the design stalker
DESCRIPTION
The portfolio of Melissa SchrenkerTRANSCRIPT
BY BECOMING [OR STALKING] THE SUBJECT OF MY DESIGNS AND RELYING ON ALL MY SENSES TO COLLECT INFORMATION, I AM ABLE TO FULLY DEVELOP MY PROJECTS. I THEN LET THOSE FINDINGS PLAY A ROLE IN THE DESIGN.
SUBJECT 1OBTRUSIVE...pg 7
SUBJECT 2TRY TO STAY AWAKE...pg 17
SUBJECT 3SPLATTER...pg 29
SUBJECT 4OBSESSION...pg 37
SUBJECT 5PUT YOU TO SLEEP...pg 49
SUBJECT 6TASTE TARGET...pg 57
SUBJECT 7BUZZING AROUND...pg 63
SUBJECT 8NO WAY OUT...pg 73
SUBJECT 9COMMUNITY FOCUSED...pg 81
FIRST SPOTTED : October 30th, 2008
PURSUIT TACTICS : Took many pictures
DATE OF CAPTURE : December 18th, 2008
DAILY PATTERNS : Subject cleans camera
equipment, does not stick to a specific sleep
schedule, walks the city every night
NOTES ON PERSONALITY : Subject travels
frequently and makes friends easily. Always
travels with a set of cameras. Likes to experi-
ments with art, and is not bothered by any
one else’s negative opinions.
OBTRUSIVE
SUBJECT 1
BRIEF To capture William Kleins shooting
style, the design of the book compliments his
“in your face” method, using type, grid and
imagery to mimic the emotion in the photo-
graphs. Type invades photos, colors are bold,
images are grainy, and overall the book feels
slightly uncomfortable to thumb through, due
to the overly large and cut off type.
STALKING METHOD To better understand
William Klein’s approach to photography, I cop-
ied his shooting style. Getting into people’s fac-
es, letting high grain take over, and under/over
exposing images. Then, I experimented with my
own “poor shooting” to understand how he felt
when experimenting with his work. I tried differ-
ent lenses, shot hand held with a long shutters
and felt relaxed and creative when shooting.
WILLIAM KLEIN, MASTERS OF THE CAMERA
The Design Stalker // Melissa Schrenker Subject 1 // William Klein Type Compositions // Carolina de Bartolo pg 11
The Design Stalker // Melissa Schrenker Subject 4 // William Klein Type Compositions // Carolina de Bartolo pg 43The Design Stalker // Melissa Schrenker Subject 1 // William Klein Type Compositions // Carolina de Bartolo pg 15
FIRST SPOTTED : September 5th, 2009
PURSUIT TACTICS : Physical pursuit
DATE OF CAPTURE : December 16th, 2009
DAILY PATTERNS : Works a 9–5 job. Keeps
to a normal schedule, hangs with friends on
the weekend
NOTES ON PERSONALITY : Is low key from
day-to-day, but likes excitement once in a
while. Enjoys hiking, and being outdoors.
TRY TO STAY AWAKE
SUBJECT 2
BRIEF To bring the work of Wes Craven to life,
this festival gives the attendants a chance to
experience living within a horror movie. They
will be scared, hunted down and terrorized
throughout the weekend. Craven’s movies are
playing, food is be served, people will camp,
all while being in fear of being “killed off”.
The concept of campy horror visually comes
through in the blurred images, dark colors,
and hand-made type out of burnt cork.
STALKING METHOD To better understand
the characters of a Wes Craven movie, I put
myself in the mind-set of the villan, and also
the victim. I first read about psychopaths, and
tried to understand what may be going on in
their head. I then let those findings into my own
thoughts, which felt uncomfortable and wrong.
Doing this step first, allowed me to more easily
understand, and become the victim. I was able
to let the thoughts of “what could happen” take
over. My nightly walks became scary, I did not
enjoy a dark home, and I got little sleep for fear
I would be broken into. These thoughts led me
to the overall idea of the weekend long live hor-
ror fest. It also led me to the dark, confusing
look and feel of the festival design pieces.
CAMP NIGHTMARE
The Design Stalker // Melissa Schrenker Subject 2 // Camp Nightmare Integrated Communications // Marc English pg 21
The Design Stalker // Melissa Schrenker Subject 2 // Camp Nightmare Integrated Communications // Marc English pg 25
The Design Stalker // Melissa Schrenker Subject 2 // Camp Nightmare Integrated Communications // Marc English pg 27
FIRST SPOTTED : September 9th, 2010
PURSUIT TACTICS : Starts up conversations
DATE OF CAPTURE : October 18th, 2010
DAILY PATTERNS : Reads comic books, paints
on canvas
NOTES ON PERSONALITY : Subject enjoys
reading, daydreaming, and being creative. This
subject is interested in bold colors, lines and
the story of comic books. Compelled to defy
those in authority.
