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I-8 EXT. SMALL PARK - THAT AFTERNOON

Dorothy and Julie enter a park, both of them frustrated.

DOROTHYSo, I just have one question. What the hell was that?!

JULIEOh my God, yes, I know!

DOROTHYThe biggest tragedy is that Max! He must be quite talented to be able to conceal it so well. We deserve better than a show where we don’t know who to sympathize with, other than the audience.

JULIEI like you, Dorothy. You speak your mind. So where are you from?

DOROTHYOh, well, I grew up in a quaint little Hamlet. Momma and Daddy were farmers. Momma died of pneumonia about the time my brother left for college, so I took over the fields.

JULIEThat sounds like Our Town.

DOROTHYYes, yes it does.

Michael reacts, as Ron enters and approaches.

RONJulie, love, I had a feeling you’d be here.

JULIEYou did ask me where I was going.

RONAnd you were right! I must say you looked beautiful in rehearsal.

10/9/19 39-40

SIDE #1

START -->

DOROTHYBeautiful? Yes, but she also made some very smart acting choices.

RONWell, sure, that wasn’t what I --(To Julie) I’ve been desperately trying to steal time alone with you to chat about your character. You’ve been quite slippery, but I don’t give up.

JULIEThat says more about your character than mine.

RONI like how I don’t like how you talk to me.

JULIEHow about we do this another day, Ron?

RONOf course. No means another day.

DOROTHYI’d be happy to chat about my character any time, Ron.

RONAre you sure we haven’t met? I feel like I’ve been annoyed by you before this.

He gives Dorothy a threatening look, then leaves.

DOROTHYHe’s the real problem. They should take all pompous men like him and just stick them on an island somewhere.

JULIEThey did. It’s called Manhattan.

DOROTHYSo are you interested?

JULIERon’s not even my type on tequila.

DOROTHYThen why not just tell him?

4/11/19 6:00 PM 41

JULIEBecause he’s a director who hired me, who talks to other directors who hire me, so I handle it.

DOROTHYI’d handle it by kneeing his balls through the roof of his mouth?

JULIEIt’s not worth it. I don’t let anything, or anyone, get in the way of what I want.

DOROTHYAnd, (fishing) is there anyone in your life now?

JULIENo. There was. A while back. We wanted very different things. But you know this life, you have to be willing to risk everything for that one thing.

4/4/19 6:00 PM 42

END

RON(To Dorothy) Yeah, well, enjoy your moment, because you will never work in any show I ever do, in the pantheon of ever, then even after that, after that.

DOROTHYI’ve heard that before.

RONThere’s something about you. (Then) Julie--

She closes the door on him.

DOROTHYJulie, about what happened. I know you’re upset, and I just want to explain, somehow...

JULIE--No. Let me talk. I’ve been so focused on my career, I ignored what I didn’t have until suddenly, there it was. Unexpected. Unavoidable. And it’s you. It’s how you make me feel, how you completely get me. Let’s do this!

DOROTHYLet’s do what?

JULIEThis!

DOROTHYThis?

JULIEUs!

DOROTHYUs? This us? Us us?

10/9/19 83

SIDE #2

START -->

JULIEI know it’s not the package I imagined.

DOROTHYThat depends on what it is you imagined.

JULIEYou can’t help who you fall in love with. And you are who I fell in love with.

She leans in to kiss him. Michael almost returns the kiss--

DOROTHY--I can’t!

JULIE--You can’t?

DOROTHY--I can’t.

JULIE--Why can’t you?

DOROTHY--I’m not a lesbian.

JULIE--Neither am I.

DOROTHY--But you can be.

JULIE--Then so can you.

DOROTHY--No, I really really, really really can’t.

JULIEI know it’s scary. We can take it slow. Start from the waist up.

DOROTHYIt’s not that, well it is that, but it’s not that. I don’t think I can give you what you want.

JULIEI don’t understand. You kissed me! Mouth opened! With tongue!

DOROTHYI know. I do that.

10/9/19 84

JULIEI trusted you.

DOROTHYAnd I want you to. I just... I wish I could explain.

JULIEStop. Don’t. You should leave.

She goes and opens the door for her. Dorothy stops, but realizes there’s nothing to say, and leaves.

“WHO ARE YOU (REPRISE)”

JULIE (CONT’D)YOU THINK YOU’VE GOT IT FIGURED OUT SO PERFECTLYYOU LOCKED YOURSELF INSIDE A BOXTHEN SUDDENLY,THERE’S THE KEY

SOMEBODY I COULD TALK TOLIKE SOMEONE I’VE ALWAYS KNOWN

WHO ARE YOU?WHO ARE YOU?

3/1/19 85

END

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-- - - --

There Was JohnMusic and Lyrics by

David Yazbek[Rev. 1.20.20]

(Pianist or Reader should read Dorothy's line at m.15)

08[JULIE – AUDITION CUT in A]

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Piano/Vocal - 2 - 08 There Was John [Rev. 1.20.20]

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-- - - --

There Was JohnMusic and Lyrics by


(Pianist or Reader should read Dorothy's line at m.15)

08[JULIE – AUDITION CUT in Bb]

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- - - -

Gone, Gone, GoneMusic and Lyrics by


14[JULIE - AUDITION CUT]

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‰ jœ œœ œ ‰ jœ œœ œJœ ‰ Œ œ œ Œ

Perc

œ œ œ# œ .œ œ œ œ œchan ging all the rules– Bats in the

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‰ jœ œœ œ ÓJœ ‰ ‰ . Rœ Jœ ‰ Œ

œ œ‰ Œ ‰ . Rœ œ œ œat tic, fire in the

œ œ œœ œn ≈ œ ≈ œ≈ œ ≈ œ ≈ œ

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œ œ- œ.‰ jœ-

C#m7

13 BATS 1

œ Œ Œ ≈ œ œhole I can't

œ œ œ œœa œ# ≈ œ ‰ . rœ œœ œœœ œœ œœ

œ. œ.Œ ≈ œ œ œ œ œ

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15 œ œ œ œ œ œ œ œ œ œbreathe, I can't sleep, I can't think, ba by I'm

≈ œ ≈ œ œ œ ≈ œ ≈ œ ≈ œ ≈ œ œ œ

œ. œ.‰ . r

œ œ- œ ‰ jœ

œ œ .œ œ œ œ œgone gone gone Bees in the

œ œ œœ œ# ≈ œ ‰ . Rœ ≈ œ œ œ

œ œ Œ ≈ œ œ œ œ

œ œ ‰ Œ ≈ œ œ œ œ œ œbon net I'm gon na lose con trol

œ œ œ œ œn ≈ œ ≈ œ ≈ œ ≈ œ ≈ œ

œ œ ‰ . rœ œ œ ‰ jœ

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18

œ Œ Œ œ œ œBa by I'm

œ œ œ œa œ# ≈ œ ‰ . rœ œ œ œ &

œ œ Œ Œ ≈œ œ

œ œ œ œgone, gone, gone, gone,

œœœ- œœœ# - œœœ- œœœ-

œ œ ‰ . rœ œ œ ‰ jœ

œ .œ œÓ

gone –

œœœ# œœœ œœœ œœœ œœœ œœœ œœœ œœœjœœœ> ‰ Œ

œ œ ≈œ œ jœ ‰ Œ

"Kiss" guitar sound

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Piano/Vocal - 2 - 14 Gone, Gone, Gone [Rev. 1.20.20]

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