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Art, design & Visual CultureNew Titles and Key Backlist 2010

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Art, design & Visual CultureNew Titles and Key Backlist 2010

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ContACts

ContentsModern Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Art History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Visual Culture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10Aesthetics and Philosophy of Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18Gender and Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21Fashion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23Arts Management and Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25Routledge Paperbacks Direct . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26Order Form . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Back of Catalog

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modern art

modern art

new

Contemporary British ArtAn Introduction

Grant Pooke, University of Kent, UK

Never, according to an article by the art critic Louisa Buck in the Evening Standard magazine last year, has the following quotation from US Museum Director Thomas Hoving, seemed more apt: ’Art is sexy! Art is money-sexy! Art is money-sexy-social-climbing-fantastic!’

This book will provide an introduction to British art, in all its money-sexy glory, from the YBAs to the present.

Grant Pooke’s study explores key themes in British art practice: autobiographical art, the abject, mutability and death, through a discussion of the work of key artists and art movements, including Michael Landy, Lucian Freud, Sam Taylor-Wood, Damien Hirst, Rachel Whiteread and Anthony Gormley.

A range of art forms, from painting and sculpture to video and installation art will be addressed.

September 2010: 224ppHb: 978-0-415-38973-0: $120.00Pb: 978-0-415-38974-7: $34.95

For more information, visit: www.routledge.com/9780415389747

new

Contemporary Art and the Cosmopolitan ImaginationPolitics, Ethics, Affect

Marsha Meskimmon

Contemporary Art and the Cosmopolitan Imagination explores the material and conceptual articulations of ’home’ that permeate contemporary, transnational art practices.

The questions these raise, however, are not so simple; by engaging productively with what it means to inhabit a globalised world, contemporary art participates in a critical dialogue between cosmopolitan imagination, ethical

responsibility and locational identity. That critical dialogue is the focus of Marsha Meskimmon’s new study.

The volume is structured and written through four ’architectonic figurations’: foundation, threshold, passage and landing.

Contemporary Art and the Cosmopolitan Imagination offers a challenging new direction in the current literature on cosmopolitanism, globalisation and art.

July 2010: 224ppHb: 978-0-415-46919-7: $110.00Pb: 978-0-415-46920-3: $34.95


Learning to Look at Modern ArtMary Acton

This companion volume to the author’s Learning to Look at Paintings suggests that the best way to understand modern art is to look closely at it, and to consider the different elements that make up each art work: composition, space and form, light and colour, and subject matter.

2004: 334ppHb: 978-0-415-23811-3: $110.00Pb: 978-0-415-23812-0: $25.95


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modern art

Modern Art CultureA Reader

Edited by Francis Frascina, Keele University, UK

Modern Art Culture: A Reader provides an essential resource for understanding the culture of modern art since the 1960s.

In recent years, media theorists and historians have asked whether works of imaginative art can have any impact in our image-saturated culture. Given the power of institutions, how do radical artists produce effective cultural interventions? In the aftermath of September 11th, 2001, many argue that pressing questions about works of art and their meanings are inseparable not only from contemporary social and political issues but also from major debates and developments in the last four decades.

To explore such questions and issues, the Reader is divided into six related parts with articles from journals, magazines and exhibition catalogues that exemplify important interventions from the 1960s onwards: Histories, Representations and Remembrance; Art and Visual/Mass/Popular Culture; Institutions; Inclusions/Exclusions; Bodies and Identities; Power and Permissibility.

2008: 488ppHb: 978-0-415-23151-0: $125.00Pb: 978-0-415-23152-7: $39.95


Engaging ArtThe Next Great Transformation of America’s Cultural Life

Edited by Steven J. Tepper and Bill Ivey, both at Vanderbilt University, USA

Engaging Art explores what it means to participate in the arts in contemporary society – from museum attendance to music downloading. Drawing on the perspectives of experts from diverse fields (including Princeton scholars Robert Wuthnow and Paul DiMaggio; Barry Schwartz, author of The Paradox of Choice; and MIT scholars Henry Jenkins and Mark Schuster), this volume analyzes key trends involving technology, audience demographics, religion, and the rise of ’do-it-yourself’ participatory culture.

2007: 408ppHb: 978-0-415-96041-0: $95.00Pb: 978-0-415-96042-7: $29.95eBook: 978-0-203-92750-2


Writing Back to Modern ArtAfter Greenberg, Fried and Clark

Jonathan Harris

2005: 288ppHb: 978-0-415-32428-1: $130.00Pb: 978-0-415-32429-8: $39.95eBook: 978-0-203-08703-9


2nd Edition

Modern ArtA Critical Introduction

Pam Meecham and Julie Sheldon

’Modern Art: A Critical Introduction does exactly what it says on the cover ... An excellent comprehensive introduction to the subject.’ - History of Art and Visual Culture

2004: 384ppHb: 978-0-415-28193-5: $130.00Pb: 978-0-415-28194-2: $41.95


2nd Edition

Pollock and AfterThe Critical Debate

Edited by Francis Frascina

2000: 400ppHb: 978-0-415-22866-4: $130.00Pb: 978-0-415-22867-1: $37.95


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art history

art history

Making American ArtPam Meecham, Institute of Education, University of London, UK and Julie Sheldon, Liverpool John Moore’s University, UK

Making American Art presents a thematic, interdisciplinary examination of art in the United States from the seventeenth century to the present day.

The themes and issues explored in Making American Art pull together documentary material, art works and contemporary theory to enliven what can often be a complex and geographically overwhelming history.

2008: 280ppHb: 978-0-415-42069-3: $140.00Pb: 978-0-415-42070-9: $39.95


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History as Art, Art as HistoryContemporary Art and Social Studies Education

Dipti Desai, Jessica Hamlin and Rachel Mattson, all at New York University, USA

History as Art, Art as History pioneers methods for using contemporary works of art in the social studies and art classroom to enhance an understanding of visual culture and history. The fully-illustrated interdisciplinary teaching toolkit provides an invaluable pedagogical resource—complete with theoretical background and practical suggestions for teaching U.S.

history topics through close readings of both primary sources and provocative works of contemporary art.

October 2009: 288ppHb: 978-0-415-99375-3: $150.00Pb: 978-0-415-99376-0: $47.95


Art History: The BasicsGrant Pooke, University of Kent, UK and Diana Newall

Series: The Basics

’Invaluable to the emerging art historian... refreshing and realistic... For those thinking of studying art history in the West today, this guide will serve as an invaluable signpost.’ - The Art Book

Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university.

2007: 288ppHb: 978-0-415-37309-8: $110.00Pb: 978-0-415-37308-1: $19.95


Art History: The Key ConceptsJonathan Harris

Series: Routledge Key Guides

2006: 360ppHb: 978-0-415-31976-8: $110.00Pb: 978-0-415-31977-5: $26.95eBook: 978-0-203-62719-8


Artistic CapitalDavid Galenson

2005: 304ppHb: 978-0-415-70170-9: $180.00Pb: 978-0-415-70171-6: $65.00eBook: 978-0-203-70004-4


Encyclopedia of American Folk ArtEdited by Gerard C. Wertkin

2003: 704ppHb: 978-0-415-92986-8: $235.00


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James Elkins

new

What Photography IsJames Elkins, Art Institute of Chicago, USA

In What Photography Is, James Elkins examines the strange and alluring power of photography in the same provocative and evocative manner that he explored oil painting in his best-selling What Painting Is. Elkins argues that photography is also about meaninglessness–its apparently endless capacity to show us things that we do not want or need to see–and pain–extremely powerful images that can sear into our consciousness permanently. Drawing upon a surprising range of images, Elkins demonstrates that what makes photography uniquely powerful is its ability to express the difficulty – physically, psychologically, emotionally, and aesthetically – of the act of seeing.

November 2010: 272ppHb: 978-0-415-99568-9: $120.00Pb: 978-0-415-99569-6: $27.95


Visual LiteracyEdited by James Elkins, Art Institute of Chicago, USA

What does it mean to be visually literate? Does it mean different things in the arts and the sciences? In the developed West or in developing nations? This groundbreaking collection explores what impact the new concept of ’visual literacy’ has on art history.

