university of california, berkeley professor cindy cox spring 2016 · 2018. 10. 10. · abstract...

OPHELIA. Her heart is a clock

By

Amadeus Julian Regucera

A dissertation submitted in partial satisfaction of the

requirements for the degree of

Doctor of Philosophy

in

Music

in the

Graduate Division

of the

University of California, Berkeley

Committee in charge:

Professor Ken Ueno, chair Professor Edmund Campion

Professor Cindy Cox

Spring 2016

Abstract

OPHELIA. Her heart is a clock

by

Amadeus Julian Regucera

Doctor of Philosophy in Music

University of California, Berkeley

Professor Ken Ueno, Chair

In Heiner Müller’s play Die Hamletmaschine, an adaptation of Shakespeare’s Hamlet, the character Ophelia’s entrance is signaled by the words: “OPHELIA. Her heart is a clock.” It is unclear if this line is to be delivered by an actor, whether it is meant for the audience to hear, or whether it is a stage direction to be internalized by those in the production. As an image, it is an arresting one, evoking associations between a quintessential literary archetype and traditions of femininity with mechanization, dehumanization, and capitalism. It is a robust metaphor for chamber music — the human playing the musical “machine” that is her instrument, the relationship of the individual within and against the group, and the reification of art (and artists) into a product, which is produced and distributed. Springing from my interest in poetry and theater, words themselves play an integral part of OPHELIA. Her heart is a clock. The rhythm of speech forms the basis of the piece’s musical language, and through the vehicle of text, the players reveal themselves from behind their “music machines,” machines through which they breathe, touch, scrape, pluck, scream, and strike. Their voices emerge only to be subsumed anew into the din of music-noise. Each instrument(alist) is a character, their voices and their music distinct, in discourse about “life” and “love” in all their ecstasies and depravities. OPHELIA. Her heart is a clock was premiered by Ensemble Linea at the Festival Musica in Strasbourg, France on 3 October 2015.

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for Melanie

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Acknowledgements

I dedicate this dissertation to my family who has supported me through many years of study and personal struggle, especially my partner Noah who gave me the courage to persevere despite all the difficulties and doubts as well as the reminder that much of life and music is play. I could not have completed my degree studies without the loving support of my community of friends who gave me ongoing and endless encouragement in my nine years at UC Berkeley — to Hunter, Danny, Walker, Sivan, Anicia, Nell, John, and Melanie . . . thank you. I would also like to also thank all of the teachers in my academic career especially Ken Ueno, Edmund Campion, Cindy Cox, Franck Bedrossian, David Milnes, and Philippe Manoury. With their help, I developed my natural curiosity and creative drive, learning how to challenge myself, to be critical, and to grow as a composer, an artist, and an individual with integrity and a sense of service to others and my art. Finally, I want to thank all the members of my intellectual and campus community in and around UC Berkeley. To the other graduate students, visiting faculty and artists, the staff, and all of the undergraduate students with whom I could share my love for music, I am greatly indebted. Without your perspectives, often wildly divergent from my own, I would not have been able to experience the growth I have had during my studies. Thank you all.

OPHELIA. Her heart is a clock (2015) Bass Flute, doubling Flute Oboe Bass Clarinet, doubling Clarinet Trumpet Percussion (1 player) Piano Violin Viola Cello Double Bass (with low-C extension) Score is written in C Approximate duration: 15’ Written for Ensemble Linea and the 2015 Festival Musica Academy Text composed, collected, and cut-up by the composer

Instrumental Disposition:

Piano Perc. Oboe Clarinet

Flute Trumpet Viola Cello

Violin Double Bass Conductor

AUDIENCE

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Instrumental Performance Indications: General: Accidentals are held through the measure. Microtones are used as inflections of equal-tempered pitches:

I Indicates a three-quarter-tone flat B Indicates a quarter-tone flat µ Indicates a quarter-tone sharp˜ Indicates a three-quarter-tone sharp Note:

“Flared” crescendos and decrescendos should be performed as “dynamic accents,” or suddenly becoming stronger or weaker, dynamically.

Rhythmic figures with slashes indicate accelerandos or decelerandos as fast as possible. These can be indicated as performed freely or as measured tuplets Vocalization: All players are asked to speak, whisper, or otherwise declaim text. The delivery should be punchy, extremely percussive, and should be an integrated part of the overall instrumental texture. Text: Yesterday I stopped killing myself nothing will come of nothing we that are young shall never see so much nor live so long Tomorrow morning has been cancelled with my bleeding hands out of my breast In my body my body everyday here in my body I destroy the battlefield that was my home Nothing will come of nothing I fling open the the prison that was set fire to my heart with my bleeding hands I walk in to the street clothed in my doors so that the wind gets in and the scream of the world I tear the photos of the men I loved speak again I wrench the clock the miserable I watch the clock out of my heart speak what we feel not what we ought to say I fling open the the miserable children of the miserable children of internet and cocaine do you want to eat my heart? children of in and exquisite and virginal children applaud our drowning applaud our drowning Do you want to fuck me? I want to forget exquisite and virginal Here, the glances last a little longer children exquisite and virginal whores for loneliness you'll know the truth choke on our promises Don't stare choke on our promises The pain of gravel in my flesh on my knees Hope whispers a sweet song from the belly of a sleeping beast Do you want to dance? one pill ten pills Do you want to eat my heart? do you feel any thing? too long he may think you want some thing whores for lone li ness Valium is effective at 15 milligrams per day divided into 3 equal doses throughout the day Additional studies found it effective at 20, 21, and 26 milligrams Flesh likes to keep the company of flesh My eyes wide open. I see nothing but red. I see blood I am angry but all I can do is weep If only after you but then me A scar, left deep in your flesh. Memory is an object, a thing you can point to, touch, feel. Some wounds heal and some never do. We are better for it an empty room, large,with a chair in the corner Three rows from the back, I lift my head meet the eyes of my mother and *His* face – my Lord and Savior, his bloodied face, throwing shade; his eyes are full of suffering, and I am full of shame The drug, effective at a dosage of 3.6, 4.0, and 6.0 milligrams but I can't remember how The pain of gravel in my flesh, on my knees Red pills, blue pills, glass bottle Tomorrow has been cancelled What you killed, you will love His eyes removed, his sight granted tothe government to study the weak, the dispossessed I want to be a machine No Pain No Pain No Pain No Pain No Pain No Pain No No Pain No Pain No Pain No No Pain No No Pain No No No

No No No No Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts you'll know the truth The text is fragmented in many instances throughout the piece in a sort of musical aphasia. The pronunciation in these instances should remain consistent as if the whole word were to be pronounced. Words may also be fragmented into single vowel and consonant sounds and are contained within brackets [ ]. These should be pronounced according to the context given. In most instances, they subscribe to the sounds in the International Phonetic Alphabet. Vowels: [I] – open “i” as in sit, will, myth [a] – combination of bright “ah” (as in French: dame, table) [E] – open “e” as in well, tether, excuse [o] – as in opus, over [i] – as in English: even; French: hiver [u] – as in English: even; French: hiver Fricatives: [t] – as in tea [k] – as in cup [s] – as in switch [f] – as in fly Often, the consonants will be followed by vowels. This indicates the shape of the mouth cavity as the fricative is pronounced. In the following example, the mouth cavity becomes more resonant and open as its shape transitions from the closed “i" (“ee”) shape to the “u” (“oo”) shape. This transition is most apparent in the shape the lips make, moving from “smiling” to “pursed.” [ki] — [kI] — [kE] — [ka] — [ko] — [ku]

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Performed in a “speaking” timbre at approximate “pitch” (“pitch” here refers to the place in the vocal range where the speaking is the be performed)

Performed in a “speaking” timbre with some breathiness

Performed in a very breathy, almost whispered way

Indicates audible inhale (“up-bow”) and exhale

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fricative [s] (as in switch)

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Tongue pizzicato with [tE] (as in English: tether) or [pi] (as in English

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Indicates a mixture of “breathy” timbre and pitch

Humming or murmuring while playing the instrument, creating a “complex” timbre

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Indicates a timbre that is mostly “breathy” and diffuse and one that is a combination of pitch content and breath, respectively. The arrow between them indicates a gradual transformation from one timbre to the other.

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Indicates a smooth transition from one consonant to the next.

Embouchure notation: (l – r) “open embouchure,” “half-closed embouchure,” “closed embouchure.” The arrow indicates a smooth transition from one position to another.

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Encircled numbers correlate to the harmonic “regions” above the fingered pitch (fundamental). Decoupling:

When the flute is divided into 2 staves, the top stave indicates mouth and embouchure articulations. Depending on where the articulation falls in comparison to the staff-line determines its relative “pitch” or “height.” The bottom staff indicates pitches to be fingered. Fingered notes should be struck as forcefully as possible for maximum key click sound.

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Double-trill (trills at double speed): occur when one alternates between the two D trill keys using one finger of the right and left hand, and between the two E-flat keys, the two F keys, or the two A-flat keys and furthermore when one trills with 2 fingers of the right hand alternately on the same key of the F-sharp tonehole. Fingerings are indicated in the oboe part.

Multiphonic on the given pitch; taken from Veale/Mahnkopf’s The Techniques of Oboe Playing, published by Barenreiter. Fingerings are indicated in the oboe part.

Teeth on reed, highest pitch possible

Tight embouchure

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Highest possible pitch

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- hard yarn mallets - soft yarn mallets - hard plastic mallets - large triangle beater - drumsticks (lighter — 5A or smaller) - two (2) superball mallets - Styrofoam block (to rub on the bass drum head) - Tibetan bowl

NB: Bass Drum (symphonic) head should be coated

Scrape across the surface of the instrument (e.g. Tam-tam, China cymbal, the resonant pipes of the vibraphone, etc.)

Dead hit: Strike the instrument but leave the mallet on the surface (no rebound) to dampen the resonance (e.g. vibraphone, tom-tom, kick drum, etc.)

Scrape the metal pipe, block, woodblock, or Tam-tam rapidly across its surface

Drag the superball mallets across the surface of the Bass Drum (symphonic) with a lot of pressure to produce low, resonant, rough timbre that is somewhat irregular in dynamic Piano: NB: the highest note (C8) should be muted with drafting tape, producing a percussive, “clicking” timbre and the lowest P4 of the piano (A0-D1) should be prepared with aluminum foil to give it a distorted, buzzing timbre. The piano part requires the a CD jewel case to scrape the lowest strings.

Dampen the string of the given pitch with the hand that is not playing

Dampen the string of the low pitch notated with the right hand in such a way that a harmonic is produced. This is achieved by locating an easily accessible harmonic node prior to playing, marking it, and dampening the string there. Any harmonic is fine.

Strike the lowest strings inside the piano with an open palm (sustain pedal must be depressed)

Indicates a pitch cluster, which is performed by using the palm, hand, or forearm to simultaneously play the ambitus of pitches given (while it is best to play both black and white keys, aim to play as many of the notes in the given ambitus as possible).

Indicates a full cluster, which is performed using one or both forearms and covering all the notes (full chromatic) contained within the given ambitus.

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General mute: Indicates that the strings are to be fully dampened with the left hand; there is to be NO pitch – only noise. It can be used in conjunction with battuto, pizzicato, col legno battuto, col legno ric. Gestures performed while the strings are dampened are articulated on the staff as the open strings (Violin: G-D-A-E, Viola/Cello: C-G-D-A, Bass: E-A-D-G)

Indicates a sound devoid of pitch (ex. “noise”); this can relate to extreme bow pressure, dampened/muted strings, knocking on the body of the instrument

Indicates a “breathy” or “toneless” timbre; this can relate to col legno tratto, rubbing dampened/muted strings, bowing dampened strings, bowing the bridge or tailpiece, or extremely light bow pressure

& Explosive gesture; similar to glissando or a “crazy,” exaggerated vibrato

Played “behind the bridge” on the winding of the string

Highest possible pitch

Bartók (snap) pizzicato

Pizzicato strum (always dampened)

Left-hand pizzicato

Vertical jété – aggressively bring the bow down on the strings directly vertical, allowing the bow to bounce but not drawing in horizontally as you would with a regular jété

Aggressively slap the strings against the fingerboard with the LH palm, making a percussive sound Bow Pressure:

Sudden, accented bow overpressure

The above indicates a transition from normal playing bow pressure to extremely strong pressure (snoring, perforated, or scratch timbre where there is no discernible pitch) to extremely light (flautando) pressure.

The above indicates a transition from a medium bow pressure (mixture of pitch and noise) to extremely strong pressure (no discernible pitch) Glissando

Indicates a normal glissando; if indicated, pitches are not to be re-articulated and simply serve to aid orientation and finger position

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Very slow downward glissando

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≈ œ# ¨‰ ≈ œ ≈ yäÖ ≈

3

‰ Jy>Ö ‰ ® .y>Ö

J1.

‰ ‰ .œ e# ‰5

1. ≈ ≈ 1.‰

1. ≈

e = 104-96, furtive, skittish, tense, volatile

Bass Flute

sim. ß

π pBass ClarinetCl. & B. Cl. tuned down 1/4-tone (B)

P sim.

harmon mute (no stem)

π F π

metal blk

ric.

with the handleP

π F π

loco

sempre L.V. – molto sostenuto

pp sub.f

ß

pizz.a.s.p. arco

f secco

p p

f p

pizz.ric.

secco

secco

a.s.p.

I. pizz.a.s.p.

f secco

take plastic mallets

F

take triangle beater

œ>\ . . . ‰ œb >

\ . . . j

-e# > œ>/ . . .‰

3 3

Jœ ‰ ‰ ‰

‰j

œ>j

œ> ‰j

œ>

5

œ/œb œ/œ œ œ œ/œ œ

‰ ≈ œ ‰ ‰ ./ . .

∑

‰ ‰ Jyæ Jyæ yæ ≈3

‰ ‰ ‰ f> ≈

Jœ# -≈ œ- ≈ œ-

‰3

‰ ‰ Jœ. ‰

® œ# ¨ ® ‰ œœ

≈ ‰3

≈ Tœ ..Tœ Tœ. ‰ Jœ# >

jœ> ‰ ‰ J1

.‰

5

1. ≈ ‰1. ≈ ‰

ß

π

P

ß

pizz.

° F p

ric.

p f

pizz.arco

sim.

sim.

‰ œ>\ . . . œ>/ . . . ‰ œ# >

\ . . . ‰

3 3

‰ .œµ œ Jœ ‰

jœ> ‰

jœ>

jœ> ‰

5

œ/œ# œ/œb œ œn œ/œ

.œ# œj

œ ‰ ≈ œ ./ . .

∑

‰ ≈ yæ Jyæ Jyæ ‰3

‰ f> ≈ ‰ ‰

≈ œ> ≈ Jœ- ‰ ≈ œ# - ≈3 3

‰ ‰ Jœ. ‰

≈ . œ‰ ≈ y#Ö œ ≈ ≈ œ

3 3

≈ Tœ ..Tœ Tœ. ‰ ‰

jœ> ‰ .œ e# ‰ j

yÖfl

5

? B

≈ 1.‰ ≈ 1. 1. ≈

sim.

sim.

loco

f pp sub.

ß

arco pizz.

° F

arco

p p ß

arco ric.arco

j-e>

œ>\ . . . œb >\ . . . ‰ ‰ œ>/ . . .

3 3

‰ ‰ ‰ .œµ œ

‰j

œ> ‰j

œ>j

œ>

5

œb /œ œ œ/œ œ œ œ/œ

‰ ‰ .œ# œj

œ

∑

‰ ‰ ‰ Jyæ Jyæ3

‰ f> ≈ ‰ ‰

≈ œ> œ- ‰ Jœ> ‰

‰ ‰ ‰ Jœ.

œ ≈ ‰ ≈ œ# ¨ ≈ JyäÖ

3

Jœ# >≈ y>Ö ‰ ‰

‰ J1.

‰ Jœ# .œ≤ e5

‰ ≈ 1.‰ ‰

ß

loco

fpp sub.

ß

arco

p

ric.

p

arco

f p F

ric. arcopizz.

OPHELIA. Her heart is a clock. for Ensemble Linéa & the 2015 Fesitval Musica Academy amadeus julian regucera 2015

I.

6

&

&

?

&

&

÷

÷

&

?

&

&

B

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

wqwq

¤

wqwq

wqwq

wqwq

wqwq

√ ¤ ¤ ¤

5‰

Z

œ> .. . . ‰ œ> . . . j-e# >

œ# > .. . .3 3

Jœ ‰.œ œ Jœ

‰ ‰jœ

Z

‰j

œ

5

œ/> œ œ/> œ œ# œ

≈ œ ‰ ‰ .œ# œ ./ . .

∑

yæ ≈ ‰ Œ

‰ ‰ ≈ f> ‰

Jœ# - Jœ-

≈ ≈ yn>‰

3

‰ ‰ JœP. ‰ &

≈ ≈ œ≈ yäÖ œ ≈

œ‰

3 3

Jy>Ö ≈ œ# >

‰ ‰

‰ jœ> ‰ ‰ j

yÖfl

5

?

1. ≈ 1. ≈ ‰1. ≈

loco

f

ß

pizz.arco pizz.

p p

ric.

p ß

ß

‰ œ>\ . . . ‰ œb >

\ . . .

œ>/ . . .‰

3 3


‰jœ ‰ ‰

jœ

5

œ> œ œb œ>/œ œ œ

jœ ‰ ‰

rœ ≈ ./ . .

∑

‰ Jyæ Jyæ yæ ≈ ‰3

f> ≈ ‰ ‰ ‰

≈ œ- Jœ# - ≈ œ> Jyn >3

‰ ‰ jœ. ‰

‰ ® œ# ¨®

.œäÖ œ‰

≈ Tœ ..Tœ Tœ. ‰ ≈ y>Ö

Jœ> ‰> ‰ jyÖfl

J1.5

B

‰ ≈ 1.‰ ≈ 1.

loco

pp sub.

π

f

arco pizz.

ß

° F

arco

p

ß

pizz.ric. arco

f

œ>\ . . . j

-e# >œ> \/ . . . ‰ œ# > . . . ‰

3 3

.œ œ Jœ ‰ .œµ œ

jœ> ‰ ‰

jœ ‰

5

œ œ/ œ œ/> œ

‰ ‰ .œ# œj

œ

∑

‰ ‰ ‰ ‰

‰ ‰ ‰ ≈ f>

≈ œ-≈ œ- Jy> ≈ œ# -3

jœ. ‰ ‰ Jœ.

≈œ

≈ ≈ yäÖ ‰œ

‰3 3

‰ Jœ# >‰ j

Tœ

‰ ‰ Jœ# > ‰ Jœ>

5

1. ≈ ‰1. ≈ ‰

f

locoloco

pp sub. pp sub.

arcopizz.

ß

p

ric.

°

arco

p p

ß

œ>\ . . . œb >

\ . . . ‰ œ>/ . . .

‰ j-e# >

3 3

Jœ ‰.œ œ Jœ

jœ ‰

jœ ‰

jœ

5

œ/> œ œ œ# œ/> œb œ œn œ/>œœœ œb

œ œ

∑

‰ Jyæ Jyæ yæ ≈ ‰3

‰ ‰ f> ≈ ‰

‰ .œ- œ.≈ œ- Jy>

jœ. ‰ ‰ ‰

.y# äÖ œ ≈ . œ ‰ ‰ œ3

Tœ Tœ. ≈ Jy>Ö œ

‰ jyflÖ ‰ Jœ

.œ# ≤ e5

≈ 1.‰

1. ≈ 1. ≈

°

f

arco pizz.

ß

F p sub. cresc.

p F

ric.arco

ß

ß

7

&

&

?

&

&

÷

÷

&

&

&

&

B

?

165

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

84

(B) Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.◊

◊

wqwq

¤

9œ>\

Z

. . . ‰ œ> \/ . . . ‰ œ# > . . . ‰3 3


jœ>

Z

‰j

œ>j

œ> ‰5

œ/œb œœ œb œ/œn œ/œ œ œb

œ Jœ œ ≈

∑

‰ ‰ ‰ jY)ˇ

‰ ‰ ≈ f> ‰

Jœ# - ≈ œ.Jœ- ≈ yn >

3

?

‰ ≈ œ. ‰ Jœ# - ?

≈œ

≈ yäÖ ≈ ‰œ

≈3

Jœ Jœ Jy y ≈ B

‰ Jœ# > ‰ J1.

‰5

?

‰ ≈ 1.‰

1. ≈

Ïmolto

loco

pp sub. ƒ

ß

arco

pizz.

ß

Ï

p

pizz.

f

° ƒ

∑

∑

∑

∑

∑

Y> yæ Jyæ Œ

jf>+

‰ jf> ‰

œ> œ œ œ ® œ> œ ® œ# > œ œ œ œ œ œ œ#

œ# > œ œ œn ® œ> œ# ®œ> œn œ œ# œ œ œ œb

œ> œ œb ® jœ# j

œ œB3

œ> œb œ ® ‰ jœµ œ œB œ œ#3

.œ# > e ‰œ#

Jœ3

B

.œb > e ‰ J1

J

Ï

metal blk

ff sub. π

china cymb

f π

Vibraphone

Ï

Ï

arcoa.s.p.

IV.

p sub.molto

Ï

Ï f

f

arcoa.s.p.

p sub.

N

N

N

loco

w. plastic mallets

Í

Ï ƒ

Kick Dr.14" Tom-tom

F

F

∑

∑

∑

∑

jY

rYfl

≈ ≈

∑

‰ ≈ .f. f>

œ# > œ œ œ œ œ œ œ# œb œ œn7

œ> œ œ œ# œ œ# œ œ# œ œ# œ7

Jœ JbB Ry

œ y Jy Ry& B

œ ry

≈ ≈ ?

J J rœ

Ï

scrape the pipesw. butt of mallet

π ƒ

f

fff poss.

fff poss.

Ï

Ï

Í

Bass Dr.16" Tom-tom

8

&

&2

?

&

&

÷

÷

?

?

&

B

?

?

84

84

84

84

84

84

84

84

84

84

84

84

84

165

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.◊

◊

u

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~12

œ>

3

œ œ œ œeœ#

Z

œ Rœe eJœ# eœ œ#53 3

3

Jœ>æ ≈ eµ

rœµ œ œ ebœ œ

eœM f/fb f fb f fn

jœ# ‰ f

∑

Y> yæ Jyæ Œ

jf>+

‰ jf> ‰

œ> œ œ œ ® œ> œ ® œ# > œ œ œ œ œ œ œ#



œ œB3


.œ# > e ‰œ#

Jœ3

B

.œb > e ‰ J1

J

Ï

metal blk

ff sub. π

china cymb

f π

Vibraphone

< >f pp sub.

as fast as poss.in any order

f p

Ï f

Ï

Ï

arcoa.s.p.

