visual blending using 2d morphing sk semwal j ohya* i semwal b bikker university of colorado,...
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Visual Blending Visual Blending using 2D using 2D MorphingMorphing
SK Semwal J Ohya* I SK Semwal J Ohya* I Semwal B BikkerSemwal B Bikker
University of Colorado, Colorado University of Colorado, Colorado SpringsSprings
*ATR, Japan*ATR, Japan
Visual SurrealismVisual Surrealism
1917 by Guillaume Apollinaire 1917 by Guillaume Apollinaire Dream like qualityDream like quality Super realism writing, verbally or Super realism writing, verbally or
any other means of thoughtany other means of thought Extends to animationExtends to animation
Introduction Introduction
Images indistinguishable from Images indistinguishable from reality:reality: Nadia Thanlmann (human forms)Nadia Thanlmann (human forms) Badler (Human forms)Badler (Human forms) Many examples from movies and filmsMany examples from movies and films
MotivationMotivation
2D Morphing2D Morphing Surrealism evident in Morphing Surrealism evident in Morphing
(Willow)(Willow) Field Morphing techniqueField Morphing technique
Extensions from Field Extensions from Field MorphingMorphing
Multiple segments define an area Multiple segments define an area which remains constant which remains constant
Polygonal extents provides Polygonal extents provides consistent morphing with ghosting consistent morphing with ghosting reductionreduction
ResultsResults
Precise timing can Precise timing can be achievebe achieve
Smoothing Smoothing introduces “lag”introduces “lag”
Summary Summary
Results are more realistic as we can Results are more realistic as we can control some immovable parts control some immovable parts during morphingduring morphing
Multiple line segments and their Multiple line segments and their choice determine the quality of choice determine the quality of animationanimation
Future WorkFuture Work
Defining the areas automaticallyDefining the areas automatically Extensions to 3D during motion Extensions to 3D during motion
capturecapture