thervada zen comparison
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A Comparison of Theravada and Zen Buddhist Meditational Methods and GoalsAuthor(s): Winston L. KingSource: History of Religions, Vol. 9, No. 4 (May, 1970), pp. 304-315Published by: The University of Chicago Press
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Winston
L.
King
A
COMPARISON
OF
THERAVADA
AND
ZEN BUDDHIST
MEDITATIONAL
METHODS AND
GOALS
A
proposed
comparison
of
Theravada
and
Zen meditation
im-
mediately suggests
striking
contrast,
even
radical
dissimilarity.
And
how could
it be
otherwise,
with some
2,000
years
of
Theravada-
Mahayana divergencies
here
encapsulated
and with
special
Southeast
Asian and
Sino-Japanese
essences
added?
Taking Rinzai as our Zen model, we note the following contrasts
even at
first
glance:
Zen
calls
for sudden
enlightenment
(satori),
truth
received
in
its
instantaneous
wholeness,
whereas
Theravada
elaborates a
complex
array
of
stages
on the
way
to,
and factors
of,
enlightenment.
Satori seems
possible
to
all men
now because
every
man
has
within
him
the
true
Buddha
nature
crying
out
for
full
realization.
So
also
there are
numerous
individuals
now
living
who
are
certified both
outwardly
(by
a
roshi)
and
inwardly
(by
their
own awareness) as having achieved Zen satori. But in Theravada
countries
arahatship
is a
most
precious
and
very
rare
jewel
nowadays.l
By
way
of further
contrast,
Zen
speaks
"positively"
1
In
Theravada
the tradition is
strong
that
one
does not
speak
of
his
own
spiritual
attainments.
To claim
spiritual
states
greater
than
one has
was sufficient
cause
for
expulsion
from the
Sangha.
See
I.
B.
Horner,
Book
of
the
Discipline
Sacred
Books
of the
Buddhists,
vol. 10
(London:
Luzac
&
Co.,
1949),
1:159.
See
also
E.
J.
Thomas,
The
History of
Buddhist
Thought
(New
York:
Barnes
&
Noble,
1967),
pp.
16,
17.
304
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Comparison
of
Theravada
and
Zen
Buddhist
Meditation
indirect
and
gently persuasive.
But
this
difference,
I
believe,
has
to
do
more with cultural mode than
with functional
reality.
For
in
both traditions the
pupil
shows to the meditation master the
highest
possible
forms
of
respect
known to his
society,
and
as
long
as
he remains under
a
master's
tutelage,
whether
in
Kyoto
or
Rangoon,
the
hard
discipline goes
on and
the
master's word
is
absolute
law.
One
can
only say
that
the Indian-Southeast
Asian
forms
of
respect
and control are more
intimately
personal
and
unstructured,
"softer"
in
their
feeling
and
tone,
than
the
Sino-
Japanese variety,
which-in its
contemporary
meditation-hall
form,
at least-is more
organizedly
impersonal
and which is
quite
consonant with the
strongly
authoritarian
context of
Japanese
family
life
and the
superior-inferior
modes
of
showing
respect.
Indeed,
the semimilitaristic subordination
of
the individual
to
the
monastery
routine
and
to
its master
is
the
quintessence
of
this
aspect
of
Japanese
social life.
And
it
is
in
this
context,
I
believe,
that
the
markedly
explosive quality
of
some satori
experiences
is
to
be understood.
For,
when
the
meditating
pupil
realizes
his own
satori
beyond
any
doubt, his newfound sense of individuality and
of
being
his own man and his own
independent spiritual
authority
is
overwhelming.
It
results
in
giving
back to
the master
and his
system,
so
to
speak,
as
good
as one
has been
getting.4
But
when
these dramatic contrasts of
style
have been
duly
noted,
it should
be added that the
functions
of
roshi and
guru
are identical: to
bring
the
meditator-pupil
to the
fullness of the
master's
experience
as soon
as
possible.
Each,
in his
own
cultural
way,
is
deeply
solicitous of the pupil's advance and welfare; even the Zen roshi
heartily
and
gladly
welcomes
a
pupil's
satori.5
More
important
is the contrast
between
the
Zen
"positive"
unity-of-self-and-nature
quality
of satoric
awareness
and the
Theravada
"negative"
emphasis
upon
no-self
and
impermanence
as the essence
of the
highest
realization.
