saturday 13th june 2020 mendip auction rooms, rookery farm … 2020... · 2020. 6. 11. · your...

Saturday 13th June 2020

Mendip Auction Rooms, Rookery Farm

Binegar, Radstock

Somerset BA3 4UL

Your Local Property Experts

Providing a Range of Services to all Property Sectors

Chew Magna Office

5 South Parade, Chew Magna, BS40 8SH

Tel: 01275 333993

E. [email protected]

Wells Office

10 Sadler Street, Wells. BA5 2SE.

Tel: 01749 671172

E. [email protected]

Thursday 18th June Sporting & Fine Wines

Tuesday 23rd June Victorian & Later Effects

Tuesday 7th July Victorian & Later Effects

Saturday 11th July Antiques & Collectables

Future Sale Dates

Online Sale of Antiques, Fine Art &

Collectors’ Items

Saturday 13th June 2020

at 10am

On view at the salerooms by appointment

Wednesday 10th June 10am – 5pm

Thursday 11th June 10am - 5pm

Friday 12th June 10am - 6pm

Live internet bidding is available on

Mendip Auction Rooms

Rookery Farm

Binegar

Somerset BA3 4UL

Tel: 01749 840770

enquir-

Front cover: lot 598

This page: lot 25

BIDDING

We accept commission, telephone and online bidding. The sale is online only and no room presence is allowed.

Bidders are required to register before the sale commences either directly with us or online (if bidding online) and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

Commission and telephone bidding

Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyer’s premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers will prefer the first bid received. Please enquire in advance about our

arrangements for the leaving of

commission bids by telephone.

Online bidding

The Mendip Auction Rooms offer an online bidding service via the-saleroom.com and mendipauctionrooms.co.uk. In completing the bidder registration on either website and providing your card details and unless alternative arrangements are agreed with the Mendip Auction Rooms you:

(1) authorise Killens and the Mendip Auction Rooms, if they so wish, to charge the card given in part or full payment, including all charges, for items successfully purchased in the auction, and

(2) confirm that you are authorised to provide these card details to us through either website and agree that Killens and the Mendip Auction Rooms are entitled to allow the goods to be shipped to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% charge plus VAT at the rate imposed on the hammer price and any purchased via mendipauctionrooms.co.uk will be subject to an additional 3% charge plus VAT.

Credit Cards

Please note that Killens and the Mendip Auction Rooms accept debit cards but do not accept payments by credit card.

HOW TO FIND US

Mendip Auction Rooms is a limited company (number 09771739).

A list of members may be inspected at the registered office:

Bishopbrook House, Cathedral Avenue, Wells, Somerset. BA5 1FD

SPORTING & FINE WINES Thursday 18th June at 6pm Viewing (By Appointment):

Wednesday 17th June & Thursday 18th June

VICTORIAN & LATER EFFECTS

Tuesday 23rd June at 10am Viewing (By Appointment):

Friday 19th June & Monday 22nd June

UPCOMING SALES

BUYER’S PREMIUM

The ‘Conditions of sale’ oblige buyers to pay a buyer’s premium at 15% (plus VAT) on the hammer price of each lot purchased.

METHODS OF PAYMENT

Payment is accepted by cash, cheque, debit card or bank transfer. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our office in advance of the sale if other methods of payment are envisaged (except cash). Telephone bidders must pay either by bank transfer prior to collection of lots or by debit card, cheque or cash in person prior to collection of goods. Please note that we do not accept credit cards.

COLLECTION AND STORAGE

Please note what the ‘Conditions of sale’ state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

We do not provide a packing and dispatch service. We recommend Mailboxes of Bath, please find their details below and contact them directly for quotes on packing and shipping:

Mailboxes of Bath

01225 483777

[email protected]

Lot 14 A Tiffany Carousel figure of a camel Estimate £800 - 1200 (plus BP at 15% excl VAT)

Lot 494 A leather ladies travelling dressing case Estimate £500 - 600 (plus BP at 15% excl VAT)

Lot 55 A stainless steel 'Camaro Heuer' wristwatch Estimate £800 - 1200 (plus BP at 15% excl VAT)

Lot 412 A William IV mahogany cellarette Estimate £500 - 700 (plus BP at 15% excl VAT)

CATALOGUE

1 A cut glass globe scent bottle with pull off silver cap, 11cm high, with another 20 – 30 2 A pair of filigree white metal and glass table salts in the form of peacocks with folding wings and with one spoon, 7cm high 30 – 50 3 A small silver hemispherical bowl, the body heavily repousse decorated with two oval cabochon cartouches underneath marquess' coronets and bands of rococo C scrolls over a similarly decorated trumpet foot, London 1878, 8cm high, 175 grams 60 – 80 4 A pair of small silver cake baskets, of shaped oval form, decorated with four pierced panels of scroll work and butterflies, Sheffield 1951, 5cm high, 236 grams 150 – 200 5 A silver one piece wine funnel, of plain form with reeded edge, London 1812, 14cm high, 81 grams 100 – 150 6 A silver bachelor three piece tea service, modelled on the Glas-tonbury bowl (discovered by Arthur Bulleid in the Iron Age lake village there in 1914), of rounded form, applied with banding of hemisphere motifs and raised on ball feet, by J Gillmore, Birmingham, 1930 and other dates, 11cm high, 480 grams 100 – 150 7 A round silver teapot, of very plain form, with a slightly domed cover over a flat top and a baluster body, by Weir & Sons, Dublin 1913, 11cm high, 726 grams 350 – 450 8 A cased 19th century mother of pearl and electroplate six setting dessert service comprising : six fruit knives, forks and tea spoons, engraved with rococo leaf scrolls and shell work, the knives 19.5cm long, in hinged cream satin and purple velvet lined case 20 – 30 9 A group of assorted silver flatware, in the Hanoverian, Old English and Fiddle patterns, comprising : six teaspoons, two dessert spoons, two dessert forks and two table forks, the latter Sheffield 1904, 399 grams total 100 – 150 10 A silver and tortoiseshell Harlequin dressing table set, comprising : a hand mirror, two brushes, two dressing jars and a hair pot, the mirror 26cm high, one jar un-marked 30 – 50

11 A Christopher Dresser style silver toast rack with saltire divisions, of plain square section, raised on ball feet, by Hunt & Roskell, London 1874, 11cm high, 338 grams 80 – 120 12 An American electroplated insulator jug of large proportions, with domed cover over a plain cylindrical body, with bands of scrolling foliates and bead work, with a plain ceramic lined body, 28cm high 20 – 30 13 A ladies loaded silver dressing set, comprising : a hand mirror, two brushes and a comb, decorated with the Reynold's Angel Heads, by Broadway & Co,Birmingham 1977, the mirror 23cm long 30 – 50 14 A Tiffany Carousel figure of a camel, designed by Jean Moore, marked Tiffany & Co, Sterling, 925, 491 grams, 8.5cm high x 9cm wide x 5cm deep 800 – 1200 15 A 19th century Japanese two piece round ivory box, the pull off lid engraved with three lions, 4cm high x 6.5cm wide, together with a small purse in white metal frame set with two ivory panels 40 – 60 16 A tortoiseshell and cut glass ink stand with silver mounts, the domed hinged cover over a plain bottle with cut base on an oval tortoiseshell base with pen recess and ball feet, London 1923, 13cm x 19cm 30 – 50 17 A group of five silver and white metal cut glass dressing jars, two gilt finish, two un-marked, the largest 10cm high, 53.3 grams weighable 30 – 50 18 A group of six silver and white metal mounted cut glass items, to include a salt and a hair tidy, 22.5 grams weighable 30 – 50 19 A group of six silver and white metal mounted cut glass items to include a hair tidy, 28.5 grams weighable, one lid stuck 30 – 50 20 A cut glass and silver ink stand, the glass base shaped like a life size horseshoe, set a central reservoir with a plain pull off cover and two cut out pen rests, London 1926, 7cm high x 13cm wide x 14 cm deep 20 – 30

6

Please note: Buyers Premium at 15% plus VAT is payable on each item in addition to the hammer price

21 A collection of seven pairs of silver earrings of variable designs. Gross weight: 33.8 grams 30 – 50 22 A group of seven assorted silver thimbles, 33.4 grams, and two un-marked 30 – 50 23 A group of ten assorted pill boxes, to include cloisonné and stone set, two stamped Alpaca Mexico 30 – 50 24 A cased three piece carving set, comprising : knife with serrated blade, fork with folding safety guard and a steel, all set with horn handles in white metal mounts 20 – 30 25 A silver teapot of flat panel octagonal form and domed cover, applied with a fruit wood handle and knop, London 1922, 26cm wide, 692 grams (total) 250 – 350 26 A pair of silver bowl shaped salts with Wrythen semi fluted bodies and decorated edges, by Walker and Hall, Sheffield 1895, 3.5cm high, together with six silver Hanoverian and Old English pattern tea spoons, 154 grams (total) 20 – 30 27 A cased six piece cruet set, comprising a silver covered mustard and two salts, of rounded rectangular form, with semi fluted bellied bodies, marks rubbed, with three plated salt spoons, 138 grams 50 - 70 28 A silver two flying handled Monteith style trophy, the handles cast as stylised dolphins over an undulating rococo rim, the rounded body with an applied band and set on a shaped base, by the Alex Clarke Co, Birmingham 1938, 20cm high, 1478 grams 600 – 800 29 An Asian glass bitters bottle of dimpled triangular form, overlaid in a white metal sleeve, with pierced decoration and engraved with pagodas, stamped Sterling, 11cm high 40 – 60 30 A plain rectangular form engine turned silver cigarette case with gilt interior, Garrard & Co, Birmingham 1942, 12cm x 9cm, 183 grams 100 – 150 31 – 39 No Lot

40 A ladies white metal and enamel small form evening cigarette case, the cover basse taille engraved and enamelled in translucent green, the back with engine turning, stamped 925, 8cm x 5cm, together with a bakelite style cylindrical minaudiere 20 – 30 41 – 47 No Lot 48 A composition two piece round form snuff box set to the top and base with panels commemorating Charles Fox, 3.5cm high x 5cm wide, together with a rectangular wood snuff box, the cover decorated with a print of a fox hunt kill 100 – 150 49 No Lot 50 A proof Sovereign, dated 1979, in case 200 – 250 51 A white metal Edwardian style pendant principally set with an oval cabochon cut black opal and surrounded by milegrain set round brilliant cut diamonds measuring from 1.00mm to 1.50mm. Suspended from a filed rope link chain. Pendant tested as Platinum; Chain hallmarked 18ct gold. Offered for sale with a gem testing report dated 15th September 1988 stated as natural homogeneous opal weighing 34.52cts. Gross weight: 18.6 grams 15000 – 20000 52 A collection of jewellery to include: An amethyst and blue topaz line bracelet, Stamped 925; A pair of three stone blue topaz drop earrings, tested as 9ct; A pair of peridot and pearl drop earrings, tested as 9ct; A single stone peridot ring size M, hallmarked 9ct. Gross weight: 18.3 grams 150 – 250 53 A 9ct gold cased Longines wristwatch. Analogue dial with baton markings and second hand dial. Black leather strap with pin buckle. Manual wind movement. Case stamped 9.375. NB: Case back not opened 36.0 grams 150 – 200 54 A white metal single stone pair of stud earrings. Each set with an oval cabochon cut black welo opal. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.5 grams 40 – 60 55 A stainless steel 'Camaro Heuer' wristwatch. Silver dial with chronograph functions; manual wind movement; stainless steel bracelet. NB: Case back not opened. 85.2 grams 800 - 1200 56 A 19th century yellow metal brooch, of rounded square form, set applied wire work decoration, centred with a carved bone Chinese panel of figures in a landscape, 5.5cm square 40 – 60

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57 A white metal single stone ring set with a round faceted cut cubic zirconia. Hallmarked 9ct gold. Size: M 2.3 grams 30 – 50 58 A white metal bracelet set with fourteen round faceted cut emeralds and finished with round brilliant cut diamonds. Estimated total emerald weight: 3.22cts. Estimated total diamond weight: 1.71cts. No hallmarks - stamped 18K Pico R4.93. 15.7 grams 2500 – 3000 59 A 9ct yellow golf fancy link chain, 46cm long, set a further small section of chain from which is suspended a small 9ct yellow gold plain latin cross, 5.82 grams 50 – 70 60 A collection of two watches o include: A 14ct gold cased IRL ladies watch; A stainless steel Tissot watch. Gross weight: 40.5 grams 40 – 60 61 A single strand of cultured pearls. 85 pearls measuring from 7.50mm to 8.00mm; strung knotted and finished with a hallmarked 9ct gold pearl set clasp. Strand length: 29 inches. Offered for sale with 12 additional loose pearls. Gross weight 68.1 grams NB: Pearls untested 220 – 250 62 A yellow metal pair of oval linked cufflinks with engraved design and chain fittings. Hallmarked 9ct gold, Chester, 1910. 9.1 grams 100 - 150 63 A white metal necklace having a centrepiece design and set with emeralds and diamonds. Suspended from a trace link chain, bolt ring clasp. No hallmark - tests indicate 18ct gold. Estimated total emerald weight: 0.50cts. Estimated total diamond weight: 0.35cts. 3.9 grams 1400 – 1600 64 A collection of eight silver dress rings of variable designs. All rings individually marked 925 for sterling. Size range from J to W. Gross weight: 35.0 grams 30 – 50 65 A white metal abstract filigree cluster ring. Principally set with a transitional cut diamond estimated to weigh 0.50cts. Colour: G/H Clarity: I1. Further set with calibre cabochon cut emeralds and single cut diamonds and finished with diamond set shoulders. No hallmark - tests indicate Platinum. Size: M 5.7 grams 2000 – 3000 66 A white metal floral brooch set with pear cut aquamarines and finished with diamonds. Pin and revolver fittings. No hallmark - stamped 750 for 18ct gold. 3.3 grams 300 – 500

67 A single strand of freshwater cultured pearls (untested). Thirty two pearls measuring from 13.0mm to 15.0mm; strung knotted and finished with a white gold (stamped 9K 375) sating finish ball clasp. 97.3 grams 200 – 300 68 A white metal butterfly brooch having transparent colour wings and centrally set with an oval blue topaz together with round cut rubies interspaced to the wings. Pin and revolver fittings. No hallmark - stamped 925 for sterling silver. 9.3 grams 60 – 80 69 A yellow metal four claw single stone ring together with a loose round brilliant diamond estimated to weigh 0.33cts. Colour assessed as E/F Clarity: SI1/SI2. Shank hallmarked 18ct gold, London, 1993. Size: J 2.5 grams 250 – 350 70 A pair of white metal cluster stud earrings. Each principally set with an oval faceted cut composite (glass filled) and colour treated corundum. Surrounded by round brilliant cut & baguette cut diamonds. Estimated total diamond weight 1.75cts. Colour: H/I Clarity: SI2/I1. Post and scroll fittings. No hallmark - tests indicate 18ct gold. 6.9 grams 2500 – 3500 71 A white metal round cluster ring. Principally set with an old European cut diamond estimated to weigh 0.65cts. Colour I/J Clarity: I1. Surrounded by calibre cut emeralds and finished with diamond set shoulders. No hallmark - tests indicate Platinum. Size: N 4.9 grams 1500 – 2000 72 A large pair of yellow metal stud earrings each set with a 14.0mm mabe pearl. Post and scroll fittings. Hallmarked 9ct gold, London, 1994. 12.9 grams 100 – 150 73 A collection of jewellery: A hallmarked 9ct gold belcher chain; An agate brooch; Two amethyst bar brooches. Gross weight; 14.3 grams 40 – 60 74 A yellow and white metal cluster ring. Principally set with an oval faceted cut blackish blue sapphire and surrounded by single/old cut diamonds. Hallmarked 9ct gold, Birmingham, 1985. Size: O 3.9 grams 200 – 300 75 A yellow and white metal pair of floral design drop earrings set with round cut sapphires and diamonds. Hook fittings. No hallmark - tests indicate 9ct gold. 2.5 grams 200 – 300

