ut school of architecture spring 2019 final studio …€¦ · spring 2019 final review schedule...

UT SCHOOL OF ARCHITECTURE

SPRING 2019 FINAL STUDIO REVIEW

SPRING 2019 FINAL REVIEW SCHEDULE School of Architecture_ University of Tennessee

Monday, April 22

Morning_ 9:00 – 1:00 Architecture Self Directed Project (SDP): Jennifer Akerman + Marshall Prado Ewing Gallery East + Middle + West

CRITICS: Raveevarn Choksombatchai, Gretchen Wilkins, Julie Beckman, Marleen Davis, Gregor Kalas, Mark Stanley

Architecture Diploma Studio: TK Davis 103B

CRITICS: Eric Myers, Bartek Hominski, Nate Imai, Tracy Moir-McClean, Tricia Stuth Architecture Diploma Studio: Hansjoerg Goeritz 103A East + West

CRITICS: Billie Faircloth, Carl Lostritto, Katherine Ambroziak, Mark DeKay, Maged Guerguis

Afternoon_ 2:00 – 6:00

Architecture Self Directed Project (SDP): Jennifer Akerman + Marshall Prado Ewing Gallery East + Middle + West

CRITICS: Carl Lostritto, Bartek Hominski, Eric Myers, Gretchen Wilkins, Brian Ambroziak, Julie Beckman, David Fox

Architecture Diploma Studio: James Rose Atrium

CRITICS: Raveevarn Choksombatchai, Billie Faircloth, Andrew Obendorf, Hansjoerg Goeritz, Maged Guerguis

SPRING 2019 FINAL REVIEW SCHEDULE

School of Architecture_ University of Tennessee

Tuesday, April 23

Morning_ 9:00 – 1:00 Architecture Self Directed Project (SDP): Jennifer Akerman + Marshall Prado Ewing Gallery East

CRITICS: Carl Lostritto, Gretchen Wilkins, Brian Ambroziak, Julie Beckman, Tracy Moir-McClean, Scott Wall

Third Year Architecture: Marleen Davis Ewing Gallery West

CRITICS: Bartek Hominski, Liz Swanson, Katherine Ambroziak, George Dodds, Nate Imai

Graduate Architecture 572: Tricia Stuth 103A East + West

CRITICS: Billie Faircloth, Mo Zell, Hansjoerg Goeritz, James Rose, Ted Shelton

Graduate Architecture 542: Kevin Stevens + Karl Heckman Atrium

CRITICS: Raveevarn Choksombatchai, Dawn Gilpin, Maged Guerguis, Avigail Sachs, Mark Stanley


Third Year Architecture: Mark Stanley Ewing Gallery Middle

CRITICS: Dawn Gilpin, Carl Lostritto, Jennifer Akerman, Micah Rutenberg, Marshall Prado

Third Year Architecture: Maged Guerguis Ewing Gallery West

CRITICS: Bartek Hominski, Mo Zell, Marleen Davis, Hansjoerg Goeritz, Scott Wall

Third Year Architecture: Ted Shelton 103A West

CRITICS: Billie Faircloth, Liz Swanson, Brian Ambroziak, David Fox

Graduate Architecture 542: Kevin Stevens + Karl Heckman Atrium

CRITICS: Raveevarn Choksombatchai, Gretchen Wilkins, TK Davis, Nate Imai, James Rose


Wednesday, April 24

Morning_ 9:00 - 1:00

First Year ARCH + IARC: David Matthews 103A East

CRITICS: Karl Heckman, Mark Stanley, Shane Principe First Year ARCH + IARC: Jennifer Akerman 103A West

