€¦ · web viewexplanation from the cataloguer, michael heseltine: you can search this (or any...

Explanation from the cataloguer, Michael Heseltine:

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The index is normally alphabetical throughout, Anon followed by Composers, with their pieces in alphabetical order too. There are one or two exceptions: the many different versions of the pieces by Dowland are listed in the order adopted by John Robinson, and there are a few similar cases for other composers, and the Milano Recercatas and Fantasias are listed in Ness order. I have cross-referenced pieces with alternative titles, listing them separately followed by “see under” and the name under which the piece is normally known. These alternative titles also appear in inverted commas after the main entry.

I have not always given full source details with library shelf marks as many of my early entries were made directly from facsimiles such as Thysius and Board. The name was (and still is) sufficient, so I have not bothered to painstakingly add the full details, but can do so probably quite quickly if you feel it necessary.

I have tried to be consistent, giving only the folio or page number that the pieces start on. If there is no v for verso it will be the recto. Square brackets are used when the composer’s name or the title does not appear in the original source, and for references, Pouton, Ness, etc.

Anon. Ach wie bin ich von herzen betrubt (D-D1 M 297, p.109), see under Anon. Barafostus Dreame, LZ 118/D10

Anon. Ach wie bin ich von hertzen betrubt (Leipzig II.6.15, p.453), see under Anon. Barafostus Dreame, LN 54/1b; LZ 118/D7

Anon. Ach wie bin ich von hertzen betrubt (GB-Lbl Sloane 1021, f.75v), see under Anon. Barafostus Dreame, LZ 118/D12

Anon. Ach wie bin ich von hertzen betruebett (PL-Kj 40159, f.9v), see under Anon. Barafostus Dreame, LZ 118/D11

Anon. Alebon Galiarde (Lodge, f.7v), see under Anon. La Rocha el fuso, LN 40 B3 (1)/20

Anon. Alemana (US-BE 760, f. 25v), see under Anon. La Monaca, LZ 120/M7

Anon. Alemana (I-Bas IV-86/746, f. 5v-6), see under Anon. La Monaca, LZ 120/M18a

Anon. La Alemana in soprano (US-BE 757, f. 8v), see under Anon. La Monaca, LZ 120/M6

Anon. Alemana in soprano balletto (US-SFsc M2.1 M3 de Bellis, p. 55), see under Anon. La Monaca, LZ 120/M8

Anon. Alemande, see under Anon. Almande de Don Frederico (D-Mbs pr.93, f.64v), LZ 121/4

Anon. Alemanna (F-Pn Rés Vmd.31, f. 11v), see under Anon. La Monaca, LZ 120/M19

Anon. Alemanna (I-Lg 774, f. 31), see under Anon. La Monaca, LZ 120/M34

Anon. Alia Courante (Sloane 1021, f.49), see under Anon. Packingtons Pound, LN 54/10a ii; LZ 113/P1m

Anon. Alia ejusdem Basis (LT-Va 285-MF-LXXIX Konigsberg, f.54v), see under Anon. Mall Symes, LZ 114/1b

Anon. Alio modo les bouffons –Propertio (Bu F.X.70, p.240), see under Anon. Les Bouffons, LN 81/3a vAnon. Alio modo les bouffons-Propertio (Bu F.IX.70, p.240), see under Anon. Les Bouffons, LN 81/3a x

Anon. Aliter (GB-Lbl Sloane 1021, f.69v), see under Anon. Bergamasca, LZ 118/B43

Anon. Aliter dack Berga[masca (GB-Lbl Sloane 1021, f.69), see under Anon. Bergamasca, LZ 118/B20

Anon. Aliter Th[omas] Lind[berg] (GB-Lbl Sloane 1021, f.69), see under Anon. Bergamasca, LZ 118/B21

Anon. Aliud (GB-Lbl Sloane 1021, f.65v), see under Anon. En me revenant, LZ 115/25

Anon. Aliud Deck[er] (GB-Lbl Sloane 1021, f.66v), see under Anon. En me revenant, LZ 115/29

Anon. Aliud [Exercitium] (D-LEm II.6.15, p.15 ii) LZ 107/PP32

Anon. Aliud Leonis (GB-Lbl Sloane 1021, f.65v), see under Anon. En me revenant, LZ 115/24

Anon. Aliud Madel (GB-Lbl Sloane 1021, f.66r), see under Anon. En me revenant, LZ 115/28

Anon. All a green willow (Lodge f.19) LS 1/2bLN 41 B3 (2)/2

with texts LN 64 text

Anon. All a greene willowe (Dallis no. 21, p.26) LN 64 text

Anon. All a grene willowe, reconstruction for voices and viols or lute (Folger, f.19) LN 73 text

Anon. All Flowers of the Broom (IRL-Dtc 408/II no.40, p.103) LZ 117/A1

Anon. All in a garden green, arranged for lute (Playford 1651, p.71) LN 116/A4

Anon. All in a Garden Green, duet (arranged from Playford 1651) LN 43Anon. All in a garden grene, lyra viol (IRL-Dtc.408 I Ballet no.50, p.56) LSJ vol.10, [plate 2]

Anon. All in a garden grene, lyra viol transcribed for lute (IRL-Dtc.408 I Ballet no.50, p.56) LN 116/A6

Anon. [All in a garden green], lyra viol transcribed for lute (Och 439, p.57) LN 116/A1

Anon. [All in a garden green] “Onder de Linde grine” (NL-HOwfa 1667-1, f.5) LN 116/A3

Anon. All in a garden green, see also under Richard Allison

Anon. Allemanda (CZ-Bm371, p.9) LZ 111 text

Anon. Allemanda (CZ-Bm371, p.23) LZ 111 text

Anon. Allemand Anglica (Nauclerus, f.27v) LN51 C63/11

Anon. Allemand – Proportio” (Beckmann, S-B 2245 f. 13), see under Anon. Fortune my Foe, LZ117/F31

Anon. Allemande (CZ-Bm371, p.5) LZ 111 text

Anon. Allemande (B-Br 4087, fasc.2, f.1v) LZ 111 text

Anon. Allemande, duet (Goess MS V, f.57v) LN 115 text

Anon. Allemande (F-Pn Res.941, ff. 9r-9v), see under Anon. La Mona[c]a, LZ 120/M4

Anon. Alle]ma[n]de (F-Pn Res.941, ff. 9v-10), see under Anon. La Monaca, LZ 120/M5

Anon. Allemande (Besard 1603, f.130), see under Anon. Almande de Don Frederico, LZ 121/2

Anon. Allemande (NL-Lu 1666 Thysius no.895, f.507), see under Anon. Almande de Don Frederico, LZ 121/14

Anon. Allemande di Bouqueti (Donaueschingen III, f.30), see under Anon. The French King’s Maske, LN 64/2 vAnon. Allemande grassie (B-Bc 26.369, f.9v), see under Anon. En me revenant, LZ 115/9a

Anon. Allemande gratie (Hove 1601, f.109), see under Anon. En me revenant, LZ 115/9b

Anon. Allemande Imperiale (Denss 1594, f.91v), see under Anon. Der alten Weiber Tantz, LZ 127/H2c

Anon. Allemande Loreijne LS 7/2

Anon. [Allemande Loreyne] “Tw lessons to be plaid with two lutes” (Folger no.7-8, f.2v) LS 2/10

Anon. Allemande Loreyne “An Almane”, arranged for two lutes (Sampson, f.3) LN 43

Anon. Allemande Monsieur (Thysius no.853-857, f.484-485v) see under Anon. Monsieur’s Almaine, LZ 110/11-15

Anon. Allemande Nonette (NL-Lu 1666 Thysius no.897, f. 509), see under Anon. Une Jeune Fillette, LZ 119/25

Anon. Allemande Nonette (Thysius no.897, f.509), see under Anon. Une jeune fillette, LN 12 text

Anon. Allemande Poloinze (Thysius no.884, f.498) LN 13 text

Anon. Allerschonstes bilt erzeig (PL-Kj 40159, f.11), see under Anon. As I went to Walsingham, LZ 104/5

Anon. Allins Jigg (Dd 9.33.1, f.28), see under Anon. Jig for Edward Alleyn, LN 81/1b

Anon. An Allmaine (Ctc MS 0.16.2) LN 14 text

Anon. An Allmaine (Osborn fb7 no.35, f.89) LN 74 text

Anon. [An Almain] (Board no.171, f.42v = Board no.95) LS 78/5a

Anon. Almain (Dd.5.78.3, f.67) LN 93/16

Anon. Almaine (Nn.6.36, f.24) LN 78/1cAnon. Almaine (Lodge, f.18) LN 41 B3 (2)/6

Anon. Almaine (Folger V.a.159, f.18) LN 78/8aAnon. [Almaine] (Cu Dd.5.78.3, f.75v) LN 112/vi

Anon. Almaine (Marsh no.59, p.123), see under Anon. Almande de Don Frederico, LSJ vol. 11 plate 3

Anon. Almana Imperiala; Der nach Tanz, 6 course cittern (Kargel 1575, f.H3), see under Anon. Der alten Weiber Tantz, LZ 127/H2j

Anon. Allmane (Dd.5.78.3, f.6v) LN 103/App.g

Anon. Alman Nichols, mandore (GB-En Adv.5.2.15, p.120), see under Anon. En me revenant, LZ 115/36

Anon. Almande (Adrienssen 1600, f.75), see under Anon. En me revenant, LZ 115/18a

Anon. [Almande] Autrement (Adrienssen 1600, f.75) see under Anon. En me revenant, LZ 115/18b

Anon. Almande de la Nonette – Reprinse, diatonic cittern and transcription for chromatic cittern (Phalèse & Bellère Hortus Citharae 1582, f. 70v), see under Anon. Une Jeune Fillette, LZ 119/48a-b

Anon. Almande Ich ging ainmal spaciren, diatonic cittern and transcription for chromatic cittern (Kargel Renovata Cythara 1578, f. M1), see under Anon. Une Jeune Fillette, LZ 119/49a-b

Anon. Almande le pied de cheval, melody (Dublin Virginal MS) LN 98 text

Anon. Almande Monsieur, treble and ground duet (Valerius, p.286), see under Anon. Monsieur’s Almaine, LZ 110/26a-c

Anon. Almande Monsieur, diatonic cittern, and transcription for chromatic cittern (Valerius 1626, p.286, see under Anon. Monsieur’s Almaine, LZ 110/26d i and ii

Anon. Almande Monsieur, cittern and voice, (Valerius 1626, p.286), see under Anon. Monsieur’s Almaine, LZ 110/26e

Anon. Almande la nonette (Phalèse & Bellère 1574, f. 80), see under Anon. Une Jeune Fillette, LZ 119/34

Anon. Almande Nonette - Une Jeusne fillette (Valerius 1626, p. 180), see under Anon. Une Jeune Fillette, LZ 119/2

Anon. Almande Nonette (GB-Ob D.4.10 Art., f. 1), see under Anon. Une Jeune Fillette, LZ 119/35 Anon. Almande Nonette, Of: Vne Juesne fillette, diatonic cittern and transcription for chromatic cittern (Valerius 1626, p. 180),

see under Anon. Une Jeune Fillette, LZ 119/38a-b

Anon. Almande (Phalese & Bellere 1574, f.78v), see under Almande de Don Frederico, LZ 121/8

Anon. Almande (Phalese & Bellere 1574, f.78v), see under Almande de Don Frederico, LZ 121/9

Anon. Almande 1 (IRL-Dtc 410 I Dallis no.196, p.218), see under Almande de Don Frederico, LZ 121/7

Anon. Almande de Don Frederico (Adrienssen 1584, f.86v) LZ 121/5

Anon. [Almande de Don Frederico] (US-RO M140 V186S, p.40) LZ 121/3

Anon. [Almande de Don Frederico] (D-Dl M 297, p.74) LZ 121/23

Anon. [Almande de Don Frederico] (IRL-Dm Z.3.2.13, attributed to Richard? Green, almost identical to LZ121/10) LZ 121/11

Anon. [Almande de Don Frederico] “Alemande” (D-Mbs pr.93, f.64v) LZ 121/4

Anon. [Almande de Don Frederico] “Allemande” (Besard 1603, f.130) LZ 121/2

Anon. [Almande de Don Frederico] “Allemande” (NL-Lu 1666 Thysius no.895, f.507) LZ 121/14

Anon. [Almande de Don Frederico] “Almaine” (Marsh no.59, p.123) LSJ vol. 11 plate 3

Anon. [Almande de Don Frederico] “Almande” (Phalese & Bellere 1574, f.78v) LZ 121/8

Anon. [Almande de Don Frederico] “Almande” (Phalese & Bellere 1574, f.78v) LZ 121/9

Anon. [Almande de Don Frederico] “Almande 1” (IRL-Dtc 410 I Dallis no.196, p.218) LZ 121/7

