watching ‘freaks’eprints.leedsbeckett.ac.uk/4667/1/watchingfreaksppt_wilde.pdf · alison wilde,...

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Citation: Wilde, A and Millett, S (2018) Watching ‘Freaks’ – young people negotiating what it is to be human. In: Leeds Beckett Media Research Festival, 19 January 2018 - 19 January 2018, Rose Bowl, Leeds Beckett University. Link to Leeds Beckett Repository record: http://eprints.leedsbeckett.ac.uk/4667/ Document Version: Conference or Workshop Item Creative Commons: Attribution 4.0 The aim of the Leeds Beckett Repository is to provide open access to our research, as required by funder policies and permitted by publishers and copyright law. The Leeds Beckett repository holds a wide range of publications, each of which has been checked for copyright and the relevant embargo period has been applied by the Research Services team. We operate on a standard take-down policy. If you are the author or publisher of an output and you would like it removed from the repository, please contact us and we will investigate on a case-by-case basis. Each thesis in the repository has been cleared where necessary by the author for third party copyright. If you would like a thesis to be removed from the repository or believe there is an issue with copyright, please contact us on [email protected] and we will investigate on a case-by-case basis.

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Page 1: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Citation:Wilde, A and Millett, S (2018) Watching ‘Freaks’ – young people negotiating what it is to be human.In: Leeds Beckett Media Research Festival, 19 January 2018 - 19 January 2018, Rose Bowl, LeedsBeckett University.

Link to Leeds Beckett Repository record:http://eprints.leedsbeckett.ac.uk/4667/

Document Version:Conference or Workshop Item

Creative Commons: Attribution 4.0

The aim of the Leeds Beckett Repository is to provide open access to our research, as required byfunder policies and permitted by publishers and copyright law.

The Leeds Beckett repository holds a wide range of publications, each of which has beenchecked for copyright and the relevant embargo period has been applied by the Research Servicesteam.

We operate on a standard take-down policy. If you are the author or publisher of an outputand you would like it removed from the repository, please contact us and we will investigate on acase-by-case basis.

Each thesis in the repository has been cleared where necessary by the author for third partycopyright. If you would like a thesis to be removed from the repository or believe there is an issuewith copyright, please contact us on [email protected] and we will investigate on acase-by-case basis.

Page 2: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Watching ‘Freaks’ – young people negotiating what it is to be human

Alison Wilde, Leeds Beckett University, January 2018

Page 3: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

The StudyThe film and its reception since 1932

Page 4: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Stereotypes, ‘cripples’ practitioners and academics

Page 5: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Moving from ideas of bad and good - considering the audience

Page 6: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Focus groups

Three schools

Six-seven young people

Met over four months

Three films

Page 7: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

The films

Page 8: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Freaks- Gooble GobbleGooble gobble

Page 9: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

The Simpsons Season 1One of us - (Homer as the voice of reason, and shock treatment)

Page 11: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

South Park - one of usSouth Park gooble gobble

https://www.youtube.com/watch?v=YgKhEmxgSMs

Page 13: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Ramones- PinheadGabba Gabba –we accept you, one of us

Page 14: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since
Page 15: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Christine and the Queens’ Héloïse Letissier

Page 16: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

‘behave communally as a “normal” character

in the way that any victim of treatment or

abuse might when confronted with an

outsider who perpetrates such abuse,

especially when the abuse is “justified” by a

lack of respect for the characters who shared

“othered” bodies’

(Chivers,2001, 63)

Page 17: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

‘imbues such bodies with understandable

motivation, suggesting a continuum of body

types rather than an ideal and a lack’,

‘no choice’ but to become ‘one of us’

Page 18: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Gill, not helping Nemo, for his own good…

Page 19: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Freaks and Spectacle• Hilton sisters from Freaks (and the Bunker Brothers

• (b. 1811), both ‘news’ in the Daily Mail, in 2014 and 2015)

Page 20: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Freaks and spectaclePrince Randian lights a cigarette

Page 21: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Imperator Furiosa, in Mad Max – Fury Road

Page 22: Watching ‘Freaks’eprints.leedsbeckett.ac.uk/4667/1/WatchingFreaksPPT_WILDE.pdf · Alison Wilde, Leeds Beckett University, January 2018. The Study The film and its reception since

Thank you for listening!