watercolor - what have you learned - glenn hirsch, instructor
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www.glennhirsch.comTRANSCRIPT
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What Have You Learned?
Watercolor Fundamentals
Glenn Hirsch, Instructorwww.glennhirsch.com
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Andrew Wyeth
What does ‘glazing’ mean?
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Andrew Wyeth, watercolor
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Kevin Dame, student
What does ‘reserving the white’ mean?
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Work from light to dark, reserving the white paper where you want white colorAllow each step to dry before proceeding to the next
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Andrew Wyeth, watercolor
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J.M.W. Turner, 1840
What does ‘aerial perspective’ mean?
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John Singer Sargent, 1900
How have you learned to use the brush this semester?
StampingRollingScratchingDry BrushWet-in-WetWet-over-dry
Square watercolor brushTiny ‘script’ brushSpikey bamboo Sumi brush
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Claude Lorraine, ink, 1630
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Georgia O’Keeffe, watercolor, 1920
What about light and shadow?
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Joseph Raphael, 1980
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Louise Stanley, watercolor 1996
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Student study of Winslow Homer
Why care about warm and cool versions of the same color?
Greenish blues?Purplish blues?Duller? Brighter?
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Raoul Dufy, watercolor, 1920
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Elizabeth Peyton, watercolor, 1995
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Claes Oldenberg, watercolor study for a monumental sculpture
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Emile Nolde, watercolor 1930
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Emile Nolde, watercolor 1930
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Emile Nolde, 1920
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Charles Demuth, 1920
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Robert Bechtel, watercolor, 1985
How patient are you?
How good is your drawing?
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Robert Bechtel, watercolor, 1985
Oh my god!
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Gustav Moreau, watercolor, 1885
Make/believe.
You make it.You believe in it.
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Do you have to follow the photograph?
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think with watercolor
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Eugene Delacroix, 1835
Study for a large oil painting
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Berthe Morisot, watercolor study, 1885
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Field study, watercolor, 1850
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Raoul Dufy, watercolor, 1910
How spontaneous are you?
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Oskar Kokoschka, watercolor, 1930
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John Singer Sargent, watercolor, 1910
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Mark Rothko
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Fred Martin
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Fred Martin