UNIVERSITY OR

lLL;NOIS LIBRARY

AT .URBAiMA-CHAMPMGN.MUSIC

GEORGE GROSSMITH and J. A. E. MALONE present

SALLYJ\ l?eu) musical Plap

IN THREE ACTS.

BOOK & LYRICS BY

GUY BOLTONAND

CLIFFORD GREY.

MUSIC BY

JEROME KERN.Vocal Score 12/6 net.

CHAPPELL & CO., LTD.,

50. NEW BOND STREET. LONDON. W. 1.

SYDNEY

T. B. HARMS CO.,

62-64. WEST 45th STREET.

NEW YORK.

COPYRIGHT MCMXX ft MCMYXI BY T. B. HARMS CO.. NLW YORK.

ALL RIGHTS RLSLRVED.

Thus droits rcsen-rs.

1-KINIh.U IN I Nl.LA.Nl).

The Play produced by GEORGE GROSSMITHyyi ^> 5 /.

SALLYCHARACTERS

(In on r of their appearance)

Sascha (Violinist at the Alley Inn

Jimmie Spelvin

Otis Hooper (Of the Anglo-American Vaudeville Agency,Squantumville)

Rosalind Rafferty (a Manicurist)

Sally of the Alley (a Foundling)

Mrs. Ten Brock (A Settlement Worker)" Pops " Shendorff (Proprietor of the Alley Inn, New York) . .

Constantine (Grand Duke of Czechogoviuia, a waiter at the

Alley Inn) . .

Blair Farquar (An only Son)

Admiral Travers (A Gay One)

Richard Farquar

Alta

Betty

Billie

Gladys

Janet

Emily

Rhoda Rhinelander

Vera Vanderbilt

Cissie Circle .

.

Bessie Bryant

Audrey AudubonMamie Madison

Billy Porter. .

Harry Barton

Footmen

Foundlings

Lady Visitors, Guests, etc.

Mr. Herbert FiremanMr. Seymour Beard

Mr. George Grossmith

Miss Heather ThatcherMiss Dorothy DicksonMiss Molly RamsdenMr. Alaric Arnef

Mr. Leslie HensonMr. Gregory StroudMr. Leigh Ellis

Mr. Ernest GrahamMiss Vanity Fair

Miss Mary Leigh

Miss Doris PatstonMiss Dorothy DeaneMiss Molly VereMiss Aileen GraceMiss Dorothy HurstMiss Dorothy Field

Miss Molly GilmourMiss Gracie TurnerMiss Grace BakerMiss Winifred ShotterMr. Jack BradleyMr. Derick GlynneMr. R. WilkinsonMr. Jack Glyn

ACT HI.—Scene

SYNOPSIS OF SCENERYACT I.—The Alley Inn, New York.

ACT II.—The Garden of Richard Farquar's House, Long Island.

I.—The Butterfly Ballet at the Follies Roof Garden.IF—Sally's Dressing Room at the Amsterdam Theatre after the Follies Premiere.

Scene 111.—The Little Church 'round the Corner.

" The Butterfly Ballet Music " by Victor Hi ki;i ki

Musical Director: John Ansell. Stage Director : Chari es A. Maynard

Dances and Ensembles by Jack Haskell Scenery bj Joseph am. Phil Harkek

SALLY*»

ACT I.

NO.

1 Opening Number

2 Song (Jimmy) and Chorus... "The Night Time" ... (It's the night walk that we love)

3 Song {Otis) ... . " On with the Dance ! " ... (In Squantamville, Maine) •••

4 Entrance of Sally & Girls

5 Song (Sally) "You can't keep a good

girl down" ... ... (Joan of Arc was on her own)

6 DUET (Sally and Blair) ... "Look fortheSilver Lining" (Please don't be offended)

7 Song and Dance (Sally) •• Silver Lining Dance ... (A heart full of joy and gladness)

8 Song (Blair) & Chorus of Men "Sally" (There's someone that I can't forget).

9 Eccentric Dance •••

10 Finale ... •• •• •• ••• ••• ••• (On with the dance!)

PAGE

1

7

14

20

23

29

32

39

44

47

ACT II.

11 Opening Chorus

12 Song (Sally) and Chorus of

Men ... '" Wild Rose"

13 SONG (Constantine)

14 Duet (Sally and Blair)

15 TRIO (Rosie, Jimmy and Otis)

16 Duet (Rosie and Otis)

17 Finale

18 Opening Number

18a Incidental Music

19 Finale

The Schnitza-Komisski"

' Whip-poor-Will

"

' The Lorelei"

' The Church 'round the

Corner"

ACT III.

" The Butterflv Ballet"

(To a celebration so remarkable as this) 54

(You'll pardon our intrusion)... ... 68

(I'm a Duke from a wonderful clime)... 83

(Mem'ry takes me back away) ... 87

(I remember reading) ... ... ... 92

(There's a church 'round the corner) ... 101

(Our anxious eyes) ... ... ... 106

117

123

(Dear little church 'round the corner)... 129

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"ON' WITH THE DANCE'.

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N° 5.

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P. G. WODEHOUSE &CLIFFORD GREY.

Moderato

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BUD DE SYLVA.

Moderate

DUET- (Sally and Blair.)

"LOOK FOR THE SILVER LINING."

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ido is make it shine for you. A

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mheart fulL cl joy and glad - ness.

iWill al - ways

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N? 7.

Words by

BUD DE SYLVA

SONG AND DANCE r( Sally).

"silver lining dance"

Modem to.

Sally.

Piano.

fer.fr * w

ir\

IS^/7\^^

SA heart full of joy and glad - ness.

m~T£EiEE3E

ry i tse^^s

i fif±=*=i

m m

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sad - ness and strife.

n:- <»-

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So al - ways look

;s£:

for.

£the sil - ver lin ing-

takm*

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1

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39

N?8.

Words by

CLIFFORD GREY.

™ Moderato.

ft

SONG. (Blair) & CHORUS OF MEN.

"SALLY."

Piano.Ia^^^

F

fffir^r r—

r

^-—« i

i

P

ai

1

%

ik*

Moderately fast.^ E J~J" J' J I h J^ :tV-

There's some -one that I can't for- get wher - ev-er "1 may be; ThoughShe's some-how dif- frent from the rest, I " can t des-cribe her quite. She

^g=#F

f1 pfPip f*=?

Jt? quasi staccato ^ #^P

sgs & S: Vs-

she

she

not of high

seems to mede - gree

just right;

all the world to me.

won my heart at sight.

ji ^ =JF p^pAIt

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S5Em & tm & & r-3 ne5=5 ^ I-

fr- h t*

to see.

her tight.

mod - est rose, un - known as yet, Still won-der-fulmat - ters not how she is dressed, I want to hold

Hippp

She

There

•47487

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'»r r [Lef

J j) j i

J j i $is the dar - ling of my heart And I met her in the

is no la - dy in the land That is half so fair as

al - ley.

Sal - ly.

AndNo

IS J J Jffl^ m n E3Ef=^r mzzm*r»~

^g=m* m ppnco rit.

T.fc »

on some fu - ture_ day,

mat - ter what her_ name,

To

I

her 1 mean to_love her just_ the.

say:

same

.

