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COMENIUS MULTILATERAL
2011-2013
The birth of Democracy
wealth & civilisation
11th High School of Acharnes, Greece
13-16 March 2013
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COMENIUS MULTILATERAL 2011-2013
“The time machine, now & then”
Partners
IES Antoni Maura, Spain
IIS Caterina da Siena, Italy
John Scottus Secondary School, Ireland
Melek Ozen, Turkey
11th High School of Acharnes, Greece
11th High School of Acharnes
Heroon Polytechniou & Diomedous 2,
136 75 Acharnes, Greece
Tel & Fax: 0030210 2444321,
http://blogs.sch.gr/11gymach/
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COMENIUS PROGRAMME IN ACHARNES 13-16/3/2013
WENDSDAY 13-3
9.00-10.30
Assembly to the
school and
presentation of the
“Birth of Democracy
in Athens”.
10.30-11.30 Coffee
11.30 Departure
for the National
Archaeological
Museum
12.30-14.00
Guided visit
15.15-17.30
Sightseeing of the
center of Athens.
17.30-19.00 Come
back to the hotel
19.00-22.00 Walk
around Acropolis and
dinner
THERSDAY 14-3
8.00 Departure for Mykenae 10.30-12.00 Guided tour at the archaeological area. 12.00 Departure for Epidaurus 12.300-14.00 Guided tour at the Theater and the Asklepiion. 14.30-16.00 Lunch 16.00 Departure for Nafplion 16.30-18.30 Tour in the town and coffee 18.30 Departure for Athens
FRIDAY 15-3
8.15 Departure for Lavrion. 10.00-13.00 Attend the programme “the sources of silver”. 14.00-15.00 Lunch 15.30-17.00 Sounio and the Temple of Poseidon 17.30 Departure for Athens 19.00 Arrival at the hotel 19.30- 20.30 Coordinators meeting 21.00 Dinner
SATURDAY 16-3
8.30-14.30 Guided tour at the New Acropolis Museum, the theater of Dionisus, Asklepiion, Theater of Herodium, Acropolis and the ancient agora. 15.00 Lunch 16.30 Back to the hotel 17.30 Departure for the school 18.30 Activities 20.00 Dinner party
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Index
Introduction .....................................................................................................................4 THE MUNICIPALITY OF ACHARNAI- OUR PLACE ................................................................5
From the past to the present ........................................................................................5 EDUCATION IN GREECE.....................................................................................................7
Secondary education ....................................................................................................7 THE ATHENIAN DEMOCRACY ............................................................................................9
Demos ..........................................................................................................................9 Assembly. ...................................................................................................................10
WEDNESDAY 13/3/2013 .................................................................................................12 The National Library of ...............................................................................................13 The University of Athens.............................................................................................13 The Bank of Greece ....................................................................................................14 The Catholic Cathedral of Saint Dionysius ...................................................................14 Iliou Melathron ...........................................................................................................14 The old Parliament building ........................................................................................14 Syntagma Square ........................................................................................................15
THURSDAY 14-3-2013 .....................................................................................................16 Megara .......................................................................................................................16
The Iliad ..................................................................................................................17 Decline and collapse ...............................................................................................17 Religion and Art ......................................................................................................17 The Theatre ............................................................................................................19
FRIDAY 15/3/ 2013 ........................................................................................................20 SATURDAY 16/3/ 2013....................................................................................................22
The acropolis museum ................................................................................................22 The theatre of Dionysus ..............................................................................................23 The Acrpopolis of Athens ............................................................................................24 Ancient agora .............................................................................................................26 The art during the archaic and the classical period .....................................................26
Drama .....................................................................................................................27 History. ...................................................................................................................28 Philosophy ..............................................................................................................28
THE GREEK ALPHABET SOME WORDS YOU HAVE HEART DURING YOUR VISIT ................31
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Introduction
Dear partners,
The Time Machine is an extraordinary learning experience for all of us!
Our trip started out from the East, where we learnt how the history of our neighboring people of Turkey began. Then we moved to the West, to Italy, the heart of the Renaissance and met one of the most fascinating figures in the history of Art, Leonardo da Vinci. Next, the Time Machine took us to the North, to Ireland, where Christianity was preserved by bold monks and led the expansion of the Greco-Roman culture into the rest of Europe.
At this very moment we are in the South, in Greece. Now it is time to look at the roots of our own culture, that is to say the beginning of the scientific thought. We are going to walk around the places where people, for the first time in history, disputed mythological interpretations and tried to explain the world using logical arguments and move from personal and partial to universal and ecumenical concepts.
Our planned visits and activities aim to highlight the social and economic factors that led to the birth of democracy. We will trace the process by which a person becomes a citizen, he realizes his role, develops social activities and feel free. We will also try to look at how the democratic way of life influenced the every-day life of Athenians as well as the development of their philosophy, history, drama, art, rhetoric, law and everything we usually call the theoretical sciences and humanities.
We hope you all have a good time and enjoy the exchange visit in Athens.
Anastasia Kelesakou and Amalia Alexatou Comenius Coordinators 13th March 2013
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THE MUNICIPALITY OF ACHARNAI- OUR PLACE
From the past to the present
The ancient municipality of Acharnes was the largest ancient municipality in Athens.
In Thucydides’s history is confirmed as Acharnes and was represented in the Athenian
Parliament with 22 deputies, more than all the other
regional municipalities. Acharnes also had a big
number of soldiers and horsemen who fought in the
side of Athenians during the Peloponnesian War.
The residents of Acharnes, owed their prosperity in
the cultivation of fertile plain between Acharnes and
Athens and in the trade of coal they made (they
were known as coal merchants) thanks to their
neighborhood with the mountain of Parnitha. The
king of Sparta Archidamos with his army invaded
repeatedly in the first six years of Peloponnesian
War in this fertile plain of Acharnes. Here had properties a lot of rich Athenians among
who Pericles, in the region of current Kamatero. Many ancient writers are also reported
in the municipality of Acharnes: Paysanias, Thucydides,Lucian, Seneca, Pindarus,
Aristophanes, Plutarch, Xenophon, Demosthenes, Isocrates, etc.
For the origin and the interpretation of name “Acharnai” the opinions vary. According to
a pun of a comical poet of antiquity the word emanates from “acharna” or “acharnos”
which means bassfish, because the
plain of Acharnes had the form of
this fish. The name “Acharnai”, in
another opinion, emanates from a
homonym fabulous hero, founder
of city, from who they took their
name, as it also happened with a lot
of other ancient cities. Most likely,
however, is that the name is Pre-
Hellenic.
The older ancient evidences in the
region where the ancient municipality of Acharnes was developed, are dated back in the
Neolithic years.
But most of the discoveries, are dated in classic and Hellenistic years (5th-2nd century
B.C.) and in their majority emanate from cemeteries that were excavated in all the
extent of current Acharnes, parts from the road network of city, parts of pipes that
belonged to the “archanian sewer”, an important hydraulic work of 4th century which
Part of an ancient theater that has recently discovered in Acharnes
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supplied with water Acharnes and all the around municipalities. Also, by the road
network of this era a lot of discoveries were saved.
