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catalogue

amplification systems

BThe Acoustic People

sonic excellence for acoustic, electric and bass

Preliminary

2

Across the world, acoustic instruments have come into focus. All kinds of instruments from traditional to modern, acoustic to electric can be enjoyed in solo or ensemble settings and within all musical styles. As little ‚plugged in‘ the ‚unplugged‘ may be authentic amplification is more important than ever! Every ins-trument deserves the chance to be evenly heard in its natural beauty. Since 1992 we at AER have never let go our passion for instruments, music, tone and that little bit extra we can put on top to push things further, perform better – we just love it.

Being regarded the reference class in acoustic am-plification (we received our 5th MIPA award for best acoustic amp in 2007) and with the many positive comments of you, thrilled and committed musicians, we have a lot of confidence and motivation to keep on going! It is to say ‚thank you‘ for your support and understanding and for staying with us even if things take a little longer.

There are many ways for us to explore still, to improve and get better. We do feel the road has not ended yet, thus we advance into other fields including musical instruments and accessories. We know little things can make a big difference and be sure if we can hear a dif-ference we will pass it on to you.

Besides this we will maintain what we are doing: deli-ver extraordinary solutions for musicians from the ins-trument to the loudspeaker. We are very serious about what we do, how we do it and where we do it – a lot of research, well thought out concepts, exquisite com-

ponents and materials, high manufacturing standards and quality control. We respect musical instruments, we care about you and your musical needs. You can talk to us and you will find that there are specialists close to you. AER products are no commodities. You will find them in qualified, serious and passionate stores for musical instruments in your country. People there are experienced to answer your questions and they provide the opportunity to help you to make up you mind. They are backed up by a network of excel-lent distributors who are responsible for AER in your country.

Be sure any issue will be dealt with quick, uncompli-cated and satisfying. If you ask us for recommendati-on… please understand, we can only partly do that! We always say what we believe in… besides that and the ‚fog‘ out there, there is no way around ‚ getting out there‘, evaluating yourself, with your instrument in your environment and talking to people that you trust… eye to eye. We do not want to spoil your ple-asure having come to a decision and enjoying it! If it is with AER… fantastic, if not… it is more than OK. It is your decision that counts!

This catalogue gives you an overview on the latest AER product range. Product is always subject to change wi-thout notice. Attached arabic numbers indicate major version changes (e. g. concept), small indexes indi-cate model updates effecting e. g. speakers, amps or effects.

We hope it helps a bit.

Editorial

Udo Roesner Director

Michael Eisenmann Director

3

AlphaShorty knows his way

Actually not our fi rst system the Alpha defi nes the starting point of serious acoustic amplifi cation at AER. Based on the suc-cess and the experience with the Compact 60 we have develo-ped an even smaller lightweight model that has no diffi culties living up to the rigors of the road.

Open sounding and quick in response this amp masters diff e-rent ranges and is thus not afraid of bigger instruments.

Two inputs, 3 band EQ, digital-reverb, dynamic control, 40 watt, 6.15 kg

small, smart, surprising

Modell: Alpha (APH)Single-channel, two inputs, acoustic system, 40 watt

Input 1: combined XLR/6.3 mm (1/4”) input jack socket as high-quality line- or balanced microphone input stage 24V phantom power, gain control

Input 2: 6.3 mm (1/4”) input jack socket as high-impedance line input stage with pad (high/low attenuation) and gain control

Colour-switch: ‘mid-cut-treble-boost’-fi lter

EQ: three band tone controls

Eff ect: digital-reverb

Power amp: hybrid, 40 W/4 ohm RMS, class a/b, dynamic control

Speaker: 8”-twin-cone speaker-system, extended range

Features: tuner-, line-, headphones-, DI-out, eff ect loop, footswitch: eff ect on/off

Specials: microphone stand adapter

Accessories: padded gigbag

Cabinet: 0.47“ (12 mm) birch plywood

Finish: waterbased acrylic, black spatter fi nish

Dimensions: 260 mm x 265mm x 235 mm (10.24“ x 10.34“ x 9.25“), HxWxD

Weight: 6,15 kg (13.56 lbs)

systems that cut through

AcousticSolutions

4

The Compact has proven to a bigger, more interested and ex-perienced public that there is an all-round, small, powerful and yet simple to use complete solution for stage, studio and home use that works up to the highest demands and standards of acoustic players.

It has found many friends around the world with its size - smiled at in the beginning – being its second strongest side. It has be-come the standard equipment – the amp of choice – for those musicians who value sound, simplicity and independence. It has qualifi ed for nearly all instruments and applications.

Two channels, 3 and 2 band EQ, digital-reverb, dynamic control, 60 watt, 7,55 kg

Partner in a long-term relationship.

