shinedown - amaryllis (guitar tab, 112p)

7/21/2019 Shinedown - Amaryllis (Guitar TAB, 112p)

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Intro

Moderately fastq

= 160

Words and Music by Brent Smith and Dave Bassett

Adrenaline

© 2012 EMI BLACKWOOD MUSIC INC., DRIVEN BY MUSIC, WB MUSIC CORP., TWO OF EVERYTHING MUSIC and EM MUSIC CORP. All Rights for DRIVEN BY MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC.

All Rights Reserved International Copyright Secured Used by Permission

from Shinedown - Amaryll is

Drop D tuning, down 1/2 step:

(low to high) Db

-Ab

-Db

-Gb

-Bb

-Eb

Gtr. 1 (dist.)

D5

P.M.

F5 G5 F5 Ab5

Gtr. 2 (dist.)

Gtr. 3 (dist.)

D5

F5 G5 F5

Ab5

Gtr. 1

P.M.

Gtr. 2

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

33

55

33

66

10

10

1212

5 5 5 5 5 5 5 5 5 5 5 5 5 5 533

55

33

66

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

33

55

33

66

1



Gtr. 1Rhy. Fig. 1

Gtr. 3 tacet

D b5 F5 G5 F5 Ab5 D b5 F5 G5 F5

End Rhy. Fig. 1

Ab5

Gtr. 2

Rhy. Fig. 1A

P.M. P.M. P.M. P.M.

End Rhy. Fig. 1A

Gtr. 3

*w/ delay

Riff A

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

D b5 F5 G5 F5 Ab5

b5 F5 G5

End Riff A

F5 Ab5

*Set for quarter-note regeneration w/ 1 repeat.

1 1

13

Verse

Gtr. 3 tacet

D b5

Gim1. me- the wheel

D5 Eb5 D b5

so we can move a lit tle- fast er.-

D5 Eb5

Gtr. 2

Rhy. Fig. 2A

P.M.

P.M.

P.M.

P.M.

End Rhy. Fig. 2A

Gtr. 1 Rhy. Fig. 2

P.M. P.M.

End Rhy. Fig. 2

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 33 55 33 66 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 33 55 33 66

0 0 0

X11

13X11

13X11

13

0 0 0

X11

13X11

13

33

55

33

66

0 0 0

X11

13X11

13X11

13

0 0 0

X11

13X11

13

33

55

33

66

1310

13 13 1310 10 10

1310

1310

13 13 1310 10 10

1310 10

0 0 0

X11

13X11

13X11

13

0 0 0

X11

13X11

13X11

13

57

057

68

0 0 0

X11

13X11

13X11

13

0 0 0

X11

13X11

13X11

13

57

057

68

0 0 0 0 0 0 0 0 0 0 0 057

057

68

0 0 0 0 0 0 0 0 0 0 0 057

057

68

2



Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A (3 times)

D b5

I

make it real.

D5 Eb5 D b5

I’m not a glo ri- ous- dis as- ter.-

D5 Eb5

D b5

What part of liv ing- says you got ta- die?

D5 Eb5 D b5

I plan on burn in’- through an oth

- er - nine lives.

D5 Eb5

D b5

One

more for meas ure,- that’s ten for the soul

D5 Eb5 D b5

that nev er - sleeps. So are you read y- to go?

D5 Eb5

Chorus

3rd time, Gtr. 5: w/ Fill 1

Bb5

Blood shot- a gainst- the clear blue sky.

D5

Tick, tock, I think the well is run nin’- dry.

Gtr. 1Riff B

Gtr. 2Rhy. Fig. 3

Fill 1

Gtr. 5

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X10

12X10

12X12

14X12

14X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X8

10X8

10X10

12X10

12

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

133

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

15

3



1C To oda

2C To oda

3rd time, Bkgd. Voc.: w/ Voc. Fig. 1

F5

My, my,

G5

I can’t lie.

D5

I need a shot a gain,- that sweet a dren- a- line.-

End Riff B

End Rhy. Fig. 3

Gtr. 1: w/ Riff BGtr. 2: w/ Rhy. Fig. 3

Bb5

Dead scared ’cause I’m fear less- in the head.

D5

Bang, bang, ’cause the nee dle’s- in the red.

3rd time, Bkgd. Voc.: w/ Voc. Fig. 1

F5

My, my,

G5

I can’t lie.

D5


Voc. Fig. 1

(My, my!

Can’t lie!)

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

0 0

X10

12

0

X10

12

010X12

12

14

0 0

X10

12

0

X10

12

010X12

12

14

333

333

333

333

333

333

333

333

555

555

555

555

555

555

555

555

0 0

X10

12

0

X10

12

010X12

12

14

0 0

X10

12

0

X10

12

010X12

12

14

4



D.S. al Coda 1

F5

My, my,

G5

my sweet a dren- a- line.-

Gtr. 1Riff C End Riff C

Gtr. 2Rhy. Fig. 4 End Rhy. Fig. 4

Interlude

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1AGtr. 3: w/ Riff A

D b5 F5 G5 F5 Ab5 D b5

F5 G5 F5 Ab5

Verse


D b5

Crack

2. in the vi

sion.-

D5 Eb5 D b5

Who said the mo ti- va- tion’s- all wrong?

D5 Eb5

D b5

Not

your de ci

- sion,-

D5 Eb5 D b5

the det on- a- tion- of a time bomb.

D5 Eb5

D b5

Which way is up when your high is low?

D5 Eb5 D b5

It’s time to find it. Are you read y- to go?

D5

Eb5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

333

333

333

333

333

333

333

333

555

555

555

555

555

555

555

555

5



1Coda

Play 3 times

Gtr. 1: w/ Riff CGtr. 2: w/ Rhy. Fig. 4

F5

My, my,

G5

my sweet a dren- a- -

line.

Interlude

A5 G5 F5 D5 C5 D5 C5 D5

Gtr. 3Riff D End Riff D

1 1 1 1

Gtrs. 1 & 2Rhy. Fig. 5 End Rhy. Fig. 5

Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 times)Gtr. 3: w/ Riff D (3 times)

A5

G5 F5

D5 C5 D5 C5 D5

Bridge

D5

My, my, I just can’t lie. It’s the speed and the sound that I’m dy

in’- to try.

Gtr. 2

1210

108

86

53

000

77

55

33

00 3

557

35

57

00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00

6



My, my, I just can’t lie. It’s the love of the chase that cre at

- ed - the ride.

Gtr. 1

P.M.

Gtr. 2

*Gtr. 4 (dist.)

Guitar Solo


Bb5

8va

*Doubled throughout

locoD5

Gtr. 5(dist.)

Gtr. 4 tacet

F5

8va loco

G5

1

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

023

023

023

023

1919

1919

00

00

00

00

00

00

00

00

023

023

023

023

1919

1919

13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 15 15 15 15 17 17 17 17

12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 13 12 1012 13 12 10

12 13 12 1012 12

15 15 15 15 13 15 13 15 1315

13 12 1315

12 13 12 1013 10

13 12 10 12 10

12 10 12

7



D.S. al Coda 2

2Coda

w/ wah-wah

D5

Bkgd. Voc.: w/ Voc. Fig. 1Gtr. 1: w/ Riff B (last 4 meas.)Gtr. 2: w/ Rhy. Fig. 3 (last 4 meas.)

F5

My, my,

G5

I can’t lie.

D5


Gtr. 1: w/ Riff CGtr. 2: w/ Rhy. Fig. 4

F5

My, my,

G5

my sweet a dren- a- line.-

(My, my!)

Outro

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (2 times)Gtr. 3: w/ Riff A (2 times)

D b5 F5 G5 F5 Ab5 D b5

F5 G5 F5 Ab5

D b5

F5 G5 F5 Ab5 D b5

F5 G5 F5 Ab5 D5

1212 11 12 11 12 14

13 12 13 12 13 15

8



Intro

Slowlyq

= 55


Amaryllis

© 2012 EMI BLACKWOOD MUSIC INC., DRIVEN BY MUSIC, EMI APRIL MUSIC INC. and BASSETT SONGS All Rights for DRIVEN BY MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC.

All Rights for BASSETT SONGS Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission


Gtr. 1 (acous.)


(low to high) Db-Ab-Db-Gb-Bb-Eb

let ring throughout

Rhy. Fig. 1

*D5

mf

4fr

1 32

G

5fr

1 34

Gsus4

13

D5

3 11

Dmaj7(no3rd)/C

11 1

A

13 2

D

21 34

C 9

3 11

G5

12 3

Em

Dmaj7(no3rd)

Gtr. 2(12-str. acous.)

Rhy. Fig. 1A

let ring throughout

mf

*Chord symbols reflect overall harmony.

D5 Dmaj7(no3rd)

End Rhy. Fig. 1

End Rhy. Fig. 1A

Verse


D5

In1. a while

Dmaj7(no3rd)

now, I will feel bet

D5

ter.- I’ll face the weath

Dmaj7(no3rd)

er - be fore- me.

000

23

0

23

0

23

0

23

0

23

0

23

0

23

0

23

0

23

0

23

0

23

0

23

40

22

40

22

40

22

40

22

40

22

40

22

40

22

40

22

40

22

40

22

40

22

40

22

00023

023

023

023

023

023

023

023

023

023

00022

022

022

022

022

022

022

022

022

022

00023

023

023

023

023

023

023

023

023

023

023

023

4022

4022

4022

4022

4022

4022

4022

4022

4022

4022

4022

4022

00023

023

023

023

023

023

023

023

023

023

00022

022

022

022

022

022

022

022

022

022

1



D5

In a while

Dmaj7(no3rd)

now, I’ll race the i

D5

ro- ny- and buy back each word

Dmaj7(no3rd)

of my eu

lo- gy.-

*Gtrs. 3 & 4 (elec.)

w/ dist.

mp

P.M.

*Composite arrangement

**Gtrs. 1 & 2

Rhy. Fig. 2

***G

All the un in- vit

Gsus4

- ed - trag e- dies-

G

step out -

f

let ring

**Composite arrangement

***See top of first page of song for chord diagrams pertaining to rhythm slashes.

side.

Gsus4 D5

Ask your self,

Dmaj7(no3rd)/C

- now, where would you

mp

let ring

f

0 0 0 0 0 0

555

555

555

5 5 5 5 5 5 5 5 5 5 5 5 0

0023

2



be

D5

with out- days

Dmaj7(no3rd)/C

like

D5

End Rhy. Fig. 2

this?

A

When you

P.M.

fi n’ly- col lide- with a mo

G

ment- you can’t for get.

Gsus4

- So do

I

Chorus

Rhy. Fig. 3

D

re mind - you of

A

some one- you’ve nev

Cadd9

er - met? A lone ly- sil

G5

hou- ette.- And do

End Rhy. Fig. 3

Rhy. Fig. 3A End Rhy. Fig. 3A

00023

0 0 0 0 0 0 0 0 00

00

00

00

777

777

77

77

555

555

555

555

555

555

555

555

000

23

000

23

000

23

000

23

777

777

777

777

101010

101010

101010

101010

555

555

555

555

555

555

000

3



2C To oda

1C To oda

I

Gtrs. 1 & 2: w/ Rhy. Fig. 3Gtrs. 3 & 4: w/ Rhy. Fig. 3A

D

re mind - you of

A

some where- you wan

Cadd9

na- be? So far out

G5

of reach.

Oh,

Gtrs.1 & 2

ho,

Rhy. Fig. 4

Em

I wish you’d o

G5

pen- up for me

End Rhy. Fig. 4

Gtrs. 3 & 4Rhy. Fig. 4A End Rhy. Fig. 4A

Em

’cause I wan na- know

G5

you, Am a- ryl- lis-

222000

222000

222000

55578

55578

55578

222000

222000

222000

55578

4



bloom.

Interlude

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

D5 Dmaj7(no3rd)

D5

Dmaj7(no3rd)

Gtr. 4

Gtr. 3

Verse

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

D5

Stay2. a while,

Dmaj7(no3rd)

now. Un dress- your col

D5

ors- ’cause they’re like no oth

Dmaj7(no3rd)

ers- I’ve ev er -

mf

Riff A End Riff A

5X7

5X7

5X7

4X6

4X6

4X6

4X6

4X6

4X6

4X6

5X7

5X7

5X7

5X7

5X7

5X7

5X7

4X6

4X6

4X6

4X6

4X6

4X6

4X6

00

00

00

00

00

00

00

00

00

00

00

00

00

5X

7

5X7

5X7

5X7

5X7

4X6

4X6

4X6

4X6

5X7

5X7

5X7

5X7

4X6

4X6

4X6

4X6

5



D.S. al Coda 1

seen

Gtrs. 1 & 2: w/ Rhy. Fig. 2

G

I could get used

Gsus4

to your com pa- ny.-

G

Step in side.

