trey v meyer - portfolio

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ArchitecturAl Portfolio B.S. Arch - University of Cincinnati M. Arch - Clemson University Trey V Meyer

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Page 1: Trey V Meyer - Portfolio

ArchitecturAl PortfolioB.S. Arch - University of Cincinnati

M. Arch - Clemson University

Trey V Meyer

Page 2: Trey V Meyer - Portfolio

Design ContinuumTable of ContentsF all 09 - Spring 14 | Trey Meyer

Over my educational studies and professional experience, I have been immersed in learning skill sets, both manually and digitally through projects done individually as well as collaboratively. In improving these skills, I have began to expand my ability to present ideas and process in clear, understandable architectural discourse. The following portfolio is a representation of the skills integrated with design process over my first four and a half years of academic learning and professional experiences.

01

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07 - 12 L i t e r a r y a r t s C e n t e r

31 - 34 S k y S c r a p e r: B u i l d i n g i S B e i n g

13 - 16 T e c T o n i c e x p l o r a T i o n

05 - 06 D e s i g n C u b e s / M o D u l a r ‘n o o k’

25 - 30 a d a p t i g g r i d d e d i d e n t i t i e S

17 - 22 c u l t u r a l i n t e g r a t a t i o n

23 - 24 T h e C o l l a b o r a T i v e i n C.

35 - 36 R i c h a R d h e n R y B e h R a R c h i t e c t P . c.

Continuum: anything that goes through a gradual transition from one condition, to a different condition, without any abrupt changes 37 - 42 t h e V e r t i c a l S c h i S m

49- 50 N i e h o f f S t u d i o: h e l i x

51 - 52 O c u l u s A n d A l t e r 02

43 - 48 p a r a m e t r i c F r a g m e n t a t i o n

53 - 58 F o l d e d J u x t a p o s i t i o n

59 - 66 F r a m i n g S u S t a i n a B l e t r a n S p o r t a t i o n

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Resume InfoRmatIonBackground & SkillsBACHELOR OF SCIENCE IN ARCHITECTURE03

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MEYER245I | CENTRAL, SC | 29630419.770.0176 | [email protected] Link - http://issuu.com/treymeyer/docs/m.arch-application

MArchTREY

education

University of CincinnatiCOLLEGE OF DESIGN, ART, ARCHITECTURE, & PLANNINGB. S. ARCHITECTURE | CLASS OF 2013 | 3.77 GPA

Tinora High SchoolVALEDICTORIAN | NATIONAL HONORS SOCIETYCLASS OF 2009 | 4.0 GPA

Clemson UniversityCOLLEGE OF ARCHITECTURE, ARTS & HUMANITIESM. ARCHITECTURE | COMMUNITY BUILD CERTIFICATE | CLASS OF 2015

Cincinnati City RevivalCincinnati Dance MarathonHabitat for HumanityMatthew 25 MinistriesNational Honors SocietyGraduate Architecture-Student Partnership (GASP)

Digital

Service

Manual

ACSA: 2012-2013 Fabric in Architecture Student Design Competition 1st Prize RecipientFabric Architecture Magezine Publication “Line, Point, Plane Simulation”Cincinnatus Scholar RecipientMagna Cum Laude Honors

skills

activities

Revit**/Ecotect*Rhinoceros**Grasshopper*ArchiCAD**Maya**

German Language*Model Making**Wood Work**Rendering** *ProficientDrafting** **Advanced

Achievements

Dreamweaver**Laser Cutting**Word**Excel**HTML**

AutoCAD**Sketch Up**Illustrator**Photoshop**In Design**

CINCINNATI, OHIO | WINTER 2012 Teaching Assistant: Arts & Society, Sustainability and Sustainable Design. My responsibilities of being a TA consisted of grading and analyzing one-page essays on contemporary issues in sustainability.

CLEMSON, SOUTH CAROLINA | FALL 2013 - PRESENT Graduate Assistant: Arch 101 Introduction to Architecture. As a graduate instructor, my duties include overseeing the development in hand skills, representation, and documentation of 18 beginner students.

