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HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANBA (MUSIC) CBCS Syllabus 2011
Document code : SYLLABUS BAMUS2011Revision No: 00Name of Faculty ARTSFaculty Code ARProgramme Name : MUSICProgramme Code : BAMUSEffective from: JUNE-2011
2
Sem
CC
Old Paper Code
New Paper Code
Paper Type
Paper Name
Marking scheme Total
Credit Remarks
External InternalThe
Pra
The
Pra
1
CCM 101
BAMUS101CC CC
Principles Of Music- I (POI)
70 30 100
1
CCM 102
BAMUS1S02CC CC
Detail Study Of Raag – I (DSI)
70 30 100
1CCM 103
BAMUS1013CC
CC History Of Music – I (HOI)
70 30 100
1
CCM/PRA 104
BAMUS101PR
PR Practical Paper – I (Basic Study) (PRI)
70 30 100 Any One Paper From BAMUS101PR- BAMUS103PR
1
CCM/PRA 105
BAMUS102PR
PR Practical Paper – II (Extensive Study) (PII)
70 30 100 Any One Paper From BAMUS101PR- BAMUS103PR
1
CCM/PRA 106
BAMUS103PR
PR Practical Paper – III (Light Classical Varieties) (III)
70 30 100 Any One Paper From BAMUS101PR- BAMUS103PR
3
Sem
CC
Old Paper Code
New Paper Code
Paper Type
Paper Name
Marking schemeTotal
Credit Remarks
External InternalThe
Pra
The
Pra
2
CCM 201
BAMUS201CC CC
Principles Of Music- II (PII)
70 30 100
2 CCM 202
BAMUS202CC CC
Detail Study Of Raag – II (DII)
70 30 100
2 CCM 203
BAMUS203CC
CC History Of Music – II (HII)
70 30 100
2 CCM/PRA 204
BAMUS 201PR
PR Practical Paper – I (Basic Study) (PRI)
70 30 100 Any One Paper From BAMUS201PR- BAMUS203PR
2 CCM/PRA 205
BAMUS202PR
PR Practical Paper – II (Extensive Study) (PII)
70 30 100 Any One Paper From BAMUS201PR- BAMUS203PR
2 CCM/PRA 206
BAMUS203PR
PR (Light Classical Varieties) (III)
70 30 100 Any One Paper From BAMUS201PR- BAMUS203PR
4
Sem
CC
Old Paper Code
New Paper Code
Paper Type
Paper Name
Marking schemeTotal
Credit Remarks
External InternalThe
Pra
The
Pra
3
CCM 301
BAMUS301CC CC
Principles Of Music – III (POF)
70 30 100
3
CCM 302
BAMUS302CC CC
Detail Study Of Raag – III (DSR)
70 30 100
3 CCM 303
BAMUS303CC CC
History Of Music – III (HOF)
70 30 100
3 CCM/PRA 304
BAMUS301PR
PR
Practical Paper – I (Basic Study) (PRI)
70 30 100 Any One Paper From BAMUS301PR- BAMUS303PR
3 CCM/PRA 305
BAMUS302PR
PR
Practical Paper – II (Extensive Study) (PII)
70 30 100 Any One Paper From BAMUS301PR- BAMUS303PR
3 CCM/PRA 306
BAMUS303PR
PR
Practical Paper – III (Light Classical Varieties) (III)
70 30 100 Any One Paper From BAMUS301PR- BAMUS303PR
5
Sem
CC
Old Paper Code
New Paper Code
Paper Type
Paper Name
Marking schemeTotaL
Credit Remarks
External InternalThe
Pra
The
Pra
4
CCM 401
BAMUS401CC CC
Principles Of Music – IV (PIV)
70 30 100
4 CCM 402
BAMUS402CC CC
Detail Study Of Raag – IV (DIV)
70 30 100
4 CCM 403
BAMUS403CC CC
History Of Music – IV (HIV)
70 30 100
4 CCM/PRA 404
BAMUS401PR
PR
Practical Paper – I (Basic Study) (PRI)
70 30 100 Any One Paper From BAMUS401PR- BAMUS403PR
4 CCM/PRA 405
BAMUS402PR
PR
Practical Paper – II (Extensive Study) (PII)
70 30 100 Any One Paper From BAMUS401PR- BAMUS403PR
4 CCM/PRA 406
BAMUS403PR
PR
(Light Classical Varieties) (III)