S3 ? i^^

r p-r r r-5"

W^ ^REFRAIN.Moderato.

^"I 'pPPg'r ^ ' ! I

W 'g P'Dear lit-tle girl,_ I love you, Dear lit-tle girl.. Though the

Li) J> J £§PP 3^^i32

dress that you wear is a poor af- fair, You made me care.'L And I

ism^

es i=g ?

^

27487

41

3£ f c r r ?know some day that I mean to tell her all my gold - en schemes. We shall

iiHi f=yir r

jJm? =*

^^ ^ ^^^^^ s4 *

find the world of hap-pi-ness where the sun- ev - er gleams. And then^ J I J I If^TTT T~F~E2E# ? ^

££^111 take my Sal- ly a - way from the al - ley, To my won - der - ful

hr.

f I i 5^E^ g^3^ ^£1^£ f=f o

ff^3If=>=

1.^ i ^i

val - ley of dreams.J TENOR.

«*

She is the dar - ling of his heart, And he met her in the al - levTENOR. 6

i-I

(HO, ^ 1 g T* »

She is the dar - ling of his heart. And he met her in the al - ley.

BASJ;m i *=* i^m f f*i

f= sShe is the dar-ling of his heart, And he met her in the al - ley.m 3

%

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27487

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'

'2.

val - ley of dreams.TE>'OR.

P P P P,

TENORDear lit - tie girl,. I loVe you,

^=^m 9 mCHO.

5SBASS

,Dear lit - tie girl,

*I love you,

^PP i i toDear lit - tie girl I love you,

if="=? * C=§=

95EP ^^ ITr tTT

TT

-/rkfeit> p» p *^" fe#

7 p r i \

^Dear lit-tle girl. Though the dress that you wear is a poor af - fair,Q E Ss B£P=gCHO. E 3E3E

1*«—fit-

Dear lit-tle girl. Though the dress that you wear is a poor af - fair,

m m r-J

> r r ir m m iMmmt

Dear lit-tle girl. Though the dress that you wear is a poor af - fair,

iN^ 1 gg^gi ^r »=•^tirLf r? f * f *r

'st J r j g

.y

E P P B B gYou've made me care._

^And I know some day that I mean to tell her

F^fFg; mCHO. 2 £You've made me care.

n C e ^ And I know some day that I mean to tell her

j f f f 4I PP pt

p?V

You've made me care..

^

>:,k ^

And I know some day that I mean to tell her

i F IMNf=* :

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* ¥^£ ¥=? fcfm m

CHO.^all my gold - en schemes We shall find that world of hap -pi-ness where the

J' h J^^all my gold - en schemes We shall find that world of hap-pi-ness where the

m j f $ r=tT F i p I

? rf p

i

all my gold- en schemes We shall find that world of hap-pi-ness where the

*m Uf o ^tm=*

m^ fe«

r i r r- r 5^ ^

k d r1

1Tm:g^£3 E3E

isun ev - er gleams.. And then ' 1 11 take my Sal - ly a - way from the

£ SCHO. t 4 4-un ev-er gleams.. And then I'll take my Sal - 1y a - way from the

m i I'ffZBf^M m. PS*

sun ev- er gleams.. And then I'll take my Sal - ly a - way from the

f i i* ^ *=?EXTTT *T« <aB J r £

<c\_

P M - II^ * p-

al - ley, To my won - der - ful val - ley of dreams.

W "II

CHO. £ m -»-

£tal - ley, To my won - der - ful val - ley of dreams.

J J J J JSLm -€*-3E3E*

»

al - ley. To my won- der - ful val - ley of

•Y *.>

dreams.

-»7 jt -

7 * "*F^@+—&- S

o

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27487

44

N? 9. ECCENTRIC DANCE.

|feiSlowly.

Piano. PP

^mum 1-

sf3^

-2«rf /|/A« <§fa -

Be P^pF f P^ P?

^ 0—

Be m Iy us 7 c* »

»

7 * i

27487

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Melody.

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w

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27487

47

N910. FINALE- ACT I.

Words by

CLIFFORD GREY.

ROSIE (spoken).

You're won-der-ful, Sal-ly that's, all.

Tempo di Valse.

OTIS (spoken).

What a ri - ot you 11 be at the

Piano.'

1f"frr

mM

a— :

«

—

m-

A A A A A A

BA A

fW *^H^

ball. (Sasha plays Violin.)

rail. (Dialogue through music)

*vtrr|gg

j^rr Iwff JTJ'^Pr?S3E

r^rf/3^£

I

s

•EFf?3

*W27487

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O.&R

ModerateOTIS £ ROSIE.

w B p ' r j» jDont youOn with the dance, On with the dance!

frHH—

^

J:1 s

it i^^ F^ rniif'V

I'M [J I^* Io. * R,

know it's your one big chance?.

J 7f J •' £fL_f £f E_f

:h h •> J 1

i fSALLY.

SAL. *=} £=£? £1 11 be a won - der - ful star.

m *E *f^f

"/ ^E ^Stt f ^ £

^*SAL. £-I

Real - ly, how clev - er you are!

tm fv m j ppfcresc.

'h b ^E3F t^ w^ 3£

274 87

4i*

SAL tim p E£ 1 E£

111 be

M3

su - preme:

J:

/^Is this

K.

•. »^ y

a dream? Ev - 'ry

i I1*

*psfc-

t=Rt P3SAL

heart there I mean to en - trance. Twill be

m t £

m # <+*+- * ^MfH

£ ^i£SAL. £ £ Esim - ply di

£ S

vine! Oh, how I will shine At the

t

I I W: l±EE$

t ^ _« *^

IrF

iALL.

SSAL.

P T Pdance. So on with the dance!.

m m \ A A A A A

** m^/rit.

i_ .i. A A .1. A^^^^^^ <>

27487

oO

ALL.

A la Fox-Trol.

*XE

fas e r . «i. JITItsOn with the dance.

[$F*v

On with

# te§3

the dance! a won - der - ful

±2*—& *

poco pin f

^^(Spoken)

P p ^ r>r^ I

r*r> r>- h [) ^ r^£ s=s

ALL.

big ro mance. She'll hit 'em good and pro -per, Not a thing is going to stop her;

^ ^^if IT

5i {E 2=*E

(Spoken)

h f D1 D f' [' | I I D I

fc=t=t=tziALL.

We've on - ly had half a glance. But we are cer-tain Sal-ly Knows the way to lead a bal-let;

n J § »£=s p 3^E5~£

jEf^ -/1 I i r=^=rf a

ALL. * i jo.

O *&apgShe's bound to make some ad - vance.

-y—

7

5 Ii^=|

as i

i •tfep-

^N

ife3t

&2~487

51

SAL. mmSALLY (while Sas/ia plays and exits).

M^ $

I cant de - ny pp£

I mean to try, rbr I must make the most of my

SAL.

Iifc

OTIS.

IP/T\

s

chance.

Ia ,i.—

[ ,j mWhen the peo-ple see you, Pav - lo - va na - poo! At the^

*mwm

rrr

i

^*=£ i

-j^\

femf I i

i i i^N

r3

OTIS.