IV.

p sub.molto

Ï

Ï f

f

arcoa.s.p.

p sub.

N

N

N

loco

w. plastic mallets

Í

Ï ƒ

Kick Dr.14" Tom-tom

F p

F

F

e œœ# >3

œ œ# œ œn œb œ œb œ œ

Z

3

7:6

e œœµM

> .JœM

j

j M

r M

Jfæ Rfæ˘ ≈ ≈

jY

rYfl

≈ ≈

∑

‰ ≈ .f. f>

œ# > œ œ œ œ œ œ œ# œb œ œn7:6

&

œ> œ œ œ# œ œ# œ œ# œ œ# œ7:6

&

Jœ JbB Ry

œ y Jy Ry&

œ ry

≈ ≈

J J rœ

Ï


π ƒ

f

ƒ

ƒ

ff poss.

Ï p

fff poss.

fff poss.

Ï

Ï

flz.

Í

Bass Dr.16" Tom-tom

9

&

&

?

&

&

÷

÷

&

&

&

&

B

?

84

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

wqwq

wqwq

wqwq

√ ¤ ¤¤

14œ>\

Z

. . . j-e# >

œ> \/ . . . ‰ œ# > . . . ‰3 3

‰ ‰.œ œ Jœ

‰ ‰jœ

Z

‰j

œ

5

œ/> œ œ/> œ œ# œ

≈ œ ‰ ‰ .œ# œ ./ . .

∑

∑

‰ ‰ ≈ f> ‰

‰ Jœ-

‰ Jy>

≈ œ. ≈ œ. ‰ ‰3

‰œ

≈ yäÖ œ ≈œ

‰3

Jœ> ≈ œ# ‰ ≈ Tœ

‰ jœ> ‰ ‰ j

yÖfl

5

? B

1. ≈ 1. ≈ ‰1. ≈

P sim.

P π F

π f

pizz. arco pizz.

ric.

p sub. °

arco

p ß

ß

f secco

pizz.a.s.p.

I.

ric.

P

‰ œ>\

. . . ‰ œb >\

. . .œ>/ . . . ‰

3 3


‰jœ ‰ ‰

jœ

5


jœ ‰ ‰

rœ ≈ ./ . .

∑

‰)

Jyæ2

Jyæ yæ ≈ ‰3

f> ≈ ‰ ‰ ‰

≈ œ- Jœ# - ≈ œ> Jyn >3

‰ ‰ jœ. ‰

‰ ® œ# ¨®

.yäÖ œ‰

..Tœ Tœ. ‰ ‰ ≈ y>Ö

Jœ> ‰> ‰ j

yÖfl

J1.5

‰ ≈ 1.‰ ≈ 1.

sim.π

loco

pp sub.

π

f

arco pizz.

ß

p

ß

pizz.ric. arco

f

F

π F π

œ>\

. . . j-e# >

œ> \/ . . . ‰ œ# > . . . ‰3 3

.œ œ Jœ ‰ ‰

jœ> ‰ ‰

jœ ‰

5

œ œ/ œ œ/> œ

‰ ‰ .œ# œj

œ

∑

‰ ‰ ‰ jY)ˇ

‰ ‰ ≈ f> ‰

≈ œ-≈ œ- Jy> ≈ œ# -3

?

jœ. ‰ ‰ Jœ. ?

≈œ

≈ ≈ yäÖ ‰œ

‰3 3

‰ Jœ# >‰ yä

Ö≈ B

‰ ‰ Jœ# > ‰ Jœ>

5

1. ≈ ‰1. ≈ ‰

f

locoloco

pp sub. pp sub.

arcopizz.

ß

p

ric. arco

p p

ß

arco

ß

° ƒ

10

&

&

?

&

&

÷

÷

?

?

&

B

B

?

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

165

165

165

165

165

165

165

165

165

165

165

165

165

83

83

83

83

83

83

83

83

83

83

83

83

83

165

165

165

165

165

165

165

165

165

165

165

165

165

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

..

82

82

82

82

82

82

82

82

82

82

82

82

82

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

u

Ÿ~~~~~~~~~~~ ~~~~~~~~~~~~~~~~

Ÿ~~~ Ÿ~~~ Ÿ~~~~ Ÿ~~~

◊

◊

Ÿ~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

17∑

∑

∑

∑

∑

Y> yæ Jyæ Œ

jf>+

‰ jf> ‰

œ> œ œ œ ® œ> œ ® œ# > œ œ œ œ œ œ œ#



œ œB3


.œ# > e‰

œ#Jœ

3

.œb > e ‰ J1

J

Ï

metal blk

ff sub. π

china cymb

f π

Vibraphone

Ï

Ï

arcoa.s.p.

IV.

p sub.molto

Ï

Ï f

f

arcoa.s.p.

p sub.

N

Narcoa.s.p.

arcoa.s.p.

N

Ï

Í

Kick Dr.

14" Tom-tom

F

F

‰ .Jœ#

∑

∑

∑

jY

rYfl

≈ ≈

∑

‰ ≈ .f. f>

œ# > œ œ œ œ œ œ œ# œb œ œn7

œ> œ œ œ# œ œ# œ œ# œ œ# œ7

Jœ Jyb Ry

œ y Jy Ry& B

œ ry

≈ ≈

J J rœ

Ï

π ƒ

f

fff poss.

fff poss.

Ï

Ï

Í

Bass Dr.16" Tom-tom

P

eœ# œ Rœ eJœ# eœ œ#3 3

3

≈ eµr

œµ œ œ eb œ œ

‰ f/fb f fb f fn

‰ f

∑

Jyæ ‰ ‰

jf> Jf

> ‰

® œ> œ ® œ# > œ œ œ œ œ œ œ#

® œ> œ# ®œ> œn œ œ# œ œ œ œb

jœ# j

œ œB3

≈ œµ œ œB Rœ#3

‰œ#

Jœ3

‰ J1

J

Ï

f π

pp sub.

p sub.molto

p sub.

p

π

N

N

N

Ï

f

p

ƒ

F

F

+ voice

e œœ# >3

œ œ# œ œn œb œ œb œ œ

Z

3

7:6

e Rœ RœµM> .JœM

j

j M

r M

Jfæ Rfæ˘ ≈ ≈

jY

rYfl

≈ ≈

∑

‰ ≈ .f. f>

œ# > œ œ œ œ œ œ œ# œb œ œn7:6

œ> œ œ œ# œ œ# œ œ# œ œ# œ7:6

Jœ Jyb Ry

œ y Jy Ry& B

Rœ r r

y≈ ≈

J J rœ

f sub. Ï

π ƒ

ƒ

ƒ

ff poss.

Ï

fff poss.

fff poss.

Ï

Ï

f

flz.

Second time, use 5/16 bar to take hard yarn mallets

11

&

&

?

&

&

÷

÷

?

?

&

B

B

?

82

82

82

82

82

82

82

82

82

82

82

82

82

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

21

œ ≈ . ‰

∑

∑

œ œ# ≈ ≈ ≈ Rœ# ˘5

≈‹‹

œ.)

œ# ≈

ryæ r

yæ

5

f>≈ .P ‰

∑

∑

œœ#¨

œœ¨

≈ .y> e

œœ œœ ≈ .y>e#

∑

∑

p

take C flute

e = 112-104, a little quicker, headlong

cl ric.

Ï Sffz

cl ric.

Ï Sffz

p Sffz

use hand to "mute"

hi metal blkp

° °p

Ï

∑

∑

∑

≈ ≈ Rœ# ˘≈ œ œ#

5

≈ œ# œ ≈ ≈ ≈5

∑

∑

∑

‰ .y> e

‰ .y>e#

∑

∑

Sffz

Sffz

Sffz p

∑

∑

∑

≈ Rœ# ˘≈ ≈ œ œ#5

ryæ r

yæ

≈ œ# œ ≈5

∑

∑

_ _# _ _ _ ≈ yâj5

_ _# _ _ _ ≈ yäj5

∑

∑

cl trattoarcowinding

p "ff " ç

cl trattoarcowinding

p "ff " ç

sim.

sim.

∑

∑

∑

≈ ≈ Rœ# ˘≈ œ œ#

5

≈

ryæ r

yæ

≈ œ. œ#5

∑

∑

_ _# _ _ _ œ. œ# .5

_ _# _ _ _ œ. œ# .5

&

∑

∑

cl trattopizz.

p "ff "

cl tratto pizz.

p "ff "

∑

∑

∑

œ œ# ≈ ≈ Rœ# ˘≈

5

≈ ≈ œ. œ# ≈

ryæ

5

∑ &

∑

≈ œ. œ# . ≈

≈ œ. œ# . ≈ B

∑

∑

12

&

&

?

&

&

÷

&

?

&

B

B

?

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

26∑

∑

∑

œ œ# ≈ Rœ# ˘≈ ≈

5

ryæ

≈ ≈ œ œ# ≈5

∑

∑

.y> e ® œœ¨ ®

.y>e# ® œœbn

¨®

Tœ##

∑

cl ric. arco

Sffz

cl ric. arco

Sffz

Ø

s.t.

∑

∑

∑

≈ Rœ# ˘≈ ≈ œ œ#

5

∑

≈ ≈ Ryæ Ryæ ≈5

∑

∑

_ _# _ _ _ ≈ yâj5

_ _# _ _ _ ≈ yäj5

&

Tœ

∑

arcocl tratto

winding

p "ff " ç

arcocl tratto winding

p "ff " ç

∑

∑

∑

≈ Rœ# ˘≈ ≈ ≈5

œ# œ ≈ ≈ ≈ œ. œ#5

∑

∑

∑

≈ œ. ≈ œ# ˘

≈ œ. ≈ œ# ˘B

Tœ

∑

pizz.

ff poss.

pizz.

ff poss.

cresc. poco a poco

∑

∑

∑

Rœ# ˘≈ œ œ# œ œ ≈

5

≈

ryæ r

yæ

≈ œ# œ5

∑

∑

yäj ≈ œœ¨

œœ¨ ≈

yäj ≈ œœb¨

œœ¨

≈

Tœ

∑

arcowinding

ç

arcowinding

ç

∑

∑

∑

Rœ# ˘≈ ≈ œ œ# ≈

5

≈ œ# œ ≈

ryæ r

yæ

5

∑

∑

≈ œœ¨

œœ¨ ® œœ

¨®

≈ œœb¨

œœ¨

® œœ ®

Tœ

∑

13

&

&

?

&

&

÷

÷

&

?

&

B

B

?

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

◊

31∑

∑

∑

≈ Rœ# ˘≈ ≈ ≈5

≈ œ. œ# ≈ ≈ ≈5

∑

∑

∑

∑

_ _# _ _ _ œ. œ# .5

_ _# _ _ _ œ. œ# .5

&

Tœ

∑

pizz.cl tratto

p "ff "pizz.

cl tratto

p "ff "

∑

≈ .Jœµ

∑

≈ Rœ# ˘≈ œ œ# ≈5

∑


∑

∑

‰œb#

> œ#

>3

≈ y>P

‰

≈ y>P

‰

Tœ

‰ T. T.3

ç

ç

dampen string with RH

Ï ferocious, non-decresc.

1/2 Pedal

ppp poss.

pizz.II.

ff poss.

∑

œ

∑

≈ ≈ Rœ# ˘≈ œ œ#

5

≈ œ. œ# ≈ ≈ œ œ#5

∑

∑

∑

œb#> œ

#> œ

#>

3

Jœ yy> ≈

Jœ yy> ≈B &

Tœ

T. T. T.3

I.

arcoa.s.p.

Ï Sffzarcoa.s.p.

Ï Sffz

III.

F

œ_Z

œ

œ

≈ ≈ ≈ Rœ# ˘≈

5

∑


∑

∑

œb#> œ

#> œ

#>

3

Jœ yy> ≈

Jœ yy> ≈B

Tœ

T. T. T.3

Ï Sffz

Ï Sffz

cresc. poco a poco

π

p

C Flute

œ_

œ

œ

œ œ# ≈ Rœ# ˘≈ œ œ

5

≈ œ. œ# ≈ ≈ ≈5

∑

∑

∑

œb#> œ

#> œ

#>

3

_ _# _ _ _ ≈ œ.5

_ _# _ _ _ ≈ œ.5

Tœ

T. T. T.3

cl tratto pizz.

p "ff "cl tratto

pizz.

p "ff "

cresc.

cresc.

14

&

&

?

&

&

÷

÷

&

?

&

B

B

?

163

163

163

163

163

163

163

163

163

163

163

163

163

165

165

165

165

165

165

165

165

165

165

165

165

165

163

163

163

163

163

163

163

163

163

163

163

163

163

82

82

82

82

82

82

82

82

82

82

82

82

82

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

(◊)

¤

◊

¤

◊

¤

◊

¤

◊

¤

◊

36 . .Jœ_ RÔe_

. .Jœ RÔe

œ

≈ Rœ# ˘≈ ≈ ≈5

∑

‰ jY)ˇ

∑

∑

œb#> œ

#>

‰3

.y> e ‰

.y>e# ‰

JTœ œ> ≈? B

JT. œb > ≈

pizz.

ƒ

( f )

( f )

cl ric.

cl ric.

Sffz

Sffz

ç

° f

_#q

> _ _ _ _# œ_

œ#_

œ_Z

8:6

Jœµ Rœæ

jœb r

f

.Jœ

∑

‰ ≈

.jfæ

≈ ≈ Ry

œœb fl œœfl® ‰

‰ ≈

‰ ≈

œ# .Jœ

Jœb >Re

Í Ï

pp sub. ƒ

flz.

Ï p

growl

< >

f

II.I.

arco

ƒ °

Ï π

arco

Î

π

16" Tom-tom

_#q

> _ _ _ _# œ_

œ#_

œ_Z

8:6

Jœµ Rœæ

jœb r

f

.Jœ

∑

‰ ≈

jfæ r

fæ

≈ ≈ Ry


‰ ≈

‰ ≈ &

œ# .Jœ ?

Jœb >Re

pp sub. ƒ

flz.

Í Ï

growl

p

arcoa.s.p.

arcoa.s.p.

ƒ °

Ï π

f

Ï pyfl ._fl

≤_#

q

>_ _ _ _# œ_

œ#_œ_Z

8:6

‰ Jœµ Rœæ

‰ jœb r

f

‰ .Jœ

∑

∑

‰ .jfæ

‰ ≈ ≈ Ry

‰Pœœb fl œœfl

® ‰

Jyyb .

Ryy ≈ ≈

jyy## .

ryyfl ≈ ≈ B

Jœœ# .JœB

‰ Jœb >Re

< >

f

pp sub. ƒ

flz.

[kE] [F]

ff poss.

f

f ß

ß

pizz.II.I.

arco

ƒ °

Ï π

ç

Í Ï

growl

∏

Ï p

_#q

> _ _ _ _# œ_

œ#_

œ_Z

8:6

Jœµ Rœæ

jœb r

f

.Jœ

∑

‰ ≈

.jfæ

≈ ≈ Ry


‰ ≈

‰ ≈

œ# .Jœ

Jœb >Re

pp sub. ƒ

flz.

Ï π

ƒ °

Í Ï

growl

Ï p

_#q

> _ _ _ _# œ_

œ#_

œ_Z

8:6

Jœµ Rœæ

.jœb

.Jœ

∑

‰ ≈

jfæ r

fæ

≈ ≈ Ry


‰ ≈

‰ ≈

œ# .Jœ ?

Jœb >Re

pp sub. ƒ

flz.

Ï π

ƒ °

Í

f

Ï p

15

&

&

?

&

&

÷

÷

&

?

&

B

?

?

82

82

82

82

82

82

82

82

82

82

82

82

82

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

◊ ◊ ◊

42 œ# ˘≈ œæ œæ œ#æ _.≤3

Rœ ≈ Rœ.

≈ œb œ5

ffl ≈ œæZ

œæ œ# æ _>≤3

Rœ ≈ Rœ# ˘≈ œ œ#

5

œ# >

f

œ ® ≈

f>

œ

∑

œ# .

œœ>

œ. ® ≈

œœ>

œ.

yyb>

yy#>

Jyb> jœ>

Jyb> jœ>

[F]

p

f

Ï

growl

p

ç

ç

(balance w. vibes)

f

f

grainy, draw bow as slowly as possible


flz.

cl trattocl ric.

ƒ ç

cl trattocl ric.

ƒ ç

Vibraphone

f

F

F

œæ œbæ œæ œæ œæ œæ _.≤

≈ Rœ.

≈ ≈ œb œ5

œ œb œ œ œ œ _>≤

≈ Rœ# ˘≈ ≈ œ œ#

5

œ#

f>

≈ ® œ>

f

®

∑

œ# .

œœ>

≈ ® œ.

œœ>

®

yy

yy

≈ œb > ‰

≈ œb > ‰

[F]

ç

ç

crine

crine

œæ œæ œ#æ _.≤ _ œæ œbæ _.≤

≈ ≈ œ œ ≈ Rœ.5

œ œ œ# _>≤

_ œ œb _>≤

≈ ≈ œ œ# ≈ Rœ# ˘5

≈

f f>

œ# œ œ# œ>

∑

≈

œœ> œœ>

œ# . œ. œ# .œ.

yy#>

yy

Jœb . ≈ y>

Jœb . ≈ y>

[F] [F]

ç ç

ç ç

pizz. cl ric.

ç

pizz. cl ric.

ç

cresc. poco a poco

cresc. poco a poco

_ œæ œbæ œæ œæœ

æ œ#æ œnæ

œb œ ≈ ≈ Rœ.

≈5

_ œ œb œ œ œ œ# œn

œ œ# ≈ ≈ Rœ# ˘≈

5

® œ# œ> ® œ>

f

œ#> ®

∑

® œ# . œ ® œ.

œœ# >

œfl ®

yy Jyyb>3

yy#>

j j

œ>

j j

œ>

cl tratto

ç

cl tratto

ç

_.≤ _.≥ _.≤ ® ≈ œæ œ#æ

œ œ ≈ ≈ Rœ.

≈5

_≤ _≥ _≤ ® ≈ œæ œ#æ

œ œ# ≈ ≈ Rœ# ˘≈

5

f f

œ#

f>

œ# œœ>

f>∑

œœ> œœ>

œ# .

œœ>

œ# . œ.œfl ®

yy

yy

‰ œœb ¨ œœ¨ ≈

‰ œb ¨ œ ≈

[F]

ç

ç

crine

crinea.s.p.

16

&

&

?

&

&

÷

÷

&

?

&

B

?

?

163

163

163

163

163

163

163

163

163

163

163

163

163

165

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

◊ ◊

¤

◊

¤

◊ ◊

¤

47 œæ _. ® œæ œ#æ œæ œnæ

≈ Rœ.

≈ ≈ œb œ5

œæZ

_>≤ ® œæ œ# æ œæ œn æ

≈ Rœ# ˘≈ ≈ œ œ#5

®œ# œ œ# œ œ# œ œ>

∑

∑

®œ# . œ. œ# .

œœ>

œ# . œ. œfl

yy

jyy

y#>3

&

≈ œœb ¨ œœ¨ .œ> e

≈ œb ¨ œ .œb> e

[F]

ç

ç

ric.

ç

ric.

ç

ƒ

‰ œæ œbæ _.

≈ Rœ.

≈ œ œ ≈5

‰ œæ œbæ _>≤

≈ Rœ# ˘≈ œ œ# ≈5

∑

‰ jY

)ˇ

∑

® œ.œb .

œœ>

œ# . œ# . œ. œb ˘

yyb>

y

≈ œb . œb ˘ ≈ B

≈ œb . œb ˘ ≈

[F]

ç

ç

ç

pizz.

ç

pizz.

° f

ƒ

_#q

> _ _ _ _# œ_œ#_

œ_Z

8:6

Jœµ- Rœæ

jœ>

rf

.jœ

∑

≈ Jyær

f> ≈ ≈

≈ ≈ Ry


y yjæ yjæ

y yjæ yjæyjæ

4:3

B

œ# .Jœ

Jœb > re

ffff sub.

( f )

( f )

II.I.

arco

ƒ °

Ï π

III.

° p

metal blk

16" Tom-tom

ƒ

flz.

Í Ï

growl

°

w. hard mallets

Í

Ï p

_#q

> _ _ _ _# œ_œ#_

œ_Z

8:6

Jœµ- Rœæ

jœ>

rf

jœ œ œ

∑

Ryæ Ryæ Ryæ∑

≈ ≈ Ry


yjæ yjæyjæ

yjæ yjæ yjæyjæ

4:3

œ# .Jœ

Jœb > re

ƒ °

Ï π

° ° F

Í Ï

growl

f

ƒ

flz.

Í

Ï

Ï

Ï p‰ _# >q _ _ _ _# œ_ œ#_ œZ

_œ_

3 3 3

‰ Jœµ- Rœæ

‰ .Jfb >

‰ .Jœ

∑

‰ ≈ Ryæ Ryæ‰ r

f> ‰

Œ Ry

‰œœb fl œœfl

® ‰

‰ yjæ yjæ yjæ

‰ .yjæ .yjæ

‰ ..Jœœ# >

‰ .Jœb >

Î

f sub.

f sub.

arcoord.IV.

F°

Î p

growl

Í

°

ff sub.

ff sub.

ƒ

flz.

Í

17

&

&

?

&

&

÷

÷

&

?

&

B

B

?

84

84

84

84

84

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

83

83

83

83

83

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

u

◊

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Q

52

eb_>j_

j_

Jœ#æ- œ ≈ ‰ ‰

œ/ jœb / ‰

jœ/

3

œb œœœœ œ œ œ œœ œ œ#

F

∑

∑

jfæ j

fæ jfæ j

fæJf Jf

∑

œœfl≈ œœ. ..œœ>

jœœ œœ œœ>

P

yyâ yy

yjæ yjæ yjæ yyâjyy

jyy

3

J . e# eœ?

œµ œ

f

"fff "

f π

ƒ

f

p

Kick Dr.

Bass Dr.

Ï

Catch w. Ped

ƒ

ƒ

< >

° ff sub.

ƒ< >

ord. a.s.p.

subito e = 60-54

non-decresc.

non-decresc.

p

mute very slightly w. RH

P

p sub.

∑

∑

f ≈ ‰ ‰ ‰

∑

∑

® f> f> ≈ ‰ ≈ . f> ‰3

∑

œœ œœfl œœfl≈ ‰ ≈ .

œœ>j

œœ3

jyy

‰ Œ

jyy

jyy

‰ ‰

œ y œ3

œ œ

π

take Bass Flute

p

p

N N

remove harmon mute

decresc. poco a poco

Catch w. Ped

p sub.