Anon. [Almande de Don Frederico] “Dantz” (CH-Bu F.IX.70, p.264) LZ 121/17

Anon. [Almande de Don Frederico] “Dantz M.N. - Hupfauff” (CH-Bu F.IX.70, p.261) LZ 121/25

Anon. [Almande de Don Frederico] “Deutscher dantz - nachdanz” (D-W Guelf 18.8 IV, f.18v) LZ 121/27

Anon. [Almande de Don Frederico] “Deutscher dantz - Nachdanz” (D-W Guelf 18.8 IV, f.31) LZ 121/28

Anon. [Almande de Don Frederico] “Fein lustigh ist spazieren gehen” (D-Hbusch w.s., f.16v) LZ 121/12

Anon. [Almande de Don Frederico] “Ganz lustig ist es spacierenn gehn” (CH-Bu F.IX.70, p.268) LZ 121/30

Anon. [Almande de Don Frederico] “Gar Lustisch Ist Spazeren Gan-Proportio” (D-B 40141, f.94) LZ 121/24

Anon. [Almande de Don Frederico] “Gar lustisch ist spazieren gehen” (LT-Va 285-MF-LXXIX, f.12) LZ 121/19

Anon. [Almande de Don Frederico] “Gar lustig ist spacieren gahn” (DK-Kk Thott 841 4o, f.92v) LZ 121/21

Anon [Almande de Don Frederico] “Gar lustig ich spazieren gieng” (PL-Kj 40161, f.1) LZ 121/18

Anon. [Almande de Don Frederico] “Gar lustig ist spaziren gahn” (CZ-Pu XXIII.F.174, f.19v) LZ 121/13

Anon [Almande de Don Frederico] “Gar lustig ist spaziren gahn-Saltar[ello]” (D-KNh R242, f.228v) LZ 121/15

Anon. [Almande de Don Frederico] “Grenes Allman” (GB-NO Mi LM 16, f.18v) LZ 121/10

Anon. [Almande de Don Frederico] “Landtgraves Alman” (D-Kl 4o Mus.108.1, f.26v) LN 30 C15/7LZ 121/22

Anon. [Almande de Don Frederico] “Leiblich ist es spazieren gehn” (CH-Bu F.IX.70, p.269) LZ 121/16

Anon. [Almande de Don Frederico] “Tantz” (Waissel 1591, f.B3) LZ 121/20

Anon. [Almande de Don Frederico] “Tantz” (DK-Kk Thott 841 4o.f.77v) LZ 122/32

Anon. [Almande de Don Frederico] “Tantz-hupffauff” (Neusidler 1574, f.K2) LZ 121/26

Anon. [Almande de Don Frederico] “Tantz - Sprunck” (Waissel 1573, f.M1v) LZ 121/29

Anon. Almande de Don Frederico, diatonic cittern and transcription for chromatic cittern (Phalese & Bellere 1582, f.75v)LZ 121/6a-b

Anon. Almande de Don Frederico, see also Adriaenssen (Emanuel) Almande de don Frederico, and Hove (Joachim van den) Almande [de] Don Frederico, LZ 121/5 and 1

Anon. Almande Regine Sweden (NL-Lu 1666 Thysius no.883, f.497v), see under Anon. Guet gesell du must wander, LZ 125/H4k

Anon. An Almane, duet (Folger no.7-8, f.2v), see under Anon. Alemande Loreyne, LS 2/10Anon. Almayn (Board no.80, f.25v), see under Anon. En me revenant, LZ 115/22

Anon. Almond (Wemyss MS, f.38v) LSJ vol.27

Anon. Alta tochata (PL-Kj 40032, p.11) LZ 107/PP66

Anon. [Der alten Weiber Tantz; Nachtanz] (D-Z 1153, f.10) LZ 127/H2e

Anon. [Der alten Weiber Tantz] “Allemande Imperiale” (Denss 1594, f.91v) LZ 127/H2c

Anon. [Der alten Weiber Tantz] “Almana Imperiala; Der nach Tanz” 6 course cittern (Kargel 1575, f.H3) LZ 127/H2j

Anon. [Der alten Weiber Tantz] “Alte Wiber und Satan. Ein Dantz Nachdantz” cittern (CH-Dberther, p.436) LZ 127/H2k

Anon. [Der alten Weiber Tantz] “Alten Weyber Tantz” (D-B 40588, p.17) LZ 127/H2i

Anon. [Der alten Weiber Tantz] “Der Herzog Augusti Dantz” (A-Wn 19259, f.4) LZ 127/H2g

Anon. [Der alten Weiber Tantz] “Tanecz; [Nachtanz]” (D-Z 1153, f.9v) LZ 127/H2d

Anon. [Der alten Weiber Tantz] “Tantz ; Sprunck” (Drusina 1556, f.12) LZ 127/H2f

Anon. [Der alten Weiber Tantz] “Tantz; Sprung” (Waissel 1591, f.C2) LZ 127/H2b

Anon. [Der alten Weiber Tantz] “Un pezzo Tedesco; Nachtantz” (I-BDG chilesotti, p.144) LZ 127/H2h

Anon. [Der alten Weiber Tantz], see also under Neusidler (Melchior) Der alten Weiber Tantz; Hupffauff (Neusidler 1574, f.K4),LZ 127/MN2c/H2a

Anon. Alter part, see under Anon. Loth to Depart (Thysius no.685, f.394v), LN54/7a

Anon. Altra chanson englesa (IRL-Dtc 410/I Dallis no.153, p.170), see under Anon. Can you not hit it?, LZ115/C2

Anon. Altra Dirata (PL-Kj 40032, p.107 i) LZ 107/PP50

Anon. Amis Souffrez (after Pierre Moulu) (Phalese Des Chansons 1547, f.D1) LN 115

Anon. Amyntas (Osborn fb7 no.13, f.2) LN 74 text

Anon. And now to bed (GB-Cu Add.8844 Trumbull, f. 3v) LZ 113/App 10

Anon. Anfang dises dantz auf ein andere Weiss (D-W Guelf.18.8 IV, f.17), see under Anon. Guet gesell du must wander, LZ 125/H4b

Anon. The Angel’s Voyce (US-NHub Osborn fb7, no.10, f.81v), see under Anon. The Voice of the Earth, LN 126/V1

Anon. Anglica Doy (Dresden 297, p.133), see under Anon. Wilsons Wilde, LN 54/12a

Anon. Anglicum (Leipzig II.6.15, p.490), see under Anon. Go merely wheel, LN 54/5c iv

Anon. Anglicum (Leipzig II.6.15, p.495), see under Anon. Grimstock, LN 54/5a iiAnon. Anglicum. Komb, mein Liebchen (Sloane 1021, f.79v), see under Anon. Go merely wheel, LN 54/5c i

Anon. The Anticke (Lodge, f.7) = “John Come Kiss Me Now”, LN 40 B3 (1)/13; see also under Anon. Les Bouffons, LN 81/3a iAnon. Aria (CZ-Bm371, p.43) LZ 111 text

Anon. Arie francese (I-Fn Gal 6, p. 267 i), see under Anon. Courante, LZ 128/App 5

Anon. Arie francese (I-Fn Gal 6, p. 267 ii), see under Anon. Courante, LZ 128/App 10

Anon. Arie francese (I-Fn Gal 6, p. 267 iii), see under Anon. Courante, LZ 128/App 14

Anon. Arthers Dūpe [Dump] (Braye MS, f.9v) LN 5 textLN 62

Anon. [As I went to Walsingham, 3-4 time] “Allerschonstes bilt erzeig” (PL-Kj 40159, f.11) LZ 104/5

Anon. As with Gladness, arranged for lute and voice by Dr. Wilfred Foxe LN 56

Anon. Away I have forsworne her Company (GB-WPforester-welde no.15, f.6v), see under Anon. Une Jeune Fillette, LZ 119/30

Anon. Away in a Manger, arranged for baroque lute LN 120

Anon. Ayr Gay (CZ-Bm371, p.79) LZ 111 text

Anon. Ayr Mr. Simon Ives, transcribed from lyra viol (Playford 1669, p.601 and 1682, p.84) see under Anon. See the Buildings, LN 126/S6 and S7

Anon. The Bagpipes [a ground] (Lodge, f.9) LN 40 B3 (1)/12LN 102 text/BL 13

Anon. Bal Anglois Mal Simmes (Vallet 1615, p.92), see under Anon. Mall Symes, LZ 114/1s

Anon. Ball Alemano IATB [Iohan Antonio Terzi Bergamo? - but different to LZ/M27] (D-Sl G.I.4 I, ff. 40v-41r, see under Anon. La Monaca, LZ 120/M1a

Anon. A Ballad tune or Toy?” (Board no.84, f.26r), see under Anon. Lilli Bulero, LN 78/7d i

Anon. Ballet (F-Pn Res.9411, f.32v) LZ 121/App 2

Anon. Ballet (D-Dl M 297, p.96) LN 110 text/BL 20

Anon. Ballet (HAdolmetsch II.B.1, f.129v), see under Anon. Mall Symes, LZ 114/App 2d

Anon. Ballet (D-Kl Ms.4o Mus.108.3, f.54v), see under Anon. Larouse, LZ 117/L7

Anon. Ballet (Montbuysson, f.3v), see under Anon. The French King’s Maske, LN 64/2 viii

Anon. Ballet (D-Lr 2000 Harling, p.10), see under Anon. En me revenant, LZ 119/App 1

Anon. Ballet (Montbuysson, f.3v,) see under Anon.The French King’s Maske, LN 64/2 viiiAnon. Ballet (D-Kl 4° Mus. 108.1, f. 11v), see under Anon. Une Jeune Fillette, LZ 119/3 Anon. Ballet (D-Ngm 33748/I, f. 66v), see under Anon. Une Jeune Fillette, LZ 119/16

Anon. Ballet (HAdolmetsch II.B.1, f.129v), see under Anon. Mall Symes, LZ 114/App 2d

Anon, [Ballet?] (CZ-PumIV.G.18, f.67) LN 112/i

Anon. Ballet de St Nicolas (D-Us 132, p.70), see under Anon. En me revenant, LZ 115/38

Anon. Ballet du Roy ( Thysius no.647, f.382) LN 12 text

Anon. Ballett angloys (D-Kl 4o Mus.108 Montbuisson, f.59v), see under Anon. Mall Symes, LN 30 C15/1; LZ 114/1z

Anon. Ballet Englese (Hove 1612, f.59), see under Anon. Mall Symes, LZ 114/1m

Anon. [Ballet des Folles] (Board no.173, f.43= ML, f.20) LN 65/4 ii

Anon. [Ballet des Folles] (Besard 1603, f.150v) LN 65/4 i b

Anon. [Ballet des Folles] “Ballat des Folles” (Dd.9.33, f.57v) LN 81/2c

Anon. [Ballet des Folles] “Ballett” (Lowther, p.345) LN 65/4 iii

Anon. [Ballet des Folles] “Entrée de Mascarade” (Krakow 40143, f.25v) LN 65/4 i a

Anon. [Ballet des Folles] “La Foule d’Engleterre” (Thysius no.692 and 693, f.396) LN 81/2b i-ii

Anon. Ballet des Grenouille, 4c mandore hfh and lute transcription (D-Usch Sign.133a, ff. 3v-4r) LZ 113/App 2i-ii Anon. Ballett (Montbuysson, f.60v) LN 30 C15/8

Anon. Ballett Angloys (Montbuysson, f.59v), see under Anon. Mall Sims, LN 30 Tab sheet 5; LN 30 C15/1

Anon. Ballett Angloys (Montbuysson, f.70) LN 30 C15/4

Anon. Ballett de la Déese Diane (Montbuysson, f.60) LN 30 C15/3

Anon. Balletta Anglica (D-LEm II.6.15, p.295), see under Anon. Lord Zouches March, LZ 116/Z5 Anon. Balletto Arpeggiato (I-PESc b.10, f.24v), see under Anon. Guet gesell du must wander, LZ 125/H4m

Anon. Balletto d’Inghilterra deta il Bufon (Barbetta, Intavolatura 1585, p.18), see Anon. Les Bouffons, LN 81/3c

Anon. Balletto Dantichano (D-B 4022, f.21), see under Anon.Nowells Delighte, LZ 115/N3

Anon. Balletto Francese detto Allemande (Barbetta 1585, p. 20), see under Anon. La Monaca, LZ 120/M3

Anon. Balletto Inglese (I-PEas sec XVII Doni, p.39) LN 112/vii

Anon. Balletto del S[erenissi]mo Alberto (CZ-Pnm IV.G.8, f.86v) LZ 125/App 8

Anon. Balletto La Pace (4022, f.44v), basis for Dowland (John) Lady Hunsdon’s Puffe (Dd.5.78.3, f.7, etc.; Poulton no.54)LN 111/54e

