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TRANSCRIPT
morning
service in c
Op. 115
Te Deum
Benedictus
Jubilate Deo
Charles Villiers Stanfordedited by
Jeremy Dibble
RCL39
R S C M C L A S S I C S
SAMPLE
The Royal School of Church Music
19 The Close, Salisbury, Wiltshire, SP1 2EB, England
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Morning Service in C, Op. 115
(Te Deum, Benedictus and Jubilate Deo)
by
Charles Villiers Stanford
edited by Jeremy Dibble
This edition fi rst published 2011
This edition is copyright © 2011 The Royal School of Church Music.
The full score and parts of the Te Deum, orchestrated for 3 trumpets, 4 trombones, timpani and organ,
are available from RSCM Press.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or
by any means, without the prior permission in writing of the copyright holders, or as expressly permitted by law.
Permission to perform this work in public (except in the course of divine worship) should normally be obtained from the
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throughout the world.
Order Code: C0803
RSCM Catalogue Number: RCL39
ISMN: M 57018 639 6
Music and text setting by Julian Elloway
Printed in Great Britain
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SAMPLE
Editorial notesStanford’s setting of the Te Deum, Benedictus and Jubilate Deo in C major was composed in 1909 as part of his Morning and Evening Service together with the Offi ce for Holy Communion Op. 115. The Service was published by Stainer & Bell in 1910. The Te Deum was later orchestrated for brass (3 trumpets and 4 trombones), timpani and organ. According to the biography of Stanford by Harry Plunket Greene (Charles Villiers Stanford, London 1935, 221), Stanford was given the choice to hear one of his services sung at Matins at York Minster in 1923 when he was a guest of the organist, Edward Bairstow. ‘He chose the one in C,’ Bairstow recalled, ‘for he said he had never heard it!’
SourcesS1 Royal School of Church Music. Bound autograph manuscript complete version for choir and organ n.d. 16-stave manuscript paper (except for title page). Plate 307; Fol. 10002. 28pp. Te Deum pp. 1–6; Benedictus pp. 7–11; Jubilate Deo pp. 11–13. System origination of four staves: SATB = two staves; organ = two staves. Four systems per page.
S2 Robinson Library, University of Newcastle, full score of Te Deum in copyist’s hand for 3 trumpets, 4 trombones, timpani and organ n.d. MS 48.
S3 Published score for SATB and organ, Stainer & Bell, 1910.
Editorial methodS1 has been used as the primary source. Where the reading in S1 is in doubt, S3 has been consulted. S1, which contains the engraver’s markings, was clearly used as the source for publication (S3). However, it is evident that, at proof stage, some additional markings (notably some tempo changes) were added. These additions and other variants have been listed below:
Te Deumb. 1 Original tempo marking in S1 and S2 was ‘Allegro moderato e maestoso’. Tempo marking in S3 was altered to ‘Allegro maestoso’. b. 51 ‘Poco più mosso’ in S2 and S3 only. Metronome mark of minim = 84 in S2 only. b. 105 Metronome marking of crotchet = 120 in S2 and S3; crotchet = 134 in S1. b. 114 ‘Poco meno mosso’ in S2 and S3 only.b. 143 ‘tempo d’Allegro’ in S2 and S3 only. b. 169 ‘più lento’ in S2 and S3 only. b. 208 ‘Più animato’ in S2 and S3 only. Double bar after 208 omitted in S1. b. 231 ‘Più Lento’ in S1. Metronome marking: minim = 50 in S1; crotchet = 76 in S2 and S3.b. 252 ‘Tempo Imo’ in S2 and S3 only.
Omission of accidentals in S3 has been rectifi ed without comment. All editorial dynamics are in square brackets. All editorial slurs, ties and hairpins are bisected by a short vertical line. In accordance with modern editorial practice, all vocal parts include beaming.
PerformanceThe metronome markings and registration instructions are Stanford’s own (or were clearly sanctioned by him for publication), so they may be safely adhered to as authoritative. Stanford included much phrasing for the organ in his original source (S1) which was reproduced in both S2 and S3. Editorial intervention has therefore been kept to a minimum, though suggestions of possible phrasings have been made at bb. 143–4 (Te Deum) in the light of the more specifi c articulation of the brass parts. For the ‘Poco più mosso (Alla marcia)’ section at b. 51 (Te Deum), the organist may wish to create a ‘pizzicato’ eff ect in the pedals. Throughout both the Te Deum and Jubilate Deo the conductor should pay close attention to the tempi (clearly indicated by the metronome markings), especially to the ‘accelerando’ markings (which are often ignored), and to the diff erent expressive styles of the thematic material. A full tone is obviously required for the majestic sections of the Te Deum (such as the opening), but the ‘march’ section should be sung with a more ‘muscular’ conviction, and for the passage from b. 177, the lyrical style demands a more restrained manner which should also allow the organ (which has the melody) to come through the texture at b. 194. Care should be taken, given Stanford’s brisk tempo marking, not to rush the Jubilate, and though the sense of elation should be evident throughout the work (it is very much in the style of a symphonic ‘Scherzo’), the return to C major at b. 63 should be more restrained in tone in accordance with the ‘p’ dynamic both to give sense to the words and to allow some space for the crescendo to ‘f ’ in the approach to the conclusion.