Gsus4

-

mf

Gtr. 3: w/ Riff A (2 times)

D5

Ask your self,

Dmaj7(no3rd)/C

- now, were would you be

D5

with out- days

Dmaj7(no3rd)/C

like

Gtr. 4

Gtrs.

1 & 2

this?

A

When you fi n’ly- col lide- with e mo

G

- tions- you can’t re sist.

Gsus4

- So do

Gtrs. 3 & 4

P.M.

55578

55578

5X003

003

001

001

001

001

5X000

5X000

001

001

001

001

001

001

001

00023

XXX

XXX

00023

77

7

77

7

77

7

77

7

55

57

55 55 55 55 55 55 55

5

55

5

55

5

6



1Coda

(

= ) (

= )

(cont. in notation)

G

you, Am a- ryl- lis.-

let ring

Guitar Solo

C G/B

D7

C

*Gtr. 5 (elec.)

w/ dist.

mf

*Doubled throughout

hold bend

1 1

Gtrs. 1 & 2

Gtr. 3

Gtr. 4

55578

5 55578

5 5 5 55578

5 5 5 5 5 5 5 5

10 12 1412 1412 14 12

1412 14 14

1514 12

1412 12 11

12 1012

1010 12

10 12 1412 12 14

1412

32010

32010

32010

32010

32010

32010

32010

32010

20033

20033

20033

20033

20033

20033

20033

20033

20033

5 45 3 0 3 3

2010

32010

32010

32010

32010

32010

32010

32010

32010

32010

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

5 45 3 0 3 3

X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

2X

4

2X

4

2X

4

2X

4

2X

4

2X

4

2X

4

2X

4

2X

4

2X

4

5 4 03 0 3 3

X

5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

3X

5

7



( = ) ( = )

G/B D7

8va loco

1 1/2

12 14 1615 15 17

17 1415 17 17 15 1415 13

1413

12 1413

14 12 14 11

20033

20033

20033

20033

20033

20033

20033

20033

20033

20033

20033

5 45 3 0 3

5 45 3 0 3

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

5 45 3 0 3

5 45 3 0 3

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

2X4

5 4 0

3 0 3

5 4 0

3 0 3

8



Gtr. 5

Interlude

D5 Dmaj7(no3rd)

Gtr. 5 tacet

D5

Dmaj7(no3rd)

Gtr. 1

Gtr. 2

Gtrs. 3 & 4

11

02

0

3

02

02

0

3

02

02

0

2

02

02

0

2

02

02

0

3

02

02

0

3

02

02

0

2

02

02

0

2

02

02

32

02

32

02

22

02

22

02

32

02

32

02

22

02

22

00

9



D.S. al Coda 2

2Coda

D5

In a while,

Dmaj7(no3rd)

now, I will feel bet

D5

ter.- I will be bet

Dmaj7(no3rd)

ter.- So do

Gtr. 1

Gtr. 2

Gtrs. 3 & 4

ho,

Gtrs. 1 & 2: w/ Rhy. Fig. 4 (2 times)Gtrs. 3 & 4: w/ Rhy. Fig. 4A (2 times)

Em

I wish you’d o

G5

pen- up for me

Em

’cause I wan na- know

G5

you. Am a- -

(Ah, ah.)

ryl

OutroGtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)Gtrs. 3 & 4: w/ Rhy. Fig. 3A (2 times)

D

lis

-

A

bloom.

Cadd9 G5

Am a- -

(Am a- ryl- lis- bloom.)

ryl

D

lis.-

Gtrs. 1-4

02

0

3

02

02

0

3

02

02

0

2

02

02

0

2

02

02

0

3

02

02

0

3

02

02

0

2

02

0

02

32

02

32

02

22

02

22

02

32

02

32

02

22

0

00

00023

10



Intro

Moderatelyq

= 155

Words and Music by B rent Smith, Dave Bassett and Zachary Myers

Bully

© 2012 EMI BLACKWOOD MUSIC INC., DRIVEN BY MUSIC, EMI APRIL MUSIC INC., BASSETT SONGS and CURSE OF ZACH MUSIC All Rights for DRIVEN BY MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC.


from Shinedown - Amaryllis


(low to high) Db-Ab-Db-Gb-Bb-Eb

Hey!

*Gtr. 1 (dist.)

Rhy. Fig. 1 End Rhy. Fig. 1

*Doubled throughout

Half-time feel

**D

Hey!

***w/ octaver

Riff A

End Riff A

***Set for 2 octaves above.

**Chord symbols reflect basic harmony.

1/2 1/21 1

VerseGtr. 1 tacet

D

It’s1. eight a. m.,

††

this hell I’m in.

†††

†Gtr. 2 (slight dist.)

Rhy. Fig. 2

†Doubled throughout ††w/ echo set for half-note regeneration w/ 1 repeat. †††As before

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

XX

0 3 0 5 5 3 0 3 0 5 0 3 0 5 5 3 0 3 0 5

023

XX

XX

023

XX

XX

1



Seems

F C

I’ve crossed the line a gain- for be in’- noth

C

ing- more than who I

*

am.

End Rhy. Fig. 2

*As before

Gtr. 2: w/ Rhy. Fig. 2 (1st 4 meas.)

D

So break my bones

**

**As before

and throw your stones.

***

***As before

We

F C

all know that life ain’t fair, but there is more

C

of us, we’re ev ’ry- where.-

Gtr. 2Rhy. Fill 1 End Rhy. Fill 1

We

Pre-Chorus

Gtr. 2 tacet

D

don’t have to take this, back

a gainst- the wall. We

Gtr. 1: w/ Rhy. Fig. 1

don’t have to take this, we

can end it all.

Gtr. 3 (dist.)

Rhy. Fig. 3

P.M. P.M.

P.M. P.M.

End Rhy. Fig. 3

3356

XX

XX

355

XX

XX

3356

XX

XX

355

00

00

00

00

00

00

00

00

2



All

3rd time, Bkgd. Voc.: w/ Voc. Fig. 1 (4 times)

Chorus

D

you’ll ev er - be is a fad ing- mem o- ry- of a bul

F

ly.-

Gtr. 4 (dist.)

Riff B

Gtr. 3Rhy. Fig. 4

P.M.

Make

G

an oth- er - joke while they hang an oth- er - rope, so lone

Bb

ly.-

Gtr. 5 (dist.)

Riff C

Gtr. 4 End Riff B

Gtr. 3End Rhy. Fig. 4

P.M.

(We

Voc. Fig. 1

Gang: don’t have to take this, back a gainst- the wall!

We don’t have to take this, we can end it all!)

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

8X10

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

00

33

33

33

33

33

33

33

33

33

33

33

33

33

33

33

33

5X7

5X7

7X9

7X9

8X10

8X10

10X12

10X12

12X14

12X14

13X15

13X15

15X17

15X17

17X19

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

55

55

55

55

55

55

55

55

55

55

55

55

55

55

55

55 1

313

13

13

13

13

13

13

13

13

13

13

13

13

13

13

3



1C To oda

2C To oda

Push

Gtr. 3: w/ Rhy. Fig. 4 (1st 4 meas.)Gtr. 4: w/ Riff B (1st 4 meas.)

D

’em to the dirt ’til the words

don’t

hurt.

Can you hear

Gtr. 5 tacet

F

me? And

(Can you hear me?)

Gtr. 5 End Riff C

no

G

one’s gon na- cry on the ver y- day you die, you’re a bul

Bb

ly.-

C

Gtr. 4 Riff D End Riff D


P.M.

Interlude

Gtr. 1: w/ Riff AGtrs. 3 & 4 tacet

D

Hey!

Hey!

12

X15

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

10X12

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

8X11

10X13

10X13

10X13

10X13

10X13

10X13

10X13

55

55

55

55

55

55

55

55

55

55

55

55

55

55

55

55 1

313

13

13

13

13

13

13

13

35

35

35

35

35

35

35

4



VerseGtr. 2: w/ Rhy. Fig. 2 (1 3/4 times)

D

Think 2. it through,

*

you can’t un do.

**

- When-

Gtr. 6 (dist.)Riff E

P.M.

*As before **As before

ev

F C

er - I see black and blue, I feel

C

the past, I share the

***

bruise.

P.M.

End Riff E

***As before

Gtr. 6: w/ Riff E

D

With ev ’ry- one- who’s come and gone, my

head

F C

is clear, my voice is strong. Now I’m

Gtr. 2: w/ Rhy. Fill 1

C

right here to right the wrong.

We

Pre-Chorus


D

don’t have to take this, back

a gainst- the wall. We

don’t have to take this, we

can end it all.

Gtr. 4

p

fdbk. pp

Pitch: A

77 X 8 7

X 5 7 77 7 8 7

7 X 77 7 8 7

7 5 7 77 7 8 7

7 X

76

76

7 7 76

76

76

7 5 7 5 7 5 7 5 5 7 5 7 5 7 5

0 0

5



D.S. al Coda 1

1Coda

Gtr. 1: w/ Rhy. Fig. 1Gtr. 4 tacet

A

*

*Digital effect

a- a- a- a- a- a- a- a- a- a- a.-

C

Gtr. 4 tacet

Guitar Solo

Bb

A Bb A Bb A

Bb A D

Gtr. 4

Gtr. 7 (dist.)

steady gliss.

Gtr. 3

P.M.

Gtr. 7

Bb A Bb A Bb A Bb A Bb A Bb A Bb A

11

Gtr. 3

8X11

10X13

10X13

10X13

10X13

10X13

10X13

10X13

19

8 7 7 8 7 7 8 7 107 8 7 7 1210 12

12

13

35

35

35

35

35

35

35

1 0 0 1 0 0 1 0 0 1 0 30 5 5

12 1012

10 1210 12 10

1210 12

10 13 1012

10 1310 13 10

1310 13 10 16 15 13 15 13

15 13 1513 13 10

1310

10

1 0 0 1 0 0 1 0 0 1 0 02 3 2

3 1 0 0 1 0 0 1 0

6



Bb A D

let ring

E F G

*w/ DigiTech Whammy pedal

A Bb

8va

1 1 1 1 1

*Set for one octave above and below.

11/4

A Bb A

Bb A Bb A D

Bb A Bb A Bb A

8va

+6

1

loco

Bb A

**

Bb A Bb A

***

Bb A Bb A D

Whammy pedal off

**Whammy pedal set for one octave above. ***Whammy pedal set for one octave plus a fourth above.

1 1 1

1312

1012

10 1312

13 13 13 15 1510 10 10 12

15 16 16 1612 12 13 13

18 18 18 1813 15 15 15

0 1 0 0 3 5 505

05

05

2X2

2X2

2X2

3X3

3X3

3X3

5X5

5X5

5X5

7X7

7X7

8X8

18 1514

18 18 18 1815 15 13 15

1 0 1 0 1 0 1 0 3 5 5 5 5 1 0 1 0 1 0

13 14 13 12 10 12 1012 12

10 1210 12

10 1210 13

121310

1010

12

1 02 3 2

3 1 0 1 0 1 0 1 0 3 5 5 5 5

7



8va loco

1

Bridge

Gtr. 1: w/ Riff AGtr. 3 tacet

D

It’s eight a. m.,

Gtr. 7 tacet

the hell I’m in.

(Ah, ah,

Gtr. 7

steady gliss.

Gtr. 8 (dist.)

p (cont. on upper staff)

1 1

19 1718

20 1718

19 1718

20 1718

19 1718

1720 20 18

1918 15

13 1013

13 1013 10 13

5 5 5 7 7 7 8 8 85 5 5 5 7

5 6

10 10

13 13 10 13 13

8



Your voice is strong,

now right

the wrong.

Gtrs. 1 & 8 tacet

ah.)

Gtr. 8

1

Gtr. 1

1/2 1

All

Chorus

Gtr. 3: w/ Rhy. Fig. 4 (1 3/4 times)Gtr. 4: w/ Riff B (1 3/4 times)

D

you’ll ev er - be is a fad ing- mem o- ry- of a bul

F

ly.-

(It’s all you’ll ev er - be,

all you’ll ev er - be.