Contrary to the rarity of built-up elements from the classic period, a lot of residues from
the Roman and Post-Roman era are saved: graves, residences, rural and workshop
installations, baths, etc.
The habitation of area during the Post-Roman and Byzantine years is supplemented by
big country-houses. Moreover, the importance of
region from a military side declares also the
abundance of fortifications in the hills around
Acharnes. The habitation of Acharnes was also
continued in the years that followed. The
uninterrupted continuity of habitation in the
region until the newer years is confirmed by a lot
of temples of Acharnes and Parnitha which are
dated back in the Byzantine and post Byzantine
years.
Acharnes was the most main built-up and
economic centre after the city of Athens during
Ottoman domination. In the municipality was
organized a revolutionary headquarters and began
the armed action with an important military body.
The first community was founded in 1835 according to Royal Decree and was established
by indigenous residents. Following then, the community was strengthened by Albanians,
people form Aegean Sea, Cretans, Thessalians, Macedonians, Epirotes, repatriated Pont's
inhabitants from the Soviet Union, Homogenous people from North Epiros, economic
immigrants, etc. Nowadays, Acharnes is one of the biggest in extent municipalities of
prefecture. We should also point out that the demographic movement which the region
presents is particularly dynamic, in a level that in our days the population of Acharnes
reaches the 120.000 residents.
The vaulted Mycenaean tomb founded in Acharnes
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EDUCATION IN GREECE
The Greek educational system is mainly divided into three levels, primary, secondary
and tertiary, with an additional post-secondary level providing vocational training.
Primary education is divided into kindergarten lasting one or two years, and primary
school spanning six years (ages 6 to 12). Secondary education comprises two stages:
Gymnasio (variously translated as Middle High School), a three-year school, after which
students can attend Lykeion (an academically-oriented High School) or Vocational
training. Higher Tertiary education is provided by Universities and Polytechnics and
Technological Educational Institutes. Undergraduate courses typically last 4 years (5 in
polytechnic schools and 6 in medical schools), postgraduate (MSc level) courses last from
1 to 2 years and doctorates (PhD level) from 3 to 6 years.
All schools, regardless of level, are overseen by the Ministry of Education. The Ministry
has the control over state schools, by prescribing the curriculum, appointing staff and
controlling funding. Private schools also fall under the mandate of the Ministry, which
exercises supervisory control over them. Tertiary institutions are nominally autonomous,
but the Ministry is responsible for their funding.
Secondary education
Γυμνάσιο (Gymnasium - Middle / Secondary School)
1st grade, age 12 to 13, 2nd grade, age 13 to 14, 3rd grade, age 14 to 15.
Lessons start on September 11 and ends on June 15 to 18. The lessons end in the second
week of May so that the students will
be able to study for their
examinations between May and June.
The classes start at 8.15 and end
from 13.45 to 14.15. Classes last 45
min. and there are breaks of 10 and 5
minutes between them. Every month
each school is obliged to take the
students for a walk and an
educational excursion to a museum
or theater etc. In the end of the year
each school is obliged to organize I or 2 school trips. The schools usually organize trips to
islands or even abroad in European cities.
There are 7 types of gymnasiums in Greece: General Gymnasium (entering there from
the primary school is automatic), Athletic Gymnasium, Musical Gymnasium, Art
Gymnasium, Experimental Gymnasium, Church Gymnasium and the Special Gymnasium.
The 11th Gymnasium of Acharnes
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The subjects in the Greek Gymnasiums are:
Subjects Hours/week
Modern Greek Language 3 (for year 1) 2 (for years 2 and 3)
Modern Greek Literature 3
Ancient Greek Language 3
Ancient Greek Literature Homer Odyssey- 1st Year Homer Iliad-2nd Year Euripides Helen-3rd Year
2 2 2
Mathematics 4
Physics 2 (only for years 2 and 3)
Chemistry 1 (for years 2 and 3)
Biology 2 (for years 1 and 3)
Physical Education 3 (for years 1 & 2) 2 (for year 3)
Social and Political Studies 2 (only for year 3)
Art 1
Music 1
History 2 (for years 1 & 2) 3 (for year 3)
Religion 2
Computer Studies 1
Technology 1
English 2
2nd foreign language: German, French, Italian, Spanish, Russian, Turkish
2
School Vocational Guidance 1 (for year 3)
Economics 1 (for year 1) 2 (for year 2)
Geography 2
The 11th High School of Acharnes is a general gymnasium.
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THE ATHENIAN DEMOCRACY
The Athenian democracy, developed in the Greek city-state of Athens, comprised the
central city-state of Athens and the surrounding territory of Attica, around 550 BC.
Athens is one of the first known democracies. Other Greek cities set up democracies,
even though most followed the Athenian model, none were as powerful, stable, nor as
well-documented as that of Athens.
It remains a unique experiment in direct democracy, a political system in which people
do not elect representatives to vote on their behalf but vote on legislation and executive
bills in their own right.
Solon (594 BC), Cleisthenes (508/7 BC) and Ephialtes (462 BC) all contributed to the
development of Athenian democracy. It is most usual to date Athenian democracy from
Cleisthenes, since Solon's constitution fell and was replaced by the tyranny
of Peisistratus.
The greatest and longest lasting democratic leader was Pericles; after his death,
Athenian democracy was twice briefly interrupted by oligarchic revolution towards the
end of the Peloponnesian War.
The word "democracy" (Greek: δθμοκρατία) combines the elements dêmos (δῆμοσ,
which means "people") and krátos (κράτοσ, which means "force" or "power).
Demos. Estimates of the population of ancient Athens vary. During the 4th century BC,
there may well have been some 250,000–300,000 people in Attica. In the mid-5th
century the number of adult male citizens was
perhaps as high as 60,000, but this number fell
during the Peloponnesian War. From a modern
perspective these figures may seem small, but
in the world of Greek city-states Athens was
huge: most of the Greek cities could only
muster 1000–1500 adult male citizens and
Corinth, had at most 15,000. The non-citizen
component of the population was divided
between resident foreigners (metics) and slaves,
with the latter perhaps somewhat more numerous. Around 338 BC the orator Hyperides
(fragment 13) claimed that there were 150,000 slaves in Attica.
Only adult male Athenian citizens who had completed their military training
as ephebes had the right to vote in Athens. The percentage of the population that
actually participated in the government was about 20%. This excluded a majority of the
Pnika as it is today
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population, namely slaves, freed slaves, children, women and metics. The women had
limited rights and privileges and were not really considered citizens
Assembly. The central events of the Athenian democracy were the meetings of
the assembly (εκκλθςία, ekklêsia). Greek democracy created at Athens was direct, rather
than representative: any adult male citizen could take part, and it was a duty to do so.
The officials of the democracy were in part elected by the Assembly and in large part
chosen by lot. The assembly had four main functions: it made executive pronouncements
(decrees, such as deciding to go to war or granting citizenship to a foreigner), it elected
some officials, it legislated and it tried political crimes. As the system evolved these last
two functions were shifted to the law courts. The standard format was that of speakers
making speeches for and against a position followed by a general vote (usually by show
of hands) of yes or no. Voting was by simple majority. With thousands of people
attending, counting was impossible. In the 5th century BC, there were 10 fixed assembly
meetings per year, one in each of the ten state months, with other meetings called as
needed.
