robyn fleming, metropolitan museum of art, aimee lind, getty research institute, usa no *art*...
TRANSCRIPT
No *Art* Library Left Behind: Cross-Border Resource Sharing Among Art Libraries ROBYN FLEMING, THOMAS J. WATSON LIBRARY, THE METROPOLITAN MUSEUM OF ART
AIMEE LIND, GETTY RESEARCH LIBRARY
2017IFLAINTERNATIONALINTERLENDINGANDDOCUMENTSUPPLYCONFERENCE
Presentation Overview • Introduction:TheMetandGettyLibraries
• CharacteristicsUniquetoArtLibraries
• ResourceSharingAmongArtLibrariesintheUnitedStates
• ModelsforInternationalResourceSharingAmongArtLibraries
• ContinuingChallengesandPotentialSolutions
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Introduction THE MET AND GETTY LIBRARIES
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Art Museum Libraries in the United States “Anamplyendowed,thoroughlyconstructedartinstitution,freealikefrombunglinggovernmentofficialsandfromthecontrolofasingleindividual...;aninstitutionwhichwillcommandtheconfidenceofjudiciousfriendsofart,andespeciallyofthosewhohavemeanstostrengthenandincreaseitsvaluetothecityandtothenation,issurelyworthconsiderationinaclublikethis.”
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MeetingattheUnionLeagueClubtodiscussthefoundingofanartmuseuminNewYork,1869
Thomas J. Watson Library: History • 1870:MetropolitanMuseumincorporatedforthepurpose“ofestablishingandmaintaining…amuseumandlibraryofart…”
• 1901:JacobRogersfund($5m)forartandbooks;collectingflourished
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Thomas J. Watson Library: History • 1910:librarymovedtoitscurrentlocation
• DesignedbyMcKim,MeadandWhite
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Thomas J. Watson Library: History • 1965:substantiallyenlargedandrenamedtheThomasJ.WatsonLibrary
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Thomas J. Watson Library: The Collection • 1,000,000volumes• 21,000serialtitles• 136,000auctioncatalogs• 20,000artistfiles• 10,000volumesinRareBookcage
• 30physicallocations
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Thomas J. Watson Library: The Collection • ReflectsMuseum’sencyclopedicscope(5,000yearsofartfromallcultures)
• SupportscurrentandfutureresearchactivitiesofMuseumstaff
• Corestrengths:• Fineanddecorativearts• Materialculture• Armsandarmor• Fashionandcostume• Musicalinstruments• Auctionandtradecatalogs• Earlyartists’manualsandhandbooks• Examplesoffineprinting
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Getty Research Library: History • 1954:J.PaulGettyopensmuseumathisMaliburanchhouse(~2000bookcuratoriallibrary)
• 1970s:Villamuseumopens;librarygrowsto14,000titles
• 1976:Gettydies;leavesbulkofestatetoJ.PaulGettyTrust
• 1982/83:Bequestreceived;GettyResearchInstituteconceivedwithlibraryascorecomponent
• 1985:ResearchInstitute&LibraryopeninSantaMonica,CA
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Getty Research Library: History • ThreeResourceCollectionsbuilt:GeneralCollections,PhotoArchive,ArchivesoftheHistoryofArt
• ScholarlyLibraries:UlrichMitteldorf,NikolausPevsner,SirEllisWaterhouse,WilhelmArntz,JeanBrown,amongothers
• 1986:over500,000items
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The Getty Center • 1997:GettyResearchInstituteisunitedwithotherprograms(Museum,ConservationInstitute,Foundation)attheRichardMeier-designedGettyCenter
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Getty Research Library: The Collection • Over1,400,000volumesofgeneralcollectionsbooks,serials,andauctioncatalogs
• Over50,000rarebooks
• Over15,000rareserials• Over20,000linearft(6kms)ofarchives,manuscripts,andarchitecturaldrawings
• Over22,000singleprintsanddrawingsinalbums/collections
• Over1,000collectionsofrarephotographs• Over1.8millionstudyphotographs
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Getty Research Library: The Collection • Corestrengths:• Architecturaldrawingsandmodels• Archivesofartdealersandgalleries• Artisticbiographiesandtreatises• Artists’journals,letters,sketchbooks,andteachingmaterials
• Earlyguidebooksandtravelliterature• Emblembooks• Festivalbooksandprints• Librariesandpapersofnotablearthistorians,critics,artists,architects,photographers,designers,collectors,andpublicinstitutions
• Primarymaterialsforthehistoryof19th/20thc.artistic&intellectualmovements
• Notablerecentacquisitions:• HaraldSzeemannPapers• M.Knoedler&Co.Records• FrankGehryPapers
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Characteristics Unique to Art Libraries
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Typical Art Library Users
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Archaeologists Curators
Architects Designers
ArchitecturalHistorians Fashion/CostumeHistorians
ArtCollectors FilmHistorians
ArtCritics Filmmakers
ArtDealers Historians
ArtEnthusiasts Journalists/Writers
ArtHistorians MuseumVisitors
Artists Preservationists
Conservators TourGuides
What Sets Art Libraries Apart? GENERALHUMANITIESRESEARCH
• CriticalTheory• Historiography
• Methodology
• PrimarySource/Archival/Object-based
ART-LIBRARYSPECIFIC
• Connoisseurship• Conservation/ScientificAnalysis
• Iconography/Symbols(signatures,marks,etc.)