Make

G

an oth- er - joke while they hang an oth- er - rope, so lone

Gtr. 5: w/ Riff C

Bb

ly.-

So lone ly.-

10 13 13 10

0 3 0 5 5 3 0 3 0 5 0 3 0

9



D.S. al Coda 2

2Coda

Push

D

’em to the dirt ’til the words

don’t

hurt.

Can you hear

F

me? And

Can you hear me?

no

G

one’s gon na- cry on the ver y- day you die, you’re a bul

Gtr. 3: w/ Rhy. Fig. 5Gtr. 4: w/ Riff D

Bb

ly.-

C

No one’s gon na- cry on the ver y- day you die.)

Outro

Gtrs. 3 & 4 tacet

D

Hey! Ah!

Gtr. 1

1/2 1/21

0 3 0 5 5 3 0 3 0 5 0 3 0 5 5 3 00

00

10



Intro

Moderately q = 137

Words and Music by Brent Smith, Dave Bassett and Eric Bass

Enemies

© 2012 EMI BLACKWOOD MUSIC INC., DRIVEN BY MUSIC, EMI APRIL MUSIC INC., BASSETT SONGS and E-BASS MUSIC All Rights for DRIVEN BY MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC.



____

=

3

*Dm

**

Drop D tuning, down 1 step:(low to high) C-G-C-F-A-D

Gtr. 1 (dist.)

D5

11 1

F5

8fr

11 1

Bb5

5fr

11 1

G5

7fr

11 1

A5

3 3 3 3 3 3 3 3

*Chord symbols reflect implied harmony.

**Studio EQ effect (next 2 meas.).

***Gtr. 2 (dist.)

Riff A

Gtr. 1 tacet

Bb5 A5

3 3 3 3 3 3

***Doubled throughout

Dm Bb5

End Riff A

C5

3 3 3 3 3 3

†Gtrs. 3 & 4

Gtr. 2: w/ Riff A

Dm

Bb5 A5

3 3 3 3 3 3

†Gtr. 3 (dist.) w/ octaver set for one octave above; Gtr. 4 (dist.)

0 12 15 0 12 14 0 12 15 0 12 14 0 12 15 0 12 14 0 12 15 0 12 14

0 12 15 0 12 14 0 12 15 0 12 14 0 12 15 0 12 14 888

777

0 12 15 0 12 14 0 12 15 0 12 14 0 12 15 0 12 14 888

101010

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X13

15X15

17

15

17

1



Dm Bb5 C5

3 3 3 3 3 3

Verse

Gtr. 4 tacet

D5

You2.

Lis

start

1. ten

ed

-

-

up,

some

there’s

thing-

not

that

a

you

mo

just

ment

could

- to

n’t-

spare.

stop.

G 5

It’s

You

quite

turn

A5 G 5

a

the

A5

Gtr. 3

Riff B1


End Riff B1

*Set for 2 octaves above.

Riff BGtr. 2

P.M.

P.M.

P.M.

End Riff B

P.M.

3 3 3 3 3

drop

ones

Gtrs. 2 & 3: w/ Riffs B & B1 (3 times)

D5

from

that

the

you

top,

love

so

in

how

to-

you

the

feel

an

in’

gri

-

-

down

est-

there?

mob.

G 5

It’s

And

A5 G 5

a

their

A5

cold,

one,

D5

cru

last

el,-

harsh,

wish is that

re

you

al

pay

G 5

- i

for

- ty,

it.

A5

-

G 5

And

A5

caught,

there’s

D5

stuck,

no

here

way you’re

with

get

your

ting

-

en

out

G 5

e

of

- mies.

this.

A5

-

G 5 A5

X1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1214 X

1315 X

1517

7 5 3

0 0 0

7

0 0 0

5

0 0 0

3

6 6 6 7 6 7

2



Who

Pre-Chorus

D5

do you think

F

you are

Gsus G 5 A5 G 5 A5

tear

D5

in’- us all

F

a part?-

Gsus G 5 A5 G 5A5

Gtr. 3

Gtr. 2

3 3 3 3 3 3 3 3 3 3

Where

Gtr. 3 tacet

G5

did you think it would go?

’Cause ev

G5

’ry- one- al read - y- knows.

It’s

3 3 3 3


3 3 3 3

twen

Bb5

ty- to one,

yeah, so you

Ab5

bet ter - run.

G5

You got

F5

the

(cont. in slashes)

3 3 3 3 3 3

19 12 14 19 12 14 14

0 0 05

3 3 30

5 5 53

6 6 6 7 6 7 0 0 05

3 3 30

5 5 53

6 6 6 7 6 7

555

555

555

555

555

555

555

555

555

555

555

555

555

555

888

888

888

888

888

888

888

666

666

666

666

666

666

555

555

555

333

333

333

3



Rhy. Fig. 2

Gtr. 2

world

**D5

Chorus

on its knees. You’re tak ing- all

F5

that you please. You want

*Gtrs. 3 & 5

Riff C

3 3 3 3 3 3 3 3

**See top of first page of song for chord diagrams pertaining to rhythm slashes.

*Gtr. 3, Whammy pedal off; Gtr. 5, organ arr. for gtr.

End Rhy. Fig. 2

more,

Bb5

but you’ll get noth

Gtr. 6 tacet

G5

ing- from me.

A5

You’re like the

Voc. Fig. 1

(You want more.)

End Voc. Fig. 1

Gtrs. 3 & 5End Riff C

3 3 3 3 3 3 3 3

***Gtr. 6 (dist.)

Rhy. Fill 1

End Rhy. Fill 1

3

3 3 3

***Two gtrs. arr. for one.

14 14 14 14 14 14 14 14 14 1414 14 14 17 17 17 17 17 17 17 17 17 17 17 17

15 15 15 15 15 15 15 15 15 15 15 1515 15 15 15 15 15 17 17 17 17 17 17

1513

1513

1513

1513

1513

1513

1513

1513

1513

1513

1513

4



C To oda

1.

2.

bur

1st & 2nd times, Gtr. 2: w/ Rhy. Fig. 21st & 2nd times, Gts. 3 & 5: w/ Riff C3rd time, Gtr. 2: w/ Rhy. Fig. 2 (3 times)3rd time, Gtrs. 3 & 5: w/ Riff C (3 times)

D5

den- we bear. You’re all the hate

F5

that we share. You want

more,

Bkgd. Voc.: w/ Voc. Fig. 1Gtr. 6: w/ Rhy. Fill 1

Bb

but you’ll get noth

G5

ing- from me

A5

but en e- mies.-

Interlude

Gtr. 2: w/ Riff A

Dm Bb5

En

A5

e- mies.-

Dm

Gtr. 7 tacet

Bb5 C5

3

Gtr. 7 (dist.)

P.S.

Interlude

Gtr. 2: w/ Riff A

Dm Bb5

En

A5

e- mies.-

Dm Bb5

En

C5

e- mies.-

3 3

Gtr. 3

hold bend hold bend

P.S.

1 1/2

1

11

1 1/2

1 1/2

XXX

17 17 1715

17 1715 15

XXX 17

15

5



Gtr. 2

Interlude

Rhy. Fig. 3

Gtr. 3 tacet

3 3

D5

Gtr. 7Rhy. Fig. 3A

3 3

Gtr. 1

Riff D

3 3

3 3

3 3

3 3

End Rhy. Fig. 33

End Rhy. Fig. 3A

3

End Riff D

3 3

3 3

3 3

3 3

101010

101010

101010

988

101010

101010

101010

988

0 12 15 0 15 14 0 15 17 0 19 17 0 12 15 0 15 14 0 15 17 0 19 17

101010

101010

101010

988

101110

101110

101110

101110

0 12 15 0 15 14 0 15 17 0 19 17 0 12 15 0 15 14 0 15 17 0 19 17

6



D.S. al Coda

Gtr. 8(dist.)

Gtr. 1: w/ Riff D (2 times)Gtrs. 2 & 7: w/ Rhy. Figs. 3 & 3A (2 times)

Rhy. Fig. 4

D5

End Rhy. Fig. 4

Gtr. 6


3 3 3 3 3 3

33 3

Where

Pre-Chorus

Gtr. 2: w/ Rhy. Fig. 1Gtr. 6 tacet

G5

did you think you could go?

’Cause ev

G5

’ry- one- al read - y- knows.

It’s

3 3 3 3

twen

Bb5

ty- to one,

yeah, so you

Ab5

bet ter

- run. You got the

Gtr. 2

*(cont. in slashes)

3 3

*Studio tape effect.

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1110

1110

1110

1110

888

888

888

888

888

888

888

666

7



Coda

noth

G5

ing- from me

A5

but en e- mies.-

D5 F5

En e- mies.-

3

You got the world on its knees. You’re tak ing- all that you please. You want


Bb

You’ll get noth

G5

ing- from me

A5

but en e- mies.-

D5

more. You’re like the bur den- we bear. You’re all the

F5

En e- mies.-


Bb

You’ll get noth

G5

ing- from me

A5

but en e- mies.-

3

hate that we share. You want more.

Outro

Gtr. 2: w/ Riff A

Dm Bb5

En

A5

e- mies.-

3

Gtr. 3


1 1 1/2 1 1/2 1

*Set for one octave above.

3/4 1

1715

17 17 1715 1515

17 17 17 1715 15 15 15 15

17 1715 15

8



Dm Bb5

En

C5

e- mies.-

3

Whammy pedal off

3 3 3

17

1/2

15

1

15 15 15 15 15 15 15 15

Dm

Gtrs. 7 & 8

Gtr. 1

3 3

3

Gtr. 2

3 3 3 3 3 3 3 3

17 17 1715

17 17 17 17 17 17 1715

17

101110

101110

101110

101010

0 12 15 0 15 14 0 15 17 0

0 12 15 0 12 14 0 12 15 0 12 14 0 12 15 0 12 14 0 12 15 0 12 14 000

000

000

000

9



Intro

Moderately slow q = 84


For My Sake

© 2012 EMI BLACKWOOD MUSIC INC., DRIVEN BY MUSIC, WB MUSIC CORP., TWO OF EVERYTHING MUSIC and EM MUSIC CORP. All Rights for DRIVEN BY MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC.

All Rights Reserved International Copyright Secured Used by Permission


Gtrs. 1-8 & 10: Drop D tuning:(low to high) D-A-D-G-B-EGtr. 9: Capo V

Gtr. 2 (elec.)

**

Riff A

Dm

w/ dist.

Gtr. 9 chords:

Gtrs. 4 & 5 chords:

23 1

Am

134211

F

2 1

Am7

32 4

G

13241

Bbmaj7

23 1

Dm

23

Em

Bb5 Bbmaj9 Bb5 Bbmaj9

End Riff A

Bb5

Gtr. 3 (elec.)Riff A1

w/ dist.

End Riff A1

*Gtr. 1 (elec.)

w/ dist.

Rhy. Fig. 1

End Rhy. Fig. 1

*Doubled throughout

**Chord symbols reflect overall harmony.

X8

10X8

10X10

12X10

12X12

14X8

10X8

10X10

12X10

12X12

14X15

17X15

17X15

17X15

17X13

15

13

15X15

17X15

17X15

17X15

17X13

15

X8

10X8

10X10

12X10

12X12

14X8

10X8

10X10

12X10

12X12

14X12

14X12

14X12

14X12

14X8

10

8

10X12

14X12

14X12

14X12

14X8

10

05X7

5X7

5X7

5X7

5X7

05X7

5X7

5X7

5X7

5X7

133

1321

1321

1321

1321

133

1321

1321

1321

1321

133

1



Verse

Gtrs. 1, 2 & 3 tacet

Dm7

I1. re mem- ber - like yes ter - day,- you had a dream in your eyes and a smile on your face and I’m

Gtr. 4 (elec.)

w/ clean tone

Riff B

p

let ring

Gtr. 5 (elec.)

w/ clean tone

Riff C

p

miss

Bbmaj7

in’- those days a gain.- Yeah, I’m miss in’- those days a gain.-

End Riff B

let ring

End Riff C

Gtr. 4: w/ Riff BGtr. 5: w/ Riff C (1st 2 meas.)

Dm7

And I for got- what real ly- got in the way. May be- the sun that would n’t- shine should be tak in’- the blame. ’Cause it’s

0

2 32

0 3

3

0

2 32

0 3

3

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

1 1

2 20

1 1

2 20

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5

7X

3

5

2



rain

Bbmaj7

in’- on me a gain.- Yeah, it’s rain in’- on me a gain.-


Gtr. 5 tacet

Pre-Chorus

D5/A

A par a- dox,- the key you dropped,

Bb

a man i- fest- for what you

Gtr. 2

Gtr. 3divisi

(Gtr. 3, cont. on lower staff)

Gtr. 6 (elec.)

w/ dist.

