the use of physical objects in mourning by midlife
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The Use of Physical Objects in Mourning by Midlife-
Daughters who Have Lost Their Mother
Laura Lewis PhD & Judith Belle Brown PhD
Abstract
This qualitative study, using a phenomenological approach explored the use
of physical objects (possessions) in mourning by midlife women after their
mothers expected deaths. This facilitated the acquisition of a deeper
understanding and a greater knowledge of the daughters intentions and their
lived experience. The study questions were: 1) How do midlife daughters
understand the meaning of physical objects in their mourning process? 2)
What relational significance becomes imbued in physical objects? Twelve
midlife women participated in in-depth interviews which were audiotaped and
transcribed verbatim. In the analysis, particular attention was directed toward
understanding object descriptions and meanings. The analysis revealed four
themes which defined more specifically the relational dimensions that were
connected with mourning and physical object use. These dimensions of
maternal relationship included: a) an everyday connection; b) specialrelatedness; c) mother and mother/daughter personality characteristics; d)
generational significance. The use of objects in mourning revealed a creative
and dynamic mourning response and also revealed important dimensions of
the maternal relationship as it was experienced. It is suggested that object use
assists mourning as the bereft daughter moves toward an internalized
experience of her deceased mother.
Keywords: mourning, mid-life, maternal loss, physical objects, daughters,
grief, object use, linking objects,
1. Review of Literature
The loss of a loved one challenges the emotional frontiers of a personsexperience. Professionals working in the bereavement field have the privilege
of bearing witness to this challenging journey of private suffering, as people
forge forward with lives that have been dramatically changed by their losses.
For many individuals who have known the love of another, moving forward
with life is difficult, and the bereft can feel lost and barren in the shadow of
their sorrow. In an effort to cope with the emotional turmoil individuals may
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objects have a capacity to provide a tangible connection with the deceased
other and may also illicit a self-soothing capacity.
Challenges to Volkans assertions that physical objects are likely indicative
of complicated mourning have been asserted in the literature. Klass (1993)
reported on the use of linking objects by bereaved parents and found that the
objects provide solace to the parents during the grieving process, connecting
them to their dead child. Similarly, Silverman, Nickman and
Worden (1992) reported 77 percent of the bereaved children in their study hadsomething personal that belonged to their dead parent and that these objects
served as important links to the deceased.
Wheeler (1999) also subsequently challenged Volkans statements and
assumptions regarding object use in parental bereavement. A survey of
bereaved parents found that the majority of respondents, particularly females
had some kind of linking object. Wheeler (1999) described how the bereaved
parents often had the object centrally located and interacted intimately with it
as evidenced by sleeping with it, talking to it, smelling it. This finding
challenged Volkans (1981) theoretical premise that the linking object was
charged with feelings of ambivalence and inhibited grief work. The
respondents to this study strongly identified that the object made them feel
connected with their deceased child and also allowed the parent to feel
connected to a happier time. Such objects were also identified as assisting in
focusing mourning.
It is important not only to theoretically consider object phenomena, but to
also reveal current understandings regarding the influence of gender on the
experience of maternal loss. Moss, Resch & Moss (1997) linked bereavement,
gender, and the loss of a parent. Their research explored the gendered
responses to the death of a parent and documented both the gendered
similarities and differences evoked by such a loss. For women, their study
revealed daughters as having maintained a stronger tie with either deceased
parent (mother or father). Women were found to be more expressive in their
emotional upset and more somatically affected by their losses. Overall, Moss
et al., (1997) found that the gender of the adult child was strongly associated
with the ways in which adult children responded to the loss of their elderly
parents with females being more profoundly affected.
Douglas (1990) study looked at gender and the long-term impact ofparental death. In this study gender differences to loss were also notable. This
study confirmed that for the women in their study, the loss was experienced as
one of the biggest events of their lives. In keeping with the popular mythology
about parental losses as being a normal part of the life cycle and as such not as
significant as some other losses, none of the women in Douglas sample felt
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their loss was acceptable to them and reported prevalent feelings of isolation in
their grief.
In summary existing contributions from the literature orient the reader to
two dynamic tensions that exist is our understanding of object use. They are,
whether object use signals a complicated grief process as defined by Volkan or
whether such use is self-soothing and provides a point of connection. The
second dynamic tension relates to gender and the experience of mourning for
women specifically. It is apparent that gender influences the experience of
maternal loss, and as such will also directly influence how these losses are
psychologically and emotionally integrated.
2. Method
The purpose of this qualitative study was to discover and explore the
unique and common understandings of women in regard to their use of
physical objects in their mourning experiences after the expected death of their
mothers. Assuming an interpretive phenomenological approach, knowledge of
the lived experience of these individuals and their intentions within their
mourning processes was sought.