Indeed,
with
regard
to
traditional Pali-Canon
Theravada,
one
may
well
speak
of
the
meditator's deliberate
self-alienation
from the sense
life
in
all its
4
Dr. Akihisa
Kondo,
a
Tokyo
psychoanalyst
who worked and studied with
Karen
Homey
and considered
himself
a
disciple
of
D. T.
Suzuki,
said in con-
versation that most
Japanese,
reared
in
the
compacted,
few-roomed
family
atmosphere,
have a
group-unit
awareness
rather than a
highly
individualized
self-
awareness.
This
latter,
when
developed through psychoanalysis,
sometimes
be-
comes
outrageous
and
arrogant
and
needs,
in
turn,
to be
brought
down
to
size
and
mutuality
of
feeling.
Surely
there
is a
partial
parallel
to
Zen
satori
awareness.
5
See
Winston
L.
King,
A
Thousand Lives
Away (Cambridge,
Mass.:
Harvard
University
Press,
1964),
pp.
202
ff.;
Suzuki,
Essays
in
Zen
Buddhism,
First
Series
(New
York:
Grove
Press,
1961),
p.
254;
Philip
Kapleau,
The
Three Pillars
of
Zen
(Tokyo:
Weatherhill,
1965),
chap.
5.
306
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History
of
Religions
forms. One's
body
(we
are
told)
is
a
wound
open
to
samsaric
in-
fections,
and the sense life
is a
source of
great
spiritual
danger.
That a pleasant awareness of natural surroundings did sometimes
creep
into the meditative
consciousness
is
evidenced
in the
Thern-
gatha
and
Theragatha;6
and
contemporary
Southeast Asians
live
fully
as much
or
more
in
the consciousness of
nature than
the
Japanese.
Yet,
for orthodox
Theravada,
one
must
say
that
nature
as
such
is
related
to
primarily through
extra-Buddhist
channels
and
is
not viewed as a
direct or
desired
product
of
meditational
experience.7
Coomaraswamy's
comment about
the
Pali-Canon
forest-dwelling meditator is generally appropriate to Theravada:
"The
love of
lonely
places
is
most often for their
very
loneliness.
.
.
.
More
truly
in
accord
with
the monastic
will
to
entire
aloofness
is
the
coldness of
the
monk
Citta
Gutta,
of whom
the
Visshudhi
Magga
relates
that
he
dwelt
for
sixty years
in
a
painted
cave,
before which
there
grew
a
beautiful
rose
chestnut;
yet
not
only
had
he
never
observed
the
paintings
on
the roof of
the
cave,
but he
only
knew when
the tree
flowered
every year,
through
seeing
the
fallen pollen and petals on the ground."8 To this one must add the
emphasis upon
detachment
from
self-in-the-midst-of-life
which
breathes all
through
the
Pali
Canon and is
continued
in
modern
meditational
manuals.
According
to
the
Digha
Nikaya,
the
main
purpose
of
meditation
is to
strengthen
one's
mindfulness
(i.e.,
detached,
alert
awareness)
of
whatever he
does: "And
moreover,
bhikkhus,
a
brother,
when he is
walking,
is aware
of it
thus:-'I
walk';
or
when
he
is
standing,
or
sitting,
or
lying
down,
he
is
aware
of it. However he is disposing of the body, he is aware thereof....
In
going,
standing,
sitting,
sleeping,
watching,
talking,
or
keeping
silence,
he
knows
what he
is
doing....
And
he
abides
independent,
grasping
after
nothing
in
the
world
whatever."9 A
contemporary
meditation
manual
sets forth
still
more
vividly
this
motif
of the
desired
"inner
distance
from
things,
men
and
from
ourselves":
"In
the
course
of
practice,
one will
come
to view
the
postures
of
6
Psalms
of
the
Brethren,
trans.
Mrs.
C.
A.
F.
Rhys
Davids,
Psalms
of the
Early
Buddhists, vol. 2 (London: Oxford University Press, 1937), sts. 113, 115, 887, 1062;
Psalms
of
the
Sisters,
trans.
Mrs. C. A.
F.
Rhys
Davids,
Psalms of the
Early
Buddhists,
vol. 1
(London:
Oxford
University
Press,
1937),
sts.
24,
366 ff.