TOLEDO, OHIO | SUMMER 2011 - WINTER 2011 + SUMMER 2013 Architecture Intern: Responsibilities within the architectural firm included CAD documentation, updating renderings, preparing presentation boards, documenting LEED credits, and field verification.

Clemson University

The University of Cincinnati

The Collaborative Inc.

SCARSDALE, NEW YORK | SPRING 2012 - FALL 2012 Architecture Intern: Responsibilities consisted of handling multiple tasks including CAD documentation, creating renderings and presentations for client review, creating marketing brochures, & field verification.

Richard Henry Behr Architect P.C.

PARIS, FRANCE | FALL 2012 A group of twenty students participated in the experience of traveling to Europe to study and analyze significant historic and modern architecture, while learning & understanding a foreign culture.

Study Abroad Program

experience

Traveling/CulturePhotographySketchingBasketballBaseballSkiingGolf

Interests

PERSONAL WEbSITE: www.tvmworks.com

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Site ReSponSeCultural IntegrationSPRING 2011 | Ming Tang

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caroline, tim, qi, and trey

The studies of the historic site at Fort Ancient, home of the Native American Hopewell Culture, led to an exploration of the opportunities for the built environment to enhance the experience of an individual within a space. The Hopewell culture achieved this relationship to the context through the connection of built forms in the shapes of mounds, directly correlating and responding to the site through the natural elements of the land, sea, & sky. I took a similar approach in my proposal by creating a unique experience where the occupant could begin to grasp a language of natural vs. man-built interventions. This was done with a manipulation of organic vs. rigid structure and framing views, encouraging the connection between the user and the overall experience of the site. The program was separated into lodging, exhibit, and research spaces, with the structure of the intervention became an inviting expression of integrating structure, ventilation, and a vegitated roof into one system. 18

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WINTER 2012 | Barry Stedman

The expectation for the project was to create a center to foster innovation and respond to the suburban context. My focus was to analyze and respond to the creative process through an exploitation of the suburban grid. The orthogonal grid of the existing site was interpreted to become a gradient of angles in which new opportunities of form and program were made available. The occupant was to begin to experience the break in the grid though out the built intervention in the building as well as the site. The overlapping and implementation of existing grids system derives a new identity within the design of juxtaposition and relationship to the context. The conceptualization of the from was a response to the suburban condition with the break in the grid representing a stimulation in creativity from the regular linear projection.

d e S i g n i d e a t i o n

25

Suburban ContextAdapting Gridded Identities

C a n t i l e v e r e d e d g e

L i f t e d V o L u m e

T i l T e d V o l u m e

A d A p t e d F o r m

G r i d d e d B o x

N e w I d e N t I t y

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Cafe - 1Offices - 2

Meeting - 3Recreation - 4

Auditorium - 5Living Units - 6

Studio Spaces - 7

1 S t F l o o r p l a n 2 n d F l o o r p l a n

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WINTER 2012 | Participants: Margot ShaffronTrey Meyer

EASTWEST

c o n c e p t u a l m a S S i n g

d i a g r a m m a t i c r e p r e S e n t a t i o n 31

Evolo CompEtitionSkyscraper: Building is Being

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32

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FALL 2012 | Gerald Larson

The Vertical Schism is a phrase coined by Rem Koolhaas as, “a systematic exploitation of the deliberate disconnection between stories” (Pg. 105 Delirious New York). The project proposes an interpretation of how this Schism may work through the exploration of circulation as a vertical street in order to respond to the contemporary urban condition. The first four floors, programmed as commercial spaces, act as a base to the armature of circulatory piers and additive units. The units are to be constructed in various scales with individual branding to accommodate the needs and program of the contemporary city. A dialogue is created within the master plan between public and private circulation: public - meandering, private - direct. The form of both the base and tower encourage movement through the space with opportunites for pause.

