sept 2015 plumage 9 29 2015

PLUMAGEPLUMAGEPLUMAGE---TXTXTX Hill Country Magazine Sept. 2015 Issue

Jose Vives-Atsara Reflec ons

Reviews/ Commentary/ Exhibi ons/ News/ Events

FREE

Margie Barker Over 50 Years of Fun

Favorites People and the

Pain ngs They Love

Texas Texas Hill Country Hill Country

Invita onalInvita onal

BPABPA Auctions Fair Market Value

Available at JR Mooney Galleries—Boerne / www.jrmooneygalleries.com / 830-816-5106

Russell Stephenson “First Frost” Oil on Panel 24” x 24”

Photography and Design by: Gabriel Diego

Delgado

PLUMAGEPLUMAGEPLUMAGE---TXTXTX

FEATURES Sept. 2015 Issue No. 6

14 Reflec ons

Jose Vives‐Atsara and his

obscure composi onal treat

48

22

THCI

Annual BPA art exhibi on

Favorite

People and the art they like

4 / PLUME‐TX Magazine Reviews/ Commentary/ Exhibi ons/ News/ Events, September 2015

PLUMAGEPLUMAGEPLUMAGE---TXTXTX

IN THIS ISSUE

IN EVERY ISSUE

A Note from the Publisher –P.8

On the Cover—P.10

Contributors— P.11

Framing of the Month—P.74

Designer’s Quill—P.78

PLUMAGEPLUMAGEPLUMAGE---TXTXTX September 2015 Issue

PUBLISHER

Gabriel Diego Delgado

All artwork photography courtesy of J.R. Mooney Galleries of Fine Art

Prices are for current artwork, and can change at any me

© 2015

JR Mooney Galleries

305 S. Main

Boerne, Texas

78006

830‐816‐5106

Edited by Gabriel Diego Delgado, Marla Cavin, Katherine Shevchenko , Be y Houston

Design by: Gabriel Diego Delgado

Contribu ng Writers


Katherine Shevchenko

Melissa Adriana Belgara


A er

Market

See the

Comparables 82

Margie

Barker

A Life in the

Arts

40

Reviews/ Commentary/ Exhibi ons/ News/ Events, September 2015, PLUME‐TX Magazine / 7

A Note from the Publisher

September is back to school, back from vaca ons and

back to the daily rou ne. Yes, it is a normalcy, and

some mes monotonous, but never fear, the heat will

dissipate from me to me, the evenings will get

cooler and we will have more me to enjoy all the Hill

Country has to offer.

This picture is a detail of my journey through the

“Ordinary People & Extraordinary Art” photography

series we launched at the J.R. Mooney Galleries,

Boerne loca on to showcase the general public and the

art they like. We provide our readers with a one

sentence summary of why this person likes that

par cular pain ng or art piece. Feel free to stop in at

the gallery and let us know which one is your favorite.

Come out and enjoy!!

PLUMAGE‐TX hopes to use its pages as a vehicle to educate, entertain and enlighten our audience on a variety of topics ranging

from reviews, news, ar st narra ves, interviews, cri cism and a cohort of other art related stories from within the gallery walls to

the major metro centers. I hope you find this informa ve and hope you con nue to follow the ar s c happenings around you in

your local neighborhoods.

Sincerely,

Gabriel Diego Delgado, Publisher

[email protected]

[email protected]


On the Cover

Met this gentleman in the dark crevices of the

Creek Restaurant in Boerne, Texas. Part Texas,

part taxidermy, part dive bar aesthe c, this

charmer was a glorious sight to see as you tuck

yourself into the side bar area across from the

fine dining . I was enamored by his large antlers,

his listless smile, his pouty demeanor and his

bedroom eyes. Yes, he had me at hello. Gree ng

everyone who walks by, you are ever so blessed if

you are indeed the few who make his

acquaintance. The dayglow and neon bar lights

add a “Roxanne you don’t have to put on the red

light” kind of feel. Be sure to check him out one

day as you sit down for a wonderful meal.


Contributors

Katherine Shevchenko has a ended the San Francisco Academy of Art University and the University of Texas at San Antonio where she received her Fine Arts Degree with an emphasis in Pain ng. Her experience ranges from interning as a curatorial assistant at Southwest School of Art to teaching art to students of all ages. Currently, she is an art consultant/framing designer at the J.R. Mooney Gallery in Boerne. Some of her contribu ons include wri ng ar cles, hos ng and edi ng the

J.R. Mooney podcast, "Mooney Makes Sense" and art catalog design. She is also an ar st that specializes in pain ng in oils and other media.

Gabriel Diego Delgado is the Gallery Director

at J.R. Mooney Galleries of Fine Art, Boerne,

Texas. He has spent almost a decade in

Nonprofit Art Management‐ working as a

Curator of Exhibi ons at the Sta on Museum

of Contemporary Art, Houston; Project

Manager of Research and Development at

the Museo Alameda, a Smithsonian Affiliate,

San Antonio. He is a Freelance Curator and

Arts Reviewer for several publica ons. His

artwork has been shown in Arco 2012

Madrid, Spain; New York, New York, MOCA

(Museum of Contemporary Art) D.C. as well as numerous galleries and venues

throughout the U.S. He is currently working on his Fine Art Appraisal License.

Reviews/ Commentary/ Exhibi ons/ News/ Events, September 2015

Melissa Belgara, a na ve Texan that grew up in Houston, lived San Marcos and San Antonio has recently moved with her family to Boerne. Her experience in Commercial Real Estate Marke ng provides a unique perspec ve of this quickly expanding area of Texas. She holds a Bachelor's degree from the University of Houston in Communica ons, as well as a Masters degree in Organiza onal Management. Currently, she spends most of her me caring for her two daughters, subs tute teaching and looking for crea ve ways to explore and discover the Hill Country's ar sts' communi es.

Boerne

Spotlight

By: Gabriel Diego Delgado

JJose ose

VivesVives--AtsaraAtsara

‘Mirrored ‘Mirrored

Impression’Impression’

River’s Reflec on

An analysis of “El Cas llo en Reflejos, Catalonia, Spain”

by Jose Vives‐Atsara


“El Cas llo en Reflejos, Catalonia, Spain”, by Jose Vives‐Atsara is a prime example of a pain ng that makes

you hesitate, to stop in your tracks and take a second glance; a visual shillyshally encompassed by a harm‐

lessly dominant watery mirror‐image in a ghostly gestalt. This oil painted existen al echo coerces you to

ponder your existence (well, not quite), but Vives‐Atsara does force you to reevaluate what we know about

composi on in the tradi onal landscape pain ng genre.