The Vouli. The second important institution was the vouli, or Council of Five Hundred.
The vouli was a group of 500 men, 50 from each of ten Athenian tribes, who served on
the Council for one year. Unlike the ekklesia, the
vouli met every day and did most of the work of
governance. It supervised government workers and
was in charge of things like navy ships (triremes)
and army horses. It dealt with ambassadors and
representatives from other city-states. Its main
function was to decide what matters would come
before the ekklesia. In this way, the 500 members
of the vouli dictated how the entire democracy
would work. Positions on the vouli were chosen by lot and not by election. This was
because, in theory, a random lottery was more democratic than an election: pure
chance, after all, could not be influenced by things like money or popularity. The lottery
system also prevented the establishment of a permanent class of civil servants who
might be tempted to use the government to advance or enrich themselves. However,
historians argue that selection to the vouli was not always just a matter of chance. They
note that wealthy and influential people--and their relatives--served on the Council
much more frequently than would be likely in a truly random lottery.
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The Dikasteria. The third important institution was the popular courts, or dikasteria.
Every day, more than 500 jurors were
chosen by lot from a pool of male citizens
older than 30. Of all the democratic
institutions, Aristotle argued that the
dikasteria “contributed most to the
strength of democracy” because the jury
had almost unlimited power. There were
no police in Athens, so it was the demos
themselves who brought court cases, argued for the prosecution and the defense, and
delivered verdicts and sentences by majority rule. (There were also no rules about what
kinds of cases could be prosecuted or what could and could not be said at trial, and so
Athenian citizens frequently used the dikasteria to punish or embarrass their
enemies.)Jurors were paid a wage for their work, so that the job could be accessible to
everyone and not just the wealthy (but, since the wage was less than what the average
worker earned in a day, the typical juror was an
elderly retiree). Since Athenians did not pay
taxes, the money for these payments came from
customs duties, contributions from allies and
taxes levied on the metoikoi. The one exception
to this rule was the leitourgia, or liturgy, which
was a kind of tax that wealthy people
volunteered to pay to sponsor major civic
undertakings such as the maintenance of a navy ship (this liturgy was called the
trierarchia) or the production of a play or choral performance at the city’s annual
festival.
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WEDNESDAY 13/3/2013
The National Museum of Athens. The National Archaeological Museum houses some
of the most important artifacts around Greece, from prehistory to late antiquity. It is
considered one of the great museums in
the world and contains the richest
collection of artifacts from Greek
antiquity worldwide. It is situated in
the center of Athens. The museum has a
neoclassical design which was very
popular in Europe during the 19th
century and it is n full accordance with
the classical style artifacts that it houses. The collections: The prehistoric collection
displays objects from the Neolithic era (6800-3000 BC), Early and Mid- Bronze age (3000-
2000 BC and 2000 to 1700 BC), There are ceramic finds from Dimini, Sesclo, Boeotia,
Attica and some objects from Heinrich Schliemann excavations in Troy. Famous marble
figurines from Aegean Islands of Delos and Keros that resemble so much modern art,
came from the 3rd millennium BC old cemeteries of Aegean islands. Mycenaean
civilization is represented by stone, bronze and
ceramic pots, ivory, glass and faience objects, golden
seals and rings from the vaulted tombs in Mycenae
and other locations in Peloponnese. Among the finds
of Schliemann from the circle A graves is the famous
golden funeral mask of Agamemnon. The Sculptures
Collection, which shows the development of ancient
Greek sculpture from the seventh to the fifth
centuries BC with unique masterpieces. The Vase
and Minor Objects Collection, which contains representative works of ancient Greek
pottery from the eleventh century BC to the Roman period and includes the Stathatos
Collection, a corpus of minor objects of all periods. The Metallurgy Collection, with many
fundamental statues, figurines and minor objects.
Metsovio Polytechio. The National Technical University of Athens is the oldest and
most prestigious educational institution of Greece in the field
of technology and has contributed greatly to the scientific,
technical and economic development of the country since its
founding in 1836. It is closely connected with the struggle of
Greece for independence, democracy and social progress. The
1873 installed in a group of buildings in the center of the
capital, at Patission Street and was named Metsovio in honor
of benefactor G. Averof, whose birthplace, northwestern Metsovo, was a small historic
town in Greece, and the birthplace of many national benefactors.
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The National Library of Greece ( Εκνικι Βιβλιοκικθ) is situated in the of city of
Athens. It was designed by the Danish architect Theophill Hansenand was built under
the supervision of Ernst Ziller, as part of the
famous Trilogy of neo-classical buildings including
the Academy of Athens and the the Athens
University. It was founded by Ioannis
Kapodistrias. Construction of the National Library
started in 1887 and was completed fifteen years
later. Theophil Hansen died in 1891 and would
never see the building completed.
The library holds 4,500 Greek manuscripts which is one of the greatest collections of
Greek scripts. There are many crysobulls and archives of the Greek Revolution. Among
the library's holdings are a codex of the four Gospels, Rigas’ Chart by Rigas Velestinlis
and the first publication of Homer’s epics and hymns.
The University of Athens, inaugurated on 3rd May 1837, was first housed in a
neoclassical residence, on the
northeastern side of the Acropolis,
renovated today and operating as the
University Museum.
In 1841 the administrative services and
education units were transferred to the
"main building" of the University of
Athens which, was officially named
National and Kapodistrian University of Athens, in honour of the first governor of
Greece, after the nation's independence. Today, this building houses the Rectorate, the
Senate, the Great Hall of Ceremonies and important central services. Its forecourt,
the propylaeum, is socio-historically significant as it has been served as a main site for
political rallies and demonstrations by students and other social groups involved in social
rights movements.
The Academy of Athens forms part of the "Neoclassical Trilogy" of the City of Athens:
Academy- University - Library. It consists of distinct parts that form a harmonic ensemble
of built mass. A corridor connects the two
lateral wings to the main body of the
building, which has an Ionian-style entrance
and a big pediment. The entrance has
elements originating from the eastern side
of Erechtheion on Acropolis. The material
on the facets is marble. Overall, the
building is a characteristic example of
mature Neoclassicim. It was built on studies of the Danish architect Theophile Hansen
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and it is believed to be his most exquisite work in Greece. The main donator to finance
the construction was the family of the Baron Simon Sinas, Ambassador of Greece in
Vienna, Berlin and Munich. The main purpose of the Academy is the cultivation of the
Sciences, Humanities and Fine Arts, and the conduct of scientific research and study.
The Bank of Greece (Greek Τράπεηα τθσ
Ελλάδοσ, short ΤτΕ) is the national central
bank of Greece, located in Panepistimiou
Street, with several branches across the
country. It was founded in 1927. Its operations
started officially in 1928. It is member of the
European system of Central Banks.
The Catholic Cathedral of Saint Dionysius (Greek Διονφςιοσ ὁ Αρεοπαγίτθσ).