SPLATTER
SUBJECT 3
BRIEF Designing a line of paint cans, inspired
by Roy Lichenstein opened up a new market
and audience for the home paint category. The
design positioned the paint in the bold, daring
and interesting category, which did not exist in
one line until now. They are targeted to not only
art lovers, but also the teen and 20-something
market. By using this line of paint a consumer
will feel bold, daring and unique while coating
their walls with a lot of personality. Using Roy’s
comic book artwork we relate to this brand on
a more personal level, because of the fun, artis-
tic and communicative message on the cans.
STALKING METHOD After developing the
basic concept I needed to figure out, and under-
stand, this new product’s unique selling point.
I decided to follow paint shoppers at Home Depot
to understand who the typical audience was.
I quickly discovered these shoppers were not
the same people that would be buying these
fully saturated, bold colors, so I decided to start
following other types of “paint shoppers” to stray
away from the norm. My stalking of the nail pol-
ish isle at CVS, led me to developing, and brand-
ing pop paint to appeal to the teen audience.
POP PAINT
The Design Stalker // Melissa Schrenker Subject 3 // Pop Paint Packaging Design // Thomas McNulty pg 33
The Design Stalker // Melissa Schrenker Subject 3 // Pop Paint Packaging Design // Thomas McNulty pg 35
FIRST SPOTTED : January 29th, 2009
PURSUIT TACTICS : Persistent role playing
DATE OF CAPTURE : May 13, 2009
DAILY PATTERNS : Cleans, goes to the bank
every Monday at 8:42am, prepares dinner daily
with high heat only
NOTES ON PERSONALITY : Subject avoids
public transportation at all costs, keeps to self
and keeps to a set time for most activities.
Subject has a nervous picking habit, which
has resulted in severe lacerations, but refuses
medical care for fear of being admitted to an
un-sterile environment.
OBSESSIONSUBJECT 4
BRIEF OCD causes a person to become para-
noid about the world around them, and even
themself. These feelings come and go, rang-
ing from unbearable, to moderate, but they are
always there. This paranoia makes leaving the
house difficult, and being around others, espe-
cially in public places, unbearable.
The concept for this book communicates the
ongoing obsessions and fears of an OCD suf-
ferer. The clean design has a clinical look,
while the exposed grid reassures the reader
everything is aligned. The page numbering
system allows the reader to count all of the
pages, and easily located which one they are
on. The simple 4-column grid provides a uni-
formed system of organizing the information,
and the dot repetition symbolizes the mellow
obsession contrasted to the type symbolizing
the heightened obsessions.
STALKING METHOD Following my initial
research, I took on the role, and life of an OCD
sufferer. I wanted to understand what it was
like as best I could. I double-checked locks,
appliances, and my back, and cleaned to per-
fection daily. This resulted in an extra 1/2 hour
to my morning routine and a constant feeling of
uneasiness. I became annoyed with, and petri-
fied of, other people. Although I was pretend-
ing, it affected me in a negative way, and I was
happy to be back to normal after the project.
OCD: THE CONSTANT DRONE
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The Design Stalker // Melissa Schrenker Subject 4 // Obsessive Compulsive Disorder][The Constant Drone Type Systems // Carolina de Bartolo pg 41
The Design Stalker // Melissa Schrenker Subject 4 // Obsessive Compulsive Disorder][The Constant Drone Type Systems // Carolina de Bartolo pg 43
The Design Stalker // Melissa Schrenker Subject 4 // Obsessive Compulsive Disorder][The Constant Drone Type Systems // Carolina de Bartolo pg 45
The Design Stalker // Melissa Schrenker Subject 4 // Obsessive Compulsive Disorder][The Constant Drone Type Systems // Carolina de Bartolo pg 47
FIRST SPOTTED : October 18th, 2010
PURSUIT TACTICS : Preyed while subject slept
DATE OF CAPTURE : November 14th, 2010
DAILY PATTERNS : Spends most nights in,
especially on colder days. Eats lots of salads,
and enjoys monthly massages.
NOTES ON PERSONALITY : Subject is
relaxed, a bit lazy, a slow walker, and a late
sleeper. A hoodie and pajama pants are the
typical outfit worn by this subject.
PUT YOU TO SLEEP
SUBJECT 5
BRIEF Celestial Seasonings is a tea making
company, that values the integrity of not only its
product, but also its business relationships and
carbon footprint. The objective of this re-design
was to reduce the packaging, while allowing the
consumer to more easily use their sense of smell
when choosing a tea. The reusable container
was designed for long-term storage of the tea to
ensure freshness, because most true tea drink-
ers have an array of teas at one time.