∑

∑

∑

∑

∑

‰ ‰ ‰ ≈ f>3

∑

‰ ‰ ‰ ≈ œœ>3

∑

∑

œ œ y3

œ œ

18

&

&

?

&

&

÷

÷

&

?

&

B

?

?

83

83

83

83

83

83

83

83

83

83

83

83

83

167

167

167

167

167

167

167

167

167

167

167

167

167

163

163

163

163

163

163

163

163

163

163

163

163

163

165

165

165

165

165

165

165

165

165

165

165

165

165

(B) Fl.

Ob.

(Bass) Bb Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

(◊)

u u

Ÿ~~~~~~~~~~~~~~~~~~~~~~

¤ ¤ ¤

u

55∑

∑

J J ‰

∑

∑

∑

‰ ≈ ® f> f>‰3

∑

‰ ≈ ® œœfl œœfl‰3

∑

∑

∑

∑

ß

∏

∑

‰ ‰ eµj

œµr

œ

jœ

j

jœI r

œ

‰ ‰ Jœ# Rœ

∑

‰ ‰ ....JyyyyM >)

≈ f>j

f ≈ ≈ ≈

‰ ‰ ≈ ≈ Ry

® œœfl® ‰ ‰ ≈

‰ ‰ ≈ ≈ R1

‰ ‰ ≈ ≈ R1

œ> œ eJ1 R1

Jœ> eb Jœ Rœ#

< >f ° f

π f

° f

p

f sub.

Ï

pizz.

ff poss.

pizz.

ff poss.

IV.

IV.

°ƒff sub.

°ƒ

a.s.p. IV.

ff sub.

subito e = 112-104, Tempo 2

Springs

∑

.œ .œ

jœb /Z r

w

œ œ œ œ œ

Jœ# Rœ

∑

Jyæ‹‹

Ryæ

∑

≈ ≈ Ry

∑

≈ ≈ R1

≈ ≈ R1

J1 R1

Jœ Rœ#

° f

π f

° f

π f

hi metal blk

° ƒ

°ƒ

∑

.œ .œ

jœb /Z r

w

œ œ œ œ œ

Jœ# Rœ

∑

Jyæ Ryæ

∑

≈ ≈ Ry

∑

≈ ≈ R1

≈ ≈ R1

J1 R1 &

Jœ Rœ#

° f

π f

° f

π f

° ƒ

°ƒ

19

2

&

&

2

?

&

&

÷

÷

&

?

&

B

&

?

165

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.Ob.

B.Cl.

C Tpt.

Vln.Vln.

Vla.Vla.

Vlc.

Db.

Perc.

Pno.

u

Ÿ~~~~~~~~~~~~~~~~~~~~~~~

59

_# >

q

_ _ _ _# _ _ œ_œ_œn _ œ# _œ_ œ# _

Z2

œ_œ_6

3 3 3

j_>

.Jœµ

j_> .

jœbœ/M

œ œ œ œ

‰.Jœ

j_>

.Jœæ

∑

∑

j_> ‰ ≈

‰*

œœfl

Pœœ>

j_> ≈ ≈ R1

j_> ≈ ≈ R1

JT>e.Jœ#?

JT> .Jœ

[F]

"ff "

pizz.

ff poss.

IV.

pizz.

ff poss.

IV.[F]

"ff "

ff poss.

ff poss.

II.

I.

ord. a.s.p.

p

p

[F]

"ff "

[F]

"ff "

f sub.

p

p

"ff " p

ord.

[F]

"ff " p

N

e = 104-96, Tempo 1 – freer tempo but rhythmically strict

p"fff "œ>\

Z

. . . ‰ œ>\

. . . _b _ _ _b _ _b _ œ_ œ_ œb _3

55

œ. ≈ ‰ ‰ ‰

≈ ‰ ‰ ‰

Jœ œ ≈ ‰ ‰

œœ## >/ œœ> ≈ ‰ ‰ ‰

∑

∑

≈ œœb ˘

‰ ‰ ‰3

‰ ‰ ‰*

‰

∑

∑

y. ≈ ‰ ‰ ‰

œ ≈ ‰ ‰ ‰

fff poss.

f

f

pf

ƒ

fff sub.

a.s.p.

ƒ

ƒ

take CD case

take drumsticks

take CD

p"fff "

_≤

_≥

_≤ _≥ _≤ J_ RÔ_>≤

3

œ œ œb œ œ œb œ œb œ œ œ œb5

5

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

[sI] [u] [F][sI]

"ff " p ç

20

&

&

2

?

&

&

÷

&

?

?

&

B

?

?

83

83

83

83

83

83

83

83

83

83

83

83

83

167

167

167

167

167

167

167

167

167

167

167

167

167

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~62

e_>j_ ..-e _.

≤

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π ç

[F][F]

"fff " œ# >

Z

/ . . . œ>\

. . . _bq

_ _ _b _ _ _b _ _b _ œ_Z

œ_ œb _3

3

5 5

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

fff poss. "fff " pybyn _

≥_≤

_≥

_#≤

∑

∑

∑

∑

∑

∑

∑

∑ 2

∑

∑

∑

∑

"ff " p ff poss.

21

&

&

2

?

&

&

÷

&?

2

&

B

?

?

167

167

167

167

167

167

167

167

167

167

167

167

167

165

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~

~~~~~~~~~R ~~~~~~~~~~~~R65

œœœœœœ

#_

œœœ

nbb_

œœ_

œœbb_ œ yæ yæ yæ y# æ y# æ e.j

_≤>

5

5

œµMæ

>‰ ≈

œM> œM ‰ ≈

jf>

jf ‰ ≈

jY

¶¶ rY

≈ ‰ ≈

∑

∑

∑

jy>

j ‰* ≈

Jy>æj

jy>æj .Jœ-

y>æj y

>æj

y>æj

.Jœ-

3

.Jy>æj R

y>æj

.Jœ-

‰ ‰.Jœ# -

f ƒ

fff poss.

fff poss.

fff poss.

p sub.

p sub.

p sub.

N

N

N

p

w. CD caseÏ scrape lower stringslongitudinally as fast as poss.

mute with CD(hold loosely so that it rattlesagainst the bell)

f sing aleatoricallyin a wild manner

scrape the pipesw. butt of sticks

ƒ

F

[F]

Ï f "fff "

arco

arco

œœœœœœ

# œœœ

nbb œ

œœœbb œœ œ e.j

_# >≤

6

JœµMæ

>‰ ≈

ej

œ#M> ‰ ≈

jf> ‰ ≈

jY

rY

≈ ≈

∑

∑

∑

jy> ‰* ≈

y>æj yæj

yæj .Jœ

-3

y>jæ yjæ .Jœ# -

Jy>æj

.Jœ- B

‰ Jœ# -Rœ# ¯

f ƒ

fff poss.

fff poss.

fff poss.

p sub.

p sub.

p sub.

N

N

N

p

[F]

Ï "fff "_> _# _ _ _ œ_

œœœ_

œœœ_ eJ

œœœ_

jy

Jœµ JœeB jœ eB œ œnM œM œ eb

3 3

ej

œ#M>w

œM œMeb œM œ#Me œ_Z

œ_ eb3

f>

jY Y

≈ Œ

‰ ‰ f

∑

∑

jy>

j

j

j

yæ yæ y# æy#â y

jy

.yæ y#æ yæ yæ yæ y#â y

5

yæ yæ y#æ yæ yæ yæ y# æ .yâ

jy

35

‰ ‰ Jœ> J

f ƒ

π

fff poss.

fff poss.

fff poss.

fff poss.

ord.

remove CD

( f )

16" Tom-tom

( ff )

f pp poss.




Ï p Í

π

22

&

&

?

&

&

÷

&?

2

&

B

B

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~68

y y

jœ œ ≈ ‰ ‰

jœ_ œ_ œ_ eb œ_

≈ ‰ ‰ ‰

∑

jfæ fæ fæ fæ

∑

∑

∑

∑

jy

jy Œ

yjy

jy

Jœ# ‰ ‰ ‰

p

π

F

subito e = 60-54

F π

Bass Dr.

f

a.s.p.

∏

jy ‰ ‰ ‰

∑

j_

q

e_# _3

∑

∑

fæ fæ

∑

∑

∑

∑

∑

∑

∑

p

∏∑

∑

j_

‰ Œ

∑

∑

fæ fæ

∑

∑

∑

∑

∑

∑ ?

œ# Jœ Jœ∏ F ∏

ord.

23

&

&

?

&

÷

÷

&?

2

2

&

2

B

2

?

2

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln Voice

Vln.

Vla Voice

Vla.

Vlc Voice

Vlc.

Db Voice

Db.

Perc.

Pno.

`

¤

71∑

∑

∑

∑

∑

fæ fæ

∑

∑

∑

∑

∑

∑

∑

°

‰ ‰ ‰ ‰U

‰ ‰ ‰ ‰U

‰ ‰ ‰ ‰U

‰ ‰ ‰ ‰U

‰ ‰ ‰ ‰U

‰P ‰ ‰ ‰U

‰ ‰ ‰ ‰U

‰ ‰ ‰ ‰U

‰ ‰ ‰ ‰U

‰ ‰ Œ

‰ jyy.P ‰ ‰U

‰ jyy.P

‰ ‰U

‰ ‰ ‰ ‰U

‰ ‰ ‰ ‰U

e = 104-96, Tempo 1 – stark, haunting, punchy

pizz.

pizz.

ƒ

ƒ secco

secco

remove mouthpiece

∑

∑

∑

∑

‰ ‰ ‰ ≈ˇ›)

Y

∑

∑

∑

∑

≈ yyfl‰ ‰ ‰

≈ yyfl‰ ‰ ‰

≈P

yy ‰ ‰ ‰

∑

pizz.

scrape Tam-tam with large triangle beater, pipe, or a large coin

°

VOCALIZATIONBREATH SOUND




slap strings againstthe fingerboard

ƒ secco

sim.

sim.


j_#q

œ3

> ≈ ‰ ‰U

‰ œM

>≈ ‰ ‰U

j_ _> ≈ ‰ ‰U

j_ _> ≈ ‰ ‰U

jY Y ≈P ‰ ‰U

‰ jf>

‰ ‰U

‰ Jy ‰ ‰U

‰ jœœfl

‰ ‰U

J_ _> ≈ ‰ ‰U

J_ _> ≈ ‰ ‰U

‰ jyy.

‰ ‰U

J_ _> ≈ ‰ ‰U

‰ jyy.

‰ ‰U

J_ _> ≈ ‰ ‰U

‰Jyyy.I ‰ ‰U

J_ _> ≈ ‰ ‰U

‰j

yyyy.P

‰ ‰U

p Ï

F

p Ï

p Ï

[F]

choke/mute

Kick Dr.

f

ƒ

[F]

Ï

p Ï[F]

p Ï

[F]

p Ï

[F]

p Ï

[F]

p Ï

ƒ secco

sim.

without mouthpiece

24

&

&

?

&

÷

÷

&?

2

2

&

2

B

2

?

2

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln Voice

Vln.

Vla Voice

Vla.

Vlc Voice

Vlc.

Db Voice

Db.

Perc.

Pno.

`

¤

`

¤

`

¤

Ÿ~~~~~~~~~~~~~~~~~~~

75∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

j_#q

œ3

> _q

œ3

> ≈ ‰≈

‰ œM

>≈ œM

>≈ ‰≈

j_ _> _ _> ≈ ‰≈

j_ _> _ _> ≈ ‰

jY Y Y

PY ≈P ‰≈

‰ jf>

jf>

‰≈

‰ Jy Jy ‰≈‰ j

œœflj

œœfl‰≈

J_ _> _ _ _> ‰≈

J_ _> _ _> ≈ ‰≈

‰ jyy.

jyy.

‰≈

J_ _> _ _> ≈ ‰≈

‰ jyy.

jyy.

‰≈J_ _> _ _> ≈ ‰≈

‰Jyyy.I

Jyyy.I ‰≈ &

J_ _> _ _> ≈ ‰≈

‰j

yyyy.j

yyyy.‰≈

p Ï

F

p Ï

p Ï

[F]

f

ƒ

[F]

Ï

p Ï

p Ï

p Ï

p Ï

p Ï

[F]

choke/mute

f° °

[F]

p Ï

p Ï

[sI] [sI]

p Ï p Ï

[sI] [sI]

p Ï p Ï

[sI] [sI]

p Ï p Ï

[sI] [sI]

sim.

j_#q

œ3

> ≈ ‰ ‰

‰ œM

>≈ ‰ ‰

j_ _> ≈ ‰ ‰

j_ _> ≈ ‰ ‰

jY Y ≈P ‰ ‰

‰ jf>

‰ ‰

‰ Jy ‰ ‰

‰ jœœfl

‰ ‰

J_ _> ≈ ‰ ‰

J_ _> ≈ ‰ ‰

‰..yyB -

J_ _> ≈ ‰ ‰

‰ jyy.

‰ ‰

J_ _> ≈ ‰ ‰

‰ ..yyB -

J_ _> ≈ ‰ ‰

‰j

yyyy.‰ ‰

p Ï

F

p Ï

p Ï

[F]

choke/mutef

[F]

Ï

p Ï

°

[F]

p Ï

[F]

p Ï

[F]

p Ï

ƒ

ƒ



[F]

p Ï

arcoa.s.p.

arcoa.s.p.

‰ j_#q j

œ3

_

≥_≤

_≥

_≤

‰ ‰0

‰ j_

j_ e _ _

≤3

‰ j_

j_ _>

≤3

‰ jY Y ≈P ‰

‰ ‰ jf>

‰

‰ ‰ Jy ‰

‰ ‰ jœœfl

‰

‰ J_ _> ≈ ‰

yy yy ≈ ‰

‰ ‰ _≥\

_≤ _ _ _ __ _ _

‰ ‰ jyy.

‰

yy yy ≈ ‰

‰ ‰ _≥\

_≤ _ _ _ __ _ _

‰ ‰j

yyyy.‰

Ï

p Ï

[sI]

f°choke/mute

p Ï

[F]

p Ï

p Ï

ppp poss.tightembouchure

p

[F]

[F]

"ff " ad lib. Vocalization Breath Sound

[F]

"ff " ad lib. Vocalization Breath Sound

25

&

&

?

&

÷

÷

&?

2

&

2

B

&

2

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla Voice

Vla.

Vlc.

Db Voice

Db.

Perc.

Pno.

~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

`

¤ ¤

`

Q

79_≥ _≤ _≥ _≤ ‰ ‰ _#

≥_#≤

_≥

_≤

J0 0 ≈ ‰ J

0

_

≥_

≤‰ ‰

e._

≥_

≤3

j_≥

_≤

‰ _≥

_≤3 3

jY Y ≈P ‰ ‰

‰ jf>

‰ ‰

‰ Jy ‰ ‰

‰ jœœfl

‰ ‰

J_ _> ≈ ‰ ‰

‰yyB - yy ≈

_ _ __ _ _ _ ≈ . ‰ _≥\

_≤ __ _ ___ _ __ ____ __ _ _ __ _ _ _ _

‰ jyy.

‰ jyy.

‰ yyB - yy ≈

_ _ __ _ _ _ ≈ . ‰ _≥\

_≤ __ _ ___ _ __ ____ __ _ _ __ _ _ _ _

‰j

yyyy.‰

jyyyy.

"fff " p

ƒ

ƒ

[F]

sim.

[F]

sim.

Ï

p Ï

[sI]

choke/mutef°

take Tibetan bowl

j_#≥

_ _≤

_≥

._≤

_≥

_ _≤

_#≥

_≤

3

0 0

j_

≥_ _

≤_ _

≥_≤

3

_≥

_≤

_≥

_ _≤

_≥ j

_ _ _≤

Œ ‰ ≈ Y

Œ ‰ ≈ ≈

∑

∑

‰ ‰ ‰ _≥ _≤ _≥3

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

"fff "

°

[F]

p

_b ≥ _≤ ‰ ‰ ‰3

0 ≈ ‰ Œ

j_

≥j

_‰ ‰

j_≥ j

_ ‰ ‰

Y ≈ ‰P jY

jY

f> f>≈ ‰ ‰ ‰

y y ≈ ‰ ‰ ‰

œœfl œœfl≈ ‰ ‰ ‰

_≤ ≈ ‰ ‰ ‰

yyB - yy

_ ≈ . ‰ ‰ ‰

jyy.

‰ ‰ ‰

yyB - yy

_ ≈ . ‰ ‰ ‰

jyyyy.

‰ ‰ ‰

Sffz

ƒ

ƒ

choke/mute

f

Ï

Ï

take CD case

∏enter imperceptibly

w. Tibetan bowl

26

&

&

?

&

÷

÷

&?

2

&

B

&

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

82∑

∑

∑

∑

Y Y

‰ ‰ ‰ ‰

∑

∑y

yy yy

≈ yy.‰ ‰ ‰

yy yy

≈ yyyy.‰ ‰ ‰

cresc. poco a poco

π cresc. poco a pocow. CD case

replace mouthpiece

Rall.∑

∑

∑

∑

Y Y

‰ ‰ ‰ ‰

∑

∑

yyb yy

∑

yyb yy

∑

place styrofoam on Bass Dr (symphonic)take styrofoam block

∑

∑

∑

∑

Yj

Y ‰P

‰ ‰ jf>

‰

∑

∑

jy ‰*

yy yy ≈ ‰

‰ ‰ jyy.

‰ &

yy yy ≈ ‰ B

‰ ‰jyyyy.

‰

ç

ç

Ï

Ï~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

27

2

&

&

?

&

÷

&

?

&

&

B

?

(B) Fl.

Ob.

(Bass) Bb Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Q Q Q Q Q

85

_≥ j

_ _≤

3

œ# œ œ# œ œ œ œ œ# œ œ œ5

0µ 0

j_

≥ j_≤

j_

≥_

3

œ#Z

œ\

œ œ# œ œ œ œ œ#œ\

œ œb œ œ ≈5

_> _$

> _#

> _$

> _>j

_

‰ ‰ ≈ œ- ‰3

∑

∑

‰ ‰.y>

y y>y# ≈

‰ ‰ ≈ y>y# ≈

∑

Bass Dr.w. styrofoam block

e = 60-54, BREATHING MACHINE

"fff "

tightembouchure

ppp poss.

breathing"fff "

1/2-valve

"ff " p "ff "

sempre L.V.loco

"fff " let some air out around the reed

ƒ f

ƒ

π π

π

°

p

_≥ j

_ _≤

3

œ œ œ œ# œ# œ œ œ œ œn œb5

0 0≤

_≥

_≤

_≥ j

_j

_ _≥

_≤

_≥

3

‰ ‰ œ\

œ œ œ œ# œ œ# œ œ œ Jœ#10

j_ _> _>

j_ _

$

> _#

> _>3 3

Jœ# -‰ ≈ . œ-

Jœ-

∑

∑

‰ ‰.y>

y ‰

‰ ‰.y>

y# ‰

∑

(inhale)

p "ff "

flz.

ƒ

ƒ π

π

28

2

&

&

?

&

÷

&

?

&

&

B

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Q Q Q

¤√

87 j_≥

_≤

_≥

3

œ œb œn œ œ# œ œn œ œ#5

J0

J

J

J

j_ _

_≤ j

__

≥3

Jœæ ‰ ‰ œ# œ œ œ œ œ# œ# œ#

j_

j_

j_ _

$

> _#

> _>

‰ ® .œ-‰ Jœ-

∑

∑

Œ ‰.y>

y

Œ ‰.y>

y#

∑

slight, irregular bends

p "ff "

arcoord.I.

loco

ƒ

ƒ π

π

_≤

_≥

_ _≤

_ _≥ j

_≤

3 3 3

œ œ# œ# œ œ# œ œ œ œ5

_ _≤ j

_ .j_≥ r

_≤

‰ œ# œ œ œ# œ# œ œn œ ≈ œæ>

Jœæ>

3

_ _>$ j

_>j_

j_>

‰ Jœ# -‰ ≈ yn>

Jœ-3

∑

T T

‰.y>

y ‰ ‰

‰.y>

y# ‰ ‰

∑

p "ff " "Sf " "Sf "

ç

∏

N

loco

ƒ

ƒ π

π

29

2

&

&

?

&

÷

&

?

&

&

B

?

83

83

83

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~

Q Q Q Q

¤√

89 j_≥ j

_≤ j

_≥

_3

eœ# œ œ

J 0≤ J0‰

j_

≥ j_≤

j_

≥j_ _

≤_

≥3

‰ Jœ> œ œ œ ≈

_ _>$

_>j_

j_>

3

‰ ≈ œ-‰ Jœ# -

3

∑

T T

∑

∑

∑

"Sf " p

loco

_≤

_≥

_≤ j

_ _ _≥

_ _≤

3 3

.œ .œ œ œb

J0

J

j_

j_ _

≤_≥ j

_

œ> œ œ> œ œ œ œ œ œ ≈ œb œœ œ œ œ ‰5 6

j_ _>

$

_>#

_>$

_> _ _>j_

‰ ≈ . œ-‰ ‰ œ-

3

∑

T T

‰.y>

y ≈.y>

y ≈

‰.y>

y# ≈.y>

y ≈

∑

p "ff " p "ff "

N

sim.

sim.ƒ

ƒ π

π

_j_≥

_≤

≈3

œ œ œ œ œ# œ#

J 0µ ≤

_≤

_

≥_≤

_

≥j_ _ ≈

∑

j_>$ ‰‹‹ ‰

‰ ‰ Jy> ?

∑

JT T T JT

∑

∑ ?

∑

ç

take hard mallets

N

take straight mute

30

&

&

2

?

&

&

÷

?

?

&

&

?

?

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

√ √u u

Ÿ~~ Ÿ~ Ÿ~~Ÿ~~~~~ ~~ ~~ ~~~u

Ÿ~~ Ÿ~~ Ÿ~~ Ÿ~~~~~ ~~~ ~~~ ~~~~u

u u

◊

◊

Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~

92 œ#\œ œ œ# œn œn œ

eRÔÔœ ebRÔÔ

œ eRÔÔœ eRÔÔ

œ#

œM/œM œbM œbMœM

œ/ œb œ œ ≈ œb / œn ‰ œ/œb œ œ œb œJœ Rœ Jœ

‰œ œ œ

® ® œ œ ® ® œ œ# œ

jY> ‰P ‰ ‰

œ> œ œb œn œ œ# œ# ® ® œ> œ# ® ® œ# > œ# œ

œ> œ œ œ# œ# œn œ ® ® œ# > œ® ®

œ# > œ œ

.œ# > œJœ Jœ

> Jœ>

.œ> œ Jœ Jœ> j

œ>

jœ œ œ œ œ œ

jœ> œ œ eµ œ

e = 104-96, Tempo 1 – Explosive

Ï as fast as poss.breathe as necessary into/outof the flute

ƒ as fast as poss.in any order

ƒas fast as poss.in any order

F F Ffigures playedas fast as poss.

Vibraphone

china cymb

f

f soft dampenwith mallet

ƒ ç

ric.

arco

ƒ ° Ïric.

arco

ƒ ° Ï

Ï Ï

all trills 1/2-step above

Ï Ï

ord.

as high in the spectrumas poss.

Í

Í

F

F

F

F

Í Í

π

π

π

‰ ‰ œ#\

œ œ œ# œn œn œ

‰ ‰ eRÔÔœ ebRÔÔ

œ eRÔÔœ eRÔÔ

œ#

‰ ‰ œM/

œM œbM œbMœM

‰ ‰ f#/f f# f f f# f f

f/f f f fn f# f f

Jœ Jœ

œ œ ≈ œ œœ# ® ‰ Jœæ

‰ ‰ jY>

P ‰

œ œ# ≈ œ> œ œ œ# œ œ# ≈ ≈ œ> œ

œ œ ≈ œ# > œ œ œ# œ œ ≈ ≈ œ œ

œ# . œ≈ yäÖ œ œ# ¨ œ œ œn ¨ œ œ œ ®

5

œ. œ ≈ yb âÖ œ

¨œ¨

œb¨

œ#¨

œ¨

œ œ œ®

5

œ œ jœ œ# œ

eµ œj

œ œ œ

sim.

sim.

ƒ f p

sim.

π πf f

sim.

ƒ ƒ ç

pizz.arco

a.s.p.

pizz. arco

a.s.p.

Ï Ï

Ï ÏF F

FF

Í

31

&

&

2

?

&

&

÷

?

?

&

&

?

?

83

83

83

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

(√)

(◊)

(◊)

~~~~~~~~~~~

u

u

u

u

u

Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~

94

J J J ‰

J J J ‰

J J J ‰

œ/œb œb œ œb ≈ œ/œ œ œ œ ≈ œ/œ œ# œ œnJœ Jœ Jœ

œ œ œb œœ œ ≈ ‰

œ# œ œb œ œ5

∑

® ...œœœä ® œ> œ ® ‰ œ# > œ œ œ#

® .œâ ® œ# > œ ® ‰ œ> œ œ# œ

≈ œ# . œ ≈Jœ> œ œ# ¨ œ œ œn ¨

5

≈ œ. œ ≈ jœb >

œ¨

œ¨

œb¨

œ#¨œ¨

5

B

œ œ œ œ œ œ j

œµ œ œ œ œœ j

F F p

ƒ F ƒ

ƒ

pizz.arco a.s.p.