Anon. Ballo detto de Distolese, see under Anon. Canaries, LN 59/1mAnon. Ballo francese (PL-Kj 40032, p.351) LN 114/App 1

Anon. Ballo Polaco (D B 4022 f.20v) LN 82/4Anon. Ballo Tedesco & Francese (Terzi 1593, pp. 115-117), see under Anon. La Monaca, LZ 120/M27a, p.78

Anon. Balo todesco La sua Gagliarda (cf. Gorzanis 1579, f. K3v-K4), see under Anon. La Monaca, LZ 120/M28, p.81

Anon. Baloo (IRL-Dtc 408/II no.55, p.111) LSJ vol.10 [plate 4]LZ 117/B2

Anon. [Balow] (GB-Cu Dd.5.78.3, f.18) LN 103

Anon. [Barafostus Dreame] (LT-Va 285-MF-LXXIX Königsberg, f.42) LN 54/1aLZ 118/D9

Anon. [Barafostus Dreame] “Ach wie bin ich von hertzen betrubt” (Leipzig II.6.15, p.453) LN 54/1b LZ 118/D7

Anon. [Barafostus Dreame] “Chanson Angloise. Ach wie bin ich von Herzen betrubt” (Sloane 1021, f.76) LN 54/1c LZ 118/D8

Anon. [Barafostus Dreame] “Ach wie bin ich von herzen betrubt” (D-D1 M 297, p.109) LZ 118/D10

Anon. [Barafostus Dreame] “Ach wie bin ich von hertzen betrubt” (GB-Lbl Sloane 1021, f.75v) LZ 118/D12

Anon. [Barafostus Dreame] “Ach wie bin ich von hertzen betruebett” (PL-Kj 40159, f.9v) LZ 118/D11

Anon. [Barafostus Dreame] “Barra Ffostes Dreame”, cittern (US-CAh 182 Ridout, f.71) LZ 118/D18

Anon. [Barafostus Dreame] “Barrow Fosters Dream” (Cu Nn.6.36, f.20) LZ 118/D1Anon. [Barafostus Dreame] “Barrow Fosters Dream”, lyra viol (IRL-Dtc 408/I Ballet no.20, p.29) LZ 118/D3Anon. [Barafostus Dreame], arranged from lyra viol (GB-Lam 600 Browne, f.36v) LZ 118/D4Anon. [Barafostus Dreame] “Borrofosters Proae (LT-Va 285-MF-LXXIX, f.66v) LZ 118/D15

Anon. [Barafostus Dreame] “Com sueat love let sorrow cease”, transcribed from mandore (CG-En Adv.5.2.15, p.223)LZ 118/D13

Anon. [Barafostus Dreame] “Com sueat love let soroue ceasse”, diatonic and chromatic cittern (GB-En 9450, f.42v)LZ 118/D19i-ii

Anon. [Barafostus Dreame] “Curante Ach wie bin ich von Herzen” (Sloane 1021, f.77) LZ 118/D5

Anon. [Barafostus Dreame] “Engels Bara vastres drom of: Phoebus is lang ower zee” (Valerius 1626, p.111) LN 54 LZ 118/D6

Anon. [Barafostus Dreame] “Engels Bara vastres drom”, diatonic cittern and transcription for chromatic cittern (Valerius 1626, p.111) LZ 118/D17i-ii

Anon. [Barafostus Dreame] “Faustus Danntz” (LT-Va 285-MF-LXXIX, f.59) LZ 118/D14

Anon. [Barafostus Dreame] “A Toye” (GB-LBl Eg 2046, f.24) LZ 118/D2

Anon. Barafostus Dreame, see also under Vallet (Nicolas) Chanson Angloise (Secret I, no.88), LZ 118/D16

Anon. Bassada[n]za (Pesaro 1144, p.35) LN 70/9

Anon. Bassameso Francesse and Salterela (Munich 9516, f.3) LN72/suite 31a-b

Anon. La Bavaniglia che si repeta (A-KR L81, f.124v), see under Anon. The Spanish Pavan, F min, LZ 112/59

Anon. Bayrischer Bauren Tantz-Proportz (Heckel 1556, p.162), see under Anon. Boeren Dans, LZ 124/B18

Anon. The Bear’s Danc[e] (Board no.153, f.39v) LN 66/12

Anon. Le Beau Berger, theorbo (Paris MS R 41035) LN 69

Anon. The Beginning of the World (O.16.2, p.128), see under Anon. Sellenger’s Round, LZ 114/3m

Anon. Bell Almayne (Board no.105, f.31r) LZ 126/B4

Anon. La Bella Franciscana alias Dannenbaum (Sloane 1021, f.77v), see under Anon. Mall Sims, LN 54/9b

Anon. The Bells, transcribed from lyra viol (GB-Cu Dd.6.48, f.32v) LZ 127/App 6

Anon. The Bells of Osn[ey], cittern (J-Tn BM-4540-ne, f.C1v) LN 126/B1a

Anon. [The Bells of Osney] (US-Ws V.a.280, f.87v) LN 126/B1b

Anon. [The Bells of Osney] “Doulands Bells” (GB-Lam 601 Mynshall no.27, f.8) LZ 126/B1f

Anon. [The Bells of Osney] “Primiero”, cittern (GB-Cu Dd.2.11, f.87v) LN 126/B1g

Anon. [The Bells of Osney] “Primiero”, cittern (GB-Cu Dd.4.23, f.19v) LN 126/B1h

Anon. The Bells of Osney, see also under William Byrd and Thomas Robinson

Anon. Benedictus (Thibault MS f.21) LSJ vol.22 part2/5

Anon. Bergamasca (CZ-Pu XXIII.F.174, f.13) LZ 118/B3

Anon. Bergamasca (CH-Bu F.IX.70, p.288) LZ 118/B9

Anon. Bergamasca (US-SFsc M2.1 M3, p.85) LZ 118/B26

Anon. Bergamasca (S-B PB fil.172, f.10) LZ 118/B30

Anon. Bergamasca (F-Pn Res.941, f.32) LZ 118/B32

Anon. Bergamasca (CH-Bu F.IX.70, p.291) LZ 118/B35

Anon. Bergamasca (D-B 4022, f.45v) LZ 118/B36

Anon. Bergamasca (Abondante 1587, p.58) LZ 118/B64

Anon. Bergamasca, baroque lute (Gianocelli 1650, p.8) LZ 118/B55

Anon. Bergamasca, incomplete (PL-Kj 40032, p.351) LZ 118/B49

Anon. Bergamasca, chitarone (Kapsberger 1640, p.31) LZ 118/B53

Anon. Bergamas[ca] (D-Hbusch, f.28), see under [Domenicho (Gioan. Battista)] Bergamas[ca], LZ 118/B45a

Anon. [Bergamasca] (D-Lr 2000, p.64) LZ 118/B10

Anon. [Bergamasca] (LT-Va 285-MF-LXXIX.f.64v) LZ 118/B12

Anon. [Bergamasca] (LT-Va 285-MF-LXXIX.f.4) LZ 118/B38

Anon. [Bergamasca] (A-KR L64, f.28v) LZ 118/B14

Anon. [Bergamasca] (Thysius no.695, f.397) LZ 118/B60

Anon. [Bergamasca] (Thysius no.697, f.397v) LZ 118/B34



Anon. [Bergamasca] (Thysius no.699, f.398) LZ 118/B23

Anon. [Bergamasca] (F-Pn Res.Vmd.31, f.45v) LZ 118/B33

Anon. [Bergamasca] (A-KR L81, f.51) LZ 118/B54

Anon. [Bergamasca] “Aliter” (GB-Lbl Sloane 1021, f.69v) LZ 118/B43

Anon. [Bergamasca] “Aliter dack Berga[masca]” (GB-Lbl Sloane 1021, f.69) LZ 118/B20

Anon. [Bergamasca] “Aliter Th[omas] Lind[berg]” (GB-Lbl Sloane 1021, f.69) LZ 118/B21

Anon. [Bergamasca] “Bargamasca” (D-B autogr.Hove 1, f.167) LZ 118/B40

Anon. [Bergamasca] “Bargamasca” (D-B autogr.Hove 1, f.166) LZ 118/B7

Anon. [Bergamasca] “Bargamas[ca]” (D-B 4022, f.14) LZ 118/B8

Anon. [Bergamasca] “Bargama[sca]” (D-B autogr.Hove 1, f.166) LZ 118/B4

Anon. [Bergamasca] “Bargamasco” (D-Sl 1214, p.27) LZ 118/B6

Anon. [Bergamasca] “Bargamasco” (Thysius no.694, f.397) LZ 118/B31

Anon. [Bergamasca] “Bargaemasso” (RF-DPan 0 No124, f.38v) LZ 118/B24

Anon. [Bergamasca] “Bargemasco” (D-Lr 2000, p.17) LZ 118/B11

Anon. [Bergamasca] “Bargemasco” (D-Mbs 21646, f.91) LZ 118/B16

Anon. [Bergamasca] “Bargemasco” (LT-Va 285-MF-LXXIX.f.68v) LZ 118/B39

Anon. [Bergamasca] “Bergamascha” (US-BE 759, f.2) LZ 118/B59

Anon. [Bergamasca] “Bergemasco” (A-KR L81, f.152v) LZ 118/B13

Anon. [Bergamasca] “Bergamasco” (D-BAU 13.4o.85, p.47) LZ 118/B37

Anon. [Bergamasca] “Bergamasco” (GB-Lbl Sloane 1021, f.69) LZ 118/B19

Anon. [Bergamasca] “Bergamasco” (US-BE 761, p.5) LZ 118/B51

Anon. [Bergamasca] “Bergamasco” (D-KNh R 242, f.204v) LZ 118/B48

Anon. [Bergamasca] “Bergamasco” (I-Fn Magl.XIX.105, f.1) LZ 118/B65

Anon. [Bergamasca] “Bergamasco in tenor” (I-BDG chilesotti, p.229) LZ 118/B77

Anon. [Bergamasca] “Bergamastro” (8 bars only, I-Lg 774, f.25) LZ 118/B66

Anon. [Bergamasca] “Bergemasco” (guitar, A-KR L81, f.163) LZ 118/B68

Anon. [Bergamasca] “Bergemasco” (D-Mbs.pr.93.f/4v) LZ 118/B17

Anon. [Bergamasca] “Bergemasco” (S-B PB fil.172, f.18) LZ 118/B27

Anon. [Bergamasca] “Bergemasco” (US-BE 761, p.1) LZ 118/B28

Anon. [Bergamasca] “Bergemasco” (GB-HAdolmetsch II.B.1, f.228, almost identical to Vallet Les Pantalons) LZ 118/B52b

Anon. Bergamasca] “Bergamasco” (GB-Lbl Sloane 1021, f.68, almost identical to Vallet Les Pantalons) LZ 118/B52c

Anon. [Bergamasca] “Berg[a]mas[c]o-Doubla” (D-Mbs 21646, f.6v) LZ 118/B47

Anon. [Bergamasca] “Bergem[asc]o” (D-Ngm 33748, f.1v) LZ 118/B18

Anon. [Bergamasca] “Bergemossco” (D-B 40264, p.90) LZ 118/B63

Anon. [Bergamasca] “Bergemasso” (D-KNh R 242, f.203v) LZ 118/B15

Anon. [Bergamasca] “Burgemaske”, cittern (US-Cah 179, f.45v) LZ 118/B1

Anon. [Bergamasca] “Burgomas[ca]” (PL-Kj 40143, f.99v) LZ 118/B29

Anon. [Bergamasca] “The Burggemask trench more”, cittern (US-CAh 179, f.44v) LZ 118/B69

Anon. [Bergamasca] “Contrapunto sopr’ alla bergamasco del Me (top part for duet, D-Hs ND VI 3238, p.12) LZ 118/B46

Anon. [Bergamasca] “Duble” (D-Mbs 21646, f.6) LZ 118/B62

Anon. [Bergamasca] “Pamarasken Tantz” (D-LEm II.6.15, p.172) LZ 118/B22

Anon. [Bergamasca] “Pantalone”, arranged from mandore (GB-En Adv.5.2.15, p.167) LZ 118/B70

Anon. [Bergamasca] “Pargemasca” (D-Mbs 21646, f.87v) LZ 118/B61

Anon. [Bergamasca] “Pargamasco” (D-LEm II.6.15, p.172) LZ 118/B50

Anon. [Bergamasca] “Pergamasc” (D-LEm II.6.15, p.389) LZ 118/B2

Anon. [Bergamasca] “Pergamasco” (D-DI M 297, p.174) LZ 118/B42b

Anon. [Bergamasca], see also under Barbetta, Besard, Domenicho, John Johnson (treble and ground), Perla, Piccinini,and Strobel; and Grieve Pantaloon and Vallet Les Pantalons, B52a