3IBLSI

TEN.

ROYS

BAK.BASS.

Ijjv"

'

i

1 n 'r^,'

u&Ov Moderate^ 5J=

dance. So on with the dance

!

mSo on with the dance!

P ; * ^lft ? t

So on with the dance!

^^ SModerate (Me/os)

^

^

27AN7

64

SAL.

I*SALLY.

J> $ J>

She wrote her

5SS W=W ^^ ^

ftJ J'- J i J> ^^ SSAL.

name on the na - tion's roll of fame. And it gained herm a7 & 7 J

5 ^ aSSgE

txt fcj* c-T7 # 7

^ft s r r f $f

ftp I

i> ^ J' JI

E^feSAL.

£great re - nown. Tho' her Pa and Ma, poor fish-es, Tried to

;^N=i ± ^^ ^H^ ^#figP^^ ¥iyy^?ft^ g§ f I to

ttl } ) )j !ee£ ^ H^fSAL.

keep her wash-ing dish - es. But you can't keep a good girl

* m i ni 1 $r a w^

fn CZFw//.

as T33

P fc

27487

53

Allegretto.

SAL.

SAL.

p } ,1 H

lin

^i «fr l I IE{Curtain)

SAL. f w «

And try to find the sun-ny side of life.

«U.

/CN

B(Toy Tpts.)

*ss i AB^>K

*ip/O

£^1 1 •)

f r^ V-

f>

mt ts£E3E 3E£^ '!-«

!7487 END OF ACT I.

54

N? 11.

Act H.OPENING CHORUS.

Words by

CLIFFORD GREY.

Allegretto moderato.

fBai Pit?Pi "W.PIANO/

2*.

/* * TT

^^ :i. Ji 2^ J^^#

i.i a-—nr? i

'

T *-

f J

W fU^-r ii^1 d ''

j J *n ^

wml^u A±£ W~m trii ir~$Ld—4—=F* :K=^i in: TT9— *

j l^f'j'ii;U^iMPI

«

IB fe fT. £ J fe|i §^E

s H»jl3_1 s ±J*i fa: *:

* -r m - itfJ« #

l^'iTri U-Ki

55

Moderate (Flunkeys make announcement.)

^fc«/ r^

m, t>•=^=.^

^fe#

rM f

* j *

Andante raoderato.

GIRLS.

y , . j ^ i>p p p > p i e^ EP M J

To a ce- le-bra-tion so re- mark- a - ble as this, Of course we're all in

TENORS.

i HO. fm £ ^rzz

We

BASSES.

are glad that we've been in

m g^fcs«¥ ac^ ^We are glad that we've been in

s ^wffi

'M i j_^L i—

+

»NPT1

J

*I

J1 ^ ^ p p p

>''p 1

P Hipavi - ted. Such an in- vi - ta-tion we could not af- ford to miss, So

mCHO. wmm ^ted. Not half bad; In

wm\

mted. Xot half bad; In

'? ^m m JI

~£_T r

Wi, j J

i

—

J * vi *b

27487

56

'$$ JPMJ j'j'U j t-j j i ^r r » r i rh

r ^mCHO.

we are quite de - light - ed. Ev-'ry - bo-dy who is some-one, Who wants to keep in

P rVp jiji

J J i|J J m r=Efact_ we're de - light - ed. Ev-'ry- bo-dy who is some-one, Who wants to keep in

m KZ=K ^ ^ 1 v r < r i rV *e==e=i

fact— we're de - light - ed. Ev-'ry- bo-dy who is some-one, Who wants to keep in

j1

'

1 J nB P ^ J

r«:—

»

^f^£=P I F

£

jJ-|'U j

P

pl»J» l|J l>j

» =

libfcA

iS1©-1- ^ i r r > j p j

i rEfe

Has to call h«rt; So we're all here,

CHO. v\, ? [Upir^view, IHas to call hen-

* M i rSo we're all here,

^r ^ i

f r > ? p ir^s

view, Has to call lvre; So we're all here,

m m? m r ri

r ip i

CHO. t^T £

WVro ve - ryglad to think that we're in - clu - ded too. For it's

^ i r r j i A 4 \i * *Wf^ P=9=^

w^^s

We're ve- - ryglad to think that were in - clu - ded too. For it's

* ^ r=£^

SE * f m:

We're ve - ry glad to thinkthat we're in - clu - ded too. For it's

m ^^ PPPPiP-rhgfe g§

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-zr

27487

67

ff^Ff P ===*=^^nice to know you count in the ex - clu - sive few!.

itS * r * P=^THO.

nice to know you count in the ex - clu - sive few!.

^4, J . JWWI

fc*tr i r « r

*i pi=5*

SE T*=?nice to know you count in the ex - clu - sive few!.

P I Jiii" ^1 j j^j j

f* m » pa * c*U

"f

gig a—i> f J £ «^gi #9 & ^

GIRLS. SBe Pf=3Does-n't she look thin, dear?

am *w ^* i I (H>-

LUfAr '^"i prfM * J

iot^ TS £ P^f (5

»/i i

TENORS. m*a?^t j p 1

1

&CHO.

How did he get in

BASSESL

hi-re?

VV'i, 7P ^ J J ^^^^^ W^\ How did he get in here?''

m§HT ft.wq^dj

m i 'tirJ^om rf;«/.

iHi #&riA

i* §§^^^ I^" ftf m 1

27487

5S

CHO.

Allegro vivace.

GIRLS.

A rt li UAA ¥•p p 7 ? 1 1)

-h J 1 jm p I * I i jj

^ U_—„ . .^.. L«„.-,| (t.i4 f/^ tVia. T>nl-^ w^Vo n-ninn- *r» ha r>ro _ conHave you heard that to the Duke we're going to be pre - sen - ted

Have you heard that to the Duke we're going to be pre - sen - ted?

BASSEV? ft , r 1 7 c p g i?F C M IP P^=S **£

Have you heard that to the Duke we're going to be pre - sen - ted?

J?

h=

nk i c » 9- f

i i i I I i I i

1

s I

r ^>

:*&Pn i'JU) 7 M.J) > t> J'

I B p=piij(

CHO.*l

'Pon my word. hoV splen-did that His High-ness has con - sen - ted!

a j j> j. |. J' J J'I |1 P p=f

'Pon my word, how splen-did that His High-ness has con - sen - ted!

;>% n H i p i-o p P Pi^ ^ 'P

i

f rP^i**m -

1'

'Pon my word, how sp!en-did that His High-ness has con sen - ted!

CHO.

%*h P P p pI P P J' ^

I p i? J J -k-They say he's a ref - u - gee from some ro - man - tic place.

*h / i-)

. J =m mHe hit

" "h r r i

p eHe led them a

some pace.

^ i

f=mer

$&4ry

SWF

r T"

P

chase. They've

r

27487

59

'f"S p p p-p i

p-p p- p i f p ^ p n

.

j^ .J* i i H

Is it true? oh, tell us, do, The gos - sip of the case.

m * j .j j ±j

i»m f faCHO.