STALKING METHOD The company is proud
of the unique illustrations on all of their pack-
ages, which is why I chose to continue with
them in the re-design. What I needed to know
more about was the mood and experience of the
Sleepytime Tea, to understand the best packag-
ing system. To do this, I bought every package
of Sleeptime tea I could find, and kept them with
me everywhere. Averaging about 10-15 cups of
tea a day, caused me to spend most of my time in
the bathroom, but I also spent a lot of time with
the cup cuddled in my hands and to my face.
I enjoyed the tea with all of my senses, because
of the comforting aroma, warm feeling, light
taste, and interesting story on the box. Before
choosing which tea I wanted, I smelled each to
see which one I was in the mood for. This led to
the use of the mesh bags, so we can easily smell
the tea even before we get it into the cup.
CELESTIAL SEASONINGS, SLEEPYTIME TEA
pg 50 Celestial Seasonings
The Design Stalker // Melissa Schrenker Subject 5 // Celestial Seasonings Packaging Design // Thomas McNulty pg 51
The Design Stalker // Melissa Schrenker Subject 5 // Celestial Seasonings Packaging Design // Thomas McNulty pg 53
The Design Stalker // Melissa Schrenker Subject 5 // Celestial Seasonings Packaging Design // Thomas McNulty pg 55
FIRST SPOTTED : November 14th, 2010
PURSUIT TACTICS : Sent romantic gifts
DATE OF CAPTURE : December 12th, 2010
DAILY PATTERNS : Makes 3 meals daily, has
an indoor or outdoor fire every night
NOTES ON PERSONALITY : Subject hosts
a family dinner every Sunday, sleeps late on
the weekends, and enjoys a glass of red wine
every night. Subject also enjoys traveling and
keeping active outdoors.
TASTE TARGET
SUBJECT 6
BRIEF The objective of this re-design is to
highlight the history and passion of the compa-
ny and products. The process of making the oil,
from the beginning of growing the olive, is very
important and highly crafted. The label and the
bottle needed to convey that craft by looking
special and presentable.
The current label has many important marks
and symbols that were kept, but reducing the
label size and location, have made those marks
the highlight.
STALKING METHOD My first step to under-
standing the needs of the olive oil package was
to understand the oil. Filipo Berio has three types
of oil to be used for different cooking methods,
therefor I read about, and happily tested each
one. I began to rely on olive oil for every single
meal and this resulted in leaving the oil out on
the counter, rather than in the cabinet. Because
of this, I decided the bottle should be not only
used for function, but should also be a beautiful
shape that compliments the kitchen décor.
FILIPPO BERIO, OLIVE OIL
The Design Stalker // Melissa Schrenker Subject 6 // Filippo Berio Olive Oil Packaging Design // Thomas McNulty pg 61
FIRST SPOTTED : April 14th, 2010
PURSUIT TACTICS : Hung around
DATE OF CAPTURE : May 19th, 2010
DAILY PATTERNS : A busy worker, rarely
rests, enjoys sweet foods
NOTES ON PERSONALITY : This subject
is very warm and friendly, unless provoked.
If danger is sensed this subject attacks with-
out warning. Aside from this, the subject
tends to stay to themself and keeps busy.
BUZZING AROUND
SUBJECT 7
BRIEF This short book is a simple celebration of
bees, and is meant to educate. The celebration
is brought into the design with the honeycomb
patterns, and the product of bee’s, the honey.
This decorative book is encased in a slipcase
and comes with a keepsake clam shell box. The
accordion fold book reveals cut windows, which
represent peeking into the world of bees.
STALKING METHOD My fascination with
bee’s began before this project started, which
is why I decided to design a book celebrating
and educating about bee’s. My fascination with
bee’s relates to my love of food. We ultimately
need them to survive, but people view them
as a threat and a pest. I admit to seeing them
the same, but eventually became fascinated by
them and have been known to follow a bumble
bee around the yard a time or two. Watching
their dedication to pollination, their slightly
erratic flight pattern, and the fuzzy body led to
my adoration.
B’S
FIRST SPOTTED : November 9th, 2009
PURSUIT TACTICS : Persistent role playing
DATE OF CAPTURE : December 8th, 2009
DAILY PATTERNS : Travels to and from
work during rush hour. Spends lunch time
waiting in lines at the area diner.
NOTES ON PERSONALITY : Subject is
in constant state of panic from the stress of
driving during rush hour. Spends over three
hours on the daily commute. Subject works
downtown and is always waiting in lines, and
working in tight spaces.
NO WAY OUT
SUBJECT 8
BRIEF To communicate the feeling and aggra-
vation of traffic in the design, a few methods
were used. Overall the book was designed to
feel as if it were too big for itself. The book
pages are larger than the cover, the page num-
bers came out of the top because they do not
“fit” inside, and the butterfly fold pages puff out
the book, so it is not easy to close. The closely
packed type and photographs of other conges-
tion instances, helped to further communicate
the concept.