70 30 100 Any One Paper From BAMUS401PR- BAMUS403PR
6
Sem
CC
Old Paper Code
New Paper Code
Paper Type
Paper Name
Marking schemeTotal
Credit Remarks
External InternalThe
Pra
The
Pra
5CCM 501
BAMUS501CC CC
Principles Of Music (POV)
70 30 100
5 CCM 502
BAMUS502CC CC
Detail Study Of Raag (DSV)
70 30 100
5 CCM 503
BAMUS503CC CC
History Of Music (HOV)
70 30 100
5 CCM/PRA 504
BAMUS501PR
PR
Practical Paper – I (PRI)
70 30 100 Any One Paper From BAMUS501PR- BAMUS503PR
5 CCM/PRA 505
BAMUS502PR
PR
Practical Paper – II (PII)
70 30 100 Any One Paper From BAMUS501PR- BAMUS503PR
5 CCM/PRA 506
BAMUS503PR
PR
Practical Paper – III (III)
70 30 100 Any One Paper From BAMUS501PR- BAMUS503PR
7
Sem
CC
Old Paper Code
New Paper Code
Paper Type
Paper Name
Marking schemeTotal
Credit Remarks
External InternalThe
Pra
The
Pra
6
CCM 601
BAMUS601CC CC
Principles Of Music (PVI)
70 30 100
6 CCM 602
BAMUS602CC CC
Detail Study Of Raag (DVI)
70 30 100
6 CCM 603
BAMUS603CC CC
History Of Music (HVI)
70 30 100
6 CCM/PRA 604
BAMUS601PR
PR
Practical Paper – I (Basic Study) (PRI)
70 30 100 Any One Paper From BAMUS601PR- BAMUS603PR
6 CCM/PRA 605
BAMUS602PR
PR Practical Paper – II (Extensive Study) (PII)
70 30 100 Any One Paper From BAMUS601PR- BAMUS603PR
6 CCM/PRA 606
BAMUS603PR
PR Practical Paper – III (Light Classical Varieties) (III)
70 30 100 Any One Paper From BAMUS601PR- BAMUS603PR
8
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS101CC Semester : 1
Principles Of Music- I (POI)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 Musical sound & Noise – Naad (Ahat & Anahat), Pitch,Intensity, timber, Unmusical Sound & Noise (sangeet Upayogi aur un-upayogi dhwani). 04
2 0.2 Musical Notes- Naad, Shruti, Swar (Shuddha & Vikrut Swar) Saptak aur uske prakar.
3 0.3 What is Raag & Formation of Raag. How it is derived ? raag & its types (Rag Jati) Ashray Raag.
4 0.4 Definition of Thaat and 10 main Thaat of North Indian Classical Music.
5 0.5 Elements & essential of raags (i.e.Vadi, Samvadi, Anuvadi, Vivadi, Varjya Swar, Vakra Swar,Jati, Aroha, avroha & Pakad)
6 0.6 Definition of Taal and Laya, Elements of Taal, Taal, Matra Taal, Matra,Khand,Sam,Khali,Bhari,Bol, Theka, Types of Laya – Vilambit, Madhya & Drut & Layakari-Dugun, Tigun, Chaugun
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN
9
Programme code : BAMUS Programme Name : MusicCourse Code BAMUS102CC Semester : 1
Detail Study Of Raag – I (DSA)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 Detailed study of all the prescribed Raags for the practical study. 04
2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags.
3 0.3 Swarvistar, Aalap, Taans, of different varities in the prescribed Raags.
4 0.4 Writing Notations of Cheezes ( Badakhayal & Chhota Khayal) & Taals as prescribed Raags.
5 0.5 Detailed knowledge of Taals under practical study with Dugun.
6 0.6 Study of Taals : Dadra, Kaharwa, TreeTaal, Ektal,
10
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS103CC Semester : 1
History Of Music – I (HOI)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.
