COMPOSITIONS & PERFORMANCES Large Ensemble

Untitled (2016) 20 min. for large ensemble

Premiere – Festival Musica, Strasbourg, France, October 2016 Ophelia. Her heart is a clock (2015) 16 min. for flute, oboe, clarinet, trumpet, perc., piano, violin, viola, cello, double bass

Premiere – Ensemble Linea, Festival Musica, Strasbourg, France, October 2015 Reading – Ensemble Intercontemporain, Berkeley, California, U.S.A., November 2015

an imperative of (desire/design) (2011) 10 min. for bassoon & string octet.

Premiere – Wellesley Composers Conference Ensemble. James Baker, cond. Wellesley College, July 2011

17 (2009) 16 min. for 4 percussionists and 13 instrumentalists. Premiere – Berkeley New Music Project. Berkeley Contemporary Chamber

Players. David Milnes, cond. Hertz Hall, April 2009

Solo & Chamber Ensemble CONTROL (2016) 10 min. for bassoon & lights. Commissioned by Adrian Morejon

Premiere – Adrian Morejon, International Double Reed Society Conference, Columbus, Georgia, USA, June 2016

SAFE (2016) 10 min. for bass flute & lights. Commissioned by Fonema Consort and Access Contemporary Music

Premiere – Dalia Chin (Fonema Consort), ACM Solo Series, Chicago, Ilinois, USA,

March 2016 Inexpressible v.2 (2015) 10 min. for flute, violin, ‘cello.

Premiere – Third Sound Ensemble, Havana Contemporary Music Festival, Havana, Cuba, November 2015

If only after you then me (2015) 8 min. for mezzo-soprano & violin. Comissionised by Duo Cortona

Premiere – Duo Cortona (Rachel Calloway, voice & Ari Streisfeld, vn ), Resonant Bodies Festival, New York City, New York, USA September 2015 Other performances: SONiC Festival, JACK Out-of-the-box Marathon, New York, USA October 2015

Crave (2014) 9 min. for bass flute & harp. Commissioned by the Left Coast Chamber Ensemble Premiere – Left Coast Chamber Ensemble, San Francisco, CA, USA, December OPEN (2014) 25 min. for 3 cellos & live electronics. Commissioned by artist John Zurier Premiere – Celli@Berkeley, Berkeley Art Museum, Berkeley, CA, USA November Flicker (2014) 5 min. for solo harp.

Premiere – Susanne Kabalan, Internationale Ferienkurse für Neue Musik, Darmstadt, Germany, August 2014

Push (2) (2014) 8.5 min. for female voice, (bass) flute, (bass) clarinet, violin, viola, ‘cello, double bass.

Premiere – Eco Ensemble, University of California, Berkeley, May 2014

Push (2013) 6.5 min. for female voice, (bass) flute, (bass) clarinet, accordion.

Premiere – Ensemble L’arsenale, Officine Fondazione Varrone, Rieti, Italy July 2013

Inexpressible (unaussprech) (2013) 8-13 min. for soprano, flute, violin, ‘cello. Commissioned by Ensemble Pamplemousse

Premiere – Firehouse Space, Brookyln, New York, April 2013 Other performances: CNMAT, University of California, Berkeley; University of California, Santa Cruz; CCRMA, Stanford University, California, April 2013

je veux dire (2011/2012) 7 min. for solo bass clarinet. Premiere – written for reading workshop Impuls Academy, February 2013 obscured-distorted-redacted (2012) 8 min. for string quartet. Premiere – JACK String Quartet. University of Vermont, Burlington, June 2012.

Other performances: Eco Ensemble, May 2014 at Hertz Hall, UC Berkeley; Eco Ensemble, November 2015 at Festival of New American Music, California State University, Sacramento

litany (2012) 4 min. for soprano and violin on words by the author/William Burroughs/Antonin Artaud/Jean Genet/Georges Bataille.

Premiere – Jesse Downs, sopr. and Eliott Cless, vln. University of Vermont, Burlington, June 2012 Other performances: Rachel Calloway, sopr. and Ari Streisfeld, vln at The Stone, New York, NY U.S.A. April 2014 ; Cortona Sessions, Cortona, Italy, July 2014

Maps (2012) 20 min. for amplified trio of bass clarinet, ‘cello, percussion. Premiere – Eco Ensemble. University of California, Berkeley, May 2012 Vocalise (2011) 10 min. for solo violin. Premiere – Jessica Ling (Eco Ensemble). Hertz Hall, May 2011 ruptured silence, bleeding (2009) 16 min.

for flute, clarinet, violin, 'cello, piano. Premiere – Berkeley New Music Project. Berkeley Contemporary Chamber Players. David Milnes, cond. Hertz Hall, December 2009

Other performances: Ensemble Signal, June in Buffalo Festival, Buffalo, NY, June 2011

Revuelta, Revolución, Rebelión (2008) 17 min. for amplified bass flute, amplified viola. Premiere – Stacey Pelinka & Darcy Rindt (Berkeley Contemporary Chamber

Players). Hertz Hall, November 2008 TRIGGER (2008) 14 min. for soprano, female speaking voice, flute/bass flute, percussion, contrabass, electronics.

Premiere – Berkeley New Music Project. Berkeley Contemporary Chamber Players. David Milnes, cond. Hertz Hall, Berkeley, CA, U.S.A. April 2008 Other performances: Worn Chamber Ensemble. David Milnes, cond. San Francisco Presidio Chapel, San Francisco, CA, U.S.A. May 2008

quartettstudie (2007) 12 min. for string quartet. Premiere – Berkeley New Music Project. Berkeley Contemporary Chamber Players. Hertz Hall, Berkeley, CA, U.S.A. November 2007 an epitaph (2006) 19 min. for flute, clarinet, bassoon, trombone, percussion. Premiere – UC San Diego Recital Hall, October 2006 Fantasy & Delusion (2005-06) 30 min. for clarinet, 'cello, piano. Premiere – Terri Tunnicliff, cl; Emily DuFour, vc; Aleck Karis, pno.

UC San Diego Recital Hall, October 2006 Installation & Multimedia Work Schlachtfeld (a) (2015) 7 min. for performer.

Premiere: the composer. Goethe Institut, Hong Kong Modern Academy. Hong Kong. Goethe Institut, June 2015

COMMUNICATION (2013) Mixed media sound installation.

Composition Beyond Music. Impuls Academy, Kunst Universität, Graz, Austria, February 2013; Seelenwäsche (Group show, 9 March - 9 June 2013), Kulturzentrum bei den Minoriten, Graz, Austria.

base.mat: coitus_more_ferrarum (2010) 9 min. for performer + electronics. Premiere: the composer. Composing Interactive Multimedia Residency. Morelia, Michoacán, Mexico. CMMAS, July 2010