Gtr. 1

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

7 75

14 1412 7 7

14 14

512 7 7

5

14 1412 8 8

5

15 1512 8 8

15 15

512 8 8

5

15 1512

X7

9 X7

9

5X7 X

7

9 X7

9

5X7 X

7

9 X7

9

5X7 X

8

10 X8

10

5X7 X

8

10 X8

10

5X7 X

8

10 X8

10

5X7

7X7

7X7

7X7

7X7

7X7

7X7

7X7

7X7

7X7

X8

8X8

8X8

8X8

8X8

8X8

8X8

8X8

8X8

8

3



lost

C5

was me. For my


sake please stop slow in’- me down,

Gtr. 2

Gtr. 7 (elec.)

w/ dist. & slide

Gtr. 3Gtr. 8 (elec.)

w/ dist. & slide

(cont. on upper staff)

Gtr. 6

Gtr. 1

P.M.

13 13

12

13 13

12

13 13

12

15 17

5 55

5 55

5 55

7 9

X

10

12X

10

12X

7

9X

10

12X

10

12X

7

9X

10

12X

10

12X

7

9

X10

10X10

10X10

10X10

10X10

10X10

10X10

10X10

10X10

10

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

1010

4



Gtr. 9(acous.)

p

Chorus

Rhy. Fig. 2A

* Am

stop hold in’- me up. Quit mak in’- a scene,

F

e nough’s- e nough.- Let’s be hon -

Gtr. 7

Riff E

Gtr. 8divisi

Riff E1

Gtr. 1Rhy. Fig. 2

*Symbols in parentheses represent chord names respective to capoed guitar and do not reflect actual sounding chords. See top of first page of song for chord diagrams pertaining to rhythm slashes.

G

est,- your prom ise- was nev

Dm

er - meant

Em

to last.

F

I’m tak

G

in’- you on,

End Rhy. Fig. 2A

End Riff E

End Riff E1

End Rhy. Fig. 2

1010

1010

10 1410 13

1413

76

76

7 146 13

1413

0577

0577

577

81010

81010

133

133

133

81010

81010

98

98

9 98 8

5 5 5 5

8 8 8 8

7 7 7 7

10 10 10 10

8 8 8 8

11 11 11 11 13 13 13 13

10 10 10 10

35

5

35

5

35

5

5X5

5X5

5X5

5X5

7X7

7X7

7X7

7X7 X

88 X

88 X

88 X

88 X

1010 X

1010 X

1010 X

1010

5



C To oda

*

*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above represent actual sounding chords.

Gtrs. 1 & 9: w/ Rhy. Figs. 2 & 2AGtrs. 7 & 8: w/ Riffs E & E1

Dm

[Am]

I’m call in’- you out. There’s noth in’- left

Bb

[F]

for us here now. Let’s be hon -

C

[G]

est,- I prom ise- I’m nev

Gm

[Dm]

er - look

Am

[Em]

in’- back

Bb

[F]

for my

C

[G]

sake.

Interlude

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtrs. 2 & 3: w/ Riffs A & A1 (2 times)

Dm

[Am]

Bb

[F]

For my sake.

Gtr. 9

**


**Capoed fret is “0” in tab.


[Am]

Dm

Bb

[F]

VerseGtr. 4: w/ Riff B (2 times)Gtr. 5: w/ Riff C (1 1/2 times)

Dm7

Tell2. me some thin’- that’s po et- ic- at best, make me be lieve- there was a time that you were n’t- like the rest,

and I’ ll

Gtr. 10 (elec.)

***w/ dist. & Leslie

Riff F

***Set rotary pulse on Leslie for sixteenth-note regeneration.

02210

02210

02210

02210

02210

02210

02210

02210

02210

02210

02210

02210

XXXXX

XXXXX

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

XXXXXX

XXXXXX

0 0

6



D.S. al Coda

Coda

nev

Bbmaj7

er - ask you a gain.- And I’ll nev er - ask you a gain.-

End Riff F

Gtr. 10: w/ Riff F

Dm7

For all the mo ments- and the mem o- ries,- no one could ev er - say we nev er - had a his to- ry,- but I’m

leav

Gtr. 5: w/ Riff D

Bbmaj7

in’- that all be hind.- And there’s noth ing- gon na- change my mind.

Interlude

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtrs. 2 & 3: w/ Riffs A & A1 (2 times)Gtr. 9: w/ Rhy. Fig. 3 (2 times)

Dm

[Am]

Bb

[F]

For my sake.

Gtr. 7

Gtr. 8divisi

Dm

[Am]

Bb

[F]

0 0

10

13

10 12 12 7

13 15 15 10 10 8 8

7 5 5

10

13

10 12 12 7

13 15 15 10

7 10

10 13

10

13

7



Gtrs.4 & 5

Pre-Chorus

Am7

A par a- dox,- the key you dropped,

Bbmaj7

a man i- fest- for what you lost

(Ah.

Am7

was me. For my sake,

please,

Gtrs. 4, 5, 7 & 8 tacet

G5 A5 Bb5

stop slow

C5

in’- me down.

Ah.)

Gtr. 1

5

8

5 7 7 3

8 10 10 6 6 5 5

3 2 2

5

8 8 10 10

5X5

5X5

5X5

5X5

7X7

7X7

7X7

7X7

X8

8X8

8X8

8X8

8X10

10X10

10X10

10X10

105 7 7

8



Bridge

Gtr. 1 tacet

Dm7

Stop hold in’- me up.

Bb

Stop slow in’- me down.

Am

E nough’s- e -

Gtr. 11 (elec.)

w/ clean tonelet ring throughout

Gtr. 4

let ring

Gtr. 5

let ring let ring let ring

nough.


G5 A5 Bb5 C5 G5 A5

Bb5

Stop

s low in’- me down,

Gtr. 7

Gtr. 8divisi

Gtr. 1

1213

1213

1213

1213

1213

1213

01

01

2 32

10

10

1

32

01

01

2 32

1

0

32

1

0

32

1

0

32

1

0

32

1

13

33

13

33

13

33

13

33

02

21

02

21

02

21

02

21

5 5 5 5

8 8 8 8

7 7 7 7

10 10 10 10

8 8 8 8

11 11 11 11

10 10 10 10

13 13 13 13

12 12 12 12

15 15 15 15

14 14 14 14

17 17 17 17

15

18

5X5

5X5

5X5

5X5

7X7

7X7

7X7

7X7 X

88 X

88 X

88 X

88 X

1010 X

1010 X

1010 X

1010

5X5

5X5

5X5

5X5

7X7

7X7

7X7

7X7 X

88

9



Chorus

Gtrs. 1 & 9: w/ Rhy. Figs. 2 & 2A (2 times)Gtrs. 7 & 8: w/ Riffs E & E1 (2 times)

Dm

[Am]

stop hold in’- me up. Quit mak in’- a scene,

Bb

[F]

e nough’s- e nough.- Let’s be hon -

C

[G]

est,- your prom ise- was nev

Gm

[Dm]

er - meant

Am

[Em]

to last.

Bb

[F]

I’m tak

C

[G]

in’- you on,

Dm

[Am]

I’m call in’- you out. There’s noth ing- left

Bb

[F]

for us here now. Let’s be hon -

C

[G]

est,- I prom ise- I’m nev

Gm

[Dm]

er - look

Am

[Em]

in’- back

Bb

[F]

for my

C

[G]

sake.

Outro

Gtr. 1: w/ Rhy. Fig. 1Gtrs. 2 & 3: w/ Riffs A & A1Gtr. 9: w/ Rhy. Fig. 3

Dm

[Am]

Bb

[F]

I’m nev er - look in’- back

Gtr. 7

Gtr. 8

13 13 15 15 10 10 8 8 10 10

10 10 12 12 7 7 5 5 7 7

10



Gtr. 9

[Am]

for my sake.(For my sake.)

[F]

For my sake.

[Am]

Gtr. 7

Gtr. 2

Gtr. 3

Gtr. 8

Gtr. 1

13 13 15 15 17 17 18 18 20 20 22

X8

10X8

10X10

12X10

12X12

14X8

10X8

10X10

12X10

12X12

14X15

17X15

17X15

17X15

17X13

15

13

15X15

17X15

17X15

17X15

17X13

15

57765

X8

10X8

10X10

12X10

12X12

14X8

10X8

10X10

12X10

12X12

14X12

14X12

14X12

14X12

14X8

10

8

10X12

14X12

14X12

14X12

14X8

10

5X7

10 10 12 12 14 14 15 15 17 17 19

0 5

X7

5

X7

5

X7

5

X7

5

X7

0 5

X7

5

X7

5

X7

5

X7

5

X7

1

33

1

321

1

321

1

321

1

321

1

33

1

321

1

321

1

321

1

321

1

33

00

0

11



Intro

Slowlyq

= 40


I’l l Follow You




=

3

Drop D tuning:(low to high) D-A-D-G-B-E

*


(Piano)Gm

D7 Eb

Bb

VI

13 4

Bb5

11 1

F5

5fr

11 1

G5

11 1

Eb5

6fr

13 4

Eb5

5fr

14 3

Bb D

11

Eb5

7fr

12 1

F A

8fr

11 1

Bb5

32

F A

Eb

type2

Bb

VIII

F

open

If 1. I could

find

Verse

Gm

as sur

D7

- ance- to leave

Eb

you be hind,

Bb

- I

Eb

know my bet

Bb

ter - half would

fade.

F

And all

Gm

my doubt

D7

is a stair

Eb

case- for you,

Bb

3

up

Eb

and out

Bb

of this place.

F

The first

Pre-ChorusEb

step

Gm

is the

one

F

you be lieve- in. The sec

Eb

ond - one might

Gm

be pro found.-

F

I’ll fol low- you

**Gtr. 1 (dist.)

P.M.

(cont. in slashes)

**Doubled throughout

33

33

33

333

333

333

1



Gtr. 1

down

Chorus

*Bb5

through the eye

F5

of the storm. Don’t

G5

wor ry,- I’ ll keep you warm.

Eb5

I’ll fol low- you

Gtr. 2 (dist.)

Riff A

mp

*See top of first page of song for chord diagrams pertaining to rhythm slashes.

down

Bb5

while we’re pass

F5

ing- through space. I don’t

G5

care if we

F5

fall from grace.

Eb5

I’ll fol low- you

End Riff A

down.

InterludeGtrs. 1 & 2 tacet

Gm D7 Eb

Bb Eb

Bb F

You2. can have the

mon

Verse

Gm

ey- and the world,

D7

the an

Eb

gels- and the pearls.

Bb

E ven- trade

Eb

mark - the col

Bb

or -

X8

11

8

11X15

18

15

18X7

10

7

10X15

18

15

18X17

20

17

20X13

16

13

16

X8

11X8

11X10

13X12

15X7

10X7

10X8

11X10

13

X10

12

10

12X8

10

8

10X6

8

2



blue.

F

just like the tow

Gtr. 3 tacet

Gm

er - we nev er - built

D7

in the shad

Eb

ow- of all the guilt,

Bb

when the

33

(Ah.

Gtr. 3 (clean)Fill 1

w/ chorus

End Fill 1

mp

oth

Eb

er - hand was point

Bb

ed - at

Gtr. 3: w/ Fill 1

F

you. Yeah, the

Ah.)

first

Pre-Chorus

Eb

step

Gm

is the one

F

you be lieve- in and the sec

Eb

ond - one might

Gm

be pro found.-

F

I’ll fol low- you

Gtr. 4 (clean)

w/ choruslet ring throughout

mp

Gtr. 3

Gtr. 1

P.M.

32

53

4

53

32 3

11

12 8

86

76

6

565

6534

5333

3211

6534

5333

3211

33

33

33

333

333

333

3



down

Chorus

Gtr. 2: w/ Riff AGtrs. 3 & 4 tacet

Bb

through the eye

F


Gm

wor ry,- I’ll keep

F

you warm.

Eb

I’ll fol low- you


down

Bb

while we’re pass

F

ing- through space. I don’t

Gm

care if we

F

fall from grace.

Eb

I’ll fol low- you

(cont. in slashes)

Gtr. 1

down

Bridge

F5

to where for ev- er - lies. With out

G5

- a doubt I’m on your side.