Anon. Besardes Dantz (D-Kl 4o.108, 1, f.24), see under Anon.The Voice of the Earth, LZ 126/V5

Anon. Besse Bell, transcribed for renaissance lute (GB-Lbl Eg.2046 Pickeringe, f.51v), see under Anon. A Health to Betty, LZ 121/App 1a

Anon. Besse Bell Gau[their], tuning edeff (GB-Lbl Eg.2046 Pickeringe, f.51v), see under Anon. A Health to Betty, LZ 121/App 1b

Anon. Die bestrafte Unempfindlichkeit (Wöchentlicher Musicalischer Zeitvertreib, 1760) LN 101 text

Anon. [The Black Almaine] “A Measure” (Lodge, f.20) LN 40 B3 (2)/9

Anon. [The Black Almaine] “A Measure”, melody only (Lodge, f.20) LN 98 text

Anon. [The Black Almaine] “The Old Measure” (Folger V.a.129, f.20) LN 78/4c

Anon. The Blacksmith (IRL-Dtc 408/II no.7, p.84) LZ 115/B1

Anon. The Blacksmith, cittern (US-CAh 179 Boterler, f.43v) LZ 115/B2

Anon. Blame not my Lute (Lodge, f.4v), see under Anon. Caracossa, LN 40 B3 (1)/5

Anon. Blew Breiks, Scottish Ballads 4 (Skene, p.85) LN 73/4

Anon. [Blew Cap], Scottish Ballads 26 (NLS 9452, f.58) LN 73/26

Anon. The Blind Beggar of Bethnal Green (Westminster, GB-Lwa 105, f.1) LN 53 B5LN 55

Anon. The Blind Begger of Bednall Greene LZ 117/BB1

Anon. Bockingtons Pound by Fr[ancis] C[utting], orpharion (Barley 1596, f. C4v), see under Anon. Packington’s Pound, LZ 113/P1k

Anon. Den Boeren Dans (Thysius no.712, f.411) LZ 124/B1

Anon. Boeren Dans (Thysius no.711, f.410) LZ 124/B2

Anon. [Boeren Dans], diatonic cittern and transcription for chromatic cittern (Phalese & Bellere HC1592, f.79v)LZ 124/B23a-b

Anon. [Boeren Dans] “Bauren Dantz” (PL-Kj 40143, f.59v) LZ 124/B14

Anon. [Boeren Dans] “[Bauren Dantz]” (PL-Kj 40143, f.95) LZ 124/B15

Anon. [Boeren Dans] “Baurendantz” (PL-Kj 40143, f.957) LZ 124/B5

Anon. [Boeren Dans] “Baurenn Dantz” (CH-Bu F.IX.70, p.267) LZ 124/B13

Anon. [Boeren Dans] “Bayrischer Bauren Tantz-Proportz” (Heckel 1556, p.162) LZ 124/B18

Anon. [Boeren Dans] “Boerendans” (PL-Kj 40143, f.97) LZ 124/B3

Anon. [Boeren Dans] “The Boores Dawnce” (GB-Cu Nn.6.36, f.3) LZ 124/B12

Anon. [Boeren Dans] “The Bowres Daunce” (GB-Cu Dd.5.78.3, f.44v) LN 71/x cLZ 124/B11

Anon. [Boeren Dans] “[Brande Hoboken]” (Thysius no.811, f.466) LZ 124/B22

Anon. [Boeren Dans] “Ey de bruyt lach op haer bedde” (Thysius no.571, f.356v) LZ 124/B4

Anon. [Boeren Dans] “The Hay” (IRL-Dtc 410 I Dallis no.64, p.77) LZ 124/B7

Anon. [Boeren Dans] “Hoboken” (Phalese & Bellere HC1592, f.79) LZ 124/B21a

Anon. [Boeren Dans] “Hoboken”, cittern (Phalese & Bellere HC1592, f.79) LZ 124/B21b

Anon. [Boeren Dans] “Hollandsche Boerendans” (Hove Florida 1601, f.107) LZ 124/B19

Anon. [Boeren Dans] “Die Koye” (NL-M Coll.169 I-4, f.L3v) LZ 124/B6

Anon. [Boeren Dans] “Lantiero” (GB-Cu Nn.6.36, f.3) LN 71/x cLZ 124/B9

Anon. [Boeren Dans] “Lantiero” (Robinson 1603, f.M2v) LZ 124/B10

Anon. [Boeren Dans] “Pauren Dantz” (D-LEm II.6.15, p.371) LZ 124/B16

Anon. [Boeren Dans] “Pauren Dantz-Reprise-Variatio” (Denss 1594, f.96) LZ 124/B20

Anon. [Boeren Dans] “Trab trab Schimmel trab-Nachtantz” (D-W Guelf.18.8, f.35) LZ 124/B17

Anon. [Boeren Dans] “Branle Hoboken” diatonic cittern and transcription for chromatic cittern (Vreedman 1569, f.15v)LZ 124/B24a-b

Anon. Boeren Dans, see also under Robinson (Thomas) Robinsons May (Dd.9.33, f.92), LN 71/xi a

Anon. Les Boffons (PB fil. 172 Per Brahes f. 10), see under Anon. Les Bouffons, LN 81/3a ii

Anon. Bonny Kate (Osborn fb7 no.39, f.89v) LN 74 text

Anon. Bonny Sweete Boy (Dd.2.11 no.214, f.66) LN 71, ix bLZ 106/6a

Anon. Bonny Sweet Boy, bandora (Dd.9.33, f.82) LN 71/ix cLZ 106/6c

Anon. [Bonny Sweet Robin] (Konigsberg, f.6) LZ 106/1a

Anon. [Bonny Sweet Robin] (D-Ngm 33748 I, f.52) LZ 106/1l

Anon. Bonny Sweet Robin, lyra viol (IRL-Dtc 408/I, p.27) LZ 106/1s

Anon. [Bonny Sweet Robin], lyra viol (GB-Ob D.245, p.133) LZ 106/1t

Anon. [Bonny Sweet Robin] (D-B N467 Grunbuhel, f.5v) LZ 106/1u

Anon. [Bonny Sweet Robin] “Hoode” (GB-Cu Add.2764 (2), f.12) LZ 106/1j

Anon. [Bonny Sweet Robin] “Robijn”, very basic accompaniment to Bonny Sweet Robin? (Thysius no.676, f.391v)LZ 106/4

Anon. [Bonny Sweet Robin] “Robin”, (Dd.2.11, f.53, no.155, different key to Dd.2.11 no.214, f.66) LZ106/1h

Anon. [Bonny Sweet Robin] “Robin” (Dd.2.11 no.215, f.66) LZ 106/1oLN 126 text/BL 34

Anon. [Bonny Sweet Robin] “Robin”, lyra viol (GB-Cu Nn.6.36, f.19v) LZ 106/1f

Anon. [Bonny Sweet Robin] “Robin Hood is to the Greenwood Gone” (IRL-Dtc 408/II no.63, p.113)LZ 106/1i

Anon. [Bonny Sweet Robin] “Robin is to the Greene wood Gonn” (Folger no.44, f.16v) LZ 106/1r

Anon. [Bonny Sweet Robin] “Robin is to the Greenwood Gone” (GB-Cu Dd.3.18, f.18, duet) LZ 106/1g

Anon. [Bonny Sweet Robin] Schon wahr ich gern (D-Kl 4to Mus.108/I.f.3v) LZ106/1p

Anon. Bonny Sweete Robin, without divisions (Mynshall no.28, f.8) LZ 106/1k

Anon. Bony Sweete Robin (Board no.37, f.12v) LZ 106/1q

Anon. Bony Peggie Ramsay, transcribed from lyra viol (GB-En Dep 314 no.24, p.5), see under Anon. Peggy Ramsey, LN 121/P2

Anon. A Border Medley: Johnny Armstrong; Hughie the Graham; Gud Lord Scroope; The Battle of Otterburne; Rothbury HillsLZ 127

Anon. Boter op de pensen (Thysius no. 551, f.351v), see under Anon. Les Bouffons, LN 81/3a ixAnon. Botte 1 and 2 (Thibault MS f.51v) LSJ vol.22 part2/7

Anon. Les Bouffons, see also Anon. La Chasse

Anon. Les Bouffons (Bu F.IX.70, p.286) LN 81/3a iii

Anon. Les Bouffons (Hove 1, f.160v) LN 81/3a xi

Anon. Les Bouffons (Hove 1, f.160v) LN 81/3a xii

Anon. Les Bouffons (Hove 1, f.161) LN 81/3b ii

Anon. Les Bouffons (PL-Kj W 510, f.49) LN 120 text/BL 29

Anon. [Les Bouffons] “Alio modo les bouffons –Propertio” (Bu F.X.70, p.240) LN 81/3a v

Anon. [Les Bouffons] “Alio modo les bouffons-Propertio” (Bu F.IX.70, p.240) LN 81/3a x

Anon. [Les Bouffons] “The Antycke” (Lodge f.7) LN 40 B3 (1)/13

LN 81/3a i

Anon. [Les Bouffons] “Balletto d’Inghilterra deta il Bufon” (Barbetta, Intavolatura 1585, p.18) LN 81/3c

Anon. [Les Bouffons] “Boffons (Les)” (PB fil. 172 Per Brahes f. 10) LN 81/3a ii

Anon. [Les Bouffons] “Boter op de pensen” (Thysius no.551, f.351v) LN 81/3a ix

Anon. [Les Bouffons] “Boufons” (Dallis no.3, p.3) LN 43LN 81/3b i

Anon. [Les Bouffons] “Buffins” (Straloch, p.1) LN 81/3d

Anon. [Les Bouffons] “Buffons” (Dtc 408/II no.44, p.104) LN 81/3a viii

Anon. [Les Bouffons] “Buffons (Les)-Propertio” (Bu F.X.11, f.19v) LN 81/3a iv

Anon. [Les Bouffons] “De Doot” (Thysius no.519, f.337) LN 81/3a vii

Anon. Bouree (CZ-Bm371, p.3) LZ 111 text

Anon. Bouree (CZ-Bm371, p.81) LZ 111 text

Anon. Bow Bells, gittern and transcription for lute (Playford 1652, p.11) LZ 126/B2ai-ii

Anon. Bowe Bells, transcribed from lyra viol (GB-Mp 832 Vu 51, p.37) LZ 126/B2b

Anon. Bow Bells, transcribed from lyra viol (GB-Ob F.575, f.20v) LZ 126/B2c

Anon. Bow Bel[l]s, cittern (Playford 1652, p.19) LZ 126/B2d

Anon. The Bowres Baunce (Dd.5.78.3, f.44v), see under Anon. Boores Dawnce, LN 71/x cAnon. Branle (D-Kl 4o.108.1, f.2), see under Anon. Sellingers Round, LZ 114/3n

Anon. Brand (LT-Va 285.MF.LXXIX Königsberg, f.58), see under Anon. Sellingers Round, LN 54/11a ii; LZ 114/3f

Anon. Brande (Thysius no.806, f.464) LS 7/2

Anon. Brande A[n]gleterre (LT-Va 285-Mf-LXXIX Konigsberg, f.68), see under Anon. Sellingers Round, LZ 114/3p

Anon. Brande Engleterre (Hove 1612, f.61v), see under Anon. Sellingers Round, LN 54/11a iv; LZ 114/3t

Anon. [Brande Hoboken] (Thysius no.811, f.466), see under Anon. Boeren Dans, LZ 124/B22

Anon. Brandes Englesa (D-LEm II.6.6, f.6), see under Anon. Lusty Gallant, LZ 117/G6

Anon. Branle de St Nicolas (F-Pn Vm7 6213, p.25), see under Anon. En me revenant, LZ 115/34

Anon. [Br]anle (F-Pn Res.941, f.20), see under Anon. Sellingers Round, LZ 114/3g

Anon. Branle (D-Kl 4o.108.1, f.2), see under Anon. Sellingers Round, LZ 114/3n

Anon. Branle Angleterr (D-KNh R242 Koln, f.204), see under Anon. Sellingers Round, LN 54/11a I; LZ 114/3e

Anon. Branle (Donaueschingen D-Sl G.14 I, f.30v) LZ 114/Don 12

Anon. Branle d’Angleterre, diatonic & chromatic cittern (Phalese & Bellere 1582, f.82), see under Anon. Sellingers Round, LZ 114/3bb i-ii

Anon. Branle d’angleterre diatonic and chromatic cittern (Vreedman 1569, f.21v), see under Anon. Sellingers Round, LZ 114/3cc i-ii