7
It
is
significant
that the
Burmese
Buddhist's
"religious"
and
efficacious
con-
tact with
nature
is
through
the
extracurricular nat or
nature
spirit.
See
King,
A
Thousand
Lives
Away,
pp.
50
ff., 60-61,
65-66.
8
A.
Coomaraswamy,
Buddha
and the
Gospel
of
Buddhism
(New
Hyde
Park,
N.Y.:
University
Books,
1964),
pp.
169,
170.
9
"MahF
Satipatthana Suttanta,"
Dialogues
of
the
Buddha,
trans.
T.
W.
Rhys
Davids
and
C. A.
F.
Rhys
Davids,
Sacred
Books
of
the
Buddhists,
vol.
3
(London:
Luzac &
Co.,
1966),
pt.
2,
p.
329.
307
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Comparison
of
Theravada and Zen Buddhist
Meditation
his
own
body
just
as
one
unconcernedly
views
the automatic
movements
of
a
life-sized
puppet.
The
play
of
the
puppet's
limbs
will evoke a feeling of complete estrangement, and even a slight
amusement like that of
an
onlooker
at
a marionette
show.
By
looking
at
the
postures
with
such a detached
objectivity,
the
habitual
identification with the
body
will
begin
to
dissolve."10
This
may
be
sharply
contrasted
with the
positive-unitive
theme
in
Zen
by quoting
a
single passage
from
Zen: "When
the
mountains
are
seen
as
not
standing against
me,
when
they
are
dissolved
into
the
oneness
of
things, they
are not
mountains,
they
cease
to exist
as
objects of Nature. But [on the other hand] when they are seen as
standing against
me,
as
separate
from
me
...
they
are not
moun-
tains either. The
mountains
are
really
mountains
when
they
are
assimilated into
my being
and
I
am absorbed
in them."11
How
then shall we understand
this difference
between
the
Theravada
"estrangement"
from
nature
and the
Zen
mountain-in-
me
and I-in-mountain
awareness?
Zen has
obviously
been
deeply
influenced
by
Chinese
Taoist
and
Japanese
Shinto
naturistic
mystical aestheticism, whereas Theravada embodies a modified
Hindu
ascetic-monastic
conceptual
tradition-though
further
modified
in
practice
by
Southeast
Asian
tolerance
and
gradualism.
Yet be
it noted that
both,
as
Buddhist,
consider
ordinary
selfhood
and its modes of awareness
to be
empty
of
reality
(anattd,
or
sunyatd);
and
both
specifically
aim
at the
total
destruction
of
our
illusion
of
separate
individuality.
In its
Sino-Japanese
context
Zen
positively
and
"cosmotheistically"12
emphasizes
a
unifying
absolutist awareness and thus dissolves separative individualism,
while
Theravada,
working
within
its
traditional
terminology
of
sense-world
rejection,
speaks
in the
main
negatively
of
the
de-
struction
of belief
in
the
reality
of
things,
selves,
and
all
conceptual
entities
as its
experiential
goal.
But
by
this
very
destruction
of
such
beliefs
Theravada
also seeks
to
destroy
the
separativeness
that is
inherent
in
ordinary
self-consciousness
and to
dwell
"benevolent
in
mind,
compassionate
for
the
welfare
of
all
creatures
and beings." 13
10
Nyanaponika
(Thera),
The
Heart
of
Buddhist
Meditation
(London:
Rider
&
Co.,
1962),
pp.
43,
64.
11
D. T.
Suzuki,
Zen
Buddhism,
ed.
William
Barrett
(New
York:
Doubleday,
Inc.,
1956),
p.
240.
12
Heinrich
Dumoulin,
Ostliche
Meditation
und
christliche
Mystik
(Freiburg:
Alber
Verlag,
1966),
p.
64.
13
Middle
Length
Sayings,
trans.
I.
B.
Horer
(London:
Luzac
&
Co.,
1959),
3:181.
308
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History
of
Religions
Thus,
in
the
end,
"negative"
Theravada also seeks
to
join
the
individual
in
nonindividualistic
and
compassionate
"unity"
with
all other
beings.
For us, then, it remains
only
to
judge
which of
these
modes of
realizing unity might
be
existentially
the
more
efficacious for the
majority
of
mankind.
II
But three
genuinely
major
comparative
problems
remain.