2007: 232ppHb: 978-0-415-95810-3: $95.00Pb: 978-0-415-95811-0: $29.95eBook: 978-0-203-93957-4


On the Strange Place of Religion in Contemporary ArtJames Elkins, Art Institute of Chicago, USA

2004: 152ppHb: 978-0-415-96988-8: $100.00Pb: 978-0-415-96989-5: $29.95


Visual StudiesA Skeptical Introduction

James Elkins, Art Institute of Chicago, USA

2003: 224ppHb: 978-0-415-96680-1: $105.00Pb: 978-0-415-96681-8: $34.95


Stories of ArtJames Elkins, Art Institute of Chicago, USA

2002: 160ppHb: 978-0-415-93942-3: $100.00Pb: 978-0-415-93943-0: $29.95


Pictures and TearsA History of People Who Have Cried in Front of Paintings


2001: 256ppHb: 978-0-415-93713-9: $95.00Pb: 978-0-415-97053-2: $29.95eBook: 978-0-203-99032-2


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art history

Our Beautiful, Dry and Distant TextsArt History as Writing


2000: 328ppPb: 978-0-415-92663-8: $29.95


NEW IN PAPERBACK

How to Use Your EyesJames Elkins, Art Institute of Chicago, USA

2000: 272ppHb: 978-0-415-92254-8: $95.00Pb: 978-0-415-99363-0: $40.00


Why Are Our Pictures Puzzles?On the Modern Origins of Pictorial Complexity


1999: 320ppHb: 978-0-415-91941-8: $105.00Pb: 978-0-415-91942-5: $29.95


What Painting IsJames Elkins, Art Institute of Chicago, USA

1998: 256ppHb: 978-0-415-92113-8: $100.00Pb: 978-0-415-92662-1: $29.95


In the Aftermath of ArtEthics, Aesthetics, Politics

Donald Preziosi and Johanne Lamoureux

Preface by Saul Ostrow

Series: Critical Voices in Art, Theory and Culture

2005: 184ppHb: 978-0-415-36230-6: $130.00Pb: 978-0-415-36231-3: $37.95


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Interpreting Art in the Museum, Gallery and BeyondChristopher Whitehead, University of Newcastle-upon-Tyne

In this carefully focussed book, Christopher Whitehead presents both a study of and guide to curatorial practices of art interpretation, including the manipulation of the physical display environment (e.g. exhibition design and lighting) and the production of supporting materials, from text panels to audioguides and interactives.

June 2010: 224ppHb: 978-0-415-41920-8: $110.00Pb: 978-0-415-41922-2: $35.95


Key Writers on Art: From Antiquity to the Nineteenth CenturyEdited by Chris Murray


2002: 288ppHb: 978-0-415-24301-8: $130.00Pb: 978-0-415-24302-5: $26.95


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Key Writers on Art: The Twentieth CenturyEdited by Chris Murray


2002: 336ppHb: 978-0-415-22201-3: $130.00Pb: 978-0-415-22202-0: $26.96


2nd Edition

Learning to Look at PaintingsMary Acton, Oxford University, UK

Learning to Look at Paintings is an accessible guide to the study and appraisal of paintings, drawings and prints. Mary Acton shows how you can develop visual, analytical and historical skills in learning to look at and understand an image by analysing how it works, what its pictorial elements are and how they relate to each other.

2008: 336ppHb: 978-0-415-43517-8: $130.00Pb: 978-0-415-43518-5: $27.95


MichelangeloAdrian Stokes

Introduction by Richard Wollheim

Series: Routledge Classics

2001: 192ppPb: 978-0-415-26765-6: $15.95


2nd Edition

Leonardo da VinciSigmund Freud

Foreword by Ernest Jones


2001: 112ppPb: 978-0-415-25386-4: $14.95


Making Art HistoryA Changing Discipline and its Institutions

Edited by Elizabeth Mansfield, University of the South, USA

Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations.

2007: 288ppHb: 978-0-415-37234-3: $140.00Pb: 978-0-415-37235-0: $43.95


Sociology of ArtA Reader

Edited by Jeremy Tanner

2003: 288ppHb: 978-0-415-30884-7: $190.00Pb: 978-0-415-30883-0: $53.95eBook: 978-0-203-63364-9


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The Archaeology of Celtic ArtD.W. Harding, University of Edinburgh, UK

More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art.

2007: 336ppHb: 978-0-415-35177-5: $120.00Pb: 978-0-415-42866-8: $45.95eBook: 978-0-203-69853-2


The New Art HistoryA Critical Introduction

Jonathan Harris

2001: 320ppHb: 978-0-415-23007-0: $120.00Pb: 978-0-415-23008-7: $33.95eBook: 978-0-203-46678-0


Understanding Early Christian ArtRobin Margaret Jensen

2000: 240ppHb: 978-0-415-20454-5: $125.00Pb: 978-0-415-20455-2: $44.95


Theories of Modernism and Postmodernism in the Visual Arts

DoubtRichard Shiff, University of Texas at Austin, USA

In an age where art history’s questions are now expected to receive answers, Richard Shiff presents a challenging alternative. In this essential new addition to James Elkins’s series Theories of Modernism and Postmodernism in the Visual Arts, Richard Shiff embraces doubt as a critical tool and asks how particular histories of art have come to be.

2007: 216ppHb: 978-0-415-97308-3: $95.00Pb: 978-0-415-97309-0: $24.95eBook: 978-0-203-92807-3


Master Narratives and their DiscontentsJames Elkins, Art Institute of Chicago, USA

2005: 200ppHb: 978-0-415-97269-7: $100.00Pb: 978-0-415-97270-3: $24.95


Ways Around ModernismStephen Bann

Stephen Bann examines the arguments for the centrality of French modernist painting.

2006: 144ppHb: 978-0-415-97421-9: $95.00Pb: 978-0-415-97422-6: $24.95


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art history

The Art Seminar

Series Edited by James Elkins, Art Institute of Chicago, USA

Re-EnchantmentEdited by James Elkins, Art Institute of Chicago, USA and David Morgan

This volume will include an introduction and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on religion and art including Thierry De Duve, Georges Didi-Huberman, Gerhard Wolff, Jack Caputo, and Jean-Luc Marion.

2008: 336ppHb: 978-0-415-96051-9: $120.00Pb: 978-0-415-96052-6: $29.95eBook: 978-0-203-89166-7


Renaissance TheoryEdited by James Elkins, Art Institute of Chicago, USA and Robert Williams

2008: 560pp Hb: 978-0-415-96045-8: $95.00Pb: 978-0-415-96046-5: $29.95eBook: 978-0-203-92986-5


Landscape TheoryEdited by Rachel DeLue, Princeton University and James Elkins, Art Institute of Chicago, USA

Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology. This book brings together more than fifty scholars from many disciplines to establish new ways of thinking about landscape in art.

2007: 376ppHb: 978-0-415-96053-3: $95.00Pb: 978-0-415-96054-0: $29.95


The State of Art CriticismEdited by James Elkins, Art Institute of Chicago, USA and Michael Newman

2007: 416ppHb: 978-0-415-97786-9: $95.00Pb: 978-0-415-97787-6: $32.95


Photography TheoryEdited by James Elkins, Art Institute of Chicago, USA

2006: 128ppHb: 978-0-415-97782-1: $95.00Pb: 978-0-415-97783-8: $29.95


Is Art History Global?Edited by James Elkins, Art Institute of Chicago, USA

2006: 128ppHb: 978-0-415-97784-5: $95.00Pb: 978-0-415-97785-2: $29.95


Art History Versus AestheticsEdited by James Elkins, Art Institute of Chicago, USA

2005: 320ppHb: 978-0-415-97688-6: $105.00Pb: 978-0-415-97689-3: $29.95


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new

The Pictorial TurnEdited by Neal Curtis, University of Nottingham, UK

In this seminal collection of essays, the first to be devoted to the ’pictorial turn’, theorists from across the humanities and social sciences, representing the disciplines of art history, philosophy, geography, media studies, visual studies and anthropology, are brought together with a paleontologist and practising artists to consider amongst other things the relation between pictures and images, the power of landscape, the nature of political images, the status of images in the natural sciences, the ’life’ of images, and the pictorial uncanny. With these topics in mind, picture theory and iconology exceed in scope the objects of visual culture conventionally understood.

June 2010: 160ppHb: 978-0-415-54982-0: $125.00


Visualizing Africa in Nineteenth-Century British Travel AccountsLeila Koivunen, University of Turku, Finland

Series: Routledge Research in Travel Writing

This study examines and explains how British explorers visualized the African interior in the latter part of the nineteenth century, providing the first sustained analysis of the process by which this visual material was transformed into the illustrations in popular travel books.

2008: 368ppHb: 978-0-415-99001-1: $95.00


Vermeer’s Family SecretsGenius, Discovery, and the Unknown Apprentice

Benjamin Binstock, Cooper Union, USA

In Vermeer’s Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeer’s work and life.

On almost every page of Vermeer’s Family Secrets, there is a perception or an adjustment that rethinks what we know about Vermeer, his oeuvre, Dutch painting, and Western Art.

Lavishly illustrated with more than 180 black and white images and

more than sixty color plates, the book also includes a remarkable color two-page spread that presents the entirety of Vermeer’s oeuvre arranged in chronological order in 1/20 scale, demonstrating his gradual formal and conceptual development. No book on Vermeer has ever done this kind of visual comparison of his complete output.

2008: 456ppHb: 978-0-415-96664-1: $45.00


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Landscapes of Holocaust PostmemoryBrett Kaplan, University of Illinois, Urbana-Champaign, USA

Series: Routledge Research in Cultural and Media Studies

How do the spaces of the past stay with us through representations—whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century.