Anon. Branle De la Torche “Bra[n]le Delatroche” (Board no.69, f.23) LN 78/5e

Anon. Branle de Village (Besard 1617, p.28) LN 124 text/BL 32

Anon. Branle Englese (Adraienssen 1600, f.78v), see under Anon. Lusty Gallant, LZ 117/G7

Anon. Branle Hoboken, diatonic cittern and transcription for chromatic cittern (Vreedman 1569, f.15v), see under Anon. Boeren Dans, LZ 124/B24a-b

Anon. Branles (D-Lem II.6.15, p.487), see under Anon. I have been a Piper, LZ 114/App 3d

Anon. Branles 22 (D-LEm II.6.15, p.487), see under Anon. Sellingers Round, LZ 114/3r

Anon. Bransle d Angleterre (CH-Bu F.IX.70, p.291), see under Anon. Sellingers Round, LZ 114/3j

Anon. Bransle de Poytou en Cornameuse (Donaueschingen D-Sl G.14 III, f.33v) LZ 114/Don 9

Anon. Bransle Gay (Montbuysson, f.16v) LS 2/7

Anon. [Brettes Coranto] “Curranta”, (Dd.5.78.3, f.74v) LN 78/2e

Anon. Browne Besse Sweete Besse com[e] over to me (Welde no.13, f.6), see under Anon. Over the Broom, Bessy, LZ 113/App8b

Anon. Buffins (Straloch, p.1), see under Anon. Les Bouffons, LN 81/3d

Anon. Buffons (Dtc 408/II no.44, p.104), see under Anon. Les Bouffons, LN 52; LN 81/3a viii

Anon. Les Buffons-Propertio (Bu F.X.11, f.19v), see under Anon. Les Bouffons, LN 81/3a iv

Anon. Buggle Bowe (Dd.2.11 no.269, f.82) LN 76/14

Anon. The Buildings (Ctc O.16.2 p.136) LN 83/14

Anon.Anon. Bussons Nous (IRL-Dtc 410/I Dallis no.66, p.79), see under Calleno Casturami, LZ 125/C8

Anon. Butts Almaine (Dd.9.33, f.52) LN 74/10

Anon. By a banke as I lay musing, four part song (ms addendum to XX Songes, 1530, cf. Ravenscroft) LN 108 text

Anon. Cadenze e Passaggi Diversi (Estense Ms G 239) LN 44

Anon. Calata (D-Ngm 33741 II, f.3v) LZ 125/App 9

Anon. Calata (Thibault MS f.53) LSJ vol.22 part2/2LN 70/26

Anon. [Calata?] (Craus, f.10) LN 72/30e

Anon. Calleno [Casturami] (IRL-Dtc 408/II no.12, p.85) LN 125/C1

Anon. Calleno Casturami “Callino” cittern and transcription for lute (J-Tn BM-4540-ne, f.D2v) LN 125/C2a-b

Anon. Calleno Casturami “Callino”, cittern (GB-Cu Dd.4.23, f.23v) LZ 125/C5ab

Anon. Calleno Casturami “Callinoe”, treble and reconstructed ground (GB-Cu Dd.3.18, f.3) LZ 125/C6i-ii

Anon. Calleno Casturami “Callino”, cittern (US-CA Mus.181, f.6v) LZ 125/C7

Anon. Calleno Casturami “Bussons Nous”, (IRL-Dtc 410/I, p.79) LZ 125/C8

Anon. Calleno Casturami, see also under Byrd

Anon. [Can you not hit it?] “Hit” (IRL-Dtc 408/II no.6, p.84) LZ115/C1

Anon. [Can you not hit it?] “Altra chanson englesa” (IRL-Dtc 410/I Dallis no. 153, p.170) LZ115/C2

Anon. Canaries (Thysius no.677, f.392) LN 59/3b

Anon. Canaries (Thysius no. 678, f.392) LN 59/4c

Anon. Canaries (Thysius no.679, f.392) LN 59/4b

Anon. Canaries (Thysius no.680, 392) LN 59/3e

Anon. Canaries (Besard Thesaurus 1603, f.168v) LN 59/5d

Anon. Canaries (Besard 1617, no.49) LN 59/6g

Anon. Canaries (Caroso Il Ballarino, last piece in Cesia Orsina suite, f.70) LN 59/1a

Anon. Canaries (Caroso Il Ballarino, last piece in Alta Vittoria suite, f.105) LN 59/1b

Anon. Canaries (Caroso Il Ballarino, last piece in Alta Ruissa suite, f.176) LN 59/1c

Anon. Canaries (Caroso Nobilita, last piece in suite, p.120) LN 59/1d

Anon. Canaries (Caroso Nobilita, last piece in suite, p.176) LN 59/1e

Anon. Canaries (Caroso Nobilita, last piece in suite, p.293) LN 59/1f

Anon. Canaries (Caroso Nobilita, last piece in suite [untitled], p.354) LN 59/1g

Anon. Canaries (Cavalcanti, f.8) LN 59/6a

Anon. Canaries (Danzig 4022, f.42) LN 59/3a

Anon. Canaries (Dolmetsch II B.1, f.193v) LN 59/1p

Anon. Canaries (Doni, p.34) LN 59/6c

Anon. Canaries (Dusiacki, f.10v) LN 59/1o

Anon. Canaries (Fabritius, f.80) LN 59/3c

Anon. Canaries (Fuhrmann 1615, p.146) LN 59/2b

Anon. Canaries (Florence 30, f.34v) LN 59/6e

Anon. Canaries (Florence 105, f.18) LN 59/1h

Anon. Canaries (Hove Delitiae 1612, f.66) LN 59/3f

Anon. Canaries (Krakow 40032, p.355) LN 59/6b

Anon. Canaries (Leipzig II.6.15, p.370) LN 59/3d

Anon. Canaries (ML, f.26) LN 59/2c

Anon. Canaries (Naples 7664, f.30v) LN 59/5c

Anon. Canaries (Naples 7794, f.86) LN 59/1j

Anon. Canaries (Negri Nuove Inventioni, p.201) LN 59/1k

Anon. Canaries (Nn.6.36, f.3) LN 59/4a

Anon. Canaries (Nürnberg III, f.15v) LN 59/5b

Anon. Canaries (Paris 31, f.43v) LN 59/6d

Anon. Canaries (Paris 941, f.32) LN 59/1i

Anon. Canaries (Paris 941, f.38v) LN 59/1n

Anon. Canaries (Straloch, p.2) LN 59/1l

Anon. Canaries (Straloch, p.11) LN 59/5a

Anon. Canaries (Swan, f.39) LN 59/2d

Anon. Canaries, D major (Balcarres, p.137) LN 59/13

Anon. Canaries, D minor (Balcarres, p.120) LN 59/14a

Anon. Canaries, D minor (Denis Gaultier 1670, p.42) LN 59/14b

Anon. Canaries, D minor (Livre de Tablature 1672, p.18) LN 59/14c

Anon. Canaries, D minor (Balcarres, p.121) LN 59/14d

Anon. Canaries, D minor (Ballard 1638, p.45) LN 59/14e

Anon. Canaries, English Gautier tuning (Board no.143, f.38) LN 59/9a

Anon. Canaries, English Gautier tuning (Chicago 7.Q.5, p.134) LN 59/9b

Anon. Canaries, French flat tuning (Trinity O.16.2, p.5) LN 59/12

Anon. Canaries, Harpway flat tuning (Bern HA no.123, p.131) LN 59/10a

Anon. Canaries, Harpway flat tuning (Chicago 7.Q.5, p.150) LN 59/10b

Anon. Canaries, Harpway tuning (Chicago 7.Q.5, p.114) LN 59/11

Anon. Canaries, duet (Besard 1617, no.27) LN 59/7a and b

Anon. Canaries, theorbo (Kapsburger Libro Quarto 1640, p.37) LN 59/8

Anon. [Canaries] “Ballo detto de Distolese” (De Bellis, p.62) LN 59/1m

Anon. [Canaries] “Hollanschen Boerendans” (Hove Florida 1601, f.107) LN 59/2a

Anon. [Canaries] “Moresca Prima deta le Canarie” (Barbetta 1585, p.11) LN 59/6f

Anon. Canson Englesa (Dallis no.154, p.170), see under Anon. Lusty Gallant, LZ 117/G7

Anon. La Caracossa (Phalése and Bellère, 1574) LN 43

Anon. [La Caracossa] “Blame not my Lute” (Lodge, f.4v) LN 40 B3 (1)/5

Anon. La Caracossa “La Cara Cossa” (Wroclaw 352, f.63) LN 70/13

Anon. Catalan Songs, see under Waters (William)

Anon. Cha la Danza Zua[n] Piero (BL.Add. 31389, f.9) LN 70LZ 109 (with text)

Anon. Change thy minde, after Richard Martin with text by the Earl of Essex (A Musical Banquet, f.B2v) LN 127/C1

Anon. Change “Chayng” thy minde (IRL-Dm Z.3.2.13 Marsh no.139, p.380) LN 127/C2

Anon. Chanson Angloise. Ach wie bin ich von Herzen betrubt (Sloane 1021, f.76r), see under Anon. Barafostus Dream, LN 54/1c; LZ 118/D8

Anon. La Chasse [first half of Bouffons melody] (Thysius no.1, f.1) LN 81/3a vi

Anon. The Cherping of the Larke, arranged from violin (Playford Dancing Master 1651/2nd ed 1652, p. 26), see under Anon. Muscadin,LZ 117/M6

Anon. Chi Passa (Donaueschingen D-Si G.I.4 II, f.80v) LZ 109/24

Anon. Chi Passa per questa strada (Donaueschingen D-Si G.I.4 II, f.80v) LZ 109/23

Anon. The Chirping of the Nightingale, cittern (Playford 1666, f.C7) LZ 127/App 4

Anon. Chorea Anglica (Nauclerus, f.28) LN51 C63/12

Anon. Chorea Anglica (Leipzig III.11.26), see under Anon. Mall Symes, LN 47; LZ 114/1cc Anon. Chorea Anglica (D-B Danzig 4022, f.47), see under Anon. En me revenant, LZ 115/30

Anon. Chorea Anglica (Dresden 297, p.149), see under Anon. The French King’s Maske, LN 64/2 vi

Anon. Chorea Anglica (Leipzig II.6.15, p.373), see under Anon. Go merely wheel, LN 54/5c iii; LN 51 C63/10

Anon. Chorea Anglica (Bautzen, p.77), see under Anon. Grimstock, LN51 C63/3Anon. Chorea Anglica (Bautzen, p.86), see under Anon. Grimstock, LN 54/5a iAnon. Chorea Angl[ica] (D-LEm II.6.15, p.395), see under Anon. Lord Zouches March, LZ 116/Z21

Anon. Chorea Anglica (D-LEm III.11.26, p.2), see under Anon. Mall Symes, LZ 114/1cc

Anon. Chorea Anglica A.F. (CH-Bu F.IX.70, p.279), see under Anon. Kemps Jigge, LZ 126/N8

Anon. Chorea Anglicana (CH-Bu F.IX.70, p. 291) see under Anon. Muscadin, LZ 117/M18

Anon. Chorea Rusticorm Gallorum (Donaueschingen D-Sl G.14 I, f.31) LZ 114/Don 11

Anon. Chromatic Galliard (Aegidius, f.17v) LN 48 A8/3

Anon. Cingue Basso (A-KR L81, f.149v), see under Anon. Fin de Galliarde, LZ 125/F13

Anon. Cipriano (PL-Kj 40032, p.313) LZ 115/App 1

Anon. Clausola (PL-Kj 40032, p.9) LZ 107/PP3

Anon. Clausola di Susanna (PL-Kj 40032, p.50; 51; 107; 105 iv; 105 iii) LZ 107/PP31a-e

Anon. Clausula (D-LEm II.6.15, p.17 i) LZ 107/PP71

Anon. The Clinke (GB-Cu Dd.9.33, f.37) LZ 127/App.7

Anon. The Cobler (Osborn fb7 no.2, f.81) LZ 113/App 9a

Anon. The Cobler (Folger no.30, f.9) LS 1/3LZ 113/App 9c

Anon. The Cobler (GB-Lbl Add.38539, f. 7v) LZ 113/App 9d

Anon. [The Cobler] “Het was een Engelsch boerken” (Thysius no.682, f.393) LZ 113/App 9e

Anon. [The Cobler] “Lapperkenen” (Valerius, p.62) LZ 113/App 9g

Anon. The Cobler of Burdeaux, bandora part and lute transcription (GB-Lam 600 Browne, f. 89r) LZ 113/App 9fi & ii

Anon. Coll standyth (BL Cotton Titus D. xi, f.55v) LN 61 text

Anon. Coloratura (D-LEm II.6.15, p.18 i) LZ 107/PP51

Anon. Com sueat love let sorrow cease, transcribed from mandore (CG-En Adv.5.2.15, p.223), see under Anon. BarafostusDreame, LZ 118/D13

