Season 60, Issue 4 May 2015

KLIK

OFFICIAL NEWSLETTER OF

THE MISSISSAUGA CAMERA CLUB

60 Years of Fellowship Through Photography

0 6 YEARS

Read on to learn more about this important event in our club’s history!

Editors’ Introduction

This is the 4th and final KLIK for 2014/15. In this issue Hilary Callin outlines a brief history of the

Greater Toronto Council of Camera Clubs (GTCC), and highlights those Mississauga Camera Club

members recognized during the 2015 Interclub Competition. Club Historian Audrey Cherevaty has

again found nuggets of interest in the club archives – several photos and a letter to Canadian

Photonews announcing the club’s first salon in 1955 to exhibit the works of club members. Marty

Pinker provides us his unique perspective on ‘street photography’ and discusses some of his own work

in this genre. Warren Davis passes along an article from the Nikonites website with a valuable tip for

our summer travel photography endeavours. And, last but not least, you’ll find a summary of the

2014/15 competition results and award winners.

We hope that you’ve enjoyed the publication this year, and found the content informative and

interesting. The club has come a long way since its humble beginnings 60 years ago in Lorne Park.

Over the four issues we’ve reminisced on club history, highlighted some of our memorable moments,

and traced the changing technology of photography. For some this was a trip down memory lane,

while for newer members hopefully it provided an opportunity to better understand club tradition.

Thank you to our many contributors, and especially to club historian Audrey Cherevaty who spent

many hours researching the archives looking for photos, announcements, and KLIK articles from a

bygone era.

Thanks also to those readers who took time to give us feedback and suggestions. Over the next few

months we will meet to consider the directions for KLIK in 2015/16. It would be helpful to hear from

as many of you as possible so as to gauge club interest in continuing with this publication, and to

understand what content would have broadest appeal.

You can reach us at KILK@mississaugacameraclub.ca.

Have a great summer!

Co-Editors Pradipta Datta and Jim Evans

Message from the President

Dear Fellow Members of the MCC,

This year we celebrated the 60th Anniversary of the MCC. Audrey Cherevaty did a wonderful job of

collecting together and publicizing the historical records at our meetings, culminating in a fine

celebration at our Christmas Party. We could clearly see that this Club has been a source of

enjoyment and sharing in photography for a very long time. Often we could observe faces of

members who we know in those old photographs: we are sorry to realize that some are missing but it

was also fun to see so many still active as ever. [Photography keeps us young!].

It seems that each year the Executive frets about obtaining sufficient volunteers to run the Club. This

year was no exception. Some say that members need to be happy with a Club before they will sacrifice

their valuable time in volunteering. However, this is an “all volunteer” club. The club is what the

members make it. For those of us who love photography and appreciate the wonderful potential of the

MCC, I believe that dissatisfaction is more of a motivator to volunteer than contentment. If you don’t

like something: volunteer to change it! This year we certainly had some major sources of

dissatisfaction: some major motivators for you to volunteer next year!

The 47% increase in the number of registered members (150 to 220) in September, 2012 as a result of

cancellation of our waitlist was a necessary change that is still being felt. The larger Club is more

diverse in interests and experience. It makes for a more difficult audience to satisfy with a speaker

program. Also, often, senior members long for the former “smaller club” environment. Furthermore,

demands on volunteers have increased with new members being concerned about not having sufficient

experience to volunteer and senior members feeling that they have already “done their bit”.

In addition, this year, we went to on-line judging for our digital competitions. This was yet another

necessary change: the old off-line judging method was too much work and stress for all concerned.

Now the judges can relax at home and judge our images at their leisure. Thanks to software

developed by Tess Francis, not only has running the competition become much easier to accomplish

but also the Internet opens up a world of possibilities. Now we are discussing obtaining judges from

across Ontario.....or maybe from across Canada…..or….from anywhere.

Although that’s all fine to consider, competitions are a vital part of our Club. We learn from them and

we obtain public recognition of our photography. We depend on the competition process being of high

quality. However, now we conceivably have judges magnifying our images beyond reason on possibly

un-calibrated monitors without any guidance from the two other judges participating. Judges are

alone in their evaluation and each image is treated more independently of its order in the competition.

However, scores are more variable as a result and were lower this year (maybe partly because we told

the judges that the average score is six). Members are accustomed to a more forgiving, relaxed

system that permitted last minute corrections to submissions. Some members had submissions

rejected. There is even a call to return to the previous off-line judging format.