Ï

pizz.arco

a.s.p.

Ï

Ï

Ï Ï

Ï FF

F F

Í

œœœœœ

bbbb

b > œœœœœ

bbbb

‰ ≈.....

œœœœœ

> .....

œœœœœ

.œM

œM ‰ ≈ œ

MœM

.fb â f ‰ ≈ fb â f

Jfb ‰ ≈ fj

f

∑

.Y> ®P

‰ ≈ Y> Y ≈P

œ œ# œ# œ œ# J J J

œ œ# œ# œ œ# J J J

œ> œ> œ>

œb > œ> œ>

jœ

j œ œ œ œ

jœb

j œ

œ œ œ

< >

< >f ß

sing aleatoricallyin a wild manner

Ï

f ff poss. f ff poss.

growl

ƒ sim.

f ƒchoke/mute choke/mute

loco

loco

sub. fff poss. molto decresc.

IV.

f molto cresc.

IV.

f molto cresc.

Ï

Ï Ï

ÏF

F

sim.

‰ ‰.....

œœœœœ

bbbbb >

œ

‰ ‰ Jœb

‰ ‰ ‰ &

‰ ‰ jœ Jœb

œœ œœ#œœ# > œœ> ≈

P∑

J J ‰ &

J J œœfl .œ>

œ> œ> . ≈

œb > œ> . ≈

Jœj œfl ≈

Jœ J œfl ≈

< >

ƒ

Ï

ff poss.

< >

f Ï

locop ffff sub.

Ï

Ï

N

ßp

ßp

Ï

Ï

N

L.V.

take Clarinet

32

&

&

&

&

&

÷

&

?

&

B

?

?

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

97∑

œ œ

∑

œ œ

∑

∑

∑

∑

∑

∑ &

∑

∑

non-decresc.

take C flute ∑

œ œæ

∑

fæ Jfæ ‰

∑

∑

∑

∑

‰ ‰œb

œb œ

∑

∑

flz.

f

f

ord.

ord.

∑

Jœæ ‰ ‰ ‰

∑

∑

∑

∑

∑

∑

œ œ

œ œ

∑

∑

Ï

Ï lots of bow

lots of bow

∑

∑

∑

∑

∑

∑

∑

∑

œ œ

œ Jœ ‰

∑

∑

33

&

&

&

&

&

÷

&

?

&

&

?

?

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

101∑

∑

œb œ

Jfb f f Jf3 3

∑

∑

∑

∑

œ œ

∑

∑

∑

ƒ

pvoice/singing< > < > < >

Clarinet

∑

∑

Jœ Jf f

Jfb f ≈ ‰ ‰

∑

∑

∑

∑

Jœ ‰ ‰ ‰

∑

∑

∑

f

growl

< >

ç

∑

∑

f ≈ ‰ ‰ ‰

∑

Jœb‰ Jœ ‰ ‰

5

∑

Jœb -‰ ‰ Jœ

- ‰5

∑

œb > œ

∑

∑ B

‰ ‰ œord.

Ï

Ï

π

F molto tenuto, sostenuto

Fsempre

sempre

∑

∑

‰ JœB Jœ Jœ

‰ Jœ Jœ Jœ

‰ jœ Jœb

‰ ‰5

∑

‰ Jœb -‰ Jœ

- jœ-

5

∑

œ œ

œ# > œ

Tœ## > Tœ

œ Jœ ‰

π

π π

π

f

f

Ï

Ï

ƒ π

lots of bow

a.s.p. ord.

34

&

&

&

&

&

÷

&

?

&

&

B

?

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

105∑

∑

∑

∑

Jœb‰ j

œ ‰ Jœ5

∑

‰ Jœb - jœ- ‰ Jœ

-5

∑

œ œ

œ œ

Tœ Tœ

∑

≈ œ#æ>

Jœæ œæ

≈ œµæ> eb Jœæ œæ

∑

∑

‰ Jœ ‰ jœ Jœb5

∑

‰ jœ- Jœb -

‰ Jœ-5

∑

œ œ

œ œ

Tœ Tœ

∑

ƒ

ƒ

C Flute

Jœæ Jœæ ‰ ‰

Jœæ Jœæ ‰ ‰

∑

∑

‰ Jœ ‰ jœ Jœ

5

∑

‰ jœ- Jœ

- ‰ Jœb -5

?

∑

œ œ

Jœ ‰ ‰ ‰ B

Tœ JTœ ‰

‰ ‰ œ

∏

∏

π

ord.

œ# - Jœ Jœ-

∑

JœB Jœ Jœ ‰

Jœ Jœ Jœ ‰

‰ ‰ Jœ Jœb‰

5

jY ‰ ‰ ‰

Jœ- ‰ ‰ Jœ

- ‰5

&

œ œ

‰ ‰ œ

‰ ‰ œ

œ Jœ ‰

ord.

ord.

π f π

π f π

p

splash cymb

ƒ π

a.s.p. ord.

∏

∏

p molto tenuto, broad(soften attacks)

35

&

&

&

&

&

÷

&

?

&

B

B

?

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

109

Jœ Jœ# - Jœ Jœ-

œ- Jœ- œ3

∑

∑

‰ Jœ ‰ ‰ Jœb5

‰ ‰ ‰ jY

jœ- Jœb -

‰ Jœ- ‰

5

?

∑

Jœ ‰ ‰ ‰

œ e œ

œ e œ

∑

a.s.p.

a.s.p.

∏

ƒ

ƒ

πmolto tenuto, broad(soften attacks)

œ# -‰ Jœ-

‰ œ- Jœ Jœµ -3

∑

∑

‰ ‰ Jœ jœ ‰

5

‰ ‰ ‰ jY

‰ Jœ- ‰ Jœ- ‰

5

&

∑

∑

Jœ ‰ ‰ ‰

œ Jœ ‰

∑

∏

∏

Jœ Jœ- œ# -

œ ‰ œ-3

fIæ f f Jf

fbæ Jfæ fæ f

‰ Jœ ‰ Jœ Jœb5

jY ‰ ‰ ‰

jœ- ‰ Jœ

- ‰ ‰5

∑

Jœb > Jœ œ œ> Jœ

∑ &

∑

∑

< >

< >

< > < >

china cymb

< >

ƒ

ƒ

FL.V.

ƒ f

arcoric. N

parlando

parlando

Jœ Jœ- ‰ Jœ-

œ Jœ- œ-3

fæ fIæ

Jf fb f f3

‰ Jœ ‰ ‰ jœ

5

jY j

Y ‰ ‰

Jœ- ‰ Jœb -‰ ‰

5

?

∑

œ y

œ œ

∑

∑

< >

< > < >

flz.

p FL.V.

n.v.

ƒ grainy, draw bow as slowly as possible

π

ord.

36

&

&

&

&

&

÷

?

?

&

&

B

?

83

83

83

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

113

Jœ Jœ# - Jœ Jœ-

œ œ

fæ Jfæ ‰

Jfæ ‰ fb f Jf

Jœ ‰ ‰ Jœ Jœb5

‰ jY ‰ ‰

Jœ- ‰ j

œ- ‰ ‰5

&

y y

œ œ

œ œ

∑

< > < >flz.

molto vib.ord.

N

π

ord.

F

Jœ Jœ- œ-

œµ Jœ Jœ-

fI f Jf f f Jf

Jf Jfæ fæ Jfb3

‰ Jœ ‰ ‰ Jœb5

jY

jY ‰ ‰

Jœb -‰ Jœ

- Jœ- ‰5

?

∑

y y

y y

œ œ

∑

< > < > < >

< >

a.s.p.

f

ord.n.v.

N

flz.

f p

Jœ Jœ# - Jœ ‰

Jœ ‰ œ-

fæ JfI Jf ‰3

f Jfæ Jfb

‰ Jœ jœ ‰ Jœb5

jY ‰ j

Y ‰

Jœ- ‰ Jœ- ‰ j

œ-5

&

yyb yy

y y

y y

œ œ

< >

< >

f

n.v.

molto vib.

Sf

n.v.

flz.

flz.

cresc. poss.

cresc. poss.

fcresc. cymbals only

(ord.)

p

œ- Jœ# -

Jœœµ -

.fIæ

Jf ≈ fb Jf

‰ Jœ ‰ ≈ œ> *3

jY ‰ j

Y

Jœ- ‰ j

œ- ‰3

∑

yy Jyy

y Jy

y Jy

.œ

< >

< >

molto vib.

a.s.p.

Ï

Ï

molto vib.

Ï

p

37

&

&

&

&

&

÷

&

?

&

&

B

?

84

84

84

84

84

84

84

84

84

84

84

84

82

82

82

82

82

82

82

82

82

82

82

82

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

√

117j

œw

‰q

‰ ‰œ\

œ œ œ# œ# œ œ œ

œ ≈ ‰ ‰ ‰

f ≈ ‰ ‰ ‰

f ≈ ‰ ‰ ‰

∑

Y> ≈P j

Y-ˇ ‰ ‰

Jœb -‰ ‰ ‰

‰ * ‰ ‰ ‰

œn œ

y ≈ ‰ ‰ ‰

y ≈ ‰ ‰ ‰

Jœ Jœ ‰ ‰

Ï

Ï

Ï p

π

n.v.a.s.t.

pƒ choke/mute

Ï p

Sff

Sff

L.V.

subito e = 72-63

∑

∑

∑

∑

∑

∑

∑

∑

œ Jœ œ ≈

∑ B

∑ ?

∑

∏

Take no more than 8-10" before beginning part II.

38

&

&

&

&

&

÷

&

?

&

B

?

?

82

82

82

82

82

82

82

82

82

82

82

82

163

163

163

163

163

163

163

163

163

163

163

163

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

119œ> œb œ ≈ œ œ# œ œ œ

5 5

œ> œ œb œ œ ‰3

3

≈ œ œb œb œ œn ≈3

‰ ≈ œ œb œ

3

∑

∑

œœ-

∑

œ\

œ ≈ ‰

œ# ¨\

œ ≈ ‰

œ# ¨\

œ ≈ ‰

∑

e = 112-104, strident, breathless

C Flute

f p

F π

f π

π

straight mute

F

R.H./L.H.

ƒ

ƒ

ƒ

arcoa.s.p.

arcoa.s.p.

arcoa.s.p.

Clarinet

II.

Jœœ## >

Jœ

‰ Jœ#

‰ jœ#

Jœb >Jœ

jœ# œ ≈Jœ

∑

œœ# -

∑

Jœ# > Jœ

∑

∑

∑

ƒ

°

°

sub. e = 60-54

f

f

f

f ∏

ric. arcoa.s.p.

Jœµ ≈

.Jœ

.jœ

Jœ ≈

∑

.Jyæ‹‹

..Jœœ

∑

Jœ Rœ.

∑

∑

∑

F

p

metal blk

π

ƒ

œ œb œ œ ® ≈ œ œ œ œ# œ

55

œ œ œ# œ# ® ‰ ≈3

jœ œ œ œ# œ# œ œ œ# œ#

3 3

œ# fl/œ. œ. ≈ ‰ ≈3

∑

y y. y. ≈ ‰ ≈5

∑

Jœœä ‰ ≈

.œ# > e#.Jœ

Jœ# > ≈ Jœ#&

Jy# >œ œ ‰

∑

ƒ π

f π

f π

e = 112-104, Tempo 1

ß

metal pipes

f

ßL.H.

III.N

ƒ π

∏

∏

ç

ç

pizz. arco

take CD case

take superballs

39

&

&

2

&

&

÷

÷

&?

2

&

&

?

?

84

84

84

84

84

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

123œ#

≈ . ‰ ‰ ‰

∑

œ ≈ . ‰ ‰ ‰

œä ‰ ‰ ‰

∑

jf

j

j

j Jf ‰

∑

∑

yæ æ

Jœb >‰ ‰ ‰

Jœ> ‰ ‰ ‰

œb (â â . âj â â

3 3

jœâ ( â â

j

3

ƒ

ƒ

e = 80-69, Tempo 2

f

ƒ

ƒ

w. superballs

fff poss.

scrape lower stringslongitudinally as fast as poss.VERY ERRATIC, NOT REGULAR

fff poss.

Ïà la corde

Ï à la corde

ord.

Bass Dr.

Kick Dr.

∑

∑

‰ ‰œM

∑

∑

j

j

j

j

∑

∑

æ æ

∑

∑

â . âj â

j â â â

j â

3

π

∑

∑

∑

œM œM≈

∑

∑

j

j . f>

∑

‰ ‰ ≈ . œœ# >

æ . æ ®

∑

∑

â âj â .œB œ# fl

3

. >j .œB œfl

Sffz

f

Sffz

ç

40

&

&

&

&

÷

÷

&

?

&

&

?

?

82

82

82

82

82

82

82

82

82

82

82

82

84

84

84

84

84

84

84

84

84

84

84

84

815

815

815

815

815

815

815

815

815

815

815

815

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~

u

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~126 œ> œ œ œb ® ‰3

œ> œ œ# œ ® ‰5

f>M ≈ ‰

≈ œb œ œ œb œfl ®3

∑

∑

∑

∑

Jy> e œb >

Jœ# > ≈ y>0

∑

∑

e = 112-104, Tempo 1

ƒ

ƒ

f π ƒ

growl

ƒ

II.

ƒ π ƒ

ƒ

pizz.

pizz.

J

œœœœœ

##### >

ej

œ_Z

jœ_ j

_

q

∑

fb /ffff f fb J J w/

J

∑

∑

jf

j

j

j

∑

œœ# fl# œœ.

#œœ.#

œœ.#

œœ.#

œœ.#3 3

∑

∑ B

ej

œ# œfl ≈ ‰ ‰

Jœ œ ≈ ‰ ‰

° Ï

° Ï

a.s.p.

a.s.p.

ffpp sub.

ffpp sub.as fast as poss.in any order

growl ord.

Ï p

w. superballs

ffp sub.

molto rit.

_ _j_

j_

jœ_

Z

∑

J J J J q

∑

∑

j ‰ ‰ ‰

∑

œœ# .# œœ.# œœ.# œœ.# œœ.# œœ.# œœ.

# ≈

y#>Ö

.œj

œj

œ y> ≈

y>Ö

.œj

œj

œ y> ≈

∑

∑

ƒ

arcoa.s.p.

Sfp sub.

N

Sf

arcoa.s.p.

Sfp sub.

N

Sf

< > < > < >

take drumsticks

41

&

&

&

&

÷

÷

&

?

&

B

?

?

815

815

815

815

815

815

815

815

815

815

815

815

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

¤

129œœœœœ#

##˘

≈ ‰ ‰ ‰

‰ ‰ ‰ ‰

fb f fb ≈ Œ ‰5

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

f ® f ≈ f ® f ≈ f ® f

Jy> Jy> Jy> Jy>

‰ ‰ ‰ ‰

œ# > ≈ œ> ® .y-j yj œ>≈ y>3 3

œ/œ¨

≈ . ® œ/œ¨œ¨œ#¨

® ≈ . œ/œ¨

≈ œ/œ¨œ¨œ¨

T. ® T. ≈ T. ® T. ≈ T. ® T.

T. ® T. ≈ T. ® T. ≈ T. ® T.

ff sub.

growl

ff sub.

III.

pizz.a.s.p.

pizz.a.s.p.I.

secco

secco

f

N

N

sub. e = 60-54 CLOCKWORK

ƒ

Roto-Tomsw. drumsticks

f ß

ƒ

ƒ

F

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

≈ f ® f ≈ f ® f ≈ f

Jy> Jy> Jy> Jy>

‰ ‰ ‰ ‰

œ# > ≈ œ> y-j yjy-j yj y>3

3

® œ/œ¨

≈ ® œ/œ¨

≈ œ# /œ¨œ¨œ¨

≈ ≈ . œ/œ¨

≈ T. ® T. ≈ T. ® T. ≈ T.

≈ T. ® T. ≈ T. ® T. ≈ T.

N

f sub. ß

42

&

&

&

&

÷

÷

&

?

&

B

?

?

83

83

83

83

83

83

83

83

83

83

83

83

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

(¤)

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

‰ ‰ ‰ ‰

® f ≈ f ® f ≈ f ® f ≈

Jy> Jy> Jy> Jy>

‰ ‰ ‰ ‰

œ# >≈ ≈ ≈ œ>

≈ y-j yj œâ≈3 3 3

œ/œ¨ ≈ . œ# /œ

¨≈ œ

/œ

¨‰ œ

\œ œ œ ≈

® T. ≈ T. ® T. ≈ T. ® T. ≈

® T. ≈ T. ® T. ≈ T. ® T. ≈

N

f sub.

Œ ‰

‰ ‰ ‰

‰ ‰ ‰

‰ ‰ ‰

‰ ‰ ‰

f ® f ® f ≈ f ® f

Jy> Jy> Jy>

‰ ‰ ‰

® .yj yj y> œ# â ≈

® œ/œ¨

≈ ≈ œ\

œ ® ≈ . œ/œ¨

T. ® T. ® T. ≈ T. ® T.

T. ® T. ® T. ≈ T. ® T.

N

ß f sub.

43

2

&

&

&

&

&

÷

&

?

&

B

?

?

83

83

83

83

83

83

83

83

83

83

83

83

83

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

167

167

167

167

167

167

167

167

167

167

167

167

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~ Ÿ~~~~~ Ÿ~~~~~~~

wqwq

Ÿ~~~ Ÿ~~~~

130‰ j

_>j_>

‰ ebj

œ ej

œ# ej

œ3

‰ .œB œ .œµ œ

‰ . .jœ

rKœ

‰ j_> j

_# >

∑

∑

∑

‰ Jœœ# -

Jœœ-

∑

∑

∑

∑

sub. e = 80-69, Tempo 2

[F] [F]

° F

° °P P

"f " π "f " π

F dulce, sostenuto

"f " "f "

take hard malletstake triangle beater

‰ . ® œœœ

### _

Z œœœ_

œœœ

### _

œœœ_

3

‰ . ‰

‰ . œ\_Z

œ#_ œ_ œ#_ œ_5

‰ . jœ# _

∑

∑

∑

∑

∑

∑

∑

∑

π

°

1/2-valve

π

Vibraphonew. hard mallets

Jœœœ_ œB _ ≈ ‰ ≈ œ_

Z

œ#_ œ_3

Jœ œ ≈ ‰ ‰

ebœ_> œ_ œ_ ebœ_ ≈ ‰ ‰3

œ œ# . Jœ Jœ œ ≈

≈‹‹ œ# > ‰ ‰ ‰

‰ jY

ˇ) jY Y. ≈

P

..œœâ œœ# - Jœœ-

Jœœ ‰

∑

‰ ‰ ‰ ≈ _3

∑

œ# œ jœB

j

jœ˜

∑

ƒ π

e = 112-104, Tempo 1

< >

F π

f π

F Íp

< >

F

π

P

° P

f p

ord. a.s.p.

π ffpp sub. ƒ< >

cl tratto

π

44

&

&

&

&

&

÷

÷

&

?

&

B

?

?

167

167

167

167

167

167

167

167

167

167

167

167

167

83

83

83

83

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

u

u

133 œ_ e_ _q

_# _ _# œ_ œ_ œ_Z>

œ#_ ≈3 6 3

‰ ‰ ‰ ≈

‰ ® _q

_# _ _# œ_>Z

œ_ ≈ ≈3

‰ ‰ ‰ ≈

œ# - œ. ≈ œ-œä œb - ≈

3

∑

∑

∑

jœœ>N ‰ ‰ ≈

_ _ ® ‰_>

_# ® ≈

yj

r

jœ>

‰ ‰ ≈

Jœ> ‰ ‰ ≈

"f " "ff " ππ

π f

f ƒπ π

p F p

pizz.

f

ff sub.