Yes, this vintage pain ng (circa 1963) of a castle in Catalonia, Spain, is formulated in a way that breaks

the mold of composi on in the tradi onal sense of an impressionis c pain ng. Many ques ons come to

mind when evalua ng “El Cas llo en Reflejos”. First of all, our brain says, “Hey! Wait! Which way is up?”

We ins nc vely fight to resist the awkward art museum cliché of turning our head sideways to help us

formulate those internal thoughts. In our ability to comprehend contemporary art, we begin to suppress

an interior struggle to ques on its validity with an ingrained and primordial self‐doubt ar s c chip on our

mental shoulder.

Ward off that ins nc ve

tempta on to twist your neck

askew so that one of your ears

is up, like a canine. It won’t help

you fathom any more of this

pictorial puzzle as you

unbearably struggle with this

artwork like it is some cryp c

but visual language presented

to you with a seemingly fic onal

and mischievous inten on by an

ar st aimed at sadis cally

avenging art by driving us mad.

When you realize it’s all about

the reflec on in the water, you

have to reestablish the horizon

line, gain your bearing as to

where you are in rela on to the

castle in the foreground. Then,

we begin to calculate the

surrounding. What is the

terrain? Where is the ar st

posi oning us? Is it an impossible perspec ve or just a detail with some ar s c liber es?

Once we perfect our posture we begin to comprehend the whole pain ng is all about the small castle in

the water’s reflec on. It fills us with a queasy ver go, gaunt in the subtle picture plane, like some

painterly echo of mes gone past, an ar s c and historical view of some medieval period, a flash in

history when this structure was vital to the survival of the surrounding area.

Now it’s a cool and calm reflec on in the tranquil waters below, reaching out from some picturesque

grave, a kind of allegory of the John Evere Millais's depic on of Ophelia offering herself to death in the

cold water, floa ng down the stream in a macabre melody of ancestral auras.

“...and we ins nc vely

fight to resist the

awkward art museum

cliché of turning our

head sideways to help

us formulate those

internal thoughts.”

Reviews/ Commentary/ Exhibi ons/ News/ Events, September 2015 PLUME‐TX Magazine / 17

Once ruled by the Crown of Aragon in the Mediterranean and complete with over 600 medieval

fortresses, the autonomous region of Catalonia, Spain is a majes c territory comprised of smaller

provinces that include: Barcelona, Girona, Lleida, and Tarragona. Jose Vives‐Atsara portrays one of these

numerous castles with painterly inquisi on, giving us an impressionis c reflec on, just enough detail for

curiosity, matched only by a legion of historical prominence.

©Gabriel Diego Delgado

Other examples of Jose Vives‐Atsara signatures, provenance, and self directed studio inventory system; signed & dated


305 S. Main St

Boerne, TX 78006

830-816-5106

1.800.537.9609

www.jrmooneygalleries.com

Custom Framing

Conservation

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Fine Art

Photography

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Original Paintings

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Picture Lights

8302 Broadway St

San Antonio, TX

78209

210-828-8214

Favorites

Huertas Aguiar

“Teddy Bear Cactus”

Oil

30” x 40”

“...Although

the mountains

are majestic

and glorious,

the cactus are

the long

forgotten… I

think they are

the stoic

ones.”

“...The trees

are very

nice...and I

like the field.

Can we paint

when we get

home?”

K. Adams

“Wine Country”

Oil

24” x 20”

26/ PLUME‐TX Magazine Reviews/ Commentary/ Exhibi ons/ News/ Events, September 2015

“...As a painting it is an intriguing

intersection of conceptual

application embodying organic

elements.” Russell Stephenson

“Castlelaine”

Oil

24” x 36”

Ramon Kelley

“A Cocky Fellow”

Oil

5” x 7”

“...You know Ramon Kelley has

a way of painting something

ordinary and making it seem

magical.”

“...I like the depressive

aesthetic of the European

cityscape, a kind of post-

WWII urban decay.” Antonious

Henricus“Toon” Koster

“Night City”

24” x 36”

“...I like the freedom

of color,

its wonderful …”

Cliff Cavin

“Orange Canyon”

8” x 10”

Feel confident entrusting your cherished memories and fine art.

Master framers with over fifty years experience in custom

framing and shadow boxes.

We carry a versatile selection of framing mouldings and mats

from: Laron Juhl, CMI Moulding, AMPF, Max Moulding and

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Come in today and have a consultation with one of our framing

designers and be inspired!

Custom Framing

Conservation

Museum

Fine Art

Photography

Shadow Boxes

Ready-Mades

More...

Original Paintings

Giclees & Prints

Picture Lights

305 S. Main St

Boerne, TX 78006

830-816-5106

8302 Broadway St

San Antonio, TX

78209

210-828-8214

Community

Margie Barker Margie Barker

ALifeof

Creativity


Archival images courtesy of the University Archives, Newton Gresham Library,

Sam Houston State University, Huntsville, Texas

Wri en by :

Katherine Shevchenko

M M argie Barker, a painter represented by JR Mooney Galleries, is 81 years ‘young’ and has been

ac vely showing her landscape pain ngs in San Antonio and the Boerne area for almost half a century.

Born Margie Petzoldt in 1934, she spent her early years in Old Washington County in Navasota, Texas.

Since childhood she has always been ar s c, sketching with pencils and coloring, doing embroidery and

crochet. Margie recalls, “I don’t know where it came from, because none of my family does. I’m the only

one who has any real ar s c bent.”

She did not receive any formal art instruc on un l a ending Sam Houston State University in Huntsville,

Texas in 1952‐1956. One of her favorite instructors, a re red illustrator, had encouraged her to diligently

draw. Margie elaborates, “That was one of the things that my instructor did preach ‐ do lots of li le

sketches. And most of them were not complete, some of them I took and put in pen and ink, mostly

because I enjoyed doing it.” At the me, Margie had longed to go into a career of fashion illustra on, and

her primary mediums were watercolor and pen and ink. As an ar st on the yearbook staff, she did

illustra ons of the university buildings for the 1956 Sam Houston Yearbook, “The Alcalde.” Margie Petzoldt

graduated from Sam Houston State Teachers College on August 24th, 1956 with a Bachelor of Science

degree.