76 A collection of six pairs of earrings of variable designs. All individually marked 925 for sterling. Gross weight: 48.8 grams 20 – 30

8


77 A collection of six expanding bangles, all marked or hallmarked for silver. Gross weight: 37.5 grams 20 – 30 78 A white metal single stone pendant. Set with a round brilliant cut diamond measuring approximately 5.60mm. Estimated to weigh 0.72cts. Colour: K/L Clarity: I1. Suspended from a trace link chain. Pendant tests as 18ct gold and stamped 750; Chain hallmarked 18ct gold. Gross weight: 3.1 grams 1500 – 2500 79 A white metal pair of floral cluster studs. Each set with seven round brilliant cut diamonds. Estimated total weight of 1.00cts. Colour: Tinted brown. Clarity: SI1/SI2 Post and scroll fittings. Hallmarked 18ct gold, Birmingham. 2.5 grams 600 – 800 80 A yellow and white metal single stone ring. Principally set with a round brilliant cut diamond estimated to weigh 0.15cts. No hallmark - stamped 18ct Plat. Size: S ½ 3.6 grams 150 – 250 81 A single strand of graduated cherry beads. Strung plain and finished with a large silver (stamped 925) push in clasp. NB: Indicative of Amber, however untested and subject to laboratory confirmation. 58.8 grams 30 – 50 82 A single strand of cultured pearls measuring from 6.50mm to 7.00mm. Fifty two pearls strung knotted with gold rondels and finished with a diamond set clover clasp, stamped 14K 585. Additionally to the centre is a yellow gold pendant pave set with diamonds and finished with sapphires and emeralds. Pendant stamped 18K MG NB: Pearls and stones untested. 31.0 grams 1300 – 1500 83 A yellow metal dress ring of crossover design set with a 7.0mm cultured pearl and three graduated round brilliant cut diamonds. No hallmark - tests indicate 18ct gold. Size: K 3.0 grams 100 – 150 84 A 1939-60 ER II Service medal 32.5 grams (with ribbon) 40 – 60 85 A white metal pair of floral stud earrings each set with five pear cut aquamarines and finished with a central diamond. Post and large scroll fittings. No hallmark - Tests indicate 18ct gold. 4.9 grams 300 – 500 86 A yellow and white metal pair of drop earrings. Each principally set with an oval cabochon cut amethyst and surrounded by four round cabochon cut opals with an additional opal drop. Hook fittings. No hallmark - tests indicate 9ct gold & silver. 3.9 grams 250 – 350

87 A collection of eight brooches of variable designs. Gross weight: 56.9 grams 30 – 50 88 A Victorian yellow metal heart signet ring centrally set with an old European cut diamond of approximately 0.01cts. Hallmarked 18ct gold, Birmingham, 1893. Size: L 1.9 grams 80 – 120 89 A tie pin set with a 8mm white cultured pearl together with a single strand of graduated simulated pearls with base metal marcasite clasp. Gross weight: 17.6 grams 40 – 60 90 A yellow and white metal cluster ring. Set with an oval faceted cut sapphire and surrounded by single cut diamonds. Hallmark has worn - tests indicate 18ct gold. Size: I ½ 1.8 grams 250 – 350 91 A single strand of butterscotch graduated beads. Strung knotted, omitting clasp. 55.2 grams 150 – 250 92 A yellow metal abstract pendant set with a garnet suspended from a bar and link chain (stamped 9ct). Together with two loose (broken) brooch pins. Gross weight: 6.6 grams 100 – 150 93 A white metal pendant set with a round cabochon cut emerald measuring approximately 7.00mm together with an old European cut diamond estimated to weigh 0.15cts. Fixed to a fine link trace chain. No hallmarks - tests indicate 14ct gold. 2.7 grams 450 – 600 94 A WWI four medal group to 4396 Sgt H Tadd, Somerset Light Infantry, comprising the 1914 Star, the War Medal, Victory Medal and the Long Service and good conduct medal, the War and Victory medal, named to H Todd 300 – 400 95 A collection of three beaded necklaces. Gross weight: 118.6 grams 60 – 80 96 A collection of ten silver pendants of variable designs. Most are marked 925 for sterling. Gross weight: 40.8 grams 30 – 50

97 A white metal eagle brooch having transparent coloured wings and set with n oval faceted cut sapphire. Further set with marcasites and a small ruby to the eye. Pin and revolver fittings. No hallmark - stamped 925 for sterling silver. 7.4 grams 50 – 70

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98 A single strand of honey/yellow graduated beads. Strung plain and finished with a hook clasp. NB: Indicative of Amber but untested and subject to laboratory confirmation. 53.1 grams 80 – 120 99 A yellow and white metal half hoop ring set with seven graduated round brilliant cut diamonds. Estimated total weight 0.50cts. Colour: I/J Clarity: SI Hallmarked 18ct gold, Sheffield. Size: L 2.7 grams 500 - 700 100 A white metal pair of single stone stud earrings. Each set with a commercial quality oval faceted cut blue sapphire. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.6 grams 50 – 70 101 A white metal pair of single stone stud earrings. Each set with an oval cut intense blue apatite. Pot and scroll fittings. Stamped 925 for sterling silver. 1.3 grams 50 – 70 102 A white metal pair of single stone stud earrings. Each set with an oval faceted cut peridot. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.6 grams 50 – 70 103 A gold-plated open faced Waltham pocket watch. White dial with roman numerals and small second hand dial. Manual wind movement. Inner case marked for gold-plated. 103.3 grams 40 – 60 104 A white metal pair of single stone studs. Each set with a round brilliant cut diamond measuring approximately 5.40mm. Estimated diamond weight of 1.20cts. Colour: K/L Clarity: I1. Post and screw scroll fittings. No hallmark - tests indicate 18ct gold. 1.1 grams 1800 – 2500 105 A white metal pair of oval cluster stud earrings. Each principally set with an oval faceted cut pink sapphire and surrounded by round cut diamonds. Post and scroll fittings. No hallmark - tests indicate 18ct gold; stamped 750. 3.5 grams 800 – 1200 106 A white metal pair of single stone stud earrings. Each set with an oval faceted cut pale blue topaz. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.8 grams 50 – 70 107 A white metal diamond line bracelet. Set with fifty one round brilliant cut diamonds measuring approximately 3.25mm each. Estimated total weight 6.63cts. Colour: G-H-I Clarity: SI1-I1. Push in clasp with fold over safety catch. Hallmarked 18ct gold, London, 2018. 9.5 grams 6000 – 8000

108 An 800 silver cased open face pocket watch. White ceramic dial with central floral design. Roman numeral markings. Key wound movement (key supplied) personal inscription to inner case. 39.6 grams 30 – 50 109 A yellow and white metal cluster ring. Principally set with an oval faceted cut ruby (untested) measuring approximately 9.00mm x 7.00mm. Further set with ten round brilliant cut diamonds. Estimated total diamond weight; 1.50cts Colour: J-K-L Clarity: SI1/SI2 Hallmarked 18ct gold, London. Maker: TGGC Size: M 6.0 grams 2500 – 3500 110 A white metal pair of single stone stud earrings. Each set with an oval cabochon cut welo opal. Post and scroll fittings. No hallmark - stamped 925 for sterling silver 1.5 grams 60 – 80 111 A white metal cluster ring. Principally set with a rectangular cut emerald measuring approximately 7.5mm x 6.5mm; surrounded by two rows of brilliant cut diamonds and finished with diamond set shoulders. No hallmark - tests indicate Platinum. Size: M 7.6 grams 2500 – 3500 112 A white metal cluster ring. Principally set with an oval faceted cut emerald measuring approximately 10.4mm x 8.50mm. Further set with ten round brilliant cut diamonds, estimated to weigh a total of 1.50cts. Colour: H/I Clarity: SI2/I1. No hallmark - tests indicate 18ct gold; stamped 750. Size: M 4.9 grams 3000 – 5000 113 A sterling silver open face pocket watch. White dial with Roman numeral markings. Engraved case. Key wound movement (key supplied) Inner case has personal inscription. Hallmarked sterling silver, Birmingham, 1879. 46.0 grams 30 – 50 114 A white metal pair of drop earrings. Principally set with a rectangular cut emerald and surrounded by two rows of diamonds. Estimated total diamond weight: 1.70cts Finished with diamond set post and clip fittings. No hallmark - tests indicate 18ct gold. 5.4 grams 2000 – 3000 115 A pair of white metal single stone stud earrings. Each set with an oval faceted cut pale morganite. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.3 grams 50 – 70

116 A white metal abstract design panel ring. Principally set with an old European cut diamond estimated to weigh 0.95cts. Colour: H/I Clarity: SI2/I1. Surrounded by calibre cut sapphires and round cut diamonds and finished with diamond set shoulders. No hallmark - tests indicate Platinum. Size: M 4.4 grams 3000 – 5000

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117 A white metal pair of single stone stud earrings. Each set with an oval faceted cut low commercial quality emerald. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.5 grams 50 – 70 118 A collection of two pocket watches to include: A gold-plated Elgin full hunter watch with engraved case; A silver 0.935 case open faced pocket watch with key. Gross weight: 152.5 grams 40 – 60 119 A white metal fingerline cluster ring. Principally set with a square faceted cut dark blue sapphire and flanked by three round cut diamonds to each side. Further set with a surround of calibre cut sapphires and round cut diamonds. No hallmark - tests indicate Platinum. Size: M 5.4 grams 1800 – 2500 120 A white metal pair of single stone stud earrings. Each set with an oval cut pink tourmaline. Post and scroll fittings. Stamped 925 for sterling silver. 1.0 grams 50 – 70 121 A white metal pair of single stone stud earrings. Each set with an oval cut tanzanite. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.1 grams 50 – 70 122 A single strand of graduated orange tablet beads. Strung plain and finished with a hook clasp. 62.5 grams 60 – 80 123 A yellow metal pair of single stone stud earrings. Each set with a round brilliant cut diamond measuring approximately 4.30mm. Estimated total diamond weight 0.50cts. Colour: N-O (strong tinted yellow) Clarity: VS2/SI1. Post fittings with rubber backs. No hallmark - tests indicate 18ct gold. Stamped K18 0.7 grams 600 – 800 124 A stainless steel 'Eterna-matic Kontiki 20' wristwatch having a round silver dial with baton markings and date feature. Steel bracelet. 152.3 grams 50 – 70 125 A stainless steel IWC automatic wristwatch. Champagne dial with baton markings and date feature. Generic black leather strap. NB: Case back not opened. 43.3 grams 300 – 400 126 A white metal pair of single stone stud earrings. Each set with an oval cabochon cut black welo opal. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.2 grams 60 – 80 127 A white metal pair of single stone stud earrings. Each set with an oval faceted cut blue topaz. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.6 grams 50 – 70

128 A white metal pair of single stone stud earrings, each set with an oval faceted cut amethyst. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.5 grams 50 - 70 129 A gold-plated Longines automatic ultra chron wristwatch. Circular dark dial with baton markings and date feature. Generic brown leather strap. Stainless steel case back. NB: Case not opened. 42.2 grams 150 – 200 130 A white metal abstract design cluster ring. Principally set with an oval cushion cut sapphire measuring approximately 6.8mm x 6.2mm. Further set with calibre cut sapphires and finished with a domed diamond set pierced scroll design. No hallmark - tests indicate Platinum. Size: M ½ 6.0 grams 1400 – 2000 131 A group of assorted medals, to include a Somerset High Sheriff, Order of Buffalo's and two in silver 20 – 30 132 A group of eight Asian figures, comprising two wood netsuke of a dog and goose, four of men curled up into balls, a terracotta soldier and a carved wood Indian lady, 11cm high (max) 30 – 50 133 A collection of watch keys 49.9 grams 30 – 50 134 A collection of twenty costume brooches of variable designs. Gross weight: 341.6 grams 20 – 30 135 A collection of twenty costume brooches of variable designs. Gross weight: 327.2 grams 20 – 30 136 A collection of eight pairs of pierced and clip silver earrings of variable designs. Gross weight: 51.0 grams 30 – 50

137 A collection of ten silver rings of variable designs. Ranging in size from H to O. Gross weight: 29.5 grams 40 – 60 138 A collection of eight pairs of silver cufflinks of variable designs. Gross weight; 68.3 grams 30 – 50 139 A collection of ten silver rings of variable designs, ranging in size from I to P. Gross weight: 20.5 grams 40 – 60

11 Please note: Buyers Premium at 15% plus VAT is payable on each item in addition to the hammer price

140 A collection of eight pairs of silver earrings of variable designs. Gross weight: 43.9 grams 30 – 50 141 A collection of eight fashion watches of variable designs. Gross weight: 331.8 grams 20 – 30 142 A white metal pair of single stone stud earrings. Each set with an oval faceted cut composite treated ruby. Post and scroll fittings. No hallmark - stamped 925 for sterling silver. 1.7 grams 50 – 70 143 A hallmarked 9ct gold signet ring with star design, size: Q; A tested 18ct gold half hoop ring, size S. Gross weight: 6.7 grams 20 – 30 144 A gold plated Omega Geneve wristwatch. Circular gold dial with baton markings and date feature. Manual wind movement. Stainless steel case back, stamped 'waterproof' Fitted to a tan leather (Non omega) strap with pin buckle. 39.4 grams 150 – 200 145 A collection of loose gemstones, to include zirconas, quarts, garnet and rubies, stated total weight of 100.90 cts (weight given by seller) 20 – 30 146 – 150 No Lots 151 Nattler (?) a pair of hand painted miniatures of ladies in 18th century costume, decorated with floral sprays in central rounded apertures in blackened wood frames, 5cm round 30 – 50 152 Simon, An Alpine lake landscape, oil on canvas, signed lower right, framed, 99cm x 48.7cm 20 – 30 153 A hand coloured map of Somerset, engraved by William Kid, 30cm x 40cm 20 – 30 154 Rinaldi, 20th century, A canal at Venice, oil on canvas, signed lower left, titled verso. Label verso states 'W B Laisier b 1903', also signs his works Rinaldi, 71cm x 51cm 40 – 60 155 Two Church watercolours in Grisaille, one Alfred Townsend, showing the gateway of the Old Bishop's Palace, 34cm x 23cm, the other of a Choretto, 28cm x 18cm 40 – 60

