the use of physical objects in mourning by midlife

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    The Use of Physical Objects in Mourning by Midlife-

    Daughters who Have Lost Their Mother

    Laura Lewis PhD & Judith Belle Brown PhD

    Abstract

    This qualitative study, using a phenomenological approach explored the use

    of physical objects (possessions) in mourning by midlife women after their

    mothers expected deaths. This facilitated the acquisition of a deeper

    understanding and a greater knowledge of the daughters intentions and their

    lived experience. The study questions were: 1) How do midlife daughters

    understand the meaning of physical objects in their mourning process? 2)

    What relational significance becomes imbued in physical objects? Twelve

    midlife women participated in in-depth interviews which were audiotaped and

    transcribed verbatim. In the analysis, particular attention was directed toward

    understanding object descriptions and meanings. The analysis revealed four

    themes which defined more specifically the relational dimensions that were

    connected with mourning and physical object use. These dimensions of

    maternal relationship included: a) an everyday connection; b) specialrelatedness; c) mother and mother/daughter personality characteristics; d)

    generational significance. The use of objects in mourning revealed a creative

    and dynamic mourning response and also revealed important dimensions of

    the maternal relationship as it was experienced. It is suggested that object use

    assists mourning as the bereft daughter moves toward an internalized

    experience of her deceased mother.

    Keywords: mourning, mid-life, maternal loss, physical objects, daughters,

    grief, object use, linking objects,

    1. Review of Literature

    The loss of a loved one challenges the emotional frontiers of a personsexperience. Professionals working in the bereavement field have the privilege

    of bearing witness to this challenging journey of private suffering, as people

    forge forward with lives that have been dramatically changed by their losses.

    For many individuals who have known the love of another, moving forward

    with life is difficult, and the bereft can feel lost and barren in the shadow of

    their sorrow. In an effort to cope with the emotional turmoil individuals may

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    objects have a capacity to provide a tangible connection with the deceased

    other and may also illicit a self-soothing capacity.

    Challenges to Volkans assertions that physical objects are likely indicative

    of complicated mourning have been asserted in the literature. Klass (1993)

    reported on the use of linking objects by bereaved parents and found that the

    objects provide solace to the parents during the grieving process, connecting

    them to their dead child. Similarly, Silverman, Nickman and

    Worden (1992) reported 77 percent of the bereaved children in their study hadsomething personal that belonged to their dead parent and that these objects

    served as important links to the deceased.

    Wheeler (1999) also subsequently challenged Volkans statements and

    assumptions regarding object use in parental bereavement. A survey of

    bereaved parents found that the majority of respondents, particularly females

    had some kind of linking object. Wheeler (1999) described how the bereaved

    parents often had the object centrally located and interacted intimately with it

    as evidenced by sleeping with it, talking to it, smelling it. This finding

    challenged Volkans (1981) theoretical premise that the linking object was

    charged with feelings of ambivalence and inhibited grief work. The

    respondents to this study strongly identified that the object made them feel

    connected with their deceased child and also allowed the parent to feel

    connected to a happier time. Such objects were also identified as assisting in

    focusing mourning.

    It is important not only to theoretically consider object phenomena, but to

    also reveal current understandings regarding the influence of gender on the

    experience of maternal loss. Moss, Resch & Moss (1997) linked bereavement,

    gender, and the loss of a parent. Their research explored the gendered

    responses to the death of a parent and documented both the gendered

    similarities and differences evoked by such a loss. For women, their study

    revealed daughters as having maintained a stronger tie with either deceased

    parent (mother or father). Women were found to be more expressive in their

    emotional upset and more somatically affected by their losses. Overall, Moss

    et al., (1997) found that the gender of the adult child was strongly associated

    with the ways in which adult children responded to the loss of their elderly

    parents with females being more profoundly affected.

    Douglas (1990) study looked at gender and the long-term impact ofparental death. In this study gender differences to loss were also notable. This

    study confirmed that for the women in their study, the loss was experienced as

    one of the biggest events of their lives. In keeping with the popular mythology

    about parental losses as being a normal part of the life cycle and as such not as

    significant as some other losses, none of the women in Douglas sample felt

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    their loss was acceptable to them and reported prevalent feelings of isolation in

    their grief.