August 2010: 192ppHb: 978-0-415-87476-2: $95.00


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visual culture

In Sight: Visual Culture

new2nd Edition

The Feminism and Visual Culture ReaderEdited by Amelia Jones, McGill University, Canada

Feminism is one of the most important perspectives from which visual culture has been theorized and historicized over the past forty years. Challenging the notion of feminism as a unified discourse, this second edition of The Feminism and Visual Culture Reader assembles a wide array of writings that address art, film, architecture, popular culture, new media and other visual fields from a feminist perspective.

Feminism is one of the most important perspectives from which visual culture has been theorized and historicized over the past forty years. Challenging the notion of feminism as a unified discourse, this second edition of The Feminism and Visual Culture Reader assembles a wide array of writings that address art, film, architecture, popular culture, new media and other visual fields from a feminist perspective.

The essays, forty percent of which are new to the second edition, are informed by the authors’ deep attention to historical, geographical, and disciplinary contexts as well as by cutting edge concerns such as globalization, diasporic cultural shifts, developments in new media technologies, and intersectional identity politics.

The Feminism and Visual Culture Reader combines classic texts with six specially commissioned pieces, all by leading feminist critics, historians, theorists, artists, and activists. Articles are grouped into thematic sections, each of which is introduced by the editor. Providing a framework within which to understand the shifts in feminist thinking in visual studies, as well as an overview of major feminist theories of the visual, this Reader also explores how issues of race, class, nationality, and sexuality enter into debates about feminism in the field of the visual.

January 2010: 592ppHb: 978-0-415-54369-9: $150.00Pb: 978-0-415-54370-5: $47.95

For more information, including a full table of contents listing visit: www.routledge.com/9780415543705

The Object ReaderEdited by Fiona Candlin, Birkbeck College, University of London and Raiford Guins, State University of New York, Stony Brook, USA

This unique collection frames the classic debates on objects and aims to generate new ones by reshaping the ways in which the object can be taught and studied, from a wide variety of disciplines and fields.

The collection, composed of twentieth and twenty-first century writing also seeks to make its own contribution through original work, in the form of twenty-five short

’object lessons’ commissioned specifically for this project.

February 2009: 576ppHb: 978-0-415-45229-8: $150.00Pb: 978-0-415-45230-4: $39.95


The Nineteenth-Century Visual Culture ReaderEdited by Vanessa R. Schwartz and Jeannene M. Przyblyski

Exploring such topics as photographs, exhibitions and advertising, this Reader brings together, for the first time, key writings about the nineteenth century, a major period in the contemporary discussion of visual culture.

2004: 432ppHb: 978-0-415-30865-6: $140.00Pb: 978-0-415-30866-3: $43.95


visual culture

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visual culture

2nd Edition

An Introduction to Visual CultureNicholas Mirzoeff

’Nicholas Mirzoeff’s new synthesis of visual culture study is a tour-de-force comparative reading that begins where most comprehensive books in the field leave off, with globalization. If, as Mirzoeff tells us in his scintillating style, visuality has alienated vision from its users, then this lively and impassioned account is certain to put readers right at

the heart of the problem with a spectrum of examples through which to work it through.’ - Lisa Cartwright, Professor of Communication and Science Studies, University of California at San Diego, USA

An Introduction to Visual Culture provides a wide-ranging introduction to the now established interdisciplinary field of visual culture.

Mapping a global history and theory of visual culture, An Introduction to Visual Culture asks how and why visual media have become so central to everyday life. This new, completely updated second edition has been adapted to match the challenges of interpreting globalization since the publication of the first edition a decade ago.

May 2009: 352ppHb: 978-0-415-32758-9: $125.00Pb: 978-0-415-32759-6: $39.95eBook: 978-0-203-39062-7


2nd Edition

The Visual Culture ReaderEdited by Nicholas Mirzoeff

2002: 776ppHb: 978-0-415-25221-8: $150.00Pb: 978-0-415-25222-5: $45.95


Bobby BakerRedeeming Features of Daily Life

Edited by Michèle Barrett, Queen Mary College, University of London, UK and Bobby Baker

’A truly beautiful book ... If only all books about contemporary performance were this good! Whether you are a life-long fan of Bobby Baker, or new to her work, this is an essential purchase.’ - Total Theatre

2007: 288ppHb: 978-0-415-44410-1: $140.00Pb: 978-0-415-44411-8: $44.95eBook: 978-0-203-93892-8


Diaspora and Visual CultureRepresenting Africans and Jews

Edited by Nicholas Mirzoeff

1999: 280ppHb: 978-0-415-16669-0: $140.00Pb: 978-0-415-16670-6: $39.95


Visual CultureEdited by Marquard Smith and Joanne Morra

Series: Critical Concepts in Media and Cultural Studies

2006: 1696ppHb: 978-0-415-32641-4: $1165.00


Installation ArtClaire Bishop

2005: 144ppPb: 978-0-415-97412-7: $42.95


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Self/ImageTechnology, Representation, and the Contemporary Subject

Amelia Jones

Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this important and original book is the first to exclusively explore how technology has affected artist’s abilities and forms to express themselves.

2006: 280ppHb: 978-0-415-34521-7: $150.00Pb: 978-0-415-34522-4: $39.95


The Practice of Public ArtEdited by Cameron Cartiere, Birkbeck College, University of London, UK and Shelly Willis, University of Minnesota, USA


’For university collections and other institutions, this important work is indispensable.’ - Joni M. Palmer, Public Art Review

2008: 286ppHb: 978-0-415-96292-6: $100.00


Watching BabylonThe War in Iraq and Global Visual Culture

Nicholas Mirzoeff

2004: 216ppHb: 978-0-415-34309-1: $120.00Pb: 978-0-415-34310-7: $29.95eBook: 978-0-203-48282-7


Digital EncountersAylish Wood, University of Kent, UK

’Aylish Wood’s argument is timely and relevant. She has offered a rich description of our rapidly changing technological environment, and of the various complex modes of engagment that are offered to us by the digital interface. Her emphasis on the material and bodily character of our ’encounters’ with digital media ... is a welcome antidote to more pessimistic accounts of digital culture.’ - Marc Furstenau, School for Studies in Art and Culture, Carleton University, Canada

2007: 200ppHb: 978-0-415-41065-6: $130.00Pb: 978-0-415-41066-3: $37.95


Multi-mediaVideo – Installation – Performance

Nick Kaye, University of Exeter, UK

Multi-media charts the development of multi-media video, installation and performance in a unique dialogue between theoretical analysis and specially commissioned documentations by some of the world’s foremost artists. Nick Kaye explores the interdisciplinary history and character of experimental practices shaped in exchanges between music, installation, theatre,

performance art, conceptual art, sculpture and video.

2007: 272ppHb: 978-0-415-28380-9: $113.00Pb: 978-0-415-28381-6: $34.00


Digital CurrentsArt in the Electronic Age

Margot Lovejoy

2004: 376ppHb: 978-0-415-30780-2: $130.00Pb: 978-0-415-30781-9: $39.95eBook: 978-0-203-00527-9


13


aesthetics and philosophy of art

American IconsThe Genesis of a National Visual Language

Benedikt Feldges


2007: 296ppHb: 978-0-415-95635-2: $100.00eBook: 978-0-203-93784-6


new

The Politics of Visual Culture in JapanVera Mackie, University of Melbourne, Australia

Series: Routledge Studies in Asia’s Transformations

Vera Mackie, a leading scholar of Japanese history, takes the original approach of using examples of the extraordinary visual culture of the last century to bring new insights into the political and cultural history of twentieth century Japan.

June 2010: 240ppHb: 978-0-415-39612-7: $150.00


new

German Colonialism, Visual Culture, and Modern MemoryEdited by Volker Langbehn, San Francisco State University, California, USA

Series: Routledge Studies in Modern European History

January 2010: 258ppHb: 978-0-415-99779-9: $95.00eBook: 978-0-203-85690-1



A Philosophical Enquiry Into the Sublime and BeautifulEdmund Burke


Edited with an introduction and notes by James T. Boulton

’One of the greatest essays ever written on art.’ – The Guardian

This is one of the most important works of aesthetics ever written. Whilst many writers have taken up their pen to write of ‘the beautiful’, Burke’s subject here was that quality he uniquely distinguished as ‘the sublime’ – an all-consuming force beyond beauty that compelled terror as much as rapture in all who beheld it.

2008: 328ppPb: 978-0-415-45326-4: $21.95For more information, visit: www.routledge.com/9780415453264

A Philosophy of Computer ArtDominic Lopes, University of British Columbia, Canada

A Philosophy of Computer Art is the first book to explore these questions. Dominic Lopes argues that computer art challenges some of the basic tenets of traditional ways of thinking about and making art and that to understand computer art we need to place particular emphasis on terms such as ‘interactivity’ and ‘user’.