156 Tom Van Oss, Summers Evening at Chewton Church, Somerset, oil on canvas, signed and dedicated lower left, signed titled and dated 1940 verso, 49cm x 64cm 80 – 120 157 Beryl Cook, lithograph, Sultry Afternoon, edition 692/850, signed, published by Alexander Gallery Publications Ltd, Bristol, 57.5cm x 46cm, unframed 30 – 50 158 George Deakin, Landscape, oil on canvas, signed lower right, 40cm x 51cm 30 – 50 159 Wembley Street scene, pencil, signed 'TWB' and dated April 23 '81 lower right, framed and glazed, 14cm x 9cm (excluding frame) 20 – 30 160 A pair of 1920's paintings on fabric of Japanese landscapes, 24cm x 60cm 30 – 50 161 E Wimperis, A scene on the Downs, watercolour, initialled lower left, 24cm x 18cm 30 – 50 162 A group of five watercolour costume designs for a production of The Cunning Little Vixens at the Royal Opera House, by William Dudley, 42cm x 29cm 20 – 30 163 John Burnham, Yellow Boat watercolour, signed lower right and titled verso,43cm x 53cm, together with a print in ebonised and gilt frame, 62cm x 63.5cm overall 60 – 80 164 Tass Bell, Swans in flight, screen print, 40cm x 65cm, together with another of a phoenix, 43cm x 37cm 30 – 50 165 Edwin Galea, Views of Malta, watercolours, set of three, signed and dated 1960, overall 15.5cm x 10cm. 30 – 50

166 Hoerp, A hilly landscape, oil on board, signed lower right and dated '92, 15cm x 22cm 40 – 60

167 19th century school, Cottage in a landscape, oil on canvas, inscribed 'A Hampshire Homestead/Rb' within a giltwood frame, 34cm x 29cm 40 – 60

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168 A silhouette of a gentleman in Regency costume, facing to the left, in a mahogany frame carved with gilded flower heads, the back marked Edward Wallis, 11cm x 8cm 30 – 50 169 Two Putti prints of warring scenes, after the originals by Lady Beauclerk and engraved by Bartolozzi, dated 1972, in oval gilt gesso frames, 16cm x 18cm 30 – 50 170 Diana Lane (Australian artist working in the 1950s), Paddington, oil on board titled verso,11.5cm x 10cm, together with Hunters Hill, Sydney, oil on board, titled ''verso'' 11.5cm x 10 cm (2) 30 – 50 171 J.Mace, Provence, View from the Esterell Hills after a storm, watercolour, signed and dated 1932 lower right, 26cm x 36cm 60 – 80 172 Ware Brown, Figures in a landscape, watercolour, signed lower left, 23.5cm x 33cm 60 – 80 173 Diana Lane, (Australian artist working in the 1950s) Paddington Terraces, oil on board, signed and titled verso,11.5cm x 10cm. together with Sydney, oil on board, signed and titled verso, 11.5cm. x 10cm. (2) 30 – 50 174 19th century school, The Lake District, watercolour, 26cm x 40cm 20 – 30 175 Rage Gini, Putto,gouache, signed lower right,18.5cm x 34.5cm. 20 – 30 176 Continental School, Still Life, a vase of flowers, oil on canvas, 34cm x 24cm 20 – 30 177 W Goodman, The Ploughing Team, watercolour, signed lower left and dated 1935, 22cm x 32cm 40 – 50 178 Cleve roll studies, sketches with a brush watercolour, signed on mount and titled, 40cm x 29cm 20 – 30 179 Brian Moreton, a spaniel in a garden, oil on canvas, signed lower right, 24cm x 28cm 20 – 30

180 Henry Bright (1814- 1873) A woman making yarn, pencil and watercolour, signed with the initials and dated 1850, 20cm x 14.5cm 30 – 50 181 Becker, Extensive landscape, oil on board, signed lower right, 45cm x 143cm 50 – 70 182 19th century, Couple on a beach, over painted print, 37.5cm x 54cm 40 – 50 183 Helen McKie, Moonlit scene of Mont St Michel, bodycolour, signed lower right, 49cm x 38cm with a selection of other works from the archive of the artist, to include some military studies 20 – 30 184 Rene Marie Dujardin, Anchored ships, oil on board, 15cm x 20cm 20 – 30 185 M R Lough (?), Fore shore at Maldon, Essex, watercolour and bodycolour, signed and titled to mount, 23cm x 35cm 20 – 30 186 English school,19th century, Portrait of Admiral Lord Nelson, oil on canvas,18cm x 16cm. 80 – 120 187 Richard Temple, a Continental Tavern scene, oil on board, signed lower left, 29cm x 45cm 20 – 30 188 C. Hughes, A pair of fruit Still lives, watercolour, signed lower right, 19.5cm x 12cm 30 – 50 189 Dennis Parsons, a set of three golfing prints : Sunningdale Golf Course, Wentworth Golf Course and The Belfry Golf Course, coloured prints, signed in pencil, lower right to the mount, 12cm x 29cm 30 – 50 190 P F Poole, watercolour, sketch of a seated lady knitting, signed P F Poole, bottom left, 24cm x 17cm 80 – 120

191 Richard Easton, after Francis Wheatly, Preparing for market, coloured mezzotint, 44cm x 54cm. 20 – 30

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192 18th century style English school, A lady with a basket of flowers, resting in a landscape, oil on canvas,72cm x 56cm. 200 – 300

193 A Victorian reverse painting on glass of Grasmere Lake, within giltwood and veneered rectangular moulded frame, 59.5cm x 39cm 30 – 50

194 Continental school, early 19th century, Figures in an extensive landscape, oil on panel, 20.5cm x 37cm 80 – 120

195 After Robert Taylor, Hurricane Scramble, coloured print, signed by the Pilots in pencil, authentication certificate verso, num-bered 484/2000, 53.5cm x 78.5cm 30 – 50 196 Andrew Ellis, born 1971, 'Lanner Falcons', gouache, signed and dated 87 lower right, 36.5cm x 48cm 80 – 120 197 19th century British school, Bringing in the Catch, oil on canvas, 53cm x 28.5cm 20 – 30 198 A J Wilson, Street scene with a windmill, watercolour, signed lower left, 26cm x 33cm 20 – 30 199 A portrait of Lieutenant General Sir George Montague Harper, KCB, DSO, CB, oil on canvas, within giltwood and gesso frame, he commanded the 51st Highland Division (1914-18) and Southern Command (1921-22), together with a framed crest of the Harper family, two red wax seals, a marriage certificate, documentation and photograph relating to Sir George, 60cm x 50cm 100 – 150 200 A 'Harry Potter and The Half Blood Prince' Poster, in two parts, 256 cm x 153 cm 30 – 50 201 English School, Portrait of a lady in 18th century style, watercolour, in gilt locket frame, 11cm high x 6.7cm wide 60 – 80 202 A group of four Ackerman chromolithographs of The Four Seasons, 47cm x 89cm 30 – 50 203 A Royal Crown Derby Imari pattern composite part tea service, circa 1900, printed and impressed marks, comprising : two circular dishes, an octagonal section teapot and cover, a hot milk jug and cover, a similar sugar bowl and cover, four tea bowls and four saucers 60 – 80

204 A collection of vintage toys, building blocks etc, to include a boxed set of Lot's solid stone building bricks, a boxed set of 19th century wooden building blocks, Puffin books and other items 20 – 30 205 A miniature cider press, of traditional form, in light wood and iron, mounted on a board, 55cm high 20 – 30 206 Vintage Hornby Dublo, an assorted collection of 00 gauge model railway train set, to include a RD No 848012 Lner London North East Railway 9596 tank loco in green livery 20 – 30 207 A French (Sainte Suzanne) brass eight day clock, with bevelled glass panelled top and sides, on plinth base, with carrying handle, 12.7cm high 30 – 50 208 A brass cased carriage timepiece with platform lever escapement, in a brown leather case, 11cm high x 8cm wide x 6cm deep 30 – 50 209 A Victorian velvet cricket cap, embroidered in metallic thread with the date 1894 below the monogram CMMP (?), with loose metallic thread tassel, together with a pair of glasses and oval ebonised hinged case inlaid with mother of pearl star ornament 30 – 50 210 A French brass eight day carriage clock, of serpentine form, the white enamel dial with black numerals, the sides and top with bevelled glass panels, with level escapement, scroll handle and bun feet, with setting key (overhauled), 15cm high 80 – 120 211 An 'Imhof' brass rectangular section carriage clock, eight day with fifteen jewel lever, the white dial with black Roman numerals, with reeded brass columns, two glass side panels and carrying handles, with integral winder, on bun feet (overhauled), 15cm high 60 – 80 212 A collection of Hornby 0 gauge parts from a train set, including a turntable, curved and straight tracks, buffer stops and wagons; together with two German coaches 60 – 80

213 A set of Sir Walter Scott's 'The Edinburgh Waverley Novels', limited edition examples, numbered 282 of 1040 copies, comprising 48 volumes, printed by T & A Constable, Edinburgh University Press, 1901 40 – 60

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214 A 19th century gilt metal scent bottle, the cylindrical case moulded with rococo 'c' scrolls, the hinged cover opening to reveal a glass stopper, 6cm high 50 – 70 215 A group of six coloured drinking glasses, comprising : a pair of amber-tinted Wrythen moulded wine glasses with pierced serpent stems, a purple-tinted slender baluster vase, a straw-tinted goblet of fluted form applied with raspberry prints to the baluster gadrooned stem, a pale-green tinted goblet with raspberry prints and an engraved hock glass with amber-tinted stem, the vase 23.2cm high 20 – 30 216 A Parsley's (Bristol Hats, A A Whyatt) black silk top hat, with a Battersby (Stockport) card hat box and cover, 31.7cm wide overall 30 – 50 217 A Black Forest style carved figure of a walking bear carrying a salmon in its mouth, 15cm high x 25cm wide 60 – 80 218 Two Royal Worcester saucers decorated with painted fruit, signed by Ayrton and Moseley, 14.5cm diameter 30 – 50 219 A Copeland and Garrett agate ware shaped rectangular bombe form two handled foot bath, 19th century, applied white pad mark to base (cracked), 47.5cm wide 80 – 120 220 A pair of Baccarat dolphin candlesticks, each with engraved ruby-tinted engraved flared shades, with petal-cut drip pans, supported on frosted stylised dolphin stems, on domed feet with petal-cut footrim, 51cm high (2) 400 – 600 221 A Howard Charles Masham pottery sculptural figure of an elongated figure wearing a hat, scarf and long coat, inspired by L S Lowry, 24.4cm high 40 – 60 222 A Victorian Grand National 'Emblem' 1863 horn and metal-mounted circular snuff box and cover, inscribed 'EMBLEM/the first mare to win the Grand National Steeplechase/1863', with screw top showing the horse race, 6.7cm diameter 100 – 150 223 Two Moorcroft small dishes, comprising 'Rock of Ages' circa 1998, printed and painted marks, and another 'Spiraxia' pattern example, 15.7cm diameter 30 – 50 224 A propeller block, adapted to take a clock movement, 28cm high 40 – 60

225 A John Parker cornet, no. 27/sws in silvered brass, with case and mouthpiece, 36cm long 30 – 50 226 A German violin, in the style of Joseph Guarnei, with printed label to interior, circa 1890-1910, with two bows, one Chinese and one probably German, with silver coloured and mother or pearl mounts, in a red case, labelled for J T L, 59cm long 50 – 70 227 A Victorian walnut and marquetry inlaid violin case, inlaid with a flower head within quatrefoil cartouche issuing foliate scrolls, with fretwork brass handle, the hinged cover revealing three hinged boxes, together within a mother of pearl inlaid bow (with key). 77cm long 150 – 250 228 Three Australian Aboriginal boomerangs, two with incised linear ornament, the third with provenance note dating the boomerang to the 1880/90's, belonging to Frank Ernest Mayger, together with a carved wooden ladle, with notched cut ornament and handle pierced with zig zag 40 – 60 229 A Mdina 'Maltese blue and yellow' glass globular vase, with bulb formed neck, incised mark to base, 12.2cm high 20 – 30 230 A black slate clock with double pediment top and marble accents over a round cream Arabic dial, 25cm high 20 – 30 231 A Steiff 1985 limited edition teddy bear 'Dicky 1930 Replica', No 8625 of 20,000, fully jointed, with glass eyes, metal button and limited edition label to ear, with original label, box and certificate, approx 33cm high 30 – 50 232 A late 19th century Royal Worcester sweetmeat dish, modelled by James Hadley with a figure in the style of Kate Greenaway, printed marks, 18cm high x 16cm wide 30 – 50 233 A 19th century blue glass mug painted in enamels and gilt, with loop handle and pontil mark, 11cm high, together with another similar example painted with grape vines in cream enamel, 11cm high 30 – 50 234 'Domesday Book', three volumes : Alectro Historical Editions, London, 1987, 'Studies', 'Introduction & Translation', and 'Folios & Maps' 30 – 50 235 A Royal Brierley Studio iridescent pink art glass vase, etched mark, 21cm high 20 – 30


236 A metal and enamel telephone sign, of rectangular form, inscribed 'You may telephone from here' in bold white lettering on a blue ground, 47cm wide 60 – 80 237 Two Staffordshire pottery treacle glazed Toby jugs and a teapot and cover, 19th century, comprising : a Toby jug with a hat forming a cover, a mottle glazed Toby teapot and cover and a Lady Toby jug (hand/arm detached), 24cm high (max) 50 – 70 238 A Continental brass carriage clock, with cream enamel dial surrounded by elaborate scrolling filigree fretwork of scrolling flowering tendrils, with bevelled glass sides and top, 12cm high 100 – 150 239 A Chinoiserie lacquered metal rectangular tray, inlaid with mother of pearl and gilt with figures and attendants around a table, the border gilt with lattice and flowers, 15.7cm high 30 – 50 240 A Chinese gilt bronze small two handled censor, of lobed circular form, on three feet, with six character seal mark, 9cm wide 20 – 30 241 A Wedgwood 'Waverley' pattern tea and dinner service for six place settings 80 – 120 242 An 18th century sampler by Mary Bright, depicting verses, flowers, moths, birds and a dog, 38cm high x 31cm wide 20 – 30 243 A collection of 20th century stamps in six albums 20 – 30 244 A collection of assorted GB stamps, contained in two albums 20 – 30 245 A Continental gilt metal mantle clock and glass domed case, the clock flanked by a flag bearing soldier on rocky ground, the barrel shaped clock with enamel dial and Parisian striking movement with pendulum and key, on rocaille cast stand on ebonised base with glass dome, 39cm high 60 – 80 246 An Elgin of Enfield dolls house furniture suite, comprising : a rectangular dining table, four dining chairs and a carver together and a sideboard, stamped marks, together with three miniature metal goblets, three spoons, a circular two handled tray with floral inlay and a pair of miniature ivory coloured binoculars inscribed 'Rhyl' 20 – 30