Marks
W + %
Credit
1 0.1 Music (sangeet) – Defination, Interrelation between Gayan, Vadand & Nartan. 04
2 0.2 The two Systems of Indian Music (Hindustani & Karnatic) & their main characteristics.
3 0.3 Different opinions (Mythological & other) about the origin of Music. The relation between Folk Music & Classical Music.
4 0.4 Forms of composition in the modern age- Drupad, Dhamar(Hori), Khayal, & Thumri.
5 0.5 Musicians & Musicologists of modern age & their Life Sketches – Pt. Bhatkhande, Pt. Paluskar, Pt. Omkarnath Thakur, Pt. Ravishankar & Ut. Ahemed Jaan Thirakwa.
11
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS101PR Semester : 1
Practical Paper – I (Basic Study) (PRI)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.
Marks
W + %
Credit
1 0.1Detailed and intensive study of the following raags with Aalap, Swar vistar, Sargam, Taan, One BadaKhayal or Masitkhani Gat. & One Chhota Kyayal or Razakhani Gat.(i) Yaman (ii) Bihag
04
12
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS102PR Semester : 1
Practical Paper – II (Extensive Study) (PRII)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.
Marks
W + %
Credit
1 0.1 One Badakhayal & Chhota Khayal or Razakhani Gat with Aalap & Taan in(i) Bhupali 04
2 0.2 One Chhota Kyayal or Razakhani Gat with Aalap & Taan ini) Hamir (ii) Bageshri, iii) Brindawani sarang
3 0.3 (i) One Swarmalika Or One Laxan Geet for Vocal Music
13
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS103PR Semester : 1
Practical Paper – III (Light Classical Varieties) (III)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
UnitNo.
TopicNo. Content Hrs
.
Marks
W + %
Credit
1 0.1 Study of Taal : Dadra, Kaharwa, Teen Taal, 04
2 0.2 Sargam Exercise and Alankar with Dugun with Taal
3 0.3 One Dhrupad in Raag Bhairavi
4 0.4 OneThumri in Raag Khamaj
5 0.5 Light Song (Any of Student’s Choice)
14
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS201CC Semester : 1
Principles Of Music- II (PII)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 22 Shrutis & the present Shruti swar Arrangement, 12 notes In a saptak. 04
2 0.2 Musical Compositions: Sargam Geet, Laxan Geet, Khayal (bada khayal & Chhota khayal), Gat(Masitkhani Gat & razakhani Gat), Sthayi, Antara, Sanchari, Abhog.
3 0.3 Time Theory pf Raag (Samay) – Poorvang, Uttarang, Poorvangvadi raag, Uttarangvadi raag,Sandhiprakash raags, Seasonal raags. Importance of “Ardhwa Darshak Madhyam”
4 0.4 Definitions & Short Notes: Varna – Sthayi, Arohi, Avarohi, sanchari, Alankar(palta), Kana swar, sparsh swar, Meend, Ghaseet, Soot, Khatka, Murki, zamzama, Andolan, Gamak.
5 0.5 72 Mel Derived by Pt. Vyankat Makhi according to Karnatik Music And Corresponding names of the Norte notes of the 10 Thaats in Hindustani & Karnatic Music Systems.
6 0.6 32 Thaats Derived by Pt. Bhatkhande according to Hindustani Music
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN
15
Programme code : BAMUS Programme Name : MusicCourse Code BAMUS202CC Semester : 1
Detail Study Of Raag – II (DII)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs. Marks
W + %Credi
t
1 0.1 Detailed study of all the prescribed Raags for the practical study. 04
2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags.
3 0.3 Swarvistar, Aalap, Taans, of different varities in the prescribed Raags.
4 0.4 Writing Notations of Cheezes ( Badakhayal & Chhota Khayal) & Taals as prescribed Raags.
5 0.5 Detailed knowledge of Taals under practical study with Dugun.& Chaugun Jhaptal, Chautal & Rupak
16
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS203CC Semester : 1
History Of Music – II (HII)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1General survey of the evolution and development of music from vedic period to the present age with particular reference to Shruti, Swar, Gram, Murchhana, Jati & Raag.