Jeremy Dibble
Durham, May 2010
SAMPLE
Copyright © 2011 The Royal School of Church Music. All Rights Reserved
SOPRANO
ALTO
TENOR
BASS
ORGAN
We
f
praise thee, O God: we ac know- ledge-
Allegro moderato e maestoso h = 69
We
f
praise thee, O God: we ac know- ledge-
We
f
praise thee, O God: we ac know- ledge-
We
f
praise thee, O God: we ac know- ledge-
Allegro moderato e maestoso h = 69
f
thee to be the Lord. All the
cresc.
earth doth wor ship-
5
cresc.
cresc.
Charles Villiers Stanford (1852–1924)edited by Jeremy Dibble
Te Deum Laudamus
SAMPLE
thee, the Fa ther- e ver- - last- ing.-
9
ff
ff
The
f13
mf
To thee all An gels- cry a loud:-
mf f
heav’ns, and all the powers there in.-
17
The
f
heav’ns, and all the powers there in.-
[Ped.]
ff
[Man.]
Te Deum laudamus 5
SAMPLE
mfTo thee Cher u- bin- and Ser a- phin-
fcon tin- ual- ly,- con -
21
f
mf f
tin- ual- ly- do cry, Ho
mf
ly,- - -
25
mf
mf ed animandosi
Ho
cresc.
ly,- - - -
30
cresc.
cresc. f
Te Deum laudamus 6
SAMPLE
Ho
f cresc.
ly:- - - - Lord
ff34
f cresc.
cresc. ff
God of Sa ba- oth;- Heav’n
f
and earth are
poco accel.39
fpoco accel.
mf
full of the
cresc.
Ma je- - - sty- of thy
44
cresc.
cresc.
ff
Te Deum laudamus 7
SAMPLE
glo ry.-
Poco più mosso (Alla marcia) h = 8450
The
mf
Poco più mosso (Alla marcia) h = 84
ff mf
[quasi pizz.]
56
glo rious- com pa- ny- of the A pos- tles- praise
The
mf
good ly- fel low- ship- of the Pro phets-
62
thee.
BASSES
(BASSES)
TENORS
(BASSES)
Te Deum laudamus 8
SAMPLE
The
mf
no ble-
68
praise thee.
ar my- of Mar tyrs- praise thee.The
f
ho ly-
73
f
cresc. f
Church through out- all the world
cresc.
doth ac know- ledge- thee; The
ff81
cresc. ff
cresc.
ALTOS
TENORS
(ALTOS)
A.
S.
B.
T.
Te Deum laudamus 9
SAMPLE
Fa ther- of an in fi- nite- Ma je- sty;- Thine
87
ff
hon our- a- ble- true and on ly- Son; Al so- the
93
rall.99
Ho ly- Ghost, the Com for- ter.-
rall.
mp
Te Deum laudamus 10
SAMPLE
Thou
f
art the King of glo ry- O Christ. Thou art the e ver- last- ing-
Allegro q = 120105
f
Allegro q = 120
f
Son of the Fa ther.-
Poco meno mosso111
When
p
thou took est- up-
dim.
Poco meno mosso
on- thee to de li- ver- man, thou didst not ab hor- the Vir gin’s- womb.
119
BASSES
BASSES
Te Deum laudamus 11
SAMPLE
S.
A.
T.
B.
When
p
thou hadst o ver- come
cresc. ed accel.
- the sharp ness- of
When
p
thou hadst o ver- come
cresc. ed accel.
- the sharp ness- of
When
p
thou hadst o ver- come
cresc. ed accel.
- the sharp ness- of
When
p
thou hadst o ver- come
cresc. ed accel.
- the sharp ness- of
death, thou
f
didst o pen- the king dom- of heav’n to
133
death, thou
f
didst o pen- the king dom,- the king dom- of heav’n to
death, thou
f
didst o pen- the king dom- of heav’n, the king dom- of heav’n to
death, thou
f
didst o pen- the king dom- of heav’n, the king dom- of heav’n to
mf
poco a poco cresc. ed accel.
