
003.
Tex
ts b
y G
eorg
e B
aker
,
Lynn
e C
ooke
, D
avid
Jos
elit,
and
Ben
Por
tis.
Off
Lim
its:
Rut
gers
Uni
vers
ity a
nd t
he A
vant
-Gar
de,
1957
-196
3.
Ed.
Joa
n M
arte
r. N
ew
Bru
nsw
ick,
NJ:
Rut
gers
Uni
vers
ity P
ress
, in
ass
ocia
tion
with
New
ark
Mus
eum
, 19
99.
Inte
rvie
w w
ith R
ober
t W
hitm
an b
y Jo
seph
Jac
obs.
Pal
isad
e: R
ober
t W
hitm
an.
Yon
kers
, N
Y:
Hud
son
Riv
er M
useu
m,
1979
. In
terv
iew
by
Bar
bara
Ros
e.
Ros
e, B
arba
ra.
"Con
side
ring
Rob
ert
Whi
tman
." I
n P
roje
cted
Im
ages
: P
eter
Cam
pus,
Roc
kne
Kre
bs,
Pau
l S
harit
s, M
icha
el S
now
, T
ed V
icto
ria, R
ober
t W
hitm
an.
Min
neap
olis
: W
alke
r
Art
Cen
ter,
197
4.
Kirb
y, M
icha
el.
The
Art
of
Tim
e: E
ssay
s on
the
Ava
nt-G
arde
. N
ew Y
ork:
E. P
. Dut
ton,
196
9.
"Rob
ert
Whi
tman
." I
nter
view
by
Ric
hard
Kos
tela
netz
. In
The
The
atre
of
Mix
ed M
eans
: A
n
Intr
oduc
tion.
By
Ric
hard
Kos
tela
netz
. N
ew Y
ork:
Dia
l P
ress
, 19
68.
Rob
ert
Whi
tman
: 4
Cin
ema
Pie
ces.
Chi
cago
: M
useu
m o
f C
onte
mpo
rary
Art
, 19
68.
Tex
t by
Jan
van
der
Mar
ek.
Whi
tman
, R
ober
t. "S
ound
for
4 C
inem
a P
iece
s."
Chi
cago
: M
useu
m o
f C
onte
mpo
rary
Art
,
1968
. E
vaT
one
Sou
ndsh
eet.
Kirb
y, M
icha
el.
Hap
peni
ngs:
An
Illus
trat
ed A
ntho
logy
. N
ew Y
ork:
E. P
. Dut
ton,
196
5.
Sta
tem
ent
by R
ober
t W
hitm
an.