04
2 0.2 Forms of composition during the ancient periods. Prabandh & Jati Gayan.
3 0.3 Relation between Folk Music & Classical Music,
4 0.4 Forms of com[positions during the Modern age: Tarana, Tirvat, Chatarang, Tappa, Dadra
5 0.5 Musicians & Musicologists of modern age & their Life Sketches -Pt. Vinayakrao Patvardhan, Pt. S N Ratanjankar, Ut. Ali Akbar Khan, Prof. V G. Jog, Ut. Amir Hussain Khan,
17
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS201PR Semester : 1
Practical Paper – I (Basic Study) (PRI)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1Detailed and intensive study of the following raags with Aalap, Swar vistar, Sargam, Taan, One BadaKhayal or Masitkhani Gat. & One Chhota Kyayal or Razakhani Gat.(i) Bhairav (ii) Malkauns
04
18
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS202PR Semester : 1
Practical Paper – II (Extensive Study) (PII)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1One Badakhayal & Chhota Khayal or Razakhani Gat with Aalap & Taan in(i) Alhaiya Bilawal ii) Bhimpalasi
04
2 0.2 One Chhota Kyayal or Razakhani Gat with Aalap & Taan ini) jaunpuri (ii) Poorvi, iii) Marwa
3 0.3 (i) One Swarmalika Or One Laxan Geet for Vocal Music
19
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS203PR Semester : 1
(Light Classical Varieties) (III)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
UnitNo.
TopicNo. Content Hrs
.MarksW + % Credit
1 0.1 Study of Taal : Jhap Taal, Chautal, Rupak, Ektaal, 04
2 0.2 Sargam Exercise and Alankar with Dugun with Taal
3 0.3 One Dhrupad in Raag Brindabani Sarang
4 0.4 OneThumri in Raag Bhairavi
5 0.5 Light Song (Any of Student’s Choice)
20
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS301CC Semester : 1
Principles Of Music – III (POF)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 Section – I Applied Physics (Marks for Section – I is 35) 04
1.1
Study of Sound: Production & propagation of sound. Speed of transmission of sound – Arage’s experiment for the determination of the velocity of sound. Mechanism of transmission- wave motion. Longitudinal & Transverse wave motion. Elementary ideas – Resonance & Resonators. Organ Pipes, Reed, Stationary Waves Nodes & Anti Nodes. Transverse vibrations in string. Sonometer, Melde’s experiment, combination of tones, Phenomenon of Beats, Vbrattion of air columns, Membrances. Kunt’s tube experiments, Chaldini’s figures Mono metric flame.
1.2
Musical Sound & Noise:Pitch intensity and timber. Elementary distinction between pitch and frequency of sound. Source and its relation with the velocity of sound. Siren Savart’s wheel. Musical interval. Different Musical Interval. Introduction to measurement of intervals by Cants Savarts, Major Tone, Minor Tone, semi Tone, Limma, Octave Major and Minor. Diatonic scales, sharp and Flat Notes. Temperament in Music. Equally Tempered Scales. History of Indian Musical Scales. Arithmetic relations of shruties. Fundamental and overtones. Stroboscopic disc.
2 Section – II PRINCIPLES OF MUSIC (THEORY) (Marks for Section – II is 35)
2.1 Detailed study of the Time theory of raags, its principles & relation to aesthetics, raaag – samay siddhant, classification of raag according to the gayan Samay, Ardhwadarshak Swar, Raag Samay Chakra.
2.2 Classification of Raags (a) Raag-raagini, (b) Mela-Raag (c) Raagang raag (d) Shuddh Chhayalag Sankirna.
2.3 10 Principles of Raag according to the old treatises of Hindustani Music – Graha, Ansh, Nyas, Apanyas, Mandra, Taar, Alpatva, Bahutva, Shadatva, Audatva. Its relation with the modern system.
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN
21
Programme code : BAMUS Programme Name : MusicCourse Code BAMUS302CC Semester : 1
Detail Study Of Raag – III (DSR)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 Detailed theoretical study of the Raags prescribed for the Practical. 14 04
2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags prescribed for the Practical.