247 A boxed set of wooden Palace building bricks, including columns, pediments and plain building blocks, fitted in a wooden box with original label, 33.5cm x 22.5cm 30 – 50 248 A Wedgwood 'Flying Cloud' Georgetown collection part-dinner service, 20th century, printed red marks, with 'the clipper' Red Jacket 1853, comprising : six soup plates, fifteen dinner plates, seventeen luncheon plates, twelve dessert bowls, an oval sauce boat with integral stand, four octagonal serving bowls in sizes and two octagonal serving dishes in sizes 30 - 50 249 A reproduction tin plate Rolli 230, boxed 30 – 50 250 An Elliot eight day gilt and mahogany mantel clock, retailed by 'Garrard & Co, London', in the 18th century style, the gilt metal and steel dial with Roman numerals, named for Elliot, London, with brass carrying handle, with integral winder (overhauled), 23cm high overall 60 – 80 251 A horn walking stick, made in fourteen tapered and bulbous sections, the handle with metal inlay lines, 95cm long 30 – 50 252 A Jennens & Bettridge style shaped cartouche form tin tea tray, finished in black and highlighted in gilt with bridged pavilions in a water garden, set with mother of pearl accents, 62cm high x 80cm wide 30 – 40 253 A vintage photograph album containing photos of travels through India, circa 1956, locations including Shillong, Amingaon and Tocklai, 38cm x 28cm 30 – 50 254 Three Japanese swords, the pierced gilt metal tsuba cast with dragons and pained in blue, the pommel similarly decorated, the handle mounted with blue and gilt thread, with black and gilt lacquered scabbard, graduated in sizes and mounted on an ebonised stand, the longest 103cm long 60 – 80 255 A carved Chinese pale celadon jade belt hook, the s-formed body carved with a dragon's head hook above scrolls, the underside with a circular button, 11cm long 60 – 80

256 A late Regency pottery pot pourri vase, of urn form, polychrome decorated with Bucolic scenes with a farmhouse with a bridge over a river, the lift off pierced cover with crown finial, similarly decorated the body set two applied gilt chicken head handles and raised on a beaded base, 13cm high 20 – 30

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257 A mid 19th century wheel engraved glass presentation rummer, the ogee bowl decorated with a two masted merchantman, fruiting vines and a vacant cartouche, later diamond engraved , 'D & M Carter, Broadwater, 1864' and 'Champion of Shoreham' to the vessel, 16cm high 50 – 70 258 A South Sea style club, with chip carved decoration to the top and the flared handle, 90cm long 80 – 120 259 An edition of the Radio Times for the week covering the 21st to 27th November 1964, the cover illustrated for an episode of Dr Who and the Daleks, 32cm high x 25cm wide 150 – 250 260 A 19th century miniature specimen ivory abacus puzzle, in a glass hinged case, 6cm high x 12cm wide; together with a Chinese fretwork puzzle, with triangular shaped pieces carved with lotus and scrolls, with figural cover (cracked in two); and a carved mantilla style ivory hair comb, the flared top carved with Chinoiserie flowers and stars with four combs 20 – 30 261 An Edwardian black painted wood rocking horse, early 20th century, with chestnut mane and leather saddle and bridle, on white painted stand, 100cm high x 108cm long 100 – 150 262 A framed collection of military badges, to include : 'Royal Hampshire', 'Royal Corps of Transport', 'Royal Scots Dragoon Guards', 'Duke of Edinburgh's Royal Regiment', RAF, all in a Griffin & George Ltd glazed hinged display case, together with a box of loose military badges - the cabinet 48cm high x 48cm wide x 7cm deep 30 – 50 263 A Mdina glass abstract flat backed sculpture, with turquoise, brown and green inclusion hints, on a rock work style base, incised marks, 23.5cm high 20 – 30 264 A Mdina glass square section bottle vase, incised marks, dated 1977(?). With turquoise, green and brown inclusion tints, 20.5cm high 20 – 30 265 A Royal Crown Derby Imari pattern urn shaped vase and cover, 20th century printed red marks, pattern No 1128, with richly gilt pierced finial and handles, painted with Chinoiserie flowers (urn cracked), 18.5cm wide 60 – 80 266 A Royal Worcester baluster vase, circa 1935, printed puce marks, shape No 2471, painted with blackberries and autumnal fruits, gilt rims (restoration and cracked), 15cm high 60 – 80

267 A Moorcroft 'Clematis' pattern blue ground small oriform vase, impressed marks, with purple and yellow clematis, 10cm high 40 – 60 268 A Moorcroft 'Clematis' pattern small green ground bowl, impressed marks, decorated with a purple flower (cracked to rim), 11cm diameter 40 – 60 269 A Royal Worcester Spade fish, modelled by R Van Ruyckevelt, circa 1950, printed black marks, shape No 3579, 13.5cm high 30 – 50 270 A vintage Triang doll's pram and a doll, the pram with claret coloured double hood above a claret and white under carriage, the composition doll with red lips and cloth body, 87cm high x 102cm wide 30 – 50 271 A Tremaen Pottery, Newlyn, large abstract lamp base, Bowjey design, approx. 43cm high NB : Peter Ellery trained in fine art and ceramics at The Bath Academy of Art near Corsham. He started his career as a teacher however his dream was fulfilled when set up 30 – 50 272 A vintage Silver Cross dolls pram and doll, with navy coloured hood and undercarriage, the doll with German bisque head and composition body, 95cm high x 97cm wide 30 – 50 273 A large Studio pottery flambe glazed lamp base, circa 1970, the octagonal section base pierced with ovals, enriched in dark red and yellow glazes, fitted for electricity, 40cm high exc fittings 20 – 30 274 Culpepper's 'English Physician'; and 'Complete Herbal', volumes I and II, with botanical and anatomical plates, printed by Champante & Whitrow, London, bound with blue marbled boards (2) 100 – 150 275 A collection of seven proof coin sets, comprising : 1971, 1973, 1977, 1979, 1983, 1984, 1985, all cased/boxed (7) 50 – 70 276 A Triang electric Austin Healey 100/6 model car, in white with red interior, boxed, 20cm long ex box 20 – 30

277 A German porcelain figure group, circa 1900, blue pitchfork marks, modelled as a group of peasants before a camp fire and tree, on an octagonal base, 23cm high 80 - 120

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278 Seven commemorative coin sets, comprising : The Coinage of Great Britain & Northern Ireland, 1972, 1974, 1978, 1980, 1981, 1982 and 'Farewell to the £.S.D. System' (7) 50 – 70 279 A collection of commemorative Crowns, including : 2007 Diamond Wedding Crown, Silver Jubilee, Prince of Wales & Lady Diana Spencer 1981, the Queen Mother 1980, Winston Churchill 1965, George VI 1937, Five Shillings E II and George V 1933, other examples 40 – 60 280 A Staffordshire pottery mocha ware cylindrical mug, mid 19th century, decorated with blue and brown bands and trees, 15.7cm high 30 – 50 281 A pair of Chinese carved wood sculptures of water buffalo with a seated figure on their backs, the buffalo with horn teeth and eyes, on pierced rock work stands (2), 29.5cm long 150 – 250 282 A Staffordshire pottery figure group the Band of Hope beside a tree trunk spill vase 34.5cm high 30 – 50 283 A Queen's South Africa medal with a Cape Colony Bar to 13378 Cpl W Cook, a 1914-15 Star to 3904 Pte E A Tackley, a First World War Victory medal to 87478 Dvr J Beard with a 1939-45 Star and a 1939-45 War medal 40 – 60 284 A medal group with the Defence medal, The Service medal of the Order of St John with six bars, and two Orders of St John with associated items 100 – 150 285 A WWI medal group to : S Walsh, un-mounted, and still in the original delivery box, comprising : The 1939-45 Africa and Italy Stars with the Defence and 1939-45 War medals 40 – 60 286 A George VI Efficiency Service medal to 1441547 Gunner 1939-45, and France and Germany Stars, Defence and 1939-45 War medals 50 – 70 287 An album of approximately 170 French WWI postcards, mainly showing the effects of damage to buildings from warfare, with some other postcards 20 – 30 288 A World War II War Office information instruction pamphlet, titled 'Armoured Fighting Vehicles, British & Foreign', published by the War Office, 21st February 1940, and 'AVF, Recognition Part 1, September 1942 British & Allied Turreted AFV's instruction pamphlet 20 – 30

289 Four (two plus two) Royal Air Force First World War technical diagrams : Low Flying, Avoid Barrages and The Last Loop, dated 21/10/18 and 6/4/18, 76cm x 51cm and 51cm x 76cm, in a rigid brown carrying case marked 9B/1592 250 – 350 290 A Japanese Katana sword, with stainless steel blade, the habaki engraved with character with inter-locking metal tsuba, the pommel with character, with black metal clad scabbard, 105.5cm long 20 – 30 291 Three 1950's Dinky toys : an Austin van, a Bedford van and a Bedford truck 50 – 70 292 A 19th century German porcelain clock, with the Meissen mark, set a globe over the dial, supported by the figures of two recumbent sybils on a break front plinth, decorated with boccage and raised on eight bun feet, 35cm high x 49cm wide x 14cm deep 100 – 150 293 A William Moorcroft plate, in the 'Clematis' pattern, impressed factory marks, signed and faded paper label verso, 26cm diameter 80 – 120 294 A 19th century glass jug with applied scroll handle, the concave underside with pontil mark, 19.5cm high 30 – 50 295 A Royal Dux model of an elephant, 20th century, applied pink triangle, printed and impressed marks, naturalistically modelled walking with its head outstretched, 31cm long 20 – 30 296 A tribal carved wood fighting stick with incised linear decoration with a carved wood bat shaped shield/ceremonial paddle with chip carved decoration, 75cm long 100 – 150 297 A late 18th/early 19th century brass candlestick with flared drip pan above a domed and shaped flared foot, 61.5cm high 60 – 80 298 A large vintage theatre stage light, with mounting bracket and filter clips, 44cm high x 48.6cm wide 30 – 50

299 A carved mahogany George III style plant stand the cylindrical fluted stand supported on reeded tripod, splayed feet and base 47cm high 40 – 60

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300 An oak Robert 'Mouseman' Thompson of Kilburn chopping board, of oval paddle form, decorated with the mouse to the handle, 39cm x 20cm 60 – 80 301 An oak Robert 'Mouseman' Thompson of Kilburn rectangular low stool, the latticed leather seat on faceted baluster turned legs, linked by stretchers, carved mouse signature, 19.5cm high x 34.5cm wide x 24.5cm deep 150 – 250 302 An Art Deco style carved wood standard lamp base, decorated in simulation of chinoiserie carved ivory with figures, boats and palm trees, on a circular turned base, 146cm high 30 – 50 303 A 19th century oak chest of drawers, with two short drawers above two long graduated drawers, on straight feet, with brass oval escutcheons cast with paterae, 90.5cm high x 91cm wide x 50cm deep 40 – 60 304 A Provincial mahogany and oak tripod tea table, the tilt-top circular table above a baluster stem, on splayed tripod feet, 72cm high x 73cm diameter 30 – 50 305 No Lot 306 An oak ladder back armchair with rush seat, 19th century, with turned baluster front legs and front stretcher, 114cm high x 82cm wide 30 – 50 307 A 19th century mahogany Pembroke table, on turned baluster legs with brass caps and casters, 69cm high x 90cm wide x 48cm deep (when closed) 30 – 50 308 A Regency mahogany and brass mounted chiffonier, with two open shelves with pierced brass latticework sides above two frieze drawers and two panelled cupboard doors enclosing two adjustable shelves, with ebonised stringing and brass mouldings on spade feet, 143cm high x 101cm wide x 46cm deep 400 – 600 309 An Edwardian mahogany Saltire stool, with carved rosettes and part fluted, the legs linked by turned stretchers, overall 53cm high x 61cm wide x 46cm deep 20 – 30 310 A 19th century mahogany plant stand, the circular top-stand with shallow gallery above a turned column, carved with stiff leaves and studs above tripod legs, on bun feet, 69.5cm high x 41.2cm diameter 30 – 50

311 A 19th century mahogany tripod occasional table and a chair, the table on baluster stem on scroll tripod feet, 74cm high x 50.5cm wide, the chair with foliate and heart shaped carved splat on turned legs and bun feet, 84cm high x 37cm wide 30 – 50 312 A pine pedestal desk with plain galleried top above three frieze drawers, supported on two three drawer bases, with turned wood handles, 76cm high x 135.5cm wide x 47.5cm deep 40 – 60 313 A teak 1960's side cabinet, the top section with glazed sliding cupboard doors and a fall front door enclosing a cupboard, the lower tier with three graduated short drawers beside two sliding doors revealing a shelf on tapering splayed feet, 103.5cm high x 122.5cm wide x 46cm deep 40 – 60 314 A 19th century flame mahogany chest of drawers, the moulded top above four graduated drawers with brass ring handles, 76cm high, x 79cm wide x 45cm deep 30 – 50 315 A George III mahogany drop leaf dining table, of oval form having two leaves, on pad feet, 73cm high x 110cm deep x 129cm wide (when extended) 100 – 150 316 An oak joined side table with central drawer and brass drop handles, with shaped apron, on turned legs, square stretchers and carved feet, 72cm high x 69cm wide x 45cm deep 30 – 50 317 A French pine Louis XV style Rococo commode, deeply carved with acanthus, scrolls and flowers, with three graduated drawers, on scroll carved cabriole legs, 62cm high x 65cm wide x 41cm deep 30 – 50 318 A walnut and mahogany 18th century style bureau bookcase, with domed and arched top above two hinged astragal glazed doors with six panels enclosing two adjustable shelves, the fall front bureau fitted with pigeon holes and drawers, above four graduated drawers, on shell carved cabriole legs and pad feet, 78cm high x 76cm wide x 47cm deep 30 – 50 319 Two William IV mahogany dining chairs, with shaped bar backs above reeded splats, with upholstered drop in seats, on gadrooned front legs and splayed back legs, with turned front feet, 84cm high x 47cm wide 20 – 30 320 Two William IV mahogany dining chairs, with shaped bar backs and foliate carved uprights, on gadrooned front legs, with blue velvet upholstered seats on splayed back legs and turned front legs, 86.5cm high x 47.5cm wide 20 – 30

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321 A gilt metal six light chandelier, with six frosted glass petal shaped shades issuing from leafy and s scroll branches, with stiff leaf cast ceiling rose, electrified, 67cm high overall 40 – 60 322 An oak Globe Wernicke & Co bookcase, with two tiers, glazed and hinged doors, on moulded plinth base, applied with label 89cm high x 86.5cm wide x 31cm deep 150 – 250 323 A mahogany Dutch style display cabinet with one glazed door above a candle slide above two panelled doors on cabriole legs with shell carved knees, 180 cm high x 95cm wide x 31cm deep 60 – 80 324 A George III mahogany tilt-top tripod table, the circular top above baluster stem, on three scroll legs, 70cm high x 47cm diameter 30 – 50 325 A mahogany cross banded square two tier occasional table on turned legs, 51cm high x 61cm wide x 61cm deep 60 – 80 326 An early 20th century mahogany bedside cabinet with a drawer over two plain doors, raised on turned castered legs, 56cm high x 50cm wide x 36cm deep 30 – 50 327 An early 19th century provincial oak tripod table with round tilt top over a turned baluster raised on three fancy ''s'' scroll legs, 75cm high, 94cm diameter 30 – 50 328 A composition gilt mirror, formed with two draped putti supporting an oval plate under an acanthus cresting, 68cm high, with decoration of parading putti on a panel 20 – 30 329 A late Victorian mahogany piano stool, the rectangular button upholstered seat on turned legs linked by H stretchers, 54.5cm high x 45cm wide x 36cm deep 50 – 70 330 A 19th century carved oak corner cabinet with overall decoration with stylised flower heads and leaves, the glazed door with inter-linked carved glazing bars above a frieze door, 121cm high x 80cm wide x 44cm deep 60 – 80 331 An oak Wellington chest, set with seven drawers, with a plain top raised on acanthus brackets, on a pedestal base, 104cm high x 48cm wide x 34cm deep 30 – 50