There’s no

Bb5

where- else that I would rath er -

Gtr. 2

133

133

333

333

555

333

111

111

133

133

133

333

333

333

333

555

333

111

X12

14X12

14X13

15X12

14X13

15X13

15X12

14X10

12X8

10

8

10X13

15

4



=

be.

VI

Eb5 Bb D

VI

Eb5 Bb D

VI

Eb5

I’m not

F5

a bout- to com pro- mise,- give

G5

you up to say g ood bye.

- I’ll

P.M.

guide

Eb5

type2

you through the deep. I’ll keep you close to me.

Eb5

Gtr. 5 (dist.)

m

3

1 1

Gtr. 2

8

10X

8

10

12

14X 8

11X

8

11

12

15X

813 13

1211

12

X13

16X13

16X13

16X13

16X13

16X13

16X13

16X15

18X17

20X19

22

19

22

5



Guitar Solo

F5 F A

G5 Bb5

VIII

Eb5

VI

hold bend

1 1/2 1/2

Bb5 F A

open

F5 F A G5

8va

loco

Bb5

VIII

1

1/21 1

131313

13 11 1013 11 1012

10 1012 10 12

10

1112 10 12 10

12 10 8 10 1210 12

11 13 11

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X10

12X10

12X10

12X10

12

5X7

5X7

5X7

5X7

5X7

X6

8X8

10X6

8 X8

11

X8

10X6

8

13 11 1013 11 10

10

18

10 12 10

18 1718 17 17

1715

1518 15

1715 18

17 1517

X8

10 X8

11X10

13

X8

10X10

12X8

10X8

10X8

10X8

10X8

10X12

14X12

14X12

14X12

14X10

12X10

12X10

12X10

12X13

15X13

15X13

15X13

15X13

15

6



=

3

P.M.

Gtr. 2 tacet

Eb5

type2

(Why?)

F5

I’ll fol low- you

Gtr. 5

3 3 3

down

Chorus


Bb

through the eye

Gtr. 5 tacet

F


Gm

wor ry,- I’ll keep

F

you warm.

Gtr. 5

8va

Gtr. 2

151615

151615

151615

151615

151615

151615

151518

151518

151518

151518

1515

1715 15 15

15 1415

17 1515

15 16 18

18

X8

11

8

11X12

15X10

13X8

11X7

10X8

11X10

13

X10

12X8

10

7



Eb

I’ll fol low- you down

Gtr. 2: w/ Riff A (last 4 meas.)

Bb

while we’re pass

F

ing- through space.

D F

I

Gtr. 2 Gtr. 1

don’t

Gm

care if we

F

fall from grace.

Eb

I’ll fol low- you.

InterludeGtr. 1 tacet

Gm

D7 Eb

Bb Eb

Bb F

If 3. I could

find

Outro-Verse

Gm

as sur

D7

- ance- to leave

Eb

you be hind,

Bb

-

I

Eb

know my bet

Bb

ter - half would fade.

F

I’ll fol low- you down.

Bb

X6

8X6

8

133

133

333

333

4

555

333

111

8



Intro

Moderatelyq

= 132

Words and Music by Brent Smith, Kathy Sommer, Dana Calitri and Nina Ossoff

I’m Not Alright

© 2012 EMI BLACKWOOD MUSIC INC., DRIVEN BY MUSIC, SOMMERMUSE SONGS, BOK MUSIC,DANA CALITRI MUSIC, WILD PINK MUSIC and SQUEAK-A-MOUSE MUSIC

All Rights for DRIVEN BY MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission


____

=

3

Gtr. 1 (dist.)

**

Riff A

let ring throughout

Tuning:(low to high) D-A-D-A-A-D

D5 Dsus2

8fr

11 1

Bb5

10fr

11 1

C5 D5

5fr

11 1

G5

11 1

F5

End Riff A

Gtr. 3(dist.)


Rhy. Fig. 1

D5

D Dsus2

End Rhy. Fig. 1

DsusÊ

3 3

*Gtr. 2 (dist.)

Riff B

End Riff B

3 3

*Doubled throughout


All

Verse


1.

D5

dressed up

DsusÊ

in a white

D5

strait jack

DsusÊ

- et.-

Rhy. Fig. 2

let ring throughout

p

End Rhy. Fig. 2

14 1212

1212

1212

1212

12 1412

1412

1412

1412

0054

0075

0 0 0 0 0 0 0 0

005

005

0075

0075

0075

0075

005

005

0075

0075

0075

0075

000

1



Shut


D5

your mouth.

DsusÊ

No, you

D5

can’t have

DsusÊ

it.

Gtr. 2

Pa

Pre-Chorus

Gtr. 1: w/ Riff A (4 times)Gtr. 3: w/ Rhy. Fig. 2

Gsus2

per - air

G

sus2

add13

planes,- o

Gsus2

pen- win

G

sus2

add13

dow.-

Here

Asus4

to day

A7 no3rd)

- and gone

C6sus2

to mor

C6add2

- row.- I like to

Gtr. 3

Gtr. 2* 3 3

*Played as even eighth-notes.

000

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

005

005

0075

0075

0075

0075

0075

005

005

0075

0075

0075

0075

0075

0075

777

777

777

777

777

777

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

2



2C To oda

stare

Chorus

Gtr. 3 tacet3rd time, Gtr. 4 tacet

D5

at the sun and think a bout

- what I’ve done. I

Rhy. Fig. 3Gtr. 2

3 3 3 3 3 3 3 3

slight P.M.

lie

F5

a wake- in my great

G5

es cape.- I like

3

End Rhy. Fig. 3

slight P.M.

3 3 3 3 3 3 3 3

cross


D5

ing- the line and slow ly- los

ing- my mind. Are you

F5

o kay?- ’Cause I

G5

feel fine.

Chorus

Bb5

May

be- it’s me. I’m

just cra zy.-

3rd time, Gtr. 3: w/ Fill 1

D5

Gtr. 23 3 3 3 3 3 3 3

3 3 3 3

slight P.M.

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

333

333

333

333

333

333

333

333

333

333

333

333

555

555

555

555

555

555

555

555

555

555

555

555

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

000

000

000

000

000

000

000

000

000

000

000

000

3



1C To oda

Bb5

May

be- I

like

G5

that I’m not

al right.-


slight P.M.

3 3 3 33 3 3 3

Interlude


D5 Dsus2


D5

D Dsus2

DsusÊ

P.M. P.M.

3 3

All

Verse

Gtr. 1: w/ Riff A (4 times)Gtr. 3: w/ Rhy. Fig. 2 (2 times)

2.

D5

messed up

DsusÊ

and slight

D5

ly- twist

DsusÊ

ed.-


Am


D5

I sick

DsusÊ

or am

D5

I gift

DsusÊ

ed?-

888

888

888

888

888

888

888

888

888

888

888

888

555

555

555

555

555

555

555

555

555

555

555

555

000

000

000

000

000

000

000

000

000

000

4



D.S. al Coda 1

1Coda

Pa

Pre-Chorus

Gtr. 3: w/ Rhy. Fig. 2 (2 times)

Gsus2

per - air

G

sus2

add13

planes,- o

Gsus2

pen- win

G

sus2

add13

dow.-

Gtr. 23 3 3 3 3

Here

Asus4

to day

A7 no3rd)

- and gone

C6sus2

to mor

C6add2

- row.- I like to

3 3 3 3

G5

that I’m not

al right.-

D5

Gtr. 3

w/ slide

Fill 1 End Fill 1

w/ pick & fingers


(cont. in slashes)

slight P.M.

3 3 3 33 3 3 3 3 3 3 3

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

777

777

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

0000

0 55

003

0

5 5

00

5

5

3

3

0

0

555

555

555

555

555

555

555

555

555

555

555

555

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

000

5



D.S. al Coda 2

Gtr. 2

3 3 3 3 3 3 3 3 3 3 3 3

slight P.M.

Whoa,

Bridge

*Bb5 C5

don’t care

if you a pol-

D5

o- gize.- I

Gtr. 3


3 3 3 3 3 3 3 3 3 3 3 3

slight P.M.

can’t lie.

Whoa,

Bb5

C5

I can’t lie.

3 3

slight P.M.(cont. in notation)

3 3 3 3

G5

Gtr. 3 tacet

I like to

Gtr. 4

*w/ slidesteady gliss.

3 3

*Studio pitch shift arranged for gtr.

0000

11

0

0000

0000

000000

0000

0000

0000

0000

0000

0000

0

0

0

00 0

0

0000

05 7

000

000

000

000

000

000

000

171717171717

171717

1717

17

999999

6



2Coda

Gtr. 2: w/ Rhy. Fig. 6 (last meas.)


Bb5

May

be- I like

Gsus2

that I’m not

al right.-

Gtr. 3

w/ pick & fingers

w/ slide


D5

w/ pick & fingers

3 3

3

Gtr. 2

slight P.M.

3 3 3 3 3 3 3 3

F5

May

be- I like

G5

that I’m not

al right.-

Gtr. 2: w/ Riff B (1 1/2 times)

Outro

D5 D D5

DsusÊ D5

5

00

0

0

5

5

3

3

0

0

0

00

0

7 12

5

003 5 5

05

05 5

050

50 0

054

0054

0054

0

5

00

0 0000

0055

00

0055

0055

XXXX

0054

0075

000

7



Intro

Moderatelyq

= 110


Miracle




Gtr. 4: Capo II

*Gtr. 1 (acous.)

**

(Synth.)

F m

Riff A

let ring

Dmaj7

let ring

A

23 1

Am)

32 1

C)

23

Em)

32 4

G)

13 2

D/A)

13 2

D)

let ring

E

let ring

F m

let ring

Dmaj7

let ring

A

let ring

E

End Riff A

let ring

*Doubled throughout


VerseGtr. 1: w/ Riff A (1 1/2 times)

F m

Say1. it once,

Dmaj7

tell me twice.

A

Are you cer tain

E

- I’m al right?-

F m

Just a sign

Dmaj7

to re mind

A

-

me to mor - row’s

E

- worth the fight.

F m

Ev er - chang

Dmaj7

ing,- the

A

sto ry- line- that keeps

E

me a live.-

Bm

So make a wish and say,...

Gtr. 1: w/ Riff A (1 1/2 times)

Verse

F m

Give2. me life,

Dmaj7

give me love.

A

Scar let- an gel

E/G

- from a bove.-

Gtr. 1

let ring

Gtr. 2 (elec.)

w/ slight dist. & amp tremolo

Rhy. Fig. 1

End Rhy. Fig. 1

***Gtr. 3 (elec.)

w/ dist.

Riff B

End Riff B

P.M.

***Doubled throughout

42

2

02

2

02

22

21

01

0

42

2

02

2

02

22

21

01

0

24

43

44

43

91111109

2 2 25 5 5 5

5 5 5 5 5 47

47

1



Gtr. 2: w/ Rhy. Fig. 1 (2 times)Gtr. 3: w/ Riff B (2 times)

F m

Not too low,

Dmaj7

not so high,

A

keep it per fect

E/G

- ly- dis guised.-

F m

Ev er - chang

Dmaj7

ing,- the

A


E/G

me a live.-

*Gtr. 4 (acous.)

Pre-Chorus

** Am)

My Mo na- Li sa’s- mak in’- me smile

C)

right

Gtrs. 1 & 2 tacet

be fore- my eyes. Take

Gtr. 2Gtr. 5 (elec.)

w/ dist.

Gtr. 1Riff C End Riff C

let ring

Gtr. 3

P.M.

*Doubled throughout

**Symbols in parentheses represent chord names respective to capoed guitar. See top of first page of song for chord diagrams pertaining to rhythm slashes.

9111210

10

1212111010 5 5

24

43

44

43

02

32

32

0

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 5 5 5 5 5 5 5 5

2



Chorus

3rd time, Lead Voc.: w/ Voc. Fill 13rd time, Gtr. 7 tacet

Em)

an oth- er - look, take

C)

a look a round.- It’s you

G)

and me, it’s here

D/A)

and now. As you spar -

Em)

Gtr. 5

Gtr. 6 (elec.)

w/ dist.

Riff D

p

End Riff D

Gtr. 3

Voc. Fill 1

14 12 5 5

9

11

129

11

10 9

11

10 910

910 12

912 10

912 9 12 9

24

4

24

4

24

4

24

4

24

4

24

4

24

4

5

77

5

77

5

77

5

77

5

77

5

77

5

77

57

7

57

7

57

7

57

7

57

7

57

7

57

7

7

99

7

99

7

99

7

99

7

99

7

99

0 24

4

24

4

3



-

Gtr. 6: w/ Riff D

kle in the sky I’ll catch

C)

you while I can. ’Cause all

G)

we are is all

D)

I am.