Model: Compact 602 (CPT) Twin-channel acoustic system, 60 watt

Channel 1: 6.3 mm (1/4”) input jack socket as high-impedance line input stage with high/low attenuation, gain control

Colour-switch: ‘mid-cut-treble-boost’- fi lter

Channel 2: combined XLR/6.3 mm (1/4”) input jack socket as high-quality line- or balanced microphone input stage with 24 V phantom power, gain control

EQ: ch 1: three band tone controls ch 2: two band tone controls

Eff ect: digital-eff ect, 4 presets, eff ect-pan, eff ect-return, Pos1: warm hall reverbPos2: bright hall reverbPos3: chorus with reverbPos4: fl anger


Speaker: 8”-twin-cone speaker-system, extended range

Features: tuner-, line-, headphones-, DI-out, eff ect loop, footswitch: eff ect on/off

Specials: microphone stand adapter




Dimensions: 265 mm x 330 mm x 235 mm (10.4” x 12.99” x 9.25”), HxWxDWeight: 7,55 kg (16.65 lbs)

Compact 602Relaxed, everything under control


AcousticSolutions

5

The Compact Classic pro is aimed at classical players and their instruments. Compared to the Compact 60, the Com-pact Classic benefi ts from an improved 2-way-speaker sys-tem, a more complex three band EQ with parametric bass and the 32bit AER digital eff ect processor with carefully desi-gned presets for classical instruments.

All the features combine perfectly to more allow for the fi ner tonal texture of a classical instrument throughout the full audio band. It enhances the low frequency response wit-hout increasing the feedback risk and creates beautiful ambi-ences that support the tone. Many pickup systems and their relevant combinations are used to match the instruments thus four pre-amp and two phantom-power options are pro-vided in an input matrix.

Two inputs, 3 band EQ with bass parametric, 16 eff ect presets, dynamic control, 60 watt, 7,75 kg

Thanks to HDA, Houpert Digital Audio and our friend Sandor for their support.

Model: Compact Classic professional (CPC)Single-channel, two inputs, acoustic system, 60 watt

Input 1: combined XLR/6.3 mm (1/4”) input jack socket to access the input matrix (pre-amp section with 6 presets to be addressed by DIP switch on the rear side), gain control

• M: sources with microphone level, balanced or unbalanced• L: sources with line level, instruments with active pre-amps and/or magnetic pickups• P: sources with piezo level, instruments with passive pickup systems only• P/M: piezo/electret-microphone – blender mode twin signal is directly passed to input 1 and 2 by stereo cable. • 48V: phantom power supply for microphone function• 9V: phantom power supply for line functionInput 2: 6.3 mm(1/4") input jack socket as high-impedance line input stage or AER-piezo input stage, gain controlEQ: three band tone controls with bass

parametric, and bandwidth- (Q-factor) switch

Eff ect: 32bit AER digital eff ect processor, 16 presetsPower amp: hybrid, 60 W/4 ohm RMS, class a/b, dynamic controlSpeaker: two-way speaker system, 8"-twin-cone speaker plus tweeterCrossover: high pass, fc= 2.7 kHz/12 dB /oct.Features: AUX-in, tuner-, line-, headphones-, DI-out

adjustable and pre/post eff ect switchable,eff ect loop, footswitch: eff ect on/off

Specials: insert, input mute, presence control, L-R out with stereo widening, microphone stand adapter

Accessories: padded gigbagCabinet: 0.59“ (15 mm) birch plywood


Dimensions: 265 mm x 330 mm x 235 mm (10.4” x 12.99” x 9.25”), HxWxD


Compact 602 Compact Classic proTo boldly go…


AcousticSolutions

6

A new member within the Compact family. A new discrete‚power amp design for additional dynamic headroom. A new speaker confi guration for additional tonal range and the continuation of the well–proven features and functionality of the Compact 60.

A beautiful sounding powerhouse for those who need more volume, a more defi ned tone but yet love the straightforward-ness of the Compact 60.

Two channels, 3 and 2 band EQ, two-way speaker system, digital-eff ect, dynamic control, 200 watt, 10,6 kg

A new member within the Compact family. A new discrete‚

Compact XLNew acoustic system…eXtra loud


AcousticSolutions

Model: Compact XL (CXL) Twin-channel acoustic system, 200 wattChannel 1: 6.3 mm (1/4”) input jack socket as high-

impedance line input stage with high/low attenuation, gain control

Colour-switch: ‘mid-cut-treble-boost’- fi lter

Channel 2: combined XLR/6.3 mm (1/4”) input jack socket as high-quality line- or balance microphone input stage with 48 V phantom power, gain control


Eff ect: digital-eff ect, 4 presets, eff ect pan, eff ect-select, eff ect-level1: short reverb2: long reverb3: short delay 4: long delay

Power amp: 200 W/8 ohms, descrete bipolar transistor design

Speaker: 2-way system, 8” polypropylenlow-midrange + 1” dome tweeter, light-weight neodymium alloy magnets

Features: tuner-, line-, headphones-, DI-out, AUX- in, eff ect loop, footswitch: eff ect on/off




Dimensions: 325 mm x 330 mm x 285 mm(12.8“ x 13.0“ x 11.2“), HxWxD


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Musicians often asked us for a system for acoustic instru-ments that provides AER sound and quality everywhere… independent from the mains.

This is exactly what the Compact mobile has been develo-ped for. Based on the Compact 60, thus identical in sound, but with adapted technology and slightly changed dimen-sions you can play without the mains for three to four hours – whether you chose to play in the old town or on a glacier. The sound is clear and omnipresent.

Besides the features of the Compact 60, the Compact mobile 2 has got an AUX input which can be used to mix a battery-powered CD player to the sound.

In case of insuffi cient battery power the intelligent power control gives a warning and thus saves you from lack of po-wer during performance. Moreover it prevents the batteries from being completely exhausted.

Intelligent solutions for the demands of musicians.

