tech without intimidationimages.bestbuy.com/bestbuy_us/en_us/images/abn/2012/cam/... ·...

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f/4 f/32 18 TECH WITHOUT INTIMIDATION Digital single lens reflex (D-SLR) cameras are designed to deliver professional-quality photos, but you don’t need to be a professional to enjoy the benefits. Shoot fast-moving subjects, objects in different lighting conditions, portraits, landscapes or close-ups with complete creative control. Hot shoe (for optional flash) A hot shoe is a mounting point on top of the D-SLR that allows you to aach external flashes, offering more power and multiple flash options. High-speed shutters Capture the moment right when you press the shuer release—there’s no delay with a D-SLR. One camera, many lenses Telephoto, macro, wide-angle, fish-eye and more—you’ve got more options, and more speed, when composing your shot. LCD display with live view Many D-SLR models offer a live preview on the LCD screen, especially handy when working with a tripod. This also lets you review your photos and navigate menu options. Mode dial Change the camera’s mode for desired effect. The Exposure Triangle: Aperture, shutter speed and ISO Aperture (f-stop) is the size of the opening in the lens that allows light to come through to the camera’s sensor. The larger the hole, the more light that gets in— the smaller the hole, the less light. Aperture is measured in f-stops, typically ranging from f/1.4 to f/32; the smaller the f-stop, the larger the lens opening. Small f-stop (f/4) = large aperture = small depth of eld Large f-stop (f/32) = small aperture = large depth of eld Shu er Speed The length of time the shu er is open; a ects the amount of light that reaches the sensor. ISO A se ing that measures the sensitivity to light. Lower ISO se ings mean you need more light and vice versa.

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Page 1: TECH WITHOUT INTIMIDATIONimages.bestbuy.com/BestBuy_US/en_US/images/abn/2012/cam/... · 2012-04-18 · One camera, many lenses Telephoto, macro, wide-angle, fish-eye and more—you’ve

f/4 f/32

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TECH WITHOUT INTIMIDATIONDigital single lens reflex (D-SLR) cameras are designed to deliver professional-quality photos, but you don’t need to be a professional to enjoy the benefits. Shoot fast-moving subjects, objects in different lighting conditions, portraits, landscapes or close-ups with complete creative control.

Hot shoe (for optional flash)A hot shoe is a mounting point on top of the D-SLR that allows you to a�ach external flashes, offering more power and multiple flash options.

High-speed shuttersCapture the moment right when you press the shu�er release—there’s no delay with a D-SLR.

One camera, many lensesTelephoto, macro, wide-angle, fish-eye and more—you’ve got more options, and more speed, when composing your shot.

LCD display with live viewMany D-SLR models offer a live preview on the LCD screen, especially handy when working with a tripod. This also lets you review your photos and navigate menu options.

Mode dialChange the camera’s mode for desired effect.

The Exposure Triangle: Aperture, shutter speed and ISOAperture (f-stop) is the size of the opening in the lens that allows light to come through to the camera’s sensor. The larger the hole, the more light that gets in—the smaller the hole, the less light. Aperture is measured in f-stops, typically ranging from f/1.4 to f/32; the smaller the f-stop, the larger the lens opening.

Small f-stop (f/4) = large aperture = small depth of eld

Large f-stop (f/32) = small aperture = large depth of eld

Shu er Speed The length of time the shu er is open; a ects the amount of light that reaches the sensor.

ISO A se ing that measures the sensitivity to light. Lower ISO se ings mean you need more light and vice versa.

Page 2: TECH WITHOUT INTIMIDATIONimages.bestbuy.com/BestBuy_US/en_US/images/abn/2012/cam/... · 2012-04-18 · One camera, many lenses Telephoto, macro, wide-angle, fish-eye and more—you’ve

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BLURRING WATERA favorite effect for waterfalls, streams and shorelines, the ethereal look of blurred water motion can add a so�ness that makes a nice contrast to sharper elements in the frame. You can achieve this effect by slowing the shu�er speed—just use a tripod and a neutral-density filter and you’ll have this amazing look.

CHOOSE FAST LENSESCapture the action with crisp images by stepping up to a D-SLR with interchangeable fast lenses. A lower aperture lens allows you to capture faster movements. Focusing on your subject also allows the background and foreground to show speed—a professional technique used for both fast subjects and fine art photography. Visit BestBuy.com/Lenses for a full assortment.

CHANGE YOUR WHITE BALANCECameras set on Auto White Balance try to get the color of a scene right by balancing it automatically. If you’re indoors under fluorescent or incandescent lighting, adjust your camera’s white balance se�ing, choosing from options such as fluorescent or candlelight.

USE MORE THAN ONE LENSThe lenses that come with most D-SLRs have a short focal length that won’t cover all shooting conditions. For a variety of shots, you’ll need more than one lens. A macro lens helps you get good close-ups of small subjects, while a long focal length zooms to bring distant objects close, like sports action or wildlife. An ultra-wide lens lets you fill the frame in a confined space or get the whole group at the family reunion. The best bet? Upgrade your kit lens to a broader focal range lens that covers most of your shooting needs, such as the 18-200mm.

AFTER THE SHOT: EDITING YOUR PHOTOSThere are a variety of affordable so�ware options available to enhance your photos once they have been transferred to your computer. Programs from Adobe and Corel can help crop your photos for a wide range of print sizes, add creative effects such as sepia tone, convert your images to black and white, as well as aid you with professional-level corrections such as contrast, saturation, color balance and application of filters. The options are practically endless and give you a chance to explore the versatility of digital photography.

IMPROVE COLOR AND EXPOSURE WITH FLASHESAdd a small pop of flash to improve color. Even be�er, add an external flash to minimize shadows and produce even lighting for every shot. Knowing when to use fill-in flash can save a picture from being underexposed in the foreground, but correctly exposed in the background.

To learn more, visit BestBuy.com/Cameras

Tips for shooting like the prosD-SLRs offer almost limitless flexibility and creative versatility, whether you’re new to digital photography or a seasoned pro. Take some time to get to know your camera and experiment with different lenses, filters, adapters, flashes and se�ing options.