Gtr. 5

Gtr. 3

C)

I just want you to see

D)

Em)

what I’ve al ways- be lieved.

G)

-

Gtr. 5 8va

Gtr. 6

Gtr. 3

14 12

244

244

244

244

244

244

244

577

577

577

577

577

577

577

577

577

577

577

577

577

577

799

799

799

799

799

799

799

799

1512 14 17

77

77

77

77

77

77

77

99

99

99

99

99

99

99

99

99

1110

1110

1110

1110

1110

1110

1110

1414

577

577

577

577

577

577

577

799

799

799

799

799

799

799

799

XXX

XXX

244

244

244

244

244

244

244

577

4



1C To oda

2C To oda

C)

You are

D/A)

the mir a- cle- in me.

8va loco

Interlude

Gtr. 1: w/ Riff AGtrs. 3-6 tacet

F m Dmaj7 A

E F m

Dmaj7 A

E

Gtr. 2

w/ chorusamp tremolo off

let ring

1715

12

1414

1414

1414

1414

1414

1414

1414

1414

9

1112

9

11

10 12

577

577

577

577

577

577

577

577

577

577

577

577

577

577

577

XXX

XXX

022100

53 3 2

5



D.S. al Coda 1

Verse

Gtr. 1: w/ Riff A (1 1/2 times)Gtr. 3: w/ Riff B (3 times)

F m

Show3. me faith

Dmaj7

like you do.

A

I’m a mazed - at

E/G

how you move.

F m

Side to side,

Dmaj7

front to back,

A

you know how to

E/G

make it last.

F m

Ev er - chang

Dmaj7

ing- the

A


E/G

us a live.-

let ring

Pre-Chorus

Gtr. 1: w/ Riff C

Am)

My Mo na- Lis a’s

- mak in’- me smile

C)

right

Gtr. 2 tacet

be

D)

fore- my eyes. Take

Gtr. 2

Gtr. 5

Gtr. 3

P.M.

24

2 3 2

25

3 3 24 4

2 3

24

2 3 22

3

0

5 5

2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 24

4

57

7

57

7

57

7

57

7

57

7

57

7

57

7

57

7

79

9

79

9

79

9

79

9

79

9

79

9

79

9

6



1Coda

D)


Gtrs. 5 & 6 tacet

Interlude

C) G) D)

Gtrs. 5 & 6Gtr. 7 (elec.)

w/ dist.

Gtr. 3

let ring

C)

G) D)

P.M.

12

X14

16X14

16X14

16X14

16X14

16X9

11X9

11X9

11X7

9X7

9

022100

0221

0221

0221

0221

0221

0221

0221

023

023

023

023

023

022

022

022

X7

9X7

9X7

9

2X4

2X4

2X4

X14

16X14

16X14

16X14

16X14

16X9

11X9

11X9

11X7

9X7

9X7

9X9

11X9

11X11

13X11

13X11

13X12

14X12

14

02

2

02

2

02

2

02

2

02

2

02

2

02

2

02

2 023

023

023

023

023

0

22

0

22

02

2

02 02 02 02 02 02 02 02

7



D.S. al Coda 2

Bridge

Em)

These are the mo ments- you can’t

D)

pass by. Let’s turn the

C)

wa ter - to wine one more

D)

time.

Take

Gtr. 7

Gtr. 5

Gtr. 3

X12

14X12

14X12

14X14

16X14

16X14

16X14

16X14

16X14

16X14

16X14

16X16

18X16

18X16

18X16

18X16

18

17

14

16

5 5

244

244

244

244

244

244

244

022

022

022

022

022

022

022

022

XXX

XXX

577

577

577

577

577

577

577

577

XXX

022

022

022

022

022

022

022

8



2Coda

D)


Rhy. Fig. 2A

Outro

Em) C)

Riff E

8va

Riff E1

Rhy. Fig. 2

12 14 17

1212

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14

022

022

022

022

022

022

022

022

244

244

244

244

244

244

244

577

9



G)

D)

End Rhy. Fig. 2A

The mir a- cle- in me.

8va locoEnd Riff E

End Riff E1

End Rhy. Fig. 2

1714 17

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X11

13X11

13X11

13X11

13X11

13X11

13X11

13X11

13X11

13

577

577

577

577

577

577

577

577

577

577

577

577

577

577

577

799

799

799

799

799

799

799

0 0

10



*

*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above represent actual sounding chords.

Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2AGtrs. 5 & 6: w/ Riffs E & E1

F m

[Em]

D

[C]

A

[G]

E

[D]

You’re the mir a- cle- in me.

Gtr. 4

Em)

Gtr. 5

Gtr. 6

Gtr. 3

1414

X9

11

244222

11



Intro

Moderately q = 140


My Name




(Wearing Me Out)

*Gtrs. 1 & 2

Drop D tuning, down 1 step:(low to high) C-G-C-F-A-D

**

let ring throughout

Riff AD C D D Bb D D

End Riff A

*Gtr. 1 (acous.); Gtr. 2 (elec. sitar) w/ clean tone.

**Chord symbols reflect implied harmony.

Verse

Gtrs. 1 & 2: w/ Riff A (4 times)

D

My1. name is worth

C D

less- like you told

D

me I once was.

Bb D D

My name is emp

C D

ty- ’cause you drained

D

a way- the love.

Bb D D

My name is search

C D

ing- since you stole

Gtrs. 3 & 4 (elec.)

w/ dist.

Riff B

P.M.

3

0 0

3

0 0

1

0 0

5

0 0

3

0 0

3

0 03

0 02

0 0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

1



D

my on ly- soul.

Bb D D

End Riff B

P.M.

Gtrs. 3 & 4: w/ Riff B

My name is ha

C D

tred - and the rea

D

sons- we both know.

Bb D D

Worth-

Bb

- less, emp ty,- search ing,- ha tred.- Well,

Gtrs. 1 & 2Riff C

Gtrs. 3 & 4

P.M.

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

30 0

50 0

30 0

20 0

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

2



who

A

am I right now? You’re fuck in’- wear in’- me

End Riff C

P.M.

out.

Chorus

Gtrs. 1 & 2 tacet

D F

You’re al ways- drag gin’- me down.

Bb

Gtr. 5 (elec.)

*w/ dist. & octaver

Riff D

*Octaver set for one octave above.

Gtrs. 3 & 4Rhy. Fig. 1

2

0 0

5

0 0

2

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

X X X X7

10

7

10

7

10

7

10X X X X7

10

7

10

7

10

7

10X X X X7

10

7

10

7

10

7

10

7

10

7

10

7

10

7

10

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X X X X

0

00

0

00

0

00

0

00

0

00

0

00

0

00

0

00

3

33

3

33

3

33

3

33

3

33

3

33

3

33

3

33

8

88

8

88

8

88

8

88

8

88

8

88

8

88

8

88

3



A

You’re the fake,

D

fall en- force of na

F

ture’s- sick mind.

I

C

don’t need a gun to take

Bb

back what’s mine.

A

It’s o ver,-

End Riff D Riff E

End Rhy. Fig. 1 Rhy. Fig. 2

X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X8

11X8

11X8

11X8

11X X X X7

10

7

10

7

10

7

10X X X X7

10

7

10

7

10

7

10X X X X7

10

7

10

7

10

7

10

7

10

7

10

7

10

7

10

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

X X X X

777

777

777

777

777

777

777

777

000

000

000

000

000

000

000

000

333

333

333

333

333

333

333

333

X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9

101010

101010

101010

101010

101010

101010

101010

101010

888

888

888

888

888

888

888

888

777

777

777

777

777

777

777

777

4



C To oda

Bb

it’s o ver - now.

G

You’re done

wear in’- me

End Riff E

End Rhy. Fig. 2

out.

Interlude

Gtrs. 1 & 2: w/ Riff AGtrs. 3, 4 & 5 tacet

D C D

D

Bb D

D

Verse

Gtrs. 1 & 2: w/ Riff A (2 times)Gtrs. 3 & 4: w/ Riff B (2 times)

D

My2. name is scream

C D

ing- like the sound

D

of your heart fail

Bb D

ing.

D

-

My name is lo

C D

co- like the mo

D

tive- that be trayed -

Bb D

me.

D

Scream -

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14X12

14

888

888

888

888

888

888

888

888

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

555

5



D.S. al Coda

Coda

Gtrs. 1 & 2: w/ Riff C

Bb

- ing lo co,- don’t say you know

Gtrs. 3 & 4

P.M.

who

A

I am right now. You’re fuck in’- wear in’- me

P.M. P.M.

out.

Interlude

D E F Bb A G D

E F C

Gtrs. 4 & 5Riff F1 End Riff F1

Gtr. 3Riff F End Riff F

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7

5X7

X7

9X8

10X13

15X12

14X10

12

5X7

X7

9X8

10

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

0 2 3 8 7 5 0 2 3 10 10 10 10 10 10 10 10

6



Bridge

D

You’re wear

E

in’- me

F

out,

Bb

you’re wear

A

in’- me

G

out,

D

you’re wear

E

in’- me

F

out.

C

Gtr. 3: w/ Riff FGtrs. 4 & 5: w/ Riff F1

D

You’re wear

E

in’- me

F

out,

Bb

you’re wear

A

in’- me

G

out,

D

you’re wear

E

in’- me

F

out.

C

Bb

You’ll be an cient- his t’ry,- but who

C

am I right now?

Gtrs. 4 & 5

Gtr. 3

5X7

X7

9X8

10X13

15X12

14X10

12

5X7

X7

9X8

10

3X5

3X5

3X5

3X5

0 2 3 8 7 5 0 2 3 10 10 10 10

X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X8

10X7

9X7

9X7

9X7

9X7

9X7

9X7

9X7

9X8

10X8

10X8

10X10

12

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

888

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

101010

7



Gtr. 4

Gtrs. 1 & 2: w/ Riff AGtrs. 3 & 5 tacet

D

p

C D D Bb D D

P.M.

My name is re

C D

venge- and I’m here

D

to

save my name.

Gtrs. 1 & 2 tacet

You’re fuck in’- wear in’- me

Gtrs. 1 & 2

Gtr. 4

P.M.

out.

Chorus

Gtrs. 3 & 4: w/ Rhy. Fig. 1 (2 times)Gtr. 5: w/ Riff D (2 times)

D F

You’re al ways- drag gin’- me down.

Bb A

You’re the

fake,

D


F

ture’s- sick mind. I

C


Bb

back what’s mine.

D

It’s o ver.-

F

It’s o ver.-

Bb

It’s o ver.-

A

You’re the

(You’refuck in’- wear in’- me out.

You’re al ways- drag gin’- me down.)

7 7 7 7 7 7 7 7 5 5 5 5 8 8 8 8 7 7 7 7 7 7 7 7 5 5 5 57 7 7 7

3

0 0

3

0 0

1

0 0

5

0 0

3

7 7 7 7 7 7 7 7 5 5 5 5 8 8 8 8 7

8



rit.

rit.

fake,

D


F

ture’s- sick mind. I

C


Bb

back what’s mine.

Gtrs. 3 & 4: w/ Rhy. Fig. 2Gtr. 5: w/ Riff E

A

It’s o ver -

Bb

it’s o ver - now.

G

You’re done

wear in’- me

out.

Outro

D C D

D

C D

Gtrs. 1 & 2

Gtrs. 3 & 4

D C D D

3

0 0

3

0 0

1

0 0

5

0 0

3

0 0

3

0 0

1

0 0

5

0 0

00

3

0 0

3

0 0

1

0 0

5

0 0

3

0 0

3

0 0

3

00

9



Intro

Fastq

= 160


Nowhere Kids




Gtr. 1 (dist.)


(low to high) D -A -D -G -B -E

*

Riff A

D7 9

End Riff A

Gtr. 2 (dist.)Riff A1

End Riff A1

*Chord symbols reflect implied harmony.

Gtr. 3 (dist.)

Gtrs. 1 & 2: w/ Riffs A & A1 (2 times)

**w/ DigiTech Whammy pedal & octaver

Riff B End Riff B

**DigiTech Whammy pedal set for one octave above. Octaver set for one octave above.

+6 +6 +6 +6

Gtr. 4 (dist.)