Dionysius was a judge, who, as related in the Acts of the Apostles was converted to
Christianity by the preaching of the Apostle
Paul. According to Dionysius of Corinth, this
Dionysius then became the first Bishop of
Athens. The construction of the church, which
is a three-aisled basilica with both Renaissance
and early-Christian elements, began in 1853.
Impressive marble steps lead up to the church
while the Renaissance-style porch, also is interesting. The porch has three entrances to
the three aisles of the church. Today the church is well known for the simplicity of its
architectural lines. The vitro of the windows came from a Bavarian studio.
Iliou Melathron was the residence of Heinrich Schliemann, the German archaeologist
and great friend of Greece. The building, built in
1879, is surrounded by a garden embracing its
three sides. The facade is decorated by rows of
Ionian style columns. The interior has been
garnished by "Pompeian" wall paintings and
other decorative wall and ceiling illustrations. It is
considered to be the best Renaissance-style work
of Hernest Ziller. The building is a representative
sample of the mature Greek Neoclassicism and was once the most luxurious private
edifice of Athens -a huge amount of money was spent back then for its construction.
The old Parliament building (Greek Παλαιά Βουλι) at Stadiou street in Athens,
housed the Greek Parliament between the years 1875 and 1932. It now houses the
country's National Historical Museum. After Athens became the capital of Greece in
1833, King Otto selected it as temporary residence. After the 3 September 1843
Revolution, which forced King Otto to grant a constitution, the National Assembly
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convened here. In October 1854, however,
the house burned down in a fire.
Construction of a new building then began in
1858, with the foundation laid by Queen
Amalia. In 1961 the building underwent
extensive restoration and became the seat of
the National History Museum.
The Hellenic Parliament. The first national parliament of the independent Greek
state was established only in 1843, after the September 3rd Revolution, which
forced King Otto to grant a constitution .In 1911, a revision of the constitution resulted
in stronger human rights and in the modernization of institutions. After seven years
of military dictatorship, on 8 December 1974, a referendum was conducted to decide
about the nature of the form of government. By a majority of 69, the Greeks decided
against a constitutional monarchy and for a parliamentary republic.
The current parliament, a neoclassical three-floor structure, was built in 1843 and served
as a palace for the Greek monarchs.
After suffering fire damage in 1909, it
entered a long period of renovation.
The king and the royal family moved
to what is known as the "New
Palace", one block to the east
on Herodou Attikou Street. The Tomb
of the Unknown Soldier, guarded
round the clock by the Evzones of the
Presidential Guard, is located in the formal forecourt of the building.
Syntagma Square (Constitution Square) is the heart of moderm Athens. It is a huge
public plaza stretching out in front of the Parliament Building, the scene for many
celebrations and all demonstrations during
the political history of Greece. The Square
is named after the Constitution that King
Otto was forced to grant to the people,
after a popular and military uprising
on September 3, 1843. It is the oldest and
socially most important square of Athens, at
the epicentre of all commercial and
politically activity throughout the nineteenth and the twentieth century. The eastern
side of the square is higher than the western, and dominated by a set of marble steps
leading to Amalias Avenue. The square was once Queen Amalia's private gardens.
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THURSDAY 14-3-2013
On our way to Mycenae we will pass by some important places. These are:
Eleusis (Greek Ἐλευςίσ ) is a town and municipality in West Attica. It is situated about
18 km northwest from the centre of Athens. It is located in
the Thriasian Plain, at the northernmost end of the Saronic
Gulf. It is best known for having been the site of
the Eleusinian Mysteries, one of the most famous religious
events of the ancient Greek religion. These Mysteries
revolved around a belief that there was a hope for life after
death for those who were initiated. Eleusis was also the
birthplace of Aeschylus, one of the three great tragedians of
antiquity. Today Eleusis is a major industrial center, with the
largest oil refinery in Greece.
Megara (Greek Μζγαρα) is an ancient city in Attica. It lies in the northern section of
the Isthmus of Corinth opposite the island of Salamis, which belonged to Megara in
archaic times, before being taken by
Athens. Megara was also a trade port,
specialized in the exportation of wool and
other animal products including horses. In
the late 7th century BC Theagenes
established himself as tyrant of
Megara. During the second Persian invasion
of Greece (480-479 BC) Megara fought alongside the Spartans and Athenians at crucial
battles such as Salamis and Plataea.
Corinth or Korinth (Greek Κόρινκοσ) was a city- state (polis) on the Isthmus of Corinth,
the narrow stretch of land that joins the
Peloponnesus to the mainland of
Greece, roughly halfway between
Athens and Sparta. Neolithic pottery
suggests that the site of Corinth was
occupied from at least as early as
6500BC, and continually occupied into
the Early Bronze Age. The name
Korinthos, derive from a pre-Greek,
“Pelasgian” language. According to
myth, Sisyphus was the founder of a
race of ancient kings at Corinth. It was also in Corinth that Jason, the leader of the
Argonauts, abandoned Medea. During the Trojan War, the Corinthians participated
under the leadership of Agamemnon. In the 7th century BC, when Corinth was ruled by
A part from the archaeological area of Korinthos
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the tyrants Cypselus and Periander, the city sent forth colonists to found new
settlements: Syracuse, Ambracia, and with Corcyra, Apollonia
and Anactorium. The city was a major participant in the
Persian Wars, but afterwards were frequently an enemy of
Athens and an ally of Sparta in the Peloponnesian League. In
431 BC, one of the factors leading to the Peloponnesian War
was the dispute between Corinth and Athens over the
Corinthian colony of Corcyra. The city was noted for its
wealth, for the luxurious and immoral habits of the people.
Paul first visited the city (AD 51 or 52) and became
acquainted with Aquila and Priscilla. Paul's First Epistle to the
Corinthians reflects the difficulties of maintaining a Christian community in such a
cosmopolitan city. During Alaric's invasion of Greece, in 395–396, Corinth was one of the
cities he despoiled, selling many of its citizens into slavery.
The Mycenaean civilization refers to a Bronze Age civilization on mainland Greece,
inhabiting the area from around 1600-1100 BCE. The name "Mycenaean" refers to the
city of Mycenae, which was excavated by Heinrich Schliemann beginning in 1876.
Mycenaean Greece is the period in which the Iliad and Odyssey are set. The Mycenaeans
quite possibly lived under Minoan dominance until around 1400, when they conquered
Crete.
The Iliad. The Classical poet called Homer wrote the Iliad and Odyssey in the 8th or 7th
century BCE, long after the Mycenaeans had
vanished as a recognizable civilization. Because of
this centuries-long gap in time, most scholars agree
that Homer's epics cannot be viewed as accurate
accounts of Mycenaean culture. Homer's works
would more likely reflect the culture of his day
instead. It has been verified, however, that many of
the places referred to in the Iliad and Odyssey were
actual Mycenaean sites, including Troy.
Decline and collapse. Sometime around 1100, a tribe from the north known as the
Dorians invaded the Peloponnesus and destroyed the Mycenaean civilization. Greece
was subsequently thrown into a Dark Age, from which it took several centuries to
recover. The written Mycenaean language was completely forgotten, forcing the Greeks
to reinvent their writing system centuries later.