A er gradua on, Margie married Bill Barker and the couple moved to McAllen, due to Bill’s acceptance of a

job at Texas A&M University: this is where they had two children and started their family. The couple

eventually se led down in the Helotes area approximately forty years ago a er Bill got offered a job at the

University of Texas Health Science Center in San Antonio. They have called Helotes home ever since, “It’s

such lovely area,” says Margie. In Helotes, she began exploring pain ng the landscape and taking art

lessons when she found the me while caring for her family and home. Love of the landscape began with

art teacher and accomplished landscape painter, Audrey Montgomery, who was a key influence on Margie’s


ar s c development. Ms. Montgomery pushed Margie out of her comfort

zone, as her landscape pain ngs were s ll just close up sketches at the me.

Margie explains, “I did not try to do the whole thing; she helped to push me

to do the whole thing.” She also took portraiture lessons with ar st Harold

Gore and had begun working in oils with a local doctor turned ar st/

teacher. “I was working in oils to begin with, but I have a tendency to pat

things to death.

But, I stopped

using the oils for

awhile because I

had a handicapped

grandson, and he

passed away a few

years ago. He was

a love; a lot of work, but he was a love, worth

every bit of the trouble,” Margie recounts. The

me for art became limited for her due to the

necessity to devote a en on and me to care

for his needs as he grew older. The need to work for acrylic also prompted Margie to reinvent herself with

a new applica on of the medium which lent itself to further refining her style. Margie discusses the

factors that prompted her to switch, “I started working with acrylic to make me get more contrast and on

some things you can get a sharper detail. I would lose the sharpness [with oils]. However it’s harder to

get the exact color I want with acrylics because they dry darker....” For viewers seeing Margie’s work for

the first me, they are surprised when it is revealed that they are indeed painted in acrylic, not oil. She

says, “…I’ve gone over my acrylic enough that they would be considered oil, instead of acrylic, because I

have not le much un undone. Part of it is ge ng back a li le bit of the so ness that I’ve felt like I’ve lost.

“I don’t know where it

came from, because none

of my family does. I’m the

only one who has any real

ar s c bent.”


But, of course, I needed to lose some,

ge ng that happy medium is not always

easy.”

Margie has an admirable work ethic and

now “paints just about every day.” The

pain ng process may begin with discerning

a need for a par cular season that is

needed for her inventory. She also refers

to her large library of reference material

that has been amassed over the years.

Margie further details, “I’ve got probably a

couple thousand photographs, I clip out

pictures to add to my knowledge that I

can’t get myself.…” While she has done en

plein aire pain ng, she primarily enjoys

sketching outside to further bolster her

pain ng references. Margie admits that, “I

find that I do be er sketching and then

taking pictures to do the detail work. I do

refer back and use my sketches and use the

knowledge to get the detail and get the

cactus, to get the plants to move back and

get the distance.”

As she spends much me behind the

canvas pain ng the scenery she enjoys,

inspira on is derived from from, “Life in

general… I like ge ng outside… just seeing

what’s out there.” Some beloved locales

that she enjoys pain ng are Lost Maples

State Park, Palo Duro Canyon, the rivers of

the Hill Country and McKintrick Canyon.

Reminiscing back to the mes when her

kids were in school, and she was just

beginning to build her art career; mo vated

by par cipa ng with the River Art Group and

having her work picked up in a couple of

galleries, “It kept me working and dreaming

of what I could do. I would like to make it

be er, make my kids proud of me.”

“...She did not receive any formal

art instruc on un l a ending Sam

Houston State University in

Huntsville, Texas in 1952‐1956. As

an ar st on the yearbook staff, she

did illustra ons of the university

buildings for the 1956 Sam Houston

Yearbook, “The Alcalde.”


Now, with more me to

create and par cipate in

shows, Margie doesn’t

miss a beat; when asked

where she gets her

energy from, she states,

“Because I am doing

what I like doing.” She

remains ac ve, as a

regular gallery a endant

at the River Art Gallery in

downtown San Antonio,

o en working once a

month or more. She is

also a member of the

Boerne Professional Ar st’s Associa on, and par cipates in the

Boerne Parade of Ar sts and the Hill Country Invita onal

exhibi ons. She a ends openings at her represen ng gallery at

J.R. Mooney Gallery in Boerne, TX. “I feel like my work is

picking up, so I would like to see where it’d bring me. It’s s ll a

challenge. It’s s ll fun.”

She is s ll working and overcoming challenges in her crea ve

work. Cataract surgery has not slowed her down, while it has

affected her art process, some details have become more

enhanced, “Yet, at a certain distance I can see level; at a certain

distance it just slopes and one end of the picture is larger than

the other.” This has prompted her to be more careful in

evalua ng her pain ngs while they are in process.

A er a life me of pursuing

her crea ve dreams,

Margie lives and embodies

her philosophy to all

aspiring ar sts, “Get out

and draw, work. Just keep

at it, follow your ins ncts.

Do what you love to do.”

Time by the easel and

discipline remain a priority

in her life, as well as the

drive to keep improving,


“I’ve been working on ge ng them [the pain ngs] be er; I’m not too old to learn. I’m working on it.”

Margie will be showing with fi y of her peers in the upcoming Texas Hill Country Invita onal hosted by

the Boerne Associa on of Professional Ar sts. It will take place in the Cana ballroom of St. Peter the

Apostle Catholic Church located in Boerne, TX.

Please go to h p://boerneprofessionalar sts.com for more detailed informa on about the event.

**Special thank you to: Barbara Kievit‐Mason, Archivist of the SHSU University Archives, Illustra ons and Yearbook images

courtesy of SHSU Univeristy Archives


http://boerneprofessionalartists.com/sample-page/

Texas Bouquet

Tribute to Margie Barker’s

Signature Prickly Pear Cactus

Painting Wri en by: Katherine Shevchenko

Lifelong Texas resident ar st Margie Barker simply stuns with this beau ful rendi on of a close‐up view of a

signature flora of south Texas: Opun a engelmannii, also known as the prickly pear cactus. Her skillful

mastery of her medium and cra are on full display. In the foreground we are presented with a prickly pear

that is in full bloom with the details generously rendered, from the slivery needles to the gently cast

shadows underneath them like subtle wisps; the blossoms are delicately so in a profusion of dreamy pastel

pinks and yellows, effluent and alive. Beyond the cactus there are trails between the raw and craggy

vegeta on that readily dot the Texas Hill Country landscape. Due to the amount of me culous

cra smanship present, evident in the carefully rendered organic textures and a en on given to the natural

elements; this true to life composi on emotes the rugged poetry of wild Texas. The paths keep receding

back and leading the eye to venture further beyond, punctuated by the muted greens of the dense clusters

of prickly pear nestled underneath exposed branches. This is the Texas Margie knows and loves, an ode to

the tenacious beauty that ul mately triumphs in its challenging environment.