    In summary existing contributions from the literature orient the reader to

    two dynamic tensions that exist is our understanding of object use. They are,

    whether object use signals a complicated grief process as defined by Volkan or

    whether such use is self-soothing and provides a point of connection. The

    second dynamic tension relates to gender and the experience of mourning for

    women specifically. It is apparent that gender influences the experience of

    maternal loss, and as such will also directly influence how these losses are

    psychologically and emotionally integrated.

    2. Method

    The purpose of this qualitative study was to discover and explore the

    unique and common understandings of women in regard to their use of

    physical objects in their mourning experiences after the expected death of their

    mothers. Assuming an interpretive phenomenological approach, knowledge of

    the lived experience of these individuals and their intentions within their

    mourning processes was sought.

    A. Participant Selection

    In concert with qualitative methods, a purposive sample was recruited in

    order to capture depth and richness in the participants reflections rather than a

    representative sample of the larger population. Specific sampling inclusion

    criteria included; adult females who had experienced the death of their

    biological mothers at least two years previously. The reason for limiting the

    study to adult females was rooted in both the grief and human development

    literatures. (Stroebe, 1998; Moss, Resch & Moss 1997; Moss & Rubenstein

    1997; Cramer 1993; Douglas 1990; Chodorow 1978, 1989; Miller, 1986

    Three recruitment sites in London, Ontario, Canada were used. These sites

    were known for their community bereavement services and the recruitment of

    potential participants was made in accordance with their own agency policy

    and procedures. In total, twelve midlife adult women ranging in age from 39

    60 years of age were recruited for this study. The mean age of participantswas 48 years.

    B. Data Collection

    Using a semi-structured in depth interview guide participants were asked

    to consider and describe their use of physical objects in their mourning

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    process. The applicability of existing conceptual theories was considered by

    the researcher, while attention remained focused on new understandings and

    emergent themes emanating from the participants narrative accounts. The in-

    depth interviews were conducted in the comfort of the participants home and

    occurred at a mutually convenient time. The interviews were audio-taped and

    transcribed verbatim.

    C. Data AnalysisThe data analysis was one of immersion/crystallization (Crabtree &Miller,

    1999). This analysis began with a line-by-line reading and re-reading of the

    transcripts. Emergent themes were identified and highlighted, along with

    expressive quotes that were exemplary in their content. The authors

    independently read and analyzed each of the transcripts and then met to

    compare and contrast their analysis.

    Themes identified from the first few transcripts were utilized to make sense

    of subsequent narrative material, while the researchers also stayed open to

    constant revisions and expansions identified in subsequent interviews. Also,

    during the interviews member-checking occurred to ensure that emerging

    interpretations were consistent with the participants experience. Thus, the

    process of immersion/crystallization as an organizing style in the narrative

    analysis phase of the study involved both the researchers interpretive analysis

    and intuition, and reflexive feedback from the participants themselves.

    3. Findings

    An initial analysis of the narrative data revealed many mourning objects.

    Physical objects that were repeatedly identified for their significance to

    mourning processes included; jewelry, photographs, clothing,

    crocheted/knitted articles, furniture, blankets, china/figurines, food-related

    objects including cooking implements and more traditional mourning artifacts

    (cross). Although the articles may have been similarly identified there was no

    similarity in meaning when object meanings were compared. Therefore,

    identification of the same mourning object in no way predicted the dimensions

    of meaning that would be associated with the object. Each objected contained

    dimensions of meaning that were individualized to the daughters unique

    personality characteristics, her relationship with her mother, her mothers

    personality and personal history.

    An analysis of the participants responses and reflections illuminated how

    physical objects provided a means by which the adult daughter remained

    relationally connected with her mother. Four key sub-themes emerged from

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    the analysis describing the following relational connections: 1) An everyday

    connection with the deceased mother; 2) mother/daughter personality

    characteristics; 3) a special relatedness; and 4) a generational connection. An

    overarching theme was how object use and the emotional importance of the

    object evolved over time, with some objects gaining importance and centrality

    in the life of the daughter, and others diminishing in their significance over

    time.

