watercolor media specification jeremy shopf 10/3/06
TRANSCRIPT
Characteristics
• Vivid Color• Transparent, composited layers• Unpainted light regions• Texture from paper and diffusion
Winslow Homer – “Guide carrying a deer”
Paint and Medium
• Pigment diffused in water is applied to the medium (typically paper) in layers
• Pigments and amount of dilution controls the level of transparency
• Texture of the medium impacts final appearance
• There is no “white” watercolor– Areas are typically unpainted– Opaque white is occasionally used
Processes
• Wash– Area of uniform color
• Glaze– Layering of detail/darkening– Compositing color
• Wet-in-Wet– Paint with water and then apply paint– Creates unpredictable results
• Dry Brush– Use a dry brush with thick paint to generate
texture
Representative Image
• Charles Demuth – “Still life with apples and a green glass”
• Other artists: Cezanne, O’Keeffe, Audubon
Implications for Algorithms
• Fluid Simulation [Curtis97]– Darkening of boundaries– Uneven boundaries and color bleeding– Not necessarily required [Bousseau06]
• Rendering layered material– Kubela-Monk [Haase92, Curtis97]
• Texture of medium vs. type of technique [Bousseau06]
• Abstraction of detail [Bousseau06]– Detail added with pen-and-ink [Luft06]