CRITICS: Marleen Davis, Ted Shelton, Subu Bhandari

First Year ARCH + IARC: Andy Godwin 103B

CRITICS: Katherine Ambroziak, Lisa Mullikin, Nick DePillo

First Year ARCH + IARC: Whitney Manahan Sculpture Tray

CRITICS: James Rose, Kevin Stevens, Christopher Brewer

Second Year Architecture: Tracy Moir-McClean Ewing Gallery Middle

CRITICS: Liz Swanson, Nate Imai, Marshall Prado, Tricia Stuth

Second Year Architecture: David Fox Ewing Gallery West

CRITICS: Bartek Hominski, Mo Zell, Brian Ambroziak, Lisa Hoskins

Second Year Architecture: Micah Rutenberg Atrium

CRITICS: Dawn Gilpin, , George Dodds, Julie Beckman, Scott Wall


Wednesday, April 24


Second Year Architecture: George Dodds 103A East

CRITICS: Mo Zell, Julie Beckman, Hansjoerg Goeritz, Marshall Prado

Second Year Architecture: Scott Wall 103A West

CRITICS: Bartek Hominski, Liz Swanson, Maged Guerguis, Tracy Moir-McClean

Second Year Architecture: Brian Ambroziak Atrium

CRITICS: Dawn Gilpin, Jennifer Akerman, David Fox, Micah Rutenberg Third Year Architecture + Fourth Year Interior Architecture: Katherine Ambroziak Ewing Gallery Middle

CRITICS: Liz Swanson, Lisa Hoskins, John McRae, Ted Shelton, Kevin Stevens Third Year Architecture + Fourth Year Interior Architecture: Liz Teston Ewing Gallery West

CRITICS: Jack Travis, Keith Curtis, Brenda Smith, Tim Dolan, Alyssa Kuhns, Mark Stanley


Thursday, April 25

Graduate Architecture Thesis Reviews EWING GALLERY CRITICS: Emanuel Admassu, Tom Buresh, Linda Samuels, Salomon Frausto, Bartek Hominski

1:00 Kristia Bravo

Fascia Domestica Committee_ Rana Abuddayeh (Advisor), Brian Ambroziak, Liz Teston

1:45 Beth Brackin

IN-gested: FUZZY ATMOSPHERES Committee_ Micah Rutenberg (Advisor), Rana Abuddayeh, Mark Stanley

2:30 Jiang Zhao Individual & Collective

Committee_ Jason Young (Advisor), Maged Guerguis, Nate Imai

3:15 Pruett Smith FRAME[D]

Committee_ Brian Ambroziak (Advisor), Rana Abuddayeh, Charles Maland, Mark Stanley

4:00 Rachel Helton

The Compromised Village Committee_ Micah Rutenberg (Advisor), John McRae, Scottie McDaniel

4:45 Kyra Wu The Garden of Synthetic Delights

Committee_ Scottie McDaniel (Advisor), Rana Abuddayeh, Micah Rutenberg, Avigail Sachs

SPRING 2019 FINAL REVIEW SCHEDULE

School of Architecture_ University of Tennessee

Friday, April 27

Morning_ 9:00 – 1:00 First Year ARCH + IARC: James Rose 103A East

CRITICS: Whitney Manahan, Kevin Stevens, Kristia Bravo First Year ARCH + IARC: Karl Heckman 103A West

CRITICS: David Matthews, Rana Abuddayeh, Katie Lamb

First Year ARCH + IARC: David Fox 103B

CRITICS: Bartek Hominski, Tracy Moir-McClean, Grace Ostediek

First Year ARCH + IARC: Micah Rutenberg Atrium

CRITICS: Andy Godwin, Julie Beckman, Kyle Johannes

All Day_ Distinguished Design Awards Review hosted by Tau Sigma Delta (Closed Jury in AM and Open Jury in PM) EWING GALLERY