Model: Compact mobile 2 (CPM) Twin-channel acoustic system, 60 watt, battery powered

Channel 1: 6.3 mm (1/4“) input jack socket as high- quality line input stage with high/low attenuation and gain control

Colour-switch: ‚mid-cut-treble-boost‘- fi lter

Channel 2: combined XLR/6.3 mm (1/4“) input jack socket as high-impedance line- or balanced microphone input stage with switchable 48 V phantom power and gain control


Eff ect: digital-eff ect, 4 presets, eff ect-pan, eff ect-return


Speaker: 8“-twin-cone speaker-system, extended range

Features: tuner-, line-, headphones-, DI-out, AUX-in, eff ect loop, footswitch: eff ect on/off

Specials: two lead-acid batteries (6V/12 Ah), battery power control




Dimensions: 325 mm x 330 mm x 285 mm (12.8“x 13.0“ x 11.22“), HxWxDWeight: 13,85 kg (30.54 lbs)

Compact mobile 2This amp is made for walking…


AcousticSolutions

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The Domino 2 is the answer to musicians requests for more… more power, more volume, more channels to be more suitable for bigger venues!

Thus the Domino 2 consists of two 8”-twin-cone speakers, driven by two 60 watt amps. It is equipped with four channels (ch 3 and 4 use a combined EQ), the 32 bit AER digital eff ect processor with 16 presets addressable by individual sends per channel that delivers a variety of very suitable eff ects for voice and instruments.

Left and right out (2 x mono) in combination with the pre-mas-ter out allow direct use of additional active speaker systems (AS 281, Q8) to extend the Domino 2 to a small club PA.


Note: Domino 2 always works in mono–stereo widening broa-dens the sound radiation.

Model: Domino 2 (DOM) Four-channel acoustic system, 2 x 60 watt

Channel 1 and 4: 6.3 mm (1/4“) input jack socket as high-

impedance line input stage with high/low attenuation, gain control, colour-switch: ‘mid-cut-treble-boost‘- fi lter

Channel 2 and 3: combined XLR/6.3 mm (1/4“) input jack

socket as high-quality line- or balanced microphone input stage with switchable 48 V phantom power and gain control, colour-switch: ‘mid-cut-treble-boost‘- fi lter

EQ: (ch1, ch2 and ch3+ch4) three band tone controls

Eff ect: 32 bit AER digital eff ect processor with 16 presets, individual eff ect sends per channel

Power amp: hybrid, 2 x 60 W/4 ohm RMS, class a/b, dynamic control,

Speaker: 2 x 8“-twincone speaker-system, extended range

Features: adjustable AUX-in, tuner-, line-, headphones-, DI-out, eff ect loop , footswitch: eff ect on/off

Specials: insert, channel mute, L-R out with stereo widening and pre-master control, 48 V phantom-power, switchable

Accessories: SoftCover



Dimensions: 365 mm x 420 mm x 297 mm (14.37“ x 16.53“x 11.69“), HxWxDWeight: 13,95 kg (30.76 lbs)

Domino 2…and the winner is


AcousticSolutions

9

Model: acoustiCube 3 (ACU)Twin-channel 2-way acoustic system – reference class, 120 watt

Channel 1 and 2 equally equipped with: 6.3 mm (1/4”) input jack socket to access the

pre-amp section with 6 presets (to be addressed by mode switch)

• Piezo: sources with piezo level, instruments with passive pickup systems only

• Line: sources with line level, instruments withactive pre-amps and/or magnetic pickups

• 9V: phantom power supply for line function, activated by keeping the mode switch pushed for 3 seconds

• Mic: sources with microphone level, balanced or unbalanced

• 48V: phantom power supply microphone function, activated by keeping the mode switch pushed for 3 seconds

• E/P: electret-microphone / piezo - blender mode. Twin signal is directly passed to channel 1 and 2 by stereo cable.

pad (high/low) attenuation, mute and gain con-trol, colour-switch: ‚mid-cut-treble-boost‘- fi lter

EQ: three band tone controls Eff ect: 32bit AER digital eff ect processor with

100 presets, stereoPower amp: discrete 120 W/8 ohm RMS, class a/b,

dynamic controlSpeaker: two-way speaker system with 8“- diecast

neodymium, kevlar® cone bass and neodymium tweeter

Crossover: 2-Way, fc= 3.5 kHz, 18 dB/oct.Features: AUX-in, tuner-, line-, DI-out: adjustable and pre/

post eff ect switchable, stereo eff ect loop: serial/parallel switch, eff ect pan and return

Specials: USB, ACU3 eff ects-software, AER-footpedal, L-R out and pre-master control, stereophonic headphones amplifi er, notch fi lter, recording outs, insert

Accessories: padded gigbag, acoustiCube footswitchCabinet: 0.59“ (15 mm) birch plywood


Dimensions: 325 mm x 335 mm x 260 mm (12.8“ x 13.2“x 10.2“), HxWxD


This is where it all started and it is undoubtedly regarded the reference system for acoustic instruments and the best that we can do in a small box like this (3 MIPA awards) – the ultimate solution for a soloist.

For more than 16 years this little giant has set standards and we have done our best to push the limits further and further.

In its 3rd generation now we have implemented advanced dynamic control technology and have extended the dynamic range substantially. The new two-way speaker system is an in-credible improvement! It allows a much clearer and defi ned bass response and much lighter, more vivid reproduction of the complete range up to fi nest texture.