Left with

as ii

out the slight

i 4est

-J-

trace Yes, he's

ii tcf fifi^¥

HOt

#^since seen his face Yes, he's

H «:^=^ J Ej

*A3-«

£r- -r^r r^^rs i^* PF^f mpP3 i ' i

f

^ *i(TENORS)

r 1. J' ii J^ 5 i i J>-^—^-

¥?=* ^-*T

CHO.real - ly a Duke. But it's dis - closed,

m M p pi *

\ .,...1 i„ „ r,'i._

P^real- ly a Duke. But it's dis - closed,

Ilit

i ' ' J M f^f V j'T? i !-

m'»" lU J ^M a J'r J* J* J> J y ^ J> ^ >

/;. SCHO.

Not long a - go

.

M c P

Itj was his fate to be de - posed.

A$m feg£ UP P VI

£ £Not long a - go

.

**

It was his fate,

A

to be de -posed.

m3^: af J

j, :

spi

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§M isu

p ^^27487

bu

CHO.

GIRLS.

Uh J'^j» j> J 1 a J. u .e=£Oh.what a shame! Who was to blame?.

TENORS.

\it yj j' j

CIIO.Well, such is fame!

BASS.

tW M F

Well, such is fame!

a ^F^ I ^Czeck - o - go - vin ia, That's the name.

^m p ei

f!

p m^ ^

•j

Czeck - o - go - vin

A

ia, That's the name.

•mm m^q;

zm a rm fOJ ii£@

*GIRLS.

HI 4 p^ip r p

CHO.

For in that fo -reign state he made

^'"p r p

im

^^# « * I I p

1^ J- J

s m**=*=

-M m 0-

His

r i r

fry.

For in that fo- reign state he made

*—

f

-

His try.

-X

For in that. fo -reign state he made

A A A

His fry.

*3^

n rn

m:5

27487

61

*/

p r pHe is some

T' p r

po - ten- tate

JL* m «_

mfull of my s - t ry

;

ft B( no.5 £

53^He is some

*_

po - ten - tate full of mys - t'ry;

$ m i»11 in

He is

A Ammsome po - ten - tate

t? 0-

full of mys - t'ry;

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63

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day you'll keep your eye on A - ny like - ly so - cial li - on;, Find a

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ris - ing po - li - ti - cian,_ or mu - si - cian with am - bi - tion, Or a

1 1 ry * S*

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paint - er with an ul - tra-mod - ern style; Or a

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love - ly fo - reign la - dy, — Who is pic - turesque - ly sha - dy. She will

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!

If you

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want to play the so - cial game,. If you

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real - ly want to make your name,. The

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37487

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65

CHORUS, (in unison)iRI

a PS f lr PJIM. £* d *

on - ly thing to do is to show them some- thintr new. In So

j^ m i j ^J J i

ISJ.

UP.zmj matt§•

i-' i.

p

p «r g r p 8 «r i «J ^iyP

n J I U ICHO.

- ci - e - ty va - ri - e - tys the key to no - to - ri - e - ty. A

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«/ ^ i iCHO. F^t * *

Duke will bring you lots of fame; He's a

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./

ESj=5 iCIIO. p=ipic - ture in a gold - en

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frame

a»#

And we're

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eee

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want to play the so

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cial

t I y

pamel.

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68

N? 12. SONG.- (Sally) & CHORUS OF MEN.

"WILD ROSE?

Words by

CLIFFORD GREY.

Voice.

Piano.

IAllegro con brio.

TW^

iS3P, •» » 1

—

r*

^

A A* M.

WB 1** B^i

MEN.*

£You'll

^fP*mA AV

#—

•

^ P' P P P 1 P' f P P I P' P PH PMEN.

I

par - don our in tru - sion, our con - fu - sion is sub - lime; We've

!~1 J E &a frt^

^5m. « *

|£ i * ^ !

p

SALLY.

p£MEN. £zt

nev - er seen a girl at all like you..

i*

m ^gg£ J-i r^ 2T^^-

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37487

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SAL.

I h J' J' ^ p I

J' J '

J'

P

MEN.

mSAL.

type that must ap - pear as ul - tra - new. You're

^ $ JJlis p ^E

S ffff-T^ ^ J cJ

JAJ' p p MP' \ 1 PIP' ^ IMEN. F~

like a sp]en-did flow - er, not from our do-mes - tic clime; An

I:>, 1

'igTi n ^s is

m

^ ^ SALLY.^ wmMEN. ?=*=*or - chid that can thrill us with de - light.. A -

h * •> J ^^v^=\ ^W5^ W

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r27487

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SAL. ^ i>ii

r ^ i .

^

i jii

jI,

.h J' i *p- p s

las, I'm nut a bios- ^om so or i - gi - nal;

.

An

Jill J 35 J i -

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MEN.ft

or chid bloom will not des - cribe me quite.. You'rt-

gg^ 7 7:U

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MEN.iI b P c r * ^

no - thine tame, You're like a burn - in? flame, We

Pn^rrgpp ?

t=»=t>r f

^ J J

&*?

^rt^^

SALLY.

™\lh p il.J' J_ J J1

^ J' ^^ P^fcknow your name.. But all the same,.

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T 7^"

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27487

11

feiREFRAIN.

SALLY.

SAL. ^££"

I'm just wild rose,

* ± i7, ;>SeJ^E

7f L_U

sg _tiaf—'sv \> % -3 « 1

ffi Z2=SAL. £

Not prim and mild ri^e.

h; J . Ja ^=^ ± i^=f- t— »—

^

Sfc^

* ia jbSAL.

Tamt; mi you can; m a

^m i \r

^=17 'r

P=£ 1^»7 r 7

1WC3. ^ ^

SAL. *a ^ ?•p i

rose to suit a - ny man..

;^^^

^ 3= Jri ©

^^^

27187

r&

SAL.

i

mmSome

&mL.LJs

ppas - sion flow

±

mer,

*SAL. BE £This is my hour;

I^=^ Jmm a& ^^ ^^

SSAL.

r 4 " ^

SAL. tfefewild, wild rose!

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t

i

7 i

W27487

73

MEN. m MEN.

Sht just a wild

A

rose,

if p *a 5 P 5^-f ^m * 4- m*

—

*~

- i^ ^BEMEN. P

Not

I i LLCJ i

prim and

o^

LilJu

mild

i

rose,

S3

asg^gg 4—

*

J A=65* ^ =£3*

i ^HaMEN.

Tame her if you can; She's a

mi i

i n $ $,

A.A

i^P3* *:

I BeP p Hi

MEN

rose to suit a - ny man.

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37487

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MEN J

I

m ¥Some

I

pas sion flow

A

er.

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men] ^??

—

& £This is her hour;.

A

s si a JTi isp*&y^t

WA [J =£3

menM ti m u 1-^"' a —p p I I

I

* •

Shes such a

PWho'll get her No - one knows.

^EEEEEjfEl *

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EE^FJ^ £= £ ^ £

me:

2-487

/O

SAL '-

SALLY.

H' 7 J 1 J' ^ f^ft* ^ ' PP T J' J' J' & » J ^ Jl

I'm Iran -tic

-

ro-man-tic, Ex-cit-ed- de-light- ed. It's thrill-ing-

^ * j' j ;, h p pJ'

I

• J' ^ 53^mSAL.

just kill- ing; I'm will- ing to play my part

>'l> * J J 1 F»Shall I lose my heart?.