Anon. Com sueat love let soroue ceasse, diatonic cittern and transcription for chromatic cittern GB-En 9450, f.42v), see under Anon. Barafostus Dreame, LZ 118/D19i

Anon. Come gentle herdman [I-III] (Thysius 687-689, f.395), see under Anon. Go from my Window, LZ 109/1p; LN 54/3b & LZ 109/1q; LN 54/3c i & LZ 109/1j

Anon. Come to the court and be all made knightes (GB-Ctc O.16.2, p. 135) LZ 128/App 1

Anon. Comedien Tantz (LT-Va 285-MF-LXXIX, f. 57v), see under Anon. Muscadin, LZ 117/M7

Anon. Comoedians Maske, mandora (Skene, p.25) LN 66/9

Anon. Con que Navare, Cancionaro de Upsala, duet LN 49

Anon. Contrapunto Sobre el Conde Claros (Simancas MS) LSJ vol.26 part 1

Anon. Contrapunto sopr’ alla bergamasco del Me, top part for duet (D-Hs ND VI 3238, p.12), see under Anon. Bergamasca, LZ 118/B46

Anon. A Coranta (Dd.4.22, f.11) LN 78/3b

Anon. Coranto (Nn.6.36 f.24v) LN 78/1d

Anon. [A Coranto] (Board no.151, f.38v) LN 78/6e

Anon. Coranto (Rowallan, f.5) LS 6/8

Anon. Coranto “Currant” (Nn.6.36, f24v) LN 78/1d

Anon. Coranto Confes[se] (Nn.6.36, f.36v = Anon. Corant, Board no. 139, f.37, and Anon. Untitled, Board no. 177, f.43v)LN 78/8e

Anon. Corrente (US-SFsc M2.1 M3, p.20) LN 100 text/BL 11

Anon. Corrente (A-KR L64, f.30), see under Anon. Sellengers Round, LZ 116/App 4

Anon. Corrente VI Sopra l'Alemana – Partita (Piccinini 1623, p. 107), see under Anon. La Monaca, LZ 120/M35, p.93

Anon. Corrente XII Fatta sopra l'aria Francese, che sta a carte (Piccinini 1623, p. 84-85), see under Anon. La Monaca, LZ 120/M33, p.92

Anon. Corea Anglicana [A Toy ii] (Basel F.IX.70, p.291) LN 64/4 ii

Anon. A Corranta (Trinity O.16.2, p.117) LN 78/5d

Anon. A Corranto (Board no.56, f.19r) LN 78/4e

Anon. Corranto (US-Ws V.b.280 Folger no.49, f.21v) LZ 117/Cor2d

Anon. Le Cotillon, theorbo (Paris MS R 41035) LN 69

Anon. The Countess of Ormonds Galliarde, (Dd.2.11.f.74v and 87), see under Anon. Light of Love, LZ 114/2m-n

Anon. The Country Girl’s Farewell (lute song from Calliope) LN82

Anon. Country Dance?, English Gautier tuning (GB-Lbl Eg.2046 Pickeringe, f.50v) LZ 122/App 1a

Anon. Country Dance?, transcribed to vieil ton (GB-Lbl Eg.2046 Pickeringe, f.50v) LZ 122/App 1b

Anon. Courant (D-KNa W 4o 328) LZ 115/App 4

Anon. Courant (LT-Va285-MF-LXXIX, f. 56v) LZ 117/ Cor2c

Anon. Courant (Dresden 297, p.143), see under Anon. Packingtons Pound, LN 54/10a I; LZ 113/P1f

Anon. Courant (D-BAU 13.4o.85, p.17), see under Anon. Packingtons Pound, LZ 113/P1m

Anon. Courant Bransle (D-Lr 2000, p. 9), see under Anon. Packington’s Pound, LZ 113/P1i

Anon. Courant der Meij (D-Hs ND VI 3238 Schele, p.59), see under Anon. Sellingers Round, LN 54/11a iii; LZ 114/3l

Anon. Courant/volt (Ob MS.Don.c.57, f.100) LSJ vol.33

Anon. A Courante (BL Add.6402, f.1) LSJ vol.32

Anon. Courante [by Robert Dowland?] (Herbert, f.28 ii) LN 74/6bAnon. Courante, lute duet (D-B N 479 Grünbühel, f. 25v), see under Anon. Packington’s Pound, LZ 113/P1bi & ii

Anon. Courante Les Faux Espions (David Levy Les Echos de Versailles) LN 52

Anon. Courante Sa beauté extreme (D-Dl M 297, p.82) LN 118 text/BL 27

Anon. [Courante] (D-Kl 4o 108/I, f.96) LN 112/ii

Anon. [Courante] “Q” (PL-Kj 40032, p.380) LZ 115/App 6

Anon. Courante (I-Fn Gal 6, p.243) LN 112/iii

Anon. Courante (Album für die Laute Melbourne MS LHD 243) LN 101 text

Anon. [Courante] (Donaueschingen D-Sl G.14 I, f.31v) LZ 114/Don 4

Anon. Courante (Donaueschingen D-Sl G.14 III, f.54) LZ 114/Don 8

Anon. [Courante] (GB-Lbl Hirsch.1353, f. 10v) LZ 117/Cor1a

Anon. Courante (D-Kl 4o.108 I, f. 4) LZ 117/Cor1b

Anon. [Courante] (GB-Lbl Hirsch.1353, f. 10v) LZ 117/Cor2a

Anon. Cour[ante] (D-Ngm 33748/I, f. 22v) LZ 117/Cor2g

Anon. [Courante] (GB-Lbl Hirsch.1353, f. 10v) LZ 117/Cor3

Anon. Courante, beginning resembling Courant van Hansken (NU-Lu 1666 Thysius no.743, f.431) see also under Anon. Hanskin, LZ 122/H4

Anon. Courante par Amant (Les Accords Nouveau no.7) LN 49

Anon. [Courante] “Arie francese” (I-Fn Gal 6, p. 267 i) LZ 128/App 5

Anon. [Courante] “Arie francese” (I-Fn Gal 6, p. 267 ii) LZ 128/App 10

Anon. [Courante] “Arie francese” (I-Fn Gal 6, p. 267 iii) LZ 128/App 14

Anon. Courante “Coranto” [Spanioletta] (GB-Lam 603 Board no.54, f. 18v) LZ 128/App 7

Anon. Courante “Coranto” (GB-Lam 603 Board no.76, f. 25) LZ 128/App 9

Anon. Courante “Corrant” (GB-Lam 603 Board no.65, f. 22v) LZ 128/App 8

Anon. Courante “A Corranto” (GB-Lam 603 Board no.21, f. 7) LZ 128/App 4

Anon. Courante “Corranto” (GB-Lam 603 Board no.44, f. 15v) LZ 128/App 6

Anon. Courante “Corranto” (GB-Lam 603 Board no.72, f. 24) LZ 128/App 11

Anon. Courante “Coranto” (GB-Lam 603 Board no.56, f. 19) LZ 128/App 12

Anon. Courante “Corranto” (GB-Lam 603 Board no.65, f. 22v) LZ 128/App 13

Anon. Courante? (Cfm 688 f.172v) LN 83/8

Anon. Courante (ms addition to Galilei 1620) LN 61

Anon. Courante (Thysius no.736, f.428) LS 7/2

Anon. Courante (Thysius no.742, f.430) LS 7/2

Anon. Courante [Susanneken] (NL-Lu 1666 Thysius no.748, f. 434, similar to GB-Lbl Hirsch.1353, f. 10v) LZ 117/Cor2h

Anon. Courante [Susanneken] (NL-Lu 1666 Thysius no.749, f. 434, similar to GB-Lbl Hirsch.1353, f. 10v) LZ 117/Cor2i

Anon. Courante [Susanneken] (NL-Lu 1666 Thysius no.750, f. 434v, similar to GB-Lbl Hirsch.1353, f. 10v) LZ 117/Cor2j

Anon. Courante (GB-HAdolmetsch II.B.1, f. 64v), see under Anon. Une Jeune Fillette, LZ 119/18 Anon. Courante d’Angleterre (Besard Thesaurus) LS 1/2cAnon. [Courante] “Curra[n]t” (LT-Va285-MF-LXXIX Königsberg, f. 25) LZ 117/Cor2b

Anon. [Courante] “Da dat Susaneken fur sach” (D-B Danzig 4022, f. 19v) LZ 117/Cor2e

Anon. Courrante Sophla Monycha V. B.22” (D-B Danzig 4022, f. 4-4v), see under Anon. La Monaca, LZ 120/M29, p.82

Anon. Courante van Hansken (NU-Lu 1666 Thysius no.751, f.435), see under Anon. Hanskin, LZ 122/H1

Anon. Courr. sur la voix de La jeune fitte (PL-Kj Mus.40143, f. 35), see under Anon. Une Jeune Fillette, LZ 119/17

Anon. Curant (CZ-Pnm IV.G.18. f.138) LZ 122/App 3

Anon. Curante (Leipzig II.6.15, f.6v), see under Anon.Go merely wheel, LN 54/5b i

Anon. Curante) (Leipzig II.6.15, p.237), see under Anon. Wilsons Wilde, LN 54/12b

Anon. Curante Ach wie bin ich von Herzen (Sloane 1021, f.77), see under Anon. Barafostus Dreame, LZ 118/D5

Anon. Courente, English Gautier tuning and transcription to vieil ton (D-DO 1214, f.7), see under Anon. Half Hannikin, LZ 122/HH2i-ii

Anon. Cour[ente], English Gautier tuning and transcription to vieil ton (D-DO 1214, f.19), see under Anon. Half Hannikin, LZ 122/HH3i-ii

Anon. Currant (Nn.6.36, f24v), see under Anon. Coranto LN 78/1d

Anon. Currant (Lüneburg 2000, p.12), see under Anon. Wilsons Wilde, LN 54/12cAnon. Curranta (Dd.5.78.3, f.74v), see under Anon. Brettes Coranto, LN 78/2e

Anon. Curranta (Dd.2.11, f.75, no.250), see under Anon. La Volta, LN 78/2f i

Anon. [Crimson Velvet – Shepherd saw you not] (GB-Cu Dd.2.11, f.51v) LZ117/C1

Anon. [Crimson Velvet] “Shepheard saw thou not” (GB-En Adv.5.2.18 Straloch, p.1) LZ117/C2

Anon. [Crimson Velvet] “Shepheard saw thow not”, transcribed from mandore (GB-En Adv Skene, p.184) LZ117/C3

Anon. Curaza (Mbs 1511b no.37, f.13) LN 70/2

Anon. Da mich e manum/Sharp (Wemyss MS, f.38v) LSJ vol.27

Anon. Da dat Susaneken fur sach (D-B Danzig 4022, f. 19v), see under Anon. Courante, LZ 117/Cor2e

Anon. Dact Unse grete (D-Dl M 297, p.135) LN 111 text/BL 21

Anon. Dagi la Rocha el Fuso (Munich 1511d, f.16v), see under Rocha el Fuso (Dagi la) LN 70/14

Anon. Danntz (D-Bau 13.4o.85, p.79) LZ 122/App 4

Anon. Dantz (CH-Bu F.IX.70, p.264), see under Almande de Don Frederico, LZ 121/17

Anon. Dantz M.N. - Hupfauff (CH-Bu F.IX.70, p.261), see under Almande de Don Frederico, LZ 121/25

Anon. Dantz-Nachtanz (Cu-BuF-IX.70, p.278), see under Anon. Guet gesell du must wander, LZ 125/H4n

Anon. Dantz – Nach dantz (Jobin 1573, f.G3v) see under Mein Hertz ist Frisch, LZ 126/H9g

Anon. Daphne (NL-HOwfa 1667-1 Enkhuizen, f.4v) LZ 115/D1

Anon. Daphne] (Folger no.66, f.86v) LZ 115/D2

Anon. Daphne] (D-Kl 4o.108.1 Montbuisson, f.26v) LZ 115/D3

Anon. Daphne (Osborn fb7 no.14, f.82) LZ 115/D4

Anon. Daphne (Playford The Dancing Master, 1651, p.30) LZ 115/D5

Anon. [Daphne] “Engelshe Daphne” (Valerius, p.30) LZ 115/D6i & ii

Anon. [Daphne] “Engelshe Daphne”, diatonic cittern and transcription for chromatic cittern (Valerius, p.31) LZ 115/D7i-ii

