8/3/2019 Specificity of Interior Lighting

1/99

THE SPECIFICITY OF THE INTERIOR

SPACE:A FILL-IN FLASH LIGHTING WORKSHOP

METZ FLASH SYSTEM

8/3/2019 Specificity of Interior Lighting

2/99

WHAT WILL I NEED?

EQUIPMENT LIST

MEDIUM FORMAT CAMERA ( with LEAF

SHUTTER)

SEKONIC LIGHTMETER 308B TRIPOD

EXT. SYNC LEAD OR POCKET WIZARD/RADIO

SLAVE

MAGIC ARM & SUPER CLAMP TOUGH SPUN Studio 2 or 3

0.3 ND GEL (NEUTRAL DENSITY FILTER) Studio

2 or 3

PEN & NOTEBOOK

2

8/3/2019 Specificity of Interior Lighting

3/99

ADAM AMENGUAL

8/3/2019 Specificity of Interior Lighting

4/99

8/3/2019 Specificity of Interior Lighting

5/99

8/3/2019 Specificity of Interior Lighting

6/99

8/3/2019 Specificity of Interior Lighting

7/99

8/3/2019 Specificity of Interior Lighting

8/99

8/3/2019 Specificity of Interior Lighting

9/99

8/3/2019 Specificity of Interior Lighting

10/99

PHILIP-LORCA diCORCIA

8/3/2019 Specificity of Interior Lighting

11/99

8/3/2019 Specificity of Interior Lighting

12/99

8/3/2019 Specificity of Interior Lighting

13/99

8/3/2019 Specificity of Interior Lighting

14/99

8/3/2019 Specificity of Interior Lighting

15/99

JOONEY WOODWARD

8/3/2019 Specificity of Interior Lighting

16/99

8/3/2019 Specificity of Interior Lighting

17/99

8/3/2019 Specificity of Interior Lighting

18/99

8/3/2019 Specificity of Interior Lighting

19/99

KATE PETERS

8/3/2019 Specificity of Interior Lighting

20/99

8/3/2019 Specificity of Interior Lighting

21/99

8/3/2019 Specificity of Interior Lighting

22/99

8/3/2019 Specificity of Interior Lighting

23/99

8/3/2019 Specificity of Interior Lighting

24/99

8/3/2019 Specificity of Interior Lighting

25/99

DOMINIK GIGLER

8/3/2019 Specificity of Interior Lighting

26/99

8/3/2019 Specificity of Interior Lighting

27/99

8/3/2019 Specificity of Interior Lighting

28/99

8/3/2019 Specificity of Interior Lighting

29/99

8/3/2019 Specificity of Interior Lighting

30/99

BILL HENSON

8/3/2019 Specificity of Interior Lighting

31/99

8/3/2019 Specificity of Interior Lighting

32/99

8/3/2019 Specificity of Interior Lighting

33/99

8/3/2019 Specificity of Interior Lighting

34/99

8/3/2019 Specificity of Interior Lighting

35/99

SIMEN JOHAN

8/3/2019 Specificity of Interior Lighting

36/99

8/3/2019 Specificity of Interior Lighting

37/99

8/3/2019 Specificity of Interior Lighting

38/99

8/3/2019 Specificity of Interior Lighting

39/99

8/3/2019 Specificity of Interior Lighting

40/99

KATY GRANNAN

8/3/2019 Specificity of Interior Lighting

41/99

8/3/2019 Specificity of Interior Lighting

42/99

8/3/2019 Specificity of Interior Lighting

43/99

8/3/2019 Specificity of Interior Lighting

44/99

8/3/2019 Specificity of Interior Lighting

45/99

8/3/2019 Specificity of Interior Lighting

46/99

KIRAN MASTER

8/3/2019 Specificity of Interior Lighting

47/99

8/3/2019 Specificity of Interior Lighting

48/99

8/3/2019 Specificity of Interior Lighting

49/99

8/3/2019 Specificity of Interior Lighting

50/99

SAGE SOHIER

8/3/2019 Specificity of Interior Lighting

51/99

8/3/2019 Specificity of Interior Lighting

52/99

8/3/2019 Specificity of Interior Lighting

53/99

8/3/2019 Specificity of Interior Lighting

54/99

8/3/2019 Specificity of Interior Lighting

55/99

8/3/2019 Specificity of Interior Lighting

56/99

8/3/2019 Specificity of Interior Lighting

57/99

LARRY SULTAN

8/3/2019 Specificity of Interior Lighting

58/99

8/3/2019 Specificity of Interior Lighting

59/99

8/3/2019 Specificity of Interior Lighting

60/99

8/3/2019 Specificity of Interior Lighting

61/99

8/3/2019 Specificity of Interior Lighting

62/99

CHARLES FREGER

8/3/2019 Specificity of Interior Lighting

63/99

8/3/2019 Specificity of Interior Lighting

64/99

8/3/2019 Specificity of Interior Lighting

65/99

8/3/2019 Specificity of Interior Lighting

66/99

8/3/2019 Specificity of Interior Lighting

67/99

8/3/2019 Specificity of Interior Lighting

68/99

Task: Using 1 roll of Colour Film make a set of portraits

in a interior space.