I understand: we put so much into our photography…so much effort and so much of our feelings.

Promotions to higher expertise level, awards and trophies become very important to some. Under

these circumstances it’s very difficult to accept criticism other than unadulterated praise for our

photographs. At the same time, we realize that we must accept negative comments if we are ever to

improve our photography. That said, when a judge’s comment is totally irrelevant or just plain

incorrect, it’s insult added to injury. When it’s said in public it’s even more difficult to accept with a

smile. However, we’re all in this together. It’s all part of the entertainment and education. An

alternative is to post anonymously on a website and privately see comments on our work. However,

I’ve been there, done that. It’s not nearly as much fun as laughing together about all this!

O.K., so our program does not please everyone. Our competition systems are not perfect. However,

we can and will do much better: some solutions are in progress: Special Interest Groups allow small

groups of members to pursue their main interests. The Show-Off photo essays at each meeting show

our individuals and groups in action. More surveys are on the way to help define member preferences.

Bob Mongrain came up with some elegant software to help members avoid mistakes in competition

submissions. These solutions come from members. The success of this Club rests primarily with the

membership. To reiterate: this is your Club. Volunteer. Have some fun. Laugh. Ask questions of

your executive. Let them know what you want. Even better: join the executive. [It’s quite an

education!] Participate. Enjoy the company of so many talented people who share a love of

photography with you. Appreciate the diversity. Help us to come up with new ideas and to

implement them. I invite you to help us make this Club what you want it to be!

See you in September.

Steve Balke

President

Mississauga Camera Club

Sandra Hawkins, “At the Well”, Honourable Mention 2015

Mississauga Camera Club’s History with the

Annual GTCCC Interclub Competition

Where we’ve been, where we’re going ... the past, present and future

By Hilary Callin

The Greater Toronto Council of Camera Clubs

(GTCCC) is an association of photographic clubs

in the Greater Toronto area. At present, the

member clubs range from Hamilton and

Kitchener-Waterloo in the west, Newmarket in

the north, and Oshawa in the east. A major

event in the Council calendar is the annual

Interclub Competition, in which member clubs

(including MCC) compete against each other for

a number of prizes and trophies in various

categories.

As we celebrate 60 years of wonderful

photography, education and friendship at the

Mississauga Camera Club, we thought it would

be a good time to look at our club’s history with

the GTCCC Interclub Competition. This is a

competition amongst local camera clubs and has

often been described as a premier competition, a

great source of pride & success within the MCC.

Contributions to this summary have been provided by a number of MCC members: Bob Bateman,

Audrey Cherevaty, Warren Davis, Cecil Lindsay and Bruce Peters.

Included in this summary, you will find the 4 top-

scoring images from the most recent 2015

Interclub Competition. I would love to include the

winning images from all of the past competitions,

but they are so numerous that it just wouldn’t be

possible! I hope you enjoy these images and that

they inspire you to join us in the competition in

2016.

Some background information …

"As a result of informal meeting held in the summer of 1987, the GREATER TORONTO COUNCIL OF

CAMERA CLUBS was officially formed at a meeting held on October 29, 1987, at North York Central

Library. At that meeting, the following delegates were elected to the Executive, to hold office until

December 31, 1988: Chairman - Stuart Freedman; Vice-Chairman - Karl Reeser; Treasurer - Robert

Bateman; Secretary - Karin Adams; Executive Member - Vern Mossey."

One of the main objectives of this new council was to pool and co-ordinate resources to promote

activities which would otherwise be out of reach of individual clubs. Approximately 15 clubs

Ina Miglin, “Driving Through Mountains”, Honourable Mention 2015

participated. The first major activity was a one-day seminar with George Lepp as keynote speaker, a

sold-out success.

The first GTCCC Inter-Club Slide and Print Competition took place in 1989. The Kodak Company in

Toronto allowed GTCCC to use their auditorium for that first show. GTCCC had to pay a rental fee

(which included coffee and donuts). Kodak opened their staff store for all attendees and their sales

reached about $20,000 for that one night. They were so impressed with the turnout (all 495 seats

were sold out) that they offered the venue at no charge thereafter, and they included free coffee and

donuts.

The annual Interclub Competition has resulted in a number of awards and trophies for Mississauga.