332 A George III mahogany cross banded side cupboard with three faux drawers opening to reveal two doors, on plinth base, 92.5cm high x 46cm wide x 44cm deep 300 – 400 333 An oak rectangular extending refectory table and eight chairs, the table in 16th century style with carved gadrooned and foli-ate square section baluster supports above a gadrooned frieze, with plain cross stretcher and two scroll feet, with two leaves together with two carvers and six dining chairs, uphol-stered in floral tapestry, with turned front legs and elabo-rately carved front scroll stretchers and plain cross stretchers, 76cm high x 91cm wide x 167cm long ex leaves 60 – 80 334 A pair of Edwardian mahogany salon chairs with urn splat backs inlaid with anthemion and scroll work, raised on turned legs, 80cm high x 46cm wide x 46cm deep, with separate squab cushions 30 – 50 335 A carved and shaped mahogany rocking footstool, or traditional form, set a black label marked JSP and a dragon crest, 37cm high (max) 20 – 30 336 An Edwardian mahogany central display cabinet, of serpentine form, the glazed astragal door with eleven panels, flanked by glazed panels, enclosing two shelves, the exterior inlaid with satinwood and ebony stringing, on cabriole legs and pad feet, with key, 180cm high x 122cm wide x 41cm deep 40 – 60 337 An Indian iron bound teak wood dowry chest, with hinged top above a frieze drawer, the style legs on casters, 95cm high x 111cm wide x 67.5cm deep 100 – 150 338 A mahogany three tier cake stand with shaped handle and folding action, 93cm high 20 – 30 339 A pair of 19th century mahogany chairs, the pierced interlaced splats with drop in seats on square legs (one with a chip to the splat), 100cm high x 52cm wide x 45cm deep 20 – 30 340 A mahogany framed wall mirror, inlaid with figures and stylised foliage, with shaped crest and base, 54cm x 36cm 20 – 30 341 A 19th century rosewood three fold fire screen with carved cresting rail above bevelled glass panels above pierced panels, each panel 110cm high x 55cm wide 80 – 120

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342 A brass fender, the pierced gallery with interlocking flower heads, on paw feet, 121cm wide 60 – 80 343 A George III mahogany elbow chair with pierced interlaced splats, drop-in seats and shaped square legs, 97cm high x 56cm wide 30 – 50 344 A mahogany framed triptych dressing table with oval swing frame central section on flared feet, 70cm high x 89cm wide 30 – 50 345 A mahogany standard lamp, of baluster form with beaded borders on round stepped base, 160cm high ex shade 20 – 30 346 A George III oak tripod table, the tilt top on turned pedestal, on cabriole legs (repairs to the feet), 69cm high x 76cm diameter 20 – 30 347 A group of Royal Doulton ladies comprising : Buttercup (HN2309), Janet (HN1537), Grace (HN2318) and a figure of Treasure Island (HN2243), Grace 20.5cm high 40 – 60

348 A Victorian button back nursing chair, on carved mahogany cabriole legs, 84cm high x 50cm wide overall 30 – 50

349 A Victorian oak pedestal desk with leather inset top above three drawers, each stamped Alexander Mackenzie & Co, Glasgow, with three drawers to each pedestal and carved brackets to the reverse, 75cm high x 130cm wide x 88cm deep 250 – 350 350 A square white painted coffee table with inset glass top on Chinese style legs, picked out in gilt, 39cm high x 61cm wide x 612cm deep. 20 – 30

351 An elm round kitchen table on baluster support on three cabriole legs, 76cm high x 153cm diameter 80 – 120

352 An Edwardian mahogany ladies writing table with leather inset top, the two drawers inset with marquetry with satinwood cross banding, on square legs, 73cm high x 103cm wide x 49cm deep 40 – 60

353 A George III veneered walnut chest of drawers with satinwood stringing with two short drawers above three graduated long drawers, with brass scroll escutcheons and swans neck handles, on ogee bracket feet, possibly replaced, 97.5cm high x 96cm wide x 54cm deep 150 – 250

354 A Skovby Remote Link Television stand with remote link and two drawers, 49cm high x 95cm wide x 47cm deep 20 – 30 355 An oak console table with two frieze drawers, the square tapering legs linked by a shelf, 96cm high x 129cm widia x 45cm deep 30 – 50 356 An oak plate rack, with two shelves below a scrolled hanging apron and moulded top, 118cm high x 156.5cm wide x 29cm deep 30 – 50 357 A Victorian mahogany elbow chair with rail back, drop in seat and turned tapering legs, 95cm high x 57cm wide x 44cm deep 20 – 30 358 A pair of Victorian oak armchairs, with broken swan neck pediment, above a lozenge carved frieze, the upholstered back flanked by turned and fluted columns with the scroll arms similarly supported on carved turned and fluted legs with ceramic casters, 120cm high x 56cm wide 80 – 120 359 A hand knotted organic red dyed Bukhara rug, with a central panel of lozenge designs in a similar border, 185cm x 125cm 100 – 200 360 A set of four Victorian mahogany dining chairs with rail backs and leatherette stuff over seats, on turned tapering legs, 85cm high x 45cm wide x 41cm deep 20 – 30

361 A George III mahogany kettle stand, the galleried square top with a carved acanthus scroll frieze, raised on four cluster column legs, on stepped feet, set a shaped stretcher, 70cm high x 32cm wide x 32cm deep. 400 – 600 362 A handmade rug, with central medallion on a dark blue ground within a further medallion on a pale blue ground within a wide border, 100cm x 225cm 30 – 50 363 A rectangular wall mirror with Dutch style frame inlaid with scrolling flowering branches, 66cm x 53cm 50 – 70 364 A mid 20th century mahogany sideboard, with carved raised back above three drawers flanked by two cupboard doors on carved cabriole legs with ball and claw feet, 99cm high x 153cm wide x 53cm deep 30 – 50

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365 An Edwardian mahogany salon chair, the pierced splats inlaid in the Sheraton style with satinwood fan medallion and ivory coloured stringing, the upholstered drop-in seats with ivory fabric, on tapering feet, with turned stretchers, 86cm high x 41cm wide 20 – 30 366 An Edwardian mahogany small salon armchair, with pierced scroll top rail and oval splat inlaid with satinwood flowers, the serpentine drop-in seat upholstered in ivory fabric, on scroll legs, 77cm high x 45cm wide 20 – 30 367 An Edwardian mahogany Pembroke table, with two frieze drawers and two dummy drawers on rectangular supports linked by a shaped stretcher on splayed legs with square tapering feet, 72cm high x 80cm wide x 60cm deep 40 – 60 368 An oak Arts and Crafts style octagonal table, on four pierced legs, linked by flat stretchers, 78cm high x 126cm wide x 126cm deep 80 – 120 369 A mahogany two drawer canteen on cabriole legs, containing an Arthur Price silver plated Kings pattern flatware set with knives, mainly complete, for twelve place settings, with extras 150 – 250 370 Paul Stephens, Fisherman's Cove, Cornwall, oil on panel, initialled lower right, titled to verso, 27cm x 34cm 40 – 60 371 No Lot 372 Paul Stephens, Pulteney Bridge, Bath, oil on board, initialled lower right, 27cm x 34cm 40 – 60 373 English school, The Nightingale, watercolour, 63cm x 33cm, with a 1927 Banquet autograph sheet 20 – 30 374 A late Victorian mahogany arm chair with button back, on turned legs with ceramic casters, overall 103cm high x 65cm wide x 62cm deep 20 – 30 375 An Edwardian mahogany tub style nursing chair with padded back back over three pierced splats with acanthus carved curved supports raised on cabriole legs, 77cm high x 61cm wide x 56cm deep 30 – 50

376 J Dande, Snowy Landscape, oil on canvas, signed lower right, 50cm x 70cm 30 – 50 377 Michael Cooper, The Millers House, coloured print, signed in pencil lower right, numbered 105/250, certificate attached verso, 32cm x 42.5cm 30 – 50 378 H E Hines, Shepherd and his flock, watercolour, signed lower left, 35cm x 54cm 20 – 30 379 Schabet, Crashing waves, oil on canvas, signed lower left, 30.5cm x 41cm 30 – 50 380 An early 19th century embroidered and silkwork of a lady in a turban sat spinning yarn in an Arcadian landscape, 30cm x 23cm 60 – 80 381 Minnie Asprey, Peeling Apples, watercolour, signed and dated 19 lower right, 76cm x 44cm 20 – 30 382 An Art Deco silk work of a lady in a crinoline dress, in a garden setting with roses and hollyhocks, 53cm high x 53cm wide 30 – 50 383 Carol Neselle, Portrait of a Lady, oil on canvas, signed and dated 1971 lower right, 60cm x 50cm 20 – 30

384 No Lot 385 A framed collection of printed and written 19th century ephemera, mainly comprising clothing receipts and an 1872 dog licence, 47cm x 47cm 20 – 30 386 De La Rue & Co, London, after Morgan, 'Come Under the Mistletoe', chromolithograph, 35cm x 37.5cm 30 – 50

387 After Michael Cooper, Glastonbury Tor, Bridge over the river, coloured prints, a set of three, signed to the mount, one titled verso, 11.5cm x 16.5cm 30 – 50


388 After Michael Cooper, three prints, The Front Door, coloured print, signed in pencil lower left, signed to the mount, titled and signed label verso, 18cm x 14cm; together with Wash Day and Folle, Nr Sherbourne, coloured prints, a pair, signed in pencil lower left, 19cm x 27.5cm 30 – 50 389 20th century school, 'Pensive Pose', watercolour, indistinctly signed to verso, un-framed, 30cm x 43cm 20 – 30 390 Willy Pogany (Hungarian), 1882-1955, 'Mythological Scene', etching, signed in pencil to the margin, un-framed, 23cm x 15cm; together with an etching by Wilfred Fairclough 1907-1996, and another etching indistinctly signed (3) 30 – 50 391 Charles Spindler (French), 1865-1938, 'Gemar', marquetry panel, incised signature, artist label to verso stating 'Spindler Panel. Gemar. 1883' and Ruskin Gallery label, 20cm x 35cm Note : Charles Spindler was an Alsatian painter, marquetry inlayer, writer and photographer. He was also a supporter of Alsatian regionalism and founded several institutions for the promotion of Alsatian culture. Gemar is in Alsace 80 – 120 392 David W Haddon (British), Fl 1884-1911, 'Fisher woman Knitting', watercolour, signed on addition to backboard, 25cm x 36cm 60 – 80 393 John Davidson (Scottish), Exh 1881-1895, 'At the end of the Glen- Old Cottage, Glenlyon', oil on canvas, signed, inscribed to verso with title and further signature, 39cm x 59cm 60 – 80 394 – 399 No Lots 400 A William IV mahogany pedestal sideboard, the raised shaped back with four frieze drawers above two cupboard doors on turned bun feet, 120cm high x 178cm wide x 60cm deep 80 – 120 401 A set of four oak dining chairs with carved arched cresting rail above a carved solid splat with stuff-over seats, on turned legs with brass casters, linked by H splats 70 – 90 402 An Edwardian mahogany dining table with wind out action to encompass two leaves, on square tapering legs and casters, 74cm high x 120cm long x 105cm deep, extending to 179cm long, with leaves 40 – 60 403 A pair of George III style oak child's chair with pierced interlaced splats, drop-in seats on square legs linked by H stretchers, 77cm high x 42cm wide 80 – 120

404 A George III mahogany chest of two short and three long drawers with brass swan neck handles on splayed bracket feet, 106cm high x 106cm wide x 49cm deep 80 – 120 405 No Lot 406 A pair of chairs with leatherette studded backs and seats on barley twist legs linked by stretchers, 108cm high x 46cm wide 30 – 50 407 A George IV mahogany chest of two short and three long drawers, the brass handles with embossed back plates on bracket feet with a shaped apron, 101cm high x 110cm wide x 46cm deep 80 – 120 408 A large oak draw leaf dining table on baluster legs on octagonal block feet, 76cm high c 139cm wide x 140cm deep (closed), the leaves 54cm deep 200 – 300 409 A Victorian mahogany display cabinet with plain cornice above two glazed doors above two frieze drawers and two panelled doors on plain plinth, 204cm high x 122cm wide x 46cm deep 50 – 70 410 A late Victorian mahogany chest of three long drawers, on plinth base with later pine top, 74cm high x 92cm wide x 48cm deep 20 – 30 411 A mahogany rectangular artist's studio table, on square tapering legs, 77cm high x 183cm wide x 76cm deep 30 – 50 412 A William IV mahogany cellarette, of sarcophagus form, on carved paw feet, enclosing brass casters, (interior divisions missing), 52cm high x 66cm wide x 52cm deep 500 – 700 413 A late Victorian mahogany chest of three drawers with Art Nouveau style handles, on plinth base, 82cm high x 99cm wide x 48cm deep 40 – 60 414 A rectangular mahogany table with two drawers to either end, on square tapering legs, 76.5cm high x 183cm wide x 91cm deep 30 – 50 415 An early 20th century brass bound chest with two drop handles with Banks and Rushton lock, 1928, 36cm high x 92cm wide x 60cm deep 40 – 60


416 A set of seven Victorian mahogany balloon back chairs with carved horizontal splat, stuff over seats and turned tapering legs, (one with drop in seat and arms), 84cm high x 53cm wide x 56cm deep 50 – 70 417 A 19th century mahogany framed armchair, the shield shaped back with pierced carved crest, on scroll arms and cabriole legs, 104cm high x 58cm wide 40 – 60 418 A Victorian mahogany Pembroke table with one frieze drawer on turned tapering legs, 73.5cm high x 100cm wide x 53cm deep 40 – 60 419 A 19th century Scottish Art Nouveau mahogany Sutherland table, the supports carved with stylised flowering trees on flared feet, 59cm high x 60cm wide x 24cm 50 – 70 420 An Edwardian mahogany corner cabinet with boxwood and ebony stringing to the two glazed doors, on square tapering legs, 169cm high x 59cm wide x 37cm deep 30 – 50 421 A 19th century mahogany swing frame mirror with double bow fronted drawers on turned feet, 65cm high x 64cm wide x 25cm deep 30 – 50 422 An oak office leather chair, with arms, swivelling on four splayed legs each with casters, 77cm high x 57cm wide x 59cm deep 50 – 70 423 A pine Pembroke table with two frieze drawers on turned tapering legs, 76.5cm high x 123cm wide x 67cm wide 40 – 60 424 An Edwardian mahogany display cabinet with two glazed doors flanking a marquetry panel on square tapering legs with spade feet, 155cm high x 115cm wide x 35cm deep 20 – 30 425 A 19th century wall barometer, the oak case carved with pierced acanthus scroll work, topped with a shell, set with a clock with white enamel Roman dial, 57cm high 40 – 60 426 An Edwardian mahogany and marquetry swivel office desk chair on three scroll legs, linked by scroll stretchers, 102cm high x 39cm wide x 41cm deep 40 – 60