A. Participant Selection
In concert with qualitative methods, a purposive sample was recruited in
order to capture depth and richness in the participants reflections rather than a
representative sample of the larger population. Specific sampling inclusion
criteria included; adult females who had experienced the death of their
biological mothers at least two years previously. The reason for limiting the
study to adult females was rooted in both the grief and human development
literatures. (Stroebe, 1998; Moss, Resch & Moss 1997; Moss & Rubenstein
1997; Cramer 1993; Douglas 1990; Chodorow 1978, 1989; Miller, 1986
Three recruitment sites in London, Ontario, Canada were used. These sites
were known for their community bereavement services and the recruitment of
potential participants was made in accordance with their own agency policy
and procedures. In total, twelve midlife adult women ranging in age from 39
60 years of age were recruited for this study. The mean age of participantswas 48 years.
B. Data Collection
Using a semi-structured in depth interview guide participants were asked
to consider and describe their use of physical objects in their mourning
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process. The applicability of existing conceptual theories was considered by
the researcher, while attention remained focused on new understandings and
emergent themes emanating from the participants narrative accounts. The in-
depth interviews were conducted in the comfort of the participants home and
occurred at a mutually convenient time. The interviews were audio-taped and
transcribed verbatim.
C. Data AnalysisThe data analysis was one of immersion/crystallization (Crabtree &Miller,
1999). This analysis began with a line-by-line reading and re-reading of the
transcripts. Emergent themes were identified and highlighted, along with
expressive quotes that were exemplary in their content. The authors
independently read and analyzed each of the transcripts and then met to
compare and contrast their analysis.
Themes identified from the first few transcripts were utilized to make sense
of subsequent narrative material, while the researchers also stayed open to
constant revisions and expansions identified in subsequent interviews. Also,
during the interviews member-checking occurred to ensure that emerging
interpretations were consistent with the participants experience. Thus, the
process of immersion/crystallization as an organizing style in the narrative
analysis phase of the study involved both the researchers interpretive analysis
and intuition, and reflexive feedback from the participants themselves.
3. Findings
An initial analysis of the narrative data revealed many mourning objects.
Physical objects that were repeatedly identified for their significance to
mourning processes included; jewelry, photographs, clothing,
crocheted/knitted articles, furniture, blankets, china/figurines, food-related
objects including cooking implements and more traditional mourning artifacts
(cross). Although the articles may have been similarly identified there was no
similarity in meaning when object meanings were compared. Therefore,
identification of the same mourning object in no way predicted the dimensions
of meaning that would be associated with the object. Each objected contained
dimensions of meaning that were individualized to the daughters unique
personality characteristics, her relationship with her mother, her mothers
personality and personal history.
An analysis of the participants responses and reflections illuminated how
physical objects provided a means by which the adult daughter remained
relationally connected with her mother. Four key sub-themes emerged from
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the analysis describing the following relational connections: 1) An everyday
connection with the deceased mother; 2) mother/daughter personality
characteristics; 3) a special relatedness; and 4) a generational connection. An
overarching theme was how object use and the emotional importance of the
object evolved over time, with some objects gaining importance and centrality
in the life of the daughter, and others diminishing in their significance over
time.
A. Everyday Connection with the Deceased Mother
For some participants the object stimulated an everyday connection with
the deceased mother. This frequency of contact with the object often mirrored
the mother-daughter relationship where interactions in their relationship were
of a daily nature. These items were diverse and unique to the lives they had
shared.
For one participant a set of silverware was the most substantial thing she
brought back with her from her mothers out-of-country residence. In the
following quote the creation of a daily connection with mother through the use
of the silverware is clearly identified. Also, her narrative reveals the tensions
that existed in using the silverware at first, and how this evolved over time.
She explained:Its a used set of silverware. It is knives, forks of actual silver. So I took
that. That was actually the heaviest and the most substantial of all the
things. You know we eat with it every day. A set of silverware I have every
day. In the past I was also very concerned I would lose pieces of it, but
now I dont care really. I even take a spoon into the garden even though its
silver and I think Ive lost one at least in the garden. Though its in the
garden where she always was. She seemed to have spent her whole time
in the garden. But the silverware thats a daily, a daily connection with her.
I think its meaningful in that respect that I took the silverware because I am
meaningfully connected to her every day.
This example serves to illuminate how objects evolve in their use over
time. It is also notable how at first the silverware was not allowed into thedaughters garden for fear that she would lose pieces of it there. This
protectiveness diminished significantly over time, allowing the silverware to
be used where needed.
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B .Mother and Mother/Daughter Personality Characteristics
As noted above, for some participants the presence and use of the object
appeared to stimulate accessibility to defining personality characteristics of the
mother. Of note, these particular personality characteristics were also
characteristics that some of the women were beginning to identify in
themselves. Thus the physical objects were particularly meaningful as areflection of the interconnectedness or mutuality of the daughters and the
mothers personality traits.