Te Deum laudamus 12
SAMPLE
all be lie- vers.- - Thou
f
sit test-
(tempo d’Allegro)140
all be lie- vers.- - Thou
f
sit test-
all be lie- vers.- - Thou
f
sit test-
all be lie- vers.- - Thou
f
sit test-(tempo d’Allegro)
f
at the right hand of God
148
at the right hand of God
at the right hand of God
at the right hand of God
[ ] [ ] [ ] [ ] [ ]
[simile]
L.H.cresc. e stringendo
Te Deum laudamus 13
SAMPLE
in the glo ry- - of the Fa ther.- -
156
L.H.
Più lento164
dim. e rit.
Più lento
We
p
be lieve- that thou shalt come to be our Judge.
Tempo Imo (h = 69)170
pTempo Imo (h = 69)
Full Sw. p
ff
Te Deum laudamus 14
SAMPLE
We
p dolce
there fore- pray thee, help thy ser vants,- whom thou hast re
poco
-
177
p
deemed- with thy pre cious- blood. Make them to be num bered- with thy
182
Saints in glo ry- - e ver- last- ing.-
188
SOPRANOS
Te Deum laudamus 15
SAMPLE
O
p
Lord, save thy peo ple,- and
p
bless thine
194
pSolo Ch.
up,200
her i- tage,- Gov ern- them, and lift them up, and
Gt.
and lift them up for e ver.- -Più animato
205
lift them up for e ver.- -
Più animato
mf
Te Deum laudamus 16
SAMPLE
mf210
Day
mf
by day we mag ni- fy- thee;
cresc.216
and we wor ship- thy
cresc.
Name e ver- world with out- end.
cresc.
Vouch safe,- O Lord, to keep us this day with out- sin.
221
dim. dim.
Te Deum laudamus 17
SAMPLE
S.
A.
T.
B.
Have
p
mer cy- up on- us.
Lento q = 76
O
p
Lord, have mer cy- up on- us. O
O
p
Lord, have mer cy- up on- us. O
Gt.
Sw.Lento q = 76
p Sw. Gt.
Let
p
thy mer cy- light en- up on- us, as
cresc.
our
237
[ p] cresc.
as our
Lord, let thy mer cy- light en- up on- us, as our trust
cresc.
Lord, let thy mer cy- light en- up on- us, as our trust
cresc.
Sw.
div. unis.
add reeds.
Te Deum laudamus 18
SAMPLE
trust is in thee.O
mf
Lord in
cresc.
thee have I
accel.243
is in thee. mf cresc.
cresc.
accel.
trust ed:- Let
f
me ne -
Tempo Imo250
fTempo Imo
f
- ver be con found
ff
- ed.- -
256
ff
[ ff ]
Gt. coupd. to Sw.
Te Deum laudamus 19
SAMPLE
Copyright © 2011 The Royal School of Church Music. All Rights Reserved.
SOPRANO
ALTO
TENOR
BASS
ORGAN
Bless
f
ed- be the Lord God of Is ra- el,-
mf
for he hath vi sit- ed,- and re-
Allegro moderato q = 116
Bless
f
ed- be the Lord God of Is ra- el,-
mf
for he hath vi sit- ed,- and re-
Bless
f
ed- be the Lord God of Is ra- el,-
mf
for he hath vi sit- ed,- and re-
Bless
f
ed- be the Lord God of Is ra- el,-
mf
for he hath vi sit- ed,- and re-
Allegro moderato q = 116
f mf
-deem ed- hispeo ple;-
and hath rais ed- up a migh ty- sal -
8
peo ple;-
Benedictus
Charles Villiers Stanford (1852–1924)edited by Jeremy Dibble
peo ple;-
SAMPLE
va
f
- tion- for us in the house of his ser vant- Da vid;-
16
f mf As he spake by the
f mf
[mf ]
That
24
mouth of his ho ly- Pro phets,- which have been since the world be gan;- That
we should be sa ved- from our en e- mies,- and
cresc.
from the hands of all that hate
f
us,
30
we should be sa ved- from our en e- mies,- and
cresc.
from the hands of all that hate
f
us,
cresc. [ f ]
BASSES
TENORS
BASSES
(TENORS)
(BASSES)
Benedictus 21
SAMPLE
to
f
per form- the mer cy- pro mi- sed,- pro mi- sed- to our for fa- thers,- and to re-
37
fpro mi- sed- to our for fa- thers,-
mem- ber-
46
his ho ly- Co ven- ant,- to per form- the oath which he sware to our fore fa- ther-
A bra- ham,- that
p
he would give us, that we be ing- de liv- er- ed- out of the hands of our
Moderato con moto q = 10055
p
p
Moderato con moto q = 100
S.