A. SUDDEN
VERSUS
GRADUAL ENLIGHTENMENT
Let it be said at once that Zen "suddenness" cannot be set
simply
and
diametrically
over
against
Theravada
"gradualness."
Zen
itself was
early
involved
in
its
own
internal
disputes
over sudden
and
gradual enlightenment,
as the
Platform
Sutra
of
the
Sixth
Patriarch
bears
witness.14
And in
one
sense
contemporary
Soto
and Rinzai
Zen
may
be considered
to
be
"gradualist"
and "sud-
den,"
respectively,
since the former
encourages
meditational
sitting
without
any expectation
of
suddenly enlightening
ex-
periences, while the latter takes them for granted. There is a further
complication
in
the
necessity
of
the roshi's external
authentication
of the
meditator's
experience
of
satori,
whereas the
arahats
in
Pdli
scripture
accounts knew
absolutely
for
themselves
when
they
had
arrived.
But
quite
dogmatically
we
may say:
When
enlightenment
comes,
either
in
Zen
or
Theravada,
it
is
always
sudden.15
In
support
of
this
it
may
be
observed that
Gotama
took
a vow not to
leave the
bodhi tree until he achieved enlightenment, and that in the third
watch
of
a
specific
night
he
saw
reality
"as
it
truly
is."
If
not
lightning-instantaneous,
his
enlightenment
can thus
be
pinpointed
within a
very
few
hours
at most.
So too do
the similar
vows
and
specific
experiences
related
in
the
Therigatha
and
Theragathal6
suggest experiential
suddenness. And there
is in
the
Theravada
tradition the
story
of
an
acrobat who received
his
enlighten-
ment
while
juggling.17
Indeed,
definiteness of attainment
is
very
14
This
Sutra
portrays
Hui-Neng,
the unlettered
apostle
of sudden
enlighten-
ment,
as the
correct and
successful
opponent
of
Shen-hsiu,
the
representative
of
the
gradualists,
in
the
seventh
century
A.D.
15
This
point
was
made
repeatedly
by
Walpola
Rahula at the
Buddhism Semi-
nar,
Carleton
College,
August,
1968.
16
Psalms
of
the
Sisters
[Therigatha],
sts.
27, 30, 37-47,
67-71,
72-76,
77
ff.,
120-21,
433,
et
passim;
Psalms
of
the
Brethren
[Theragatha],
sts.
104,222-24,311-
314,
408-10, 436,
510-517.
17
According
to
Rahula.
Cf.
this statement
by
Nyanaponika
(Thera)
in The
Power
of
Mindfulness,
Wheel Publication
no.
121/122
(Kandy:
Buddhist
Publi-
309
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Comparison
of
Theravada
and Zen
Buddhist
Meditation
explicitly
present
within
the classic Theravada
tradition;
and
definiteness
inherently
implies
at least
some
degree
of suddenness.
With
regard
to Zen
satori,
we
may
note that it
appears
more
sudden
only
by
virtue
of
emphasis upon
the final
moment
itself,
for
in
Zen, too,
are
present
both
preparation
for
and
consequent
development
of
satori.
As
noted,
the roshi
may
refuse to acknowl-
edge
lesser
experiences
as
genuine
satori
and
slightingly
refer to
them as
kensho. He
relentlessly
pushes
the
meditator
on
to
a
deeper experience.
Indeed,
the
philosophy
of some
is that the
harder the
master
and
the
longer
withheld his certification
of
satori, the
greater
and
deeper
is that satori.18 Now, is not this
"gradualism" by
whatever name?
Further,
there are those
who
are
sparing
of
the
use
of
the term "satori"
itself,
or
speak
of
having
had several
satoris; or,
with the late Mrs.
Sasaki,
they suggest
that
while the
first satori is
a
unique turning
point,
it
needs
to be
"extended" or
"deepened"
or
"further
developed":
"The
practice
of
Zen is
just
like
making
a
fine sword
....
For
this reason
the
more satoris
you
have attained the
more
you
must
experience,
the
clearer your understanding becomes the more you must study."19
To
repeat:
"suddenness"
or
"gradualness"
of
enlightenment
then
appears
to
depend primarily
upon emphasis and/or
point
of
specification.
One
may
choose
to
emphasize
the
prior
preparation
(or
subsequent
development)
and
call it
"gradual";
or
one
may
stress
the
experiential
breakthrough
and call it
"sudden."
