visual rhetoric: m/w edition, march 3rd

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Page 1: Visual Rhetoric: M/W edition, March 3rd
Page 2: Visual Rhetoric: M/W edition, March 3rd

TODAY

1) Checking in2) The Tagging Assignment/what

the “point” is3) A little brainstorming time4) Homework

Page 3: Visual Rhetoric: M/W edition, March 3rd
Page 4: Visual Rhetoric: M/W edition, March 3rd

So you might be asking…… what’s the point?

Why would we do THIS as a part of a visual rhetoric class? The answer might be even more simple than you can imagine.

Page 5: Visual Rhetoric: M/W edition, March 3rd

PUBLIC RHETORICS.

Page 6: Visual Rhetoric: M/W edition, March 3rd

That is… rhetoric for a clearly defined public audience. Rhetorical moves that “say something” to society or a particular culture.

Page 7: Visual Rhetoric: M/W edition, March 3rd

Behold, again, the Space Invader. He is…I know it’s cheesy on some level… “invading” your space. His is a message of art out-of-place or respect for craft lost.

Page 8: Visual Rhetoric: M/W edition, March 3rd

Or Shepherd Fairey, with his “Obey” motif.

What is he REALLY saying to us? That we should take our advice from Andre the Giant?

Page 9: Visual Rhetoric: M/W edition, March 3rd

And the high exalted master of the craft , Banksy.

Why does Banksy do these things?

Page 10: Visual Rhetoric: M/W edition, March 3rd
Page 11: Visual Rhetoric: M/W edition, March 3rd

Brilliant or simply sarcastic, prolific and often vilified, Banksy uses graffiti to critique culture in ways that are at once obvious and slightly obscured.

What is his point?

Page 12: Visual Rhetoric: M/W edition, March 3rd
Page 13: Visual Rhetoric: M/W edition, March 3rd

Sometimes his juxtapositions are obvious.

But he does, indeed, make a point with each thing he “defaces.”

Page 14: Visual Rhetoric: M/W edition, March 3rd

Your task, then…… is to create a piece of public visual rhetoric and deploy it.As I have said before, you don’t need to be so brazen as to spraypaint something. I don’t want to get you into trouble.But you want to make something that conveys a public message that you can place in public space.

Page 15: Visual Rhetoric: M/W edition, March 3rd

Suggestions:

1) Think sticker sized. Make stickers and put them anywhere/everywhere.

2) There are lots of bulletin boards on a college campus and in a college town…

Page 16: Visual Rhetoric: M/W edition, March 3rd

3. We have an internet full of public space and references.

4. This is still publicity work; it’s just a little off-of-center. So use the same sorts of strategies we’ve used so far.

5. Customize the medium to your message: what do YOU want to say?

Page 17: Visual Rhetoric: M/W edition, March 3rd

Brainstorming! For each prompt, write for as long as I give you (about 5 minutes), or sketch, or whatever helps you.

Prompt 1: What are things that matter to you, issues you have something very specific to say about?

Page 18: Visual Rhetoric: M/W edition, March 3rd

Prompt 2: Remember that this is visual rhetoric, so this needs to be an argument that is more about the visual than the text. What images work with your chosen message?

Page 19: Visual Rhetoric: M/W edition, March 3rd

Prompt 3: Think about places where your message could best be heard. What can you put there? How difficult would it be? How legal would it be?

Page 20: Visual Rhetoric: M/W edition, March 3rd

Prompt 4: Think about the power of memory. How will you get your message to “stick” to the audience? Why will they remember it a day later? A week?

Page 21: Visual Rhetoric: M/W edition, March 3rd

Prompt 5: What can you use in this space to make this point? Where can you access the materials? Is it cost effective?

Page 22: Visual Rhetoric: M/W edition, March 3rd

Prompt 6: What are the risks of doing this and can you afford to risk it? If the answer is no, return to prompt 1.

Page 23: Visual Rhetoric: M/W edition, March 3rd

Armed with these responses, go to a computer and spend some time roughing out a general plan for what you want to create and how you want to deploy it.

You can also get started on the actual design if you can get that far.

This is due April 7th.

Page 24: Visual Rhetoric: M/W edition, March 3rd

For Wednesday:

Come Wednesday ready to devote the whole class, essentially, to brochure work with your team. I want us to get a foundation in place and build a work-plan.

No additional readings at this time.