14
3 0.3 Swarvistar, Aalap, Taans, & its different varieties in the Raags of Practical Study.
14
4 0.4 Writing Notations of Cheezes (Gat for Instrumental Music) & Taals as prescribed.
14
5 0.5 Detailed study of the Taals studied up till now with Tigun, Dugun & Chaugun. (Study of Taals : Tilwada, Dhamar, Sultal)
14
22
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS303CC Semester : 1
History Of Music – III (HOF)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1Study of Pt.Bharat’s Natyashashtra and Pt. Sharangdeva’s sangeetRatnakar with reference to the following :“Chatushta Sharana” “Pramanshruti” Gram, Murchhana, Jatigana, Prabandha
04
2 0.2 Vagyeykar, Gamakas, Good and bad points (Guna-Dosha) of a vocalist and instrumentalist.
3 0.3 Short Life sketch and contribution of the following musicians and musicologists.Amir Khushro, Gopal Nayak, Tansen, sadarang, Ustad Hassu Haddu Khan, Ustad Abdul Karim Khan, Ut. Faiyaz Khan
23
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS301PR Semester : 1
Practical Paper – I (Basic Study) (PRI)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs. Marks
W + %Credi
t
1 0.1Detailed and intensive study of the following raags with Aalap, Swar vistar, Sargam, Taan, One BadaKhayal or Masitkhani Gat. & One Chhota Kyayal or Razakhani Gat.(i) Yaman (ii) BAGESHREE
04
24
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS302PR Semester : 1
Practical Paper – II (Extensive Study) (PII)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 One Chhota Khayal or Razakhani Gat with Aalap & Taan in(i)Shuddh Kalyan (ii) Kedar, (iii) Puriya Dhanashri 04
2 0.2 One Chhota Kyayal or Razakhani Gat with Aalap & Taan inDeshkar (ii) Kamod (iii) Adana (iv)
25
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS303PR Semester : 1
Practical Paper – III (Light Classical Varieties) (III)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
UnitNo.
TopicNo. Content Hrs
.
Marks
W + %
Credit
1 0.1 Study of rendering different Tala-Aksharas on tabla in simple Tree Taal, Dadara, 04
2 0.2 Study of the following Talas with their bols ; All the Taals learnt in FY & Deepchandi,Roopak,
3 0.3 Voice culture & Swar Gyan through (i)Sargam Exercises (ii) Sargams Patterns to study Rhythms (iii) Scale Exercise (iv) Alankar (v) Practice in singing written Music (Sight singing or playing and writing notation), (vi) Application of Alankaras to Ragas (vii) Simple Bol-Taana Exercises
4 0.4 One Dhrupad and One Dhamar with Alap and Gayaki in : Hindol, Shankara, Adana,
5 0.5 VOCAL : (a) One Thumari with suitable improvisation in Raag Khamaj.
6 0.6 INSTRUMENTAL: Thumari / Dhun with improvisation in Raag Khamaj.
7 0.7 Three Bhajans or Folk Songs or light songs, out of which one should be in Raag Kalingada and another in Tilang.
26
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS401CC Semester : 1
Principles Of Music – IV (PIV)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 Section – I Applied Physics (Marks for Section – I is 35) 04
1.1
Sound – General RelationshipElementary idea of Doppler’s Principle, Physical significance of Harmony & Discord structure of human throat and ear. General principles of acoustics of buildings. Principles of radio and television.Experiments: (Practical) (Non Evaluative)(1)Resonance: Determination of velocity of sound.(2)Sonometer: Verification of the Law of transverse vibrations of strings.(3)Resonators: Verifying the Law of Resonator.(4)Rotating Drum Method: Determination of frequency of tuning fork.(5)Measurement of string length & air in musical instruments & establishment of musical intervals.
1.2
Section – II PRINCIPLES OF MUSIC (THEORY) (Marks for Section – II is 35)Prachin Aalap Gaan : Raagaalap, Roopakalap, Alapti, Akshiptika, Nibaddha, Anibaddha Gana, Avirbhav, Tirobhav.Alapgana at present : Alap in Aakar, Nom Tom Alap, Bol Alap, Swar Alap, Swarvistar in stahyi, Antara, Sanchari, Abhog..