But
in
both
Theravada
and Zen there
are
development
and
pinpointed
breakthrough.
Why then the differing stress? After the early Buddhist days of
experiential
spontaneity-scripturally
indicated
by
the "thou-
sands"
reported
to
have become
arahats-monastic
scholasticism
took over.
Indulging
in the
Indian
penchant
for
classification
and
analysis,
this scholasticism
detailed
all of
the
steps
and factors
leading
to
enlightenment,
confined
meditational
possibility
largely
to the
monastery,
and this both
slowed
down
and rarified
successful
cation
Society, 1968),
p.
47:
"Many
instances
are
recorded
of
monks
where
the
flash of intuitive
penetration
did not strike
them
when
they
were
engaged
in
the
meditative
practice
of
insight proper,
but
on
quite
different
occasions:
when
stumbling,
when
seeing
a forest
fire,
a
fata-morgana,
a
lump
of
froth
in a
river,
etc."
18
This was Ruth
Fuller
Sasaki's
opinion.
19
Issha Miura
and
Ruth
Fuller
Sasaki,
Zen
Dust
(Kyoto:
First Zen Institute
of
America
in
Japan,
1966),
pp.
58-59.
Mrs.
Sasaki
liked
to
use
the
analogy
of one's
having
got
to a
mountaintop
suddenly
(by
the
first
satori)
but
needing
further
(by
continued koan
study
and
meditation)
to look
upon
the
way
by
which
he
had
arrived,
somewhat
mysteriously,
in
order
to
understand
it better.
310
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History
of
Religions
meditation.20
However,
with
Nagarjuna,
even
Indian
Buddhism
had
already
arrived at
the conviction that
Nirvana
(the
goal
or
meditation)
is
implicit
in
present
reality
(sahmsra)
and is not to be
found
at
the far end
of a
long
journey.
This,
coupled
with
the
Sino-Japanese
impatience
with
metaphysical speculation
and
a
fundamental reliance
upon
intuitional
apprehension
of
existential
truth,
resulted in
an
attempt
to
bypass
all
methodological
elabora-
tion
and
gradualness
and
get
to the
experiential
heart of
the
matter at
once.21
And,
interestingly
enough,
some
observers see
in
contemporary
South
Asian
meditation
a
similar
impatience
with
the classical, tradition-encrusted, category-ridden, and monastery-
imprisoned
Theravada
meditational
process.
Writes
Nyanaponika
(Thera)
about the new
Burman
method
of
body-self
mindfulness:
"At
that
time
[early
twentieth
century]
a Burman
monk,
U
Narada
by
name,
bent
on actual
realization of
the
teachings
he had
learnt,
was
eagerly
searching
for
a
system
offering
direct access
to
the
Highest
Goal
without
encumberment
by
accessories ....
The
results he
achieved in
his own
practice
convinced
him
that he had
found what he was searching for; a clear-cut and effective method
of
training
the
mind
for
highest
realization."
22
The
urgency
of
rapid
attainment,
and
presumably
sudden
breakthrough,
is
the
more
striking
in
the
high-intensity
rough-breathing
(or
sunlun)
method
of
meditation
and
suggests
that
contemporary
Theravada
may
be
approximating
Zen in
its
emphases
upon
a
more
vigorous
method and
possibly
faster
results.
B. THERAVADA EQUIVALENTS OF ZEN KOAN USE
On the
face of it
Rinzai
Zen
is
unique
in its
use of
the
koan-but
only
on the
face
of it.
For,
going
directly
to
the heart
of
the
matter in
good
Zen
fashion:
What is
the
function
of the
koan?
This
nonconceptual,
nonintellectualizable
item
is
made
the sole
content
of the
meditator's
intellectual-emotional
diet
for
weeks,
with
only
his
own
sweat
and
agony
and
the
roshi's
comments,
non-
comments,
and
blows
to
season it. His total
existence is
centered
around "solving" the koan, whether in actual zazen or in working,
walking,
eating,
or
sleeping.
It
becomes his
"thing";
he
becomes
a
mass
of
existential
concern
wrapped
around
the
koan,
so
that it
is
like
a
red-hot ball
of iron
that
he
has
swallowed and now is
unable
20
But
most
meditation
masters
today
would
agree
with the
comment
of a
con-
temporary
Burmese
that
some
meditators
pass through
all these
steps
in
a
short
time.