• VisualResources:forstudyandauthentication
• ProvenanceResearch:businessofart,curatorial
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Visual Resources • Usedtostudychangesover
time
• Importantprovenanceresearchtools
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Provenance Resources • Tracepathofanartwork
overtime
• Helpproveownership,authorship,authenticity
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Art Library Materials Albums ConservationLiterature MaterialsResearchReports
ArchaeologicalReports EmblemBooks MaterialsSamples
ArchitecturalDrawings Ephemera ModelsArt,Architecture&DesignJournals EthnographicStudies OralHistories
ArtistFiles/VerticalFiles ExhibitionCatalogues PictureCollections
ArtistMonographs Facsimiles PriceGuides
Artists’Books FestivalBooks Salons/Biennials/InternationalExpositions
AuctionCatalogues HistoricalGuidebooks&Maps Technical/TradeManuals
CataloguesRaisonnés Manuscripts VideoArt
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Resource Sharing AMONG ART LIBRARIES IN THE UNITED STATES
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Types of Art Libraries ARTMUSEUMLIBRARIES• TheMetropolitanMuseumofArt
• ArtInstituteofChicago
INDEPENDENTARTRESEARCHINSTITUTELIBRARIES• GettyResearchInstitute• WinterthurLibrary
UNIVERSITY/COLLEGEARTDEPARTMENTLIBRARIES
• HarvardFineArtsLibrary• CornellFineArtsLibrary
ARTSECTIONSOFMAJORPUBLIC/GOVERNMENTLIBRARIES
• NewYorkPublicLibrary• SmithsonianInstitution
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Interlibrary Loan Fee Management (IFM) • DonotpayseparateILLfeesforeachrequest• NetborrowingandlendingfeestalliedmonthlybyOCLC
• Eliminatesstressofcurrencydifferences
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SHARES Consortium • Over100researchlibrariesprimarilyfromtheUS,Canada,UK• HoldingsinWorldCat
• 80,000ILLtransactionsperyear
• Requestsprioritizedandexpedited• LowfeesviaIFM:• $10non-returnables• $10returnablessamecontinent• $30returnablesoverseas
• Highleveloftrust
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SHARES Art to Art • NoILLfees• Considerlendingnon-circulating,rare,fragile,etc.items
• Flexiblere:“LibraryUseOnly”• Highestlevelsoftrust
MEMBERS• ArtInstituteofChicago• BardGraduateCenter• Sterling&FrancineClarkArtInstitute• ClevelandMuseumofArt• FrickCollectionArtReferenceLibrary• GettyResearchInstitute• MetropolitanMuseumofArt• MuseumofFineArts,Houston• NationalGalleryofArt• Nelson-AtkinsMuseumofArt• St.LouisArtMuseum• WinterthurMuseumLibrary
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ILL Borrowing at The Met and the Getty BORROWINGPOLICIES PRIMARYILLUSERS
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• AnyonewithstaffIDiseligible• TheMet:~450activeusers• Getty:~300activeusers
• Norequestlimitperuser