August 2009: 160ppHb: 978-0-415-54761-1: $120.00Pb: 978-0-415-54762-8: $39.95eBook: 978-0-203-87234-5


14



Critical Voices in Art, Theory and Culture

Art and VentriloquismDavid Goldblatt

2005: 224ppHb: 978-0-415-37059-2: $130.00Pb: 978-0-415-37060-8: $39.95


Imagining the PresentContext, Content, and the Role of the Critic

Edited by Richard Kalina

2006: 328ppHb: 978-0-415-39146-7: $160.00Pb: 978-0-415-39167-2: $49.95


3rd Edition

Arguing About ArtContemporary Philosophical Debates

Edited by Alex Neill and Aaron Ridley, both at University of Southampton, UK

Series: Arguing About Philosophy

’A most valuable supplement to any philosophical aesthetics course, one that would enliven and freshen it up, partly by deftly engaging students.’ – The Times Higher Education Supplement

2007: 504ppHb: 978-0-415-42450-9: $150.00Pb: 978-0-415-42451-6: $39.95


Artistic CitizenshipA Public Voice for the Arts

Edited by Mary Schmidt Campbell and Randy Martin, both at New York University, USA

2006: 288ppHb: 978-0-415-97865-1: $100.00Pb: 978-0-415-97866-8: $29.95


Art and MoralityEdited by José Luis Bermúdez and Sebastian Gardner

Series: International Library of Philosophy

2006: 312ppPb: 978-0-415-26046-6: $44.95

For more information, visit: www.routledge.com/9780415260466Order Yours Today!

For simple and secure online ordering, please visit www.routledge.com/art

Or use the order form at the back of this catalog.

15



Dynamics and Performativity of ImaginationThe Image between the Visible and the Invisible

Edited by Bernd Huppauf, New York University, USA and Christoph Wulf, Free University, Berlin


In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary.

April 2009: 386ppHb: 978-0-415-99093-6: $120.00


new

Law and ArtEthics, Aesthetics, Justice

Edited by Oren Ben-Dor, University of Southampton, UK

The contributions to Law and Art address the interaction between law, justice, the ethical and the aesthetic. The exercise of the legal role and the scholarly understanding of legal texts were classically defined as ars iuris - an art of law - which drew on the panoply of humanist disciplines, from philology to fine art. That tradition has fallen by the wayside, particularly in the wake of modernism. But, as this book demonstrates, a consideration of the relationship between law and art can still bring jurisprudence, and particularly critical jurisprudence, to life.

February 2010: 288ppHb: 978-0-415-56021-4: $125.00


3rd Edition

Philosophy of the ArtsAn Introduction to Aesthetics

Gordon Graham

2005: 288ppHb: 978-0-415-34978-9: $120.00Pb: 978-0-415-34979-6: $35.95


On CriticismNoél Carroll, Temple University, USA

Series: Thinking in Action

In a recent poll of practicing art critics, seventy-five percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noél Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art.

2008: 224ppHb: 978-0-415-39620-2: $100.00Pb: 978-0-415-39621-9: $21.95eBook: 978-0-203-88112-5


Revealing ArtMatthew Kieran

2004: 296ppHb: 978-0-415-27853-9: $95.00Pb: 978-0-415-27854-6: $26.95eBook: 978-0-203-64235-1


The Art QuestionNigel Warburton

2002: 160ppHb: 978-0-415-17489-3: $105.00Pb: 978-0-415-17490-9: $22.95


The Continental Aesthetics ReaderEdited by Clive Cazeaux

2000: 640ppHb: 978-0-415-20053-0: $135.00Pb: 978-0-415-20054-7: $43.95


16



Theories of Art1. From Plato to Winckelmann

Moshe Barasch

2000: 436ppPb: 978-0-415-92625-6: $38.95


Theories of Art2. From Winckelmann to Baudelaire

Moshe Barasch

2000: 400ppPb: 978-0-415-92626-3: $39.95


Theories of Art3. From Impressionism to Kandinsky

Moshe Barasch

2000: 400ppPb: 978-0-415-92627-0: $38.95


Routledge Philosophy GuideBook to Nietzsche on ArtAaron Ridley, University of Southampton, UK

Series: Routledge Philosophy GuideBooks

2007: 208ppHb: 978-0-415-31590-6: $100.00Pb: 978-0-415-31591-3: $27.95eBook: 978-0-203-96485-9


2nd Edition

Semiotics: The BasicsDaniel Chandler, University of Wales, Aberystwyth, UK

Series: The Basics

This updated second edition provides a clear and concise introduction to the key concepts of semiotics in accessible and jargon-free language.

2007: 328ppHb: 978-0-415-36376-1: $90.00Pb: 978-0-415-36375-4: $19.95eBook: 978-0-203-01493-6


The Routledge Companion to SemioticsEdited by Paul Cobley, London Metropolitan University, UK

Series: Routledge Companions

The ideal introduction to semiotics, containing engaging essays from an impressive range of international leaders in the field. Featuring an extended glossary of key terms and thinkers as well as suggestions for further reading, this is an invaluable reference guide for students of semiotics at all levels.

July 2009: 424ppHb: 978-0-415-44072-1: $110.00Pb: 978-0-415-44073-8: $35.95


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2nd Edition

The Routledge Companion to AestheticsEdited by Berys Gaut and Dominic McIver Lopes

Series: Routledge Philosophy Companions

2005: 736ppHb: 978-0-415-32797-8: $170.00Pb: 978-0-415-32798-5: $44.95eBook: 978-0-203-99192-3


Visual CommunicationIntegrating Media, Art, and Science

Rick Williams, Lane Community College, Oregon, USA and Julianne Newton, University of Oregon, USA

Series: Routledge Communication Series

This visual literacy text introduces the application of intuitive intelligence to a visual context. For students in visual literacy and visual communication courses.

2007: 472ppHb: 978-0-8058-5065-9: $110.00Pb: 978-0-8058-5066-6: $58.00


Visual ConsumptionJonathan E. Schroeder

Series: Routledge Interpretive Marketing Research

2002: 208ppHb: 978-0-415-24424-4: $190.00Pb: 978-0-415-36625-0: $59.95eBook: 978-0-203-47163-0


Visual WorldsEdited by John R. Hall, Blake Stimson and Lisa Tamiris Becker

Series: International Library of Sociology

2005: 280ppHb: 978-0-415-36212-2: $170.00


new

Who’s Afraid of Conceptual Art?Peter Goldie, Manchester University, UK and Elisabeth Schellekens, Durham University, UK

Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general.

October 2009: 160ppHb: 978-0-415-42281-9: $100.00Pb: 978-0-415-42282-6: $27.95


new

MultimodalityA Social Semiotic Approach to Contemporary Communication

Gunther Kress, Institute of Education, University of London, UK

November 2009: 236ppHb: 978-0-415-32060-3: $125.00Pb: 978-0-415-32061-0: $41.95eBook: 978-0-203-97003-4


The Routledge Handbook of Multimodal AnalysisEdited by Carey Jewitt, University of London, UK

July 2009: 368ppHb: 978-0-415-43437-9: $150.00


18


photography

photography

4th Edition

Photography: A Critical IntroductionEdited by Liz Wells, University of Plymouth, UK

’Bravo to Liz Wells who has done it again with her new edition. It is a must for both educators and students.’ - Professor Ann Chwatsky, New York University, USA

’The boundaries of contemporary photography are becoming difficult to define while its past is becoming more complicated than we ever

imagined. Wells’ book is an extraordinary attempt to hold it all together and guide us through.’ - David Campany, University of Westminster, UK

Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Written especially for students in higher education and for introductory college courses, this fully revised edition provides a coherent introduction to the nature of photographic seeing.

May 2009: 416ppHb: 978-0-415-46027-9: $135.00Pb: 978-0-415-46087-3: $39.95


The Photography ReaderEdited by Liz Wells

2002: 496ppHb: 978-0-415-24660-6: $150.00Pb: 978-0-415-24661-3: $45.95


Photography: Theoretical SnapshotsEdited by J.J. Long, Andrea Noble and Edward Welch, all at Durham University, UK

Photography: Theoretical Snapshots offers exciting perspectives on photography theory today from some of the world’s leading critics and theorists. It introduces new means of looking at photographs, with topics including:

•acommunity-based understanding of Spencer Tunick’s controversial installations

•thetactileandauditory dimensions of photographic viewing

•snapshotphotography

•theuseofphotographyinhumanrightsdiscourse.

Photography: Theoretical Snapshots also addresses the question of photography history, revisiting the work of some of the most influential theorists such as Roland Barthes, Walter Benjamin, and the October group, re-evaluating the neglected genre of the carte-de-visite photograph, and addressing photography’s wider role within the ideologies of modernity.