Anon. Daphne (GB-Mp BRm 832.Vu.51 Manchester lyra viol book, p.15) LZ 115/D8

Anon. Dargesson (GB-Cu Dd.2.11, f.8) LN 121/D2

Anon. Dargason, arranged from violin (Playford 1651 & 1670, p.71) LN 121/D1

Anon. Dargason, gittern (Playford 1652, p.9) LN 121/D3

Anon. De la Traditora [by Marco dall’Aquila?] (Munich 266, f.33) LN 70/15

Anon. The Devil’s Dance (ML, f.30v) LN 66/1

Anon. Deutscher Dantz (D-W Guelf 18.3 IV, f. 21v), see under Anon. Une Jeune Fillette, LZ 119/26 Anon. Deutscher dantz – nachdanz (D-W Guelf 18.8 IV, f.18v), see under Anon. Almande de Don Frederico, LZ 121/27

Anon. Deutscher dantz – Nachdanz (D-W Guelf 18.8 IV, f.31), see under Anon. Almande de Don Frederico, LZ 121/28

Anon. Deutscher Dantz-Nachtanz (D-W Guelf.18.8 IV, f.17), see under Anon. Guet gesell du must wander, LZ 125/H4a

Anon. Diferencias sobre Guardame las Vacas (Simancas MS) LSJ vol.26 part 1

Anon. Diminutio (PL-Kj 40143, f.39) LZ 107/PP34

Anon. Ding Dong Merrily on High (French 16th Century) LN 84

Anon. Dirata (PL-Kj 40032, p.107 ii) LZ 107/PP2

Anon. Dirata di fuga (PL-Kj 40032, p.107 iii) LZ 107/PP23

Anon. [Divisions on a Ground] (Dd.2.11 no.158, f.54) LN93/17

Anon. Dolent Depart (Phalese Des Chansons 1547, f.C1v) LN 115

Anon. Den Dooden dans (Thysius no.719, f.416), see under Anon. Matachines, LN 81/4eAnon. De Doot (Thysius no. 519, f.337), see under Anon. Les Bouffons, LN 81/3a viiAnon. Doulands Bells (GB-Lam 601 Mynshall no.27, f.8), see under Anon.The Bells of Osney, LZ 126/B1f

Anon. A Downe (Dd.2.11 no.297, f.94) LN 62

Anon. Downeright Squyre (Dd.2.11 no.231, f.70) LN 123/D1

Anon. [Downright Squire] (IRL-DM .3.2.13 Marsh no.17, p.40) LZ 123/D2

Anon. [Downright Squire] “The Upright Esquire” (US-Ws V.b.159 Lodge, f.18v) LN 41 B3 (2)/11LZ 123/D3

Anon. Draw Near to Me and Love Me (Pickeringe, f.28) LN 78

Anon. Drewies Accords, duet (Eg.2046) LN 67 text

Anon. Duble (D-Mbs 21646, f.6), see under Anon.Bergamasca, LZ 118/B62

Anon. La Duchesse, see under Anon. Courante de Mars, Krakow no.23, f.12v

Anon. The Duke of Parmes Almayne (Marsh no.143, p.383) LSJ vol. 11 plate 4LS 1/4b

Anon. The Duke of Somersettes Dompe (Royal Appendix 58, f.51v) LN 38 B2

Anon. Dulcina “Dulcyna” (GB-Lam 603 Board no.188, f.83v) LN 66/8LZ 125/D1

Anon. Dulcina “Daunce”, transcribed from keyboard (GB-Cfm 168, p.311) LZ 125/D2

Anon. Dumesai (Lbl Add.6402, f.2), see under Anon. “Mall Symes”, LZ 114/1e

Anon. A Dumpe (Lodge, f.14) = Militis Dump (Marsh no.125, p.359) LN 41 B3 (2)/3

Anon. [La Durette] “Durettes”: transcribed from lyra viol, [suite 7 c] (Ballet no.73, p.66) LN 78/7c

Anon. The Earell of Derbes Galliard, cittern (US-Cah 181, f.3v), see under Anon. Squires Galliard, LZ 122/S21

Anon. The Earle of Darbyes Caraunta (IRL-Dtc 408/II no.56, p.111), see under Anon. The French King’s Maske, LSJ vol.10 [plate 4]; LN 64/2 i

Anon. [Earl of Essex Galliard] Gagliarda Inglese Bellissima Joan Dooland (D-W Guelf. 18.8 VI, f.185v) LZ 107/42-32

Anon. [Earl of Essex Galliard] Galiarda (Hove 1601, f.99) LZ 107/42-21

Anon. [Earl of Essex Galliard] Galiarta Pipers (D-Ngm 33748/I, f.65v) LZ 107/42-13

Anon. [Earl of Essex Galliard] Galiarta Pipers (D-Ngm 33748/I, f.66) LZ 107/42-27

Anon. [Earl of Essex Galliard] A Galliard lute way, lyra viol (IRL-Dtc 408/I Ballet no.34, p.36) LZ 107/42-33

Anon. [Earl of Essex Galliard] Galliard Pipers (D-Ngm 33748/I f.7) LZ 107/42-18

Anon. [Earl of Essex Galliard] Galliard Pipers no.1, bass lauten (D-Ngm 33748/I f.6v) LZ 107/42-20

Anon. [Earl of Essex Galliard] Galliard Pipers no.2 (D-Ngm 33748/I f.7v) LZ 107/42-28

Anon. [Earl of Essex Galliard] Galliarda (Fuhrmann 1615, p.121) LZ 107/42-14

Anon. [Earl of Essex Galliard] Galliarda (D-B 40141, f.123v) LZ 107/42-29



Anon. [Earl of Essex Galliard] Galliarda Anglica (D-KNh R.242, f.136v) LZ 107/42-19

Anon. [Earl of Essex Galliard] Galiarda Pipers (D-BAU Druck 13.4o 85, p.31) LZ 107/42-16

Anon. [Earl of Oxford’s March] “A Marche” (Ballet, p.95 = Mynshall no.21, f.7) LN 44 C41LN 78/8d

Anon. The Earle of Darbyes Caraunta (IRL-Dtc 408/I Ballet no.56, p.111), see under Anon. The French King’s Maske, LN 64/2 I

Anon. The Earell of Derbes Galliard, cittern (US-Cah 181, f.3v), see under Anon. Squires Galliard, LZ 122/S21

Anon. The Earle of Essikes Dumpte, inaccurate version of “O Heavenly God”? (GB-Lam 601 Mynshall no.17, f.6v)LZ 107/6a

Anon. El Stendardo (Munich 1511b, f.7v) LN 70/21

Anon. The Emperors Allmayne (Marsh no.142, p.382) LSJ vol.11 plate 4LN 78/7b

Anon. En me revenant (D-LEm II.6.15, p.500) LZ 115/7

Anon. En me revenant (Fuhrmann 1615, p.158) LZ 115/10

Anon. En me revenant (GB-Cfm 689, f.31) LZ 115/11

Anon. En me revenant] (D-B N479, f.2v) LZ 115/15

Anon. En me revenant] (CH-Bu F.IX.53, f.54v) LZ 115/35

Anon. [En me revenant] “Aliud” (GB-Lbl Sloane 1021, f.65v) LZ 115/25

Anon. [En me revenant] “Aliud Deck[er]” (GB-Lbl Sloane 1021, f.66v) LZ 115/29

Anon. [En me revenant] “Aliud Leonis” (GB-Lbl Sloane 1021, f.65v) LZ 115/24

Anon. [En me revenant] “Aliud Madel” (GB-Lbl Sloane 1021, f.66r) LZ 115/28

Anon. [En me revenant] “Allemande grassie” (B-Bc 26.369, f.9v) LZ 115/9a

Anon. [En me revenant] “Allemande gratie” (Hove 1601, f.109) LZ 115/9b

Anon. [En me revenant] “Alman Nichols”, mandore (GB-En Adv.5.2.15, p.120) LZ 115/36

Anon. [En me revenant] “Almande” (Adrienssen 1600, f.75) LZ 115/18a

Anon. [En me revenant] “[Almande] Autrement” (Adrienssen 1600, f.75) LZ 115/18b

Anon. [En me revenant] “Almayn” (Board no.80, f.25v) LZ 115/22Anon. [En me revenant] “Ballet” (D-Lr 2000 Harling p.10) LZ 119/App 1

Anon. [En me revenant] “Ballet de St Nicolas” (D-Us 132, p.70) LZ 115/38

Anon. [En me revenant] “Branle de St Nicolas” (F-Pn Vm7 6213, p.25) LZ 115/34

Anon. [En me revenant] “Chorea Anglica” (D-B Danzig 4022, f.47) LZ 115/30

Anon. [En me revenant] “Flore Paladino” (D-LEm II.6.15, p.460) LZ 115/6

Anon. [En me revenant] “Furst Jochim Ernsts von Anhalt Lied...” (F-Sn R.107 10, f.2) LZ 115/23

Anon. [En me revenant] “Mascarate En m’en revanant”, reconstructed (D-B N479, f.8v) LZ 115/19

Anon. [En me revenant] “Mattiae deft Röm...” (LT-Va 285-MF-LXXIX, f.65) LZ 115/17

Anon. [En me revenant] “More pal. Kul” (GB-Lbl Sloane 1021, f.66r) LZ 115/27

Anon. [En me revenant] “More Palatino” (D-HRD Fü 9829, f.10v) LZ 115/5

Anon. [[En me revenant] “More Palatino” (I-Fn Magl. XIX 105, f.13) LZ 115/8

Anon. [En me revenant] “More Palatino” (D-D1 M 297, p.132) LZ 115/14

Anon.[ En me revenant] “More Palatino” (S-B PB fil.172 Per Brahes, f.35v) LZ 115/20

Anon. [En me revenant] “More Palatino” (S-B PB fil.172 Per Brahes, f.37) LZ 115/21

Anon. [En me revenant] “More palatino” (NL-HOwfa 1667-1, F.2) LZ 115/31

Anon. [En me revenant] “Nicola ton nouveau”, mandore (D-Us 132, p.71) LZ 115/26

Anon. [En me revenant] “Quand je remue tout branle, mandore (D-Us 133b, f.32v LZ 115/40

Anon. [En me revenant] “Sibit Sant Nikcola” (GB-Eu Laing III.487 Rowallan, p.8) LZ 115/13

Anon. En [me] revenant de St. Nicolas (CH-SO DA 111, f.38) LZ 115/3

Anon. En [me] revenant de St. Nicolas (CH-SO DA 111, f.38, corrected version) LZ 119/App 2

Anon. [En me revenant de St. Nicolas] “Idem” (CH-SO DA 111, f.38v) LZ 115/4

Anon. En [me] “moy” revenant de S. Nicolas (CH-SO DA 111, f.43v) LZ 115/16

Anon. En [me] revenant de St Nicolas, mandore (D-Us 133a, f.1v) LZ 115/37

Anon. En [me] revenant de St Nicolas, mandore (D-Us 133b, f.1v) LZ 115/39

Anon. En Reuenan (Gerle 1546, f.R4v) LZ 115/App 7

Anon. Engel dantz-Nachdantz (Guelf.18.8 IV, f.37v), see under Dowland (John) Orlando Sleepeth, LN 102/61r

Anon. Engels Bara vastres drom of: Phoebus is lang ower zee (Valerius 1626, p.111), see under Anon. Barafostus Dreame, LN 54; LZ 118/D6

Anon. Engels Bara vastres drom, diatonic cittern and transcription for chromatic cittern (Valerius 1626, p.111), see under Anon. Barafostus Dreame, LZ 118/D17i-ii

Anon. Engels Liedlein (Krakow 40143, f.63v), see under Anon. Kemp’s Jigge, LN 64/3 iv

Anon. Engels Malsims (Valerius, p.207), see under Anon. Mall Symes, LZ 114/1g

Anon. Engels Malsims, diatonic and transcription for chromatic cittern (Valerius 1626, p.208), see under Anon. Mall Symes, LZ 114/1jj-i & ii

Anon. Englischer Laufherger (D-Dl M 297, p.136), see under Anon. Mall Symes, LZ 114/1x

Anon. Engelsch Stückh (Königsberg, f.57v), see under Anon. The French King’s Maske, LN 64/2 vii

Anon. Engelsche Fortuyn De le gediminueert (Valerius 1626, p.132), see under Anon. Fortune my Foe, LZ117/F20

Anon. Engelsche Masquarade [a] (Hove 1, f.162) LN 51 C63/4a

Anon. Engelsche Masquarade [b] (Hove 1, f.161v) LN51 C63/4b

Anon. Engelsche Volte (NL-Lu 1666 Thysius no.607, f.371v), see under Anon. Light of Love, LZ 114/2e

Anon. Den Enghelschen Dans (Thysius no.724, f.418), see under Anon. Lusty Gallant, LZ 117/G4

Anon. Enghelshe Volte (Thysius no.607, f.371v), see under Anon. Light of love, LN 56/6a

Anon. Englesa (Pu XXIII.F.174, f.22v), see under Dowland (John) Orlando Sleepeth, LN 102/61h