Riff B1 End Riff B1

8 8 10 10 8 8 10 10 5 5 6 6 13 13 8 8

05

05

07

07

05

05

07

07

02

02

03

03

010

010

05

05

120 120 120 12013 11

0

10

0 12 0 12 0 12 0 1213 11

0

10

1



D5


Bb5 Ab5 D5 F5 D5

Bb5Ab5 D5 F5

Verse

2nd time, Gtr. 1 tacet

D5

The2.

All

new

1.

i t takes

face

is

of

the

an

main

old

at

dis

trac

trac

-

-

tion.

tion.

-

-

C5 D5

An

Scat

oth

-

tered

er

-

-

bones

vic tim-

un

of

der

the

- neath

same

- the

re

fash

ac- tion.

ion.-

-

Gtrs.3 & 4

*

Harm.

Rhy. Fig. 1

Harm.

steady gliss.

End Rhy. Fig. 1

*Gtr. 3 Whammy pedal off.

Pitch: F#C#F#

F#C#F#

D5

A

Low

cat

er

a

-

-

life

stroph- ic-

on

con

a

tra-

high

dic-

er

tion

-

- at

plane.

best. I know you’re

C5

Harm.

F#C#F#

hang

D5


That’s

in’-

what

on

you

to-

want.

ze

That’s

ros-

what

’cause

they’re

you’ve

giv

got

in’

noth

- a

ing-

way.

left.

-

000

000

999

999

999

999

999

999

999

999

999

999

999

999

7 10 000

000

999

999

999

999

999

999

999

999

999

999

999

999

12

000

000

999

999

999

999

999

999

999

999

999

999

999

999

999

101010

2



Pho

Pre-Chorus

D5

to- gen- ic

C5

- Come

D5

and get it.

C5

You

D5

can have it.

C5

Take

A5

it

G5

all.

F5 G5

Schiz

D5

o- phren- ic.

C5

- So

D5

sa dis- tic.

C5

-

*Gtr. 5

*Kybd. arr. for gtr.

Gtrs. 3 & 4

I

A5

don’t

C5

know.

A5

I

G5

don’t

C5

know.

D5

Pol i- ti- cian.

C5

- Sick

D5

con di- tion.

C5

- Dy

D5

ing- for a

C5

cur

A5

tain

G5

- call.

F5 G5

10 810 8 10

810 8 10 8 10 8

10 9 7

10 810 8 10

810 8

000

000

101010

000

000

101010

000

000

101010

777

555

333

555

000

000

101010

000

000

101010

10

8

10 10

8

10

10 8

10 8 10

8

10 8 10 8 10 8 10 9 7

7 10 7 5 35

000

000

101010

000

000

101010

000

000

101010

777

555

333

555

3



Coun

D5

ter - cul ture.

C5

- Full

D5

of vul tures.

C5

- Bet

D5

you think I’m.

C5

What?

A5 G5 F5

Yelled: We’re

D5

go

Gtr. 4: w/ Riff B (2 times)Gtr. 5 tacet2nd time, Gtr. 4: w/ Riff B (1 1/2 times)

ing- all out. So get ’em up. Get ’em up.

Bb5

And

Ab5

if

D5

they

F5

wan

D5

na- take your pic ture- tell ’em I

2nd time, Gtr. 3: w/ Fill 2

don’t give a fuck.

Bb5 Ab5 D5 F5

Gtr. 3

w/ DigiTech Whammy pedal & octaver

Fill 1 End Fill 1

+6 +6 +6 +6 +6 +6 +6 +6

Gtr. 6 (dist.)

*w/ octaver


Fill 2

Gtr. 38va

+6 +6

10 810 8 10

810 8 10 8 10 8

000

000

101010

000

000

101010

000

000

101010

777

555

333

5

120 120 120 12013 11

0

10

120 120 120 120

7

8

7

8

1212 0

15

12

4



No

Gtr. 6 tacet3rd time, Gtrs. 7 & 8 tacet

Bb5

Chorus

one needs you

af

G5

ter

- all.

Gtr. 1Riff C

*w/ octaver


Gtrs. 3 & 4Rhy. Fig. 2

D5

That lit tle- so cial- scene. It’s just a hate ma chine.-

Gtr. 1 End Riff C


Gtrs. 3 & 4End Rhy. Fig. 2

15 15 15 15 15 15 15 15 12 12 12 12 12 12 12 12

888

888

888

888

888

888

888

888

555

555

555

555

555

555

555

555

12 1214

12 1214

12 1214 14 15 14 12

0 0 12 0 0 12 0 0 12 X12

14X13

15X12

14X10

12

000

000

12 000

000

12 000

000

12 000

000

12

5



1C To oda

2C To oda

D.S. al Coda 1

No

Gtr. 1: w/ Riff C (2 times)Gtr. 2 tacetGtrs. 3 & 4: w/ Rhy. Fig. 2 (2 times)

Bb5

one’s here to

take

G5

your

call.

D5

And

Gtr. 2: w/ Riff D

now your self es- teem- ain’t what it used to be.

You’ve

Bb5

in

spired

G5

-

Gtr. 2: w/ Riff D

D5

the birth of ig no- rance,- the death of in no- cence.-

Guess

Bb5

who’s back and

mad

C5

as

hell? The no

Bb D

where- kids that

wished

C E

you

Gtr. 1

Gtrs. 3 & 4

well.

Interlude


D5 Bb5 Ab5

D5 F5 D5

Bb5 Ab5 D5 F5

(No where.-

(Kids.

No where.-

Kids.)

No where.)-

Gtr. 1

*

*Tap string with edge of pick.

15 15 15 15 15 15 15 1513 13 13 13 13 13 13 13

15 15 15 15 15 15 15 1513 13 13 13 13 13 13 13

888

888

888

888

888

888

888

888

101010

101010

101010

101010

101010

101010

101010

101010

1213

1213

1213

1213

1213

1213

1213

1213

1415

1415

1415

1415

1415

1415

1415

1415

15 X X X X X X X X X X X X X X X X

6



1Coda

well.

Interlude

Gtrs. 1 & 2: w/ Riffs A & A1

D7 9

Gtrs. 3 & 4

Harm. Harm.

Pitch: D A D D

Gtr. 7(dist.)

Guitar Solo

**w/ DigiTech Whammy pedal

D5 C5 A5 C5 A5 G5 A5 G5 F5 G5 F5 E5 F5 E5 D5

8va

**Set for one octave above.

+6 +6

Gtr. 8(dist.)

***w/ DigiTech Whammy pedal

+6

***Set for one octave above.

+6

*Gtrs. 3 & 4

*Compostie arrangement

55

4 5 7 4

0

4 7 57

4

15 15

15

13

13

13 13

13

11

3 3

3

5

5

5 5

5

6

12 10 7 10 7 5 7 5 3 5 3 2 3 2 0

7



C5 A5 C5 A5 G5 A5 G5 A5 C5 A5 Bb5 A5 Bb5 C5 A5

8va

+6 +6

+6 +6

locoD5 C5 A5 C5 A5 G5 A5 G5 F5 G5 F5 E5 F5 E5 D5

+6 +6 +6 +6

8va

+6 +6 +6 +6

11 11

10

11

10 10

10

8

6 6

8

6

8 8

8

10

12 10 7 10 7 5 7 5 777

101010

777

888

777

888

777

101010

777

8

6

8

8

5

6

6

3

5

5

3

5

10 10

11

10

11 11

13

11

13 13

15

13

15 15

15

17

12 10 7 10 7 5 7 5 3 5 3 2 3 2 0

8



D.S.S. al Coda 2

2Coda

C5 A5 C5 A5 G5 A5

(No

G5 F5

where.)-

G5 A5

C5

+6 +6 +6 +3 1/2

8va

+6 +6 +6 +1 1/2

well.

Interlude


D5 Bb5 Ab5

D5 F5 D5

(No where.-

(Kids.

No where.-

Kids.

No -

Gtr. 1

*w/ DigiTech Whammy pedal octaver off

Whammy pedal off

8va

+6


5

6

5

5 6 6

33 2

3 3

17

18

17

17 18

15

18

15 15

12 10 7 10 7 5 7 5 3 3 5 5 7 7 3 3

15 13 15 15 15 15 15 15 15 15 15 15 15 15 15

9



Bb5

where.

Ab5

-

D5 F5

Kids.

No

D5

where.-

Kids.

No where.-

Kids.

Bb5 Ab5 D5

No

F5

-

w/ Whammy pedal Whammy pedal off w/ Whammy pedal

8va

+6 +6

D5

where.

- Kids.

No where.)-

Bb5 Ab5

D5 F5

Free time

Bb7

Gtr. 1

Whammy pedal off w/ Whammy pedal

8va

+6

Gtr. 7

Whammy pedal off

pp*

*Vol. swell

Gtr. 8

Whammy pedal off

**pp

**Vol. swell

Gtr. 6

octaver off

***pp

***Vol. swell

15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15 15

15 15 15 15 15 15 15 15 15 15 15 15 15 15

9

7

88

10



Intro

Moderatelyq

= 111


Through the Ghost




Gtr. 1 (acous.)

Capo III

*

let ring throughout

Riff A

Gm

[Em]

Ebadd2

[Cadd2]

21

Cmaj7)

5fr

31

Em)

4fr

21

D6add4)

Bb5

[G5]

F/A

[D/F ]

End Riff A

Gtr. 2 (acous.)

let ring throughout

Rhy. Fig. 1

p

End Rhy. Fig. 1

*Symbols in parentheses represent chord names respective to capoed guitar. Symbols above reflect actual sounding chords. Capoed fret is “0” in tab. Chord symbols reflect overall harmony.

Verse

Gtr. 1: w/ Riff A (2 times)Gtr. 2: w/ Rhy. Fig. 1 (2 times)

Gm

[Em]

Speak

So

1.

2.

of

man

the

y-

dev

si

Ebadd2

[Cadd2]

il,

lent

-

-

look

sor

who

rows- you’ll

just

nev

Bb5

[G5]

walked

er -

in

hear

to

from

- the

a

room,

gain.-

F/A

[D/F ]

[Em]

Gm

the

And

guilt

now

ed

that

- and

you’ve

fad

lost

[Cadd2]

Ebadd2

ed -

to

no

mor -

tion

row,

-

-

of

is

some

yes

[G5]

Bb5

one

ter

-

-

I

day-

once

still a

knew.

friend?

[D/F ]

F/A

74 0

74 0

70

30 0

30 0

30

3

0

0

35

0

0

3

09

0 79

0 79

0

02200

02200

02200

02200

02200

02200

02200

02200

3201

3201

3201

3201

3201

3201

3201

000

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

3X0033

023

023

023

023

023

023

023

023

1



Gtr. 2

AllAll

*

Rhy. Fig. 2

[Cmaj7]

thethe bridg

per fectes-

- mowe

ments built

- arewere

wrong. burned.

All Not

[Em]

thea

presin

ciousgle

--

piecles

esson-

-arewas

gone.learned.

[D6add4]

End Rhy. Fig. 2

Gtr. 1Riff B End Riff B


Ev


Ebmaj7

[Cmaj7]

’ry- thing- that mat tered - is just a cit y- of dust

Gm

[Em]

cov er - ing- both of

F6add4

[D6add4]

us. Did you

hide

Chorus

Ebadd9

[Cadd9]

your self

Bb5

[G5]

- a way?

Gm

[Em]

- I can’t see

Ebadd9

[Cadd9]

you an

Bb5

[G5]

y- more.

Gm

[Em]

- Did you e -

**Gtrs. 1 & 2Rhy. Fig. 3

**Composite arrangement

32

0

32

0

32

32

0

32

0

32

75

0

75

0

70

54

0

54

0

5

0

3203

3203

3X003

3X003

3X003

02200

02200

50

50

40

40

20

20

00

3203

3203

3X003

3X003

3X003

02200

02200

50

50

40

40

20

20

00

2



C To oda

D.S. al Coda

clipse

[Cadd9]

Ebadd9

an oth

Bb5

[G5]

- er - day?

Gm

[Em]

I used to wake up to the col

C

[A]

or - of your

soul. Did you

End Rhy. Fig. 3

hide


Ebadd9

[Cadd9]

your self

Bb5

[G5]

- a way?

Gm

[Em]

- Are you liv

[Cadd9]

Ebadd9

ing- through

Bb5

[G5]

the ghost?

Gm

[Em]

Did you

fi

[Cadd9]

Ebadd9

n’ly- find

Bb5

[G5]

a place

Gm

[Em]

a bove- the shad ows- so the world

C

[A]

will nev er

- know? The world

Ebmaj7

[Cmaj7]

will nev er - know you like I do.