While we may not have records for every year of participation, we do have the following details: 1992,

the 4th annual Interclub Photographic Competition - MCC won the DayMen Trophy; 1993 - MCC won the

Freedman Trophy; 1999 - MCC won the Club Award for Pictorial Slides; 2005 - the Freedman Trophy;

2006 - MCC won the Colour Print, the Digital Nature and the Digital Pictorial Divisions and also

captured the Freedman Trophy; 2007 & 2008 – the Colour Prints Division; 2009 - we succeeded in 3 of

the 4 Divisions (Colour Prints, Nature Projected and Pictorial Projected) but narrowly missed bringing

back the Freedman Trophy; 2010 – MCC was the top-ranking club and received the Freedman Trophy

again.

The Mississauga Camera Club has been a strong competitor, historically, thanks to our many talented

members. We have consistently received first,

second and third place awards, along with

numerous Honourable Mentions. It is a valued

and important opportunity for individual

members to contribute to our club’s victory

at a premier interclub competition. It is

rewarding for individual members, and at the

same time we would like to emphasize that the

CUMULATIVE score of all the qualified images from

each club establishes the final ranking and the

resulting club

recognition.

Something that I found interesting in researching the history was

to discover that a few issues and challenges developed in 2006,

including heated debate about whether digital images would be

accepted for the competition. Does this surprise you? The digital

world seems so essential to photography now, but perhaps the

transition to digital was not always a smooth process! Apparently,

MCC had transitioned from slides and film to digital fairly quickly

and painlessly during the period of 2002 to 2004. After down-to-

the-wire discussions within GTCCC, the 2006 competition

proceeded with new categories for Digital Pictorial and Digital

Nature.

And did you know … that the current GTCCC is not the first of its

kind in the GTA? Back in the 1950's there was a similar

organization, which ended sometime in the 1960's.

Ina Miglin, “Autumn in Tombstone Territorial Park”, Honourable Mention

Hilary Callin, “Lower Antelope Slot Canyon”, Honourable Mention 2015

We hope that you have enjoyed hearing about some of the GTCCC history … and perhaps at some point

we can showcase some of our past winning images, to give sufficient credit to our amazing

photographers.

We’d like to encourage all members to contribute in 2015/16! Please send in any additional

information or stories you’d like to share about your GTCCC experiences.

And if anyone would like to volunteer a few times a year with the GTCCC activities, please let me know.

I welcome your feedback and input at gtccc@mississaugacameraclub.ca.

Below: Lorne Park Public School where the club

held its meetings in the early years. The club’s

first ‘salon’ was held in the school’s auditorium in

1955 ... read on!

The First Exhibition

Editor: In the course of her research, Audrey Cherevaty was able to find this 1955 letter to Canadian

Photonews announcing MCC’s first salon ... an exhibition of black & white prints where viewers judged

the images and selected the winners. Some photos of this exhibition follow in the next page.

Left: President G.A. Haley shows Reeve of Toronto Township, Mrs. Marie Fix, around the exhibition

Mrs. G.A. Haley (centre), Mrs. Marg Moutrie (left) and Mrs. Naylor are shown serving tea (with fine china & silver no less!)

View of print exhibit - four 8' panels were extended diagonally across the South wall of the auditorium

Right: Mrs. G.A. Haley, wife of President, is shown examining prints accompanied by the first visitor to the show

A Perspective on Street Photography

Interview with Marty Pinker

Editor: How would you define ‘street photography’?

Marty: Street photography captures unposed scenes in public places, and depicts snippets of what

goes on in the real world. It's the art of capturing a Henri Cartier-Bresson "decisive moment"

which, seconds later, will not exist.

Editor: What interests you most about this genre?

Marty: I find that street photography often results in more meaningful images than ones that are

planned and orchestrated, like landscapes and portraiture. I enjoy its challenges.

Editor: Are there any specific themes or ideas that you like to capture and convey in your photos?

Marty: I like to seek unique and interesting off-beat individuals immersed in their everyday

activities. I attempt to capture magic life moments which others might overlook. The behaviour of

others in candid situations is fascinating!

Editor: What makes a good street-photography photo?

Marty: Street images should evoke a reaction, perhaps amuse, or tell a story which can be freely

interpreted.

Editor: How do you go about getting a good shot?

Marty: You must plan for the unexpected, so that you're fully prepared when a split second photo

opportunity unfolds in front of you. You always need to put yourself in the right place for it to

happen.

Editor: Some people don’t like having their photos taken by strangers, more so in some cultures

than others ... How do you handle that controversial side of street photography?