Cube 3 is a full two channel version now allowing identical features on both channels. It needed a face-lift for more opera-tional clarity and to allow additional important controls on the front panel.

In essence we have combined all the suggestions of Cube enthusiasts over the years with all our knowledge and experi-ence… without compromise… and we are more than pleased.


acoustiCube 3His master‘s voice turns audiophile


AcousticSolutions

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The BassCube 2 has proven to do an excellent job to reproduce double bass authentically.

Now, in its 2nd generation we have identifi ed a real coaxial speaker-system (12“ and a 1“ horn) that works extremely well in its very small bass-refl ex cabinet. It has lost some weight and is much clearer in its functions and features.

We have also implemented AER’s new advanced dynamic con-trol technology and have extended the dynamic range substan-tially. Driven by the new AER 550 W/8 ohm class d power amp the BassCube 2 has got the power to go down to the lowest frequencies in an eff ortless manner.

Well balanced analogue sound design covers the ranges gently and proportionate so that tone stays always clear, crisp and transparent yet powerful and defi ned without any stress!

Its two channels are equally equipped and allow two diff erent instruments set up in all comfort – and be sure it work very well for electric bass too.

Whether ‘arco’ or ‘pizzicato’ – the BassCube 2 sounds like your bass: round and open – you can hear the stroke of your bow as true to life as the placing of your fi ngers on the fi ngerboard.

…An AcoustiCube for Bass…

Model: BassCube 2 (BCU)Twin-channel 2-way coaxial system, 550 wattChannel 1 and 2 equally equipped with: combined XLR/6.3 mm (1/4“) input jack socket

to access the pre-amp section with 6 presets (to be addressed by mode switch)

• Piezo: sources with piezo level, instruments with passive pickup systems only

• Line: sources with line level, instruments withactive pre-amps and/or magnetic pickups

• 9V: phantom power supply for line function, activated by keeping the mode switch pushed for 3 seconds

• Mic: sources with microphone level, balanced or unbalanced• 48V: phantom power supply microphone function, activated

by keeping the mode switch pushed for 3 seconds• E/P: electret-microphone / piezo - blender mode. Twin signal

is directly passed to channel 1 and 2 by stereo cable.

EQ: 3-band-EQ with parametric mid-range and contourEff ect: compressor with ratio and threshold, notch-fi lter

with frequency, level and bandwidth switchPower amp: class d, 550 W/8 ohm RMS, dynamic controlSpeaker: two-way coaxial neodymium speaker system,

12“ bass plus 1“ HF driverCrossover: two-way, fc = 3.9 kHz, 12dB/oct.Features: AUX-in, tuner-, line-out, eff ect loop,

footswitch: channel mute, ensemble/soloSpecials: AUX-out, monitor, subbass, hf levelAccessories: SoftCover Cabinet: 0.7“ (18 mm) birch plywood Finish: waterbased acrylic, black spatter fi nishDimensions: 405 mm x 405 mm x 365 mm (15.9“ x 15.9“x 14.37“), HxWxDWeight: 20 kg (44 lbs)

for Acoustic, Jazz and Fusion

BassCube 2Analogue sound design, digital power

BassSolutions

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The Basic Performer is a solution for Bass and instruments of the lower registers based on the experience of multiplying well proven AER acoustic systems.

Regardless of scale lengths, body sizes and resonance problems just to name some trouble zones of acoustic bass instruments – they require the same approach and care to reproduce well balanced and clear registers.

A small twin-cone system seems perfect – it is fast, provides a superior coverage for the critical mid-range and has got enough substance in the bass range. So in the Basic Performer four 8“-twin-cone speakers, individually powered by four 60 watt power amps provide for the required surface area and the ne-cessary sound pressure level.

The AER band-pass/bass-refl ex cabinet design supports the reproduction of even the lowest frequencies with defi nition. Hi-end preamps, proper fi lters and additional professional sound design make the Basic Performer a multitalented all-round solution.

The sound characteristics are full range thus open and light yet breathing as well as grumbling and surprisingly appropriate for far more instruments than the bass-related instruments such as harp, cello, accordion…

or even try a jazz guitar!

Model: Basic Performer (BPF)Twin-channel acoustic system for low-range, 4x60 wattChannel 1: combined XLR/6.3 mm (1/4“) input jack

socket as high-quality line- or balanced microphone input stage with switchable 24 V phantom power, gain control

Channel 2: 6.3 mm (1/4“) input jack socket as high-im-pedance line input stage with 9 V switchable phantom power pad (high/low attenuation) and gain control

Colour-switch: ‘mid-cut-treble-boost‘- fi lter

EQ: ch1: three band tone controlsch2: contour and three band-EQ with parametric mid-range

Eff ect: compressor, notch-fi lter

Power amp: hybrid, 4 x 60 W/4 ohm RMS, class a/b dynamic control

Speaker: 2 x 8“ woofer 2 x 8“ twin-cone extended range

Features: AUX-in: adjustable, tuner-, line-, headphones-, DI-out, eff ect loop, footswitch: eff ect on/off

Specials: insert, channel mute, two independent master controls (ensemble, solo), combined band-pass / bass-refl ex cabinet




Dimensions: 485 mm x 360 mm x 405 mm (19.1“ x 14.17“x 15.95“), HxWxDWeight: 23 kg (50,72 lbs)

for Acoustic, Jazz and Fusion

Basic PerformerThe twin-cone bass-system

BassSolutions

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Model: Amp one (AP1)Single-input, bass combo amplifi er, 200 watt