Gtrs. 1 & 2

Interlude

Gtr. 1: w/ Riff AGtr. 2: w/ Rhy. Fig. 1

[Em]

Gm

[Cadd2]

Ebadd2

[G5]

Bb5

[D/F ]

F/A

3203

3203

3X003

3X003

3X003

02200

02200

50

50

40

40

20

20

00

02220

02220

02220

02220

02220

02220

02220

02220

02220

02220

02220

02220

02220

02220

32000

3 32000

32000

32000

3



Coda

Ebmaj7

[Cmaj7]

will nev er - know you like I do.

Gtrs. 1 & 2

Bridge

Ebmaj7

[Cmaj7]

Gm

[Em]

Fadd4

[Dadd4]

Like I still do.

Gtr. 3 (elec.)

w/ clean tone & heavy reverblet ring throughout

Riff C

p

End Riff C

Gtrs. 1 & 2Rhy. Fig. 4 End Rhy. Fig. 4

Gtrs. 1 & 2: w/ Rhy. Fig. 4Gtr. 3: w/ Riff C

[Cmaj7]

Ebmaj7

Gm

[Em]

32000

3 32000

32

32000

32

32000

32

000

32000

32000

32000

32000

04

04

04

04

04

04

04 2 4

04

04

04

04

24

2 0 24

320

0

320

0

320

0

320

0

320

0

320

0

320

0

320

0

320

0

320

0

320

0

320

0

320

0

320

0

320

0

320

0

750

750

750

750

750

750

750

750

540

540

540

540

540

540

540

540

4



F

[D]

Did you

Gtr. 3

Gtrs. 1 & 2

hide

Outro-Chorus

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (2 times)Gtr. 3 tacet

Ebadd9

[Cadd9]

your self

Bb5

[G5]

- a way?

Gm

[Em]

- I can’t see

[Cadd9]

Ebadd9

you an

Bb5

[G5]

y- more.

Gm

[Em]

- Did you e -

(Hide your self - a way,- can’t see you an y- more.-

(Ah,

Voc. Fig. 1

ah,

clipse

[Cadd9]

Ebadd9

an oth

Bb5

[G5]

- er - day?

Gm

[Em]

I used to wake up to the col

C

[A]

or - of your soul. Did you

Did you

ah.

End Voc. Fig. 1

Col or - of your soul.)

42

32

0 2 5

42 2

0

42 2

020

423

423

023

023

023

023

023

023

023

023

5



hide

Bkgd. Voc.: w/ Voc. Fig. 1

Ebadd9

[Cadd9]

your self

Bb5

[G5]

- a way?

Gm

[Em]

- Are you liv

Ebadd9

[Cadd9]

ing- through

Bb5

[G5]

the ghost?

Gm

[Em]

Did you

hide your self - a way?- Liv ing- through the ghost. Did you

fi

[Cadd9]

Ebadd9

n’ly- find

Bb5

[G5]

a place

Gm

[Em]

a bove- the shad ows- so the world

C

[A]

will nev er

- know? The world

fi n’ly- find the place? Nev er - know.)

Ebmaj7

[Cmaj7]

will nev er - know you.

Gtrs. 1 & 2

32000

3 32000

3 32000

6



Intro

Moderatelyq

= 120


Unity




Gtr. 3: Drop D tuning, down 1 step:(low to high) C-G-C-F-A-D

Gtr. 1 (elec.)(Piano)

*C5


pp

Am C

type2

23 1

Am

3421

Fmaj7

3

G6

T 32 14

F 9

32 14

C

3 4

G

32 1

C

F C C5


(Ah.)

Am C F C C5 G B

p

Gtr. 2 (acous.)

***

let ring throughout

Gtr. 1 tacet

Am

[Bm]

F

[G]

Dm

[Em]

Fadd9

[Gadd9]

**Gtr. 3 (elec.)

w/ dist.

**Doubled throughout

***Symbols in parentheses represent chord names respective to detuned guitar. Symbols above reflect actual sounding chords.

31 1

31 1

31

31 1

31 1

31

31 1

31 1

31

3

1 1

3

1 1

3

1

3

1 1

3

1 1

3

1

3

1 1

3

1 1

3

1

3

1 1

3

1 1

3

1

022

10

022

10

022

10

022

10

022

10

022

10

022

10

022

10

1332

11

1332

11

1332

11

1332

11

1332

11

1332

11

1332

11

1332

11

02

31

02

31

02

31

02

31

02

31

02

31

02

31

02

31

32

13

32

13

32

13

32

13

32

13

32

13

32

13

999

11

999

11

999

11

999

11

999

11

999

11

999

11

5557

5557

5557

5557

5557

5557

5557

222000

22

22

222000

22

22

222

5557

5557

5557

5557

5557

5557

5557

1



Am

[Bm]

F

[G]

Dm

[Em]

Fadd9

[Gadd9]

I1. found a

(cont. in slashes)

Gtr. 2

note

Verse

Rhy. Fig. 1A

Gtr. 3 tacet

*Am

with your name and a pic ture- of us, e ven- though

Fmaj7

it was framed and cov ered - in dust. It’s the

Gtr. 1Rhy. Fig. 1


map

Am

in my mind that sends

G6

me on my

Fmaj7

way. They say it’s

End Rhy. Fig. 1A

End Rhy. Fig. 1

02210

02210

02210

02210

02210

02210

02210

02210

133211

133211

133211

133211

133211

133211

133211

133211

0231

0231

0231

0231

0231

0231

0231

0231

3213

999

11

999

11

999

11

999

11

999

11

999

11

999

11

555

7

555

7

555

7

555

7

555

7

555

7

555

7

222

000

22

22

222

000

22

22

222

555

77

07

05

0

33200

07

05

0

55

400

33

200

2



nev

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Am

er - too late to stop be ing- a fraid.- And there is no

Fmaj7

one else here, so why should I wait? And in the

Gtr. 4 (elec.)


blink

Am

of an eye, the past

G6

be gins- to

Fmaj7

fade. So have you

Gtr. 2

ev

Pre-Chorus

Rhy. Fig. 2A

Fadd9

er - been caught

in a sea

C

of de spair?

G

- And your mo

Fadd9

ment- of truth

is the day

Gtrs. 1 & 4

*T

Rhy. Fig. 2

T

*T = Thumb on 6th string

07

05

00

33200

0

07

05

0

57

05

0

7

05

00

5

1X3213

32013

3X0003

1X3213

3



(cont. in notation)

C

that you say,

G

“I’m not

End Rhy. Fig. 2A

scared.”

Fadd9

Put your hands

End Rhy. Fig. 2

T

Gtrs. 1 & 4 tacet2nd time, Gtr. 5 tacet

Chorus

Am

[Bm]

in the air

if you hear

F

[G]

me out there.

I’ve been look

C

[D]

in’- for you day and night.

G

[A]

Shine a light


Gtr. 3

Rhy. Fig. 3A End Rhy. Fig. 3A

Gtrs. 2 & 3: w/ Rhy. Figs. 3 & 3A

Am

[Bm]

in the dark,

let me see

F

[G]

where you are

’cause I’m not

C

[D]

gon na- leave you be hind.-

G

[A]

If I

32013

3X0003

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

02210

02210

02210

02210

02210

02210

02210

02210

133211

133211

133211

133211

133211

133211

133211

133211

32010

32010

32010

32010

32010

32010

32010

32010

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

999

11

999

11

99911

99911

99911

999

11

5557

5557

5557

5557

5557

5557

577

577

577

577

577

577

577

7779

10

7779

10

777910

7779

10

7779

10

7779

10

4



1C To oda

2C To oda

told

Gtr. 2: w/ Rhy. Fig. 2A

Fadd9

[Gadd9]

you that you’re not

C

[D]

a lone,

G

[A]

- and I show

Fadd9

[Gadd9]

you this is where

C

[D]

you be long.

G

[A]

- Put your hands

Gtr. 3

Am

[Bm]

in the air

G

[A]

one more time.

Fadd9

[Gadd9]

I’ve2. seen a

Gtr. 2

T *

*T = Thumb on 6th string

Gtr. 3

5557

5557

5557

5557

5557

5557

5557

577

577

577

7779

10

7779

10

7779

10

7779

10

5557

5557

5557

5557

5557

5557

5557

577

577

577

7779

10

7779

10

777910

777910

02210

02210

02210

02210

02210

02210

02210

02210

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

999

11

999

11

999

11

99911

999

11

999

11

999

11

999

11

7779

7779

7779

7779

7779

7779

7779

7779

5557

5557

5557

5557

5557

5557

5557

5557

55777

5



mil

Verse

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1AGtr. 3 tacet

Am

lion- miles, met a mil lion- fac es.- Took all

Fmaj7

I knew to reach all

Gtr. 4

Gtr. 5 (elec.)

w/ dist.P.M. throughout

p

these plac es- and I’d do

Am

it a gain- if it brings

G6

me back to

7

57

0

8

57

0

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 1 1 1 1 1 1 1 1 1 1 1 1

0

7

57

0

5

04

0

1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 5 5 5 5 5 5 5 5 5 5 5 5 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

6



Fmaj7

you. So have you

ev

Pre-Chorus

Gtrs. 1 & 4: w/ Rhy. Fig. 2Gtr. 2: w/ Rhy. Fig. 2A

Fadd9

er - been caught

in a sea

C

of de spair?

G

- And your mo

Fadd9

ment- of truth

is the day

C

that you say,

G

“I’m not

Gtr. 5

8

57

0

1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

88

88

88

88

88

88

88

88

88

88

88

87

87

87

88

88

88

88

88

88

88

88

88

88

88

88

87

87

87

88

7



D.S. al Coda 1

1Coda

Gtr. 2

(cont. in notation)

scared.”

Fadd9

Put you hands

Gtr. 5

Gtrs. 1 & 4

T

G

[A]

one more time.

Fadd9

[Gadd9]

T

88

88

88

88

88

88

88

88

88

88

88

88

88

88

88

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

7

779

7

779

7

779

7

779

7

779

7

779

7

779

7

779

5

557

5

557

5

557

5

557

5

557

5

557

5

557

5

557

5

557

5

557

5

557

5

557

5

557

5

557

5

557

5

557

8



Gtr. 7 (elec.)

Guitar SoloAm

[Bm]

w/ dist.

C

[D]

G

[A]

F

[G]

hold bend 1 1/21

Gtr. 6 (elec.)

w/ dist.


Gtr. 3Rhy. Fig. 4A End Rhy. Fig. 4A

Gtr. 7

Gtrs. 2 & 3: w/ Rhy. Figs. 4 & 4A

Am

[Bm]

C

[D]

G

[A]

8va

11

Gtr. 6

17 1917 19

1719 19

19 1919 1720

19 1619 17 1619 17

5 79 9 5

59 9 5 7 5 7 5 7 5 7

55 4

7 5

02210

02210

02210

02210

02210

02210

02210

02210

32010

32010

32010

32010

32010

32010

32010

32010

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

133211

133211

133211

133211

133211

133211

133211

133211

999

999

999

577

577

577

777

777

777

555

555

555

555

555

555

777

20 2020 20 17

2020 17

1717

20 1720 17

1717

20 1720 17

1717

79 9 5

59 9 5 7 5 7 5 7

5

9



Gtr. 7

loco

F

[G]

8va

3

1

Gtr. 6

Gtr. 2

(cont. in slashes)

Gtr. 3

1920 17

1917

19 1719

12 14 1512 14

12 1412 13 12

1412

14 1715 17

1515

1715

19

6 55

7 58 7

87 8

5 7 5 75 7

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

133211

5557

5557

55577

55577

55577

55577

55577

55577

55577

55577

55577

55577

55577

55577

55577

55577

10



D.S. al Coda 2

Gtr. 2

Interlude

C

type2

Gtrs. 2 & 7 tacet

Gtr. 6 tacet

Put your hands in the air.

Gtr. 7

8va

1/2

Gtr. 6

Gtr. 3

P.M.

(Ah.)

Put your hands

Gtr. 3

P.M.

19

5

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 11 11 11

11



2Coda

G

[A]

one more time.

Fadd9

[Gadd9]

Put your hands

T

Am

[Bm]

in the air

G

[A]

one more time.

Fmaj7

[Gmaj7]

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

3X0003

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

1X3213

7779

7779

7779

7779

7779

7779

7779

7779

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

5557

shinedown - amaryllis (guitar tab, 112p)

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