427 A Victorian mahogany prie dieu chair with needlework and beadwork back and seat on cabriole legs and casters, 98cm high 30 – 50 428 A set of eight mahogany dining chairs in George III style, with pierced and wheat sheaf splats, drop in seats on square legs, linked by H stretchers, 97cm high x 65cm wide (max) x 45cm deep 50 – 70 429 A Biedermeier mahogany bureau with the panelled fall front enclosing a selection of drawers above four drawers on carved flared feet, 173cm high x 99cm wide x 45cm deep 150 – 250 430 A rectangular oak table with triple plank top on square tapering legs, 76cm high x 183cm wide x 74cm high 30 – 50 431 An Edwardian mahogany revolving bookcase with boxwood stringing, the x base on casters, 115cm high x 60cm wide x 60cm deep 50 – 70 432 A Victorian pine and mahogany chest of drawers, the frieze drawer above three panelled drawers with turned handles flanked by columns, 129cm high x 116cm wide x 55cm deep 30 – 50 433 A pine two door cupboard, each door with six panels, opening to reveal four fixed shelves and panels to either side on bracket feet, 189cm high x 132cm wide x 38.5cm deep 80 – 120 434 A 19th century mahogany bow front chest of two short and three long drawers on splayed bracket feet with shaped apron, 100cm high x 100cm wide x 51cm deep 40 – 60 435 A 19th century mahogany bow front chest of two short and three long drawers with splayed feet, 101cm high x 102cm wide x 52cm deep 40 – 60 436 A late 17th century oak chest of four graduated drawers with geometric moulded drawer fronts and later brass drop handles, 92.5cm high x 96cm wide x 60cm deep 300 – 500

437 An early 20th century slate bed half size snooker table on an oak base with baluster turned legs, by R Stevens & Sons, 86cm high x 215cm wide x 112cm deep, with an indicator board 150 – 250


438 A 1970's double bed headboard with a glass shelf above a drawer to either side on ebonised turned tapering legs, 95cm high x 246cm wide x 43cm deep 20 – 30 439 An early 20th century oak plant stand, of rectangular form, with three panel division decoration, raised on plain square legs, and set with a two handed zinc liner, 72cm high x 94cm wide x 34cm deep 30 – 50 440 A Chinese Chippendale style side table in mahogany, of plain rectangular form, with shaped edge top over a frieze centred with a drop set an anthemion, with fret cut corner brackets on decorated legs, 69cm high x 91cm wide x 44cm deep 40 – 60

441 A limed Chinese chest, of rectangular form, the upper part set with five shallow drawers over two panelled doors, on a shaped bracket foot base, 92cm high x 56cm wide x 41cm deep 30 – 50

442 A late Victorian pedestal desk in walnut, the top set one long and two short drawers over three drawer pedestals, with reeded sides, 70cm high x 123cm wide x 60cm deep 60 – 80

443 No Lot 444 An oak Arts and Crafts bureau bookcase with shaped top over two glazed panel doors, the front with pigeon hole interiors over a central drawer and lopers, the shaped front set two panel doors with pierced decorated sides, 164cm high x 76cm wide (max) x 35cm deep (max) 30 – 50 445 An oak library table with leather inset top, of plain rectangular form, the frieze set a plain drawer, raised on squared legs with lower shelf panel, 76cm high x 79cm wide x 53cm deep 30 – 50 446 A Retro chest of drawers, of plain rectangular form, finished in melamine, set six uniform drawers with plain brass pull handles, raised on tapered turned legs with brass capped feet with a label for Berry Furniture, 112cm high x 80cm wide x 45cm deep 20 – 30 447 A Retro dressing table, of rounded tripartite form, finished in melamine, with central drawer under an adjustable mirror with pedestal ends, set three drawers under diptych mirrors, raised on tapered turned legs with brass capped feet with a label for Berry Furniture, 110cm high x 155cm wide (max) x 45cm deep 20 – 30 448 A Marshall mode four two part amplifier of large proportion, with a matching WAWA board, 119cm high (max) 100 – 150

449 A 20th century French side/lamp table, having a brass tripod base and octagonal agate type stone top, the octagonal top specimen quartered within a contrasting border raised on a turned baluster stem on a tripod base, 56cm high x 41cm wide 40 – 60 450 A miniature marble top cabinet, in the Continental manner, the edge with egg and dart carving, over three drawers with loop handles, raised on turned feet, 56cm high x 51cm wide x 29cm deep 50 – 70 451 No Lot 452 A Stagg electric guitar, overall 105cm long x 40cm wide 80 – 120 453 An Ariana acoustic guitar, overall 106cm long x 39.5cm wide 20 – 30 454 A Yamaha electric guitar, overall 99cm long x 32.5cm wide 20 – 30 455 A Tensor Classic Students series, 3/4 acoustic guitar, overall 91cm long x 33cm wide 20 – 30 456 A Gio Ibanez electric guitar, overall 98cm x 42cm 20 – 30 457 A horse racing gaming wheel, each segment painted with a named race horse, including 'Embargo' 'Apelle' 'Dark Japan' together with a mat similarly painted with names and odds, 33cm diameter 80 – 120 458 A large cast metal ball clock, the bleu celeste Roman dial signed, Jacob Petit, Paris 1892, under a bullseye glass, being held aloft, as a torch, by two draped classical maidens one holding a basket of fruit, the base indistinctly signed Auchon (?), 78cm high 80 – 120 459 A Hohner acoustic guitar, model MC-05, overall 98cm long x 37cm wide 20 – 30 460 A Woodstock electric guitar, in acoustic form, overall 101cm long x 37cm wide 20 – 30 461

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A Cort electric guitar, overall 95cm long x 32cm wide 20 – 30 462 An Ovation 'Celebrity delux' electric guitar, overall 106cm long x 40cm wide 20 – 30 463 A Gio Ibanez electric guitar, overall 99cm long x 34cm wide 20 – 30 464 A Topsy Mintos triangular tin, 18cm high x 23cm wide x 13cm deep, together with nine other tins 20 – 30 465 A Fender Frontman 15G amplifier, type PR 495, 30cm high 20 – 30 466 A Continental porcelain two handled jar and cover, blue marks, painted with scattered flower sprays inside gilt detail rims 11cm High 20 – 30 467 A Roland Cube 60 COSM amplifier, 43cm high 20 – 30 468 A Ministry of Defence Telescopic Viewing System, manufactured by Avimo Ltd. Taunton, type 3B, 760mm long 100 – 150 469 A pair of baluster Famille Verte vases (one cracked) and covers, painted with figures in pavilions, precious objects and mountainous landscapes, on carved wood ebonised stands, 46.5cm high (exc stands) 300 – 500 470 A gentleman's brown mock crocodile leather travelling case, set a number of silver mounted and other accessories, the cover initialled R N, belonging to belonging to Mr R Nevill, 19cm high x 50cm wide x 35cm deep 500 – 600 471 A cloisonne bowl on stand, decorated with dragons chasing the pearl on a black ground, with a four character mark to the base, 8cm high x 26cm wide 50 – 70 472 A group of Royal Doulton character jugs, comprising Tam O'Shanter (D6632), Dick Whittington, edition 1458/5000, The Juggler (D6835), 19.5cm high 30 – 50 473 An African teak wood carving of a lion pair, 27cm high, with another of two lions taking down a buffalo. 33cm high 30 – 50 474

A pair of Chinese porcelain baluster blue and white vases, decorated with a scene of a lakeside palace with an early 19th century export porcelain mug, the vases 22cm high 60 – 80 475 A brass kettle on stand, the stand stamped Skuhuna, no l, with turned wooden handle, supported on a stand pierced with heart shaped ornament, with burner, 32cm high (max) 20 – 30 476 A pair of heavy brass candlesticks, the sconces with drip pans over barley sugar twist stems raised on a ball on trumpet form bases, 80cm high 30 – 50 477 A Whitefriars 'Bark' part fruit set, in grey smoke tint, comprising : a footed cylindrical serving bowl and four footed bowls, the serving bowl 19cm diameter 20 – 30 478 A pair of early 20th century brown leather Royal Horse Artillery Officer's boots and wooden lasts set brass panels engraved Falconer L Williams Esq, Peal & Co makers, approx size 9, 52cm high 150 – 250 479 A Mason's ironstone hexagonal section water jug and basin from a late 19th/early 20th century water set, printed in blue with Watteauesque figure in parkland, Jug 29cm high, basin 40cm wide 50 – 70 480 A pair of lined curtains by Christine Waldron with Laura Ashley cotton and chenille fabric with a pale brown/fawn flower design reserved against a pale beige ground, together with a bolt of corresponding fabric 260cm long x 131cm Wide 20 – 30 481 A large woven tapestry style wall hanging, in the 18th century style, showing a courtly fishing scene, 96cm x 130cm 30 – 50 482 A Beswick pottery Beatrix Potter figure, Foxy Whiskered Gentleman, 12cm high,gold backstamp together with Timmy Willie, brown printed marks and Johnny Town Mouse, gold back stamp 60 – 80 483 A brass door stop cast as a military figure on horseback, on a stepped plinth 24.5cm high 30 – 50

484 Two Pelham puppets, a Scotsman and a man in a suit, 33cm high 60 – 80 485


Two wrought iron fireside tools, designed by Ernest Gimson and probably made by Alfred Bucknell, comprising a poker and a shovel, each with flattened terminal and twisted shafts, 73cm high 50 – 70 486 A 19th century Continental bisque porcelain oval wall panel of a nymph, 35cm high 30 – 50 487 A 19th century ebonised wood and rosewood liqueur cabinet, inlaid with brass, the cover lifting to reveal a lift out gilt metal frame set with the complete cut and gilt glass compliment of four decanters and twenty eight glasses, 28cm high x 33cm wide x 24cm deep 400 – 500 488 A ladies purple leather travelling dressing case (devoid of contents), lined with purple watered silk and marked for Walker & Hall, with gilt metal fittings and canvas slip case, 20cm high x 46cm wide x 33cm deep 40 – 60 489 A pair of Bernard Rooke stoneware lamp bases, applied and impressed with flower heads and circles and pierced fluted shades, incised BR to bases, electrified 29 cm high 50 – 70 490 A 19th century Service issue sword with the monogram of Queen Victoria, set a wired shagreen grip in a gilt metal open work guard that folds down to the left, the blade top with a Star of David motif, 97cm high 100 – 150 491 A British Light Infantry issue sword with a shagreen and wire grip in an open work guard, the blade inset a yellow metal button stamped proved, 96cm high 80 – 120 492 A Keith Murray for Wedgwood, matt green ribbed pottery bowl, 16cm high 80 – 120 493 A 19th century mahogany and bead work kettle stand of rounded rectangular form the turquoise panel decorated with roses and diaper work, 27cm high x 53cm wide 30 – 50 494 A Morocco red leather ladies travelling dressing case, lined with moire silk, marked for The Alexander Clark Manufacturing Company, 118 Oxford Street, London W, with full silver mounted contents (not all matching), calling cards for a Mrs & a Miss Lansdown of Bath Road, Cheltenham, and a Travel Journal of a journey across Europe by train to take a two week holiday in Zermatt in July 1922, the cover initialled G L in silver, 17cm high x 46cm wide x 33cm deep 500 – 600 495

A Royal Worcester Sevres style cabinet plate with a central polychrome floral panel of roses, a passion and other flowers, signed by E Phillips, on a light green ground, the border with three floral vignettes in gold rococo scroll borders and three gilt panels of rococo strap work, 22cm diameter 30 – 50 496 A pair of brass shell cases, mounted on stepped bakelite bases as table lamps, 42cm high 30 – 50 497 A pair of heavy plain glass Rodney or Ship's decanters. with quadruple neck rings and facet cut stoppers, 28cm high 40 – 60 498 A Scottish brass Arts & Crafts movement swing handle coal bucket, with tapering oval body on a plain foot, repousse decorated with stylised pine cone motifs, 33cm high x 27cm wide x 59cm deep 30 – 50 499 A group of late 19th century Indian Poonah clay and fabric figures consisting of three fishermen, two beggars and a lady carrying water in a lotha, 17cm high (6) 30 – 50 500 A pair of 19th century polychrome decorated Continental bisque porcelain figures of a gallant and his lady, she holding a hat as a basket full of flowers, raised on foliate moulded glazed bases, 44cm high 40 – 60 501 A mahogany framed arch topped swing mirror, of small proportions, on bobbin turned supports and stretcher, raised on splayed legs,44cm x 29cm 20 – 30 502 A 19th century Victorian mahogany library reading chair, with buttoned back rest, turned arm rest, spindles and upholstered in a blue fabric, all raised on turned front legs and sabre rear legs, 90cm high x 73cm wide x 82cm deep 40 – 60 503 A rosewood whatnot, of graduated five shelf design, with pierced fret work crest and barley sugar columns, 122cm high 60 – 80

504 A Victorian mahogany piano stool, on reeded baluster pedestal and three cabriole legs with scroll feet, 43cm high x 34cm diameter 40 – 60 505 A Regency mahogany cross banded sideboard, with raised back with two concealed drawers to either side with brass galley all above three drawers and two cupboard doors on square tapering legs, overall 147cm high x 192cm wide x 69cm deep 100 – 150 506

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A Continental pine dresser, the raised back with two glazed doors flanking an open shelf above three drawers above four cupboard doors with iron strap hinges and wrought iron handles, 187cm high x 160cm wide x 53cm deep 100 – 200 507 An Ercol elm wood coffee table with shaped rectangular top on plain legs, 40cm high x 102cm wide x 52cm deep 80 – 120 508 An Ercol elm wood rectangular side table (model No 1187) with shaped rectangular top with single drawer and base shelf, 72cm high x 80cm wide x 41cm deep 80 – 120 509 An Ercol elm wood nest of two rectangular tables, 40cm high x 57cm wide x 35cm deep 80 – 120 510 No Lot 511 A late 19th/early 20th century four drawer Apothecary/Spice counter top counter top unit, each drawer with knob handles and remnants of painted notation, 18cm high x 62cm wide x 18cm deep 20 – 30 512 An early 20th century oak bench, having a top rail on curved supports, raised on block feet, finished in red stain, 89cm high x 142cm wide x 40cm deep 30 – 50 513 A set of six mahogany Georgian style dining chairs, to include two carvers, with pierced back splats and tip in seats over square stretchered legs, 97cm high x 56cm wide x 50cm deep 60 – 80

514 A 20th century pine farmhouse table, of rectangular form along with a set of our matching chairs, the table having a single drawer to the longest side and raised on turned legs, 79cm high x 181cm wide x 82cm deep 80 – 120 515 A Persian style rug, with central oval flower filled medallion on a blue ground within multiple borders, 130cm x 218cm 100 – 150 516 A wood framed over mantle mirror, of small rectangular form, with curved top corners, veneered in walnut and decorated with Tunbridge ware detailing, 42cm x 74cm 20 – 30 517 A wool rug with central flower filled medallion on a flower filled blue ground with spandrels within multiple borders, 142cm x 198cm 30 – 50 518