F perforated

f hit palm inside pianoon the low strings

œ# >_

Z

œ_ œ#_ _ _b _

q

≈ . ‰3

œ> œb œ œ œ œb œb ≈ ‰5

œb >w

œ œb œ_Z

œ_œ_ œb _œ_≈ ‰3

3

≈ œb œ œb œb œ œ≈ ‰

55

Jœœ>

œœ# ® ‰

∑

∑

∑

‰ Jœœ#

J

Jœ> œ# > ≈ ‰

y> ≈ ‰ ‰

Jœœ# œœ

. ≈ ‰

JœB œ. ≈ jœ

ƒ ∏violent

ƒ ∏

f ∏

ƒ ∏

ord.

° f

° ƒ°

arcoord.

ff sub.

arcocrine

f p

ƒ p ff sub.

1/2 Pedal

∏

∑

∑

∑

∑

∑

yæ)2 yæ

jf- ‰ ‰ ‰

∑

jœœ

œœb

>‰P

*Œ

_2/_ _# _ _ _# _ _n _ _#

_2/_ _# _ _ _# _ _n _ _#

jœb >

‰ ‰ ‰

œ œ# ® ‰ ‰ ‰

p

"ff "

low metal blk

Bass Dr.

ƒ °

ƒ

Full Pedal

Ï

"f ""filtered"longitudinal tremolo (windshield wiper)


"f ""filtered"longitudinal tremolo (windshield wiper)


molto rit.

45

&

&

&

&

&

÷

÷

&

?

&

B

?

?

82

82

82

82

82

82

82

82

82

82

82

82

82

84

84

84

84

84

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

u

u

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~

136∑

∑

∑

∑

∑

yæ yæ

∑

∑

∑

∑ B

∑

decresc.

decresc.

decresc.

take drumsticks

∑

∑

∑

‰ ≈ œ#

‰ ‰

Jyæ ‰

‰ ‰

∑ ?

∑

‰

‰

‰ ≈ œ#

‰ ≈ œ

a tempo e = 112-104, Tempo 1

°

take hard mallets

π

a.s.p.II.

π

°

∏

∏

∑

∑

∑

œ œj

œj

œj

œ˜

∑

∑

f f. ‰ .f .f

œœ# äœ. ® ‰ J

œœ# äJœœœœœ# -

∑

œœ¨

œ¨ ® ‰ ‰ ‰

œ# ¨ œ# ¨ ® ‰ ‰ ‰

œ> œ> Jœ œ> œ#¨

œ¨

œ#¨

œ> œ¨

≈ ?

œ# >œ> Jœ .œä œ œâ œ# .

°ƒ F


f ƒ

Ï

Ï

arcoa.s.p.

arcoa.s.p.

ƒ π Sf Sf

πƒ Sf Sf

a.s.p.

e_# j_

U

‰ ‰ ‰U

e_j_

U

œ# ≈ ‰ ‰U

œb . œb >≈ ‰ ‰U

‰ ‰ ‰U

jf- ‰ ‰U

œœœœbn > ≈ ‰ ‰U

œœœb >≈* ‰

P‰U

..j

œœr

œœ‰U

..Jœœbb Rœœ ‰U

œb /œ¨

≈ ‰ ‰U B

œfl ≈ ‰ ‰U

°

"fff "

"fff "

P

P

p

Bass Dr.

re-tune 12" Roto-tom(tune up to "orginal" pitch)

fff sub.

w. hard mallets

f L.V.

a.s.t.

a.s.t.

π

π

°

°

Ï

Sf

46

&

&

2

&

&

÷

÷

?

?

&

B

B

?

82

82

82

82

82

82

82

82

82

82

82

82

84

84

84

84

84

84

84

84

84

84

84

84

163

163

163

163

163

163

163

163

163

163

163

163

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

u

140∑

∑

‰ ≈ œbM

‰ ≈ œ

∑

∑

∑ &

∑

‰ ≈ . œœ¨

‰ ≈ . œœbb ¨

‰ ≈ œ#

‰ ≈ œ.

π

π

f

f

π

π

a.s.p.

a.s.p.

∑

∑

jœM M œM fb /> f f fb . ®

Jœä œ

\. œ. œ. ≈ œ/. œ. œ. ≈ œ œ œ œb ®

3

3 5

∑

f f> ‰ .f> f> ®

œœ# > œ

œ œ

®‰

‰ ....œœœœb > ®5

? &

Jœœ# -

...œœœb >®

œœ¨

œ¨

® ‰ ‰ ≈ œœ

œb ¨ œB ¨ ® ‰ ‰ ≈ œb

œ> œ> Jœ œ œ œ œ œ#¨

œ#¨

œ¨

≈5

?

œ# >œ> œ œ. .œ> e œ> e# ≈

5

ƒ p ß ß π

< >

f π ß π

f ƒ f

f ƒ F

πƒ f π ç

ƒ π ƒ ff sub.

π

πß

ß


∑

‰ Rœ-

‰ rœbM

‰ Rœ

∑

∑

‰ rœ# -

∑

jœœ œœ

¨œœ¨

jœ œb

¨œ¨

‰ Rœ#B

‰ rœ

F

f

f

π

π

∏

π

π

47

&

&

2

&

&

÷

÷

&

?

2

&

B

B

?

84

84

84

84

84

84

84

84

84

84

84

84

84

82

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

u

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

wqwq

143œœœ

œ

> œœœ

œ

>_q

≈ Jœf

..œf

œf

JœM œ œ- JœM œœ# œ œ# ®

5

œM œbM M œM f> ff fb .

Jœ œ.\

œ. œ. œ./œ. œ. ≈ œ./œ. œ. ® œb .3

3 3

∑

jfffl f. ‰ .f> ≈ . f

œ œ

œ œœ

‰‰ ‰

5

?

Jœœ# ä ≈ . œœ

∑

œœ¨

œ¨ ® ‰ ‰ ‰

œb ¨ œb ¨ ® ‰ ‰ ‰

œ> œ> Jœ œ œ œ# ¨ œ œ#¨

œ#¨

œ¨

≈5

?

œ# >œ> Jœ

jœ# > ≈ . œn >

ß

< > < >

< >

ƒ p ß ß

< >

ƒ π

voice/singing< > < >

f π ß

πf π f sub.

< >

ƒ π F

f ƒ f

ß

ß

f ß

ƒ

ƒ π

π

ff sub.

ff sub. ç

_

3q

> _b _ _ œb _œZ

_ ‰U6

œ/ œ œ® ‰U

œb - œ œ≈ ‰U3

œ./œ. œ. œb ‰U3

?

‰ ‰U

f> ‰U

≈ œœœœbb > ‰U

≈ œœœb >‰U

∑

‰ ‰U

‰ ‰U

œb > e ®P

‰U

œ> e ®P

‰U

p

ff sub. ∏

π< >

p

(detuned)

Catch w. Ped

Ftake CD case

ç

ç

cl batt.

cl batt.

take double-bass bow


remove straight mute

Jœf#

Jœfæ

œfæ

œœœœf

#### >

3

jœ œ œ œ œMâ

3

œb âM œM œâM3

fâæ fæ fâæ3 &

jY

jY Y Y.

jf>

‰ ‰

∑

∑

y> y>3

y- y yâ3

y# - y yâ3

yµ - y yâ3

y- y yâ3

sub. e = 60-54


ç


ç


ç


ç

arcoa.s.p.

arcoa.s.p.

ƒ ç

slowly draw CD Case longitudinally on low strings

sing aleatoricallyin a wild manner

Pedal tone

ƒarcochina cymb

"ff "

ƒ

voice/singing< > flz.

ƒ ç

ßp f ß< >

f

Kick Dr.

Rall.

dirty

48

&

&

2

&

&

÷

÷

?

?

2

&

B

?

?

82

82

82

82

82

82

82

82

82

82

82

82

82

163

163

163

163

163

163

163

163

163

163

163

163

163

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

u

wqwq

Ÿ~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~

146_ _ _b _ _ _b _ _b _ ®

55

‰ ≈ œ#

‰ ≈ œM

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑


"ff " π

π

F

∑

Jœ œ œ#

œMfb f f f f f f f# f# f5

6

∑

jY

jY

jf>

‰

∑

∑

jy> ‰

œ> ≈eb

jœ

œ> ≈e

jœ#

y# â y y# y œ œ# œ3

yâ y yb œ œb3

f π

ƒ

f

"ff "

ƒ scrape lower stringslongitudinally as fast as poss.

IV.

Ï

Ï

ƒ

ƒ

°

°

N

N

J

œœœœœ

####

#_

>Zr_>≤q

Rœ. ≈ ≈

rf ≈ ≈

∑

rY. ≈ ≈

∑

∑

Jœœ r

œœ

∑

ry ≈ ≈

ry

≈ ≈

rœ# ≈ ≈

rœ

≈ ≈

[sI]

Ï

F

π

∏

N

N

∏

∏

ƒ

ƒ

_/_# _n _ _n _ J J J

∑

∑

∑

Jyyyy>M Jyæ Jyæ Jyæ

∑

∑

œœ≈P

*

‰ ‰ ‰

∑

∑

∑

∑

∑

[F]

Sffz

ƒ

Springs hi metal blk

ƒ pp sub.

arco

49

2

&

&

&

&

÷

÷

?

?

&

B

?

?

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

u

150

_ _≤>

j_ _

≥>

3

J J J J

∑

∑

∑

Jyæ Jyæ Jyæ> Jyæ

∑

∑

∑

∑

∑

∑

∑

p ß ß

ßpp

p

j_ _

≤> _

≥>

j_ _ _

≤>

3

J J J J

∑

∑

∑

Jœæ œ># œ>$ Jœæ Jœæ

∑

∑

∑

∑

∑

∑

∑

ß ß

ß ∏

_ ≈ ‰ ‰ ‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

50

&

&

&

&

&

÷

÷

?

?

&

B

?

?

167

167

167

167

167

167

167

167

167

167

167

167

167

84

84

84

84

84

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

83

83

83

83

83

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~153 _ _ _# _ _ _b _ _# ≈ _ _ e_#5

53

∑

≈ _> _# _ _n _b _ _b _ ≈ . ≈_ _b _

3

3

∑

∑

∑

∑

∑

∑

jœb > ‰ j

œ ≈ œ>

∑

∑

∑

p"fff " "ff " π

ord.

f

"ff " π π

œœœ

œ

##

# >_

Z

œ

q

_ _ -e>

>. >. ≈ R_>≤

∑

_ _ _# _# > _ _# _ ≈ f> ≈ ≈5

∑

∑

∑

∑

∑

∑

.y> y# > ‰ Jy> ≈

.yâ y#} ‰ JTy> ≈

‰ .œ œ. ‰ ≈

‰ .œ œ. ‰ ≈

"ff " p ß "ff "

[pi]

f

ƒ π ƒ

f

f°

°

ƒ

ord.

ord.

"fff " "ff " f sub.

_>≥

ej

_U ‰

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰ &

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰ &

π


51

&

&

&

&

&

÷

÷

&

?

&

B

?

2

&

83

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

82

84

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db Voice

Db.

Perc.

Pno.

156_ _# _ ® ‰ ‰

∑

∑

∑

∑

∑

∑

∑

∑

≈ yyyI .P

‰ ≈ . œ.

‰ ≈ œ. ‰

‰ ≈ œ. ‰

y. y. y. ® ≈ . y. y. ≈Yesterday Istopped

.T

e = 88-80, Tempo 3 quasi-parlando

II.

∏

pizz.

f

f

pizz.

pizz.

"ff "

SPOKEN:F

‰ ≈ _b _ _ j_

3

∑

‰ ≈ . _- j_â

‰ ‰ J_

œ ‰

∑

∑

JœP

‰ Jœ-

∑

œ ≈ ‰ ‰

œ œ. ≈ ‰ ‰

œfl œb . ≈ ‰ ‰

y. y. ® y. y. ≈ ‰kil ling myself

.T ?

f


p

arco

° f

p "ff "

"ff "

°

[F]

j_ ‰

∑

j_ ‰

J_ _. ≈

∑

∑

∑

∑

jœb - ‰

∑

∑

Jœ Jœ

Jœb Jœ

arcoord.

ord.

°

° ƒ

ƒ

π

π

"ff "

take soft mallets

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Jœ ‰ ‰ ‰

œ Jœ ‰

a.s.p.

a.s.p.

°

°

Rall.

52

&

&

&

&

&

÷

÷

&

?

&

B

?

?

163

163

163

163

163

163

163

163

163

163

163

163

163

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

160≈ . y. y. y. y. y. .y. y. y. y. ≈

Tomorrowmorning has

beencancelled

∑

jy. ≈ y. y. y. ≈ ≈ y.In my bo dy my

∑

œ⁄. œ⁄. œb - œ. ® œ. œ. œn . Jœä ‰ œA .

5 3

∑

∑

‰ ≈ œ- Jœœä œ

œœœœb ä

3

∑

∑

∑

∑

∑


π

π

w. soft mallets

∏ P π

∏ p

SPOKEN:

SPOKEN:

∑

∑

y. y. ≈ y. y. y. y. y. y. y. y. y. ≈bo dy ev er y dayhere in my bo dy

∑

œä œ. œ. ‰ ‰ ‰3

∑

∑

Jœœœ ‰ Œ

∑

∑

∑ &

∑

∑

p π

∑

∑

∑

∑

∑

‰ ® y. y. y. y y. y. ‰3

∑

∑

‰ ‰ ‰ jœ>

P

≈ . œ. .œ œ. Jœ. Jœ>

‰ ‰ œ. œb ˘œ. ‰ B

∑

∑

π p π

dampen string with RH

F

π f

pizz.

pizz.

p

metal pipes

53

&

&

&

&

&

÷

÷

&

?

2

&

B

?

2

?

163

163

163

163

163

163

163

163

163

163

163

163

163

163

163

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db Voice

Db.

Perc.

Pno.

163≈≈ ‰

≈≈ ‰

≈≈ ‰

≈≈ ‰

≈≈ ‰

≈≈ ‰

≈≈ .f> f.

≈≈ ‰

≈≈ ‰

≈≈ ‰

≈≈ ‰

≈≈ ‰

≈≈ ‰

≈≈ ‰

6" Roto14" Tom-tom

p

∑

∑

∑

j_ _ ≈ ‰ ‰

∑

jY> ≈ Yfl

y y- y y. y. y.5 3

∑

∑

∑

∑

‰ ‰ ‰ ‰ y-jÖ3

∑

∑

Œ ‰ ‰ y3

I

∑

F ß P π

metal pipeschina cymb

° "ff "[F]

arco

f

SPOKEN:

SPOKEN:

πSPOKEN:

y. y- ‰ yfl y. ≈ y- ≈3

with my bleeding hands

Jœw œq œw .œq œw Jœ

q

_j

_‰

_j

_ ‰

œæ>j

œæ ‰

*∑

∑

jy- y y. .y- y. y. y. y. ®I des troy the

battlefield

∑

∑

y> y} _> ._- j_# j

_3

∑

∑

y y y y y ‰ ‰3

fling o pen the

∑

ßp sub. ∏

"ff " ∏

ppp poss.

π

π

cl ric. cl tratto

ß p

bisbig.

"ff " ∏

∑

Jœ ‰ ‰ ‰

∑

∑

∑

∑

∑

≈ . y. .y- y. y- ≈ ‰that

wasmyhome

∑

∑

_j

_ ‰

∑

∑

∑

54

&

&

&

&

&

÷

÷

&

?

2

&

2

B

2

?

2

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.C Tpt.

Vln.

Vla Voice

Vla.

Vlc Voice

Vlc.

Db Voice

Db.

Perc.

Pno.

167∑

‰ ‰ œw œq

3

‰ ‰ j_≤>

‰ ‰ y. y.with my

‰ ‰ ≈ œ>

∑

∑

‰ ‰ ≈ œP.

∑

∑

∑

‰ y. y. y. y. y. y. y. y. y.5 5

doors so that thewindgets

in and the

∑

‰ ‰ ≈ y.I

∑

∑

π

bisbig.

ppp poss.

"ff "

P

∏

π

π

∑

Jœw

Jœq

Jœw œ q

Mä œ wœ ≈ œq

3 3

_ ≈ ‰ ‰ ‰

y. y. y> y yfl® ‰ ‰

bleedinghand [s]

‰ jœ> Œ

jY> ‰ ‰ y y

œbæ

∑

.œ œ- Jœ œ. .œ- œ. œ. œ.

∑

∑

yyjä

Jyyj yyj yyj

- yyj-

jyâ .yâ y.

jyâ ‰

scream of theworld

∑

jy- j

y< ‰ y. y. ≈ y. y. y-3

tear the photos of themen

∑

∑

ß f poss.

ß ppp sub.

ß p ß

f πF

arco

metal blk

poco Rall.

∑

JœM> œM

œw œq œ .œw œq .œ œw

3 5

∑

œB œ ≈ . JœB

œæ ‰ œ jY>

œ>œ

3

3

∑

∑

œ.œ- œ

œ. ‰ ‰3 3

∑

‰ ‰ ‰ * ‰

..yy-j yy-j yyj yy-j yy-j ‰ ‰

‰ ‰ jœfl Jœ

≈ . y.j

yâ ‰ ‰I loved

‰ ‰ yy>Ö

≈ ‰

∑

non-muted

p


ƒ

ƒ

° Ï


ß ß

π F π

ß ppp sub.

use hand to "mute"

55

&

&

&

&

&

÷

÷

&

?

2

2

&

B

2

?

2

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.C Tpt.

Vln Voice

Vln.

Vla.

Vlc Voice

Vlc.

Db Voice

Db.

Perc.

Pno.

170 _>q_b - J_ ‰ ‰

3

Jœ>M œM ≈ ‰ ‰

f>≈ ‰ ‰ ‰

œ ≈ ≈ . y.jy- y. y. y. y.

3

I walk in to thestreet

œbœ

≈ ‰ ‰ ‰

‰ Y> ≈P

‰ ‰

∑

‰ ‰ jy- y y.No thing

∑

∑

≈ . y. y- y. ≈ .y- y. ‰the pri son that was

œb ¨œ ≈ ‰ ‰ ‰

® œ# fl® ‰ ‰ ‰

œ. œ. ≈ ‰ ‰ ‰

y. y. ≈ ≈ y.jy- ≈ y.

3

no thing will come of

∑

arcoord.

pizz.

ƒ

f

choke/mute

china cymb

F

ß

f

π

π

π

πSPOKEN:

SPOKEN:

SPOKEN:

SPOKEN:

"ff " π∑

∑

∑

jy- ≈ . y. y- ≈

clothed in my

∑

∑

∑

≈ . y. .y- y. ≈ y. y.will come of no thing

∑

∑

y- ≈ ≈ y< ≈ ® y. y. ® y.3 5

set fire to my heart

∑

∑

_. _. _fl ≈ _. _. ≈S pea k a gain

∑

yfl y. ≈ ‰ ‰no thing

∑

π

56

&

&

&

&

&

÷

÷

&

?

2

&

B

?

?

84

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

172‰ ® _ _# _ _b _n _ ® -

eb >®

∑

‰ ≈ œ_ œ_ œ_ œB _ ® œ_ œ_3

∑

∑

∑

∑

‰ .œ-P

œ- .œ- œ- œ œ- ®

∑

∑

∑

∑

≈ _ _ _# ≈ j_ _ _-B

∑

p "ff " p ß

π

π


cl tratto

p

_b >_b ≈ j

_≥

_≤q

__b - ._ œ-_

∑

jœB

Z

_ . _q

‰ ‰

∑

∑

∑

∑

® ..œœ

b - œœ ≈ ‰ œ# .

œ.

œ-

3

∑

∑

∑

‰ ‰ œb

j_ ._ _ J_b _ ≈

∑

"ff " ß

[F]

"ff "

π f

arcoa.s.t.

π

p f ß p

poco accel.


œb -_ œ-_œ>w

.œ ‰ >b .j>b >.

3

3

∑

_b > _q

‰ ‰ œb

∑

∑

Jf. .f> .f> ‰

Jœœ

b - œœ- œ

œ- œ

œ..œ

œ- œ

œœœ- œ

œ-

3

œ œ-

∑

œB œ

œ œ

® _ _b _ _ _µ3

œ œ(

w. soft malletsRoto-Toms

π

[pi]

ƒ ç

"ff " π

p F

pp sub.

arcoa.s.t.

π

π

p

57

&

&

&

&

&

÷

÷

&

?

2

&

B

B

2

?

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db Voice

Db.

Perc.

Pno.

175‰ ‰ ‰

j> >. .>b . >.5

‰ ‰ Jœ œ œ# œ

œw

œZ

_ ≈ ®œ# _ œ_ œ_

Jœ Jœ ‰ ‰

∑

Y> ≈ ≈ Y> ‰ ‰

Jf> ‰ ‰ ≈ . y.I

œœœœbbb - ....Jœœœœ-

Rœœœœ-

œœœbb- ...J

œœœ-

Rœœœ-

∑

œ œ

œ œ ≈ ‰

_ J_ _ ≈

œb œ ≈ ‰

sub. e = 60-54

[tE]

f

∏

f π

F π

splash cymb china cymb

6" Roto

f

p ß πSPOKEN:


ßpp

f

f

f π

f π

π

œ>_ >. ≈ >b . _

≤> Jœ

>_ œ

_ >. >. >.3

3

œ. œ. ≈ ‰ Jœ . .œ œ

jœbw

œfl ≈ . œ_-Z

œ_ œ_ jœ_

3

Jœ œ ≈ . ‰ ‰

‰ jœb > ‰ ‰

∑

jy> y y.

jy> y. y. y.

wat ch the clock out of my

œœœœbbb -Jœœœœ- œœœœ

-3

œœœbb-

Jœœœ- œœœ

-3

‰ ‰ jy- ≈ y. y.

3

speak whatwe

Jœ ‰ ‰ ‰

‰ ‰ Tœ

‰ ‰ ‰ ≈ Tœbb3

‰ ‰ Jœb > ‰

[F][tE]

ß f ƒ f

F ∏ P ∏

F π

° F

f

∏

πSPOKEN:

π

ß π

N

π

N

πarcoord.

Accel.

œœœ˘

≈ -e>_≤

® y. y. y. y. _≤

_≥

®out of mybreast

≈ . y. y- ® y. y- ≈ ‰I wrench the clock

œ_ œ# _ œ_ ® ≈ œ_œ_

œ_

œ_ ® ‰

‰ ‰ jœb œ./œ. œ. _

≤3

Jœ Jœ ‰ ‰

∑

jy> ‰ ‰ ‰

heart

Jœ- œœb - jœ

jœ œœb -33

‰ ‰ ‰ œ# -3

.y- y. ≈ y. y. .y- y. y. ≈feel not whatweought to say

Jœ .œ œb œœb ¨ œ .œb ä y

y y ≈ ≈ yy## > JTœ Tœ y

3

JTœ Jy> ‰ œ#

¨œ#¨

® œn¨ œb ¨

® œb ¨3 ?

y- y. y. .y- y. y. y. y. y. .y- y.we that are

youngshall ne ver see somuch nor

∑

[F] [F]

ß

p sub.SPOKEN:

SPOKEN:π

P π π

° P ß

[F]

° F

arco

π

f

Na.s.p.