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? tv p * J1

t?.:

tt^^p? ZZ1

p''

p p p p p ps.\ L. E^

_ Well, who can tell? It's a ma - gic spell. en - chant- ing.

Se7

pT

E

J: i ^W f^fJNf?

I

MEN.3 mm *a » 3=5 E=£^5J' I

7 Ji J'You're charming- a- larm-ing, So slen - der- so (en- der, Ca - pri - cious-A! '

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70

j th. T°> ji j^ h p P g i j i.J^ ^^

de - li - cious, We love you- You're just com-plete; We are at your

BARITONE.

P plJ' I lJ' J^CHO. ^ r } Ji h

P P P Pde - li - cious,

BASS.

^We love you

_# k

You're just com - plete; We are at your

P C *c u Jf r§ Be £^beb fe2 I I PV

de - li - cious, We love you- You're just com - plete; We are at your

m^3 ^*=?-ti_

f % rf#§5iEEE ^3 "£3

P f jB Pi

ffefeet>_ You're such a wild, wild rose!

ttP P P p

CHO.«<-

feet,

.

You're such a wild, wild rose!

m p p p p

feet,. You're such a wild,

J

wild

£

rose '.

A A

SEfc

s £^g:= a A A

J^A A A

^ ^1V w- A MEI*

She's

MEN in UNISON.

just

m mwild

*

rose,

«(2

Not a prim and

//

gS 4 tT £ f $

^ Pi~i\m

77

MEN£ ffi £ ii

f S*£

mild rose, Tame her if you can;.

f4*

f

yIP

She's a

^J P41^t

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s ^^MEN. * frose tr^ suit an - y man. Some

h I IkB £ ii J.

pas - sion

M It=\ P- 3*:

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ifem i: n £ £

I

flow

Se

er, This

8:

is her hour,-

-

s ! i *EJ

Si* 7

Ife

ME N.I s1 3 P I ip E^fr

Who'll get her? No - one knows. She's such a wild rose!

27487

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81

ALL.

bN n i

l ^ ;,»

Czech - o - ga

|j j,i,j-n

vi - ni - a!

m i I

V V

A A

i j i

^a i=f=F

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f=

ALL.

J1

1

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Czech - o - gaA

p p f- vi - ni - a!

<*#« IN* 3 j i V~"? , i¥ £AAAm —

*

m

mm | J J nj =d ^SEALL. «=?come!

ALL.m i

1

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i

i 'i

1

Wel - come his High - ness here. Wei

A, A

come! wel - cornel

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gM=f

1kr=fc=t

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J ^J~3 J -^VE iJ EBm

£

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27487

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'DIALOGUE.

r«nipo di Valse.

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t pi# 5=£

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inn st^

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83

N? 13. SONG-(Constantine)

"THE SCHNITZA-KOMISSKL

Words by

CLIFFORD GREY.

Constantine

Piano.

&Moderato.

M£3%gj^t

*r *PT

*

4 t-J

r

p

i

Im a Duke from a won -de r - ful

The tel - e - phone there is a

There's no ser - vant prob-lem out

t

^mTf

m

rrr

clime,

joy. —there,.

mrrr

^5Where 1 ve had a re

Not mere-ly a

We've house-maids e

rrr£

f f

imark - a

trou - ble

nongh and

f=»

^W

ble

someto

FT

time;

toy, _spare,

^FT

MyAThe

H£

T=f

peo - pie are

call is - n't

cooks and do

m

•-•7487

84

t £splen-did, but

Sim - ply a

mes - tics are

±=±

ra - ther u

mat - ter of

al - so u

nique; Theychance; You

nique; They

like rev - o

don't have to

work like the

ilu - tions at

write them a

dick - ens for

fttn i tm^=f Tt n

a^m

t **^ pm IZZ

least once a

week in ad

five bob a

t

week, On

vance, Theweek, To

Sun - day you

girls are so

stick in one

may bo a

sweet and poplace is their

h #J J

King;.

lite;

pride;

feS 1rr? T7T nry <TT'•

V f m

27487

85

REFKAIN.

| I J J I

JLf

On the

On the

On the

banks

banksbanks

i i iof

of

of

the

the

the

Schnit - za

Schnit - za

Schnit - za

KoKoKo

mis - ski,

mis - ski,

mis - ski,

They're

All the

We

$all just as

rents are as

haven't a

wild as can

cheap as can

liq - uor con

mbe,_be,

trol,

P^3 -Str-

A - ny

Plum-ber's

When you

time_mates

dine

with - out

do not

you can

* £rea - son or

stay out to

just swim in

S

rr

rhyme.You maylunch,From e

wine, And at

i

fc

rr

i i -©-1

find it far

lev - en o

break-fast get

1FT

wis - (T to

clock un - til

clean up the

P

flee. .

three,

pole.

^s£

In the

For a

All the

Ppn*

27'i87

8<>

t

m

night-flat _drinks^

^TT

3=^ ¥they may rouse you and chase you, And prod you with bay -'nets like

there'sno pre - mi - urn there, And if land-lords op - pres-sive should

have a won - der - ful kick For they like 'em as strongas can

f f

P

0 ; J

i ; u

i #^

=£*

^7# fc£

f ^

PP £ £ P^PAnd they'll cut down in haste All your Gov-ern-ment waste,Where the

While the po - pu-lace cheers They just lop off their ears, Where the

There's a cute na-tive brew Made from vit-rol and glue; Where the

*T?*¥=*

*-» tr"

==" :

,M-J-fe

4=ii

±^fef=

^=^

^ir£=ip

#l.

mSchnit - za flows down to the

Schnit-za flows down to the

Schnit -za flows down to the

sea!,

sea!,

sea!

JLir

m mUn the

On the

On the

sea!

|^^1

ZlkHl

87

N914. DUET.- (Sally and Blair.)

"WHIP-POOR-WILL."

Words by

BUD DE SYLVA.

Con moto.

Voices,

Piano.

a \f 9

J'

gbALLY. 1. Mem-'ry takes me back a

BLAii<.2.\Vhilc the dusk-y night-bird

I £P' P = P

TT-*>-

- way

flew

To an ear - ly child - hood

To the eve - ning ren - dez

r •

day,

vous,

^ BN11l" t V

tfLiLir ,j:X

r-far

m if

i Fi^ 1 J> i,J J A < Ji A Ji^^ « ' wtt

When I stood_ with - in a lit - tie wood As day was

In the dell . I've heard the ves-oer bell So soft - ly

mw w s

S 9

27487

8N

#- ing-

- ing.

£^8* f * f

L^"

J * j

W sS=£I re - mem - ber oh, so

As its mu - sic died a

well

way,

PI ^=£3" ^ r

^ £=£Stroll -ing in the dusk-y

And the sky be - gan to

ft

p'p mm m

dell,

gray

I would thrill be-cause the

All was still and then the

vr ^~lJ

an

rP g H i

SP3

f~r«~

r r

t; '

P'^p rl-'P P^ -o- -o-

whip -poor - will Was ser - e - nad -

whip -poor -will Would start his sing -

J-73 i-nn

mg;

ing

t

r^ T

.9^*>-

«r * r

^fT*7 *

£li

both. Tril - ling while

both. Tril - linar while

=8=

TT

Ifc=E

P ? lEEEEi^SE^stars were rap - id - ly

stars were rap - id - ly

afill - ing the

fill - ing the

27487

osky.

sky.