For one daughter, a small round pink alabaster container allowed access to
dimensions of her mothers personality which were very important to her. The
participant described how this alabaster container represented her mothers
sweetness, beauty, elegance and daintiness. Thus, her mothers way of being
was evoked when she was with this container, and she attached herself to the
container in a way that elicited mother within. She elaborated:
The containers more special because it is pretty and sweet like my Mom. It
always sat on her dresser and she put her little jewelry in it. To me, it
was always where Mom was. Its so typical of the colors she liked. To me
its got a beauty I wish it wasnt broken, but, it reminds me verymuch of Mom. To me it has a kind of elegance to it that would be her.
Objects could also represent suppressed or unexpressed personality
characteristics of the mother. One participant described how, upon the
encouragement of an older sister, she had picked out a pin from amongst her
mothers belongings. The pin was a delicate gold flower shape, set with
sparkling magenta cut stones. For her, the pin had come to represent
dimensions of her mothers personality that were not always accessible to this
daughter, or indeed to her mother, because of the powerful influence of her
mothers domineering and abusive husband. She stated:
I think for me it reminded me of my Moms heart because in my Moms
heart of hearts I think she was a very glittery woman, but that got lost along
the way when you have 9 kids and you live with a very domineering man for
72 years. It reminded me of my moms heart, that special part in the middle
where she just could have shone.
When reflecting on her mothers potential glitter and capacity to shine,
the pin not only allowed this participant access to these suppressed dimensions
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of her mothers personality, but it also became a symbol of her own desire to
shine. The pin allowed the daughter access to the shining and lightness that
were longed-for dimensions of her own personality, but which often remained
elusive to her behind more powerful feelings of isolation and depression. She
described how acquaintances would remark on how she would light up
when she wore her mothers pin. Her experience of vibrance and freedom
allowed her to define herself differently and these feelings were accessed
through the pins presence.
C. Special Relatedness
Repeatedly, in the daughters interviews physical objects that elicited
maternal memories of togetherness and relational capacity where highly
valued. Often this relatedness was experienced as a child, although not
exclusively. Therefore special relatedness with mother emerged as a key
theme. Objects representative of this theme were very diverse. However many
were linked in some way to either food preparation or food celebration. Thus,
special relatedness with mother was often inextricably linked to food, which
was perhaps not altogether unusual when considering the mothers lives in a
socio-historical cultural context. One participant shared:
I have a container in my cupboard that was hers, a plastic container with
icing sugar in it with a little tin cup, a one cup measuring cup. A very long
time after Mom died I couldnt use that measuring cup. And I kind of had
forgotten about it and then one day I needed icing sugar and I went up there
in the cupboard and I brought it down and I started to cry. Because that cup,
I always remember it being a part of my life with Mom. It was Moms cup.
Ill never be in the kitchen with my Mom again, ever. That cup, when Im
baking, Im with that cup, and its like Im baking with her again in the
kitchen. Its like a little piece of that time can be revisited. That specialness,
just because thats the cup she used all the time.
The tin measuring cup was ever present in her life with her mother and
continued to be ever present now in her life without her. It allowed her accessto memorable times shared with mother and to a feeling of being with her
Mom when she used it. Their special relatedness, their connectionin the
kitchen, was revisited through its use. The tin-measuring cup also reflected an
evolution of object use. The participant identified how for a very long time
after her mother died she could not use the measuring cup, however it had now
become a measuring device which she used whenever she baked. Its
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significance evolved over time, becoming a treasured object with the passage
of time.
D. Generational Significance
The analysis revealed a strong generational theme for several participants.
The objects not only linked the daughters relationally to their mothers, but to
their mothers ancestors as well. This sense of connection and lineage toancestry influenced the significance of physical objects, giving certain
physical objects prominence in the mourning process. For one woman this
generational attachment was symbolized in a photograph of a rural homestead
that had been her mothers childhood home. This photograph was
prominently displayed in her hallway and was identified as a very important
physical object to her. She shared:
Thats where Mom was born. Its a beautiful big farm. It has big pillars
out in front and a big circular driveway, and the property all around. There
were horses. I can remember going there and having a wonderful time.
The feelings that come from that place are all the smells from the kitchen,
the parlor. Mom was so happy there. Its all just a fascinating place. The
picture brings me back to the wonderment of being a kid on a farm and
having your Mom and Dad take you to this place. Mom laughed there, and I
can see it was all just magical. The memories are of warm people, happy
things and easier times.