• Nocostlimitperrequest
• Usersnotrequiredtoconsultlocallibrariesfirst
• ILLstaffexhaustallpossiblesourcesbeforecancelling
Curators
VisitingScholars
Conservators
Scientists
ResearchAssistants
Interns
ILL Borrowing at The Met and the Getty WATSONLIBRARYRequestsfilled:14,341(2,900/yr)*
GETTYRESEARCHLIBRARY:Requestsfilled:23,040(4,600/yr)*
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ILL Lending at The Met and the Getty LENDINGPOLICIES
• CirculateviaILLinordertohaveborrowingprivileges
• “LibraryUseOnly”• Strictshippingrequirements
• Notransactionfeestoartlibraries;$20-$35or2-3IFLAtoothernon-SHARESlibraries
• Watsondeflectsrequestsfromnon-SHARESlibraries;Gettyacceptsallincomingrequests
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ILL Lending at The Met and the Getty: Non-Circulating WATSONLIBRARY
• Mostcuratorialdepartmentbooks• Offsite(unlessSHARESlastresort)• Auctioncatalogs• Periodicals• SpecialCollections
GETTYRESEARCHLIBRARY
• SpecialCollections
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BothofferscanswheneverpossibleBothdigitizebooksinthepublicdomainondemand
ILL Lending at The Met and the Getty: SHARES WATSONLIBRARYRequestsreceived:16,360(3,272/yr)RequestsfilledthroughILL:7,453(2,886/yr)
GETTYRESEARCHLIBRARY:Requestsreceived:49,167(9,833/yr)RequestsfilledthroughILL:25,527(5,505/yr)
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ILL Lending at The Met and the Getty: Beyond SHARES WATSONLIBRARY GETTYRESEARCHLIBRARY:
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Models for International Resource Sharing among Art Libraries
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Local Art Library Initiatives: Digitization on Demand
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Local Art Library Initiatives: Open Content/Open Access • GettyOpenContentProgram:over100,000images
• MetOpenAccessforScholarlyContent(OASC):over400,000images
• GettyVirtualLibrary:175backtitlespublishedbytheGetty,freelyavailableonline
• MetPublications:over1,600titlespublishedbyTheMetfreelyavailableonline• WatsonLibrary’sMetropolitanMuseumofArtPublicationsprojectaimstoenhanceandsupplementMetPublications,with2,200titlesonlinetodate
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Collaborative Art Library Initiatives: Discovery & Access • SCIPIO:SalesCatalogueIndexProject• ArtDiscoveryGroupCatalogue
• GettyResearchPortal• DigitalCicognaraProject
• PHAROS:PhotoArchivesResource
• ProvenanceProjects:• DigitizationInitiatives• GettyProvenanceIndexDatabases
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Collaborative Art Library Initiatives: SCIPIO (1980-Present) • SalesCatalogIndexProjectInputOnline(SCIPIO)
• Databaseofrecordsfrom25USandEuropeanartlibraries
• Over300,000auctioncatalogrecordscoveringsalesfromlate16thcenturytothepresent.