2 Section – II PRINCIPLES OF MUSIC (THEORY) (Marks for Section – II is 35)Prachin Aalap Gaan : Raagaalap, Roopakalap, Alapti, Akshiptika, Nibaddha, Anibaddha Gana, Avirbhav, Tirobhav.Alapgana at present : Alap in Aakar, Nom Tom Alap, Bol Alap, Swar Alap, Swarvistar in stahyi, Antara, Sanchari, Abhog..
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATAN
27
Programme code : BAMUS Programme Name : MusicCourse Code BAMUS402CC Semester : 1
Detail Study Of Raag – IV (DIV)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 Detailed theoretical study of the Raags prescribed for the Practical. 14 04
2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags prescribed for the Practical.
14
3 0.3 Swarvistar, Aalap, Taans, & its different varieties in the Raags of Practical Study.
14
4 0.4 Writing Notations of Cheezes (Gat for Instrumental Music) & Taals as prescribed
14
5 0.5 Detailed study of the Taals studied up till now with Tigun, Dugun & Chaugun.(Study of Taals : Deepchandi, Tiwra, Panjabi, Dhumali)
14
28
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS403CC Semester : 1
History Of Music – IV (HIV)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs. Marks
W + %Credi
t
1 0.1Study of the Granthkars of the medieval period- Pt.Lochana, Pt.Ahobal, Pt.Hridaynarayan Deva, and Pt.Shrinivas with reference to their Shruti-Swar arrangement, length of swaras on an open string. Mela-ragas arrangement.
04
2 0.2 Study of “Shrimallakshangitam” by Pt. Bhatkhande and contribution of Pt. Bhatkhande and Pt. Paluskar to Hindustani Music.
3 0.3 Short Life sketch and contribution of the following musicians and musicologists.Ut. Allaudin Khan, Ut. Nasiruddin Khan(Dagar), Ut. Natthukhan, Ut.Natthukhan, Ut.Munir khan.
29
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS401PR Semester : 1
Practical Paper – I (Basic Study) (PRI)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1Detailed and intensive study of the following raags with Aalap, Swar vistar, Sargam, Taan, One BadaKhayal or Masitkhani Gat. & One Chhota Kyayal or Razakhani Gat.
i. Bihag (ii) MALKAUNS
04
30
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS402PR Semester : 1
Practical Paper – II (Extensive Study) (PII)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs. Marks
W + %Credi
t
1 0.1 One Chhota Khayal or Razakhani Gat with Aalap & Taan in(i)Chhayanat (ii) JaiJaiwanti (iii)Ramkali 04
2 0.2 One Chhota Kyayal or Razakhani Gat with Aalap & Taan in Shankara (v) Basant (vi) Miyan ki Todi
31
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS403PR Semester : 1
Practical Paper – III (Light Classical Varieties) (III)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
UnitNo.
TopicNo. Content Hrs. Marks
W + % Credit
1 0.1 Study of rendering different Tala-Aksharas on tabla in simple JhapTaal, & Ektaal. 04
2 0.2 Study of the following Talas with their bols ; All the Taals learnt in FY & Tivra, Jhoomara, & Adachautal
3 0.3 Voice culture & Swar Gyan through (i)Sargam Exercises (ii) Sargams Patterns to study Rhythms (iii) Scale Exercise (iv) Alankar (v) Practice in singing written Music (Sight singing or playing and writing notation), (vi) Application of Alankaras to Ragas (vii) Simple Bol-Taana Exercises.
4 0.4 One Dhrupad and One Dhamar with Alap and Gayaki in : Deshkar, Durga, or Tilak-Kamod
5 0.5 VOCAL : (a) One Thumari with suitable improvisation in Raag Bhairavi
6 0.6 INSTRUMENTAL: Thumari / Dhun with improvisation in Raag Bhairavi
7 0.7 Three Bhajans or Folk Songs or light songs, out of which one should be in Raag Kalingada and another in Tilang
32
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS501CC Semester : 1
Principles Of Music (POV)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 Detailed study of Shruti in Indian Music – Interpretation of “Praman Shruti” by different Granthakaras, different ways of measuring shruti. 04
2 0.2 Study of Tempered, natural, Diatonic and Chromatic scales.