CRITICS: Emanuel Admassu, Tom Buresh, Linda Samuels

Emanuel Admassu is Assistant Professor of Architecture at the Rhode Island School of Design (RISD), and together with Jen Wood, is a founding partner of AD-WO, a design practice based between Brooklyn and Providence. Admassu has more than five years of experience teaching in various programs at Columbia University’s Graduate School of Architecture, Planning and Preservation. Prior to joining RISD, he was a senior designer at MdeAS Architects, New York. Admassu is committed to research and has recently been examining the constructed identities of urban markets in East Africa. AD-WO is engaged in projects throughout the world, most recently a residential development in Addis Ababa, a market and playscape in Stockholm and a community center in Sari-myeon. His current research project examines the notion of material as social construct by tracing the evolution of pre-modern brick construction within the Chinese and Persian Empires. Admassu is also actively pursuing collaborative projects with creative practices beyond the discipline of architecture. His most recent collaboration with animation artist Ezra Wube has been on display at the Tel Aviv Museum of Art in an exhibition called South of the Sahara: Accelerated Urbanism in Africa and at The Studio Museum in Harlem in the exhibition Video Studio: Meeting Points.

Tom Buresh is Professor of Architecture at the College of Environmental Design, UC, Berkeley. In 1988, he and Danelle Guthrie established Guthrie + Buresh Architects. Their built and speculative work has been published and exhibited internationally. Buresh was Chair of Architecture at Berkeley from 2010-18. From 2001-09 he was Professor and Chair of Architecture at the University of Michigan. For the 15 years prior, he was a member of the faculty at SCI-Arc in Los Angeles where in he served as Director of the Graduate Program in 1997-98. During the same period, he held visiting appointments at UCLA; UC Berkeley; Rice University; University of Melbourne; University of Texas, Austin; and the University of Minnesota. Buresh was a Dinkeloo Fellow at the American Academy in Rome. He was recognized as a Distinguished Alumnus at the College of Design at Iowa State University and the Department of Architecture at UCLA. At the University of Michigan Buresh received the Salzer Award for excellence in teaching, the Faculty Service Award and was named the Emil Lorch Collegiate Professor. In 2015 he was named an admired educator by Design Intelligence Magazine. Buresh held the Eva Li Chair in Design Ethics at UC Berkeley from 2011-2015.

Raveevarn Choksombatchai is Professor of Architecture at the College of Environmental Design, UC, Berkeley and principal of the San Francisco based design practice, VEEV. She began her design education in Bangkok, Thailand, at Chulalongkorn University, and continued with graduate studies in both architecture and landscape architecture at Harvard Graduate School of Design. Prior to founding VEEV, and in her role as a partner in the design practice Loom Studio, Raveevarn co-authored a broad range of projects merging art, architecture, and environmental design. Loom Studio had a successful track record punctuated by honors that include three Progressive Architecture awards (1998) and citations (1996, 2002); Emerging Voices in Architecture by the Architecture League of New York (1999); a nomination for the Chrysler Design Award (2000); and the National Design Award in the area of environmental design by the Cooper Hewitt National Design Museum, Smithsonian Institute (2002). VEEV is a collaborative design/research practice grounded in contemporary issues and discourse and often takes shape in a multidisciplinary team in response to each new investigation and emphasizes strong research and experimentation. Some of her most recognized work includes the Woman Suffrage Memorial; Unfolding House in Bangkok; 49 Grace Street Mixed-Used building in San Francisco; Liquescence, an installation as part of the first Design Triennial at the Cooper Hewitt Museum, New York City; and the design for the AIDS memorial in Golden Gate Park, San Francisco, which won an international design competition in 2005.