    A. Everyday Connection with the Deceased Mother

    For some participants the object stimulated an everyday connection with

    the deceased mother. This frequency of contact with the object often mirrored

    the mother-daughter relationship where interactions in their relationship were

    of a daily nature. These items were diverse and unique to the lives they had

    shared.

    For one participant a set of silverware was the most substantial thing she

    brought back with her from her mothers out-of-country residence. In the

    following quote the creation of a daily connection with mother through the use

    of the silverware is clearly identified. Also, her narrative reveals the tensions

    that existed in using the silverware at first, and how this evolved over time.

    She explained:Its a used set of silverware. It is knives, forks of actual silver. So I took

    that. That was actually the heaviest and the most substantial of all the

    things. You know we eat with it every day. A set of silverware I have every

    day. In the past I was also very concerned I would lose pieces of it, but

    now I dont care really. I even take a spoon into the garden even though its

    silver and I think Ive lost one at least in the garden. Though its in the

    garden where she always was. She seemed to have spent her whole time

    in the garden. But the silverware thats a daily, a daily connection with her.

    I think its meaningful in that respect that I took the silverware because I am

    meaningfully connected to her every day.

    This example serves to illuminate how objects evolve in their use over

    time. It is also notable how at first the silverware was not allowed into thedaughters garden for fear that she would lose pieces of it there. This

    protectiveness diminished significantly over time, allowing the silverware to

    be used where needed.

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    B .Mother and Mother/Daughter Personality Characteristics

    As noted above, for some participants the presence and use of the object

    appeared to stimulate accessibility to defining personality characteristics of the

    mother. Of note, these particular personality characteristics were also

    characteristics that some of the women were beginning to identify in

    themselves. Thus the physical objects were particularly meaningful as areflection of the interconnectedness or mutuality of the daughters and the

    mothers personality traits.

    For one daughter, a small round pink alabaster container allowed access to

    dimensions of her mothers personality which were very important to her. The

    participant described how this alabaster container represented her mothers

    sweetness, beauty, elegance and daintiness. Thus, her mothers way of being

    was evoked when she was with this container, and she attached herself to the

    container in a way that elicited mother within. She elaborated:

    The containers more special because it is pretty and sweet like my Mom. It

    always sat on her dresser and she put her little jewelry in it. To me, it

    was always where Mom was. Its so typical of the colors she liked. To me

    its got a beauty I wish it wasnt broken, but, it reminds me verymuch of Mom. To me it has a kind of elegance to it that would be her.

    Objects could also represent suppressed or unexpressed personality

    characteristics of the mother. One participant described how, upon the

    encouragement of an older sister, she had picked out a pin from amongst her

    mothers belongings. The pin was a delicate gold flower shape, set with

    sparkling magenta cut stones. For her, the pin had come to represent

    dimensions of her mothers personality that were not always accessible to this

    daughter, or indeed to her mother, because of the powerful influence of her

    mothers domineering and abusive husband. She stated:

    I think for me it reminded me of my Moms heart because in my Moms

    heart of hearts I think she was a very glittery woman, but that got lost along

    the way when you have 9 kids and you live with a very domineering man for

    72 years. It reminded me of my moms heart, that special part in the middle

    where she just could have shone.

    When reflecting on her mothers potential glitter and capacity to shine,

    the pin not only allowed this participant access to these suppressed dimensions

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    of her mothers personality, but it also became a symbol of her own desire to

    shine. The pin allowed the daughter access to the shining and lightness that

    were longed-for dimensions of her own personality, but which often remained

    elusive to her behind more powerful feelings of isolation and depression. She

    described how acquaintances would remark on how she would light up

    when she wore her mothers pin. Her experience of vibrance and freedom

    allowed her to define herself differently and these feelings were accessed

    through the pins presence.