Marty: Ideally, the subjects will be unaware that you are shooting them. If I see a person I want

to shoot, I will often pretend to shoot other scenes around them, and then very swiftly swing in to

include them. I am discreet. I try not to intrude on peoples' lives. I am bold, but retreat quickly,

and focus on another subject before they catch on. I respect private property, and cease

photographing if requested. I rarely encounter negative reactions. More often than not, people

apologize to me for getting in the way of my shot!

Editor: What makes an attractive street-photography venue?

Marty: Markets and street events attract an interesting cross section of society. People are

generally too busy with their activities, (shopping, watching or participating) to notice me. Crowds

enable you to disguise your focus of interest.

Editor: Can you provide some examples in the GTA?

Marty: My favourite locations are Kensington Market, the St. Lawrence Market, Queen Street West

and Chinatown. Events in Mississauga's Celebration Square are often fruitful. I've had lots of luck

at parades like Caribana in Toronto, Southside Shuffle in Port Credit and the Bread & Honey

Festival in Streetsville.

Editor: When are the best times to find good photo opportunities?

Marty: Get to the location early, ahead of the crowds, if possible. This gives you time to scout out

potential scenes. Lots of situations present themselves in the preparations before the event itself.

Sometimes the spectators are more interesting than the actual event.

Editor: What considerations do you give to choice of photography equipment when planning a

street-photography outing? Do you rely on any one lens specifically and why? What are your

primary camera settings?

Marty: I use an 18-105mm zoom lens with my Nikon D90, which I find meets the large majority

of my needs. Many street photographers use a 50mm prime lens, but I find it difficult to compose

a scene quickly with mine. I never use a telephoto lens on the street. Having said that, the

equipment you use is of low importance compared to your ability to see and respond to a "decisive

moment." There's no time for manual settings on the street. Of course, you need a high ISO, 800

or higher, and I generally use a P setting.

Editor: Getting started in street photography might be intimidating for novices ... What tips would

you give them?

Marty: As a starting point, it's a good idea to go out with a group. That will give you experience in

shooting on the street. However, you may find that the company of many other photographers will

distract you from your primary purpose. I am a member of, and highly recommend, the Toronto

Photo Walks Group. I have been participating in their twice monthly outings for a number of

years. But I generally get my best street images in the company of one other person.

To join the Toronto Photo Walks Group, like their Facebook page, and you will be kept in the loop.

They pick a different Toronto neighbourhood on bi-monthly Saturdays. The walks are particularly

well organized, and follow a detailed Google maps route, starting at 10.00, and breaking at noon

for a pub lunch, then on through the afternoon until 6.00 pm for further pub libations.

Editor: Could you tell us a little bit about the Street Photography SIG such as when they meet,

outing venues, etc?

Marty: The MCC Street SIG is less active. We have had outings to Liberty Village, Port Credit,

Graffiti Alley, the Distillery District, Niagara-on-the-lake, Ward's Island and the Ice Festival in

Yorkville. At this time, we need a volunteer to organize more frequent activities. Please contact

me, director_comm@mississaugacameraclub.ca, if you would like to step forward!

Editor: Which sources have you’ve found particularly helpful?

Marty:

http://erickimphotography.com/blog/start-here/

http://en.wikipedia.org/wiki/Street_photography

http://digital-photography-school.com/?s=street+photography

http://www.thomasleuthard.com/Book/GoingCandid.pdf

http://thomas.leuthard.photography/wp-content/uploads/2014/02/CollectingSouls.pdf

http://www.vivianmaier.com/

Editor: Could you provide a few examples of your street photography images and explain what

you captured and why you found it interesting?

A Few Of My Favourites

Busker, Montmartre

This fiddler serenaded us as we

wined and dined in an outdoor café.

I took a number of shots, but this

one stood apart from the others, with

the alignment of the girl on her cell

phone, and the beggar in the

background.

Queen Street Gentleman

Taken on a Street SIG outing. I tried

to appear as if I was shooting the

street landscape, but he clearly

realised he was key for inclusion. He

passed us without incident, but why

was he dressed like that, and where

was he headed?

Scott's Breakfast Stand

This is one of my favourite places to shoot at

Rochester’s public market. I always sit at the

stand to have one of their breakfast sandwiches,

and shoot the comings and goings. They know me

now, and do not object. In this shot, I like the

combination of silhouette, shadow and colour.

Weirs Beach, New Hampshire

Weirs Beach is a small resort town on

Lake Winnipesaukee. The setting appealed

to me: a truck, graffiti, the collection of

signage and great shadows. I was rewarded

when a girl entered the scene to look for

someone or something, and placed herself

perfectly in the shot.