Salomon Frausto is the Director of Studies at the Delft University of Technology’s Berlage Center for Advanced Studies in Architecture and Urban Design (formerly Berlage Institute), where he is responsible for its post-master’s program. He previously directed the Berlage’s public programs, where he developed the public events, exhibitions, online interactivity, and publications. He previously coordinated the public and scholarly programs of the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University, under the directorship of Joan Ockman, for many years. He is coeditor of Architourism: Authentic, Exotic, Escapist, Spectacular, published by Prestel in 2005. This volume of essays and projects explores the role of architecture in the contemporary tourist imagination. An advocate for improved and diverse architectural literacy, Salomon teaches, publishes, and lectures internationally to sharpen awareness of the contemporary built environment. He graduated with degrees in architecture from the University of Michigan and Columbia University. He was the editor of the Berlage’s flagship publication Hunch; and the executive editor of Studio and Cube: On the Relationship Between Where Art is Made and Where Art is Displayed by Brian O’Doherty. His latest publication, entitled Twelve Institutional and Public Buildings Revisited, 1928–1968, edited together with Max Risselada and Tom Avermaete, documents twelve buildings outside of the received canon of modern architecture.

Billie Faircloth is the 2018 BarberMcMurry Professor and Partner at KieranTimberlake. She leads a transdisciplinary group of professionals leveraging research, design, and problem-solving processes from fields as diverse as environmental management, chemical physics, materials science, and architecture. She fosters collaboration between disciplines, trades, academies, and industries in order to define a relevant problem-solving boundary for the built environment. During design, she guides project teams through empirical experiments, prototypes, and analysis. She leads the development of technology that informs high-performance design, including Pointelist™, a wireless sensor network, Tally™, a life-cycle assessment application, and Roast, a post-occupancy survey tool. She is also working on Ideal Choice Homes, an affordable, quick-to-build housing solution for India’s emerging middle class. Billie has also taught at the University of Pennsylvania School of Design and Harvard University, and has served as Portman Visiting Critic at Georgia Institute of Technology and VELUX Visiting Professor at the Royal Danish Academy of Fine Arts. Prior to joining KieranTimberlake, she was an assistant professor at the University of Texas at Austin School of Architecture, where she instructed research studios exploring applications for conventional and emerging material technologies and conducted seminars on emerging construction and fabrication technologies.

Dawn Gilpin is Lecturer IV in Architecture at the University of Michigan, Taubman College of Architecture and Urban Planning where she teaches design and representation. She received her M. Arch. from Southern California Institute of Architecture in Los Angeles and an undergraduate degree from the College of Architecture, Design and Building, Auburn University. Gilpin is a two-time recipient of the Donna M. Salzer award for teaching excellence. Previously, Gilpin taught design and representation at the University of Minnesota where she co-directed a semester abroad in Oaxaca, Mexico and co-designed and participated in the exhibition The Home Show/Architecture Studio, at the Walker Art Center in Minneapolis. Professionally she has worked for Architectural Alliance and Meyer, Scherer, and Rockcastle in Minneapolis. Gilpin has also worked for Fitch Richardson Smith, a design consultancy firm based in London, Boston and Columbus, OH. In 1996 Gilpin started practicing with Robert Adams and since Adams + Gilpin have worked on a range of projects and creative endeavors focused on the reconfiguration of the status of accessibility within domesticity.

Bartek Hominski is an assistant professor at the Faculty of Architecture, Cracow University of Technology in Krakow, Poland. Before graduating from Cracow University of Technology in 2004 he studied abroad at Fachhochschule Hildesheim in Germany (2002) and the University of Tennessee (2003). He received his doctoral degree from Cracow University of Technology in 2011. His research interests are affordable urban housing and the transformations of the idea, program and form of libraries in digital times. His outreach contribution includes co-authoring of a research & consultation project commissioned by the municipality of Krakow that preceded the reorganization of a network of public libraries in the city in 2017. From his beginnings at academia he has been involved with the UT-Krakow exchange program where he currently teaches design studio and study tours. He also teaches architectural and urban design for 3rd and 4th year students. Bartek is a licensed architect. After gaining experience in offices in Chicago and Krakow he established and between 2012-2018 ran, together with a partner (who was also a UT-Krakow exchange participant), an architectural design practice 9780 Architects. In their work they focused on site-specific design, essentials of architecture and urban design and social issues.