    C. Special Relatedness

    Repeatedly, in the daughters interviews physical objects that elicited

    maternal memories of togetherness and relational capacity where highly

    valued. Often this relatedness was experienced as a child, although not

    exclusively. Therefore special relatedness with mother emerged as a key

    theme. Objects representative of this theme were very diverse. However many

    were linked in some way to either food preparation or food celebration. Thus,

    special relatedness with mother was often inextricably linked to food, which

    was perhaps not altogether unusual when considering the mothers lives in a

    socio-historical cultural context. One participant shared:

    I have a container in my cupboard that was hers, a plastic container with

    icing sugar in it with a little tin cup, a one cup measuring cup. A very long

    time after Mom died I couldnt use that measuring cup. And I kind of had

    forgotten about it and then one day I needed icing sugar and I went up there

    in the cupboard and I brought it down and I started to cry. Because that cup,

    I always remember it being a part of my life with Mom. It was Moms cup.

    Ill never be in the kitchen with my Mom again, ever. That cup, when Im

    baking, Im with that cup, and its like Im baking with her again in the

    kitchen. Its like a little piece of that time can be revisited. That specialness,

    just because thats the cup she used all the time.

    The tin measuring cup was ever present in her life with her mother and

    continued to be ever present now in her life without her. It allowed her accessto memorable times shared with mother and to a feeling of being with her

    Mom when she used it. Their special relatedness, their connectionin the

    kitchen, was revisited through its use. The tin-measuring cup also reflected an

    evolution of object use. The participant identified how for a very long time

    after her mother died she could not use the measuring cup, however it had now

    become a measuring device which she used whenever she baked. Its

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    significance evolved over time, becoming a treasured object with the passage

    of time.

    D. Generational Significance

    The analysis revealed a strong generational theme for several participants.

    The objects not only linked the daughters relationally to their mothers, but to

    their mothers ancestors as well. This sense of connection and lineage toancestry influenced the significance of physical objects, giving certain

    physical objects prominence in the mourning process. For one woman this

    generational attachment was symbolized in a photograph of a rural homestead

    that had been her mothers childhood home. This photograph was

    prominently displayed in her hallway and was identified as a very important

    physical object to her. She shared:

    Thats where Mom was born. Its a beautiful big farm. It has big pillars

    out in front and a big circular driveway, and the property all around. There

    were horses. I can remember going there and having a wonderful time.

    The feelings that come from that place are all the smells from the kitchen,

    the parlor. Mom was so happy there. Its all just a fascinating place. The

    picture brings me back to the wonderment of being a kid on a farm and

    having your Mom and Dad take you to this place. Mom laughed there, and I

    can see it was all just magical. The memories are of warm people, happy

    things and easier times.

    Another participant, a textile artist, confirmed the generational significance

    in a vest she had designed. She offered:

    So a lot of these bits that are embroidered onto this leather are from my

    Mom, my Grandmother, and my Mother-in-law. There are pieces of jewelry

    that are from different women in my life here. There is a lizard on here that

    was my Mothers. She had this lizard in her cosmetic drawer and the lizard

    was just always there. So anyway, I brought the lizard more to protect it, or

    keep it constant I suppose. When I was creating this vest I thought, the

    lizard will go there [at the midpoint of the left side of the vest over theparticipants heart] I think this is the right place for it. Its at home. It

    belongs there.

    The vest also had glass beads sewn into it which were the participants

    maternal grandmothers. In addition, she had added ivory and jade which

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    belonged to her husbands stepmother, along with other decorative items from

    her husbands grandmother and her husbands mother. It was described as a

    womens vest, an artistic work in progress. It was not a completed piece,

    because it was still being influenced by the generations of women who would

    come to be sources of attachment for this woman. She explained, Things are

    literally placed on here as attachments. Because thats the kind of piece it is.

    This narrative identifies this participants creation of a textile piece that

    symbolically incorporated and represented many of the significant women

    across generations who have influenced and sustained her life. It also

    identifies the meaning of maternal constancy which the lizard has come to

    portray. The meaning of the vest suggests a mothers constancy and a

    multiplicity of female generational attachments.