1. You must combine the available-light with the Metz

Flash, by using the Fill-In Flash technique.

2. Use the manual setting on the Metz 45 CT, Fill-In

Flash ratios of 2:1 and 3:1 must be evidenced.

3.Bounced and/or Diffused technique should be used.

4. Using the auto setting on the Metz 45 CT, Fill-InFlash must be evidenced.

CONTACT SHEETS: 4.00PM - STUDIO 2

8/3/2019 Specificity of Interior Lighting

69/99

METZ FLASH 45CL

8/3/2019 Specificity of Interior Lighting

70/99

8/3/2019 Specificity of Interior Lighting

71/99

8/3/2019 Specificity of Interior Lighting

72/99

8/3/2019 Specificity of Interior Lighting

73/99

8/3/2019 Specificity of Interior Lighting

74/99

8/3/2019 Specificity of Interior Lighting

75/99

The Powerof the Flash dictates how bright or dark the Model is rendered.

The Shutter Speed dictates how bright or dark the Space/Background isrendered.

TheAperture dictates how bright or dark the overall image is rendered.

8/3/2019 Specificity of Interior Lighting

76/99

The decision about how much Depth of Field you wish to have, must

dictate the Ambient Light meter reading.

It is recommended that the Shutter Speed of the camera should be:

1.5 to 2 F-stops less than the Ambient

It is recommended that the Power/Aperture of the Fill-In Flash should be:

1.5 to 2 F-stops less than the Ambient

1:1 Ratio = 0 F-stop (no difference)

2:1 Ratio = 1 F-stop

3:1 Ratio = 1.5 F-stops

4:1 Ratio = 2 Fstops

When using the lightmeter in the flash mode, ensure that the lightmeter

speed is set to 500th sec.

8/3/2019 Specificity of Interior Lighting

77/99

SARAH JONES

8/3/2019 Specificity of Interior Lighting

78/99

8/3/2019 Specificity of Interior Lighting

79/99

8/3/2019 Specificity of Interior Lighting

80/99

DINU LI

8/3/2019 Specificity of Interior Lighting

81/99

8/3/2019 Specificity of Interior Lighting

82/99

8/3/2019 Specificity of Interior Lighting

83/99

8/3/2019 Specificity of Interior Lighting

84/99

REVISIITING: LIGHTING AS ALANGUAGE

8/3/2019 Specificity of Interior Lighting

85/99

CARAVAGGIO

8/3/2019 Specificity of Interior Lighting

86/99

86

8/3/2019 Specificity of Interior Lighting

87/99

HARD LIGHT SOFT LIGHT DIFFUSED LIGHT

8/3/2019 Specificity of Interior Lighting

88/99

HARD LIGHT SOFT LIGHT DIFFUSED LIGHT

8/3/2019 Specificity of Interior Lighting

89/99

LIGHT QUALITY: THE CRITERIA

8/3/2019 Specificity of Interior Lighting

90/99

1. The coverage

Here, the question is: how is the subject covered when the light is aimed on it. Is the

coverage totally even, or does it show a gradation, or even a centerweight ?

The answer to this question tells us what we can expect from the lightshaper and if we

can use it for our purpose.

8/3/2019 Specificity of Interior Lighting

91/99

4. The shadow contrast

How deep are the shadows? Are they pure black, or only just visible ?

Here again the answer to this tells us what we can expect from the lightshaper and if we

can use it for our purpose. Of course, the shadow depth depends not only on the chosen

lightshaper and the straylight it generates, but as well on the environment of the set.

8/3/2019 Specificity of Interior Lighting

92/99

LIGHTING: SHADOW CONTRAST

8/3/2019 Specificity of Interior Lighting

93/99

2. The edge transfer

How is the transition from the lit area to the unlit one ?

The answer to this question tells us again what we can expect from the lightshaper and if

we can use it for our purpose.

8/3/2019 Specificity of Interior Lighting

94/99

LIGHTING: EDGE TRANSFER

8/3/2019 Specificity of Interior Lighting

95/99

3. The shadow definition

How sharp are the shadows ?

Is there a large difference between the shadows caused by objects being close to thebackground, and the ones caused by objects being further away ?

The answer to this question tells us, once more, what we can expect from the lightshaper

and if we can use it for our purpose. Furthermore it tells us about the size, the shape

(rectangular or round) and about the distance to the subject.

8/3/2019 Specificity of Interior Lighting

96/99

LIGHTING: SHADOW DEFINITION

8/3/2019 Specificity of Interior Lighting

97/99

Incident Light Reading Method Reflected Light Reading Method

8/3/2019 Specificity of Interior Lighting

98/99

8/3/2019 Specificity of Interior Lighting

99/99