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Collaborative Art Library Initiatives: Art Discovery Group Catalogue (2014-Present)
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• GrewoutofArtlibraries.net• Containsholdingsof46individualartlibrariesand2networks(IRISandKUBIKAT)
• Representsartlibrariesin15countrieson5continents
• http://artdiscovery.net/
Collaborative Art Library Initiatives: Getty Research Portal (2012-Present)
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• Freeonlinesearchplatformforfullydigitizedarthistoricaltexts
• Currently103,168titlesfrom25institutions
• Top5contributorstodate:Gallica,Getty,Heidelberg,INHA,Met
• http://portal.getty.edu/
Collaborative Art Library Initiatives: Digital Cicognara Library (2015-Present)
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• Open-accessdigitizedcopiesofbooksrepresentingthecollectionofCountLeopoldoCicognara
• 5000earlyimprintscomprisingfoundationalliteratureofartandarchaeology
• https://cicognara.org/
Collaborative Art Library Initiatives: PHAROS (2013-Present)
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• Internationalconsortiumof14EuropeanandNorthAmericanarthistoricalphotoarchives
• Digitalresearchplatformprovidingaccesstotensofmillionsofphotoarchiveimagesandassociatedscholarlydocumentation
• http://pharosartresearch.org/
Provenance Initiatives: Gallery/Dealer Archives Digitization Projects
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• M.Knoedler&Co.• exhibitioncatalogs,pamphlets,andchecklists(1869-1946)• 898exhibitioncatalogs,pamphlets,checklists,andunpublishedmaterials(1869-1946)
• DuveenBrothers• 400reelsofmicrofilmand634linearfeetofrecordsfromDuveenBrothersstockdocumentation
• BrummerGallery• 16,000objectstockcards,4000addresscards,inventoryandledgers,photographs,businessandpersonalcorrespondence
Provenance Initiatives: Getty Provenance Index Databases
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Over1.7millionrecordstranscribedrecordsfrom:
• ArchivalInventories
• SalesCatalogues• DealerStockBooks
• PaymentstoArtists
• PublicCollectionshttp://www.getty.edu/research/tools/provenance/
NetworkdiagramofagentsconnectingtheBritish,French,Dutch,andBelgianauctionmarketsfrom1801–20using230,000recordsfromtheGettyProvenanceIndex®databases.©J.PaulGettyTrustandMaximilianSchich
Continuing Challenges and Potential Solutions FOR INTERNATIONAL RESOURCE SHARING AMONG ART LIBRARIES
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Continuing Challenges • Participation• InstitutionalCulture• FinancialBurdens• Geography
• Shippinglogisticsandcosts
• Payment
• Copyright
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Challenge: Participation RE:INSTITUTIONALCULTURE
• Non-circulatingcollections• “Wedon’tparticipateininternationalILL”
POTENTIALSOLUTIONS
• Non-circulating≠non-lending• Usetrustednetwork• “LibraryUseOnly”
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Challenge: Participation RE:FINANCIALBURDENS
• Consortiumfees• Transactionfees• Shippingfees
POTENTIALSOLUTIONS
• Tieredpricing• Sponsorships• Collaborativegrants
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Challenge: Participation RE:GEOGRAPHY
POTENTIALSOLUTIONS:
• Regionalarthubs?
• ArtLibrariesDiscoveryGroupasILLconsortium?
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Solutions: Shipping Logistics • Extensiveshippingtreatmentonlyonbooksthattrulyneedit
• Developinternationalshippingmethodsthatareconvenientandeconomical
• Digitizeondemand
• Offertopayextraifexpensiveshippingisrequired
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Challenge: Payment
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“Pleasecancelthisorder.Wecannotauthorizeabanktransferfromdollarstoeurosforsuchasmallamountofmoney.”(5,53euros!)
“Aninvoicemustbesignedandreturnedwithpaymentinpoundssterlingbeforecopiescanbemade.WedonotacceptIFLAvouchersorchequesinforeigncurrency.”
Solutions: Payment • Eliminatewiretransfers!!
• Eliminatepaymentinlocalcurrencies
• UseIFLAvouchers,Paypal,creditcards,IFM,etc.
• EliminateILLtransactionfeesaltogether?!
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Challenge: Copyright Patron: “IwanttoseeifthisissomethingdifferentthantheexhibitioninvitationthatisinWatson'scollection.”
Library’sresponse: “Theitemyouhaverequestedcomprises1sheetfoldedtoform6pages.Thepamphletcomprisesashorttextby[author]andassuchisacompleteworkbyasingleauthorstillincopyrightin[thiscountry].Thismeansthatweareunabletosupplythecompleteworkwithoutthepermissionofthecopyrightowner.”
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Solutions: Copyright • Assessrealrisk:“What’stheworstthatcouldhappen?”
• Forminternationalworkinggroupstostudypublicdomainandfairuseforlibraries
• Durationator(TulaneUniversity):http://www.limitedtimes.com/
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Conclusions • Challengescanbecomeopportunitiesforcost-sharing,collaboration,oragreementonbestpractices
• Rethinkwhatitmeanstobeanon-circulatingcollection
• Collaborative,cross-border,[possibly]grant-fundedinitiativeshavemuchgreaterreachandimpactthananysingleILLtransaction
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Thank you! ROBYN FLEMING: robyn.f [email protected]
AIMEE LIND: al [email protected]
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