sp 472, week 10, 2011

Upload: eileen-white

Post on 08-Apr-2018

232 views

Category:

Documents


0 download

TRANSCRIPT

  • 8/7/2019 SP 472, Week 10, 2011

    1/32

    Writing What is the writers

    contribution?

    Can you name ascreenwriter?

    How many writerswork on a film?

    How much is thedirector and howmuch is the writer?

  • 8/7/2019 SP 472, Week 10, 2011

    2/32

    Writing Reading a

    screenplay - what is

    there and what ismissing?

  • 8/7/2019 SP 472, Week 10, 2011

    3/32

    Writing Classical Paradigm

    Dominant narrativestructure in American Film

    Protagonist - initiatesaction

    Antagonist - resists action

    Dramatic question - How

    does the protagonist getwhat he/she wants

    Conflict/opposition

    Patterns of action - cause& effect until climax and

    resolution

    Casablanca

  • 8/7/2019 SP 472, Week 10, 2011

    4/32

    Writing Dramatic unity

    Plausible motivations

    Coherence

    Deadlines help move theaction

    Often Classical Narrative isa journey, chase or search

    Protagonist is goal-oriented- passive characters arenot deemed as interesting

    Casablanca

  • 8/7/2019 SP 472, Week 10, 2011

    5/32

    Writing Screenplay Structure

    Three Acts

    Act I - Set up First quarter of the movie

    Premise defined

    Obstacles laid out

    Casablanca

  • 8/7/2019 SP 472, Week 10, 2011

    6/32

    Writing Screenplay Structure

    Three Acts

    Act II Confrontation Protagonist fights obstacles

    Reversal of fortune in middle

    Casablanca

  • 8/7/2019 SP 472, Week 10, 2011

    7/32

    Writing Screenplay Structure

    Three Acts

    Act III - Resolution What happens as a result

    of the climax

    Casablanca

  • 8/7/2019 SP 472, Week 10, 2011

    8/32

    Writing Point of View

    First person narrator

    Omniscient point of

    view

    Third person narrator

    Objective point of

    view

  • 8/7/2019 SP 472, Week 10, 2011

    9/32

    Writing First person narrator

    Tells his/her own story

    or an objectiveobserver

    Can be reliable or not

    Can be the camera

    A ClockworkOrange

  • 8/7/2019 SP 472, Week 10, 2011

    10/32

    Writing Omniscient point of

    view

    Camera or narratoris an all-knowingobserver like in anovel

    Every time the

    camera is moved,you are given a newway to evaluate thescene

  • 8/7/2019 SP 472, Week 10, 2011

    11/32

    Writing Objective point of

    view

    Variation ofomniscient

    Records events

    impartially - ideally

    suited to film More realistic as

    there is less

    distortionThe Passenger

  • 8/7/2019 SP 472, Week 10, 2011

    12/32

    Writing Non-verbal orfigurative techniques

    The Shining&

    Diane Arbus Twins

  • 8/7/2019 SP 472, Week 10, 2011

    13/32

    Writing Motifs

    Integrated within the

    realistic texture of afilm

    Anything that is

    systematically

    repeated, yet does

    not call attention to

    itself - unduly

  • 8/7/2019 SP 472, Week 10, 2011

    14/32

    Writing Symbols

    Being

    There

  • 8/7/2019 SP 472, Week 10, 2011

    15/32

    Writing Symbols

    Planetofthe Apes & Godz

    illa

  • 8/7/2019 SP 472, Week 10, 2011

    16/32

    Writing Metaphor A comparison that

    cannot literally be

    true Two items that are

    not normally together

    - devoured be love

    2001: A Space Odyssey

  • 8/7/2019 SP 472, Week 10, 2011

    17/32

    Writing Allegory Avoidance of realism

    Connection between

    a character orsituation and a

    symbolic idea or

    complex ideas

    The Seventh Seal

  • 8/7/2019 SP 472, Week 10, 2011

    18/32

    Writing Allegory Avoidance of realism

    Connection between

    a character orsituation and a

    symbolic idea or

    complex ideas 8& 1/2

  • 8/7/2019 SP 472, Week 10, 2011

    19/32

    Writing Allusion Implied reference to

    a well-know person,

    event or work of art

  • 8/7/2019 SP 472, Week 10, 2011

    20/32

    Writing Allusion Implied reference to

    a well-know person,

    event or work of art

  • 8/7/2019 SP 472, Week 10, 2011

    21/32

    Writing Homage

    Like a quote or

    tribute to a colleagueor established

    master

    Battleship Potemkin

  • 8/7/2019 SP 472, Week 10, 2011

    22/32

    Writing Homage

    Like a quote or

    tribute to a colleagueor established

    master

    The Untouchables

  • 8/7/2019 SP 472, Week 10, 2011

    23/32

    WritingPsycho & Halloween H20

  • 8/7/2019 SP 472, Week 10, 2011

    24/32

    Writing Literary adaptations

    Loose

    Faithful Literal

    Emma

  • 8/7/2019 SP 472, Week 10, 2011

    25/32

    Writing Loose

    KingLearandRan

  • 8/7/2019 SP 472, Week 10, 2011

    26/32

    Writing Faithful

  • 8/7/2019 SP 472, Week 10, 2011

    27/32

    Writing Literal - often

    reserved for stage

    plays

    Proof - the film

    and the play

  • 8/7/2019 SP 472, Week 10, 2011

    28/32

    Writing Casablanca 1942

    Dir. Michael Curtiz

    Humphrey Bogart, Ingrid

    Bergman, Paul Henreid &Claude Rains

    Voted #2 film of all time by theAmerican Film Institute

    Nominated for 7 Oscars - won3 - Best Picture, Best Director& Best Screenplay

    Written by Murray Burnett andJoan Alison (play: EverybodyComesto Rick's), Julius J.Epstein, Philip G. Epstein and

    Howard Koch (screenplay)

  • 8/7/2019 SP 472, Week 10, 2011

    29/32

    Writing Casablanca

    Here's looking at you,kid" was voted as the #5

    movie quote by theAmerican Film Institute

    "Louis, I think this is thebeginning of a beautifulfriendship." was voted as#20

    "Round up the usualsuspects." was voted as#32

    "We'll always haveParis." was voted as #43

  • 8/7/2019 SP 472, Week 10, 2011

    30/32

    Writing Screenplay Structure

    Three Acts

    Act I - Set up First quarter of the movie

    Premise defined

    Obstacles laid out

    Casablanca

  • 8/7/2019 SP 472, Week 10, 2011

    31/32

    Writing Screenplay Structure

    Three Acts

    Act II Confrontation

    Protagonist fights obstacles

    Reversal of fortune in middle

    Casablanca

  • 8/7/2019 SP 472, Week 10, 2011

    32/32

    Writing Screenplay Structure

    Three Acts

    Act III - Resolution

    What happens as a resultof the climax

    Casablanca