21
See
Suzuki,
Zen
Buddhism,
pp.
48-58.
22
The
Heart
of
Buddhist
Meditation,
pp.
85,
86.
2
311
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Comparison
of
Theravada
and Zen
Buddhist Meditation
to
regurgitate,
evacuate,
or
digest.
Around this center
gather
the
totality
of one's basic
anxieties,
not so much
in
the nature of
intellectual
questionings
and
doubts
as
in
the
experienced
Angst
of
a
human
being
on
the brink
of the
abysslike
threat of
nonsignifi-
cance
and
nonbeing.
Oneself
becomes the
koan
question
to be
answered,
as
Thomas Merton
puts
it;23
and
"solution"
must be an
existential
breakthrough
into
a new mode
of
awareness
and
life
orientation-following
the death
anguish
of the old conventional
selfhood.
What
serves
this function
in
Theravada meditation?
The atten-
tive mindfulness focused on breath,
body
processes,
thoughts,
and
emotions.
This
may begin
with
breath
mindfulness,
directed
toward
breath motion at nostril or
in the abdomen.
This breath
movement
or
breath
sensation
must
occupy
the
totality
of
con-
sciousness
(just
like the Zen
koan),
or
it
cannot
be
effective.
Beginning
here with his own "external"
body,
the
meditator seeks
to
perfect
the
power
of
one-pointedness
of mind
(or
attention),
which
subsequently
can be
focused
anywhere
at will.24
When his
one-pointedness of mind becomes sufficiently developed, he then
shifts to that
deeper
sort
of
meditation
known as
vipassand.
Here
the
aim is
to
go beyond
mere
one-pointed
mindfulness
to
a
fully
existential realization of
anicca-anatta-dukkha
(impermanence-
emptiness-suffering)
in one's
own
body-mind
totality,
a
totality
which includes
especially
the inner
man of
thought
and
emotion.
The
sunlun
intensification
of this
method
prescribes
a forced
pace
of
regular
intervals of
heavy
and sustained
breathing
throughout
longish periods (even up to twenty-four hours), and thereby hopes
to
produce
such
a vivid
sense
of existence
as
inherent
suffering,
now
intensified within
one's
own
body,
that
the meditator
actually
experiences
death
feelings
or
personality-dissolution
feelings.
He
literally
feels
himself to be
standing
on
the
edge
of
an
abyss
of
nonbeing.
Here
is a firsthand
report
from
a Burmese
meditator:
One
day
while I
was
practicing
at
home,
I felt
my body
was
dashing
away
at a
terrific
speed
toward
something,
but
I did
not know
what.
Like
a run-
away car crashing against a rocky hill, I thought I would be smashed to
pieces.
A
great
fear seized me and
I
jerked
myself
away
from
that
sensation.
Once
I
was
free from the clutches
of the
terrible
sensation
I
realized
that
I
had
missed a
great
experience.
I
should
have
faced that
terrible
sensation
without
fear,
with
mindfulness
as
my
only
stay....
Why
had
I
turned back?
The
reason
was
quite
simple.
I
did
not want to
be
free from
what
is
Suffering;
for the end
of
suffering
means
the
end of
life.
23
"The Zen
Koan,"
Lugano
Review
1
(1966):126.
24
King,
A
Thousand Lives
Away,
appendix.
312
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History
of
Religions
Life and
suffering
cannot
be
separated....
I realized
that
my
clinging
desire for life had
made me
turn back from
the bound of
freedom.25
What have we here? Without any unduly strained
interpreta-
tion,
this
experience appears
to be
functionally
and
emotionally
equivalent
to
the
Great
Death threat
to
ordinary
selfhood in
Zen.
Here in the
body-mind
mindfulness
practice,
one is his
own
koan
in
which
are encountered in
existential
depth
and
first-personal
reality
all
of
the
tensions of life-death
existence,
of
being
and
non-
being,
of inner and outer
identity,
and
of
existence
as
both
deter-
mined and free.
C.
THERAVADA
EQUIVALENTS
OF
SATORI
I
come
last
to
the most
dubious
part
of
my enterprise:
the
attempt
to
equate
one
type
of
inner
experience
with
another.