N

f ß pp sub. f

N

f

SPOKEN:f

58

&

&

&

&

&

÷

÷

&

?

&

B

?

2

?

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db Voice

Db.

Perc.

Pno.

wqwq

¤

178∑

‰ ‰ ‰ œ3

‰ ‰œ

Jœ>o

œ Jf

∑

Y> ≈P jY> Œ

‰ ≈ fæ jfæ j

fæ ‰3

Jy> ‰ ‰ ‰

‰ ‰ ‰ jœ œœœ

œb

>

3

Jy> yb yb ¨ y y yjyâ j

yµâ‰

5

3

‰ ≈ yâ y yjyâ

3 3

≈ . œb¨ ‰ œ ‰ œä ä ä

3

.y- y. y. ≈ ‰ ‰live so long

∑

e = 88-80, Tempo 3

∏

∏

πf

growl

china cymb

16" Tom-tom Bass Dr.ß F

π F

fff poss. f

( f ) p

( f )

molto vib. n.v. molto vib.

N

( f )

Rall.

œ# >æ

œæ ≈ ‰

œ œ ≈ ‰

Jœ Jf f ≈ ‰

Jf ‰ ‰ ‰

∑

∑

‰ ‰ jf ‰Jf

∑ ?

œœœœ

jœœ>

‰P

*

jyy# â

jyy yy ≈ ‰

jy y yâ y ≈ ‰

J ä j

yâ} ≈ ‰

‰ ‰ œä

f

ƒ p

growl

ƒ

ƒ

Ï

Î

Í fn.v. molto vib.

Ï

Ï

∑

∑

∑ ?

∑

∑

∑

∑

œœœœ## ‰ ‰ &

œœœbb‰ ‰

∑

∑

∑

œ œ

{e = c 66}

p

take Bass Clarinet

take Bass Flute

∏

take hard mallets(take triangle beater)

59

2

&

&

?

&

&

÷

÷

&

?

&

B

?

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~

u

181

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ ‰ ‰ ‰P

∑

∑

∑

œ œord.

sub. e = 80-69, Tempo 2

∑

∑

∑ 2

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ> œb ® œ œ jœn ‰

3

œ œ

f π p π

a.s.p.

a.s.p.

Bass Flute

take CD case

Bass Clarinet

j_> ._ y. Jy- y. y. y.[F] the mi[s] [E] ra ble

eœ# œ œb œ œb œ œ# œ œn œ5

‰ ≈ y_. y_. y_. y_. y_. y_. ‰5

the mis' ra ble

jœ_Z

.œ_ f

w

‰ ‰

j_>

j_

j_ ‰

∑

‰ ‰ Jyæ)2

Jyæ

∑

∑

∑

‰ ‰ _2

\_# _ _# _ _ J

∑

jœ# j

œ œ/œ#¨

≈ ‰

œ Jœ> ‰

ƒ p F

f°

ord.a.s.p.

ff sub.

SPOKEN:π

° f

growl

"ff " π

[F]

hi metal blk

"ff " π

"f " "filtered"longitudinal tremolo (windshield wiper)


60

2

&

2

2

?

&

&

÷

÷

&

?

&

B

?

?

82

82

82

82

82

82

82

82

82

82

82

82

82

82

84

84

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

u

Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

184y. yfl _ ._ _fl

≤y. >. _

≤y. >. _≤ .y

5

children o[F] in [tE] [s] ne [tE] [F] an

eœ# jœ œ œb œ œb œ

5

‰ y_- ≈ y_ y_. y_. ≈ ‰3

of in ter net

∑

Jœ œ œ#œ# ≈

_./_. _. ≈≈ œ

5

3

3

∑

‰ Jyæ2

Jyæ Jyæ

∑

∑

∑

J J ≈ ‰

∑

∑

∑

"ff " "ff " π

1/2-valve

°"ff "p°

"f " "ff "sub.p sub.

y > ≈ _≥ _≤[dE] [F]

œb œ œ œb œ œn œ œb œ5

y_- ≈ ‰and

∑

Jœ œ ≈

∑

∑

∑

∑

∑

∑

∑

∑ &

∑

F

"f "j_

j_

j_ ._

_≥ _≤5

[ko] [F]

ebœ œ

‰ ≈ . y_. y_ ≈ ‰co caine

j .

j

œM œM

∑

∑

∑

∑

∑

∑

∑

∑

Jœ .œ œä œb ä œ Jœ

∑

π

a.s.t.

p

"f " p ß

< > < > < > < > < > < >

61

2

&

2

?

&

&

÷

÷

&?

2

&

2

B

&

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

167

167

167

167

167

167

167

167

167

167

167

167

167

167

167

167

B.Fl.

Ob.

B.Cl.B.Cl.

C Tpt.C Tpt.

Vln.

Vla Voice

Vla.

Vlc.

Db.

Perc.

Pno.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Q

187‰ ‰ ‰ ≈ . y.

ex

ebœ œU

‰ ‰ y. y. y. y. y. y. y. Ù ‰do you

want to eatmy heart?

&

œM ≈ ‰ ‰U ≈ . y_.ex

j_

j_

j_

Uy_ y_ ≈ .5

chil dren

∑

Y

ˇ)j

YU j

Y

∑

∑

∑

Jy J J U j

‰ ‰ ‰U ‰

‰ ‰ ‰U ‰

Jœ ‰ ‰UJœ-

‰ ‰ ‰U ‰

π

πSPOKEN:

"f "

πSPOKEN:

π

∏ slowly

p

π∏

1/2 Pedal

π

w. CD case

slowly

U

U y- .y y >. ® y- y. y. y. ≈3

qui [sI] [tE] and vir ginal

œ œ# œ œb œ œb œn œb œ œ œ œ œ œ#5 5

∑

.y_- y_. y_. ® y_- ® y_. y_. y_. ≈

5 3

qui si [tE] and vir ginal

jœ .œ œ œ../œ. œ. ® œb .

3

∑

Y> ≈P ‰ ‰

‰ ‰ ≈ y-ap

∑

∑

y>/ ≈P* ‰ ‰

∑

‰ ‰ ≈ y-ap

∑

œµ ≈ ‰ ‰ ?

∑

∏ p ß

ff sub.πSPOKEN:

"f "

∏

Full Pedal

fff poss.

πSPOKEN:

1/2-valve

∑

∑0µ 0

∑

œ. ≈ . ‰ ‰ ‰

‰ ‰ œ. œ# > ≈ . ‰5

Jyæ yæ Y> ‰ ‰

y- ≈ ≈ y. y< y. ≈ . jf

5

plaud our drowning

Jœ ‰ ‰ ‰

Jœ ‰ ‰ ‰

∑

jœœ# >

jœœ

œœ ≈ . ‰

y- ≈ ≈ y. y< y. ≈ . ‰5

plaud our drowning

∑

∑

‰ ‰ ‰ Jœ# .

< >

tightembouchure

∏

pmetal pipes

° p

π

Bass Dr.

f

Catch w. Ped

f ∏

arcoa.s.p.

pizz.

p

w. hard mallets

Accel.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

62

2

&

&

2

?

&

÷

÷

&

?

2

&

2

B

2

?

2

?

167

167

167

167

167

167

167

167

167

167

167

167

167

167

167

167

167

165

165

165

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln Voice

Vln.

Vla Voice

Vla.

Vlc Voice

Vlc.

Db Voice

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~

190

_æ .j_æ

[F]

œ œ# œ œ œ œ œ œ# œ œ# œ œ œ œ œ# œ5 5

R0 ≈ ‰ ‰ ≈

∑

jœ#M j

œMr

œM ≈ ≈

œ>æ .jœæ

Jy_ä .y_- y_. y_. y_. y_. ≈ ≈

3

choke on our pro mises

f ≈P ‰ ‰ ≈

Jy_ä .y_- y_. y_. y_. y_. ≈ ≈

3

choke on our pro mises

Jœœ#P ‰ ‰ ≈

yyä ≈ œ# >œ œ œ# œ œb œ7

yy## ä ≈ œ> œb œ œn œ œ6

Jœ> ‰ .j

œ#

Jœ# > ‰P .Jœ

"ff " ∏

f

ß

SPOKEN:p

π f[F]

"ff " ∏

arcoord.

ff sub. ∏

f

IV.pizz. arco

ord.

°

Sffz

Sffz ∏

∏

N

N

SPOKEN:p

F

F

.y- y y. y. y. y- _ _5

3

whore[s]forloneliness [E]

ej

œ# .jœ

.y-_ y._ y._ y._ y._ ® ≈whores for

lone li ness

‰ ‰ rœ_Z

∑

∑ 2

.f .jfæ

..œœ œœ œ

œœ#œ# œ œ

≈6

‰ ‰ œ# œ œ3

rœ. ≈ ‰ ≈

Jœ .Jœa.s.p.

f

F

π

Roto-Toms16" Tom-tom

f

p f

SPOKEN:p

∏

‰ ‰ ‰ ‰≈‰ ‰ ‰ ‰≈

jœ_ j

œ_ jœ_ ‰≈ 2

‰ ‰ ‰ ‰≈

‰ ‰ ‰ ≈≈ _. _.Don't stare

fæ ≈ ‰ ‰ ‰

‰ ‰ ‰ ≈ .≈ _.The

2

œb ≈*‰ ‰ ‰

‰ ≈ y y y y y y y ≈≈Do youwant to eat myheart?

≈ y. y. ® y- y. y- ® y. ‰≈Do you want to fuck me?

‰ ‰ ≈ y. y. y. y. y. ®≈Do youwant todance?

‰ ‰ J_- ®≈

_. _. _.Hope whispers aœ ≈ ‰ ‰ ‰

∏

f

f

e = 88-80, Tempo 3

WHISPERED:π

SPOKEN:p

SPOKEN:p

SPOKEN:

WHISPERED:p

WHISPERED:p

F ∏

Rall.

63

&

&

2

&

2

÷

2

?

2

2

2

2

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln Voice

Vla Voice

Vlc Voice

Db Voice

Perc.

Pno.

193‰ ‰ ‰ ‰U

‰ ‰ ‰ ‰U

._- _. _. _. _. ® ® _. _. _. _. _. ≈UHere, the

glanceslast

a lit tlelonger

‰ ‰ ‰ ‰U

_. _. ≈ _. _. _. _. _- _. _. ‰Utoolong

hemay

think

youwant

some thing

‰ ‰ ‰ ‰U

._- _. _- _. ≈ _- _. _. ® _- _. _. ®Upain ofgravel inmy

fleshon my

knees

‰ ‰ ‰ ‰U

≈ _. _. J_. _- _. _. ® ‰Udo you feel a ny thing?

‰ _. _. _. _. _. ≈ . ‰UI wantto

forget

‰ _. _. ≈ _- _. ≈Uone pill ten pills

_. _. ® _. _. _. _. _. _. _. _. _. ≈Usweet

songfromthe

bel lyof a

sleepingbeast

WHISPERED:p

∑

∑

∑

∑

∑

jf

∑

∑

{e = c 60-54}

an empty room, large,with a chair in the corner

senza misura/timeless

The drug, effective at adosage of 3.6, 4.0, and 6.0milligrams


But I can't remember how.


Red pills, blue pills, glass bottle


What you killed, you will love.



∏





Conductor: Cue the GP after a short pause when the players finish speaking

Bass Dr.

UU

U

U

U

UU

U

U

U

G.P.

G.P.

G.P.

G.P.

G.P.

G.P.

G.P.

G.P.

G.P.

G.P.

U

U

U

2

2

2

Three rows from the back, I lift my head meet the eyes of my mother and *His* face – my Lord and Savior, his bloodied face, throwing shade; hiseyes are full of suffering, and I am full of shame.

Flesh likes to keep the company of flesh.

A scar, left deep in your flesh. Memory is an object,a thing you can point to, touch, feel. Some wounds heal and some never do. We are better for it.

No pain, no thoughts, no pain, no thoughts,no pain, no thoughts, no pain, no thoughts

The pain of gravel in my flesh, on my knees

His eyes removed, his sight granted tothe government to study the weak, thedispossessed

Tomorrow has been cancelled.

If only after you but then me

My eyes wide open. I see nothing but red. I see blood. I am angry but all I can do is weep

Valium is effective at 15 milligrams per day divided into 3 equal doses throughout the day.Additional studies found it effective at 20, 21, and 26 milligrams.

∏

∏

∏

∏

∏

∏

∏

∏

∏

∏

Conductor: Cue the next measure after the last player finishes his/her text;take a short pause

U

U

U

U

U

U

U

64

2

2

2

2

÷

÷

2

?

2

2

2

2

84

84

84

84

84

84

84

84

84

84

84

84

85

85

85

85

85

85

85

85

85

85

85

85

84

84

84

84

84

84

84

84

84

84

84

84

82

82

82

82

82

82

82

82

82

82

82

82

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

√

197‰√

‰ ‰ ‰ &

‰√

‰ ‰ ‰ &

‰√

‰ ‰ ‰ ?

‰√

‰ ‰ ‰ &

∑

∑

‰√

‰ ‰ ‰

∑

‰√

‰ ‰ ‰ &

‰√

‰ ‰ ‰ &

‰√

‰ ‰ ‰ ?

‰√

‰ ‰ ‰ ?

I want to be a machine

πe = 80-69, Tempo 2


π


π


π


π


π


π


π


π

take straight mute

∑

∑

f#w

> f/ f fn f# f# fn_

Z

® ® f_

f_f

_ f#_ f_ ≈ ‰ ‰6

3

f>/f fb f f≈ . f fb f fb ≈ ‰ ‰

5

5

‰ ≈ . Y> ‰P ‰ ‰

jffl

‰ f f ≈ ‰ ≈ f.

∑ &

∑

‰ ‰..œœ

‰ ‰..œœ

jyâ .y y# y

y≈ ‰ ‰

jœâ ≈ . œ# œ

œ≈ ‰ ‰

growl

ƒ p F pgrowl

f π P π

f

china cymb

Tom-toms

∏ cresc. poco a poco


Ï

Ï F

p

p ƒ p

pƒ

ord. a.s.p. / ord.

molto stringendo

straight muteno mute

8" RotoKick Dr.

‰ ‰ œ#

œ# œ

f#w

> f/ f fn f# f# fn_

Z

® ® f_

f_f

_ f#_ f_ ≈ ‰6

3

f>/f fb f f≈ . f fb f fb ≈ ‰

5

5

‰ ≈ . Y> ‰ ‰

jffl

‰ f f ≈ ≈ f

..œœ#œœ ‰ œœb >

œœfl

≈‰

≈ . œœ ..œœ œœfl‰

*

œœ œœ

œœ œœ

jyâ .y y# y

y≈ ‰

jœâ ≈ . œ# œ

œ≈ ‰

Ï

Ï F

p

p ƒ p

pƒ

ord. a.s.p. / ord.

f

ƒ

f ƒ

growl

ƒ p F pgrowl

f π P π

p

∏ cresc.

cresc.

take drumsticks

molto stringendoa tempo e = 80-69

8" Roto

65

&

&

?

&

÷

÷

&

?

&

&

?

?

82

82

82

82

82

82

82

82

82

82

82

82

165

165

165

165

165

165

165

165

165

165

165

165

167

167

167

167

167

167

167

167

167

167

167

167

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

(√)

200Jœ Jœ

Jœ Jœ

∑

∑

∑

∑

∑

∑

Jœœ J

œœ

Jœœ J

œœ

∑

∑

Ï

Ï

œ>3

œ# ≈ Jy Ry.No Pain

œ# > œ ≈ Jy Ry.No Pain

f# â fâ ≈ Jy Ry.No Pain

œ>æ œæ ≈ Jy Ry.No Pain

∑

f f ≈ Jy Ry.No Pain

‰ Jy Ry.No Pain

œœ# fl œœ

¨≈*

‰ ≈

œœ# ¨ œ ≈ Jy Ry.No Pain

œ œ# ¨ ≈ Jy Ry.No Pain

œ œ ≈ Jy Ry.No Pain

œb¨

œ¨

≈ Jy Ry.No Pain

Ï

ƒ

Ï

Ï

Ï


Ï

a.s.p.

a.s.p.

a.s.p.

a.s.p.

Ï

Ï

f

f

f

f

f

f

f

f

f

f

a tempo e = 80-69

loco

SHOUTED:

SHOUTED:

SHOUTED:

SHOUTED:

SHOUTED:

SHOUTED:

SHOUTED:

SHOUTED:

SHOUTED:

SHOUTED:

œ>3

œ# ≈ œ>3

œ ≈ RyNo

œ# > œ ≈ œ> œ ≈ RyNo

f# â fâ ≈ fâ fâ ≈ RyNo

œ>æ œæ ≈ œ>æ œæ ≈ RyNo

∑

f f ≈ f f ≈ RyNo

‰ ‰ RyNo

œœ# fl œœ

¨≈*

œœfl œœ

¨≈*

≈

œœ# ¨ œ ≈ ‰ RyNo

œ œ# ¨ ≈ ‰ RyNo

œ œ ≈ ‰ RyNo

œb¨

œ¨

≈ ‰ RyNo

Ï

ƒ

Ï

Ï

Ï Ï

Ï

ƒ

Ï

Ï

f

f

f

f

f

f

f

f

f

f

‰ ‰ Jy œ>3

œ#Thoughts

‰ ‰ Jy œ# > œThoughts

‰ ‰ Jy f# â fâThoughts

‰ ‰ Jy œ>æ œæThoughts

∑

‰ ‰ Jy f f

Thoughts

‰ ‰ Jy ≈Thoughts

‰ ‰ ‰ œœ# fl œœ

¨

‰ ‰ Jy œœ# ¨ œThoughts

‰ ‰ Jy œ œ# ¨Thoughts

‰ ‰ Jyœ œ

Thoughts

‰ ‰ Jy œb¨

œ¨

Thoughts

Ï

Ï

ƒ

Ï

Ï

Accel.

f

f

f

f

f

f

f

f

f

f

66

&

&

?

&

÷

÷

&

?

&

&

?

?

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

◊

√¤

204∑

∑

˙

∑

∑

∑

‰ ‰ ≈ ≈ œ> ≈ œ# -3

jœœ>

‰ Œ

‰ œ# . ≈ ≈ œ. ‰

∑ B

œb jœ Jœ

œ œ

e = 112-104, fleet-footed, locomotive

Ï< >

< >ƒ π

a.s.p. ord.

< >ƒ

f secco

pizz.a.s.p.

loco

f pp sub.

1/2 Pedal

∑

∑

œj

œ_ j_q

∑

∑

∑

Jœ> ≈ œ- ‰ ≈ œ-3

∑

≈ œ. œ.‰ yÖ ≈ ≈ œ# .

3

œb . œ. œ. ® ® œ. œ.® ‰ ® œfl ≈

.œ Jœ

œ œ

π°

a.s.p.

p f

pizz.

a.s.t.

F π

arco pizz.

loco

f pp sub.

‰ œ>\

Z

. . . œ>/ . . . ‰ œ# >\ . . . ‰

3 3

∑

∑

∑

∑

∑

‰ ≈ œ# - ≈ Jœ-

≈ œ-3

∑

≈ œ# +yÖ ≈ ‰ ≈ œ+ yÖ

3

œb . œ.≈ ‰ œb . œ. ® œ. ≈ . œ.

‰ ‰ ‰ J1.

‰5

B

jœ ‰ ‰ T. ‰

3

p sub.

arcoa.s.p.

π

arco

pizz. arco

f

pizz.

f secco

pizz.a.s.p.III.

P sim.P

secco

67

&

&

2

?

&

÷

÷

&

?

&

B

B

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

√ √

◊

207œ>\

Z

. . . ‰ œ> \/ . . . ‰ ‰

3

∑

∑

∑

∑

∑

œ> œ# -‰ ‰ œ- œ-

≈3

∑

‰ œ. œ.≈

œ.yÖ ‰

3

® œb . œ. ® ‰ œ. œ. œb . ® ‰

jœ> ‰ .œ e# ‰ j

yÖfl

5

? B

T. ≈ ≈ T. ‰ T. ≈ ‰5

pizz. arco

p p ß

arco ric.arco

loco

f pp sub.

‰ œ> .. . . ‰ œ>/ . . . j-e# >

œ# >\

.. . .3 3

∑

_bq

œ_

∑

∑

∑

‰ Jœ- Jœ> ‰

œ. ≈ ‰ ‰œ. ≈

yÖ ≈ ® œ# . ® .œ. yÖ‰

≈ œfl≈ œb . œb . ® œ. œb . ® ≈ œfl

‰ J1.

‰ Jœ# .œ≤ e5

≈ T. ‰ ≈ T. T. ≈ ‰5

pizz.arcoa.s.p. pizz.

pizz.arco

f p F

ric. arcopizz.

f p sub. f

π

f

ß

°

‰ œ>\

. . . ‰ œb >\

. . .œ>/ . . . ‰

3 3

œB œ

.œw j

œ

œ œ

∑

∑

‰ Jœ# - Jœ-

‰

≈ œ.‰ ≈ œ# . œ- œ œ.

33

≈ œ. ≈ ≈ œ. ‰ ‰ œ.3 3

‰ ® ® œb . œ. œ. œb . ≈ œfl ≈5

‰ jœ> ‰ ‰ j

yÖfl

5

? B

T. ≈ ‰ ≈ T. ‰ T. ≈5

°

ƒ π

°

arcoa.s.p.

pizz.

p ß

fp sub.

loco

pp sub.

pizz.

68

&

&

2

?

&

&÷÷

&

?

&

B

B

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

(◊)

√ ¤¤

210 j-e>

Z

œ>\

. . . œb >\

. . . ‰ ‰3

Jœ ‰ ‰ ‰

œj

œ_ j_q

œ œ

∑

∑

∑

≈ ≈ y> ‰ ≈ œ- Jœ# -3 3

‰ œ. ≈ ≈ œ. ‰

Jœ.

Jœ.

Jœ.

JyÖ

‰ Jœ# .3 3

œb fl œ. ≈ œb fl œ. ≈ œfl œn . ≈ œfl œ. ≈ ‰ œfl œ. ≈3 3

‰ ‰ Jœ# > ‰ Jœ>

5

?