Input: 6.3 mm (1/4”) input jack socket as high-impedance line input stage with pad (high/low attenuation) and gain control

EQ: bass ± 8 dB / 80 Hzmiddle ± 15 dB / 200…2000 Hz (adjustable) treble ± 12 dB / 6 kHzbass boost + 10 dB / 55 Hzcolour -1 db / 400 Hz, +13 db / 4 kHz

Tone balance: the tone balance enables the bass- or treble emphasis or a combination of both

Compressor: 1 mV… 350 mV at instrument inputratio = 1:1… 10:1


Speaker system: 10“ woofer, neodymium magnet

Features: adjustable DI-out, lineout, headphones, tuner, eff ect loop, sub bassfootswitch: input muting, eff ect loop on/off




Dimensions: 325 mm x 376 mm x 296 mm (12.8“ x 14.8“x 11.6“), HxWxDWeight: 13,5 kg (29.5 lbs)

Model: Amp (AP1)It seems like we have done it again...

You have asked us over many years for something small for electric bass... simple, powerful and with a performance hard to believe...

And here it is – the AER Bottom Line Amp one.

Based on a superb 10“ in a bassrefl ex encolsure, in combination with a serious 200 watt power amp, more than suffi cientpower-supply and extended dynamic headroom not to forget Paul’s helping hands and ears it is fi nally done.

With a smile on our face... for your entertainment

Combo amp for Rock and Pop

Amp oneSimply irresistible

BassBottom Line

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Model: Amp two (AP2)Single-input, bass combo amplifi er, 240 watt

Input: 6.3 mm (1/4”) input jack socket as high-impedance line input stage with pad (high/low attenuation) and gain control

EQ: bass ± 8 dB / 80 Hzmiddle ± 15 dB / 200…2000 Hz (adjustable)treble ± 12 dB / 6 kHzbass boost + 10 dB / 55 Hzcolour -1 db / 300 Hz, + 8 db / 3,7 kHz

Tone balance: the tone balance enables the bass- or treble emphasis or a combination of both

Compressor: 1 mV… 350 mV at instrument inputratio = 1:1… 10:1


Speaker system: 12“ (300 mm) woofer, neodymium magnet, bass refl ex enclosure, 4“ (100 mm) mid-high direct-radiation speaker

Features: adjustable DI-out, lineout, headphones, tuner, sub-out, eff ect loopfootswitch: input muting, eff ect loop on/off




Dimensions: 500 mm x 420 mm x 350 mm (19.7“ x 16.5“x 13.8“), HxWxD


Amp twoPowerful and versatile

BassBottom LineCombo amp for Rock and Pop

Amp two is the second member of the Bottom Line com-bo bass amps. Based on Amp one, but with more defi ned speaker-system and more power. A 12“ neodymium woo-fer for quick and full bass response combined with a 4“ mid-high direct radiating speaker for gentle trebles allows a wider range of sounds from funk to pop, rock and jazz.

In further diff erence to the Amp one the signal path is lead trough adjustable compression pre EQ- to provide even more dynamic headroom.

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With all the experience in acoustics, dynamic control and sound design AER reaches out into the fi eld of professional bass amplifi cation and launches the AER Bottom Line series.

The concept: a small, light-weight two channel class d integ-rated amplifi er that covers the range from Anglo-saxon ‘punch’ to european ‘hifi ’ orientated sounds. Head one can be used in three operational modes: 2 channel full-range mode, 2-way-active mode and bridge-mode in combination with Cab one, Cab two or Cab three. It is equipped with ‘tube emulation’ for ‘drive’ sounds, two independent EQs, ‘colour-switch’ and ‘tone le-ver’. Class d amps are getting more popular as besides effi ciency they can be made so surprisingly small and light. Besides these benefi ts they inherit a lot of problems (noise, distortion, cut-off ) especially if they are used in ‘limit mode’. Their overall perfor-mance is extremely depending on the design and the smart use of controls and protections to guarantee proper functionality. We have done a lot to make that happen!

Thanks to Paul from ‘Bass matters’ for his time, eff ort and advice.

Model: Head one (HD1)Single-input, class d integrated bass amplifi erInput (clean): 6.3 mm (1/4“) input jack socket as

high-end line input stage Drive: tube emulation with

gain 2 as drive control Harmonics: blend between even and uneven

harmonics and tone to adjust the high frequency level of drive stage

Mix: blend clean (gain 1) and drive (gain 2)EQ: two independent four band-EQs allows

two diff erent ‘presets‘ to be addressedby (foot)switch

EQ 1: bass +/- 9 dB @ 45 Hzlow mid +/- 9 dB @ 240 Hzhigh mid +/- 9 dB @ 880 Hztreble +/- 9 dB @ 7,2 kHz

EQ 2: bass +/- 9 dB @ 45 Hzlow mid +/- 9 dB @ 420 Hzhigh mid +/- 9 dB @ 880 Hztreble +/- 9 dB @ 7,2 kHz