Religion and Art. Not a great deal is known about the Mycenaean religion. Many of
the Mycenaean gods are recognizable to us as the well-known Classical gods, such as
Zeus, Poseidon, Hera, Ares, Athena, Dionysus, and Hermes. Apollo, Aphrodite, and Hades
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are notable absences. Mycenaean artwork was influenced, like nearly all other aspect of
their civilization, by the Minoans. Pottery, statues, and paintings make up the majority of
Mycenaean art. Mycenaeans developed advanced bronze working techniques, creating
swords, shields, and suits of armor.
Architecture. In contrast to the Minoans, the Mycenaean leaders built fortresses —
enormous walled structures that contained
a megaron like the Minoan palace, but were
primarily fortifications for defense. The walls of
these structures often stood forty or fifty feet high,
and were composed of enormous blocks of stone
weighing two to three tons, fitted together without
mortar. Fortresses at Tiryns and at Mycenae are
considered the best examples of these military
structures. A Mycenaean common house has been
located and identified. It consists of a long, narrow
building of posts with wattle-and-daub curtain walls and likely a thatched roof. The
interior was divided into two rooms, the aforementioned sleeping area farthest from the
entrance, and a living area that contained a rudimentary hearth and a food-preparation
area.
Language. The written language of the Mycenaeans was known as Linear B (in contrast
to the Minoan script, Linear A). Linear B was
deciphered in 1951, and proved to be an ancient
form of the Modern Greek language. This form o f
writing, however, was forgotten during the Dark
Ages, leading the Greeks of the classical era to
redevelop a system of writing from a Phoenician
model, allowing the alphabetic system to come into
use.
Epidaurus ( Επίδαυροσ, Epidavros) was a small city (pollis) in ancient Greece, at
the Saronic Gulf. Epidaurus was
independent of Argos and not
included in Argolis until the time of
the Romans. Reputed to be the
birthplaces of Apollo's son Asclepius,
the healer, Epidaurus was known for
its sanctuary situated about five
miles (8 km) from the town, as well
as its theater, which is once again in
use today. The asclepoeion at
Epidaurus was the place where ill people went in the hope of being cured. To find out
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the right cure for their ailments, they spent a night in the enkoimeteria, a big sleeping
hall. In their dreams, the god himself would advise them what they had to do to regain
their health. Found in the sanctuary, there was a guest house for 160 guestrooms. There
are also mineral springs in the vicinity which may have been used in healing. Fame and
prosperity continued throughout the Hellenistic period. In 87 BC the sanctuary was
looted by the Roman general Sulla, and in 67 BC, it was plundered by pirates. In the 2nd
century AD, the sanctuary enjoyed a new upsurge under the Romans, but in AD 395
the Goths raided the sanctuary. Even after the introduction of Christianity and the
silencing of the oracles, the sanctuary at Epidauros was still known as late as the mid 5th
century, although as a Christian healing center.
The Theatre. The prosperity brought by the Asklepieion enabled Epidaurus to construct
civic monuments too: the huge theatre that delighted Pausanias for its symmetry and
beauty, which is used once again for
dramatic performances, the ceremonial
Hestiatoreion (banqueting hall), baths and a
palestra. The theater was designed
by Polykleitos the Younger in the 4th
century BC. For centuries the monument
remained covered by thick layers of earth.
Systimatic excavations started in 1881
under the direction of P. Kawadias. The
excavation brought in light quite well preserved apart from the tiers at the edges and
the retaining walls. On the contrary, the stage was found in ruins leveled to the ground.
Nafplio ( Ναφπλιο) is a seaport town in the Peloponnese in Greece that has expanded
up the hillsides near the north end of the Argolic Golf . The town was the capital of
the First Hellenic Republic, from the start of the Greek Revolution in 1821 until 1834.
Nafplio is now the capital of the regional unit of Argolis. The area surrounding Nafplio
has been inhabited since ancient times, but few signs of this remain visible. The town
seems to be mentioned on an Egyptian inscription of Amanophis as 'Nuplija'. Nafplio
was taken in 1212 by the French crusaders of the Principality of Achaea and then in 1388
was sold to the Republic of Venice. The city surrendered to the Ottamans in 1540, who
renamed it Mora Yenişehri and established it as the seat of a sanjak.
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The Venetians retook Nafplio in 1685 and strengthened the city by building the castle
of Palamidi, which was in fact the last major construction of the Venetian empire
overseas. However, only 80 soldiers were assigned to defend the city and it was easily
retaken by the Ottomans in 1715. Palamidi is located on a hill north of the old town.
During the Greek War of Independence, Nafplio was a major Ottoman stronghold and
was besieged for more than a year. The town finally surrendered because of starvation.
After its capture, because of its
strong fortifications, it became the
seat of the provisional government
of Greece Count Ioannis
Kapodistrias, in 1829. He was
assassinated on 9 October 1831 on
the steps of the church of Saint
Spyridon in Nafplio. After his
assassination, a period of anarchy
followed, until the arrival of
King Otto and the establishment of
the new Kingdom of Greece. Nafplio remained the capital of the kingdom until 1834,
when King Otto decided to move the capital to Athens. Nafplio enjoys a very sunny and
mild climate, even by Greek standards, and as a consequence has become a popular day
or weekend road-trip destination for Athenians in winter time. Nafplio is a port, with
fishing and transport ongoing, although the primary source of local employment
currently is tourism.
FRIDAY 15/3/ 2013
Lavrion. The history of Lavrion mines, lost to the depths of the time, is directly
connected with the history of Greece. The first underground excavations began around
3000 BC establishing Lavrion mines as the
oldest in Europe. The Lavrion silver mines
soon became the principal source of
wealth for the Athenian State. Hundreds
of tons of silver that had been initially
stored in the Parthenon treasury were
liquefied in order to erect several of the
city’s architectural monuments. The
construction of an enormous war and trade fleet with a hegemonic presence in the
Eastern Mediterranean region was financed. Fine Arts and Sciences (philosophy,
mathematics, astronomy, drama, history etc.) flourished. The tetradrachmon, which was
constructed from the silver, became the dominant currency of the ancient world. The
decline of the mines came during the Peloponnesian War, a 30 year civil war between
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Athens and Sparta. In 413 BC, the Spartans captured Lavrion and the excavations in the
mines ceased. Some decades later,
Athenian economy recovered and
silver production recommenced.
However, Macedonia under Philip II
(Alexander’s father) was now the
dominant power in the Hellenic
region and the silver Athenian
tetradrachmon was surpassed by the
golden Macedonian drachma. The works in Lavrion mines will continue, but with
decreased rates, until the first Byzantine Period, 6th century AC.