T. ≈ ‰ ≈ T. ‰ T. ≈5

F °

< >

( pp ) °

p

arcoa.s.p.

ƒ

p p

arco

pizz.

loco

f pp sub.

( pp )

ß‰ -e# >

œ# >\

. . . Œ3

∑

‰ ‰ ‰ j_q

jœ ‰ ≈ œ ‰ ./ . .

∑

∑

∑

‰ ‰ ‰ Jœ- Jy>3

≈ œ. ≈ ‰ œ. ≈ ≈ œ# . œ-3

3

.yÖ œ+ ‰ ‰ Jœ# . Jœ3

œb fl œ. ≈ ‰ ‰ œfl œb . ≈ ‰3

Jœ> ‰> ‰ jyÖfl

J1.5

B

T. ≈ T. ≈ ‰ T. ≈ ‰5

°

ß

pizz.ric. arco

f

arco

f

ß

pizz.

° P

‰ œ# >\

. . . ‰ j-e>

œ>\

. . . œb >\

. . .3 3

‰ .œµ

jœ_ œ

w

M j_q

œ œ

∑ ÷

∑

∑

‰ ≈ œ-≈ œ- ‰3

.œ œ.‰ ‰ ≈ œ# .

‰ œ# . ≈ ‰ œ. ≈

≈ œfl ® œb . œ. ® ‰ ≈ œfl ®

‰ Jœ# > ‰ J1.

‰5

≈ T. ‰ ≈ T T. ≈ ‰

5

π

F °

°

match violin

f

p

pizz.

f

arco pizz.

loco

pp sub.

69

&

&

?

&

÷÷÷

&

?

&

B

B

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

wqwq

(◊)

¤√ ¤

wqwq

213

œ>/Z

. . . j-e# >

œ# >\

.. . . ‰ ‰3

Jœ .œ

∑

œj_ ‰

∑

∑

∑

Jœ- Jy> ‰ ‰ ‰3

‰ ≈ œ. ‰ ≈ œ# . œ-3

3

œyÖ œ

yÖ œyÖ ‰ ‰

œyÖ

3 3

œb fl œ.≈ œb fl œ. ≈ œfl œn . ≈ ‰ ‰ œfl œ. ≈

3 3

‰ jœ> ‰ ‰ j

yÖfl

5

? B

JT JT. JT. ‰ ≈ T. ≈3

3

F π

bisbig.

p °

10" Roto

8" Roto

6" Roto

Roto-Toms:Quasi parlandodrums should retain their relativepitch to one another despite there-tunings — HI-MED-LOW

ff sub. fsecco

arco pizz.

pizz.arco

sim.

( f ) ƒ ç

( f ) ƒ

p ß

f

( pp )

ß

‰ œ>\

. . . ‰ œ>/ . . . ‰ j-e# >

3 3

‰ ‰ .œµ œ Jœ

œ_Z

œ_

‰ ≈ œ Œ ./ . .

‰¶¶ ‰ ‰ ‰

.f> e ‰

‰ ≈ f. f.f

f. ® f> e ≈

‰ ‰ ≈ œ- ≈ œ-

.œ œ.‰ œ. ≈ ‰

Jœ

‰ œ

‰ œb . œ.≈ ‰ œb . œn . œ. œ.

J1.

‰ ‰ .œ e# ‰5

T. ≈ ≈ T. ‰ T. ≈ ‰5


p cresc. poco a poco

w. drumsticks

arco

∏

f p

pizz.ric.

pp sub.

ß

P

π p π

∑

∑

œ_ œw

.œ# œj

œ ‰ ≈ œ ./ . .

f> e fflf.

≈ Œ

‰ ‰ ‰

‰ ‰ ≈ f> e ≈

‰ ≈ ≈ y> ‰ ‰3

‰œ. ≈ ≈ œ.

‰

Jœ œ# + œ≈ ‰ ‰

≈ . œ. ‰ ‰ ≈ œb . œ.

jœ> ‰ ‰ J1

.‰

5

‰ T. ≈ ‰ ≈ T. ‰5

pizz.

f

p f

pizz.arco

f

π F π sim.

70

&

&

2

?

&

÷÷÷

&

?

&

B

B

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

√

(◊)

√

wqwq wqwq

216‰ œ# >

\

Z

. . . ‰ œ>\

. . . œb >\

. . . ‰3 3

.œµ œ Jœ ‰ ‰

∑

œM œM

‰ ‰ .œ# œj

œ

‰ f e ≈ ‰ f ≈

f.ffl f.

‰ ≈ . f. ‰

‰ ‰ ‰

‰ ‰ ≈ . œ# - œ- ≈

œ. ≈œ. ≈ ‰ ‰

œ# ˘œ. ≈ yÖ ≈ ‰

œ ≈3

® œ. œb . ® ‰ ≈ œ. ® jœ

‰ ‰ .œ e# ‰ jyÖfl

5

? B

≈ T. T. ≈ ‰ ≈ T. ‰5

arco pizz.

arco

p ß

ric.arco

( p )

loco

pp sub.

( pp )

π p π

œ>\

. . . j-e# >

œ>/ . . . j-e>

‰3


œM ≈ ‰ ‰j

œ>

Z

œ/œ œ œn

≈ œ ‰ ‰ .œ# œ ./ . .

‰ ‰ f ≈ ‰

Œ ‰ ≈ . f.

∑

Jœ- ‰ Jœ> ‰

≈ œ# . ‰ Jœ. ‰

‰ ‰œ ≈ ‰

œ œfl œ# . ≈ ‰

‰ ‰ Jœ# > ‰ ‰5

‰ ‰ T. ≈ ‰ ≈ T.5

f

(F )

P

ç

pizz.

p

ƒ

f

ß ß

π p π

‰ œ>\

. . . ‰ œb >\

. . .œ>/ . . . ‰

3 3

∑

‰j

œ>j

œ> ‰j

œ>

5

œ/ œb œ/œ œ œ œ/œ œ

jœ ‰ ‰

rœ ≈ ./ . .

f ≈ ‰ ‰ ‰

e ≈ f.f

æ‰

‰ jfæ fæ

f

f

Jœ>

Jœ> ‰ ‰ ‰3

‰ ‰ jœ- j

œ‰3

œ ≈ œ# ˘œ. œ ≈ ‰ ≈ yÖ œ

+3

3

œb fl œ.≈ œb fl œ. ≈ œfl œn . ≈ ‰ ≈ . œ.

3

Jœ> je

jœ>

‰ 1.‰

3

3

JT. JT. Jy> ‰ ‰3

( f ) ƒ

( f ) ƒ

sim.

arco pizz.

f

arcoric.

ß f

pizz.

ƒ

ß

71

&

&

?

&

÷

÷÷

&

?

&

B

B

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

√ √ √

(◊)

wqwq

wqwq

wqwq

219‰

Z

œ>\

.. . . ‰ œ> . . . j-e# >

œ# > .. . .3 3

.œµ œ Jœ ‰ ‰

‰jœ

Z

‰ ‰jœ

5


œ œ

‰ ‰ .f.

f.

f¨/

f.f.

fæf

¨f¨

ffl‰

‰ ‰ ‰

œ- œ-≈ ‰

.œ- œ- ‰3

‰ ‰ ‰ ≈ œ.

‰ ‰ œ#

‰ .œ

œ# œ

T. ≈ T. ≈ ‰ T. ≈ ‰5

arco pizz.

ppp sub.

arcoa.s.p.

ppp sub.

arcoa.s.p.

∏

f ß

pp sub. f pp sub.

( pp )

ß

π

sim.

Œ œ>\

. . . œb >\

. . . j-e>

3

‰.œ œ Jœ ‰

jœ> ‰ ‰

jœ ‰

5

œ œ/ œ œ/> œ

Jœ Jœjœb j

œjœ

3

./ . . ./ . . ./ . .

‰ ‰ ‰

jfæ ‰ ‰ f

¨f¨

≈

‰ ffle ® ≈ f

\

f

‰

Jœ> ‰ Jœ# - Jœ-

‰3

‰ œ. ≈ ≈ œ.‰ j

œ# -3

Jœ Jœœ ≈ œ ≈ œ# ˘

yÖ3

jœ

jœ œb fl œ. ≈ œfl œb . ≈ œfl œb . ≈

3

Jœ Jœ œ œ ≈ œ œ ≈ œ œ ≈3

≈ T. ‰ ≈ T. ‰ ‰5

( f )

pizz.

arco

ƒ

ƒ

loco

f

f

f ƒ

f pp sub.

ß

f

‰ œ# >\ . . . ‰ œ>

\ . . . œb >

\ . . . ‰

3 3


‰ ‰jœ ‰

jœ

5

œ/> œ œ/> œ œ# œ

‰ ‰r

œ ≈ ‰ ./ . .

‰ f> e ≈ ‰ ‰

‰ ≈ f ‰ ‰

‰ ‰ ‰ f¨

¨

f¨

®

‰ œ- ≈ ‰ Jœ-

œ ≈ ‰ ‰ œ.≈ ≈3

‰ ‰ œ# . œ≈ ≈

3

‰ ‰ œ- œ# fl ‰3

Jœ> ‰> ‰ j

yÖfl

J1.5

≈ T. ‰ œb > e ‰3

ß

ß

pizz.

s.p.arco

ß

pizz.ric. arco

f

loco

f sub.

ß

f

f

f pp sub.

P

72

&

&

?

&

÷

÷

÷

&

?

&

B

B

?

83

83

83

83

83

83

83

83

83

83

83

83

83

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

¤ ¤√

(◊)

222

œ>/Z

. . . ‰ ‰ j-e# >

‰3

‰ ‰ ‰ œ#3

jœ

Z

‰j

œ ‰j

œ5

œ/> œ œ œ# œ/> œb œ œn œ/> œ œ œ œb

rœ ≈ ‰ ‰

Jœ# j

œ3

./ . . \.

.

. ./ . .

∑

‰ ‰

jffl ≈ f

¨ ¨f¨

f

\ f ≈ ‰3

‰ ‰œ-

œ- ≈ ‰

‰ ‰ Jœ. ‰ jœ.

3

‰ ‰ ‰œ

yÖœ ≈

3

‰ ‰ ‰ œb fl œb . ≈ œfl œb . ≈3

‰ ‰ Jœ# > ‰ Jœ>

5

‰ T. ≈ ‰ ≈ T. ‰5

pizz.

ƒ

ƒ

arco

pizz.

p p

pizz.

( pp )

ß

cresc.

P

∏

‰ j-e> œ>/ . . . œb >/ . . .

3

.œ

‰ œ>/œ œ# ‰

jœ

jœb ‰

Jœ# j

œ3

./ . . \.

.

. ./ . .

f\

f ≈ f ≈ ‰

∑

‰ ‰ jfæ

y> ≈ ‰ Jœ# - Jœ-3

∑

œyÖ≈ ‰

œyÖ œ# ˘

yÖ3 3

œfl œ# . ® ≈ ‰ œfl œn . ≈ œb fl œ. ≈3 3

œ œ# . ® ≈ ‰ œ . ≈ œ. ≈3

3

?

œä e ≈ ‰ Jœ# ˘Jœ

3 3

( ff )

ç ç

pizz.

ƒ

ƒ

arco sim.

arco

pizz.

arco

ƒ

cresc. poco a poco

arcoa.s.p.

ƒf

ƒ

f pp sub. f

ß P

f P

œ>/ .. . . œ/ . . . œb >/ . . . œ>/3

. . .4:3

.œ

w

œ>/œb œ>

/œ œ œ ‰j

œj

œ

Jœ# Jœ Jœ Jœ4:3

‰ ‰

‰ .f>/ e ‰ ≈

f

\

f

3

fæ ≈ ‰ ‰

‰ Jy> Jy> Jy>4:3

œ. ≈ ‰ ‰ ≈ œ.3

Jœ

Jœ y> e y> e

4:3

Jyy

jyyyyfl

P

M Jyy J

yy4:3

Jœb ˘ jœfl

jœfl

jœfl

4:3

Jœb ˘ œâj

œfl4:3

( fff )

pizz. cl ric.

Ï

pizz.

arco

Accel.

Ï

Ï

Ï

ƒ

fff sub.

Ï

ƒ

< > < > < > < >

f

73

&

&

?

&

÷

÷

÷

&

?

&

B

?

?

82

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

83

810

810

810

810

810

810

810

810

810

810

810

810

810

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

◊

225‰ -e# >

≈ ‰ -e>≈

4:3

.œ

‰ -e# >≈ ‰ -e>

≈4:3

‰ .œ4:3

∑

‰ 1 ≈ ‰ 1+ ≈4:3

∑

∑

‰ jœ#fl

‰ ‰4:3

‰ jy>

P‰ j

y>4:3

‰ jy>

P‰ Jy

>4:3

‰ jy>

P‰ ‰

4:3

‰ jy>

P‰ ‰

4:3

slap tongue

fff poss.

w. hard mallets

pizz.

pizz.

pizz.

pizz.

Ï

Ï

Ï

Ï

med. woodblock

ƒ

slap tongue

ƒ

π

π

-e# >≈ ≈ -e>

Jœ# œ œ

-e# >≈ ≈ -e>

Jœ œ œ

∑

1 ≈ ≈ 1

∑

∑

‰ ≈œ#fl

jy> ≈ y>

jy> ≈ y>

‰ ≈ y>

‰ ≈ y>

f

ƒ

f

‰U ‰ ‰

‰U ‰ ‰

‰U ‰ ‰

‰U ‰ ‰

‰U ‰ ‰ &

‰U ‰ ‰

‰U ‰ ‰

‰U ‰ ‰

œœâU ‰

‰U ‰ ‰

‰U ‰ ‰

‰U ‰ ‰

‰U ‰ ‰

subito e = 60-54, spacious, resonant, eerie

take C flute

take double-bass bowtake soft mallet

sempre

sempre L.V. – molto sostenutoπ

74

&

&

?

&

&

÷

÷

&

?

&

B

?

?

810

810

810

810

810

810

810

810

810

810

810

810

810

88

88

88

88

88

88

88

88

88

88

88

88

88

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

228∑

∑

∑

∑

Œ Œ Œ Œ œ

∑

∑

œ- Jœ- œ œä

Jœ

œ- œ

3 3

œ- œ- œb â œ œ-

Tœ Tœ JTœ Œ Œ ‰

∑

∑

Œ Œ œb Œ Œ

° °π

a.s.t.

pizz.

p

°

arco

arco

∑

∑

∑

∑

œ Œ Œ œ œ

∑

∑

‰ ‰œ.

œ- œ Jœä œ

Jœ

œ> œ

3 3 3

œ- œ- œb âj

œ œ> œ3

Œ Œ Tœ Tœ Tœ ≈ ‰

Œ T T T ≈ Œ ‰

Œ Œ Œ ‰ œ Œ3

Œ Œ œb Œ Œ

° °π

° π °

p ° p

IV.

pizz.

p

arcoa.s.t.

75

&

&

?

&

&

÷÷

&

?

&

B

?

?

88

88

88

88

88

88

88

88

88

88

88

88

88

167

167

167

167

167

167

167

167

167

167

167

167

167

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

230

œ# _ jœ_ j

œ_ Œ Œ

∑

∑

∑

Ó ‰ .œb

∑

∑

≈ œ# - œœä œ œb - œ

œ- œ œj

œ- œ3

Œ Œ T

Œ ‰ JT T JT ‰

Œ Œ Œ jœ

jœ

jœ

3

Œ Œ œ Œ

° π

arcoa.s.t.

°

° π °

III.

°

° π °

C Flute

Œ œ# _ œ_ jœ_ ‰

∑

∑

∑

Jœ Œ ‰ Ó

∑

∑

œä Jœ Jœb - ˙

≈ . œb - œj

œ œj

œâ œ3

T Œ Œ

∑

jœ ‰ œ œ

jœ ‰

Œ Œ Œ Jœb Œ3

° ° π °

p

π °

° π°

76

&

&

?

&

&

÷÷

&

?

&

B

?

?

167

167

167

167

167

167

167

167

167

167

167

167

167

165

165

165

165

165

165

165

165

165

165

165

165

165

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

232∑

‰ ‰ ≈ Jœ

∑

∑

jœ# ‰ ‰ r

œ-∑

∑

≈ œb ä .œœ- .Jœ

jœ-

.œ# - œ- .Jœ

JTœbb J

Tœ ..JTœ

‰ JT .JT

‰ ≈ Rœ ‰ ≈

‰ jœ

‰ ≈

° π

strikearco

° p p

pizz.

p

° π

°

∑

Jœ Jœ ‰ ≈

∑

∑

‰ jœ# ‰ r

œ-∑

∑

Jœ Jœb ä

.Jœ-

jœ- .œ

œ# - .Jœ-

JTœ J

Tœbb ..JTœ

JT ‰ ‰ ≈

‰ ‰ ≈ Jœ

‰ ‰ jœ

≈

°

arco strike

° p p

° °

°π

Jœb

_Z

Jœ

_.

Jœ

_

Jœ Jœ .Jœ

∑

∑

jœ# ‰ j

œr

œ-∑

∑

Jœb ä .œ

œ- .Jœ

jœâ œ

œ# - œ- .Jœ

JTœ J

Tœ ..JTœbb

JT JT .JT

‰ ‰ ≈ Jœ

‰ jœ

‰ ≈

° π

arcostrike

°p

π ° °

° °π

°

Jœ

_ Jœ

_.

Jœ

_

‰ Jœ .Jœ

∑

∑

jœ ‰ j

œ≈

∑

∑

.œb - œb äJœ œ

œ-

jœ- œ

œ# - œ- .Jœ

JTœ J

Tœ RTœ ‰

T ≈ ‰ ‰ ≈

‰ ‰ Jœ ≈

‰ ≈ rœ

‰ ≈

°

arco

°p

π °

° π

π °

77

&

&

?

&

&

÷

÷

&

?

&

B

?

?

165

165

165

165

165

165

165

165

165

165

165

165

165

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

236∑

Jœ ‰ ≈

∑

∑

‰ .Jœ

∑

∑

‰ ..Jœœä

‰ .Jœä

‰ .Jœ

‰ ≈ jT

‰ ..JTœ

∑

°

IV.

arcoa.s.t.

° p

°

°

strike

p

∑

∑

∑

∑

jœ

‰ ≈

∑

∑

Jœœ ‰ ≈

Jœ .jœb -

Jœ Jœ Rœ

jT .j

T

‰ ‰ .

‰ .jœb

π

π °

arco

°p

∑

∑

∑

∑

‰ .Jœ

∑

∑

‰ ..Jœœä

‰ .Jœä

‰ Jœ Rœ

T ≈ ≈ jT

‰ ‰ RTœ

∑

°

° °

° π

strike

p

∑

∑

∑

∑

jœ

‰ ≈

∑

∑

Jœœ ‰ ≈

Jœ .jœb -

Jœ Rœ ≈ ≈

jT .j

T

JTœ ‰

‰ ‰ rœb

p

π

°

arco

° p

78

&

&

?

&

&

÷÷

&

?

&

B

?

?

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

240∑

∑

∑

∑

‰ ≈ Jœ

∑

∑

≈ œœä

Jœœ

≈ œä Jœ

‰ œ Jœ

T ≈ ≈ jT

‰ ..JTœ

‰ ‰ ≈

° p

° °

°

sim.

∑

∑

∑

∑

.jœ

‰

∑

∑

Rœœ ≈ ≈ ‰

œœb - j

œ

.Jœ œ ≈

jT

rT

jT

∑

≈ rœb ≈ ‰

π

π °

∑

∑

∑

∑

Jœ .jœ

∑

∑

‰ ≈ œœä

‰ ≈ œä

‰ .Jœ

T ≈ ≈ jT

∑

∑

° °

°

∑

∑

∑

∑

‰ . Jœ

∑

∑

..Jœœ ‰

.Jœ jœb -

.Jœ Jœ

jT

rT

jT

∑

∑

π

π °

79

&

&

?

&

&

÷

÷

&

?

&

B

?

?

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

244∑

∑

∑

∑

jœ

‰ .

∑

∑

‰ ..Jœœä

rœ ≈ .Jœä

≈ Jœ Jœ

T ≈ ≈ ‰

∑

∑

°

°

take Clarinet

∑

∑

∑

∑

‰.Jœ

∑

∑

Jœœ ‰ ≈

Jœ .jœb -

Jœ .Jœ

∑

∑

∑

π

arco

° f

∑

∑

∑

∑

jœ

jœ ‰ ‰

∑

∑

œœœb ä œœœ œœ-

Jœœ

˙˙˙ä

Jœ ‰ ‰ ‰

∑

∑

∑

πcresc.

°

° f

∑

∑

∑ &

∑

∑

∑

∑

œœœœœb ä

Jœœœ œœœ œœ

-Jœœ

œœœ

œœœä ...œ

œœ

∑

∑

∑

∑

80

&

&

&

&

&

÷

÷

&

?

&

B

?

?

81

81

81

81

81

81

81

81

81

81

81

81

81

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

248∑

∑

∑

f# â f

∑

∑

∑

œœœb äJœœ- œœ œœ

-

˙˙˙ä

∑

∑ &

œ# â œ

œâ œ

e = 112-104, Tempo 1

Ï

voice/singingno mute

non-decresc.

Îcon tutta forza

Îcon tutta forza

w. hard mallets & triangle beater

arco

arco

œ_

Z

œ_

œµ œ

∑

f f

∑

∑

∑

œœœœœb ä ...œœœ

œœœ

œœœä ...œ

œœ

‰ ‰ œµ

‰ ‰ ‰ Jœ

œj

œ ‰

œj

œ ‰

ppp poss. cresc.

ppp poss. cresc.

∏molto

∏molto

∏

∏

cresc.

ord.

ord.

œ œæw

œ œæ

f f

f f

∑

∑

∑

˙ä

˙˙˙

œ œ

œ œ

∑

∑

flz.

flz.

π cresc.

cresc.

ƒ

growl

Clarinet

81

&

&

&

&

&

÷

÷

&

?

&

&

?

?

81

81

81

81

81

81

81

81

81

81

81

81

81

82

82

82

82

82

82

82

82

82

82

82

82

82

167

167

167

167

167

167

167

167

167

167

167

167

167

165

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

251 Jœæ

Jœæ

jf

jf

∑

jY>

Pˇ‹

∑

∑

∑

Jœ

Jœ

∑

∑

Ï

œ> œb œ ≈ ® œ œ# œ œ œ3

œ> œ œ# ≈ ≈ œ# œ œ#5

3

f>/f fb fb f f ≈ f fb

5 5

∑

∑

Y> ≈ ‰

f> ≈ ‰

œœ-

∑

Jœ# > œ ≈

Jœ> œ ≈

Jœ> œ ≈

∑

ƒ π

f π

ƒ π

Ï π

Ï π

Ï π

f

china cymb

Kick Dr.

