rudolf steiner a theory of imagination fall 2008
TRANSCRIPT
Rudolf Steiner
a theory of imaginationFall 2008
Presentation Overview• Steiner’s Background• Steiner’s Theory• Waldorf Schools• Overview of Terms• The Basic Issue• Procedure• Background on Children• Findings• Conclusion• Implications• Evaluation
Rudolf Steiner• Born February 27, 1861 in Kraljevec, Croatia• As a young child, the beauty of nature greatly influenced
him. As he said: “ I was surrounded by two worlds: a spiritual world and a world of sense.”
• At age 8 he said upon reading a geometry textbook, “one can live within the mind in the shaping of forms perceived only within oneself”
• From 11-18 attended a secondary school for science, called Realschule, in Austria and discovered Kant’s Critique of Pure Reason.
• 1879 Studied Math and Science at the Techincal College of Vienna (here he developed and interest in many subjects)
• At the same time he began tutoring a family of four boys• While attending College in Vienna, he became deeply
interested in Philosophy.• 1884 began to study Goethe’s natural science writings in
Vienna
Rudolf Steiner • Met many of the leading personalities of his time such as Herman Grimm (art historian and
Goethe scholar), Ernst Haeckel (scientist), Luwig Leister (author).• 1891 Received his PhD at the University of Rostock• 1894 Wrote the Philosophy of Spiritual Activity• After receiving his PhD he began writing and lecturing. • 1919 Founded the first Waldorf School in Stuttgart, Germany• 1923 Founded the instituted the School for the Science of the Spirit to further knowledge of
Anthroposophy.• By the end of his life he had written 50 works and had given over 6,000 lectures. He had
founded or had established a formation for: homes for children in need of special care, biodynamic farming and gardening, the art of Eurythmy, and a Clinical and Therapeutic Institute.
• 1925 Died
Steiner’s Theory
Anthroposophy– “The Science of the Spirit” from the
Greek: Anthropos and Sophia meaning “human” and “wisdom” respectively.
– “Steiner believed in the possibility of applying the clarity of scientific thinking to spiritual experience, which he saw as deriving from an objectively existing spiritual world. Steiner identified mathematics, which attains certainty through thinking itself, thus through inner experience rather than empirical observation [is] the basis of his epistemology of spiritual experience.”
Steiner’s Theory• How Imagination Connects to Anthroposophy
– Imagination allows the person to exercise his or her spiritual/ intuitive/ feeling capacities.– “Man consists of body, soul, and spirit and that in the child body soul and spirit are still in
unity.”– Steiner also describes this unity as body, feeling-life, and intellect. The imagination,
“constitutes a link between the two ends of human existence, thought and action…spiritualism and materialism” (Nielson 19, 20).
– Imagination theorist “Rugg points toward Einstein as a scientist and philosopher in whom the rational, scientific way of thinking was epitomized, but who nevertheless often explained that none of his ideas emerged out of analytic thinking. Rather, they came as intuitive flashes, feeling-thoughts, which then he might try to express logically in words afterwards.” (Nielson 20).
Waldorf Schools• From Theory to Practice:
Steiner’s theory of imagination is fundamental to his pedagogy. There are seven teaching methods that use imagination:– Drama: creates emotional-aesthetic links with learning content.
• Pretending/ Role-Play• Play-Acting
– Exploration: allows the child to construct ideas, feelings, images, concepts via imagination and direct experience.• Making Tools• Building • Gardening
– Story-Telling: enables the child to live in emotions and to arrive at values • Myths• Fairy-Tales
– Routine:• Festivals• Chores• Morning Verse• Lunch and Grace
Waldorf Schools– From Theory to Practice:– Arts: develop beauty, harmony, balance within the child in such a way as to speak to his
or her imagination and feeling-life• Drawing• Painting• Woodworking• Blacksmithing• Eurythmy• Music• Calligraphy
– Discussion: assists in forming pictorial images that may or may not fit existing schemas and thus aids the pursuit of abstract or deeper truths. (Nielson 17).
– Empathy: The teacher’s fundamental drive must be love of children or empathy. Empathy and imagination belong to the same realm of feelings. The relationship between teacher and pupil is highly dependant on the teacher’s ability to…embody and physically display empathy. Thus the child’s imaginative capacity is dependant on that of the teacher. (Nielson 19). • One class teacher (grades 1-8)
Important Terms • Anthroposophy: science of the spirit• Imagination: the use of the powers of the soul to create inner images, feelings, and thoughts in a
non-literal way. These inner images, feelings and thoughts may be based in reality, but are not necessarily re-capitulations of things already seen or heard. By being actively and inwardly imaginative the child is able to make sense of his practical experience and thus eventually bridge the gap between experience and more rational abstract thought.
• Non-Literal Toys: without great amounts of detail or definition; not “task-specific,” able to be used in a variety of ways; often the origin or source is recognizable by its simplicity.