2008: 192ppHb: 978-0-415-47706-2: $140.00Pb: 978-0-415-47707-9: $37.95eBook: 978-0-203-86903-1


2nd Edition

The Photography HandbookTerence Wright

Series: Media Practice

2004: 256ppHb: 978-0-415-25803-6: $130.00Pb: 978-0-415-25804-3: $37.95


19


photography

new

PhotographyStephen Bull, University of Portsmouth, UK

Series: Routledge Introductions to Media and Communications

Photography explores the photograph in the twenty-first century and its importance as a media form. Stephen Bull considers our media-saturated society and the place of photography in everyday life, introducing the theories used to analyse photographs and exploring the impact of digital technology.

The text is split into short, accessible chapters on the broad themes central to the study and analysis of photography, and key issues are

explained and applied to visual examples in each chapter.

Photography is an up-to-date, clear and comprehensive introduction to debates about photography now and is particularly useful to media, photography and visual culture students.

December 2009: 256ppHb: 978-0-415-42918-4: $110.00Pb: 978-0-415-42894-1: $32.95eBook: 978-0-203-86729-7


Encyclopedia of Nineteenth-Century PhotographyEdited by John Hannavy

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come.

2007: 1736ppHb: 978-0-415-97235-2: $545.00


newTextbook

Reframing PhotographyTheory and Practice

Rebekah Modrak, University of Michigan, USA and Bill Anthes, Pitzer College, USA

Intended for both beginning and advanced students, and for both art and non-art majors, Reframing Photography provides a lavishly illustrated integrated introduction to the historical, theoretical and technical aspects of photography. The book is structured in four parts, representing concerns common to all photographic practice:

•vision

•light/shadow

•reproductiveprocesses

•editing/presentation/evaluation.

In each part essays provide an overview of the topic with photographic instances of, for example, Reproduction, and a discussion of other contexts. Each essay introduces the work of artists who use a diverse range of subject matter and a variety of processes (straight photography, social documentary, digital, mixed media, conceptual work, etc.).

June 2010: 560ppHb: 978-0-415-77919-7: $145.00Pb: 978-0-415-77920-3: $59.95


3 Volume Set

Encyclopedia of Twentieth-Century Photography Edited by Lynne Warren

’Thorough and optimally organized work ... This reference tool belongs in every public, academic, and special library. Highly recommended.’ – Library Journal

2005: 2042ppHb: 978-1-57958-393-4: $575.00


20


gender and art

gender and art

Encounters in the Virtual Feminist MuseumTime, Space and the Archive

Griselda Pollock, University of Leeds, UK

’A significant contribution to feminist art history... An incredibly ambitious, methodologically complex, and intellectually rich book. Pollock provides us with creative ways to conceptualize the field of art history that have the possibility to transform how we interpret and exhibit images... with Encounters in the Virtual Feminist Museum, it is no

wonder why Pollock continues to be one of our great art historians.’ - Woman’s Art Journal

2007: 280ppHb: 978-0-415-41373-2: $135.00Pb: 978-0-415-41374-9: $44.95


Gender and AestheticsAn Introduction

Carolyn Korsmeyer

Series: Understanding Feminist Philosophy

2004: 208ppHb: 978-0-415-26658-1: $99.95Pb: 978-0-415-26659-8: $31.95eBook: 978-0-203-64663-2


Concise Dictionary of Women ArtistsEdited by Delia Gaze

2001: 800ppHb: 978-1-57958-335-4: $175.00


Doing Gender in Media, Art and CultureEdited by Rosemarie Buikema and Iris van der Tuin, both at Utrecht University, the Netherlands

Doing Gender in Media, Art and Culture is an introductory text for students specialising in gender studies. The truly interdisciplinary and intergenerational approach bridges the gap between humanities and the social sciences, and it showcases the academic and social context in which gender studies has evolved. Complex contemporary phenomena such as globalisation, neo-liberalism and

’fundamentalism’ are addressed that stir up new questions relevant to the study of culture. This vibrant and wide-ranging collection of essays is essential reading for anyone in need of an accessible but sophisticated guide to the very latest issues and concepts within gender studies.

May 2009: 304ppHb: 978-0-415-49382-6: $144.00Pb: 978-0-415-49383-3: $44.95


Beyond the FrameFeminism and Visual Culture, Britain 1850 -1900

Deborah Cherry

2000: 288ppHb: 978-0-415-10726-6: $130.00Pb: 978-0-415-10727-3: $37.95


Differencing the CanonFeminism and the Writing of Art’s Histories

Griselda Pollock

1999: 368ppHb: 978-0-415-06699-0: $150.00Pb: 978-0-415-06700-3: $39.95


21


design

Jewish Identities in American Feminist ArtGhosts of Ethnicity

Lisa E. Bloom

2006: 208ppHb: 978-0-415-23220-3: $120.00Pb: 978-0-415-23221-0: $33.95


3rd Edition

Vision and DifferenceFeminism, Femininity and Histories of Art

Griselda Pollock


2003: 368ppPb: 978-0-415-30850-2: $19.95


Women Making ArtHistory, Subjectivity, Aesthetics

Marsha Meskimmon

2003: 240ppHb: 978-0-415-24277-6: $110.00Pb: 978-0-415-24278-3: $33.95


design

The Design Culture ReaderEdited by Ben Highmore, University of Sussex, UK

’[An] attempt to push the concept of design into new territories... It will certainly challenge its readers to question any assumptions they may have about design culture and to reconstitute their understanding with a broader, richer frame of reference.’ - Journal of Design History

The Design Culture Reader brings together an international array of

writers whose work is of central importance for thinking about design culture in the past, present and future. Essays from philosophers, media and cultural theorists, historians of design, anthropologists, cultural historians, artists and literary critics all demonstrate the enormous potential of design studies for understanding the modern world.

Organised in thematic sections, The Design Culture Reader explores the social role of design by looking at the impact it has in a number of areas - especially globalisation, ecology, and the changing experiences of modern life. Particular essays focus on topics such as design and the senses, design and war and design and technology, while the editor’s introduction to the collection provides a compelling argument for situating design studies at the very forefront of contemporary thought.

2008: 400ppHb: 978-0-415-40355-9: $140.00Pb: 978-0-415-40356-6: $45.95


2nd Edition

Reading ImagesThe Grammar of Visual Design

Gunther Kress and Theo van Leeuwen

2006: 312ppHb: 978-0-415-31914-0: $160.00Pb: 978-0-415-31915-7: $41.95eBook: 978-0-203-61972-8


22


design

Design: The Key ConceptsCatherine McDermott, Kingston University, UK


This is the essential student’s guide to design – its practice, its theory and its history. Drawing from a wide range of international examples, respected design writer Catherine McDermott explores key topics including:

•internationaldesign–from Europe to Africa

•designhistory–fromArt Nouveau to punk

•sustainabledesign,recycling and green design

•designtheory–fromsemioticstogender,topostcolonialism

•designtechnology,graphicdesignandtheweb.

2007: 264ppHb: 978-0-415-32015-3: $120.00Pb: 978-0-415-32016-0: $26.95eBook: 978-0-203-96761-4


2nd Edition

An Introduction to Design and Culture1900 to the Present

Penny Sparke

2004: 296ppHb: 978-0-415-26335-1: $130.00Pb: 978-0-415-26336-8: $37.95


Graphic Design as CommunicationMalcolm Barnard

2005: 208ppHb: 978-0-415-27812-6: $110.00Pb: 978-0-415-27813-3: $33.95


new

Global Design HistoryEdited by Glenn Adamson, Giorgio Riello and Sarah Teasley

July 2010: 224ppHb: 978-0-415-57285-9: $135.00Pb: 978-0-415-57287-3: $39.95


new

Theatre and Performance DesignA Reader in Scenography

Jane Collins, Wimbledon School of Art, UK and Andrew Nisbet, University of Surrey, UK

Theatre and Performance Design: A Reader in Scenography gives a critical and contextual framework for analysing theatre and performance design. This book is vital for those interested in visual compositions of performance and scenographic practices.

March 2010: 384ppHb: 978-0-415-43209-2: $125.00Pb: 978-0-415-43210-8: $39.95


23


fashion

fashion

new

The Fashion History ReaderGlobal Perspectives

Edited by Giorgio Riello, University of Warwick, UK and Peter McNeil, University of Technology, Sydney, Australia

The Fashion History Reader is an innovative work that provides a broad introduction to the complex literature in the fields of fashion studies, and dress and fashion history.

A comprehensive resource for those who wish to further their engagement with fashion as a contemporary phenomenon, the book connects a diverse range of approaches and incorporates

non-Western literature within better-known studies from Europe and North America.

It identifies the history of fashion as a meeting point between the long-standing historical investigation of ‘dress’ and ‘costume’ and the more recent development of those sociological and anthropological-inspired studies that have come to be called ‘fashion theory’.

Twenty-three chapters and over forty shorter ‘Snapshot’ texts cover a wide range of topics and approaches within the history of fashion, ranging from object-based studies to theory-driven analyses. The book is divided into six parts, surveying some of the key themes in the history of fashion. Themes also move in and across time, providing a chronology to enable student learning.