Perhaps
making
such
comparisons
is
intrinsically
fruitless; for,
as
Walpola
Rahula has
rightly
suggested26
the
language
in
which
satori and
enlightenment
are
respectively reported
is
usually
culturally
and
traditionally
stereotyped
and
tells us
little or
nothing
about
the
true inner quality of the experience itself. For example, what does
it mean
experientially
to
say
with
the
Theravadin:
I
win,
I win
the
Triple
Lore
The
Buddha's
will is
done.27
Or
with
the
Zen-satoried individual
to
say
that
now
mountains
are
mountains,
trees
are
trees,
and
rivers are rivers
again?
One
may
wish
to
say flatly
that all
such
experiences
are
ineffable
in
essence; hence,
to
deal
with
their
reported
content
is but
to
analyze the respective cultural and traditional contexts.
There
is,
besides
this,
the
contemporary
Theravada
reluctance
to
speak
at all
of
one's
own
attainments,
especially
in
any
com-
parative
manner.
One
may suspect
a
degenerate-age
psychology
which
seeks to
cover
up
its
own
embarrassment at its
paucity
of
arahatship
with
appropriate
scriptural
warnings
against
pride.
But,
in
any
case,
to
his
meditation
master one
must
report
inner
happenings;
and the
master
definitely
has
some
sense of
where
the
meditator is along the way.28 Further, the classic Theravada
25
Khin
Myo
Chit,
"Buddhist
Pilgrim's
Progress,"
Guardian
Magazine (Ran-
goon)
(February 1963),
p.
17.
26
Buddhism
Seminar,
Carleton
College,
August
1968.
27
Psalms
of
the
Sisters,
st.
30,
p.
28.
28
Upon
reading
the
result of
E. H.
Shattock's
meditation
reported
in
his An
Experiment
in
Mindfulness
(London: Rider,
1958),
U
Ba
Khin
of
the
Rangoon
International
Meditation
Center
forcefully
indicated that it
was
a
very
meager
attainment
in
his
view.
313
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Comparison
of
Theravada
and
Zen
Buddhist Meditation
tradition
clearly
categorizes
the
various
stages
of attainment
on
the
long
road
to
Nirvana
as
sotdpanna
(stream-enterer),
sakdde-
gamin (once-returner),
andgdmin
(nonreturner),
and arahat
(en-
lightenment-attainer).
So too
are
the various
accompanying
meditational states
carefully analyzed
and
graded.29
Thus,
our
comparison
may
seem to
be
one
of
asteroids
with asterisks.
But,
since Theravada
categorized-and-final
enlightenment
and
Zen
noncategorized-but-supreme
satori
both
profess
to be true
Buddhist
enlightenment,
they
invite
comparison
nonetheless.
Let
me
therefore
venture
a
highly
tentative
comparative
evaluation: First satori can be
equated
with the stream-enterer
(sotapanna)
experience
in the Theravada
tradition.
This
equivalence
I
shall
try
to
support,
not
so
much
by
an
analysis
of
what is said
in
stereotyped
format
about the
attainments,
but
by analysis
of
function
and
place
of the
experiences
within
the
respective
meditational
progressions.
For
Zen the
first satori
is
unique.
It is
an
initial
breakthrough
in
which
the conventional
mode of
subject-object
awareness
is
per-
manently
transcended. As with a
picture
puzzle
once solved, so
life
awareness,
once
satoried,
can never
be
the same
again-even
though
one
may
later
deepen
the
initial
experience.
So
also
the
sotdpanna
or stream-enterer
stage
is
the
Theravada
breakthrough.
For,
once
one enters
the stream
of
salvation,
he exists
in a new
dimension;
he is an
ariya;
he
cannot
lapse
into less
than
human
(i.e.,
less
than
Nirvana-possible)
states
of
existence
and
has
at
most
only
seven
rebirths before
his
final
Nirvana.
He now
lives
in
an
enduring
awareness of the
great
liberating truth of things as
they
truly
are and
of
his own
anattahood.
And the three
higher
stages
of
attainment,
including
arahatship,
are
actually
but
the
refinement
and
perfection
of
sotapannahood.
A
few
quotations
from
the
late
great
Ledi
Sayadaw
will
make
my
point
here:
When a
person
attains
Sotapattimagga
(the
Path
of
Stream-winning),
micchdditthi
(Wrong
Understanding)
and
vicikicha
(Sceptical
Doubt)
that
accompany
him
come to an end.