Carl Lostritto is Assistant Professor of Architecture and Graduate Program Director at the Rhode Island School of Design (RISD). He works alongside students and research assistants hacking machines, writing computer code, sampling from history, designing tools and adapting technology to augment human authorship in pursuit of architecture. Much of this work manifests as drawing. Because drawing does not have a fixed relationship to architecture, Lostritto also conducts research that involves reflection, analysis and critique of drawing relative to form and space. With a group of interdisciplinary faculty, he recently initiated RISD’s new Computation, Technology and Culture concentration and taught first versions of its required courses: Introduction to Computation and Computation Research Studio. Much of Lostritto’s recent practice and scholarship address the broad implications of a refined technique: computer programming to control a vintage pen plotter. This work involves intense and iterative refinement of the algorithmic, aesthetic and material nature of the line. It is also a conceptual enterprise as it relies on and addresses the capacity of the human eye, the adaptability of historic conventions, the role of representation and the nature of architecture. In sum, Lostritto draws architecture, draws about architecture, draws for architecture and draws as architecture.

Linda C. Samuels is Associate Professor of Urban Design at the Sam Fox School of Design & Visual Arts at Washington University. Previously, she was the inaugural director of the Sustainable City Project, a multidisciplinary research, teaching, and outreach initiative of the University of Arizona. Samuels received her Doctorate in Urban Planning from the University of California, Los Angeles, and her Master of Architecture from Princeton University. While at UCLA, she was a senior research associate at cityLAB, an urban think tank in UCLA’s Department of Architecture and Urban Design, and an adjunct lecturer at the University of Southern California, Woodbury University, and Otis College of Art and Design. Her publications include “Stitches and Insertions” in Dana Cuff and Roger Sherman’s Fast-Forward Urbanism: Rethinking Architecture’s Engagement with the City (2011), and “Infrastructural Optimism” (2009) and “Working Public Architecture” (2010), both published in Places journal. Her work has been widely supported, including grants from the John Randolph and Dora Haynes Foundation, the Getty Research Institute, UCLA, the Graham Foundation, ACSA, and the LEF Foundation.

Mo Zell is the Chair of the UWM School of Architecture and Urban Planning and principal of a design and research firm, bauenstudio. Her work is positioned at the confluence of architecture and installation. While architecture aspires towards permanence, installations are by their nature temporary and require a critical stance, one that provides possibilities to not only solve problems, but create questions and challenge preconceived notions. Zell fosters opportunities for students to work in a hands-on environment, at full-scale, and with real materials. The most recent collaborations include funded design/build studios working with Elizabeth Diller, Diller Scofidio + Renfro, and Sou Fujimoto, Sou Fujimoto Architects.The design work of bauenstudio has been recognized with several design awards including a Boston Society of Architecture (BSA) Honor Award, a Boston Society of Landscape Architecture (BSLA) Merit Award and an ACSA Faculty Design Award. Bauenstudio was also featured in Architecture Record as an emerging practice to watch. Zell is the author of The Architectural Drawing Course published by Barron’s in the US and by Thames and Hudson in the UK. This book exemplifies her beginning design teaching pedagogy. She has been awarded numerous university grants that have been instrumental in completing her book and design research.

Liz Swanson is an Associate Professor of Architecture who has been teaching at the University of Kentucky since 2001. She specializes in teaching courses on drawing and beginning design. Swanson’s interests focus on the social, cultural, and spiritual import of the built environment, and much of her work explores the parallels between architecture, storytelling and art with an emphasis on the representation of community and personal identity. Her projects range in scale from illustrations, murals and installations to urban planning proposals for the development of public space. She has published many articles, including “Architecture, Experience and Meaning” and “Architecture and Opportunities for Reconciliation: An Exploration of One Culturally Significant Building’s Potential for Healing a Community.”

ut school of architecture spring 2019 final studio …€¦ · spring 2019 final review schedule...

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