Yellow Parking Ticket

A random parking lot on College

Street during a street festival. A

potentially boring shot until this

character, dressed in yellow,

stepped up to buy his ticket.

CREATIVE TECHNIQUE:

DELETE TOURISTS FROM TRAVEL PHOTOS

THIS LITTLE TECHNIQUE MAKES IT EASY TO GET RID OF THE TOURISTS IN YOUR TRAVEL

SHOTS! (PHOTO FROM STOCK)

This is an awesome trick for travel photographers. Sometimes you’re at an amazing location, but there are

people in the way of your shot. If you want to take a picture of a landmark and people are in your shot, you

will likely spend the rest of your adult life cloning people out of the shot unless you try this technique.

Step 1: Set your camera on a tripod.

Step 2: Take a picture about every 10 seconds until you have about 15 shots, depending on how fast people

are walking around.

Step 3: Open all the images in Photoshop by going to File > Scripts > Statistics. Choose “median” and select

the files you took.

Step 4: Bam! Photoshop finds what is different in the photos and simply removes it! Since the people moved

around, it fills the area where someone was standing with part of another photo where no one was there.

UPDATE: The “statistics” script mentioned here is only available in Photoshop Extended or in the Creative

Cloud version of Photoshop; however, as someone mentioned in the comments, you can get a somewhat

similar effect in recent versions of Photoshop Elements by going to Enhance > Photomerge > Scene Cleaner.

4th Competition Results

1ST David Stronghill A Mothers Embrace 24 1ST Robert Bateman Five Sea Urchin Shells 25

2ND Penny Albright Old Blue Eyes 24 2ND Tony Paine Sun Breaks On Zebra Mountain 23

3RD Sue Adorjan January Surprise 22 3RD Warren Davis Girl On Carousel 22

HM Liz McNally The Ring Toss Game 22 HM Bob Warren Flatiron Building 22

HM Liz McNally The Calm After The Storm 20 HM Marty Pinker Harbour Ice 22

HM Ina Miglin Having Fun 21

1ST Tony Paine Marmot 25

1ST John Bennett Northern Saw Whet Owl 24 2ND Bob Hawkins Coopers Hawk Feeding 25

2ND Ingrid Liem Sea Lions Pair 21 3RD Raymond Hsu Great Blue Heron Building Nest 24

3RD Lori Metcalfe Bald Eagle 21 HM Vincent Filteau Grebe Feeding Chick Big Fish 24

HM Ingrid Liem Great Blue Heron Pair 20 HM Adela Tivadar Brown Pelican 23

HM Alan Gray Elephant Stripping Baobab Tree 22

1ST Tony Paine The View From Here 24

1ST Mark Fenton Ice Ship 23 2ND Marty Pinker Flight Over Venice 24

2ND Efraim Perl Grand Teton 23 3RD Al Tilson Thruogh A Frosted Window 23

3RD Efraim Perl Autumn In The Rockies 22

HM Craig Stirton Flaming Hair Figure Study 21

HM Donna Miller Air Show 21

1ST Vincent Filteau Monarch Butterfly Feeding 24

2ND David Field Summer Palace-Jaipur 23

1ST Linda Hilliard Black Bear 21 3RD John Moore Far from the Madding Crowd 23

2ND Sophie Matta Portrait Of Iguana 20 HM Craig Stirton Mynarski Memorial Lancaster 22

3RD Alan Munro Backlite Canyon 20 HM Sue Adorjan Kingfisher resting from hunt 22

3RD Jennifer Fowler The View From Mesa Arch Utah 20 HM Sue Adorjan Rainbow Feathers 22

1ST Tony Paine Marylin and the Big O 24

1ST Donna Miller Venice Carnival 23 1ST Marty Pinker Montmartre Paris 24

2ND Craig Stirton You Must Have Tea 21 3RD Tony Paine San Miguel Bike Courier 23

3RD Craig Stirton Mybootswillwalkalloveryou 20 HM Ina Miglin Spring in Rockies 23