April 2010: 700ppHb: 978-0-415-49323-9: $130.00Pb: 978-0-415-49324-6: $48.95


The Fashion HandbookTim Jackson and David Shaw

Series: Media Practice

The indispensable guide to the fashion industry, has case studies, interviews and profiles, chapters by leading experts on specialist topics and offers expert advice on careers in fashion retailing with a unique overview of the fashion industry.

2006: 240ppHb: 978-0-415-25579-0: $130.00Pb: 978-0-415-25580-6: $37.95eBook: 978-0-203-32117-1


Textbook

Fashion TheoryA Reader

Edited by Malcolm Barnard, University of Derby, UK

Series: Routledge Student Readers

This collection of essential readings examines how the nature and function of fashion theory has been understood by a wide range of social and cultural thinkers and used to explain, or explain away, the astonishing variety, complexity and beauty of what we call fashion.

2007: 616ppHb: 978-0-415-41339-8: $190.00Pb: 978-0-415-41340-4: $51.95


24


fashion

new

Fashion In FocusConcepts, Practices and Politics

Edited by Tim Edwards

Recent years have witnessed a steadily expanding interest in fashion, both within more populist circles with much discussion of designer fashion, the ’tweenager’ and the resurgence of interest in men’s fashion, and within more academic arenas where a steadily expanding range of publications has led to an increasingly multidisciplinary approach to the subject of fashion ranging from anthropology and global analysis through to in-depth studies of fashion photography. Yet what is often left open here is a sense of where this leaves our understanding of fashion more widely or indeed what fashion is in the twenty first century.

Tim Edwards provides a comprehensive guide to the key theories, perspectives and developments in the study of fashion suitable for undergraduate students and courses within the arts and social sciences.

September 2010: 256ppHb: 978-0-415-44793-5: $120.00Pb: 978-0-415-44794-2: $31.95


The Fabric of CulturesFashion, Identity, and Globalization

Edited by Eugenia Paulicelli, City University of New York, USA and Hazel Clark, Parsons the New School for Design, USA

The Fabric of Cultures examines the impact of fashion as a manufacturing industry and as a culture industry that shapes identities of nations and cities in a cross-cultural perspective and within a global framework.

2008: 240ppHb: 978-0-415-77542-7: $130.00Pb: 978-0-415-77543-4: $37.95


2nd Edition

Fashion as CommunicationMalcolm Barnard

2002: 224ppHb: 978-0-415-26017-6: $105.00Pb: 978-0-415-26018-3: $33.95


The Places and Spaces of Fashion, 1800-2007Edited by John Potvin, University of Guelph, Canada


2008: 282ppHb: 978-0-415-96149-3: $95.00


British Fashion DesignRag Trade or Image Industry?

Angela McRobbie

1998: 224ppHb: 978-0-415-05780-6: $90.00Pb: 978-0-415-05781-3: $37.95eBook: 978-0-203-16801-1


In the Culture SocietyArt, Fashion and Popular Music

Angela McRobbie

1999: 176ppHb: 978-0-415-13749-2: $140.00Pb: 978-0-415-13750-8: $37.95


25


arts management and education

arts management and education

The Art BusinessEdited by Iain Robertson, Sotheby’s Institute, London, UK and Derrick Chong, Royal Holloway, University of London, UK

By the time you read this book, the art world may have witnessed the sale of its first $500 million painting. Whilst for some people money is anathema to art this is clearly a wealthy international industry, and a market with its own conventions and pressures.

Drawing on the vast experience of Sotheby’s Institute of Art, The Art Business exposes the realities of the commercial trade in fine art and antiques. Attention is devoted

to the role of auction houses, commercial galleries and art museums as key institutions, with the text divided into four thematic sections covering:

•technicalandstructuralelementsoftheartmarket

•culturalpolicyandmanagementinartbusiness

•regulatorylegalandethicalissuesintheartworld

•theviews,throughinterviews,ofleadingartmarketexperts.

2008: 246ppHb: 978-0-415-39157-3: $145.00Pb: 978-0-415-39158-0: $52.95


Arts ManagementDerrick Chong

2002: 168ppHb: 978-0-415-23681-2: $205.00Pb: 978-0-415-23682-9: $56.95


new

Understanding Art EducationEngaging Reflexively with Practice

Nicholas Addison, Lesley Burgess, both at Institute of Education, University of London, UK, John Steers and Jane Trowell

Understanding Art Education examines the theory and practice of helping young people learn in and beyond the secondary classroom. It provides guidance and stimulation for ways of thinking about art and design when preparing to teach and provides a framework within which teachers can locate their own experiences and beliefs.

December 2009: 184ppHb: 978-0-415-36739-4: $130.00Pb: 978-0-415-36740-0: $42.95eBook: 978-0-203-01978-8


Creating and Sustaining Arts-Based School ReformThe A+ Schools Program

George W. Noblit, University of North Carolina at Chapel Hill, USA, H. Dickson Corbett, Bruce L. Wilson, both at Wilson Corbett Associates and Monica B. McKinney, Meredith College, North Carolina, USA

2008: 208ppHb: 978-0-8058-6150-1: $135.00Pb: 978-0-8058-6149-5: $41.95eBook: 978-0-203-88735-6


New Practices - New PedagogiesA Reader

Edited by Malcolm Miles

Series: Innovations in Art and Design

2005: 256ppHb: 978-0-415-36618-2: $150.00eBook: 978-0-203-02080-7


26


routledge paperbacks direct

Routledge Paperbacks Directa new way to expand your personal library!A growing selection of our Art, Design & Visual Culture hardback monographs are now available, for individual purchase, in paperback format from the price of $39.95. These books are only available directly from Routledge and can be ordered in one of three easy ways:

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Title Author/Editor ISBN PriceInvisible Connections: Dance, Choreography and Internet Communities Sita Popat 978-0-415-57632-1 $39.95

Network Art: Practices and Positions Tom Corby 978-0-415-57631-4 $39.95

Thinking Through Art: Reflections on Art as Research Edited by Katy Macleod and Lin Holdridge 978-0-415-57633-8 $39.95

indexAActon, Mary. . . . . . . . . . . . . . . 1, 6

Adamson, Glenn . . . . . . . . . . . . 22

Addison, Nicholas . . . . . . . . . . . 25

American Icons . . . . . . . . . . . . . 13Anthes, Bill . . . . . . . . . . . . . . . . 19

Archaeology of Celtic Art, The . . . 7Arguing About Art. . . . . . . . . . . 14Arguing About Philosophy Series . . . . . . . . . . . . . . . . . . . 14Art and Morality . . . . . . . . . . . . 14Art and Ventriloquism . . . . . . . . 14Art Business, The . . . . . . . . . . . . 25Art History Versus Aesthetics . . . . 8Art History: The Basics . . . . . . . . . 3Art History: The Key Concepts . . . 3Art Question, The . . . . . . . . . . . 15Art Seminar Series, The . . . . . . . . 8Artistic Capital . . . . . . . . . . . . . . . 3Artistic Citizenship . . . . . . . . . . . 14Arts Management . . . . . . . . . . . 25

BBaker, Bobby . . . . . . . . . . . . . . . 11

Bann, Stephen . . . . . . . . . . . . . . . 7

Barasch, Moshe . . . . . . . . . . . . . 16

Barnard, Malcolm . . . . . 22, 23, 24

Barrett, Michèle . . . . . . . . . . . . . 11

Basics Series, The . . . . . . . . . 3, 16Becker, Lisa Tamiris. . . . . . . . . . . 17

Ben-Dor, Oren . . . . . . . . . . . . . . 15

Bermúdez, José Luis . . . . . . . . . . 14

Beyond the Frame . . . . . . . . . . . 20Binstock, Benjamin. . . . . . . . . . . . 9

Bishop, Claire. . . . . . . . . . . . . . . 11

Bloom, Lisa E. . . . . . . . . . . . . . . 21

Bobby Baker . . . . . . . . . . . . . . . 11British Fashion Design . . . . . . . . 24Buikema, Rosemarie. . . . . . . . . . 20

Bull, Stephen . . . . . . . . . . . . . . . 19

Burgess, Lesley. . . . . . . . . . . . . . 25

Burke, Edmund . . . . . . . . . . . . . 13

CCandlin, Fiona . . . . . . . . . . . . . . 10

Carroll, Noél . . . . . . . . . . . . . . . 15

Cartiere, Cameron . . . . . . . . . . . 12

Cazeaux, Clive . . . . . . . . . . . . . . 15

Chandler, Daniel . . . . . . . . . . . . 16

Cherry, Deborah. . . . . . . . . . . . . 20

Chong, Derrick . . . . . . . . . . . . . 25

Clark, Hazel . . . . . . . . . . . . . . . . 24

Cobley, Paul. . . . . . . . . . . . . . . . 16

Collins, Jane. . . . . . . . . . . . . . . . 22

Concise Dictionary of Women Artists . . . . . . . . . . . . . . . . . . . 20Contemporary Art and the Cosmopolitan Imagination . . . . 1Contemporary British Art . . . . . . . 1Continental Aesthetics Reader, The . . . . . . . . . . . . . . . . . . . . . 15Corbett, H. Dickson . . . . . . . . . . 25