F

œ# ≈ . ‰ .Jœ

Jœ# äJœ Rœ ≈ ≈

Jœä œ ≈ ≈ œä

\œb œ œb œ œ œb

7

jœ

jœ

rœ ≈ ≈

∑

jY) ‰ ‰ ≈

∑

œœ# - ‰ ≈

∑

JœB > Jœ Jœ Rœ

‰ Jœµ >Jœ Rœ

‰ Jœœ ..J

œœ

‰ ‰ .Jœ#

f

Ï π

πÏ

N

π

p

< >

Ï F

< >

ƒ p

ƒ π Sf

° f

p F

≈œä œ# œ œ# ≈ . œ# œ

3

œä œ œb œ ® ≈ œ# œ œ# œ œ#5

5

jf

jf œ# œ œ

3

‰ .jœ

∑

jY ‰ r

Y

∑

œœ# ä ≈ œ# œn œœ

œ# œ#

.y> yb} ‰ ≈

.yb>y} ‰ ≈

yy ≈ ‰ ≈

Jœ .Jœ

F

ff sub.

ff sub. π

π

ƒ

ƒ

Catch w. Ped

ß π

ß πgrowl

°

p f p

82

&

&

&

&

&

÷

÷

&

?

2

&

&

?

?

84

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

255 Jœ œ ≈ ‰ ‰

œ ≈ . ‰ ‰ ‰

Jf# Jf f ≈ ‰

jœ œ ≈ ‰ ‰

∑

JyyyyM > ‰ Jyæ Jyæ

∑

∑

jœœ#â

‰ ‰ ‰

∑

Tœ Tœ

‰ ‰ œ#æ œ#æ

œæ œ#æ œæ œn æ œæ œæ œæ

5

∑

œ ≈ ‰ ‰ ‰

Ï

take CD case

p

∏

a.s.t.

ƒ π

f

growl

ƒ Ï

f °

ƒ

Springs metal blk

π πf

a.s.p.

f

∑

∑

∑

∑

∑

y y. y. ≈ ‰ ‰ ‰5

∑

∑

∑

jy>æ ‰ ‰ ‰

Tœ Tœ

œ# æ œæ œ# æ ≈ ‰ jœ# e

jœ

3

B

® ® œæ œ#æ œæ œ

æ œæ œ#æ œæ œæ œ# æ œ# æ ® ≈ ‰5

5

3

Œ œ

π ∏

Sffz

metal pipes

ß

molto Rall.

π ∏ F

Fa.s.p.

°

a.s.p.

∏

∑

∑

∑

∑

∑

yæ2 yæ

∑

∑

∑

∑

∑

jœ œ# œn œ ≈ ‰ ‰

3

∑

jœ .œ

∏

∏

ord.

f

83

&

&

&

&

&

÷

÷

&

?

&

B

?

?

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~~~~~

¤u

258‰ ‰ e_#

∑

∑

∑

∑

yæ yæ

∑

∑

∑

∑

Ó

∑ B

jœ ‰ Œ

π

tightembouchure

a.s.p.

°

_> _ _ _# _# _# ‰

_> _# _ _ ® ‰6

5

0 J0 J0

_> _ _b _ _b ‰ _ _ _ _ _>

‰5

3

‰ ‰ ._b _æ ‰

∑

y‹‹

y. y. Jyæ Jyæ ‰3

∑

‰ ≈ . œ œœœ#

œœ# -

‰

œœ# â

‰

y# >$

≈ ≈ . œ¨ œ

¨œb¨

≈ ‰

yb >$ ≈ ≈ . œ¨ œ œb ¨ ≈ ‰

‰ ≈ . œ Tœ

‰ ‰ jœ# (

j

"ff " "fff " ππ

ppp poss. π ∏

"ff " "fff "π π[F]

π "ff "flz.

w. hard malletsmetal pipes

low metal blk

f π f π

ƒ p Ï p sub.

arcoa.s.p.

arcoa.s.p.

Ï

Ï

f

f

Ï pp sub.

ord.

ƒdecresc.

Pianist/Conductor: while the tempo fluctuates(Rall. or Accel. or subito), this note remains at a constant tempo (e = 112-104) until the first beat of m. 251

a tempo e = 112-104

∑

∑

∑

∑

∑

∑

jf ‰ ‰ ‰

y- y-

∑

∑

∑

Tœ Tœ

p

Bass Dr.

F

Vibraphone

molto Rall.

84

&

&

&

&

&

÷

÷

&

?

&

B

B

?

163

163

163

163

163

163

163

163

163

163

163

163

163

82

82

82

82

82

82

82

82

82

82

82

82

82

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

~~~~~~~~~~~~~~~R ~~~~~~~~~~~~~~~~~~~~~~~~~~R

Ÿ~~~~~~~~~~~~~~~~~~~~

(¤)u

261∑

∑

∑

∑

œæ Jœæœ

æ œ3

∑

∑

∑

‰ ‰ ‰ ‰ y3

‰ ‰ ‰ ‰ y3

&

Tœ Tœ

F

F

∏

≈ ≈ œ3

/ œ

∑

∑

∑ ?

œ œœ

œ# œ# ®

∑

∑

∑

Jy> y

y

Jy#> y¨

y#¨

Jy> ry}

ry>

P ≈ ≈

ƒ

ƒ

F

F

ff sub. π

cl ric.

pizz.

ƒ π

ƒ

a tempo e = 112-104, Furioso

ff sub.

jy y œ

3

/ œ

∑

≈œM

œM œM

≈ œ œ œ

jY>

‰

∑

∑

≈ ..

jœœ

#>

b #

∑

∑ B

∑

∑


ƒ

p ƒ

Pedal tone

ƒ"fff "tightembouchure

p ƒ

jy

jy

≈ 0 J0

≈œM

œM

œM

≈ œj

œ

jY>

‰

∑

∑

≈ ..

jœœ

#>

b #

yyâ

yyâ

≈ œ> ebj

œ

≈ œ> Jœ

arcoord.

N

ƒ

ƒ

arcoord.

fÍ

fÍ

ƒ

p

"fff "

∏

p

N

85

&

&

&

?

&

÷

÷

&

?

&

B

B

?

84

84

84

84

84

84

84

84

84

84

84

84

84

82

82

82

82

82

82

82

82

82

82

82

82

82

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

Bb Cl

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

u

Q

~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

(¤)u

265 jy y ≈ ‰ ‰

0 0

œ/Mœ œ œ œb J

w

J J

jœ œ ≈ Jœ œ ≈&

‰ ‰ Jœæ Jœæ

∑

jf ‰ ‰ ‰

œœ>

b #‰ ‰

jyy œ œ. œ# . œ. œ œb œ œ# œ

‰5

jyy

‰ ≈ œ œ œ# œ œ ≈3

yj

œ œ œ# œ?

y(

p π f π

"f "

p

ƒ

π

p

Bass Dr.

π

π P ∏

N

N

molto Rall.

Ï

Ï

f

ƒ

N

∑

J0 J0 ‰ ‰

J J ‰q

‰

∑

∑

∑

jfæ fæ fæ j

fæ jf

Pæ

∑

∑

∑

œ# . œ# . œ. œ. ® ‰ ‰ ‰5

∏

π

take Bass Clarinet

N

π

∏ F ∏

take harmon mute

‰ ‰√

‰ ‰√

‰ ‰√ ?

‰ ‰√

‰ ‰√‰ ‰√

‰ j_æ

y√-

∑

‰ ‰√

‰ ‰√

‰ ‰√

jœ# ‰√

10"

10"

10"

10"

10"

10"

10"

10"

10"

10"

∏

Continue playing throughthe 10" fermata

w. styrofoam blockslowly crescendo through fermata

∏molto

86

2

&

&

?

&

÷

÷

&

?

&

B

?

?

84

84

84

84

84

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

83

83

83

83

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Ÿ~~~~~~~~~~~~~~~~

¤

268

Jq>

R r>. >. ._>≤ .3>

q

œ œb œ œ œ# œ# œ œ# œ œ œ# œ œ# œn œ# œ œn œ œ œ œ55 5 6

∑

_æ J_ J_

∑

‰ ‰ ‰)

Jy2

æ

_æ j_æ j

_æ

Jyä ‰ ‰ ‰

∑

j_ _# ≈ . ._# > ® œ. ≈

J_# _ ≈ . ._> ® œ. ≈

‰ ‰ ‰ ._> ®

‰ ‰ ‰._> ®

ff sub.

F

F

pizz.

pizz.cl tratto

cl tratto

f

f π

π ç

ç

cl tratto

cl tratto

f

f

"fff " ∏

π

low metal blk

Bass Clarinet

"fff " π

a tempo e = 112-104

[F][pi]

"ff " ß "ff "J R_>

≤

œ œb œ œb œ œb œ ≈ .œœœ

œn# ˘

≈ ‰5 5

‰ ≈ œ œ ≈ ‰

‰ _>≤ ≈ fflM ≈ ‰

‰ ≈ œ œ ≈ ‰


∑

‰ ‰ œœb ˘≈ ‰

∑

∑

‰ ≈ œ> e# ‰

‰ ≈ œ> e ‰

‰ ≈ œ# > e ‰

pizz.

pizz.

f

f

f π

π

π

f

"f " π


p

"ff " ƒ

∏ F

∏ F

"ff "

[F]

ƒ

loco

harmon mute (stem out)

J

œœœ

œ

# ˘

_

Z

œœœ_ œ#

q

_œ_ œ_ œb _ œ_ _# _ _#3

5

∑


5 3

∑

Jyæ Jyæ ‰

∑

∑

Jœ>P ‰ ‰

∑

∑

∑

∑

p "ff "

π F

f π


ƒ

87

&

&

?

&

÷

÷

&

?

&

B

?

?

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

271œœœœœ

##˘

≈ ‰ ‰

Jœ œ œb Jœ3

f_ ≈ ‰ ‰

jœ œ œ Jœ

3

∑

∑

jœ>P

‰ ‰

‰ ≈ œ>P

‰3

_ _ _ _ _ ≈ y>$ ‰

53

_# _ _ _ ≈ y>$

‰3

‰ ≈ œ e3

‰ ≈ œ e3

∏ F ppp sub.

π

∏ F ppp sub.

take superballs

ƒ π ç

cl tratto

π çƒ

cl tratto

ƒ

ƒ p

p ƒ

ƒ


ƒ

arco

arco

ƒ

arco

arco

œ/ . . . ‰ ‰jœ#

œ ≈ ‰ ‰

∑

œ ≈ ‰ ‰

∑

∑

∑

œœœœbfl

≈ ‰ ‰

œ. ≈ ‰ jy#>$

œ. ≈ ‰ jy>$

yâÖ

≈ ‰ jœb

yäÖ ≈ ‰ jœ

f

ƒ

f

remove harmon mute

pizz.

F

pizz.

F

°

°

a.s.p.

a.s.p.

ç

arco

arco

‰ ‰ _# / _ _/ _

3

∑

j-eb >

‰ j-e

n>

‰ ‰3

‰ ‰ j_# > _

3

∑

jf f Jf

Jœb >

‰ ‰ ‰

∑

Jy>$ ‰ j

œ. ‰ ‰3

Jy>$

‰ Jœ. ‰ ‰3

jœ

‰ Jœ. ‰ ‰3

œ ≈ ‰ ‰ ‰

pizz.

ƒ F

pizz.

ƒ F

f

f

pizz.

ß

f

f F

"fff "

[F]

[F]

"fff "

w. superballs

f

take CD case

88

&

&

?

&

÷

÷

&

?

&

B

?

?

83

83

83

83

83

83

83

83

83

83

83

83

165

165

165

165

165

165

165

165

165

165

165

165

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

274

_# / _ j_

j_ j>.

∑

œ Jœ œ ≈

j_

j_ ‰ ‰

∑

∑

∑

∑

‰ ‰ ‰ Jœ# .

∑

∑

[tE]

π "ff "

° "ff "

take CD

π

decresc. al niente

p

pizz.

pizz.s.p.

s.p.

>. >. >. _fl≤

≈ -e>≈ . -e>

_≥

_≤

_≥

_≤3

‰ ≈ 0 03

∑

∑ ?

∑

∑

∑

∑

œ œ. œ. ® ≈1

≈ . œb . ‰3

œ. œ. ® ≈1

≈ . œ. ‰3

∑

[ht][ht]

f

ppp poss.

(P ) °

F ß p

ß pF

I.III.

poco Rall.

∑

0 ≈ ‰ ‰

.fb æ>

.fb æ>

∑

∑

∑

∑

jyyyy>IP

‰ ‰

jyyyy>

IP

‰ ‰

Jœ> ‰ ‰

jœ> ‰ ‰

a tempo e = 112-104

w. CD

ff poss.

ƒ

pizz.

ff poss.

ff poss.

Ï

Ï

pizz.

pizz.

89

&

&

?

?

÷

÷

&

?

2

&

B

?

?

165

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

277∑

∑

jfæ .j

fæ

jfæ .j

fæ

∑

∑

∑

∑

∑

‰ ..jyyâ

‰ ..Jyyä

∑

∑

f

f

arcoa.s.p.

arcoa.s.p.

‰ ‰ .j_>

r_

‰ ‰ .J_> R_

fæ ≈ ‰ .j_>

r_

fæ ≈ ‰ ‰ ‰ &

∑

‰ ‰ jf fJf

∑

∑

‰ ‰ y>

jyy> ‰ ‰ ‰

Jyy> ‰ œb ¨

\œ ≈ ‰

Jœµ> ‰ œ

\œ ≈ ‰

Jœ> ‰ ‰ ‰

ç

ç

arco

arco

[F]

[F]w. mouth away from reed

"fff "

"fff "

"fff "

π

π

π

take harmon mute

f

ƒ

ƒ

ƒ

ƒ

w. CD case

Ï

_>j_ ‰

_> J_ ‰

_>j_ ‰

∑

∑

jf f Jf

∑

∑

y>j ‰

∑

∑

∑

œB>>

"fff "

"fff "

"fff " ∏

∏

∏

harmon mute (stem out)

ƒ

decresc. al niente

Ï p

Ï rumblingpoco

Rall.

90

&

&

?

&

÷

÷

&

?

&

B

?

?

82

82

82

82

82

82

82

82

82

82

82

82

165

165

165

165

165

165

165

165

165

165

165

165

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

280 œ#_Z œ_

œ œb œb œ ® œ# œn œ ® ‰ ‰3

_b _ _ _ _ _ _b _ ≈ ‰ ‰3 3

œ œb œ œb œ ≈ œn œ œ# ≈ . ‰5

∑

‰ ‰P

∑

∑

‰ ‰ œ# . œ. œ. œ.≈ œfl

‰ ‰ œ. œ. œ. œ. ≈ œ

∑

jœ

‰ ‰ ‰

π

p pp poss.

p P p

p π

°

take triangle beaters

cl batt.

cl batt.

π F

Fπ

f

œ_ œ_ ‰√

‰ J_√

≈ œ# æ œæ ≈√

jœ œ ≈√

≈ yyyyYM > Jœœæ2√

jf>

‰

≈ œœœœb ‰√

≈ œœœœ## fl‰

‰ ‰√

.œ> e ‰√

.œ> e# ‰√

.œ> e# ‰√

lunga

f π

π

< >ƒ ∏

lunga

lunga

< >f ∏

lunga

w. Springs & Tam-tam

metal blk

∏ƒ

F

Kick Dr.

[F]

lunga

lunga

ƒ π

ƒ π

ƒ π

arco lunga

lunga

lunga

Ï

Catch w. Ped

‰U ≈ œ_ä R _3

_ ≈U ≈ œä r

3

‰U ≈ œb äR

3

œ e ≈U ‰ ≈

yyyyYM > ≈U ‰ ≈

∑

‰U ‰ ≈

∑

ryyyy>

PM ≈U ≈ yyyy>

M ≈ ≈3

ryyyy>

PM ≈U ≈ yyyy>

M ≈ ≈3

ryyyy>

PM ≈U ≈ yyyy>

M ≈ ≈3

ryyyy>

PM ≈U ≈ yyyy>

M ≈ ≈3

"f "

° f

f

pizz.

pizz.

pizz.

pizz.

Ï

Ï

Ï

Ï

f

F

F

take drumsticks

a tempo e = 112-104

rip

91

&

&

?

&

÷

÷

&

?

&

B

?

?

84

84

84

84

84

84

84

84

84

84

84

84

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

84

84

84

Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

283 Jœb_ ‰ ‰ ‰

jœ ‰ ‰ ‰

œb ≈ ‰ Œ

Jœ Jœ œ ≈ ≈ œ. œ.

yyyyYM > ≈ ‰ ‰ ‰

jf>

‰ ‰ ≈ f. f.

∑

∑

∑

œ¨

œ¨

œ¨

œ¨

œ¨

‰ ‰ ≈ œ¨

œ#¨

5

œ œ œ# ¨ œ œ ‰ ‰ ≈ œ œb ¨5

∑

π

π

π

ƒ

f

Ï p

Ï p f

f

arcoa.s.p.

arcoa.s.p.

° f F

w. drumsticks

œ_> œ_ œb_ œb_ ® ‰

3

œ> œ œb œb ‰ ‰5

j-

e>‰

œ. ≈ . ‰

∑

Jf ‰

Jœ#P ≈ . œ.

∑

Jœ# > Jœ

œ#¨

≈ . ‰

œ ≈ . ‰

∑

ƒ

ƒ

p ∏

F π

π

f

Ï

detune IV string ~8vb

f

ç

∑

‰ ‰ ≈ . 1Z

fM>/

fbM ≈ ‰ ‰

œb œ œb ≈ ‰ ≈ . 13

∑

f f. ≈ ‰ ≈ . f.

œ> œb . œœœ Jœœœ ≈ . œ.

P

∑

œ# > ≈ ‰ ‰

∑

∑

∑

ç

ß

Ï

pp poss.

pp poss.

ß

take Bass Flute

F p

harmon mute (stem in)

remove mouthpiece

f

92

&

&

?

&

&

÷

÷

&?

&

B

?

?

84

84

84

84

84

84

84

84

84

84

84

84

84

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

286∑

1Z

1Z

∑

1 1

∑

∑

jf ‰ ‰ ‰Jf

∑

jœœ

#>

b # ‰ Œ

yyP

yy

yyP

yy

∑

y> yrumbling, noisy, perforated timbre

ff poss.

Î

Î

Î

ƒ take Tibetan bowl

molto Rall.

∑

1Z

1Z

∑

1 1

∑

∑

∑

∑

∑

yy yy

yy yy

∑

y y

decresc.

decresc.

∑

1Z

1Z

∑

∑

∑

∑

∑

∑

∑

yy yy

yy yy

∑

y ypoco decresc.

93

&

&

?

&

&

÷

÷

&?

&

B

?

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

Q

289∑

1Z

1Z

∑

∑

∑

Y

ˇ

Y

∑

∑

∑

jyy

‰ ‰ ‰

yy yy

∑

y y

p

slowly scrape the surface of the Tam-tamin a circular motion creating a glassy, metaltimbre

w. Tibetan bowl

ppp poss.

∑

∑

∑

∑

∑

Y Y

∑

∑

∑

∑

jyy

‰ ‰ ‰

y> y

y y

π

rumbling, noisy, perforated timbref

f

e = 60-54

∑

∑

∑

∑

∑

Y Y

∑

∑

∑

∑

∑

y y

y y

decresc.

decresc.

detune IV string ~8vb

94

&

&

?

&

&

÷

÷

&?

&

B

?

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

¤

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

292∑

∑

∑

∑

∑

Y Y

∑

∑

∑

∑

∑

y y

y y

decresc.

‰ ‰ _

∑

_≥ j

_ ._ _≤>

∑

∑

Y Y

∑

∑

∑

∑

∑

y

y

perforated, draw bow as slowly as possible!

perforated, draw bow as slowly as possible!

π

π

∏

"ff "

Bass Flute

without mouthpiece

j_ _> _b _ ® _> _ ® _

≤_> _ _ _

∑

j_≥

_ _≤> ._

≥_≤>

j_

∑

∑

Y Y

∑

y. y- ≈ y. y- ≈ y. y- ≈ y. y- ≈

∑

∑

∑

y y

∏

p

[s]

decresc. al niente

decresc. al niente

"f " "f " "f "

95

&

&

?

&

&

÷

÷

&?

&

B

?

?

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

(¤)

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

295

_b _b ≈ _> _b _ ® ≈ _> _ ‰

∑

j_≥

_ ._≤>

j_≥

_ _≤> _

≥

∑

∑

∑

∑

y. y- ≈ y. y- ≈ y. y- ≈ y. y- ≈

∑

∑

∑

"f "_> _ _ _ _b > _b ≈ _

≤_b > _ _ _

≤ ≈

∑

._≤> ® j

_≥ j

_ _ ._≤>

∑

∑

∑

∑

y. y- ≈ y. y- ≈ ‰ y. y- ≈

∑

∑

∑

‰ ‰

"ff " "ff "

[s] [s]

°

≈ . _≤

_# > _ _# _# _ _ _ ® ‰

∑

j_

j_≥ j

_ ‰

∑

∑

∑

∑

‰ y. y- ≈ y. y- ≈ y. y- ≈

∑

∑

∑

∑

j

‰ ‰ ‰

"ff "

[s]

°

π

96

2

&

&

?

&

&

÷

÷

&?

&

B

?

?

82

82

82

82

82

82

82

82

82

82

82

82

82

82

B.Fl.

Ob.

B.Cl.

C Tpt.

Vln.

Vla.

Vlc.

Db.

Perc.

Pno.

(¤)

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

298‰ ≈ . y. .y- _>

≤‰

you'll know [F]

eœ œ

∑

‰ ‰ ≈ . _≤> ‰

∑

∑

∑

∑

‰ y. y- ≈ ‰ ‰

∑

∑

∑

∑

∑

ç

≈ _>j

_j

_ ‰3

the

œ œ

∑

≈ _≥>

j_

j_

j_

3

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ yfl_>≤

tru th

jœ

jœ

∑

‰ ≈ _≤>

∑

∑

∑

∑

‰ y. y- ≈P

∑

∑

∑

∑

∑

ç

Amadeus Julian ReguceraMay 2 - August 24, 2015Oakland, CA, U.S.A.September 18 – October 3, 2015Strasbourg, France

97

university of california, berkeley professor cindy cox spring 2016 · 2018. 10. 10. · abstract...

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