HM Sandra Hawkins At the Well 23

Pictorial

Nature

Prints Level 2Pictorial

Creative

Prints Level 1

Season 2014 - 2015

Ribbon WinnersFourth Competition - May 2015

Digital Beginner Digital AdvancedPictorial Pictorial

Nature

Nature

CreativeDigital IntermediatePictorial

Creative Annette Seip Best Print Tony Paine

Pictorial Ina Miglin Level One Vincent Filteau

Nature Bob Hawkins Level Two Tony Paine

Beginner Lori Metcalfe

Intermediate Efraim Perl

Advanced Ina Miglin James D Cranston Sandra Hawkins

Photo Essay Favourite Ingrid Liam Maurice de Cunha Efraim Perl

AWARDS

TROPHY WINNERSDIGITAL PRINTS

Lori Metcalfe 249 Efraim Perl 267 Bob Hawkins 276 Vincent Filteau 180

Ingrid Liem 246 Jim Evans 252 Ina Miglin 276 Craig Stirton 177

David Stronghill 245 Craig Stirton 252 Tony Paine 276 David Field 176

Sue Adorjan 243 Donna Miller 247 Vincent Filteau 268 Sue Adorjan 174

Misbah Ali 235 Rick DaSilva 245 Raymond Hsu 266 Mark Fenton 91

Bashar Darghawth 234 Chantal Chapdelaine 244 Adela Tivadar 261 John Moore 86

Liz McNally 234 Doug Johnston 243 Stephen Balke 258 Annette Seip 60

Tetyana Boronylo 227 Alan Munro 242 Robert Bateman 258 Chantal Chapdelaine 43

Pat Donaldson 193 Jennifer Fowler 232 Al Tilson 257 Lori Metcalfe 40

Raymond Eng 183 Janet Dixon 228 Warren Davis 256 David Stronghill 20

MaryAnn Rowsome 182 Sophie Matta 226 Kevin Chan 255 Fred Walker 19

Jean Girard 131 Juri Vosu 147 Marty Pinker 249

Chuck Hammill 111 Mark Fenton 123 Jon Clarke 248

Tom Snow 106 Myra Jones 111 Robert Mongrain 244 Sue Adorjan

Maggie Knight 69 Linda Hilliard 110 David Penty 242 Vincent Filteau

Penny Albright 63 Rob Thorne 82 Paul Ewington 239 Craig Stirton

Hani Anton 61 Nigel Roberts 53 Fred Dixon 235 David Field

Eleonora Roberts 59 Angela Murphy 44 Sandra Hawkins 235

Judy Stuart 59 Linda Wiesner 229

Gwen Caudle 58 Bruce Peters 226 Tony Paine 191

Wendy Mullinder 52 Alan Gray 184 Marty Pinker 184

Vinod John 48 Robbie Robinson 181 Al Tilson 181

Gerard Foraie 47 Bob Warren 157 Sandra Hawkins 179

Holly Lumley 44 Annette Seip 137 Stephen Balke 178

John Bennett 41 Leonie Holmes 123 Ina Miglin 174

Maureen Rodrigues 40 Marcus Miller 87 Robbie Robinson 170

Paul Lindo 37 Laurie Fenos 64 Leonie Holmes 130

Evarist DSouza 34 Kay Woollam 61 Myra Jones 120

Janet Brazier 59 Marcus Miller 91

Rob Thorne 90

Sue Adorjan Efraim Perl Bob Hawkins 85

Misbah Ali Jim Evans Rainer Rothfuss 85

Liz McNally Craig Stirton

Level Two

ADVANCEMENTS: ADVANCEMENTS:

ADVANCEMENTS:

Season 2014 - 2015

SEASON LEADERBOARDMay 2015

DIGITAL PRINTSBeginner Intermediate Advanced Level One

CLUB CHAMPION

Tony Paine

Volunteers Of The YearAudrey Cherevaty

Uliana Yaworsky

THE MISSISSAUGA CAMERA CLUB

Meetings:

Cawthra Seniors’ Community Centre,

1389 Cawthra Road, Mississauga

E-Mail: info@mississaugacameraclub.ca

Web: http://www.mississaugacameraclub.ca

KLIK SUBMISSIONS KLIK welcomes feedback, comments and suggestions; articles; tips, tricks and techniques; interesting

web sites; images with comments. All submissions are usually published in the first available issue.

Please send your submissions to:

KLIK@mississaugacameraclub.ca.

Please visit our Affiliated organisations for news about events, competitions and special offers.

The Photographic Society of America The Canadian Association for Photographic Art

http://psa-photo.org/ http://capacanada.ca/

The Mississauga Camera Club is a member of the Greater Toronto Council of Camera Clubs (GTCCC),

Canadian Association of Photographic Art (CAPA), the Photographic Society of America (PSA) and is affiliated with the Mississauga Recreation and Parks Department and the Mississauga Arts Council.