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VALERIA AYALA-CUCALON portfolio PENNSYLVANIA STATE UNIVERSITY

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Architecture Portfolio

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Page 1: Valeria Ayala-Cucalon

VALERIA AYALA-CUCALON

portfolioPENNSYLVANIA STATE UNIVERSITY

Page 2: Valeria Ayala-Cucalon
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TABLE OF CONTENTS

Arch 231 & 232- Basic Design Studio and Research II

NCMA competition- Brooklyn Bridge Museum p 1-3

House of a Musician p 4-5

Enoteca- State College, PA , Wine Rack p 6-7

Second Year

First Year

Arch 131s- Basic Design and Research I

Design Build Project p 8

Green Dorm Project- Labyrinth p 9

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NCMA competition

CIRCULATION

STEEL

CMU WALL

GLASS (CONNECTION)

The Brooklyn and Manhattan Bridges are the unifying factors of the concrete jungle that is Manhattan and the industrial historicdistricts of Brooklyn. Thesebridges are responsible for the immersion of these two culture, providing wasy access from one to the other.

The Brooklyn Bridge Museum: A Monument to the Immersion of Two Cities

Brooklyn was an independent city until January 1st, 1898 when it was consolidated with the other boroughs to form New York City. The Brooklyn Bridge was completed in 1883, opening up a passage and providing an ease of access like never before from Manhattan to Brooklyn,allowing for an immersion of cultures anda later unification of two cities.

Pennsylvania State UniversityInstructor: Shadi Nazarian Arch 232-Basic Design Studio & Reseach II14 weeks

CMU UNIT

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SECOND YEAR SPRING 2013 p1

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NCMA competition

PLYMOUTH ST.

WA

SHIN

GTO

N

ST.

LEVEL 1

ELEVATOR

LOBBY

UP

ELEVATOR

LEVEL 1.5

MEDIA STORAGE

GIFT SH

OP

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SECOND YEAR SPRING 2013 p2

LEVEL 2

ELEVATORKITCHEN

LECTURE/ STUDIO SPACE

OUTDOOR TERRACE

OU

TDO

OR TERRA

CE

UP

LEVEL 3, 4, 5

ELEVATOR

GALLERY SPACE

UP

LEVEL 6

ELEVATOR

UP

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GALLERY 2

GALLERY 1

GALLERY 3

GALLERY 3

LOBBY

LECTURE/ STUDIO SPACE

OFFICEOFFICE

CAFE

MEDIA STORAGE

GIFT SHOP

p3

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HOUSE OF A MUSICIAN

BALD EAGLE STATE PARK, PA

Designing a House for a Musician evidently dealt with an understa-nding of music as a large part of the design process. I analyzed a piece of classical music and comp-ared it to the experience through the site. As we visited the site for the first time, I wondered abo-ut how people approached the site, how they encountered it and how they moved across it. The firstthing I noticed was the slope, andhow it was directing me towards the water, it was pushing me forward. I wanted to change that experience, creating and encouraging a new wayof movement through the site, moving the person in a different manner and creating new areas of exploration.

Pennsylvania State UniversityInstructor: Reggie Aviles Arch 231-Basic Design Studio & Reseach II6 weeks

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SECOND YEAR FALL 2012 p4

1.

2.

3.

4.

5.

6.

7.

8.

9. 10.

NO ELEVATION

ELEVATED

MOST ELEVATED

PUBLIC

PRIVATE

SITE CIRCULATION DIAGRAMS

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HOUSE OF A MUSICIAN

ELEVATIONS

SECTIONS

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SECOND YEAR FALL 2012 p5

0 16 32 48 64

SCALE 1/16’=1

PLAN

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ENOTECA DESIGN

DOWNTOWN STATE COLLEGE, PA

Designing an Enoteca in the middleof downtown State College ignited many cultural questions. Consider-ing the targeted clients and loca-tion was a large part of the design process and required careful consid-eration. The question was, who is this enoteca intended to serve. The answer was simple, it was a place for the more culturally thirsty few.For those who not only wanted a good glass of wine, but also intended to learn something while there. Now another important question was how to bring them in. I decided to use curiosity as my main enticing factor. My facade and entrance were made up of the wine rack, which proceeded along the entire enoteca, in bothpublicand private areas.

Wine Rack [Architectural Material] Group Members:

Valeria Ayala-CucalonAmy StunderMatt AvalloneShane Foust

Pennsylvania State UniversityInstructor: Loukas Kalisperis Arch 231-Basic Design Studio & Reseach II8 weeks

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SECOND YEAR FALL 2012 p6

PLANS

DIAGRAMS

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ENOTECA DESIGN

PRIVATE AREA

PUBLIC AREA

BASEMENT AREA

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LONGITUDINAL SECTION

LONGITUDINAL SECTION

FRONTAL ELEVATION

SECOND YEAR FALL 2012 p7

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DESIGN BUILD

TABLE- LEGS AND FRAME

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FIRST YEAR SPRING 2012 p8

The Design Build Project mimics a real life design situation. In this case, as a section, our client was The Delta School.Therefore our client was both the principal, and the children. We were asked to designtables for the children to use in theirstudy/ library spce. Many factors were considered, such as what these tables would be used for, how often they would be used, and the location these tables were going to be placed in. Along with the children’s help,we designed a “Dinosaur Table” for the room they liked to call “The Dino-saur Room”. The design also allowed the tables to be raised, as some of the tables would be facing the windowswhich were placed higher up. Seventables were designed, with what looksto be an abstract design but when they come together, they form a dinosaur.

STATE COLLEGE, PA

Pennsylvania State UniversityInstructor: Danielle RiveraArch 131s-Basic Design Studio & Reseach I10 weeks

[Group Members]

Valeria Ayala-CucalonKatie TroutmanMatt LaMonteTim DipaoloAlyssa Gallina

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GREEN DORM PROJECT

EAST DORMITORIES, PENN STATE, PA

This project focused on the prospective renovation of dormitories at Penn State. After attending many workshops on creativeproposition of redesign we were asked to design a labirynth that would interact with the living situation of a student.

I chose the Minotaur Labirynth. The legend of the minotaur is astory of secrecy and shame as a bullheaded monster is born out of an affair Queen Pasiphae has with a bull. This represented a case of secrecy and privacy, something the dorms currently lack.

Pennsylvania State UniversityInstructor: Jodi La Coe Arch 131s-Basic Design Studio & Reseach I4 weeks

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FIRST YEAR FALL 2011 p9