    4. Discussion

    The present study was undertaken in order to explore the function and use

    of material objects (possessions) by midlife daughters who had lost their

    mother. The meaning of the use of objects in mourning processes was sought.

    The analysis of transcribed interviews confirmed the existence of objects use

    and that these objects played an important positive role in negotiating maternal

    grief thus challenging the notion that object use is often an obstacle in a

    mourning process or indicative of pathological complicated grief processes.

    There is much congruence between this studys findings and the existing

    contributions in the literature that address female development. The relational

    nature of the use of physical objects in mourning is in concert with the work of

    Jean Baker Miller (1978, 1986) and Nancy Chodorow (1989) who highlight

    the importance of womens contributions to the overall emotional and

    intellectual growth of others, and female development specifically. It can also

    be suggested that the mothers everyday presence, her creation of special

    relatedness, the influence of her own personality, and her honoring of her

    ancestry, are dimensions of relatedness that have influenced and profoundly

    shaped the daughters self-development. Thus, the fact that these dimensions

    of relatedness appear in the daughters narratives about object use in mourning

    is understandable as they mirror dimensions of what had been maternallyoffered through an interactive relatedness with her mother throughout a

    lifetime.

    Diane Lutovichs (2002) narrative account of midlife womens maternal

    losses also confirmed relatedness as an important dimension of female

    mourning at midlife. According to Lutovich (2002) some of the work of

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    mourning is the construction of a relationship with the deceased that continues

    to meet the needs of the daughter who is left behind. Although this narrative

    account did not identify how the construction of this post-death relationship

    would be achieved, it is suggested that the use of relationally-associated

    objects in mourning may assist in the construction of this post-death

    relatedness which may ultimately assist women in the internalized

    transformation of their primary attachment bonds.

    In summary, the findings of this study support the use of physical objectsfor women who are mourning as it is evident that such use facilitates

    accessibility to internalized dimensions of maternal relatedness which are

    identified as comforting and soothing to the mourner.

    5. Conclusion

    This study has provided illumination regarding the phenomena of object

    use in mourning for midlife women who have lost their mothers. The roles

    and meanings of physical objects were as diverse as the objects themselves,

    however the diversity of roles and meanings could be understood within the

    dimensions of relatedness that their use invoked. Indeed, the use of physical

    objects seemed to provide a means to access dimensions of maternal

    relatedness that otherwise remained elusive. In this manner physical objectsseemed to provide a means for the continuation of relatedness now psychically

    transformed. Physical objects vitally linked the daughters to their first primary

    relationship, a relationship that was gone in its former construction, and which

    was now demanding an internal psychic transformation and ultimate

    reconstruction.

    Indeed, there was a dynamic tension in the use of objects that existed

    within each of these participants. This tension was very much related to

    holding on and letting go. There were objects that were very much clung to in

    desperate attempts to symbolically cling to mother and objects that were

    ultimately released to the processes of internalization. All of object use was in

    the service of the daughters needs at the time and all were creative endeavors

    that temporarily supplied that which was psychically demanded. Ultimately, it

    seemed that for most participants the use of physical objects in mourningfacilitated the construction and formation of a different maternal relatedness, a

    relatedness which primarily existed on the inside, where the maternal

    accessing, internal dialogue, and the internalized relationship continued. Of

    course, the former living relationship is gone, but in its place there emerges a

    new relatedness, a relatedness that for many of the women is shaped and

    guided by object use.

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    Author Affiliation:

    Laura Lewis, Assistant Professor, Kings University College, London,

    Ontario, Canada

    Judith Belle Brown, Department of Family Medicine, Schulich School of

    Medicine, Department of Family Medicine, The University of Western

    Ontario, and Kings University College. London, Ontario

    Address Correspondence to: Dr. Laura Lewis, Kings University College,

    School of Social Work, 266 Epworth Ave., London Ontario Canada N6A

    2M3 [email protected]

    mailto:[email protected]:[email protected]
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