Colour-switch: ‘mid-cut-treble-boost‘- fi lter for EQ 1 and 2Tone: the tone balance enables the bass- or treble

emphasis or a combination of bothPower amp: 2 channel class d, dynamic control,

HF out: 275 W/4 ohmLF out: 275 W/4 ohmbridge mode: 550 W/8 ohm

Features: adjustable DI-out and switchable pre/post EQ, tuner- , line-out, eff ect loop, footswitch 1: channel select, harmonics on/off footswitch 2: eff ect on/off , solo/ensemble

Accessories: padded gigbag Dimensions: 88 mm x 366 mm x 306 mm (3.46“ x 14.41“x 12.05“), HxWxDWeight: 6 kg (13.23 lbs)

Equipment for Rock and Pop

Head oneIntegrated amplifi er for electric bass

BassBottom Line

15

Design features, besides effi ciency, light in weight, small in size, reproduction of a truthfull tone, have mainly been fast attack time, low distortion and high power handling. All of this is ext-remely demanding and requires a lot of attention to all detail.

Cab one is a two way full range loudspeaker system. To extend the bass range we decided to apply two 10“ speakers in push-pull mode. This allows smaller cabinet size keeping the low cut-off frequency and thus allows more low end besides performing with less distortion.

Instead of a horn or tweeter whose ‘harshness’ we are not re-ally friends with we relied on the performance of the AER 8“ twin cone extended range chassis to cover the mid and high frequency range.

Model: Cab one (CB1)Two-way full-range loudspeaker-system

Speaker: two-way system with vented 2 x 10“ neodymium in push-pull mode plus 1 x 8“- twin-cone extended range

Rated power: 300 W

Impedance: 4 ohm

Frequency response: 65 Hz –15 kHz

Crossover: 2-way, fc = 3.9 kHz, 12 dB/oct.

Accessories: SoftCover, 1 m cable with Speakon® plug


Finish: water based acrylic, black spatter fi nish

Dimensions: 570 mm x 480 mm x 440 mm (22.44“x 18.90“x 17.32“), HxWxD

Weight: 27 kg (59.54 lbs)

Cab oneBass CabinetsLoudspeaker systems for electric bass-guitars

Cab one, 2x10“ plus 1x 8“

Bottom Line

16

Cab two is a 15“, Cab three a 12“ neodym bass refl ex loud-speaker-system. Both work stand alone with Head one. Cab two in addition is the perfect match to work in conjunction with Cab one as full stack.

Besides many other design concepts bass refl ex still is a very valid compromise that provides extended bass range in a re-latively small cabinet with reasonable step response.

The cabinets are all made with extreme care, rock-solid components and a lot of additional bracing to keep the level of static noise as low as possible.

Model: Cab two (CB2)15“ (Cab two) Bassrefl ex loudspeaker-system

Cab twoSpeaker: 1 x 15“ neodymium woofer

98 dB 1 watt @1m

Rated power: 350 W

Impedance: 4 ohm

Frequencyresponse: 45 Hz – 1.5 kHz






Model: Cab three (CB3)12“ (Cab three) Bassrefl ex loudspeaker-system

Cab threeSpeaker: 1 x 12“ neodymium woofer

98 dB 1watt @ 1m

Rated power: 250 W

Impedance: 8 ohm

Frequencyresponse: 60 Hz – 2 kHz






Cab two, 15“

Cab three, 12“

Cab two & three

Loudspeaker systems for electric bass-guitars

BassCabinets

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It has been a challange for long and so here it is: The fi rst AER amp explicity for electric guitar.

Solid state input-stage, tube input-stage, tube distortion, 200 watt high effi ciency solid state power-amp.

According to AER‘s sound philosophy, the cheeky d. is extremly clear, powerful and direct. It off ers the sensitivity and distinction to follow the smallest changes and provide you with enormeous dynamic reserves

Endlessly clear for jazz, fast as hell for country-rock and fat and loud for rock ‘n‘ roll.

For the player with ‘music in his hands‘.

Model: cheeky d. (Chd)Single-channel, two inputs, electric guitar amplifi er, 200 wattInput 1: 6.3 mm (1/4”) input jack socket as high-

impedance instrument input. Can also be switched to tube-input

Input 2: tube-input: 6.3 mm (1/4”) input jack socket as high-impedance instrument input. Clean or distorted

Equalizer: three band tone control, colour switch (mid-cut, treble-boost), dark/bright switch for input 1

Eff ects: digital-eff ect, 4 presets, eff ect pan, eff ect-select, eff ect-level1: short reverb 2: long reverb3: short delay4: long delay

Power amp: 200 W/8 ohms, descrete bipolar transistor designSpeaker: 10“ twin cone full-range speakerFeatures: tube distortion, speaker simulation, mute

switches, liner out, parallel eff ect loop, insert pre eq, insert post eq, AUX-in, DI-out, footswitches (input select, distortion, eff ect on/off , and dark/bright)

Accessories: padded gigbag, footswitch Cabinet: 0.59“ (15 mm) birch plywood Finish: waterbased acrylic, black spatter fi nishDimensions: 325 mm x 376 mm x 296 mm (12.8“ x 14.8“ x 11.65“), HxWxDWeight: 15,5 kg (34.17 lbs)

cheeky d.Outstanding

GuitAmpsCombo amp for electric guitars

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The AG 82 is an active loudspeaker-system making use of ‘compact‘ system components as: twin-cone speaker, power-amp, controller and cabinet.