A fine weave Persian style carpet with central medallion issuing multiple medallions on a red ground with spandrels within three borders, 136cm x 216cm 200 – 300 519 A 19th century Victorian mahogany columned plinth stand/torchere, having a marble top and shelved interior, 72cm high x 41cm diameter 30 – 50 520 A late 19th century Victorian mahogany card table having a folding felt top with carved and scrolled detailing, all raised on a stepped column, four splayed base with bun feet, 76cm high x 92cm wide x 45cm deep (closed) 20 – 30 521 A late 19th century Victorian mahogany wash stand, having a gallery back, single drawer, shaped splayed legs united by a single turned stretcher, all raised on bun feet, 87cm high x 89cm wide x 47cm deep 30 – 50 522 A late 19th century Victorian mahogany armchair, having a tall curved bracket with cushioned headrest and sprung seat, the mahogany frame being reeded with 'x' frame sides, peripheral stretchers and turned finials, 95cm high x 56cm wide x 68cm deep 20 – 30 523 An early 20th century beech wood smokers bow arm chair, of traditional form, the back rest consisting of a horseshoe shaped arm rest and back rest, with turned spindles, saddle seat, turned legs and 'H' stretchers, 82cm x 59cm x 57cm 30 – 50 524 An early 20th century Art & Crafts oak lounge chair, having stuffed and brown leather upholstery, the oak frame having bobbin turned legs, 106cm high x 72cm wide x 66cm deep 20 – 30 525 A Victorian mahogany swing frame mirror, of oval form with flared supports issuing scroll feet, 78cm high x 59cm wide 20 – 30

526 A Victorian mahogany swing mirror, of arched form, supported by fluted flared columns, the shaped base with hinged compartment on five carved feet, 81cm high x 70cm wide 30 – 50 527 A set of six Vitra, Basel chairs with shaped curved horizontal splat backs on a beech frame and splayed legs, 78cm high x 41cm wide x 44cm deep 20 – 30 528 A George III mahogany tilt top table, the round top above a bird cage on turned pedestal, on three cabriole legs, 71.5cm high x 75.5cm diameter 30 – 50 529


A mahogany turned standard lamp, on round stained pine base, on bun feet,140cm high 20 – 30 530 An early George III mahogany tea table with one frieze drawer, on tapering legs with pad feet, 72cm high x 76cm wide x 36.5cm deep 30 – 50 531 A calico upholstered sofa with two loose feather filled cushions on ebonised bun feet with ceramic casters, 130cm wide 20 – 30 532 A 20th century mahogany Jupe style dining table, the round top with six leaves supported by lopers on four turned supports with a convex rectangular base, issuing four splayed legs with brass terminals and casters, 76cm high x 124cm diameter closed (186cm diameter with leaves) 300 – 500 533 Victor B Wilkins - G-plan-Fresco, a 1960's retro vintage teak wood sideboard credenza/chest of drawers, consisting of a double bank of four drawers, 75cm high x 142cm wide x 44cm deep 100 – 200 534 An oak bookcase with two lead glazed doors enclosing three adjustable shelves above two cupboard doors, each with an applied pierced roundel, 198cm high x 92cm wide x 26cm deep 20 – 30 535 A Victorian walnut and marquetry framed armchair with upholstered back, seat and arm rests on turned tapering legs and ceramic casters, 100cm high x 69cm wide x 80cm deep 40 – 60 536 A set of six Victorian salon chairs, each with boxwood and walnut inlay with stuff-over seats, on turned tapering legs, 89cm high x 46cm wide 70 – 90 537 A farmhouse armchair with turned stick back and arm supports, the solid ash seat on turned legs linked by 'H' stretchers, 106cm high x 54cm wide x 68cm deep 100 – 150 538 A Victorian mahogany show frame armchair with cartouche shaped back on cabriole legs with brass casters, 97cm high x 64cm wide x 63cm deep 40 – 60 539 A mahogany elbow chair, in George III style, with pierced splat and drop in tapestry seat, on chamfered square legs, 98cm high x 61cm wide x 45cm deep 40 – 60 540

An early 20th century oak metamorphic dining table/sofa with ivorine label, raised on stretchered double legs, 74cm high x 136cm x 92cm deep 20 – 30 541 A pair of reconstituted stone sejant heraldic dogs, each holding a shield and snarling, 70cm 300 – 400 542 A reconstituted stone lion, sitting proud on a square base, 55cm high 20 – 30 543 A reconstituted stone bench the back panel decorated with opposing griffins, the arm rests modelled as sphinx the plain seat raised on lion of St Mark supports, 104cm high x 144cm wide x 46cm deep 300 – 400 544 A Chinese style carpet with an overall pattern of repeating motifs on a pink ground within a wide border, 325cm x 370cm 80 – 120 545 Scandart - A rare 1960's retro vintage beech wood rocker / rocking chair having a deep seat and rail backrest, all raised on sleigh runners. Measures; 81cm x 61cm x 88cm. 60 – 80 546 A set of four gold finished cast metal dining chairs, the backs in the form of bamboo lattice work, by the Forecast Furniture Company Ltd, London, 90cm high 100 – 150 547 – 550 No Lots 551 A Continental pottery Albarello jar, cobalt decorated with an armorial achievement with a tower, fleur de lys and a bend, supported by a two headed eagle under a count's coronet, 25cm high 40 – 60 552 A pair of glazed terracotta figures of sejant cats, wearing bow ties, finished in black with gilded highlights and applied bead eyes, 32cm high (un-marked) 100 – 150 553 A walking stick with curved horn handle and white metal band, the shaft carved with leaves and an inscription dated 1902, 83cm high, together with five other walking sticks 30 – 50 554 Two brass pierced open fan design letter racks, Reg No for 1890-91, 13cm and 17cm high respectively 20 – 30 555

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A Herbert Terry Anderson anglepoise lamp, finished in cream and set on a stepped base, 89cm high 40 – 60 556 A Steepletone white radio, 26cm high x 31cm wide, together with a Bush radio, and a UKW Minemia radio 50 – 70 557 A small collection of mainly British 20th century coins, with some earlier and some world coins in an album 30 – 50 558 A baluster form Japanese brass planter, decorated with four polychrome champleve decorated panels of butterflies and chrysanthemum, 22cm high 60 – 80 559 A cut glass ribbed and panel decorated liqueur decanter in the form of a barrel, set with a stopper and a base metal spigot, on a round cut glass base with raised central stand, 25cm high (max) x 25cm wide 30 – 50 560 A pair of 19th century Sitzendorf porcelain candlesticks, of rococo design, each in the form of a seated draped classical maiden, holding a putto, raised on squared bases, set with applied bocage, 31cm high 50 – 70 561 A boxed gilt finish Parker 51 fountain pen with two others and a gilt yard-o-lead pencil 40 – 60 562 A group of ten Italian Faience fruit plates, in three sizes, decorated with assorted fruits, the largest 25cm diameter 80 – 120 563 A group of period postcards, to include silks, humour, First World War and saucy 30 – 50 564 A specimen amber boulder, of natural form with polished panel, set on a wooden base with dedication inscription inset to the underside, 17cm high x 25cm wide x 13cm deep 60 – 80 565 A box of fifteen Matchbox Model's of Yesteryear cars, all boxed, together with various other makes of cars (boxed and un-boxed) 30 – 50 566 A war club, in hardwood, of plain mace form, the baluster end chip carved with sinuous decoration, 68cm high 100 – 150 567

A mixed collection of boxed Matchbox cars, buses and vans, together with two un-boxed buses and an un-boxed van 30 – 50 568 A collection of assorted Matchbox diecast scale model vehicles, to include : Twenty six x Matchbox classics and 20 x Matchbox models of Yesteryear, along with Matchbox 75 series empty boxes 30 – 50 569 A massive Makora Krosno flashed and trailed white glass specimen vase, 80cm high 30 – 50 570 A pair of large industrial spotlights, by TRAC of Thirsk, with aluminium bowl shades, 50cm high 20 – 30 571 A cut out painted model of a peacock, the wings mounted en tremblant, 89cm high 20 – 30 572 A Moorcroft pottery baluster table lamp base in the 'Magnolia' pattern, in the pink colourway on a cream ground, 22cm high, together with a matching oval dish and powder bowl 50 – 70 573 A large early Meccano No 6 set, boxed, in original mahogany box, 58cm high x 34cm wide 100 – 150 574 An Edwardian mahogany and boxwood strung lancet shaped mantel clock on gilt paw feet, 28cm high 30 – 50 575 A Portmeirion pottery 'Botanic Garden' baluster form table lamp, with azalea decoration and a pleated shade, 58cm high (max), and two dinner plates 20 – 30

576 A G* Hill Pottery, Wemyss figure of a silver tabby cat with painted green eyes, painted marks and monogram, 17.5cm high 100 – 150 577 A Third Reich painted metal military helmet, with a pressed white metal cap badge, 17cm high x 23cm wide x 28cm deep, together with a group of postal ephemera 200 – 300 578 A 19th century Sampson porcelain box, the hinged cover decorated in Chinese famille rose style with armorial in gilt to the top, painted marks in iron red, 11.5cm wide, together with another 19th century porcelain oval box and hinged cover, 10cm wide 100 – 150 579


An early Victorian Officer's campaign set, comprising a folding spoon, together with knife and fork, each with bone casings, (spoon measures 9cm long folded and 17cm long un-folded) 60 – 80 580 A Concord folder containing a souvenir brochure and ephemera including two round silver photograph frames, Sheffield 1997, 11.5cm diameter 100 – 150 581 No Lot 582 A Victorian wall clock, the mahogany round case with poker work scrolls inter spaced with round mother of pearl disks, enclosing a painted dial, striking on a bell, 31cm diameter, with acorn cast weights and an exposed pendulum. 80 – 120 583 A Troika pottery blue glazed marmalade pot, of square form, with arched square and round panel decorations to the sides, 10cm high 60 – 80 584 A Troika pottery brown glazed cube vase, of square form with round panel decorations to the sides, 8cm high 60 – 80 585 A Troika pottery blue glazed cube vase, of square form with round panel decorations to the sides, 8cm high 60 – 80 586 A 19th century base metal carriage style clock with round Roman dial and glass side panels over a flared base, the door press decorated with Chinese characters and a bell, marked Dickson Co Junghans, set with a musical movement, playing the air 'Home sweet Home', 15cm high 40 – 60 587 A carriage timepiece, with brass four glass case, enclosing an enamel dial, 14.5cm high 40 – 60 588 An early 20th century eight day travel clock in leather case, the dial inscribed Pearce & Sons Ltd, Leeds, 9cm x 9cm 20 – 30 589 A large Poole pottery plain black glazed baluster form vase, 26cm high, together with a pair of Poole black ground spattered and flow glazed vases (NB large vase labelled 'seconds') 20 – 30 590 A large Poole pottery daisy pattern baluster vase, 22cm high, together with two other vases and a dish in the same pattern 20 – 30 591

A Poole pottery green glazed ribbed form stick stand, 40cm high, together with two other Poole vases 30 – 50 592 A Poole pottery flared form poppy pattern vase with slant cut top, 24cm high, together with two others 20 – 30 593 A small Moorcroft ginger jar style vase, with stylised hydrangea decoration on a blue ground, 11cm high 60 – 80 594 A brass carriage clock with alarm, with five glass panels and a white enamel Roman dial, 18cm high 50 – 70 595 A Charlotte R Head pottery globular vase, with tube lined flowers, factory marks, 8cm high 20 – 30 596 A skeleton style clock, of elongated form, striking on a bell, raised on a wood base, under a conical glass dome, printed with a Roman and dot dial, 36cm high 150 – 250 597 A Jeager Le Coultre clock, of rectangular black perspex and gilt form, the dial set with 3D bees in foliage, signed 'Marina', to the lower right, 20cm high 500 – 700 598 A Moorcroft Dasara elephant pattern vase, designed by Kerry Goodwin, of ovoid form, factory marks, numbered 70/200, 37cm high, boxed 500 – 700

599 A cased John Packer 121 clarinet, 63cm long, and another by Bundy 60 – 80 600 Five stamp albums, comprising : Royal Baby (1982), Kings & Queens of England (1977), two volumes of 22ct Golden replicas of British Stamps (1980-81), Royal Wedding (1973) and Royal Silver Wedding Stamp Album (1972) 40 – 60 601 A Hornby British Railways 00 gauge steam engine and tender, boxed, together with two other steam engines, rolling stock and track 20 – 30 602 A ladies 19th century walnut dressing case, of plain rectangular form, the top sand front set escutcheons, opening to reveal a fabric lined interior, 15cm high x 30cm wide x 23cm deep 20 – 30 603


A carved wood half hull model ship, mounted on a veneered board, the back with an Artcraft production label, 27cm x 52cm 20 – 30 604 A 19th century brass Persian/Turkish planter, with two pierced bands enclosing embossed animals, birds and figures, 33cm high x 33cm diameter 30 – 50 605 A crystal set in a wood box with glazed top, 17cm high x 26cm wide x 21cm deep, together with an early set of headphones 40 – 60 606 A 19th century mahogany and brass bound writing slope with brass handles, one opening a drawer, the writing slope later leather covered with gilt embossed House of Lords crest, 15cm high x 40cm wide x 24cm deep 60 – 80 607 A metal Shell motor spirit can with brass cap, finished in red, 28cm high 20 – 30 608 A brass bound Chinese hardwood travelling dressing table/box, of rectangular form, the top lifting to reveal an inset mirror plate, the front hinged in two parts, swinging open to reveal a series of drawers and compartments with blind cut scroll carving detail, raised on a plinth and set with carrying handles, 22cm high x 27cm wide x 39cm deep 100 – 150 609 A 19th century mahogany book press, of traditional rectangular form, the base set with a plain drawer, 49cm high 30 – 50 610 A 19th century oak writing/stationery box, of traditional form, the sloping front opening to reveal a fitted interior over a single drawer, 29cm high x 37cm wide x 20cm deep 30 – 50 611 A 19th century large copper kettle with strap handle, 33cm high 20 – 30 612 A large group of leather backed late 19th/early 20th century horse brasses (22) 20 – 30 613 A 1950's Art Deco style cruet set, in the form of a WWII chromed aeroplane, with salt and pepper shakers to the wings with blue glass liners, registered design number to the fin, 11cm wide 30 – 50 614

A 1960's Italian pottery Nuovo Rinascimentol lamp base, having repeated patterns and banded orange and green glazes, 37cm high 30 – 50 615 A late 20th century Italian P Chiari, money box, in the form of a cartoon cockerel/chicken, 18cm high 30 – 50 616 An early 20th century cast iron and brass mounted mantel clock, the case of architectural form, the enamel dial marked for Ansonia Clock company (America) the chiming movement stamped with patent for June 18 1882, Ansonia Clock Co. New York, pendulum, 42cm wide 30 – 50 617 No Lot 618 An oak extending dining table, of rectangular form, raised on acanthus carved cup and cover legs, united by a double V form stretcher, 76cm high x 175cm wide x 106cm deep (closed), the leaves each 49cm 80 – 120 619 A black slate dome topped clock with side brackets, on a plinth, inlaid with red stone accents, set a white Arabic dial with visible escapement, 31cm high x 40cm wide x 15cm deep 20 – 30 620 A metal motor spirit can (un-branded), with brass cap, finished in red, 28cm high 20 – 30 621 A William IV rosewood sarcophagus shaped tea caddy, the top inlaid with mother of pearl, opening to reveal the cut glass bowl, 16.5cm high x 30.5cm wide x 15.5cm deep 40 – 60 622 A WWII Commando dagger with Wilkinson Sword impressed logo and leather scabbard, 32cm long 80 – 120 623 A Louis XV style Boudoir clock, with gilt metal scrolling flowers and leaf mounts on beaded feet, 10cm high 20 – 30 624 An English (Marpro) brass ship's bulkhead clock, of traditional design, with a sillvered Roman dial, the back stamped 2475, 9cm wide 20 – 30 625 A ladies Astrakhan style double breasted coat with mink collar, by Astra furs of Paris 40 – 60 626