• Literal Toys: highly detailed and prescribed features; having a specific function or associated with a specific story, time-period, game, television show etc…
• Pedagogy of Imagination: the seven imaginative teaching methods used in waldorf schools: drama, exploration, storytelling, routine, arts, discussion, empathy.
• Socailly-Inculturated Themes: Externally-imposed ideas from media, some adult attitudes (includes certain ways of dressing, acting, speaking).
• Detail: high levels of precision in description and imagination of arranging materials.• Wonderment: a quiet inner sense of awe and fulfillment (rather than curiosity which asks question
upon question without being sated)• Fuidity: moving easily from one idea, image, feeling to another.• Compound-Ideas: combines many other aspects of imgination including: detail, feeling/ emotion,
fuidity, and naration in order to create a complex story, scene or image.• Re-Capitulation: telling a story that was prevously seen, heard, or read. Acting out a scene
according to a pre-established set of roles, schemas, ideas.
Our Study
• The Basic Issue• Steiner Says• Hypothesis• Procedure• Background• Data• Conclusions• Implications• Evaluation
The Basic Issue• Many young children today seem to have lost what Steiner calls, “spiritual knowledge”
or a sense of wholeness— an inner life. While this inner life is deeply and intuitively accessible for children, they must be given opportunities to exercise their spiritual nature.
• One exercise opportunity can be found in imaginative forms of play. However, these exercises should, according to Steiner, use certain types of materials, namely, simple, natural, or non-literal toys. Through using these versatile materials the child can deepen his or her inner life.
• Today in many areas, the child’s opportunities for exercising imagination tend to be limited due to the nature of the toys they use and their exposure to television. They come to expect high levels of detail and are intolerant of abstraction.
Steiner Says: Steiner often gives the following example regarding a rag doll, “Give a child a handkerchief or piece of cloth, knot it so that a head appears above, and two legs below, an you have made a doll or a kind of clown. With a few ink stains you can
give it eyes, nose, mouth, or better still allow the child to do it…it is far better if you make a doll out of a linen rag than if you give the child one of those perfect dolls, possibly with highly colored cheeks, smartly dressed, a doll which will even close its eyes when put down horizontally…for what are you doing if you give a child
such a doll? You prevent it from unfolding its own soul-activity.”
Our Hypothesis
Providing a child with non-literal play materials will produce greater imaginative
focus, creativity, and more apparent interest than standard literal toys that are
comparable.
Procedure• Schulze Elementary• Interviewed 11 children 6-7yrs of age
– Six children were interviewed with non-literal toys– Five children were interviewed with literal toys
• Three parts to each interview:– Preliminary Questions: name, age, birthday, toys, play habits– Free Play: children had opportunity to look at the toys, touch them,
play with them, or ask questions about them. – Follow-up Questions:
• Where did your ideas come from?• What books do you enjoy?• Any media influences?
The ChildrenGroup 1: Non-Literal Toys
Name Age B-Day Toys Play Books T.V./ Media
Ideas
Emma 7 10/18 stuffed animals, cars, Tinkerbell, Hanna Montana
park, with friends, zoo, cat and dog
Tinkerbell and Princess Books
Disney channel, H. Montana, H.S. musical
From friends
Marcus 6 11/8 board games, monkeys, starwars, legoes, mario brothers
With friends, video-games
n/a Star Wars and Ben 10
In my mind
Mikaela 6 8/26 Cars, stuffed animals, giraffes, elephants, Hannah Montana
With dogs, outside, tag
Tinkerbell, Sealed with a Kiss, Ariel and Flounder, Fancy Nancy
The Little Mermaid
My brain
Jocelyn 6 12/22 Stuffed animals, koalas “animal time”, plays with cousins
The Case of the Climbing Cat
n/a From my head
Emily 6 7/18 brats, chihuauas, cats, lions
n/a Princess books n/a From books
Nathan 7 1/21 Cars, snakes, dinosaurs, play-station: god of war and guitar hero
Plays with two dogs, imagines he’s a lion and a big red horse with fire
Dinosaur Club Video games From my brain and from outside
Group 2: Literal Toys
Name Age B-Day Toys Play Books Media Ideas
Kayani 6 6/29 Animals, kitties, barbies, dogs, snowglobes, dolphins
With friends, soccer with dad, barbies do gymnastics, riding horses, pretends barbies and stuffed animals are real, pretends she’s a princess
Henry Mudge, Silly Sally, Skippy John Jones
Disney movies, Shrek, Sponge Bob
From my Head and T.V. shows
Majidah 6 12/26 Brats, cars, dolls, princesses
dress-up dolls, building blocks, riding bike, dress-up with friends, imagining she’s a princess with sisters, Mac Donald’s playground, cat and dog
Crazy Hair Day, fairy tales, Beauty and the Beast, Cinderella
Cinderella, Disney, Hannah Montana
From Disney Movies
Hector 6 2/14 Cars, robots, pokemon cards
Brother, pretends he’s Batman
Crazy Hair Day (no books from parents)
Pokemon, Sta Wars
From my Brain“I don’t know”
John 6 4/12 Puzzles, animals, lions
Plays outside, Battle gun?? Ben 10, Alien Forest, Star Wars, Pokemon
From Toys
Mario 6 1/12 Batman, Superman
Plays doctor and firefighter with brother
Silly Sally, P.J. Funny Bunny
Batman, Superman cartoons
From my Brain
A Scale of ImaginationZero One Two Three Four Five
While the child may be
willing to answer
questions about his or
her play habits, the child does
not engage with the toys
provided.