“Texas Bouquet” is available at J.R. Mooney Galleries in Boerne, Texas. For more selec ons of Margie Barker’s artwork,

visit: www.jrmooneygalleries.com

Margie Barker, Texas Bouquet, Acrylic 18” x 36”

Margie Barker, Detail of Texas Bouquet,

Acrylic 18” x 36”



-T

Rews/ Commentary/ Exhibi ons/ News/ Events, September 2015, PLUME‐TX Magazine / 49

gx _âv~ç lxtÜ

-The B.P.A presents the Annual Texas Hill Country Invitational -



he Boerne

Professional Ar st

(BPA) associa on is

gearing up for their

exuberant fall season with

the kick‐off and public

opening of the annual

“Texas Hill Country

Invita onal” (THCI) art

exhibi on and sale at the

Cana Ballroom of St. Peter

the Apostle Catholic

Church on Main Street in

Boerne, Texas ‐October

16th, 17th and 18th. BPA

President, Ed Hall; VP of

Marke ng, Pamela

Gardner and Event Chair,

Nancy Yarbrough were on‐

hand to discuss the latest

news on this much

an cipated art event.

“This is the Premier Art Show in the Hill Country,” says Ed Hall exci ngly. Drawing from a roster of over 50

formal members of the BPA organiza on, the THCI will be chockfull of an eclec c mixture of ar s c

delights

The THCI art exhibi on and sale now in its 13th year, is gaining regional momentum as it evolves, changes

and morphs to fit and accommodate the needs of the ar sts who par cipate in the event.

From a hotel’s conference room, to Ye Kendell Inn to Tapi o Springs Golf Country Club & Resort to The

Dienger Building to St. Peter’s Church, this exhibi on originally started almost 6 years a er the ini al

“Open Studios”/ “Parade of Ar sts” model; an ini a ve put forth by former Boerne Mayor Heath.

“Jay Hester, Bill Scheidt, Sidney Sinclair, and maybe one or two other ar sts have been doing it since the

beginning,” Gardner says. “It has drawn more and more ar sts every year.”

“We have ar sts from Corpus Chris e, Houston, Georgetown, Coastal Bend regions, Killeen, Angleton, and

many more….it’s a state‐wide exhibi on for all our members, it’s in the tle, ‘Texas’”, says Hall.

With over 50 par cipa ng ar sts, The THCI has a wide assortment of genres, aesthe cs and categories of

art for sale. The ar s c diversity includes: jewelry, po ery, pen & ink, pencil drawings, oil pain ngs, acrylic

pain ng, bronze sculptures, photography, watercolor, glass, encaus cs, pastel, clay, digital art, mixed

media, and serigraphy.

TT

Jay Hester circa 1985

This year’s three party juror selec ons are Paula Horner,

current President of the Hill Country Council for the Arts,

and owner of Petland, Boerne; Roberta Buckles, San

Antonio ar st and instructor; and Jim Landers of Landers

Photography in San Antonio. The jurors will be selec ng

winners for 8 categories: oil, acrylic, watercolor, 3‐D, 2‐D,

Dry Media, Photography, and Mixed Media. From these

winners, they will also select a ‘best of the best’ award,

and grant one of the top category victors a “Best of Show”

award; an ar s c acknowledgement that guarantees

admission to next year’s event, bragging rights, and a

trophy, not to men on peer‐to‐peer venera on.

All public a endees will receive a 32 page program that

includes all list of all par cipa ng ar sts, a sample of

their artwork, places for note taking, schedule of daily

events and promo onal for sponsors. As of this prin ng,

6 ar sts have signed up and will be hos ng a series of 45

minute demonstra ons about their artworks. For those

who want to see how these ar sts create their works,

these demos are perfect for public to ar st interac on,

are conducted in small se ngs and free of charge.

“In addi on to the free exhibi on program, the general public will also be able to vote on a People’s Choice

Award,” says Gardner. “Any a endee can vote once on who they think is the best ar st at the event…it’s a

great way for the public to be

involved and shows them that we

appreciate their individual opinions

on the various art styles the BPA

displays.”

“One of the main differences from

last year to this year is the

expanded two day paint‐out

sessions,” says Hall.

As an Oil Painters of America

(OPA) sanc oned event, the ‘Paint‐

Out’ will allow registered ar sts

who are not official members of

the BPA to s ll par cipate in the art sale and exhibi on as part of the ‘Wet Paint’ sale sec on. Spanning

over 48 hours, the paint‐out is actually an en plein aire opportunity for people who want to paint on

loca on and then bring in the final artworks to the THCI event and offer them for sale in the main lobby of

Rews/ Commentary/ Exhibi ons/ News/ Events, September 2015, PLUME‐TX Magazine / 51

“...We have ar sts from Corpus

Chris e, Houston, Georgetown,

Coastal Bend regions, Killeen,

Angleton, and many more….it’s a

state‐wide exhibi on for all our

members.”


the ballroom.

“Ar st are allowed to hang two pieces for sale and can take 100% of their proceeds from the sale, the BPA

is not asking for any commission for those sales,” says Gardner. “Registered ar sts pay $15.00 for one day

or $25 for two days to par cipate in this year’s ‘Paint‐out’, and have their artwork for sale during this

wonderful art exhibi on and sale. En Plien Aire ar sts will be pain ng outdoors throughout Boerne and its

parks, recrea onal and heritage centers…About 4 years ago we started off with maybe 5 or 6 painters out

and about in Boerne, this year we are hoping for as many as 40 ar sts, up from last year’s 25.”

“Another difference this year that we are super excited about is the addi on of more display panels. We

have added more sec ons to the ar sts’ display area,” says Hall. “More display panels for par cipa ng

ar sts…means more room to show art.”

“Last year’s a endance was around about 700 people over the full three day weekend. This year we expect

800 ‐ 1,000 patrons to come on out and see what the BPA ar sts have to offer. This show is a compila on of

high‐quality and diversified media at affordable prices…and not all of it is western…THCI has figura ve,

landscape, Na ve American, Contemporary, Western, architectural , s ll lifes, florals and country me

nostalgia, as well as a host of various techniques and media.”