3 0.3 Comparative study of scales in Indian and Western Music.
33
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS502CC Semester : 1
Detail Study Of Raag (DSV)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 Detailed study of Raags prescribed for practicals. 14 04
2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags studied up till now
14
3 0.3 Swarvistar, Aalap, Taans, & its different varieties in the Raags of Practical Study; studied up till Now.
14
4 0.4 Writing Notations of Cheezes (Gat for Instrumental Music) & Taals as prescribed in practical study.
14
5 0.5 Study of the following taals with dugun, tigun, & Chaugun - Tree Taal, Ek Taal, Jhap taal,
14
6 0.6 Study of the following talas : Jhoomara, Adachautal.
34
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS503CC Semester : 1
History Of Music (HOV)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs. Marks
W + %Credi
t
1 0.1
Introduction to South Indian Music :The main corresponding scales of Hindustani & Karnatic Music.The 72 Melkaratas of the South. Derivation of Raags from a Mela(Thaat, derivation of total raags possible from 72 Melas(technically)). The main Raags of South Indian Music
04
2 0.2 The Taal System in Karnatic Music – 7 main Taals & 5 Jatis of each. Conversion of North Indian Taals in to Karnatic System
3 0.3 The main point of the exposition, presentation, & appreciation in Karnatic Music. Out line of the history of Karnatic Music.
4 0.4 The main composers & main contemporary exponents in Karnatic Music. THEIR LIFE SKETCHES
35
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS501PR Semester : 1
Practical Paper – I (PRI)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1Detailed and intensive study of the following raags with Aalap, Swar vistar, Sargam, Taan, One BadaKhayal or Masitkhani Gat. & One Chhota Kyayal or Razakhani Gat.(i) Yaman (ii) Bageshri
04
36
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS502PR Semester : 1
Practical Paper – II (PII)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs. Marks
W + %Credi
t
1 0.1One Bada Khayal or Masitkhani Gat & one Chhota Khayal with Aalap & Taan in(i) Miya Malhar (ii) Multani
04
2 0.2 One Chhota Kyayal or Razakhani Gat with Aalap & Taan in(i) Gaud Sarang (ii) Bahar
37
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS503PR Semester : 1
Practical Paper – III (III)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
UnitNo.
TopicNo. Content Hrs. Marks
W + % Credit
1 0.1Study of the following taals with practical rendering of Thekas : (i) Vilambit & Drut Tree Taal
04
2 0.2 (i) Training of Meend & Swar – Andolan (ii) Training Nom Tom Aalap (iii) Practice of 3 swar & 4 swar Taans (iv) Practice of Advanced Taans & Bol Taans
3 0.3 VOCAL: One Dhrupad and One Dhamar with Alap and Gayaki in : Gaud Malhar, Hamir,INSTRUMENTAL: Compositions set in taal other than tree taal in the following raags : Gaud Sarang, Multani, Jayjaywanti,
4 0.4 VOCAL: One Thumri with proper expression in : Khamaj and One Thumari with simple rendering in Jogiya, Three Bhajans or Folk Songs or Light Songs in Gujarati/Hindi
38
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS601CC Semester : 1
Principles Of Music (PVI)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 Notation of Music – The two main Notation System in North Indian Music i.e. Pt. Bhatkhande and Pt. Paluskar System. 04
2 0.2 Introductory knowledge of staff notation system.
3 0.3 Writing of Swarmalika in Staff Notation OR STAFF NOTATION TO BHATKHANDE OR PALUSKAR SYSTEM.
39
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS602CC Semester : 1
Detail Study Of Raag (DVI)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1 Detailed study of Raags prescribed for practicals. 14 04
2 0.2 Comaparative Study of Samakrutik & Samprakrutik Raags studied up till now.
14
3 0.3 Swarvistar, Aalap, Taans, & its different varieties in the Raags of Practical Study; studied up till Now.