A.
T.
B.
[
]
Benedictus 22
SAMPLE
en e- mies- might serve him with out- fear, in
p
ho li- ness- and right eous- ness- be-
61
p
[ p]
fore- him
pp
all the days of our life.
mf
And thou, child, shalt becall ed- the Pro phet- of the High est:-
67
pp
[mp][ pp]
for thou shalt go be fore- the face of the Lord to pre pare- his
ways;
pTo pre-
73
p
[ ]
[ ]
[
]
SOPRANOS
Benedictus 23
SAMPLE
pare- his
To give know
ways;
ledge- of sal va- tion- un to- his peo ple- for the re
[mf ]
mis-
for the re
-
-
78
[mf ]
mis
- sion
sion-
of
of
their
their
sins,
sins,
thro’ the ten
cresc.
cresc.
thro’
der
the
- mer
mer
cy
cy
-
-
of
of- - - - - - -
our
our
God,
God,
where by- the84
cresc.
cresc.
day
where
spring
by
-
- the day spring-
from
from
on
on
high
high hath vi si- ted- us, To give
88
f
[ f ]
[mf ]
f
Full Sw.
Benedictus 24
SAMPLE
light to them that sit in dark ness,- and
pp
in the sha dow- of
94
pp
[ pp]
death: And
p
to guide our feet in to- the way of peace.
(q = q ) rall.100
p(q = q ) rall.
[ p] p
Glo
f
ry- be to the Fa ther,- and to the Son, and to the Ho ly- Ghost;
109
f
[ f ] [Tr.] ad lib. f [ ff ]
[ ]
Benedictus 25
SAMPLE
As it was in the be gin- ning,- is now, and e ver-
115
shall be:[ f ]
world with out- end, world
[ f ]
with out-
121
[ f ]world with out- end,
[ f ] world with out- end, with out-
end.
[ f ]
A
[ ff ]
men.- - - - -
127
[ f ] [ ff ]
ff
Benedictus 26
SAMPLE
© 2011 The Royal School of Church Music. All Rights Reserved.
SOPRANO
ALTO
TENOR
BASS
ORGAN
O
f
be joy ful- in the Lord, all ye lands:
Allegro q = 144
O
f
be joy - ful in the Lord, all ye lands:
O
f
be joy ful- in the Lord, all ye lands:
O
f
be joy ful- in the Lord, all ye lands:
Allegro q = 144
f
serve
[ f ]
the Lord with glad ness,- and
mf
come be fore- his pre sence-
8
[ f ] mf
[mf ] [ ]
Jubilate Deo in C
Charles Villiers Stanford (1852–1924)edited by Jeremy Dibble
SAMPLE
with a song.
f
Be
[ f ]
ye sure that the Lord he is God:
16
f [ f ]
[ f ]
it is he that hath made us, and
dim.
not we our-selves; we
p
are his peo -
24
dim. p
dim. [ p]
ple,- and the sheep of his pas ture.- O
f
go your way
32
f
cresc.
Jubilate Deo 28
SAMPLE
in to- his gates with thanks giv- ing,- and in to- his
39
f
courts with praise: be thank ful- un to- him,
48
and speak good of his Name.
dim.56
dim.
dim.
[ ]
[ ] [ ]
[ ]
[ ]
[ ] [ ]
[ ] [ ][ ]
[ ]
[ ]
Jubilate Deo 29
SAMPLE
Forp
the Lord
[ p]For the Lord
is
is
gra
gra
cious,
cious,
-
-
his mer
his mer
cy
cy
-
-
is
is
e
e
ver
ver
-
-
-
-
63
[ p]
p
last
last
-
-
ing,
ing,
-
- and
f
his truth en dur- - - -
71
f
fcresc.
eth- from ge ne- ra- tion- to ge ne- - -
80
Jubilate Deo 30
SAMPLE
ra- tion.- - -
rall.87
rall.
ff
Glo
f
ry- be to the Fa ther,- and to the Son, and to the Ho ly- Ghost;
94
f
[ f ] [Tr.] ad lib. f [ ff ]
As it was in the be gin- ning,- is now, and e ver- shall be:
100
[ ]
Jubilate Deo 31
SAMPLE
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S.
A.
T.
B.
world
[ f ]
with out-
world
[ f ]
with out- end, world with out-
world
[ f ]
with out- end, world with out- end, with out-
world
[ f ]
with out- end, with out-
end. A - - - - men.
[ ff ]112
end. A men.
[ ff ]
- - - - -
end. A - - - - men.
[ ff ]
end. A men.
[ ff ]
- - - - -
ff
Jubilate Deo 32
M57018-639-6
SAMPLE