With previous years marke ng strategically set in na onal magazines like Southwest Art and American Art

Collector, the BPA Board decided this year to market locally with street banners and signage and local


adver sing. “There is more of an emphasis on the regional

market for this exhibi on,” says Hall. “We are working with

the Boerne CVB as well as the Boerne Chamber of

Commerce to help promote the events. Jennings Anderson

Ford in Boerne and the Dienger Trading Company have

been wonderful financial supporters for the THCI events

over the last few years. They are a great group of people

who unselfishly give to the Boerne community…we are

gracious for people like them. They help the annual BPA art

exhibi on to con nue to showcase the best of what we

(BPA) have to offer.”

For more about the BPA Texas Hill Country Invita onal Art exhibi on and sale, visit their website at www.boerneprofessionalar sts.com

“Last year’s a endance was around about 700

people over the full three day weekend. This year

we expect 800 ‐ 1,000 patrons to come on out and

see what the BPA ar sts have to offer.”

http://www.boerneprofessionalartists.com


Last year’s ‘Best of Show’ winner was glass ar st, Kathleen McBride with a fused glass art‐piece.

Publisher’s Note: Bill Scheidt, Margie Barker, and Sidney Sinclair are three ar sts represented by J.R.

Mooney Galleries of Fine Art‐ Boerne who will be on exhibit in the THCI at the Cana Ballroom.

Schedule of Events

Wednesday and Thursday, October 14 ‐ 15, from 7:30 am – 5 pm

En Plein Aire “Paint Out”

Friday, October 16, from 7 – 9pm

Preview and Opening Night

Saturday, October 17, from 10am – 8pm

2015 Texas Hill Country Invita onal

The Texas Hill Country Invita onal will be open to the public with ar sts in a endance to describe the

works they have on display. Ar sts’ lectures and demonstra ons will be held from noon – 5pm.

Sunday, October 18, from 10am – 3pm

2015 Texas Hill Country Invita onal


Delgado

Come See Our New Lines of Custom Framing Designs

Breaking News

The 13th Annual

Texas Hill Country Invitational Art Show & Sale

October 16 - 18, 2015

Boerne Professional Artists (BPA) will host their premier Art Show & Sale in the Cana Ballroom of St. Peter the Apostle Catholic Church on October 16 - 18 of this year. With more than 50 talented artists participating, it will be the largest in the 13-year history of this event. Works of art will include paintings in oils, acrylics, pastels and watercolor; graphite, photography, pottery, jewelry, fused glass, encaustics, reliefs, sculpture and mixed media.

Additionally, featured artists will conduct a series of “how-to” lectures and demonstrations throughout Saturday afternoon.

And, the top three winners of the “Drawn to Animals” Children’s Art Contest will have their artistic efforts on prominent display throughout the three-day event.

The prestigious Oil Painters of America (OPA) has again endorsed BPA’s two full-day En Plein Aire “Paint-Out”, the Wednesday/Thursday prelude to the Invitational. ‘En Plein Aire’ is a French term that translates to ‘open air’, so we’ll be seeing as many as 40 artists at work mid-week in the open air prior to the Invitational. The finished works of the “Paint-Out” artists will be offered in a “Wet Paint” Sale that begins during the opening night preview event in the Ballroom.

And all of this will be held in the heart of Boerne in a most elegant venue with breathtaking northern Hill Country views that is easily accessible with plenty of free parking.

Schedule of Events…

Wednesday and Thursday, October 14 - 15, from 7:30 am. – 5 pm En Plein Aire “Paint Out”

En Plien Aire artists will be painting outdoors throughout Boerne and its parks, recreational and heritage centers. Finished works of the open-air artists will be offered in a “Wet Paint” Sale that begins during the opening night preview event in the Ballroom.


Friday, October 16, from 7 – 9pm Preview and Opening Night

Saturday, October 17, from 10am – 8pm The Beginning of the 2015 Texas Hill Country Invitational

The Texas Hill Country Invitational will be open to the public with artists in attendance to describe the works they have on display.

Artists’ lectures and demonstrations will be held from noon – 5pm.

Sunday, October 18, from 10am – 3pm The Finale of the 2015 Texas Hill Country Invitational

Make your reservations now to stay in the beautiful Hill Country town of Boerne, so that you don’t miss a single day of this spectacular event! Special hotel rates are available at Comfort Inn & Suites Texas Hill Country and Fairfield Inn & Suites. Just use the code “ART” when you call.

PRESS RELEASEPRESS RELEASEPRESS RELEASE



Delgado

Custom

Framing

Conservation

Museum

Fine art

Photography shadow

boxes

Ready-Mades

More

Original

Paintings

Giclees &

Prints

Picture Lights

1.800.537.9609

210.828.8214

830.816.5106


FRAMING

antastic rames

antastic rames Custom Framing Consultants and Designers realize there is a naïve‐ness that exists

within the general public on choosing the perfect frame for their fine art needs. In

this segment of “Fantas c Frames”, we will take a look at several new family or

series of frames available at your local custom frame shop. Highlights from the

family are wood grains, faux burl, 1980’s neon contemporary and urban rus c

shabby chic couture.


Photography, Design and content by Gabriel

Diego Delgado unless otherwise stated.


ROMA Moulding

“Cabane” series

2.25” wide

“Age brings with it a subtle

beauty. Our Cabane

mouldings rus c charm, rich

hues and subtle highlights of

color are hand applied and

distressed by skilled ar sans

whose careful a en on to

detail evokes the beauty

a ained only by me and

nature.”

‐Source:

www.romamoulding.com


WALL Moulding

“8750’s” series

2.50” wide

From the Tuscany series with

a two part fabrica on. The

top layer of distressed wood

swatches are accented with a

small mo f fillet edge overtop

a simple wood stripping. The

series is reminiscent of a

American Dougless style

frame with segmented rus c

burl. This family offers a

moulding with strong

segment break lines and an

ornate inner liner.

More informa on can be

found at:

www.wallmoulding.com


FPF Moulding

“K” series

1.00” wide

Bringing back the neon colors

of the 1980’s, FPF Moulding is

offering a sleek high gloss

black frame accented with

edged color. The bold accents

add a playful quality to a

tradi onally contemporary

sleek frame.