Without special acoustic voicing the focus is mainly on its su-perb audio-abilities and thus it off ers an additional range of applications as e. g.:

fl oor/stage or keyboard monitor, self powerd full-range P. A. system or in combination with electric guitar modeling amps … and for sure it is a valid supplement to any AER acoustic amp using twin-cone speaker technology.

Line, mic, RCA inputs and master 2-band EQ add up to the ver-satility to the system.

Model: self powered full-range system AG 82 (AG8)Monitor with 3 inputs, 60 wattLine: 6.3 mm (1/4“) input jack socket as line-input

with 9 V switchable phantom power, gain control

Mic: combined XLR/6.3 mm (1/4“) input socket as line input- or balanced microphone-input-stage with 48 V phantom-power, gain control

RCA: RCA-Input sockets as line input, gain control

EQ: two band master tone controls


Speaker: 8“-twin-cone speaker-system, extended range

Features: line, mic, AUX-in, pre/post EQ insert




Dimensions: 265 x 335 x 260 mm (10.4“ x 13.1“ x 10.2“), HxWxD Weight: 7,5 kg (16.5 lbs)

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Accessories:

Cabinet: birch plywood

Finish: black spatter fi nish

Dimensions: (10.4“ x 13.1“ x 10.2“), HxWxD Weight:

AG 82Monitoring, reproducing, supplementing

Active Loudspeaker, Full-range

SystemComponents

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CX 82 is the revised 2nd generation of the former CX 8.

It is a small self powered 2 way full range system based on a custom made 8“ diecast low mid speaker with Kevlar® cone for improved stiff ness and reduced distortion plus tweeter.

It‘s high-class discrete power amplifi er delivers 120 watt at 8/ohms with substantial power reserve due to oversized power supply.

It is a stand alone system for general reinforcement /installation purposes and any monitor applications. It is perfectly matched to complement acoustiCube 3 as stereo extention. In combina-tion with AS 360 D/Sub it forms a small mini PA system for small clubs and/or acoustic, jazz or fusion ensembles.

Model: CX 82 (CX8) Self powered 2 way full-range system, 120 wattInput: electronically balanced, 10 kOhm XLR-connector female and male

Frequency Response: (1 watt @1m): -6dB: 75 Hz -20 kHz axial sensivity: 99 dB SPL, 1 watt @ 1m

Crossover: passive, 3,7 kHz, 12dB/Oct.

Power amp: class a/b 120 W/8 ohm

Speaker: 2-way, 8” low-midrange speaker, neody-mium magnet, kevlar® honeycomb cone, 1“ dome tweeter, neodymium magnet

Features: dynamic bass boost, clip indicator, analog signal processing (subsonic fi lter, RMS limiter)

Mounting Methods: top hat, fl ying points


Cabinet: 0.59“ (15 mm) birch plywood, black fi nish protective grill: steel with foam covering

Finish: waterbased acrylic, black spatter fi nishDimensions: 335 mm x 265 mm x 260 mm (13.2“ x 10.43“ x 10.2“), HxWxDWeight: 12 kg (26.5 lbs)

CX 82 Crisp and clear


SystemComponents

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AS 281 is a small full range 2 way active system in D’Appolito construction, based on 2x8“ low mid speakers with polypopylen cone embracing a bi-radial horn (LM-H-LM). The main advan-tage of the D‘Appolito-concept is constant directivity especially in the ‘hand over’ range of the speakers.

It is equipped with a high-quality hybrid power amplifi er that delivers 120 watt at 8 ohm with substantial power reserve due to oversized power supply.

It is a stand alone system for general reinforcement/installati-on purposes or any monitor application. It is perfectly matched to complement AER products as acoustiCube 3 or the Domino into full stereo systemss. In combination with AS 550 D/Sub it forms a PA system for small clubs and/or acoustic, jazz or fusion ensembles.

Model: AS 281 (281)Self powered 2 way full-range system in D’Appolito construction, 120 watt

Input: electronically balanced, 10 kOhmXLR-connector female and male

Frequency Response: (1 watt @1m): -6 dB: 65 Hz -20kHz axial sensivity 97 dB SPL, 1Watt @ 1m

Calculated Maximum Output (dB SPL @ 1m) peak: 118, long term: 115

Crossover: passive, 5 kHz, 18 dB/oct.

Power amp: 120 W/8 ohm

Speaker: 2-way system, 2 x 8“ polypropylene low-midrange speaker, biradial horn tweeter

Features: dynamic bass boost, clip indicator, analog signal processing (subsonic fi lter, RMS limiter)

Mounting Methods: fl oor application, top hat, fl ying points


Cabinet: 0.59“ (15 mm) birch plywood, black spatter fi nish protective grill: steel with foam covering


Dimensions: 560 x 260 (front) x 135 (back) x 285 mm trapezoid angle 50° (22.0“ x 10.2“ x 5.31“ x 11.22“) HxWxD


AS 281Slim line D‘Appolito


SystemComponents

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AS Q8 is a small full-range 2-way active system in bandpass / bassrefl ex construction.

The concept behind the construction is to have a small sound system, tonally well balanced with excellent speech intelligi-bility, suffi cient bass yet quick in response. A combination of bass refl ex and band-pass supports the low ranges. Four power amplifi ers driving four extended range 8“ loudspeakers and a dome-tweeter, are hidden within this simple looking full-range system.

This quick, direct and authentic system is particularly suitable for near-fi eld PA.

