romanticism and realism: a comparison michael butterworth

13
Romanticism and Realism: A Comparison Michael Butterworth

Upload: gerard-carpenter

Post on 25-Dec-2015

245 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Romanticism and Realism: A Comparison Michael Butterworth

Romanticism and Realism: A Comparison

Michael Butterworth

Page 2: Romanticism and Realism: A Comparison Michael Butterworth

John Keats 1795-1921England

EndymionOde on a Grecian Urn

To a Nightengale

Page 3: Romanticism and Realism: A Comparison Michael Butterworth

“When I Have Fears”• When I have fears that I may cease to be

Before my pen has glean'd my teeming brain,Before high-piled books, in charactery,Hold like rich garners the full ripen'd grain;When I behold, upon the night's starr'd face,Huge cloudy symbols of a high romance,And think that I may never live to traceTheir shadows, with the magic hand of chance;And when I feel, fair creature of an hour,That I shall never look upon thee more,Never have relish in the faery powerOf unreflecting love;--then on the shoreOf the wide world I stand alone, and thinkTill love and fame to nothingness do sink

Page 4: Romanticism and Realism: A Comparison Michael Butterworth

• Preoccupied with love• Wondering about his fate. He knows he is

going to die: “And think that I might never live to trace their shadows…”

Page 5: Romanticism and Realism: A Comparison Michael Butterworth

Henrik IbsenNorway

A Doll’s HouseGhosts

Enemy of the People

Page 6: Romanticism and Realism: A Comparison Michael Butterworth

From An Enemy of the People• Petra. You don't understand me. The burden of this story is that there is a

supernatural power that looks after the so-called good people in this world and makes everything happen for the best in their case—while all the so-called bad people are punished.

• Hovstad. Well, but that is all right. That is just what our readers want.• Petra. And are you going to be the one to give it to them? For myself, I do not

believe a word of it. You know quite well that things do not happen so in reality.

• Hovstad. You are perfectly right; but an editor cannot always act as he would prefer. He is often obliged to bow to the wishes of the public in unimportant matters. Politics are the most important thing in life—for a newspaper, anyway; and if I want to carry my public with me on the path that leads to liberty and progress, I must not frighten them away. If they find a moral tale of this sort in the serial at the bottom of the page, they will be all the more ready to read what is printed above it; they feel more secure, as it were.

• Petra. For shame! You would never go and set a snare like that for your readers; you are not a spider!

Page 7: Romanticism and Realism: A Comparison Michael Butterworth

• Talking about media and politics, language is simpler and direct.

Page 8: Romanticism and Realism: A Comparison Michael Butterworth

Henry Fuseli The NightmareSwitzerland 1781

Page 9: Romanticism and Realism: A Comparison Michael Butterworth
Page 10: Romanticism and Realism: A Comparison Michael Butterworth

William-Adolphe Bouguereau The Nutgathers France1882

Page 11: Romanticism and Realism: A Comparison Michael Butterworth
Page 12: Romanticism and Realism: A Comparison Michael Butterworth

Involves all the arts

Cares about everyday people.

Romanticism Realism

Page 13: Romanticism and Realism: A Comparison Michael Butterworth

Works Cited