A long sleeved black lace and crochet evening dress, set with nine buttons to the front and a black slip, 150cm long 20 – 30 627 A cased 1947 silver and gilt Territorial Efficiency medal 80 – 120 628 A collection of Commemorative coins sets and medals, including a 1953 coronation coin, Britains first issue of decimal coins 1971, Royal examples; together with assorted Chinese, Singapore, French, Romanian banknotes and other foreign currency and coinage 30 – 50 629 A German (HAC) chrome alarm clock, of squared form with top strap handle, set a silvered Arabic dial, 10.5cm high 20 – 30 630 No Lot 631 A late 20th Century retro vintage anatomical medical scale model depicting an oversized kidney split in half showing the inside, all raised on a plinth base. Measures; 28cm tall. 40 – 60 632 Three trench art brass letter openers and other items 20 – 30 633 A Grimwade pottery Bruce Bairnsfather bowl, 25cm diameter, and other militaria items 30 – 50 634 An Armand Marseille 3/0 porcelain dolls head with static eyes on a composite body, wearing a broderie anglaise dress, 37cm high, with another and a 1950's composite doll 30 – 50 635 – 650 No Lots 651 A 1960's retro vintage teak nest of tables, each having inset glass tops, 45cm high x 56cm wide x 40cm deep 30 – 40 652 A 1950's retro vintage teak Avalon Yatton sideboard credenza, having a bank of three drawers to the front flanked by cupboards and raised on tapered legs, 69cm high x 113cm wide x 46cm deep 70 – 90 653 A 1950's retro vintage Avalon chest of five graduating drawers, raised on tapered legs, 102cm high x 80cm wide x 43cm deep 60 – 80 654

A German (Kieninger und Obergfell) 400 day torsion clock, in gilt finish with a black Arabic dial, under a dome, 32cm high 30 – 50 655 A German (Urgos) Westminster chiming clock, in walnut with domed case and black side motifs, set a silvered Arabic dial, 22cm high 20 – 30 656 French (retailer R M Seale, Lowestoft) platform escapement clock, in a shaped front mahogany case, set a gilt Arabic dial, 15cm high 20 – 30 657 A German (Haller) Art Deco chiming clock, in an oak case with pediment top and applied carved motifs, set a silvered Roman dial, 22cm high 20 – 30 658 A mixed metal angle poise lamp with counter balance weight and a clamp base by Hardrill & Horstman, 130cm high 80 – 120 659 A German ? mahogany chiming clock, of Art Deco design, in a mahogany shaped rectangular case, with silvered Arabic chapter dial, 24cm high 20 – 30 660 An early 20th Century Hardrill & Horstmann counter balance lamp having a bronzed finish set to a squared base, 84cm high (max) 20 – 30 661 A Swiss (Buren) mahogany platform escapement clock, of shaped top form inlaid with satinwood stringing and set a white Arabic dial, 15cm high 20 – 30

662 An American (The Caledonian Registered) drop dial chiming clock, with a Tunbridge ware style mahogany case, set a verre eglomise door to the front and a white Roman dial, 74cm high 60 – 80 663 A pair of Edwardian occasional tables, of rounded form, the tops with cross banded edges and two lines of stringing, over a similar apron and raised on splayed legs with shaped shelf stretchers, 77cm high x 45cm wide 30 – 50 664 A Bath stone sphere, 99.5cm circumference 40 – 60


Information for Buyers 1. Introduction: The following informative notes are intended to assist Buyers, particularly

those inexperienced or new to our salerooms. All sales are conducted on our printed ‘Conditions of sale’ which are readily available for inspection and nor-mally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency: As auctioneers we usually contract as agents for the seller whose identity, for

reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates: Estimates are designed to help buyers gauge what sort of sum might be in-

volved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer's premium: The ‘Conditions of sale’ oblige buyers to pay a buyer's premium at 15% on the

hammer price of each lot purchased. In addition, VAT is payable on this premi-um (see below).

5. VAT: (*) indicates that VAT is payable by the purchaser at the standard rate

(presently 20%) on the hammer price as well as being an element in the buyer's premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the Europe-an Union and the present position is that these lots are liable to a reduced rate of VAT (presently 5%) on the gross lot price (i.e. both the hammer price and the buyer's premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers' Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a de-tailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample op-portunity for inspection of goods and, therefore, accept Auctioneers' Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

7. Electrical goods: These are sold as 'antiques' only and if bought for use must be checked over

for compliance with safety regulations by a qualified electrician first. 8. Export of goods: Buyers intending to export goods should ascertain (a) whether an export li-

cence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

9. Bidding: Bidders may be required to register before the sale commences and lots will be

invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding: Commission bids may be left with the auctioneers indicating the maximum

amount to be bid excluding buyers' premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of payment: Payment may be made by debit card, cheque, cash or bank transfer. Credit

cards are not accepted. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Telephone bidders must pay either by bank transfer prior to collection of lots or by debit card, cheque or cash in person prior to collection of goods.

12. Collection and storage: Please note what the ‘Conditions of sale’ state about collection and storage. It

is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

13. Online Bidding: Killens (trading as the Mendip Auction Rooms) offer an online bidding service

via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your card details and unless alternative arrangements are agreed with Killens you:

(a) authorise Killens trading as the Mendip Auction Rooms, if they so wish, to charge the card given in part or full payment, including all charges, for items successfully purchased in the auction via the-saleroom.com, and

(b) confirm that you are authorised to provide these card details to us through www.the-saleroom.com and agree that Killens trading as the Mendip Auction Rooms are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% charge plus VAT at the rate imposed on the hammer price.

14. Title/Returns: If it becomes apparent that an item has been sold without good title or without

authorisation then the buyer will return the item promptly subject to the pur-chase costs and any other reasonable costs incurred in returning the item being paid by the seller and/or auctioneers.

15. Artist Resale Rights According to the European Union’s Artist’s Resale Rights Directive, which has

been adopted by the United Kingdom, living artists and artists who died within 70 years prior to the date of the sale are entitled to receive a resale royalty each time their art work is sold by an art market professional in the European Union or United Kingdom, subject to certain conditions. The Mendip Auction Rooms will collect the resale royalty due to the artists or their estates from buyers of lots with a hammer price (excluding buyer’s premium and excluding VAT) in excess of €1000. Any purchaser of a lot to which Artist’s Resale Right applies will be charged the amount of the resale royalty, which will be added to the invoice. VAT is not payable on any royalty. The rate payable for items 0 to 50,000 is 4%. Contact the Auction Rooms for further rates.

Conditions of sale

Killens as the Mendip Auction Rooms carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. Definitions: In these conditions: (a) ‘Auctioneer’ means the firm of Killens or its authorised auctioneer, as appropri-

ate (b) ‘Deliberate forgery’ means an imitation made with the intention of deceiving as

to authorship, origin, date, age, period, culture or source but which is unequiv-ocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description

(c) ‘Hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer

(d) ‘Terms of consignment’ means the stipulated terms and rates of commission on which Killens accepts instructions from sellers or their agents

(e) ‘Total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these conditions

(f) ‘Sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising

(g) ‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2 (h) The singular includes the plural and vice versa as appropriate. 2. Bidding procedures and the buyer: (a) Bidders are required to register their particulars before bidding and to satisfy

any security arrangements before entering the auction room to view or bid (b) The maker of the highest bid accepted by the auctioneer conducting the sale

shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer's absolute discretion by re-offering the lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion

(c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. Our right to bid on behalf of the seller is

expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. Increments: Bidding increments shall be at the auctioneer’s sole discretion. 4. The purchase price: The buyer shall pay the hammer price together with a premium thereon of 15%

plus VAT on the premium at the rate imposed by law. 5. Value added tax: Value Added Tax on the hammer price is imposed by law on all items affixed

with an asterisk or double asterisk. Value Added Tax is charged at the appropri-ate rate prevailing by law at the date of sale and is payable by buyers of rele-vant lots. (Please refer to ‘Information for buyers’ for a brief explanation of the VAT position).

6. Payment: (1) Immediately a lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or debit card (not subject to a sur-

charge) or in such other way as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from

you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) Telephone bidders must pay either by bank transfer prior to collection of lots or by debit card, cheque or cash in person prior to collection of goods.

7. Title and Collection of purchases: (1) The ownership of any lots purchased shall not pass to you until you have made

payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have pur-

chased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for. (4) If it becomes apparent that an item has been sold without good title or without

authorisation then the buyer agrees to return the item promptly subject to being reimbursed any purchase costs and any reasonable expenses incurred in returning the item. If the buyer fails to return the item then if applicable the seller agrees to accept the hammer price achieved as recompense for the sale of the item.

8. Remedies for non-payment or failure to collect purchases: (1) If any lot is not paid for in full and taken away in accordance with these condi-

tions or if there is any other breach of these conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(a) To proceed against you for damages for breach of contract (b) To rescind the sale of that lot and/or any other lots sold by us to you (c) To resell the lot (by auction or private treaty) in which case you shall be

responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller

(d) To remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere

(e) To charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than four working days after the sale

(f) To retain that or any other lot sold to you until you pay the total amount due

(g) To reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted

(h) To apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. Third party liability: All members of the public on our premises are there at their own risk and must

note the lay-out of the accommodation and security arrangements. According-ly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negli-gence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission bids: Whilst prospective buyers are strongly advised to attend the auction, and are

always responsible for any decision to bid for a particular lot and shall be as-sumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. Warranty of title and availability: The seller warrants to the auctioneer and you that the seller is the true owner

of the property consigned or is properly authorised by the true owner to con-sign it for sale and is able to transfer good and marketable title to the property free from any third party claims. See 7(4) above.

12. Agency: The auctioneer normally acts as agent only and disclaims any responsibility for

default by sellers or buyers. 13. Terms of sale: The seller acknowledges that lots are sold subject to the stipulations of these

conditions in their entirety and on the ‘Terms of consignment’ as notified to the consignor at the time of the entry of the lot.

14. Descriptions and condition: (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry

out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independ-ent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuine-ness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudu-lently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This condi-tion is subject to the next following condition concerning deliberate forgeries and applies save as provided for in ‘information to buyers’.

(2) Private treaty sales made under these conditions are deemed to be sales by auction for purposes of consumer legislation.

(3) For the sake of clarification, section 14(5) of the Sale of Goods Act 1979 will not apply to any sale. 15. Forgeries: Notwithstanding the preceding condition, any lot which proves to be a deliber-

ate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompa-nied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer's premium provided that (1) if the catalogue de-scription reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provid-ed by this condition is additional to any right or remedy provided by law or by these ‘Conditions of sale’.

General: 16. We shall have the right at our discretion, to refuse admission to our premises

or attendance at our auctions by any person. 17. (1) any right to compensation for losses liabilities and expenses incurred in

respect of and as a result of any breach of these conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these conditions or of the ‘Terms of Consignment’ shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these conditions shall be construed as having full force and effect.

21. Compensation will be paid to the seller for any damaged or lost items equiva-lent to the lower estimate of value (less any commission charges and other normal selling expenses) as agreed on entering the item for sale or as subse-quently set by the valuer. In the event of dispute then the level of compensa-tion payable will be referred to an independent expert for resolution.

22. English law applies to the interpretation of these conditions. 23. Online Bidding: Killens (trading as the Mendip Auction Rooms) offer an online bidding service

via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your card details and unless alternative arrangements are agreed with Killens (trading as the Mendip Auction Rooms) you:

(1) authorise Killens (trading as the Mendip Auction Rooms) if they so wish, to charge the card given in part or full payment, including all charges, for items successfully purchased in the auction via the-saleroom.com, and

(2) confirm that you are authorised to provide these card details to us through www.the-saleroom.com and agree that Killens (trading as the Mendip Auction Rooms) are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale. Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 5% charge plus VAT at the rate imposed on the hammer price.

23. Artist Resale Rights According to the European Union’s Artist’s Resale Rights Directive, which has been adopted by the United Kingdom, living artists and artists who died within 70 years prior to the date of the sale are entitled to receive a resale royalty each time their art work is sold by an art market professional in the European Union or United Kingdom, subject to certain conditions. The Mendip Auction Rooms will collect the resale royalty due to the artists or their estates from buyers of lots with a hammer price (excluding buyer’s premium and excluding VAT) in excess of €1000. Any purchaser of a lot to which Artist’s Resale Right applies will be charged the amount of the resale royalty, which will be added to the invoice. VAT is not payable on any royalty. The rate payable for items 0 to 50,000 is 4%. Con-tact the Auction Rooms for further rates.

Information for sellers 1. Interpretation. In these Terms the words 'you', 'yours', etc. refer to the Seller and if the con-

signment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller's authority to contract. Similarly the words ‘we', 'us', etc. refer to the Auctioneers.

2. Commission For antique auctions is charged to sellers at 15% for single items selling for up

to £1000 and thereafter at 10%, subject to a minimum of £3 per lot. All charges are subject to VAT.

3. Removal and clearance costs. Items for sale must be consigned to the sale room by any stated deadline and

at your expense. We are able to recommend individuals or companies who are able to collect and deliver items, and to carry out clearances at your request.In addition, for clearance there is a charge of £110 per ton for tipping.

4. Loss and damage warranty. We are not regulated by the FSA for the provision of insurance to clients. How-

ever, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT.

Compensation will be paid to the seller for any damaged or lost items equiva-

lent to the lower estimate of value (less any commission charges and other normal selling expenses) as agreed on entering the item for sale or as subse-quently set by the valuer. In the event of dispute then the level of compensa-tion payable will be referred to an independent expert for resolution.

5. Illustrations. No charge is made for the cost of any illustrations. The copyright in respect of

such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before

the sale in accordance with clause 7. We may sell Lots below the reserve pro-vided we account to you for the same sale proceeds as you would have re-ceived had the reserve been the hammer price. By default we assume you give us a “discretion” that we may accept a bid of up to 10% below the formal reserve, unless you tell us otherwise when the reserve is agreed.

7. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned,

being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except in writing and with our con-sent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are

accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of

fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods

where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

11. Unsold items. If an item is unsold it may be re-offered at a future sale. Where in our opinion

an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items, or where the reserve is changed. Any expense incurred prior to the printing of the catalogue will be charged to

the client. After the catalogue has been printed these items incur charges comprising of the vendor’s commission, the buyer’s premium, the illustration cost, the insurance costs and other expenses relating to the item. These are calculated on our published high estimate, plus VAT. There is a minimum charge for withdrawal or reserve change of £15 per lot plus VAT.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you

undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Con-ditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Settlement. After sale settlement of the net sum due to you normally takes place 10 days

after the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale pro-ceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should there-fore bear this potential liability in mind before parting with the proceeds of sale.

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