Sounion. Cape Sounion (Aκρωτιριο Σοφνιο, Capo Colonne ) is a promontory located 69
kilometres (43 mi) SSE of Athens, at the southernmost tip of
the Attica peninsula in Greece. According to legend, Cape Sounion is the spot
where Aegeus, king of Athens, leapt to his death off the cliff, thus giving his name to
the Agean Sea. The story goes that Aegeus, anxiously looking out from Sounion,
despaired when he saw a black sail on his son Theseus’s ship, returning from Crete. This
led him to believe that his son had been killed in his contest with the dreaded Minotaur,
a monster that was half man and half bull. Every year, the Athenians were forced to send
7 men and 7 women to Minors as tribute. Theseus had volunteered to go with the third
tribute and attempt to slay the beast. He had agreed with his father that if he survived
the contest, he would hoist a white
sail. In fact, Theseus had overcome
and slain the Minotaur, but tragically
had simply forgotten about the white
sail. Herodotus tells us that in the
sixth century BC, the Athenians
celebrated a quadrennial festival at
Sounion, which involved Athens'
leaders sailing to the cape in a sacred
boat. The first temple of Poseidon,
was probably destroyed in 480 BC by the Persians during Xerxes I's invasion of Greece.
Although there is no direct evidence for Sounion, Xerxes certainly had destroyed the
temple of Athena, and everything else, on the Acropolis of Athens razed as punishment
for the Athenians' defiance. After they defeated Xerxes in the naval Battle of Salamis, the
Athenians placed an entire enemy trireme (warship with three banks of oars) at Sounion
as a trophy dedicated to Poseidon. The later temple at Sounion, whose columns still
stand today, was probably built in ca. 440 BC. This was during the ascendancy of
Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. In 413 BC, during
the Peloponnesian War against the Spartans, the Athenians fortified the site with a wall
and towers, to prevent it from falling into Spartan hands. However, not long after, the
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Sounion fortress was seized from the Athenians by a force of rebel slaves from the
nearby silver mines of Laurium. The temple is perched above the sea at a height of
almost 60 m. and had a front portico with 6 columns. Only some columns of the Sounion
temple stand today, but intact it would
have closely resembled the contemporary
and well-preserved Temple of
Hephaestus beneath the Acropolis, which
may have been designed by the same
architect. As with all Greek temples, the
Poseidon building was rectangular, with a
colonnade on all four sides. The total
number of original columns was 42: 15
columns still stand today. The columns
are of the Doric Order. They were made of locally-quarried white marble. They were
6.10 m (20 ft) high, with a diameter of 1 m (3.1 ft) at the base and 79 cm (31 inches) at
the top. The temple of Poseidon was destroyed in 399 by Emperor Arcadius.
SATURDAY 16/3/ 2013
The acropolis museum. The Acropolis Museum (Greek: Μουςείο Ακρόπολθσ), is
an archaeological museum focused on the findings of the archaeological site of
the Acropolis of Athens. The museum was built to house every artifact found on the rock
and on its feet, from the Greek Bronze Age to Roman and Byzantine Greece. It also lies
on the archaeological site of Makrygianni where ruins of a part of Roman and early
Byzantine Athens are. The museum was founded in 2003. It opened to the public on
June 21, 2009. Nearly 4,000 objects are exhibited over an area of 14,000 square meters.
The museum is located by the southeastern slope of the Acropolis hill, on the ancient
road that led up to the "sacred rock" in classical times. Set only 280 meters (310 yd), as
the crow flies, away from the Parthenon, and a mere 400 meters (440 yd) walking
distance from it, the museum will be the largest modern building erected so close to the
ancient site, although many other buildings from the last 150 years are located closer to
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the Acropolis. The entrance to the building is on Dionysiou Areopagitoy Street and
directly adjacent to the Acropolis station, line 2 of the Athens Metro. The collections of
the museum are exhibited on three levels. On the first level of the museum there are the
findings of the slopes of the Acropolis. The long and rectangular hall, whose floor is
sloping, resembles the ascension to the rock. Then, the visitor is found at the large
trapezoidal hall which accommodates the archaic findings. On the same floor there are
also the artifacts and sculptures from the other Acropolis buildings such as
the Erechtheum, the Temple of Athena Nike and the Propylaia and findings from Roman
and early Christian Athens. The Parthenon hall has the same orientation with the temple
on the Acropolis and the use of glass allows the natural light to enter .As the museum is
built over an extensive archaeological site, the floor, outside and inside, is often
transparent using glass and thus the visitor can see the excavations below.
The theatre of Dionysus The site of the Theater of Dionysus Eleuthereus, on the south
slope of the Athenian Acropolis, has been known since the 18th century. The Greek
Archaeological Society excavated the remains of the theater beginning in 1838 and
throughout most of the following century. Early remains in the area relating to the cult
of Dionysus Eleuthereus have been
dated to the sixth century BCE,
during the rule of Peisistratus, but a
theater was apparently not built on
the site until the fifth century BCE.
During the sixth century BCE,
performances associated with
the festivals of Dionysus were
probably held in the Athenian agora,
with spectators seated on wooden
bleachers (ikria) set up around a flat
circular area, the orchestra, until the ikria collapsed in the early fifth century BCE, an
event attested in ancient sources. After the collapse of the stands, the dramatic and
musical contests were moved to the precinct of Dionysus on the slope of the
Acropolis.The early theater there must have been very simple, comprising a flat
orchestra, with a few rows of wooden or stone benches set into the hill. The oldest
orchestra in the theater precinct is thought to have been circular (or nearly so) with a
diameter of around 85 feet, although there is some debate as to its original size and
shape. A wooden scene building (skene) was apparently introduced at the back of the
orchestra, serving for the display of artificial scenery and perhaps also to enhance the
acoustics. By the end of the fifth century BCE, some of the wooden constructions had
been replaced with stone. The Theater of Dionysus in its present general state dates
largely to the period of the Athenian statesman Lycurgus (ca. 390-325/4 BCE), who, as
overseer of the city's finances and building program, refurbished the theater in stone in
monumental form.
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The Acrpopolis of Athens (Greek Ακρόπολθ Ακθνϊν) is an ancient citadel located on
a high rocky outcrop above the city of Athens and containing the remains of
several ancient buildings of great architectural and historic significance, the most famous
being the Parthenon. The word acropolis comes from the Greek words ἄκρον (akron,
"edge, extremity") and πόλισ (polis, "city"). Although there are many other acropoleis
in Greece, the significance of the Acropolis of Athens is such that it is commonly known
as "The Acropolis" without qualification. While there is evidence that the hill was
inhabited as far back as the fourth millennium BC, it was Pericles (c. 495 – 429 BC) in the
fifth century BC who coordinated the construction of the site's most important buildings
including the Parthenon, the Propylaea, the Erechtheion and the temple of Athena Nike.
The Parthenon and the other buildings were seriously damaged during the 1687 siege by
the Venetians in the Morean War. The Acropolis was formally proclaimed as the
preeminent monument on the European Cultural Heritage list of monuments on 26
March 2007. Most of the major temples, including the Parthenon, were rebuilt under the
leadership of Pericles during the Golden Age of Athens (460–430 BC). Phidias, a great
Athenian sculptor, and Ictinus and Callicrates, two famous architects, were responsible
for the reconstruction. In 437 BC, Mnesicles started building the Propylaea, a
monumental gate at the western end of the Acropolis with Doric columns
of Pentelic marble. These colonnades were almost finished in 432 BC and had two wings,
the northern one decorated with paintings by Polygnotos.