STALKING METHOD To understand what a
daily commute through traffic would feel like,
I chose to drive on highways, while hungry,
during rush hour. The hunger, traffic and feel-
ing of being rushed allowed me to understand
the feeling of overreacting negatively to traf-
fic. I then put myself in other situations where
I would feel congested and realized traffic is felt
even more so when people are on foot. For this
reason, I opened up the photography to show-
case the multiple areas of congestion while
allowing the type and book design to commu-
nicate the impacted feeling.
CONGESTION STUDY
The Design Stalker // Melissa Schrenker Subject 8 // Congestion Study Type Experiments // Lian Ng pg 77
The Design Stalker // Melissa Schrenker Subject 8 // Congestion Study Type Experiments // Lian Ng pg 79
FIRST SPOTTED : June 10th, 2010
PURSUIT TACTICS : Multiple methods used
(following, buying gifts, calling repeatedly)
DATE OF CAPTURE : May 7th, 2012
DAILY PATTERNS : This subject shops for
groceries more than twice a week, enjoys con-
versing with neighbors daily, goes to the gym
three days a week
NOTES ON PERSONALITY : This subject is
a social butterfly, always talking to neighbors,
entertaining friends and chatting up strang-
ers. This subject is always available to lend
a helping hand and take care of anyone in need.
COMMUNITY FOCUSED
SUBJECT 9
BRIEF City Farm is a community and food-
centered retail experience, and the overall
concept highlights this in a number of ways.
The look and feel of all of the pieces is hand-
crafted, un-polished, relaxed and “earthy”.
By designing a custom typeface, designing
food packages to educate, and developing
programs centered around food, the concept
comes through on many different levels.
All of the pieces are used for function, to eas-
ily help the shopper create meals, learn about
nutrition, or to have a shopping bag with
a fun message.
STALKING METHOD I began to learn what
people want from food, by following them
around the grocery store and farmers markets.
I compared their shopping styles, what they
bought, looked at, decided against, and the
slight expressions on their face. I soon began
documentation by snapping photos of shoppers.
The second part involved wearing headphones
with no music on, and listening into conver-
sations. Because of the headphones, people
though I was in my own world, but in fact I
was in theirs. I listened to what they thought
about food, recipes, what was healthy, and
what they enjoyed about foods.
The third part of my stalking involved the food.
I bought new-to-me foods, took them home,
cut them up, took pictures, made up meals,
and devoured them. This was my favorite
part. My floors, counter tops, and my clothes
were always covered in food. My apartment
smelled amazing and I learned how to make
new meals. I also learned what needed to be
added to make City Farm special, and that
was to make it a celebration of food. Overall
the “stalking” taught me what was lacking
with our current food system, and helped me
to develop the multiple programs that run a
City Farm.
CITY FARM
WE CAN BUY LOCALLY GROWN ALL YEAR LONG.
The Design Stalker // Melissa Schrenker Subject 9 // City Farm Thesis // Matt Moffatt pg 95
WE CAN SHOP AT OUR CONVENIENCE WITH INFORMATIONAL GEAR.
The Design Stalker // Melissa Schrenker Subject 9 // City Farm Thesis // Matt Moffatt pg 99
The Design Stalker // Melissa Schrenker Subject 9 // City Farm Thesis // Matt Moffatt pg 103
WE CAN EAT PREPARED MEALS, THAT ARE GOOD FOR US.
The Design Stalker // Melissa Schrenker Subject 9 // City Farm Thesis // Matt Moffatt pg 107
WE CAN TEACH OUR KIDS THE VALUE OF GOOD FOOD.
The Design Stalker // Melissa Schrenker Subject 9 // City Farm Thesis // Matt Moffatt pg 111
WE CAN WELCOME THE NEW HARVEST EVERY SEASON.
The Design Stalker // Melissa Schrenker Subject 9 // City Farm Thesis // Matt Moffatt pg 115
WE CAN TELL SOME FRIENDS, WHO TELL SOME FRIENDS.
THEDESIGNSTALKER
I’m awesome, yo! So awesome, that I complete-
ly forgot to write an about me section in my own
portfolio. No biggie, though. It’s not like I’m
planning on sending this to print in two days.
I’ll just be sure to take back a bunch of coffee
and write it before I print. Or maybe, I will leave
this as my bio. Says a lot about me, right?
BOOK DESIGN
Copyright © Melissa Schrenker 2012
PUBLISHED BY
Melissa Schrenker at The Academy of Art University
San Francisco, California
PAPER
Mokawk Premium, matte finish
PRINTED AND BOUND BY
Blurb
PHOTOGRAPHY
Melissa Schrenker
TYPEFACES
Univer, and Serifa