d e S i g n i d e a t i o nNavy Pier

Chicago River

Tribune Site

Urban HigH-riseThe Vertical Schism

37

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c i r c u l a t i o n a x o n o m e t r i c

38CommerCialResidential

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e a S t e l e V a t i o n

t o w

e r

B a

S e F

l o o

r p

l a n

S

S o u t h e l e V a t i o n

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40

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03

43

ACSA FAbriC CompetitionParametric FragmentationSPRING 2013 | Professor Ming Tang

BLVD Architects

executed at a variety of scales (i.e.urban, building, & human scale). The project combines computer simulation with the human elements of identifying input data, followed by overlaying the resulting information to create a shattered/fragmented aesthetic in both plan and elevation.

“Parametric Fragmentation” studies the implementation of parametric thinking in design as a strategy for deriving a fluid form that exploits fabric material’s natural, free-flowing capabilities. The goal of the exercise is to create an adaptable system flexible enough to be

1st Prize Recipient

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44

The info-graphic to the left relates the process of generating a template to be used as a form driver on any given site. Ideal circulatzory paths were merged together through a Newton attractive force simulation before being seg-mented into points, or social hubs, along the paths. These points were then used to create a fragmented surface using the Rhino+GH tool, Voronoi. The system of Voronoi’s fragmentation is affordable to be used in urban planning, site development, and facade treatment. The system was then applied to foster innovative strategies for fabric in architecture. I identified two uses of fabric: fabric for living and fabric for monument. In the project, two key uses of fabric are identified: ETFE foil panels as a fabric for living and PVC canopies as a fabric for monument. The adaptable system is implemented on two pilot sites, Cincinnati, Ohio, and Langzhong, China, both being located between an urban environment and a body of water. The Langzhong site was derived as a fragmented unit of an overall city master plan created with the same system. A parameter for deriving the form was to elevate the section of a secondary fragment generated by the simulation to create privacy for guests while enhancing the context by allowing pedestrian traffic to flow uninterrupted below the volume.

l a n g z h o n g c i t y m a S t e r p l a n

zo n i n g t y p epa r c e l a l i g n m e n t

p e d e S r i a n S c a l e

a u t o / p u B l i c

t r a n S i t S c a l e

Line, Point, PLane SimuLation

Urban Divisions

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4520” x 20” c o m p e t i t i o n B o a r d 1 2

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3 4

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ETFE Pillow

WeatherproofMembrane

Steel Support Plate

Primary Structure

Air Supply Tube

Diffused Natural

Daylight

Ventilated Air Cavity

Living

c i n c i n n a t i o h B i r d S e y e p e r S p e c t i V e

e t F e F a c a d e S y S t e m

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481. Front Desk2. Restrooms3 Retail Shops4. Restaurant / Cocktail Lounge5. Kitchen / Storage / Offices6. Spa & Fitness Center7. Pool Deck8. Guest Bedrooms

1

2

2

3

4

5 6

7

8

8

8

7

u p p e r l e V e l S

l o w e r l e V e l

c i r c u l a t i o n o F F S e t

V o r o n o i S i m u l a t i o n

F i g u r e r e V e r S a l

l a n g z h o n g S i t e p l a n

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Precast InvestIgatIonsFraming Sustainable TransportationWINTER 2011 | Carlos Barrios

Dan Harding

59

The precast system is implemented be-tween two sites along the Amtrak rail line in Clemson, SC. The two sites depict two interpretations of the same system: an open, green rural oriented system and a fragmentezdustrial urban oriented system. The master plan of the project includes a ‘greenway’ path which acts a connect-ing corridor between the two sites. Along this path, the sytem begins to morph and adapt to imitate its changing surroundings.