Around the same time, south of the Propylaea, building started on the small
Ionic Temple of Athena Nike in Pentelic marble with tetrastyle porches, preserving the
essentials of Greek temple design. After an interruption caused by the Peloponnesian
War, the temple was finished in the time of Nicias' peace, between 421 BC and 409 BC.
Between the temple of Athena Nike and the Parthenon, there was
the temenos of Artemis Brauronia or Brauroneion. The archaic xoanon of the
goddess and a statue made by Praxiteles in the 4th century BC were both in the
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sanctuary. Behind the Propylaia, Phidias' gigantic bronze statue of Athena
Promachos ("she who fights in the front line"), built between 450 BC and 448 BC,
dominated. The base was 1.50 m (4 ft 11 in) high, while the total height of the statue
was 9 m (30 ft). The goddess held a lance whose gilt tip could be seen as a reflection by
crews on ships rounding Cape Sounion, and a giant shield on the left side,
decorated with images of the fight between the Centaurs and the Lapiths. Other
monuments that have left almost nothing visible to the present day are the Chalkotheke,
the Pandroseion, Pandion’s sanctuary, Athena's altar, Zeus Polieus's sanctuary and, from
Roman times, the circular temple of Augustus and Rome. In the Byzantine period, the
Parthenon was turned into a church, dedicated to the Virgin Mary. Under the
Latin Duchy of Athens, the Acropolis functioned as the city's administrative center, with
the Parthenon as its cathedral, and the Propylaia as part of the Ducal Palace. A large
tower was added, the "Frankopyrgos" (Tower of the Franks), demolished in the 19th
century. After the Ottoman conquest of Greece, the Parthenon was used as the garrison
headquarters of the Turkish army and the Erechtheum was turned into the Governor's
private Harem. The buildings of the Acropolis suffered significant damage during the
1687 siege by the Venetians in the Morean War. Following the Greek War of
Independence, most post-Byzantine features were cleared from the site as part of
a Hellenizing project that swept the new nation.
Areios pagos. The Areios Pagos (Ancient Greek: Άρειοσ Πάγοσ) is the "Rock of Ares",
north-west of the Acropolis, which in classical times functioned as the high Court of
Appeal for criminal and civil cases. Greek pagos means big piece of rock. Areios could
have come from Ares the god of war.
Later, the Romans referred to the rocky
hill as "Mars Hill", after Mars, the
Roman God of War. Near the Areopagus
was also constructed the basilica
of Dionysius. In pre-classical times
(before the 5th century BC), the
Areopagus was the council of elders of
the city, similar to the Roman Senate. In
462 BC, Ephialtes put through reforms
which deprived the Areopagus of almost all its functions except that of a murder tribunal
in favour of Heliaia. The Areopagus, continued to function in Roman times, and it was
from this location, drawing from the potential significance of the Athenian altar to
the Unknown God, that the Apostle Paul is said to have delivered the famous speech,
"Now what you worship as something unknown I am going to proclaim to you. The God
who made the world and everything in it is the Lord of heaven and earth and does not
live in temples built by hands." ( Acts 17:24)
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Ancient agora. The Ancient Agora of Classical Athens is the best-known example of an
ancient Greek agora, located to the northwest of the Acropolis and bounded on the
south by the hill of the Areopagus and on the west by the hill known as the Kolonus
Agoraios, also called Market Hill. The agora was the center of political and public life in
Athens. It was a large open area surrounded by buildings of various functions. The agora
was utilized for commerce, political, religious and military activity. Meetings were held
four times per month to enact legislation, to hear embassies, and deal with defense of
the city-state. In addition, some public forums to discuss ostracism were held in the
agora. The law courts were located there, and anyone who happened to be in the agora
when a case was being heard would probably have been able to view the spectacle,
though only those adult male citizens appointed by lot would have been able to serve as
jurors. The agora was further the location of a temporary theater and of burial sites.
The art during the archaic and the classical period
The Greek Archaik Period (c. 800- 479 BCE) started from what can only be termed
uncertainty, and ended with the Persians being ejected
from Greecefor good after the battles of Plataea and
Mykale in 479 BCE. The Archaic Period is preceded by the
Greek Dark Age (c.1200- 800 BCE), a period about which
little is known for sure, and followed by the Classical
Period, which is one of the better documented periods of
Greek history, with tragedies, comedies, histories, legal
cases and more surviving in the form of literary and
epigraphic sources.
In the Archaic Period there were vast changes Greek
language, society, art, architecture, and politics. These Kouroi of Argos
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changes occurred due to the increasing population of Greece and its increasing
amount trade, which in turn led to colonization and a new age of intellectual ideas, the
most important of which (at least to the modern Western World) was Democracy. This
would then fuel, in a rather circular way, more cultural changes.
The art and architecture of the Archaic Period also underwent various overhauls; the
earlier geometric style was replaced with an
orientalising style, which in turn was replaced
by black figure pottery. Black figure pottery was
first starting to be used in Cotinth c. 700s BCE,
but the first signed example dates to c. 570 BCE,
when attic black figure pottery was in its heyday
(c. 630- 480 BCE) and is of Sophilos. As this
technique was further developed and explored, it
gave way to Red Figure pottery, which started to
develop c. 530 BCE.
Classical Years. The purpose of art in ancient Greece was for the honor of the gods and
the state, not for the private pleasure of individuals. It was for this reason that art was
displayed publicly and emphasized mythological
subjects. Because Greek art served religious and
civic purposes, it emphasized the dignity and
nobility of its subjects. During the fifth century, an
interest in the human body led to the creation of
more naturally proportioned and anatomically
detailed figures. There was also an attempt to
achieve an idealized image of man out of stone,
using exact mathematical ratios. "The Greeks,"
Charles Crow observes, "saw the human form as
the supreme embodiment of the ideal beauty,
even their gods took the shapes of men. The Greek
sculptor felt, therefore, that he must glorify the
body, a temple of living splendor. Each classic statue represented all men, not a specific
or individual man." (168-169).
Drama. It has been said that Western drama owes it beginnings to the Greeks. The first
Greek drama was said to have been produced in Athens in 534 BC by Thespis, but it was
in the fifth century that this art form reached its peak. Although there were over 4000
plays produced in Athens during Athens "golden period," less than 50 of these have
survived. Dramas during this period were commissioned by the state and presented
during one of the sixty religious festivals held each year. Among the most famous of
these was the Festival of Dionysia, where each spring 15 plays were performed before an
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audience of almost 20,000 persons. These dramas were performed in open air theatres
and typically lasted all day long.
Greek drama always has to do with the sufferings of great individuals (i.e., Agamemnon,
Oedipus), not that of ordinary men and women. Greek drama also focuses on universal
problems rather than contemporary ones. Finally, it uses material that would have been
well familiar to an audience, typically borrowing events and characters from mythology
or the Homeric legends. Three of the most prominent dramatists during the fifth century
were Aeschylus, Sophocles and Aristophanes. Aeschylus (525-456) wrote over 80
tragedies of which only seven survive. These works deal primarily with the heroes and
gods portrayed in Homer's epics, and place a great emphasis on divine retribution for
crimes and the suffering of the innocent. Aeschylus' major works include Agamemnon
and Electra.