‐Source:

www.fpfmoulding.com


AMPF Moulding

“Giovana III” series

1.75” wide

AMPF has expanded the

Giovana collec on to include

this new series of

contemporary rus c.

Minimally distressed woods

are bright and bold with a

small selec on of basic colors

that add a touch of La n

America aesthe c to an

ordinary project.


found at:

www.ampfframes.com


LARSON‐JUHL

Moulding

“Lucerne” series

2.25” wide

Billed as a transi onal

contemporary moulding, this

framing selec on adds

elements of tradi onal 1870’s

American with distressed

contemporary


found at: www.larsonjuhl.com


LARSON‐JUHL

“An ca” series

2.00” wide

“Warm, natural, genuine burl

mouldings with the look of

me‐worn an ques.”

Descrip ons of aesthe c

include: Tradi onal, Rus c,

Veneer, Distressed


found at: www.larsonjuhl.com


Framing Business

1

2

3 4

Detail of framing corner

G. Harvey’s “Where Dreams Come True” Giclee, 30” x 40”, $1,870.00 (price includes

frame)

The premise behind this mul ‐stacked framing design was all about complimen ng the

image as well as the me era. The rus c ornate wood aesthe c adds dimension to the

western genre while not over powering the overall viewing experience.

The outer wood mo f is complimented by the inner scrolls on the third step. The two

levels of brown add a much needed tradi onal essence as the design elements explore

the linear aspects within the image itself.

The outer moulding (frame) is made by Interna onal Moulding. The inner stack moulding

(frame) is by Presta/Monarch Moulding.

* Although this looks like a four step moulding design, it is actually two mouldings with

built‐in step downs.

J.R. Mooney Galleries of Fine Art is a full service gallery that includes a custom

frame design center within both loca ons: San Antonio and Boerne, Texas.

With such unique facili es, J.R. Mooney Galleries not only has the ability to

frame everyday documents like diplomas, family photographs, prints and posters, but they also have the

ability to fabricate custom, museum quality and archival fine art display presenta ons that include

shadowboxes, cases and custom cabinetry.

3

4


Framing Business

Aldo Loungo’s “Midmorning Cappucino”, Acrylic on Canvas, 24.75” x 31

7/8”, $17,780.00 (Price includes frame).

The premise behind this mul ‐stacked framing design was all about com‐

plimen ng the image and giving visual weight to the slate grays and black

tones in the picture.

The large carved mo f on the outside frame adds a decora ve element to

an otherwise non‐detailed pain ng. With a brushed and speckled inside

step radia ng distressed silver, this outer frame has major elements that

add another level of eye candy to the experience.

The inner frame moulding step adds a certain sophis cated contemporary

look with the sleek black liner. The built in silver fillet gives defini on to

the color pale e and its mid tones.

The outer moulding (frame) is made by Max Moulding and is part of the

Palazzo series. The inner stack moulding (frame) is made by Larson fram‐

ing and is registered with the Black Umber family.

Detail of framing corner

1

2

3

J.R. Mooney Galleries of Fine Art has provided framing services for every American President since John

Kennedy and every Texas Governor since John Connally. The galleries have also supplied framing services to

the Va can, the Royal Palace in Madrid and Queen Beatrix of Holland, as well as to major collec ons and

collectors in Europe, Asia, South America and Australia.


Feel confident

entrusting your

cherished memories

and fine art

Master framers with

over fifty years

experience in custom

framing and shadow

boxes

We carry a versatile

selection of framing

mouldings and mats

from:

Laron Juhl

CMI Moulding

AMPF

Max Moulding and

many more!

Come in today and

have a consultation

with one of our

framing designers and

be inspired!

s we round out the second half of the 2015 year, let’s take a look at one of the current interior

design trends affec ng online purchase sales –Animals. Animal print, animal pillows, animal

images, animal collages and a host of other animal related aesthe cs are sweeping the na on for interior

accessory items. Even the Huffington Post has seen a shi in this seemingly 80’s fad.

Huffington writer, Amy Preiser penned a new ar cle tled, The Most Popular Decora ng Ideas in

America. In this post, she states, “Each month, 20 million people visit Polyvore.com to create shop‐able

image collages and discover ‐‐ and set ‐‐ trends. Their data shows that the most‐searched décor trend from

the past six months is animal

accents, led by peacocks and

elephants.”

Now we have to ask ourselves,

“Why the change?”

Well as we know, trends are

cyclical. What is popular in one

genera on or decade does come

back with a contemporary twist

later on. In this case, with the

explosion of hand‐cra ed art

websites of Pinterest inspired

cra ers selling their artsy wares,

we have thousands and

thousands of products to choose

from to add to our unending

collec ons. Search engines

provide more than ample

amounts of relevant finds for

the perfect item to fill the niche. Animals are just the thing to give a playful prose in an eclec c assortment

of interior design concepts. From tradi onal leopard prints to hipster feathers to animal minimalism,

everything is accessible to fill the demand.

A


The DIY bohemian rus c aesthe c of distressed barn wood, industrial wood pallet furniture, and rope

everything is the flawless décor to add such worldly possessions. Long live the Animal Kingdom (At least

un l 2016).

At J.R. Mooney

Galleries of Fine

Art, represented

ar st, R.

Henderson peaks

with fashionable

taste as he

delivers pop art

inspired animal

profiles. From

hippopotamuses

lurking in the

imaginary waters

below to full‐on‐

frontals of

longhorns and

ca le,

Henderson’s

pain ngs help

ins ll a sense of

worry‐free

innocence.

Working as both

accents and

impact pieces, his

pain ngs accurately reflect the current trend of animal amusement.



Custom Framing

Conservation

Museum

Fine art

Photography shadow boxes

Ready-Mades

More

Original Paintings

Giclees & Prints

Picture Lights

305 S. Main St

Boerne, TX 78006

830-816-5106

8302 Broadway St

San Antonio, TX

78209

210-828-8214

1.800.537.9609



Delgado

Auction

Fair Market Fair Market


Value StoriesValue StoriesMichel Margueray was born in 1938. He currently resides in France and is ac vely s ll pain ng at 77 years

old. Dedica ng most of his studio me to European coastal scenes, his a er‐market aesthe c is

dominated by his beau ful harbors and sailboats. Margueray also painted landscapes depic ng the rural

lifestyles of European villages and towns.