Another participant, a textile artist, confirmed the generational significance
in a vest she had designed. She offered:
So a lot of these bits that are embroidered onto this leather are from my
Mom, my Grandmother, and my Mother-in-law. There are pieces of jewelry
that are from different women in my life here. There is a lizard on here that
was my Mothers. She had this lizard in her cosmetic drawer and the lizard
was just always there. So anyway, I brought the lizard more to protect it, or
keep it constant I suppose. When I was creating this vest I thought, the
lizard will go there [at the midpoint of the left side of the vest over theparticipants heart] I think this is the right place for it. Its at home. It
belongs there.
The vest also had glass beads sewn into it which were the participants
maternal grandmothers. In addition, she had added ivory and jade which
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belonged to her husbands stepmother, along with other decorative items from
her husbands grandmother and her husbands mother. It was described as a
womens vest, an artistic work in progress. It was not a completed piece,
because it was still being influenced by the generations of women who would
come to be sources of attachment for this woman. She explained, Things are
literally placed on here as attachments. Because thats the kind of piece it is.
This narrative identifies this participants creation of a textile piece that
symbolically incorporated and represented many of the significant women
across generations who have influenced and sustained her life. It also
identifies the meaning of maternal constancy which the lizard has come to
portray. The meaning of the vest suggests a mothers constancy and a
multiplicity of female generational attachments.
4. Discussion
The present study was undertaken in order to explore the function and use
of material objects (possessions) by midlife daughters who had lost their
mother. The meaning of the use of objects in mourning processes was sought.
The analysis of transcribed interviews confirmed the existence of objects use
and that these objects played an important positive role in negotiating maternal
grief thus challenging the notion that object use is often an obstacle in a
mourning process or indicative of pathological complicated grief processes.
There is much congruence between this studys findings and the existing
contributions in the literature that address female development. The relational
nature of the use of physical objects in mourning is in concert with the work of
Jean Baker Miller (1978, 1986) and Nancy Chodorow (1989) who highlight
the importance of womens contributions to the overall emotional and
intellectual growth of others, and female development specifically. It can also
be suggested that the mothers everyday presence, her creation of special
relatedness, the influence of her own personality, and her honoring of her
ancestry, are dimensions of relatedness that have influenced and profoundly
shaped the daughters self-development. Thus, the fact that these dimensions
of relatedness appear in the daughters narratives about object use in mourning
is understandable as they mirror dimensions of what had been maternallyoffered through an interactive relatedness with her mother throughout a
lifetime.
Diane Lutovichs (2002) narrative account of midlife womens maternal
losses also confirmed relatedness as an important dimension of female
mourning at midlife. According to Lutovich (2002) some of the work of
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mourning is the construction of a relationship with the deceased that continues
to meet the needs of the daughter who is left behind. Although this narrative
account did not identify how the construction of this post-death relationship
would be achieved, it is suggested that the use of relationally-associated
objects in mourning may assist in the construction of this post-death
relatedness which may ultimately assist women in the internalized
transformation of their primary attachment bonds.
In summary, the findings of this study support the use of physical objectsfor women who are mourning as it is evident that such use facilitates
accessibility to internalized dimensions of maternal relatedness which are
identified as comforting and soothing to the mourner.
5. Conclusion
This study has provided illumination regarding the phenomena of object
use in mourning for midlife women who have lost their mothers. The roles
and meanings of physical objects were as diverse as the objects themselves,
however the diversity of roles and meanings could be understood within the
dimensions of relatedness that their use invoked. Indeed, the use of physical
objects seemed to provide a means to access dimensions of maternal
relatedness that otherwise remained elusive. In this manner physical objectsseemed to provide a means for the continuation of relatedness now psychically
transformed. Physical objects vitally linked the daughters to their first primary
relationship, a relationship that was gone in its former construction, and which
was now demanding an internal psychic transformation and ultimate
reconstruction.
Indeed, there was a dynamic tension in the use of objects that existed
within each of these participants. This tension was very much related to
holding on and letting go. There were objects that were very much clung to in
desperate attempts to symbolically cling to mother and objects that were
ultimately released to the processes of internalization. All of object use was in
the service of the daughters needs at the time and all were creative endeavors
that temporarily supplied that which was psychically demanded. Ultimately, it
seemed that for most participants the use of physical objects in mourningfacilitated the construction and formation of a different maternal relatedness, a
relatedness which primarily existed on the inside, where the maternal
accessing, internal dialogue, and the internalized relationship continued. Of
course, the former living relationship is gone, but in its place there emerges a
new relatedness, a relatedness that for many of the women is shaped and
guided by object use.
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Author Affiliation:
Laura Lewis, Assistant Professor, Kings University College, London,
Ontario, Canada
Judith Belle Brown, Department of Family Medicine, Schulich School of
Medicine, Department of Family Medicine, The University of Western
Ontario, and Kings University College. London, Ontario
Address Correspondence to: Dr. Laura Lewis, Kings University College,
School of Social Work, 266 Epworth Ave., London Ontario Canada N6A
mailto:[email protected]:[email protected] -
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