Sophocles (496-406) was said to have
written 123 plays, but again, only seven
of these have been preserved for
posterity. His works deal with the power
of destiny in the lives of human beings
and with the essentially tragic nature of
the universe.
Euripides (480 – 406 BC). Euripides is
identified with theatrical innovations
that have profoundly influenced drama down to modern times, especially in the
representation of traditional, mythical heroes as ordinary people in extraordinary
circumstances. He was unique among the writers of ancient Athens for the sympathy he
demonstrated towards all victims of society, including women.
Aristophanes (448-385) primarily wrote comedies that mocked social conventions and
parodied the leading politicians of his day. Among his most famous comedies are The
Lysystrata and The Frogs.
History. The study of history in Greece really began in the 5th century with the writing
of Herodotus and Thucydides. Herodotus (484-425), who is called the father of history,
traveled extensively and acquired much factual knowledge about the lands and people
he visited. His major work, the Histories (of the Persian Wars) demonstrates a flair for
interesting stories and fascinating anecdotes. The scientific study of history begins with
Thucydides (471-400), who improved on Herodotus by trying to be objective in his
approach to history. He wrought the history of the Peloponnisiakos war, between the
Athenians and the Spartans.
Philosophy. The Western philosophical tradition began in ancient Greece in the 6th
century BCE. The first philosophers are called “Presocratics” which designates that they
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came before Socrates.. Their scientific interests included mathematics, astronomy, and
biology. They emphasized the rational unity of things, and rejected mythological
explanations of the world.
The first group of Presocratic philosophers were from Ionia. The Ionian philosophers
sought the material principle (archê) of things, and the mode of their origin and
disappearance. Thales of Miletus (about 640 BCE) is reputed the father of
Greek philosophy. He declared water to be the basis of all things. Next
came Anaximander of Miletus (about 611-547 BCE), the first writer on philosophy. He
assumed as the first principle an undefined, unlimited substance (to apeiron) itself
without qualities, out of which the primary opposites, hot and cold, moist and dry,
became differentiated. Anaximenis, took for his principle air, conceiving it as modified,
by thickening and thinning, into fire, wind, clouds, water, and earth. Herackitus of
Ephesus (about 535-475 BCE) assumed as the principle of substance aetherial fire. From
fire all things originate, and return to it again by a never-resting process of development.
All things, therefore, are in a perpetual flux. However, this perpetual flux is structured
by logos– which means ‘word, ‘argument,’ ‘logic,’ or ‘reason’ more generally.
The logos which structures the human soul mirrors the logos which structures the ever-
changing processes of the universe.
A new period of philosophy opens with the Athenian Socrates (469-399 BCE). Like the
Sophists, he rejected entirely the physical speculations in which his predecessors had
indulged, and made the thoughts and opinions of people his starting-point; but whereas
it was the thoughts of and opinions of the individual that the Sophists took for the
standard, Socrates questioned people relentlessly about their beliefs. He tried to find the
definitions of the virtues, such as courage and justice, by cross-examining people who
professed to have knowledge of them. His method of cross-examining people,
the elenchus, did not succeed in establishing what the virtues really were, but rather it
exposed the ignorance of his interlocutors.
The starting-point of Plato's philosophical speculation was the Socratic teaching.
Socrates had taught that the only true knowledge is a knowledge by means of concepts.
As used by Socrates, it was taken up by Plato as a principle of Being. If the concept
represents all the reality of things, the reality must be something in the ideal order,
not necessarily in the things themselves, but rather above them, in a world by itself. He
completes the work of Socrates by teaching that the objectively real Ideas are
the foundation and justification of scientific knowledge. Plato then, supposes a world
of Ideas apart from the world of our experience, and immeasurably superior to it. The
task of philosophy consists in the effort to rise from the knowledge . Of all the ideas,
however, the Idea of the beautiful shines out through the phenomenal veil more clearly
than any other; hence the beginning of all philosophical activity is the love and
admiration of the Beautiful.
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The most important among Plato’s disciples is Aristotle of Stagira (384-322 BCE), who
shares with his master the title of the greatest philosopher of antiquity. But whereas
Plato had sought to elucidate and explain things from the supra-sensual standpoint of
the forms, his pupil preferred to start from the facts given us by experience. Philosophy
to him meant science, and its aim was the recognition of the purpose in all things. Hence
he establishes the ultimate grounds of things inductively — that is to say, by a
posteriori conclusions from a number of facts to a universal. In the series of works
collected under the name of Organon, Aristotle sets forth the laws by which the human
understanding effects conclusions from the particular to the knowledge of the universal.
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For further information see: http://www.xanthi.ilsp.gr/filog/
THE GREEK ALPHABET SOME WORDS YOU HAVE HEART DURING YOUR VISIT
Α α άλφα Αγορά agora (market) Κλαςικόσ classic
Β β βιτα Ακρόπολθ acropolis λιμζνασ port
Γ γ γάμα Aκινα Athens λογικι logic, reason[ing]
Δ δ δζλτα Άρειοσ Ράγοσ Arios Pagos λόγοσ ratio
Ε ε ζψιλον Αριςτοτζλθσ Aristoteles λειτουργία function
Η η ηιτα Άγαλμα statue μάρμαρο marble
Θ θ ιτα Αχαρνζσ Acharnes μζκοδοσ method
Θ κ κιτα αρετι virtue μεταλλουργία metallurgy
Ι ι γιϊτα αρμονία harmony μάκθμα lesson
Κ κ κάπα βουλι parliament μφκοσ myth
Λ λ λάμδα γυμναςτιριο gymnasium μετόπθ metope
Μ μ μι δθμοκρατία democracy μουςείο museum
Ν ν νι δράμα drama ναόσ temple
Ξ ξ ξι διμοσ municipality ναυμαχία naval battle
Ο ο όμικρον δικαςτιριο the law court νομοκζτθσ legislator
Ρ π πι ζφθβοσ adolescent νόμοσ law
ρ ρο επιςτιμθ science ορχιςτρα orchestra
Σ ς ςίγμα εκκλθςία assembly Πμθροσ Homer
Τ τ ταυ Ερζχκειο Erechthion ξόανο wooden statue
Υ υ φψιλον Ζρωσ Love Ραρκενϊνασ Parthenon
Φ φ φι Ευρϊπθ Europe παιδεία education
Χ χ χι ικοσ morals πόλισ city
Ψ ψ ψι θκοποιόσ actor πολίτθσ citizen
Ω ω ωμζγα ιρωασ hero πολιτιςμόσ civilization
θκικι ethics Ρλάτωνασ Plato
κζατρο theater Ρερικλισ Pericles
Ιλιάδα Iliad ποίθςθ poetry
Ιδζα idea Φιλοξενία hospitality
Ιςτορία history φιλοςοφία philosophy