Spotlight a er‐market auc on results for Margueray are:

“Neige Rue De Beausejour, Vire Les Monts”, 19” x 24” oil on canvas, Catherine Charbonneaux

High es mate: $3,201.00/ Low es mate: $2,561.00 Sold Price: ‐Not sold‐

(This item for auc on is a close ‘comparable’ to the one pictured to the le with similar aesthe cs and

rural snow landscape.)

“Paris” 19” x 24”, oil on canvas, Chevau‐Legers Echeres Mar n‐Chausselat

High es mate: $2,409.00 / Low es mate: $2,141.00 Sold Price: $$1,873.00

“Plage Pres De Calvi”, 35” x 45”, oil on canvas, Eric Pillon Echeres

High es mate: $3,092.00 / Low es mate: $$2,473.00 Sold Price: $2,473.00

Pictured to the le : “ En Route Pour Plecole Ineige (Ma n) ‘Family’ , oil on canvas, 20” x 24”,

Asking Price: $1,520.00 available at J.R. Mooney Galleries of Fine Art, Boerne/San Antonio, Circa mid‐

1980’s, No visible damage or conserva on work needed. Paint quality and varnish are in excellent

condi on.

Sales price asked includes frame


Value StoriesValue StoriesBill Mi ag was born in West Texas, and was raised in New Mexico. He received his Bachelore e degree

from New Mexico State University , a ended the pres gious Sco sdale Ar st School and took graduate

courses at Eastern New Mexico University and UCLA. He paints what is coined as the “Southwestern

Scene”. Using broad strokes and a pale e knife, Mi ag paints thick impasto impressionis c landscape

scenes of his beloved South, Na ve Americans, and the Western Genres. Mountains with magnificent

cloud forma ons are o en complimented with a stylized pale e of bold earth tones mixed with a pastel

sensibility. His Na ve American artworks have intrinsic and detailed portrayal of this culture’s legacy.

Spotlight a er‐market auc on results for Mi ag are:

“A Look at the Past” 28” x 38”, oil on canvas, Charles M. Russell Benefit Auc on

High es mate: $10,000.00 / Low es mate: $8,500.00 Sold Price: $5,000.00

“Miller Time”, 12” x 16”, oil on canvas, Auc on in Santa Fe

High es mate: $2,000.00 / Low es mate: $1,000.00 Sold Price: $413.00

“Creekside Camp”, 12” x 18”, oil on canvas, Sco sdale Art Auc on


Pictured to the le : “Southwest”, Bill Mi ag, oil on canvas, 8” x 15”, Asking Price: $1,995.00 available

at J.R. Mooney Galleries of Fine Art, Boerne/San Antonio, Not dated, No visible damage or conserva on

work needed. Paint quality and varnish are in excellent condi on, No visible signature on exposed front of

pain ng.

Sales price asked includes frame and linen inside liner provided by the gallery. Frame does come with front

bronze nameplate.


Value StoriesValue StoriesRobert Hamman enjoyed pain ng his beloved Texas. Originally from San Antonio, this Texas na ve was

inspired by the early 1960’s landscape painters like P. Salinas, R. Wood, D. Windberg, and many others.

Enthralled by European fashion at the turn of the century, Hamman o en depicted Early European/

Victorian/ Edwardian era women in tradi onal dress, o en garden‐side. Street scenes, beaches, and

European plaza depic ons can be found in his work alongside Texas Hill Country, Windmills, landscapes,

bluebonnets and country‐ me nostalgia.

Spotlight a er‐market auc on results for Hamman are:

“Old Ranch Posts”, 24” x 30”, oil on canvas, Vogt Galleries and Auc on House


“A Gracious Time”, 24” x 20”, oil on canvas, Vogt Galleries and Auc on House


“San Antonio River Walk”, 30” x 40”, oil on canvas, Vogt Galleries and Auc on House


Pictured to the le : “Paris Fountain”, oil on canvas, 20” x 30”, Asking Price: $2,750.00 available at J.R.

Mooney Galleries of Fine Art, Boerne/San Antonio, Circa mid‐1980’s, No visible damage or conserva on

work needed. Paint quality and varnish are in excellent condi on.

Sales price asked includes frame and picture light moun ng hardware.


Value StoriesValue StoriesChrista Kieffer was born in Tubingen, Germany. She a ended the Art Center College of Design in Los

Angeles. Dubbing her art the “La Bella Epoque”, or the beau ful era, Kieffer concentrated her efforts on

developing a very specific aesthe c of Paris street scenes. Peaking collectors interests in the 1980’s,

Kieffer released several print reproduc ons of her artwork; along with a large assortment of original

pain ngs. As the art market trend shi ed, her artwork became less desirable. With a resurgence of Paris

city life and architecture we saw “hot” thirty years ago, this delicate boulevard has a nuance of European

freshness.

Currently, Kieffer has only one past auc on result for original art. Her a er‐market presence is mostly the

reproduc ons on paper. With a studio in Point Reyes Na onal Shoreline in California, Kieffer is s ll

ac vely pain ng.

Spotlight a er‐market auc on results for Kieffer are:

The Garden Party”, 23.38” x 29.38”, oil on canvas, Crescent City Auc on Gallery, LLC

High es mate: $1,500.00 / Low es mate: $900.00 Sold Price: $580.00

(As of prin ng of this publica on) there is a second a er‐market pain ng going to auc on on

09/18/2015 tled, “A Paris Evening”. “A Paris Evening”, 30” x 48”, oil on canvas, DuMouchelles Auc on

House. High es mate: $20,000.00 / Low es mate: $15,000.00 This auc on es mate is an anomaly, and

does not reflect fair market value at this me.

Pictured to the le : “Paris”, oil on canvas, 18” x 24”, $2,590.00 available at J.R. Mooney Galleries of

Fine Art, Boerne/San Antonio, Circa 1985, No visible damage or conserva on work needed. Paint quality

and varnish are in excellent condi on.

Sales price asked includes frame provided by the gallery.