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1

2

3Casted Unit iterations

m o l d c a S t i n g

p o u r i n g c o n c r e t e

e m p t y F o r m

F i n a l c

u B e

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High Speed RailClemson, sC

r u r a l i n t e r p r e t a t i o n

u r B a n i n t e r p r e t a t i o n

g r e e n c r e S c e n t l i n e: r a i l w a y /B i k e w a y c o n n e c t i o n

n

nts

61c a m p p a r k i n g

ou t d o o r o u t p o S t

p r o p o S e d B i k e p a t h

c a m p / p a r k

r u r a l S i t e p l a n

u r B a n S i t e p l a nn

ntst r a i n p l a t F o r m

p r o p o S e d B i k e p a t h

p r o p o S e d B u S S t o p

m u l t i - m o d a l t r a n S p o r t a t i o n h u B

r e p u r p o S e d S h e l t e r h o u S e

RuRa

l Int

eRpR

etat

Ion

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1A

CIRCULATION

2

34

5

1

1. Bike Path Passage2. OutPOst LeasaBLe RetaiL3. Office4. stORage5. ticket kiOsk

1 S t F l o o r p l a n

S c a l e: 1/64”=1’

RuRa

l Int

eRpR

etat

Ion PHOTOvOLTAIC SOLAR

COLLECTOR PANEL

MTL. ROOF COPING

PRECAST CONCRETE TRUSS

4” RIGID INSULATION

HOLLOW CORE CONCRETE PLANk

EMbEDDING STEEL ANGLE

bOLTED STEEL ANGLE CONNECTOR

INSULATED MTL. PANEL

GREEN vENTILATEDLIvING WALL

1’ THICkNESS DEPTH PRECAST CONCRETE UNIT

6” FLOATING CONCRETE SLAb

STEEL PLATE W/ LEvELING bOLTS

vEGETATION DRAINAGE LANDING

RuRa

l Int

eRpR

etat

Ion

62B u i l d i n g S e c t i o n - B i k e/l a k e c o n n e c t i o n

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1B

CIRCULATION

1

2

3

4

5 6

EnvironmEntal rEsponsEs

63 1 S t F l o o r p l a n

S c a l e: 1/64”=1’

1. Bus Waiting aRea2. LeasaBLe RetaiL sPace3. LeasaBLe RetaiL sPace4. kitchen/stORage5. Office

11. OutdOOR teRRace12. infORmatiOn kiOsk13. tRain PLatfORm14. Bus dROP-Off

6. Office7. tRain Waiting aRea8.ticketing kiOsk9. administRatiOn Offices10. LeaseaBLe sPace

Urba

n In

terp

reta

tIo

n

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CIRCULATION

OPEN TO bELOW

78

9

10

11

12

13

Urba

n In

terp

reta

tIo

n

PHOTOvOLTAIC SOLAR COLLECTOR PANEL

MTL. ROOF COPING

PRECAST CONCRETE TRUSS

4” RIGID INSULATION

HOLLOW CORE CONCRETE PLANk

EMbEDDING STEEL ANGLE

bOLTED STEEL ANGLE CONNECTOR

INSULATED MTL. PANEL

3” CONCRETE TOPPING

PRECAST CONCRETE DOUbLE TEE bEAMS

EMbEDDED CASTED CONCRETE HAUNCH

2’ x 2’ DROP DOWN ACOUSTICAL PANELS

1’ THICkNESS DEPTH PRECAST CONCRETE UNIT

DOUbLE GLAzED CURTAIN WALL

6” FLOATING CONCRETE SLAb

STEEL PLATE W/ LEvELING bOLTS

2 n d F l o o r p l a n

S c a l e: 1/64”=1’

w a l l S e c t i o n 1BS c a l e: ntS

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B u i l d i n g S e c t i o n - t r a i n/B u S c o n n e c t i o n

Urba

n In

terp

reta

tIo

n

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66F i n a l 1”=1’ S c a l e S e c t i o n m o d e l

Mold Basin

inserted ForMwork

resulting unit

inserted ForMwork

adjustaBle doors

resulting unit

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USA | SPAIN | FRANCE | ENGLAND | GERMANY

67

HAND SKILLSTravel Sketches

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[email protected]

THANK YOUTrey Virgil Meyer

PERSONAL WEbSITE: WWW.TvMWORkS.COM