Model: AS Q8 (Q8)Self powered 2 way full-range system in bandpass/bassrefl ex construction, 4x60 wattInput: electronically balanced, 10 kOhm

XLR-Connector female and male

Frequency Response: (1 watt @1m): -6 dB: 65 Hz -20 kHz axial sensivity 99 dB SPL, 1watt @ 1m

Crossover: passive, 2,7 kHz, HP 12 dB/oct.

Power amp: 4 x 60 W/4 ohms

Speaker: 2 x 8“ woofer 2 x 8“ twin-cone full-range 1 x 1“ dome-tweeter with horn

Features: Dynamic bass boost, limiter indicator, analog signal processing (subsonic fi lter, harmonics enhancer, peak limiter)

Specials: bass/treble boost, mid cut, gnd lift

Mounting Methods: fl ying points, top hat


Cabinet: 0.59“ (15 mm) birch plywood protective grill: steel with foam covering

Finish: waterbased acrylic, black spatter fi nishDimensions: 485 mm x 360 mm x 405 mm (19.1“ x 14.17“x 15.95“) HxWxDWeight: 26 kg (57.32 lbs)

AS Q8Quick, direct, authentic…


SystemComponents

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Self-powered 2-way mid-high systemsThe design concepts of AS 360/D and AS 550/D are correspon-ding: direct radiating coaxial self-powered systems in small bass-refl ex enclosures. They are mutually capable to handle multiple applications e.g speech, delay-line or near-fi eld PA where no sub bass is required.

Their components are matched, optimised for maximum effi ci-ency and tuned for superb sound reproduction.

Through the use of integrated class d amplifi ers and switch mode power supplies we can keep size and weight surprisingly low however electronically well oversized they allow maximum dynamic range.

Model: AS 550/D TopSelf-powered mid-high system

Description: 12“ lf and 2“ hf coaxial driver

Frequeny Response: 60 Hz – 18 kHz, (-6dB)

Axial Sensitivity: 99 dB SPL, 1 watt @ 1m

Calculated peak: 125, max. Output: long term: 121 dB SPL @ 1m

Crossover: passive, 1,6 kHz, 18 dB/oct.

Audio Input: electronically balanced, 10 kOhm;XLR-connector female and male,pin 1: gnd, pin 2: +signal, pin 3: -signalnom. input level: 0 dBVmax. input level: +20 dBV

Power amp: class d, 550 W/8 ohm

AC Power: connector: Neutrik PowerCon

Voltage: 115/230V, 50-60Hz

Additional Data: integrated signal controller

Mounting Methods: fl ying points


Cabinet: 0.71“ (18 mm) birch plywood protective grill: steel with foam covering


Dimensions: 490 x 480 x 485 mm (19.2“x 18.9“ x 19.1“), HxWxD

Weight: 37,80 kg (81.15 lbs)

Mid-High SystemsMid-High SystemsMid-High Systems

AS 550 DActive Loudspeaker

SystemComponents

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Self-powered subwoofer

AS 550/D sub and AS 360/D sub are self-powered bassrefl ex with 15“ or 12“ low frequency chassis .

The tuned cabinets and the class d power amp with 550 W/8 ohm permanent power (1000 W impuls power) deliver substantial bass in a very small cabinet. It also allows enough dynamic headroom for high step response.

AS 360 DAS 550 D Woofer Systems

Active Loudspeaker

SystemComponents

AS 550/D Sub

Description: 15“ lf-driver in a refl ex enclosure

Frequency Response: 35 – 125 Hz

Axial Sensitivity: 97 dB SPL, 1 watt @ 1m Calculated peak: 127, max. Output: long term: 124 db SPL@1m

Crossover: active, 125 Hz, 24dB/oct., LR-4

Audio Input: electronically balanced, 10 kOhm; XLR-connector female and male, pin 1: gnd, pin 2: +signal, pin 3: -signal nom. input level: 0 dBV



Voltage: 115/230V, 50–60Hz


Mounting Methods: fl ying points, K&M connector plateAccessories: SoftCoverCabinet: 0.71“ (18 mm) birch plywood protective grill: steel with foam coveringFinish: water based acrylic, black spatter fi nishDimensions: 490 x 480 x 485 mm (19.2“x 18.9“ x 19.1“), HxWxD


Model: AS 360/D Sub and AS 550/D SubSelf-powered subwooferAS 360/D Sub

Description: 12“ lf-driver in a refl ex enclosure

Frequeny Response: 45 – 125 Hz

Axial Sensitivity: 97 dB SPL, 1 watt @ 1m

Calculated peak: 122, max. Output: long term: 118 dB SPL@1m

Crossover: active, 125 Hz, 24 dB/oct., LR-4

Audio Input: electronically balanced, 10 kOhm; XLR-connector female and male, pin 1: gnd, pin 2: +signal, pin 3: -signal nom. input level: 0 dBV



Voltage: 115/230V, 50–60Hz


Mounting Methods: fl ying points, K&M connector plateAccessories: SoftCoverCabinet: 0.71“ (18 mm) birch plywood protective grill: steel with foam coveringFinish: water based acrylic, black spatter fi nishDimensions: 405 mm x 405 mm x 365 mm (15.9“ x 15.9“x 14.37“), HxWxD


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Audio Electric Research GmbHChristine-Englerth-Str. 30D-45665 Recklinghausenwww.aer-amps.com

February 2009

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