»9

^ REFRAJNt/ijj

^ ppWhip - poor - will,

A

I i

1 1 m l !

* 1 1 1 j } f I

'

J\ Ji ^ ^ J K- JI u«ed to love to hear vou

—""3h- J ^i

3*f

call to me.

^^

^Vhip - poor ivill,

A

r^f^^^

^ J , J

nr * f

J , J If f ^

•

Jl J'- Jl J'. J lj'- J'

I know he meant the world and all to me.

m ^ 9 r P'

When the sun had gone to rest,_

,»

.S

^^-J=

i r f f

I could hear you

J J J J

27487

yo

i^3E K-• &- i& £from your nest

i '''

J J *

Whip - poor - mil,

A.

You used to whis-tle ten-der-

i5t

r PFf v- <\i-'

m $ S a-nrf

—(9- M mi

m & #ie=EK ^«7 T5-

- ly. And when the

fc^iJul

moon would swing—A

jf=jj 9*3 ^Z^fefc

or

P=^=^ a i« £ f f^

j* rJi A Ji i

,J'- Ji|J'- J —

o

-bove,A - cross the branch - es of the trees

m fi-p-r 7TX7e i=f=i P^Nf f f

dfc

J ^ J P FW^^ ±=

You would sing

A

P^^"'

j r j r

Your plain -tive lit - tie mel - o - dies of

±= T J • 3 iJ • PI

* f *

* f * f

27487

yi

pnc

love.

mm m

$ fed jaj j

=r^ ENow, though you're_ no long- er near,.

A

f^P3 f f

*ft=* i3:

p r P r f5 h- W^* m k

In my dreams I still can hear Whip- poor - will.

t^m $ 4- J H j

}jL-j*

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ra//. 1.

P P pJ£

Ev - er

**M>

call ing to

fe w i

f7^

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i tempo

f

* **ir^T^ -o-

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27487

i)4

N915. TRIO- Rosie, Jimmy and Otis.)

"THE LORELEI."

Words by

ANNE CALDWELL & CLIFFORD GREY.

Andantino

Jimmy.

Piano.

^m JIMMY.

-=f» &=$> ¥ i T-

1

.

I re - mem - ber read - ing in an old myth - ol - o - gy,

2. Now - a - days a rest - ful rock is ve - ry hard to reach,

JHM *k

agp

m

?=¥.^

' iJ i

£

* r r f

p-

J1M. # ^ P=fOf the love - ly, lur - ing Lor - e

Sail - or - men not ea - sy to re

gp J 0»j 4=5*

l^r

r j r

?3 ii» 'j

ro-

lei.

cruit.

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27487

93

ROHK

In the old - en times she was a si - ren of the sua;

Maid - ens of to - day can on - ly pose up - on the beach,

tte£ m i

MC f f.aii

v Hr i

#

« *=! ^

ri

'JOSIF# isThe - da Ba - ra

In a snap - py

P k* 1

uI*

f^ IE"of the days gone by._

one - piece bath - ing suit.

T^f m**

m£

«

-zJt

£

~Ti~

JIM ROSIF.

^sil - ver stars were jeal - ous of her

Bri-tish Tar from Portsmouth Town, whogleam - ing gold - en hair;

sight - ed her at sea,^ f^l

She

Said

r-prr

^f f f

HOMK ** J J J Iwon the heart of ev - 'ry man who saw her beau - ty rare.

'I'm no swank- er; heave my an - chor! Here's the lass for me!

#«^fm f

#^ l^ff t

p

OTIS.

iSheI'm

27487

U4

OTIS. •* ^3 T^ iwas a cho - nis

ve - ry glad I've

la - dy,

met you;

with

but

rep - udon't let

ta - tion

Ep - stein

sha - dy.

get you.

She

He'll

M * i i if* i*

B -*»- 3E f

^^REFRAIN.

ALL.

^^OTIS ?dress'd like Eve, with

put you as a

out the what . nots

stat - ue in his

E - va used to

fa - mous gal - ler

wear.

* 1 1;J ^ J j.

UpUp

itf*T&

m 1fSE

-*»- ^o~

%=^ALL.

on a rock she

on a rock she

sat all day, the

sat all day, the

4rf £

love - ly Lor - e

love - ly Lor - e

4l- zk

lei-,

let;

&£

NoNo

£m mf f f f

m *OTI'

ALL

sail - or - man whosail - or - man who

*=£

saild her way could ev

sail'd her way could ' ev

i

er pabs her

er pass her

a.

by.

by.

If

She

i il

!s f I f sA *

f i i27487

95

AM..

Ul\< £ ^m monce he heard her call - ing,

loved to tan - ta - lize 'em,

3

lor her hed soon be fall .- ing, The

and then she'd soon cap - size 'em, The

AM.

DANCE.

ihp jp p

JI

> EJF'FFF I F ^N §S363

jfi

«*

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£ i

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»

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£

4

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- 1

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27487

i)6

Audantino

*JIMMY.

m i ~n-£ ^^ ^

3. Such a love - ly Lor - e - lei you ought to learn to bt

ijfe i^ i!«LJ l

=«**=

T—TTy<ii» J i

rzz:

$JIM.' <H

' '' ^

Jjt f

All the na - vy men for you would fall.

<P Jn»J

ljl p^ ^F ^

^'nr

r ^ r ^^^ ?ROSIE.

r r n'-ȣ :ttr ' r

An - y man who her when he went to see the sea,

:to i a* # l=i« ^M £=& r r i

ifi£* SI/7S

HigR0S1K. isi «*=*

;#

Nev - er came home to his wife at all.

rrrS^1^ »J j

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37487

97

iJIMMY.

4 * ^~gn~

A fel - low on a li - ner, full of ten - der heart -ed - ness, Cried

m i ^^if r^rP^ ? j

'»* J ? * J i * J tw? =?

tte£OTIS.

JIM.

Through my glass 1 see a lnss who's lost her bath - ing dress. Left

P ' j Jj I

Jj f ^^

n ,t j > * j j * j ij f f

i =£=^1ori- £

go to her as - sis - tance; for judg- ing at this dis - tance, I

1^>J J V &mC TY TT 1ST

^ fREFRAIN.

ALL.

1OTh P^-^ *

real - ly think it is a Brigh-ton flap -per in dis - tress

""^Up

Pm

:¥

-»-

TT

f

if

to

* • INat48?