Corby, Tom . . . . . . . . . . . . . . . . 26

Creating and Sustaining Arts-Based School Reform. . . . 25Critical Concepts in Media and Cultural Studies Series . . . . . . . 11Critical Voices in Art, Theory and Culture Series . . . . . . . . . . . 5Curtis, Neal . . . . . . . . . . . . . . . . . 9

DDeLue, Rachel . . . . . . . . . . . . . . . 8

Desai, Dipti . . . . . . . . . . . . . . . . . 3

Design Culture Reader, The . . . . 21Design: The Key Concepts . . . . . 22Diaspora and Visual Culture. . . . 11Differencing the Canon . . . . . . . 20Digital Currents . . . . . . . . . . . . . 12Digital Encounters . . . . . . . . . . . 12Doing Gender in Media, Art and Culture. . . . . . . . . . . . . . . 20

Doubt . . . . . . . . . . . . . . . . . . . . . 7Dynamics and Performativity of Imagination . . . . . . . . . . . . 15

EEdwards, Tim. . . . . . . . . . . . . . . 24

Elkins, James . . . . . . . . . . 4, 5, 7, 8

Encounters in the Virtual Feminist Museum . . . . . . . . . . 20Encyclopedia of American Folk Art. . . . . . . . . . . . . . . . . . . 3Encyclopedia of Nineteenth-Century Photography . . . . . . . . . . . . . . . 19Encyclopedia of Twentieth-Century Photography . . . . . . . . . . . . . . . 19Engaging Art . . . . . . . . . . . . . . . . 2

FFabric of Cultures, The. . . . . . . . 24Fashion as Communication . . . . 24Fashion Handbook, The . . . . . . . 23Fashion History Reader, The . . . . 23Fashion In Focus . . . . . . . . . . . . 24Fashion Theory . . . . . . . . . . . . . 23Feldges, Benedikt. . . . . . . . . . . . 13

Feminism and Visual Culture Reader, The . . . . . . . . . . . . . . . 10Frascina, Francis . . . . . . . . . . . . . . 2

Freud, Sigmund . . . . . . . . . . . . . . 6

GGalenson, David. . . . . . . . . . . . . . 3

Gardner, Sebastian. . . . . . . . . . . 14

Gaut, Berys . . . . . . . . . . . . . . . . 17

Gaze, Delia . . . . . . . . . . . . . . . . 20

Gender and Aesthetics. . . . . . . . 20German Colonialism, Visual Culture, and Modern Memory. . 13Global Design History . . . . . . . . 22Goldblatt, David. . . . . . . . . . . . . 14

Goldie, Peter . . . . . . . . . . . . . . . 17

Graham, Gordon . . . . . . . . . . . . 15

Graphic Design as Communication. . . . . . . . . . . . 22Guins, Raiford . . . . . . . . . . . . . . 10

HHall, John R . . . . . . . . . . . . . . . . 17

Hamlin, Jessica. . . . . . . . . . . . . . . 3

Hannavy, John . . . . . . . . . . . . . . 19

Harding, D.W. . . . . . . . . . . . . . . . 7

Harris, Jonathan. . . . . . . . . . 2, 3, 7

Highmore, Ben. . . . . . . . . . . . . . 21

History as Art, Art as History . . . . 3Holdridge, Lin . . . . . . . . . . . . . . 26

How to Use Your Eyes . . . . . . . . . 5Huppauf, Bernd . . . . . . . . . . . . . 15

I Imagining the Present . . . . . . . . 14In the Aftermath of Art . . . . . . . . 5In the Culture Society . . . . . . . . 24Innovations in Art and Design Series . . . . . . . . . . . . . . . . . . . 25Installation Art . . . . . . . . . . . . . . 11International Library of Philosophy Series. . . . . . . . . . . 14International Library of Sociology Series . . . . . . . . . . . 17Interpreting Art in the Museum, Gallery and Beyond. . . . . . . . . . 5Introduction to Design and Culture, An . . . . . . . . . . . . . . . 22Introduction to Visual Culture, An. . . . . . . . . . . . . . . . . . . . . . 11Invisible Connections: Dance, Choreography and Internet Communities. . . . . . . . . . . . . . 26Is Art History Global? . . . . . . . . . 8Ivey, Bill . . . . . . . . . . . . . . . . . . . . 2

J Jackson, Tim . . . . . . . . . . . . . . . 23

Jensen, Robin Margaret . . . . . . . . 7

Jewish Identities in American Feminist Art . . . . . . . . . . . . . . 21

27


index

Jewitt, Carey . . . . . . . . . . . . . . . 17

Jones, Amelia. . . . . . . . . . . . 10, 12

KKalina, Richard. . . . . . . . . . . . . . 14

Kaplan, Brett . . . . . . . . . . . . . . . . 9

Kaye, Nick . . . . . . . . . . . . . . . . . 12

Key Writers on Art: From Antiquity to the Nineteenth Century. . . . . . . . . . . . . . . . . . . 5Key Writers on Art: The Twentieth Century. . . . . . . . . . . 6Kieran, Matthew . . . . . . . . . . . . 15

Koivunen, Leila . . . . . . . . . . . . . . 9

Korsmeyer, Carolyn . . . . . . . . . . 20

Kress, Gunther. . . . . . . . . . . 17, 21

L Lamoureux, Johanne . . . . . . . . . . 5

Landscape Theory . . . . . . . . . . . . 8Landscapes of Holocaust Postmemory . . . . . . . . . . . . . . . 9Langbehn, Volker. . . . . . . . . . . . 13

Law and Art. . . . . . . . . . . . . . . . 15Learning to Look at Modern Art . . 1Learning to Look at Paintings. . . . 6Leonardo da Vinci . . . . . . . . . . . . 6Long, J.J. . . . . . . . . . . . . . . . . . . 18

Lopes, Dominic . . . . . . . . . . . . . 13

Lovejoy, Margot . . . . . . . . . . . . . 12

MMackie, Vera . . . . . . . . . . . . . . . 13

Macleod, Katy . . . . . . . . . . . . . . 26

Making American Art . . . . . . . . . 3Making Art History . . . . . . . . . . . 6Mansfield, Elizabeth. . . . . . . . . . . 6

Martin, Randy . . . . . . . . . . . . . . 14

Master Narratives and their Discontents . . . . . . . . . . . . . . . . 7Mattson, Rachel. . . . . . . . . . . . . . 3

McDermott, Catherine . . . . . . . . 22

McIver Lopes, Dominic . . . . . . . . 17

McKinney, Monica B. . . . . . . . . 25

McNeil, Peter . . . . . . . . . . . . . . . 23

McRobbie, Angela . . . . . . . . . . . 24

Media Practice Series . . . . . . 18, 23Meecham, Pam . . . . . . . . . . . . 2, 3

Meskimmon, Marsha . . . . . . . 1, 21

Michelangelo . . . . . . . . . . . . . . . . 6Miles, Malcolm . . . . . . . . . . . . . 25

Mirzoeff, Nicholas . . . . . . . . 11, 12

Modern Art Culture . . . . . . . . . . . 2Modern Art . . . . . . . . . . . . . . . . . 2Modrak, Rebekah . . . . . . . . . . . 19

Morgan, David. . . . . . . . . . . . . . . 8

Morra, Joanne . . . . . . . . . . . . . . 11

Multi-media . . . . . . . . . . . . . . . . 12Multimodality . . . . . . . . . . . . . . 17Murray, Chris . . . . . . . . . . . . . . 5, 6

N Neill, Alex . . . . . . . . . . . . . . . . . 14

Network Art: Practices and Positions . . . . . . . . . . . . . . . . . 26New Art History, The . . . . . . . . . . 7New Practices - New Pedagogies . . . . . . . . . . . . . . . 25Newall, Diana . . . . . . . . . . . . . . . 3

Newman, Michael . . . . . . . . . . . . 8

Newton, Julianne. . . . . . . . . . . . 17

Nineteenth-Century Visual Culture Reader, The. . . . . . . . . 10Nisbet, Andrew . . . . . . . . . . . . . 22

Noble, Andrea . . . . . . . . . . . . . . 18

Noblit, George W. . . . . . . . . . . . 25

O Object Reader, The. . . . . . . . . . . 10On Criticism. . . . . . . . . . . . . . . . 15On the Strange Place of Religion in Contemporary Art . . . . . . . . . 4Our Beautiful, Dry and Distant Texts . . . . . . . . . . . . . . . . . . . . . 5