Value StoriesValue StoriesPorfirio Salinas was born in Bastrop, Texas on November 6, 1910. He lived most of his life in San Antonio,

Texas where he died on April 18, 1973. Salinas a ended the public schools of San Antonio for three years

and was largely self‐taught as an ar st. He learned from watching Jose Arpa, Director of the San Antonio

Art School, sketch in the streets and fields of San Antonio. He also learned from Robert Wood, a prolific

landscape painter, who is rumored to have paid him five dollars a picture to paint in bluebonnets on his

canvases because he hated to paint bluebonnets. Salinas was conscripted and served in the Army from

1943, to 1945. He was assigned to Fort Sam Houston in San Antonio, where he painted murals for the

officer’s lounge and other special assignments for Colonel Telesphor Go chalk, Recep on Center

Commander. Unique to his situa on as an Army resident ar st, Salinas was allowed to live at home, where

he con nued his easel pain ng for the en re dura on of his tour of duty. Salinas dedicated himself to

pain ng landscapes of Central Texas with par cular a en on to the bluebonnets that grow in abundance

in the spring me. Although Salinas did not receive the a en on of the professional art establishment‐art

galleries and museums, and art cri cs and art historians‐he achieved a popular following among many

Texans as well as the poli cal leaders of Texas and the United States, among them Sam Rayburn and

Lyndon B. Johnson, who began to collect his work in the 1940s. The recogni on of his work beyond the

borders of Texas dates from Johnson's presidency. This popularity allowed Salinas to command high prices

for his work.

Spotlight a er‐market auc on results for Salinas are:

“Cowboy and Ca le”, 1944, 47” x 68”, oil on panel, David Dike Fine Art


Pictured to the le : “Evening Glow”, oil on canvas, 8” x 10” $7,500.00 Available at J.R. Mooney

Galleries of Fine Art, Boerne/San Antonio, Circa 1960’s , No visible damage or conserva on work needed.

Paint quality and varnish are in excellent condi on.

Sales price asked includes frame provided by the gallery.


Custom

Framing

Conservation

Museum

Fine Art

Photography

Shadow Boxes

Ready-Mades

More…

Original

Paintings

Giclees & Prints

Picture Lights

305 S. Main St

Boerne, TX 78006

830-816-5106

8302 Broadway St

San Antonio, TX

78209

210-828-8214


305 S. Main St Boerne, TX 78006 830.816.5106 Above: J. Morgan

8302 Broadway St San Antonio, TX 78209 210.828.8214 “Flowing Hills of Color” , 24” x 12”


In & Out

Outside the Gallery: J.R. Mooney Art in the Home & Office

Fine Dining room

Board room Entry Hall


Overhead in entry way

Recep on room Office


Custom Framing

Conservation

Museum

Fine art

Photography shadow boxes

Ready-Mades

More

Original Paintings

Giclees & Prints

Picture Lights

s 1.800.537.9609

210.828.8214

830.816.5106


305 S. Main St

Boerne, TX

78006

Feel confident

entrusting your

cherished memories

and fine art

Master framers with

over fifty years

experience in custom

framing and shadow

boxes

We carry a versatile

selection of framing

mouldings and mats

from:

Laron Juhl

CMI Moulding

AMPF

Max Moulding and

many more!

Come in today and

have a consultation

with one of our

framing designers and

be inspired!

Outside the Gallery: J.R. Mooney Art in the Home & Office

Recep on room with complimen ng

floral arrangement

Interior hallway Back hallway with adjacent pain ngs that flow through space Wine counter and rack


Formal living room with floral

accent and large impact pain ng

above furniture


Custom

Framing

Conservation

Museum

Fine art

Photography shad-

ow boxes

Ready-Mades

More

Original

Paintings

Giclees

&

Prints

Picture

Lights


305 S. Main St

Boerne, TX 78006

830-816-5106

8302 Broadway St

San Antonio, TX

78209

210-828-8214

Inside the J.R. Mooney Gallery– Boerne: Salon style hanging aesthe c (floor to ceiling)

Recep on room with complimen ng

floral arrangement


Installa ons with Home Décor accessories : J.R. Mooney Galleries of Fine Art


Custom Framing

Conservation

Museum

Fine Art

Photography

Shadow Boxes

Ready-Mades

More...

Original

Paintings

Giclees & Prints

Picture Lights

305 S. Main St

Boerne, TX 78006

830-816-5106

8302 Broadway St

San Antonio, TX

78209

210-828-8214

1.800.537.9609 wwww.jrmooneygalleries.com

22 BB oer

ne

When you are a new family to Boerne, you come to realize that the li le things really do ma er. It sounds like a cliché, but immediately three things become more appreciated: Time with family, ease of travel and access to fun adventures.

‐‐Top 4 Lifestyle Upgrades‐‐

Proximity to EVERYTHING!

From home, the elementary school, all of the restaurants and shops on Main Street, H.E.B. and Wal‐Mart are within 2.5 miles. Walking is an op on here! If you have children, walk to school in the morning and plan to do a walking pick‐up in the fall and spring seasons when the Texas heat is more forgiving.

Casual and Caring Community

Have you ever stopped to count the number of cool things your community has to offer? The list in Boerne starts with family friendly loca ons like Boerne Lake, Patrick Heath Public Library, two City Parks and mul ple neighborhood parks and walking trails, Cibolo Nature Center and a long list of restaurants that have play areas (even a coffee shop that has a small play spot).

Quality of Educa on

Boerne ISD is one of the highest ranking districts in Texas and has na onal recogni on as being one of the top best school districts in the na on. The private schools are quality educa on and can be an op on for families looking for something more specialized, religious, or set apart from public schooling.


New to BoerneNew to Boerne

Surrounding Communi es

Star ng with the Hill Country, there are scenic drives, Guadalupe State Park, vineyards and dis lleries, as well as sweet small towns like Comfort, Kerrville and Camp Verde that offer peaceful strolls. All of these are within 45 minutes of Boerne!

Stretching to the surrounding large ci es you can easily access San Antonio (20 minute drive without traffic) which has history galore, as well as good food, music and museums. Aus n (1 hour 45 minute drive on a Saturday or Sunday, since traffic on IH‐35 can be crazy) the State Capitol and home of SXSW, Corpus Chris (2.5 hours via IH‐37 South), a coastal city with sand and fresh seafood! Don’t forget Houston, the interna onal sensa on with full size sports and entertainment (about 3 hours on IH‐10 East).

By; Melisa Adriana Belgara


Seth Camm spotlight features for Antecedent / Au Courant

Bill Scheidt spotlight features for Antecedent / Au Courant

Sidney Sinclair spotlight features for Antecedent / Au Courant


J.R. Mooney Galleries of Fine Art would like to thank all

those that came out to support the opening recep on for

Antecedent / Au Courant on Sept. 17, 2015. It was a lovely

night shared with friends and family.

We look forward to many more events at the J.R. Mooney

Galleries –Boerne, TX in the coming year!


sept 2015 plumage 9 29 2015

Documents