14
4 0.4 Writing Notations of Cheezes (Gat for Instrumental Music) & Taals as prescribed in practical study.
14
5 0.5 Study of the following taals with dugun, tigun, & Chaugun - Chautal, Dhamar.
14
6 0.6 Study of the following talas : Gajajhampa, Matta, Shikhar
40
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS603CC Semester : 1
History Of Music (HVI)Course type : Core Complusory Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs. Marks
W + %Credi
t
1 0.1
Detailed study of the forms of Musical Compositions & the history of the principle Gharanas in Hindustani Music. Dhrupad Dhamar : Characteristics of the Form. Four Banis & Gharanas. The main exponents of Dhrupad. Khayal: Rising of the khayal. Reason of its popularity. Main Characteristics of Khayal. Story of the Main Gharanas of Khayal & its special characteristics of the respective Gharana. Main contemporary exponents of Khayal ( Delhi, Agra, Gwalior, Kiran & Jaypur).
04
2 0.2 THUMARI : The history of the form. The main characteristics of thumari. i.e. Banaras, Jaypur & Punjab. The main contemporary exponents of Thumari.History and the characteristics of Tarana, Tirvat, Tappa, Chaturang, Kawwali, Naat, Ghazal, Masitkhani Gat & Razakhani Gat.Lighter varieties of compositions: Characteristics of folk songs in general with particular reference to Gujarati folk songs.
3 0.3 Regional varieties of folk songs i.e. Kajari, Chaiti, Zula, Lewani, Bhatiyali & their characteristics. Devotional songs : Bhajan, Abhang, Kirtan, Aarti, etc.Modern Songs: Bhavgeet, Ravindra Sangit, Gazals, in Hindi, Marathi, Gujarati Lyrics
41
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS601PR Semester : 1
Practical Paper – I (Basic Study) (PRI)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs
.MarksW + %
Credit
1 0.1Detailed and intensive study of the following raags with Aalap, Swar vistar, Sargam, Taan, One BadaKhayal or Masitkhani Gat. & One Chhota Kyayal or Razakhani Gat.(i) Todi (ii) Jaunpuri iii) Malkauns
04
42
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS602PR Semester : 1
Practical Paper – II (Extensive Study) (PII)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
Unit
No.
Topic
No.Content Hrs. Marks
W + %Credi
t
1 0.1 One Bada Khayal or Masitkhani Gat & one Chhota Khayal with Aalap & Taan in Darbari Kanada (iii) Puriya (iv) Lalit 04
2 0.2 One Chhota Kyayal or Razakhani Gat with Aalap & Taan in(i)Paraj (ii) Shree (iii) Sohini
43
HEMCHANDRACHARYA NORTH GUJARAT UNIVERSITY, PATANProgramme code : BAMUS Programme Name : MusicCourse Code BAMUS603PR Semester : 1
Practical Paper – III (Light Classical Varieties) (III)Course type : Practical Total Credit : 04
Teaching time (hours) Examination Marking schemeTheory
(hrs)Practical
(hrs)Internal(Marks)
External(Marks)
Total(Marks)
4 X 15 = 60 30 70 ( Paper of 3 hrs) 100
UnitNo.
TopicNo. Content Hrs. Marks
W + % Credit
1 0.1Study of the following taals with practical rendering of Thekas : (i) Vilambit & Drut Ektaal (iii) Vilambit & Drut Zumara
04
2 0.2 (i) Training of Meend & Swar – Andolan (ii) Training Nom Tom Aalap (iii) Practice of 3 swar & 4 swar Taans (iv) Practice of Advanced Taans & Bol Taans
3 0.3 VOCAL: One Dhrupad and One Dhamar with Alap and Gayaki in : Jaijaiwanti, Miya Malhar, Sohini, Malkauns, TodiINSTRUMENTAL: Compositions set in taal other than tree taal in the following raags : Sohini, Miya Malhar, Malkauns
4 0.4 VOCAL: One Thumri with proper expression in : BHAIRAVI and One Thumari with simple rendering in PILOO, Three Bhajans or Folk Songs or Light Songs in Gujarati/Hindi