P Paulicelli, Eugenia . . . . . . . . . . . 24

Philosophical Enquiry Into the Sublime and Beautiful, A. . . . . 13Philosophy of Computer Art, A . . 13Philosophy of the Arts . . . . . . . . 15Photography Handbook, The . . . 18Photography Reader, The. . . . . . 18Photography Theory . . . . . . . . . . 8Photography . . . . . . . . . . . . . . . 19Photography: A Critical Introduction . . . . . . . . . . . . . . 18Photography: Theoretical Snapshots . . . . . . . . . . . . . . . . 18Pictorial Turn, The . . . . . . . . . . . . 9Pictures and Tears . . . . . . . . . . . . 4Places and Spaces of Fashion, 1800-2007, The . . . . . . . . . . . 24Politics of Visual Culture in Japan, The . . . . . . . . . . . . . . . 13Pollock and After . . . . . . . . . . . . . 2Pollock, Griselda . . . . . . . . . 20, 21

Pooke, Grant . . . . . . . . . . . . . . 1, 3

Popat, Sita . . . . . . . . . . . . . . . . . 26

Potvin, John. . . . . . . . . . . . . . . . 24

Practice of Public Art, The . . . . . 12Preziosi, Donald . . . . . . . . . . . . . . 5

Przyblyski, Jeannene M. . . . . . . 10

R Reading Images . . . . . . . . . . . . . 21Re-Enchantment . . . . . . . . . . . . . 8Reframing Photography . . . . . . . 19Renaissance Theory . . . . . . . . . . . 8Revealing Art . . . . . . . . . . . . . . . 15Ridley, Aaron . . . . . . . . . . . . 14, 16

Riello, Giorgio . . . . . . . . . . . 22, 23

Robertson, Iain. . . . . . . . . . . . . . 25

Routledge Classics Series . . 6, 13, 21Routledge Communication Series . . . . . . . . . . . . . . . . . . . 17

Routledge Companion to Aesthetics, The . . . . . . . . . . . . 17Routledge Companion to Semiotics, The. . . . . . . . . . . . . 16Routledge Companions Series . . 16Routledge Handbook of Multimodal Analysis, The . . . . 17Routledge Interpretive Marketing Research Series . . . . . . . . . . . . 17Routledge Introductions to Media and Communications Series . . . . . . . . . . . . . . . . . . . 19Routledge Key Guides Series . . . . . . . . . . . . . 3, 5, 6, 22Routledge Philosophy Companions Series . . . . . . . . . 17Routledge Philosophy GuideBook to Nietzsche on Art . . . . . . . . . 16Routledge Philosophy GuideBooks Series. . . . . . . . . . 16Routledge Research in Cultural and Media Studies Series . . . . . . . . . . . 9, 13, 15, 24Routledge Research in Travel Writing Series . . . . . . . . . . . . . . 9Routledge Student Readers Series . . . . . . . . . . . . . . . . . . . 23Routledge Studies in Asia’s Transformations Series. . . . . . . 13Routledge Studies in Modern European History Series. . . . . . 13

S Schellekens, Elisabeth . . . . . . . . 17

Schmidt Campbell, Mary . . . . . . 14

Schroeder, Jonathan E. . . . . . . . 17

Schwartz, Vanessa R. . . . . . . . . 10

Self/Image . . . . . . . . . . . . . . . . . 12Semiotics: The Basics . . . . . . . . . 16Shaw, David. . . . . . . . . . . . . . . . 23

Sheldon, Julie. . . . . . . . . . . . . . 2, 3

Shiff, Richard . . . . . . . . . . . . . . . . 7

Smith, Marquard . . . . . . . . . . . . 11

Sociology of Art. . . . . . . . . . . . . . 6Sparke, Penny . . . . . . . . . . . . . . 22

State of Art Criticism, The . . . . . . 8Steers, John . . . . . . . . . . . . . . . . 25

Stimson, Blake . . . . . . . . . . . . . . 17

Stokes, Adrian . . . . . . . . . . . . . . . 6

Stories of Art . . . . . . . . . . . . . . . . 4

T Tanner, Jeremy . . . . . . . . . . . . . . . 6

Teasley, Sarah. . . . . . . . . . . . . . . 22

Tepper, Steven J. . . . . . . . . . . . . . 2

Theatre and Performance Design. . . . . . . . . . . . . . . . . . . 22Theories of Art. . . . . . . . . . . . . . 16Theories of Modernism and Postmodernism in the Visual Arts Series. . . . . . . . . . . . . . . . . 7Thinking in Action Series . . . . . . 15Thinking Through Art: Reflections on Art as Research. . 26Trowell, Jane . . . . . . . . . . . . . . . 25

U Understanding Art Education. . . 25Understanding Early Christian Art. . 7Understanding Feminist Philosophy Series. . . . . . . . . . . 20

V van der Tuin, Iris. . . . . . . . . . . . . 20

van Leeuwen, Theo . . . . . . . . . . 21

Vermeer’s Family Secrets . . . . . . . 9Vision and Difference. . . . . . . . . 21Visual Communication . . . . . . . . 17Visual Consumption. . . . . . . . . . 17Visual Culture Reader, The . . . . . 11Visual Culture . . . . . . . . . . . . . . 11Visual Literacy . . . . . . . . . . . . . . . 4Visual Studies. . . . . . . . . . . . . . . . 4Visual Worlds. . . . . . . . . . . . . . . 17Visualizing Africa in Nineteenth-Century British Travel Accounts . . . . . . . . . . . . . 9

W Warburton, Nigel . . . . . . . . . . . . 15

Warren, Lynne . . . . . . . . . . . . . . 19

Watching Babylon . . . . . . . . . . . 12Ways Around Modernism . . . . . . 7Welch, Edward. . . . . . . . . . . . . . 18

Wells, Liz . . . . . . . . . . . . . . . . . . 18

Wertkin, Gerard C. . . . . . . . . . . . 3

What Painting Is . . . . . . . . . . . . . 5What Photography Is . . . . . . . . . . 4Whitehead, Christopher. . . . . . . . 5

Who’s Afraid of Conceptual Art? 17Why Are Our Pictures Puzzles? . . 5Williams, Rick. . . . . . . . . . . . . . . 17

Williams, Robert. . . . . . . . . . . . . . 8

Willis, Shelly. . . . . . . . . . . . . . . . 12

Wilson, Bruce L. . . . . . . . . . . . . 25

Women Making Art. . . . . . . . . . 21Wood, Aylish . . . . . . . . . . . . . . . 12

Wright, Terence . . . . . . . . . . . . . 18

Writing Back to Modern Art . . . . 2Wulf, Christoph . . . . . . . . . . . . . 15

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Journal of Graphic novels and ComicsThe Journal of Graphic Novels

and Comics covers all aspects of the graphic novel, comic strip and comic book, with the emphasis on comics in their cultural, institutional and creative contexts.

www.tandf.co.uk/journals/rcom

CoDesignCoDesign aims to report new research and scholarship in principles, procedures and techniques relevant to collaboration in design and acts as an international forum for discussion of collaborative design issues.

www.tandf.co.uk/journals/codesign

Digital CreativityDigital Creativity is a major peer-reviewed journal at the intersection of the creative arts and digital technologies.

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early Popular Visual Culture Early Popular Visual Culture is a peer-reviewed academic journal dedicated to stimulating research and interdisciplinary studies in relation to all forms of popular visual culture before 1930.

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History of Photography History of Photography is an international journal devoted exclusively to the history and criticism of the basic semantic unit of all modern media, the photograph.

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Visual Studies Published on behalf of the International Visual Sociology Association

Visual Studies provides the key resource where issues of a visual nature, whether it be epistemological, methodological, empirical, symbolic, or ethical may be aired and debated.

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world artWorld Art provides a forum for redefining the concept of art for

scholars, students and practitioners, for rethinking artistic and interpretive categories and for addressing cultural translation of art practices, canons and discourses.

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Photographies Photographies seeks to construct a new agenda for theorising photography as a heterogeneous medium that is changing in an ever more dynamic relation to all aspects of contemporary culture.

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Third Text Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture.

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Visual Culture in Britain Visual Culture in Britain publishes original work that places a broadly defined visual culture encompassing painting and sculpture, architecture and design, print, film, photography and the performing arts in relation to its wider geographical and historical contexts.

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Visual Resources An International Journal of Documentation

Visual Resources is devoted to the study of images and their use, exploring how visual language is structured and visual meaning communicated.

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word & image Word & Image concerns itself with the study of the encounters, dialogues and mutual collaboration (or hostility) between verbal and visual languages, one of the prime new areas of humanistic criticism.

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Konsthistorisk Tidskrift: The Journal of art History | www.tandf.co.uk/journals/skon Journal of Mathematics and the arts | www.tandf.co.uk/journals/tmaa Studies in the History of Gardens & Designed Landscapes | www.tandf.co.uk/journals/tgah Visual anthropology | www.tandf.co.uk/journals/gvan

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routledge_art, design & visual culture 2010

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