“the little old lady” and “miss jellyby” from the first monthly installment of bleak house

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“The Little Old Lady” and “Miss Jellyby” from the first monthly installment of Bleak House

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“The Little Old Lady” and “Miss Jellyby” from the first monthly installment of Bleak House

“The Lord Chancellor Copies from Memory” “Coavinses”

“The Visit to the Brickmaker’s” “In Re Guppy. Extraordinary Proceedings”

Details from “The Visit to the Brickmaker’s”

“Mr. Guppy’s Desolation” “The Family Portraits at Mr. Bayham Badger’s”

“The Dancing School” “Consecrated Ground”

“Caddy’s Flowers” “The Little Church in the Park”

“Mr. Guppy’s Entertainment” “The Smallweed Family”

“A Model of Parental Deportment” “Mr. Chadband ‘Improving a Tough Subject”

“Visitors to the Shooting Gallery” “The Young Man of the Name of Guppy”

“Nurse and Patient” “The Appointed Time”

“The Old Man of the Name of Tulkinghorn” “Mr. Smallweed Breaks the Pipe of Peace”

“Lady Dedlock in the Wood” “The Ghost’s Walk”

“Attorney and Client: Fortitude and Impatience”” “Sunset in the Long Drawing Room at Chesney Wold”

Why ultimately choose this one part of their interaction rather than the part when Richard is walking around?

What does the final illustration emphasize that the original sketch does not?

What other sorts of things does the illustration (and does it not) draw our attention to?

“Sir Leicester Dedlock” “Tom All Alone’s”

“A New Meaning in the Roman” “Friendly Behaviour of Mr. Bucket”

“Light” “Shadow”

“Mrs. Bagnet Returns from her Expedition” “The Lonely Figure”

“The Night” “The Morning”

“Magnanimous Conduct of Mr Guppy” “The Mausoleum at Chesney Wold”

frontispiece (of Chesney Wold) title page