38

AM. fe£ ^PP^- on

14-

;^

a rock she

22

sat all day, the love - ly Lor - e

> ^ £^=te

lei,

ii-

No

£= *

m f f ^ tOTIS.^ i Ii^

sail - or - man who sail'd her way, could ev - er pass her by. She'd

*rf ± tf tf I d* if g

^ j r j ^M tamif tALL

OTIS. £ £ $fon - die 'em and pet 'em, and then the shrimpswould get 'em; The

i ib=t£ Lr,r £

Jutaij

». i J iJ

-J i J J ^ JsALL » r. r.

rrr rr rr i

r

rr

rfr rr (i

love - ly, lur - ing, ly - ing Lor - e - lei DANCE.

pimm j j.

i J i i

m m *

£ Hfc27487

99

pes — — »

a j f j i £

=:=±£p:

ptani*RI

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ittii i i

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^*27487

loo

REFRAIN.ALL

h r I J J P^iUp - on a rock she sat all day, the love - ly Lor - e - lei, No

fee

^m

&— A

f

±-—t-

a :£

? iiii

>,f -

>

#*-

t

*==t

^ i

OTIS.

all. 35F5te£ I £m~^" P

sail - or- man who sail'd her way, could ev - er pass her by. She'd

th J *f

:s* S T -t

f

i

-ff *; f

f

^ = h

^

i J

OTIS.mALL.

P^fon - die 'em, and pet 'em, and then the shrimps would get 'em, The

ALL.

I'M1

'

'

'!

l

!

'

!

' 'love - ly, lur - ing, ly - ing Lor - e

$* j j n

27487

101

N? 16.

Words by

1'. G. WODEHOUSE

and CLIFFORD GREY.

DUET- <Rosie&Oti>>.

THE CHUKCH 'ROUND THE CONNER'.'

Tempo di Valse

Voice.

Piano.

p ROSIE.

HOriMV

vi=^=f=i

church'ruund the cor- ner that's wait - inp fur us, It's just a - bove Mad- i- son

won- der - ful churchwe will go, you and I; We'll be quite the hap - pi - est

S

S Wt—%

5

y

—

P

£ m -m—0-^m i

Ri'X 4^1' ft

Square,

pair. _

TT=i

*mfe

OTIS.

SiMr r r i r r

Ve - ry soon to the al - tar, my neck in a hal - ter, My

My fate I must meet it, there's no time to beat it, Be

Pi

P^=E

umrf i M

'.'7487

104

OTIS £w£ iHOSIK. ^ £

love, you'll be lead- ing me

-sides it's my du - ty— so

mthere,

there.

All the bells will be ring- ing, so

I feel so ex - ci - ted, I

>h^*PW i s=J=mf

s ^ ^ /ZZI

ft ^

i ^f^ ^OTIS.

^rV^Mpuos. £don't make a

just want to

fuss; Just

die, ni

fan - cy how

nev - er get

hap - py we'll

left on the

be. _shelf:

&h i,J J J

TmI'll

i i*#^rrr TTT 7 77 r

(5^=-

9^=» S>~i~ i?^fcft £

4^" r r r r r r i r rOTIS. I

sure I amlook so se

pluck - y, and

raph- ic, I'll

youre ve - ry

stop all the.

luck - y To top such a

traf- lie. They'll think I am

Is n J j=f ** ^^*f=s tS-=- §e

OTIS.is p £ 3EEEE

fe

W?f3

bride - groom as

Cu - pid him -

me..

self.

I* i ?t wm/

f ^ii^ P7

*±i M27487.

103

BOTH.feREFRAIN.BOTH.

J i, J J| | M

?EZ3rg

1^ ^

Dear lit - tic, dear lit- tie church'round the cor - ner, Where so ma - ny

Dear hi - tie, dear lit- tie church'round the cor- ner, Where cou - pies run

U t -fee 3—e^M-l

^ ijw £ i

t

T# « •-

N"P*=Jfc

BOTH. S&E

,*

lives have be - gun.

off to be wed.

4-'

Se

^^ #-^t

KOSIK.

w^m 3e$

OTis.

±±

a

Where folks with- out mo-ney See no - thing that's

I'll swear to be ten - der, And if I sur-

1

IB

I

±^)=j=

*=t=r

i

^=j=±r rr

$ ^motis. a n J J ^pfun- ny In two liv - ing cheap-er than one..

-nn-der, Will you bring my break- fast to bed?_

<i:osie.) Of dull care, of

'otisj Let a smart Mai - son

feROS. ^^ m E*EE5course, I'm a

Lew - is a

scorn - er_

I ^ 't r. r

w^i u

dorn her,

.

* ii

'otis.) We're bust - ed, but what do we

irosie.) My mous - lin de - soir I must

i

irj • m* jE

E

l v4 *U

27*87

104

OTIS.tmcarei*.

wear.

.

m^^ =?

ROMtb^ Otis, a*

r i r r r i

r$a J

i ^ rJ

i MB4+TH.

Ill be dieted all in white, I'll he dy - ing of fright, At the

All the peo-ple will think, Here's an - oth - er poor gink, At the

±E± ^^^r=r?'

mm^TT&=-

mY-

Z.ZZL

BOTH. *i£E i * s i g

i

chiiich'roundthe cor-ner, It's just 'round the cor- ner, the cor - ner of Mad- i - sun

thurch'roundthe cor-ner, It's just 'round the cor-ner, the cor-ner of Mad- 1 - hon

—^—&

i/iinai Organ.

V *^ # p

*^*wm «-*-3 31-=3^ *——

~:

*1.

Se 3=1=BOTH.

Square.Square..

^m %u **#1>W * + w*H, 1 * I s

s ^ a i ia F*?

8

i * * J .H ISe £e£^

^^a s—t-Wf Wf *=t-- m2. To that Square.

J—

P

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iE

AC. £»

2-7487

r<fe£E

DANCE.1U5

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i

a i

f it f ft r r w w Jt «-

p:*=£ » J

^4=4 %^=n 3 ^^s

rrrr ^=p TTfT

£

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ses

31487

106

N? 17. FINALE- ACT II.

Allegro moderate

Piano.t^ffiff

ii

^mrii?

m? I Pi Trrt Pwi

ffiE

ALL.

> ^eid b r i p n r p

Our anx-ious eyes a-wait this

i 7 t> i];«=^a=r:^=*: ^MSfjsr

w=*

gsplJ^L XJ

?=jr^?—7-r13?

li^ MEN. . .

JB I ^JJJ^MP—

t

^ALLF

great sur - prise. She is not here; will the ap - pear?.

;

<to ifjH mi $m i 4 p I

.PSJ"3 J-

WF* *T71 1 ji j-—mi LP

7

? 7 *•- 7

^^S27487

107

•fl

I

GIRLS-

*= ^ £ ir ' t

Where is this wild rose?

M VmT35

95saS¥

^H7

.She's no prim and

il-.^F=.e 0=

±EiE5

^sr

^^ S3mild rose.

CHO.

i

Tame her if you can;

MEN.

*£=m VJ'J^ JOWe are glad we have

ga p p p P p^

-J Ak "^ ^^

108

>

?=£^^^

#fcS

Soon pas - sion flow er; This is her

HEEj; fr I h . N IV-hCHOI

won

?^Nev - 'ry heart. We can't for-get her. This is her« r

p ' p 7 p p=

We can't lor- get her."\

won ev - 'ry heart.

&frVm i 3

This is her

I t

=3^t CT ^^7 C 7 #

Hiy 1=1

>*55 P 3 fc^

hour. Who'll get her, no one knows.

m iCHO. 1hour.

.