All of
his accumulated
old
unwholesome
kammas and those unwholesome actions that have been performed by him
.
.
. become
ineffective.
From the
moment
they
[sotdpannas]
attain
the Path
of
Stream-winning
.
.
they
have
thus attained
sa-upddi-sesa-nibbdna
(the
Full Extinction
of
Defilements
with
the
Groups
of
Existence
still
remaining)
. .
. the
inherent
qualities
of
the
Holy
Ones
[ariyas]
ever
exist in them
and
they
become
stronger
and
stronger
in
succeeding
existences.
The
Sa-upddi-sesa-nibbana
29
King,
A
Thousand Lives
Away, pp.
106
ff.,
222-23.
314
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History of Religions
attained
by
Sotipannas
is never
destroyed
and so
it is
eternal. The state
of
the
Unoriginated,
Uncreated
is
...
enjoyed
by
Sotapdnnas.30
Structurally and functionally, therefore, satori and sotapanna-
hood are both
definitive
breakthroughs
into
the realm
of
enlighten-
ment. Both are
unique
for the
experiencer,
and both are
perma-
nent. But
Theravada,
with
its
view
of Nirvana as
the
great
goal
of
the
chronological
end
of
samsara,
conceives
its final attainment
as
now
only
a
very
few
lives
away;
and
Zen,
with
its
Mahayanist
"Samsara
is
Nirvana"
background,
conceives the final attainment
in
terms of
successive
this-life,
here-now
deepenings
of
satori. But
these
differences are cultural dressing rather than experiential essence.
Finally
we
may
ask: Is there
any
evidence
of satorilike ex-
perience
at
the sotdpanna level which
comes
through, stereotyped
formulas
notwithstanding? Though
it
must be taken for
granted
that
one knows when
he has
attained this level
(at
least with
the
help
of a
meditation
master),
Theravada
scriptures
and
tradition
have
little to
say directly
about
the
experiential quality
of
the
attainment
of
sotapannahood.
Perhaps
the
reasons
for
this
near
silence are the obsessive Theravada magnification of the final per-
fection
of
arahatship
at
the
expense
of
all
lesser
stages,
the scholas-
tic
elaboration
of those
stages,
and the de
facto confinement
of
direct
Nirvana
seeking
to monastic life.
Yet
once,
according
to
Theravada
scriptures,
arahatship
was
very
common
or
almost the
rule
for
monks.
Could
it have
been rather
sotapannahood
that was
meant?
But,
regardless,
when
meditation masters
today speak
of
"the
attainment of
Nirvanic
peace"as
the
goal
of meditation and
hold it out as possible even for laymen, I suggest that their intent
(spoken
or
not)
is
thereby
to
indicate
sotapannahood.
And
perhaps
the
report
of
the
final,
victorious
passing
of
our Burmese
meditator
through
the
jaws
of
the
deathlike
experience
can
be
considered an
account
of the
attainment of
sotapannahood.
One
night
I
lay
...
practicing
mindfulness of the
bodily
sensations....
My
whole
body
began
to
vibrate as
if
an electric shock
was
running
through
me....
The
vibrations
became
more and more violent....
Soon it
seemed
that
mindfulness
and
sensations had met in
a death
struggle
in which
fear
caused by the thought, "What shall become of me?" had no place. When
two
things, namely
the
sensation and
mindfulness
existed,
there was no
place
for
I. The illusion
of
I
was
broken.... I did
not know
how
long
this went
on.
The next
thing
I
knew I
was
sitting
cross-legs,
my
whole
body
wide
open
like
the
boundless
sky,
with
nothing
to
hang
on,
nothing
to
cling
to....
There
was
nothing
but
peace
in
my
heart.31
30
Mahathera
Ledi
Sayadaw,
The
Manuals
of
Buddhism
(Rangoon:
Union
Buddha
Sasana
Council,
1965),
pp.
157-59. It is to be
observed
that
the Ledi
Sayadaw
here
uses
sa-upddi-sesa-nibbana
Nirvana
in
this
life)
of
all four
of
the
ariya
stages
and
not
only (as
is more
usual)
with
regard
to
arahats
only.
31
Khin
Myo
Chit,
p.
19.
315