The child selects
material to play with,
but uses the material in a literal way;
recapitulates a previously heard story, uses media-references.
Does not display much
fluidity, detail, or
emotional content.
The child selects one or more
materials and arranges them in
a literal and a non-literal way. Child begins to
use some compound ideas, displays fluidity of ideas, uses
emotions. However, there
may be indications of
outside influences and
the child appears to lose interest/
is distracted after a short period of
time.
The child selects one or
more materials and arranges/
plays with them for a
longer period of time in a
predominantly non-literal way. With increased fluidity of
ideas, detail, emotional
content and wonderment.
Little or no outside
influences are aparent.
The child selects one or more
materials and arranges/ plays with
them with focus and apparent
enjoyment. Many of the ideas
represented are non-literal. The
child may narrate a story aloud or reveal a story afterward. In
general the child displays complex
imaginative thought, elaborate images, fluid ideas, high levels of detail, emotional content, and wonderment.
The child selects one or more
materials and arranges/ plays with them with intense focus, interest and an unwillingness to
stop. The ideas represented are non-literal. The child may try to
engage observers in the imagined story. The child displays
highly complex imaginative
thought, elaborate images, fluid ideas, high levels of detail, emotional content, and wonderment.
Group 1: Non-Literal Toys Group 2: Literal Toys
Name & Score
Description of Play Name &Score
Description of Play
Emma5
Made a house with blocks, wool on top of block to make a tree, rocks used to make a mouse house, family sitting in backyard, grandmother cooking, had the fox jumping into the “bath”
Kayani1
Played with princesses and explained who the characters in the corresponding movies were. Dressed the dolls. Recalled when Cinderella lost her slipper and wondered what happened to Cinderella’s father in the movie.
Marcus0.5
Played with magnets, told story about his dad picking up nails with a magnet, “I don’t usually play with old-fashioned toys.”
Mario0
Did not engage with the toys, seemed reticent and uncertain. Although able to respond to questions.
Mikaela0
Did not engage with the toys, seemed somewhat uncertain as to what she should do.
Majidah1
Dressed dolls, put on shoes. Played with Belle b/c favorite, then played with Cinderella. Difficulty with some of the accessories. Placed toys back in proper boxes and containers. Arranged the materials.
Jocelyn2.5
Began arranging blocks and placed magnets in a circle on top of one of the blocks. Displayed evidence of fluidity and non-literal uses of materials. Interview time was interrupted
Hector0
Did not engage with the toys, seemed reticent and unsure. Was able to respond to questions when asked, but did not offer any additional information.
Emily3
Referred to magnets as “a crayfish,” asked, “is this real wood?” also asked about the shells, the rocks she said, “are too soft and smooth.” Talked about one of the dolls as Little Red Riding Hood.
John2.5
Began by running up to the table and saying, “woah awesome.” Said “the one with the green sword is happy.” Attacked the chickens with the sword fight. Played with pokemon. Arranged the animals. Began sword-fighting again. Says they remind him of Star Wars, but did not know their names. Piles animals on top of each other. Uses the fences as bridges places the tree at the end of the bridge and Luke escapes up the tree. Uses the fence as a trap.
Nathan0.5
Played with magnets, said of the shells, “they’re like my mom’s.” Asked if Katie made the swing. Showed Katie how magnets stick together.
Data Analysis
Conclusion
• Conclusion: Results were highly variable. It is clear that every child has the capacity for imagination.
• In general the children in group 1 seemed to display more non-literal uses of toys. This would seem to suggest that non-literal toys at least offer the opportunity for increased exercise of of non-literal thought. Also, group 1 displayed a greater sense of wonderment at the toys. This was evidenced in their frequent questioning and awe at the new kinds of toys in front of them.
• However, group 2 showed greater evidence of media-influenced play and tended to re-capitulate previously heard stories and images. This would seem to suggest that literal toys elicit an externally imposed or socially-inculturated theme rather than a deeper interior response.
Implications
• Imagination lays the foundation for the spiritual and intellectual growth of the person and thereby leaves the possibility for progress within society.
• In education, teachers should provide opportunities for the exercise of the imagination.
• Educators should be aware that media, because it imposes an external influence on the child which he receives passively, it does not allow the child to develop an inner-life.
Evaluation• During Interviews
– Noise in room/ distractions– Variable temperaments/ personalities– Inconsistency in following script verbatim– Uneven distribution of children to person interviewing
• After Interviews (while analyzing data)– Data was highly variable– Sample size too small to be statistically significant– Time was limited
– Although our study may not be scientifically accurate, it can provide the foundation for further research.