1»%kWho'll get her, no one knows..

-IBE^EE/ho'll se\

§hMhour

{Sally enters.) u£Who'll get her, no one knows.

a1 "« t

sf=^« it

li ^ P

#* «~

—

*—

«

v4A>" J J' J> J' te

^ Allegro.

HKyrJ^

7 *

Shes such a wild, wild Ro-e!m m u •> iCHO. e^fpShe's such a wild,^MM i V

wild Rose!

&g ^ ^ *

She's such a wild,

PpfPfW r r I

*3

"^~

wild

-s-

Rose!(During this music Sally descends tie steps!)

Allegroj, l a negro. m sSavage

2*487

109

f=f

*

(SAe dances)

Broad, (a la Czardas.)

I

wm U*I in

«Jlflj-ff

§sp^ i f tf*f v r

3

PTFF^ * 3

Furioso.

fe^i i ^ :« TA.H3

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sp? ^•nt-lMF^PI ^

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accel.

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Allegro. A

kwc-f r I

27487

110

(BLAlR)"Stop

Andante. Dialogue.

m=^B^

F^f

fe^

—

Se

£-Ik

2=

f

ft*£is

ft

jj '

u' llgg g

r^=f

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5^=F

Allegro moderato

.

j*! 1 . J f= ^=^»J I If

^^ ^£^=£ i^g jR=^* sfc

f

-r

Lento.

mw 3-

5fe£ ^9t^^^^Jl33ee£

^=&=± gii

r" t—-r t=—-r T—r27487

mmAllegro con fuoco.

ALL. (addressed to Salty.)

Ill

» i r i tv mWe

wGet on with the dance, We have had but the mer - est glance.

I^fltmsf

^m

* m/

m

GIRLS. (/o o«« another)

^~5

MEN. Tenors& Basses.

JjlJ J"P 3 41 J j J 1

^,

1 M'lf TrHAMb

CHO. Why is she wait-ing like this?-

HSomething is clear-ly a - miss^

ITi s ^^Something is clear-ly a - miss.

^^nmm

^FE

W fl Wf

*??

f PJOtsif^W^

f

i*Ha*

Dialogue

JU^4-44

li^'

*£ ag

*£

ff ffl

^7Tt ; ff

si—IS^

=ep Jw at

£^

27487

112

m + -L-X

ca •

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. m ~

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yy

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£*Tf

siM^E

Sp^T

^sf£^

1^-

* w*fgi

-o

(CONSTANTINE.)

^^ll

On the banks

t

m gJ

r^

of the Schnit-za - Ko - mis - ski, My dar - ling, you

FTF?

i p* *

#5fet

rrrr p 1

1

P^f

f^*-^wander d with me;

t fc=f=f

f?

mPi J |J «j i

Jr i

Till the niirht,.

I f T

5

irn ^* ff

when the big shin - dy

J ^ #3* t~tt

#^ 4*t«

start-ed, We thought it was bet - ter to flee.

i**W j j j m ~w~

' <»y. \*= ^

£^You re - call

IT ftf

how they

*

27487

113

CON. ^ 1 3 ?roused us and chased us. You fled a - long my bal - con -

:*l—>* ? J

* g'

*

•t-f—

IE^f^

^*=f r

#=*

*—

>

^

:on. * i iM' ' r

When you

*E=

FT5;

ran thro' the

J J J

jp

i=y

trees In your best B. V.

E±

^7 I

xP

f4=iP

AM..

CON. m t < =* ^D's Where the Schnitza flows down to the sea.

i

On the

r*«=* i

1—g"^ *

—

m-

i t i

¥

A LL,* i Pbanks. of the Schnitza - Ko - mis - ski, My dar - ling, you

fTTfv j r * r ft* r fr> j

PP

*i7487

114

ALL.i Ji r

^ i ? gwan- der'd with me. 'Till the night, when the big shin - dy

m * vrj • fefe^ F^fFF *—

*

is M3^5

ALL.

Moderate Dialogue.

(f3=F^ IALL.

flee. M i^ #*> f-

s u ** *

mitt m$m B«E tt

i 2-^ A

j^fl J^J

g^^^iTh

^§Sfli

rrPfP IE

fcrfc E^

V » d d d ^-p-g>Mf- -P '*

27487

DANCE.Piu animuto.

115

f4 J U J 4 J 'i J 4f f f r

jll iff ?H[J^

Pfig^gcu •'< r r r ?

#?

f-x ^ 't .lt <

jj

j.i ij i pi \^i n^i

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m&ipp

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fe i

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Dialogue.Andante.

^TrrrffW^

27487

UG

(l^piinpfttorrrr^M ife

/rrr

m f a. ^/

&

Lento._ -o-

F<zz: ^ ;**=

i'Ps i~o~-»-

r *

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"

P ALL.

E=SPWho she is, no one knows.. She's such a wild,

-flA it"^ zrc

wild

3&1=35^3*- tj^

ff*'*' broad

^SP"

:iytLjLff i 9 #»* « i T^

^

ALL.

Rose!.

(Curtain.) .—

^

/Tv

f^H ^ff

mSe E Jl J J>

*=£?

5fe=£

r

£=^if

s

j >< j j>

^

-.«— Sns^3£JU

^?^ u^>—END OF ACT. II.

2~'i87

Act m.117

N? 18. OPENING NUMBER.- BALLET.

"THE BUTTERFLY BALLET."

Maestoso.

r~*r I ¥

Piano.

J£=£*=§i

3 3 L

VICTOR HERBERT.

5

EEg Cfr ilEFfrw^JiI>%|»%I%^pV^%^»^%»**^%^%^^^^*%%i%^^*'

V^V^^^V^'^V^^JV^J^V^».^»-V-»^'*^-»-»f'»->.%^^%^^-*-V-»^^.

gffi59

27487

118

^See^trtm

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-fe=^

tk=&4 Olfr^5^ £3Tempo di\^l&e. ' .?

mdkm m m*m ^^

fe is H feJ3 g P p v E

7r s^:

• ENTRANCE OE BUTTERFLIES.*

M * v tR; ^ 7 p 7 ^^

^ j -r p 7 J' v y | J

ft1 P

ffik<S-^ P^

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m j' ^jJ ?H j' i gnli i jj ^l£^i lMM r>

s/i 8*5 «/S*—J P 5 I *

27487

119

Valse lento, (molto moderato.)

m ^jjmj^M^

W •I I''

1

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m i gg

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fai£ £

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27487

120

Moderato.

Mei^Pfp

a^y^>^^#f§^^s

1*&£

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IJrJt-.J;.tW -

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S =1f=f

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"ENTRANCE OF MOTHS'.'

Anim ato.

w-r

r r r =

(§ a :

r«l

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is

jj)^Ji -

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l=£ r=t

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'Sitmmif

1^4^J/* *//*

^»^^^^^^A«

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27487

121

"DANCE OF THE MOTHS!'

r

m

t^^^ i f^rfrttoN«*/•

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*4-*-±- fn ti »

#

7 * J>7 * s20 *f*

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' j in nrnr ^p3=e ^E^S K27487

122

DUO DANCE. "THE MOTH AND THE FLAME!'

Tempo di Valse.

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