Anon. Englisch auffzug (Bd.A.678, f.22), see under Dowland (John) Orlando Sleepeth, LN 102/61j

Anon. Englessa Allimodo (Eisjertt, f.95), see under Anon. Galliarda Angloise, LN 51 C63/15 cAnon. Englisch Coure[nt] (A-KR L 81, f. 155r), see under Anon. Packington’s Pound, LZ 113/P1d

Anon. Englisch Galliard (Karlsruhe 678, f.20) LN 51 C63/2

Anon. Englische Nachtingall, transcribed from cithrinchen (PL-Kj 40622.f.17v), see under Anon. The Nightingale, LZ 127/N5

Anon. Englische Toy (Danzig 4022, f.26v), see under Anon. Muscadin, LN 64/4 iv; LZ 117/M11

Anon. Englischer Tantz der Pickelhering (Leipzig II.6.15, p.376), see under Anon. Pickle Herring, LN 51 C63/8b

Anon. Englishe Danz (Montbuysson, f.67) LN 30 Tab sheet 5/2LN 30 C15/2

Anon. Ennglisch Tantz –Nachlauff (D-Usch 131b, f.8) LZ 123/App 4

Anon. Entrée de Mascarade (Krakow 40143, f.25v), see under Anon. Ballet des Folles, LN 65/4 i a

Anon. Essex’s last goodnight (Osborn fb7 no.38, f.89v) LN 74 text

Anon. [Est ce Mars] (GB-Lbl Add.38539, f.16) LZ 123/E6

Anon. [Est ce Mars] “[Ba]llet [Ba]llardt” (D-B 4022, f.10v) LZ 123/E1

Anon. [Est ce Mars] “Ballett Est ce Mars” (D-Kl 4o Mus.108 I, f.94 and 30) LZ 123/E2-3

Anon. [Est ce Mars] “Balletto Francovis” (S-B PB fil.172, f.10v) LZ 123/E7

Anon. [Est ce Mars] “Ballo de Cavalli” (US-SFsc M2.1 M3, p.69) LZ 123/E13

Anon. [Est ce Mars] “La Duchesse” (PL-Kj 40641, f.12v) LZ 123/E14

Anon. [Est ce Mars] “Est-ce le grand Dieu des alarmes” (Valerius 1626, p.164) LZ 123/E11

Anon. [Est ce Mars] “Est-ce le grand Dieu des alarmes” diatonic and chromatic cittern (Valerius 1626, p.164) LZ 123/E12a-b

Anon. [Est ce Mars] “Est-ce Mars le gra[n]d dieu”, lute song (Bataille 1613, f.6v) LZ 123/E17

Anon. [Est ce Mars] “The French Tune” (Board no.75, f.25) LZ 123/E5

Anon. [Est ce Mars] “Freundlich hoflich dhin darbei” (D-LEm II.6.15, p.463) LZ 123/E4

Anon. [Est ce Mars] “Frantzösich Dantz” (A-SPL KK 35, p.55) LZ 123/E10

Anon. [Est ce Mars] “Frantzösich dantz wan dan der mit seinen flammen” (A-SPL KK 35, p.54) LZ 123/E8

Anon. [Est ce Mars] “Wan dan Der mit seinen flammen” (A-SPL KK 35, p.55) LZ 123/E9

Anon. Est ce mars A 4, lute quartet (Vallet II 1616, p.34-35) LZ 123/E18a-d

Anon. Estones Pavion (Lodge, f.20v) LN 41 B3 (2)/7

Anon. Ex G sol re ut B mol Finale nel coloratura (D-LEm II.6.15, p.9 i) LZ 107/PP24

Anon. Excuse Me [parody on the Earl of Essex Galliard], arranged for lute (Playford 1703, p.188) LZ 107/1a

Anon. Excuse Me [parody on the Earl of Essex Galliard], (LT-Va 285-MF-LXXIX, f.58v) LZ 107/1b

Anon. Exercitium (Add.3056 f.30v) LN 91/16

Anon. Exercitium (Add.3056, f.30) LN 92

Anon. Exercitium (CH-Bu F.IX.70, p.12) LZ 107/PP14a

Anon. Exercitium (D-LEm II.6.15, p.5) LZ 107/PP14b

Anon. Exercitium (D-LEm II.6.15, p.15 i) LZ 107/PP68c

Anon. Exercitium (D-LEm II.6.15, p.21 iii) LZ 107/PP56

Anon. Exercitium per far la mano (B-Br 26.369, f.14) LZ 107/PP48

Anon. Exercitium; Finale (D-LEm II.6.15, p.7 & 3) LZ 107/PP11 &12

Anon. Ey de bruyt lach op haer bedde (Thysius 571, f.356v), see under Anon. Boeren Dans, LZ 124/B4

Anon. Factie (Phalese Carminum 1549, I4), see under Anon. Matachins, LN 81/4aAnon. Fain I Would, (transcribed from Playford Lyra Viol 1682, p.2), see under Anon. Larouse, LZ 117/L3

Anon. Fala Danza (“Fala Danza Jo. Petro che la balla ben” in index) (Casteliono Intabolatura 1536, f.23) LN 70/6

Anon. Falsa me es la espiga de zuela (Simancas MS) LSJ vol.26 part 1

Anon. A Fancye (Add.3056 f.31v) LN 91/18

Anon. A Fancye (Braye, f.13) LN 68/17

Anon. [A Fancye] (Braye, f.14v) LN 68/18

Anon. A Fansie (Dd.2.11, no.298 f.94v) LN 93/19

Anon. Fantasia (F-Pn Rés 941, f.16v) LN 96 text/BL 7LZ 107/PP22

Anon. Fantasia, parody of Palestrina’s “Vestiva I colli” (CH-Bu Ms.F.IX.70 Wurstisen, Fantasia VII, p.43) LN 122

Anon. [Fantasia] (GB-Lbl Hirsch 1353, f.13) LZ 127/Hi3

Anon. [Fantasia] (GB-Lbl Hirsch 1353, f.14v) LZ 127/Hi6














Anon. Farewell Dear Love, lute and voice (Robert Jones 1600, f.D4v), see under Anon. Mall Symes, LZ 114/App 2h

Anon. Farewell Deare Love, cittern (Robinson 1609, f.I1v), see under Anon. Mall Symes, LZ 114/App 2f

Anon. Farle Become (IRL-Dtc 408/II no.5, p. 83), see under Anon.The Woods so Wild, LSJ vo.10, [plate 3]; LZ 107/2e

Anon. Faustus Danntz (LT-Va 285-MF-LXXIX, f.59), see under Anon. Barafostus Dreame, LZ 118/D14

Anon. Fayre mysters disdayne me not (GB-Lam 603 Board no.71, f. 23v) LZ 119/F1

Anon. Fein lustigh ist spazieren gehen (D-Hbusch w.s., f.16v), see under Anon. Almande de Don Frederico, LZ 121/12

Anon. La Feraresa (Donaueschingen D-Si G.I.4 I, f.10v) LZ 109/12

Anon. The Ffrenche Galiarde [= Milanese] (Lodge, f.16v) LN 41 B3 (2)/5

Anon. A Ffrentch Daunce, (Trinity O.16.2, p.117) LN 78/5c

Anon. Una fillete Cançon françois (PL-Kj Mus. ms. 40032, p. 366), see under Anon. Une Jeune Fillette, LZ 119/13 Anon. Juna fillette chancon francoys (PL-Kj Mus. ms. 40032, p. 382), see under Anon. Une Jeune Fillette, LZ 119/14

Anon. Fin de Gailliarde (A-SPL KK 35, p.37) LN 125/DB42

Anon. Fin de Gailliarde (S-B PB fil.172, f.42v) LZ 125/F1

Anon. Fin de Galliarde (GB-HAdolmetsch II.b.1, f.85v) LZ 125/F3

Anon. Fin de Galliarde (GB-HAdolmetsch II.b.1, f.86v) LZ 125/F9b

Anon. Fin de Gailliarde (Francisque 1600, f.12) LZ 125/F7

Anon. [Fin de Galliarde] (I-Ra 1608, f.28) LZ 125/F5

Anon. [Fin de Galliarde] (GB-Eu Laing III.487, p.15) LZ 125/F14

Anon. [Fin de Galliarde] “Cingue Basso” (A-KR L81, f.149v) LZ 125/F13

Anon. [Fin de Galliarde] “Cinq Passi” (F-Pn Res.Vmd.31, f.47) LZ 125/F6

Anon. [Fin de Galliarde] “Fin des G” (S-Uu instr.mus.412, ff.21) LZ 125/F12

Anon. [Fin de Galliarde] “Gagliarda” (I-Peas sec.XVII, p.84) LZ 125/F4

Anon. [Fin de Galliarde] “Galliarda” (D-Hbusch w.s., f.32v) LZ 125/F2

Anon. [Fin de Galliarde] “Galliarda” (Besard 1603, f.110v) LZ 125/F8

Anon. [Fin de Galliarde] “Galliarde” (GB-HAdolmetsch II.b.1, f.97v) LZ 125/F10

Anon. [Fin de Galliarde] “G[alliarda]” (I-Coe 1.1.20, f.45) LZ 125/F11

Anon. [Fin de Galliarde] “Sinkpays” (GB-En Dep.314 no.23, ff.22v) LZ 125/F15

Anon. Fin de Galliarde, see also under Bacheler and Vallet

Anon. Fin des G (S-Uu instr.mus.412, ff.21), see under Anon. Fin de Galliarde, LZ 125/F12

Anon. Final di Courante (PL-Kj 40032, p.400) LZ 107/PP77

Anon. Finale (D-Kl 4o Mus.108 I, f.72v) LZ 107/PP57

Anon. Finale (D-Kl 4o Mus.108 I, f.100) LZ 107/PP59a-e

Anon. Finale (D-LEm II.6.15, p.10 ii) LZ 107/PP49

Anon. Finale (D-LEm II.6.15, p.17 ii) LZ 107/PP30

Anon. Finale (D-LEm II.6.15, p.18) LZ 107/PP60

Anon. Finale (D-LEm II.6.15, p.19) LZ 107/PP67

Anon. Finale (D-LEm II.6.23, f.14) LZ 107/PP75

Anon. Finale (D-LEm II.6.23, f.27) LZ 107/PP74

Anon. Finale ex C sol fa ut (D-LEm II.6.15, p.10 i) LZ 107/PP72

Anon. Finale in F fa ut (D-LEm II.6.15, p.10 iii) LZ 107/PP47

Anon. Finale in G (D-LEm II.6.15, p.12 ii) LZ 107/PP18

Anon. Finale; Untitled; Finale; Finale (D-LEm II.6.15, p.14 I; 13; 14 ii; 17 iii) LZ 107/PP26-29

Anon. [Finale] (D-LEm II.6.15, p.12 i) LZ 107/PP64

Anon. Fiorentina (I-Las 774, f.11v) LZ 125/App 7

Anon. The First Tune of the Lord’s Masque (ML, f.30v) LN 66/2b

Anon. The First Tune of the Lord’s Masque, see also Taylor ([Robert]) Antiq Masque per mr Confesso (Board no.91, f.27v) LN 41 A6/1; LN 66/2a

Anon. A Flatte Pavione (Lodge, f.6) LN 40 B3 (1)/10

Anon. Flore Paladino (D-LEm II.6.15, p.460), see under Anon. En me revenant, LZ 115/6

Anon. Flores para taner de Luys Maymon (PL-Kj 40032, p.105 ii) LZ 107/PP13

Anon. Font la Falliarde (Stowe 389, f.121v) LN 37 B1/4

Anon. Fortuna (LT-Va 285-MF-LXXIX, f. 20v), see under Anon. Fortune my Foe, LZ117/F21

Anon. Fortuna desperata (Thibault MS f.52) LSJ vol.22 part2/3

Anon. Fortuna Vincinecta, three part song (Bologna fragment) LN 55 text

Anon. Fortune Angloise (LT-Va 285-MF-LXXIX, f. 27v), see under Anon. Fortune my Foe, LZ117/F17

Anon. Fortune Angloise [Fortune my Foe], see also under Hove and Vallet, LN 54 and LZ 117 Anon. Fortune is Now my Fo, with vocal line (Dallis no.46, p.49) LN 36

Anon. Fortune [my Foe] (IRl-Dtc 408/II no.52, p.111) LSJ vol.10 [plate 4]LN117/F1

Anon. [Fortune my Foe], fragment (US-Ws V.b.280, f.57v) LN117/F4

Anon. Fortune my Foe, “Treble string Fortune my foe”, cittern (GB-Lbl Add.4388, f.88) LN117/F5

Anon. Fortune [my Foe] (GB-Cu Dd.9.33, f. 51) LZ117/F7

Anon. Fortune [my Foe] (transcribed from lyra viol, Corkine 1610, f.F2v) LZ117/F9

Anon. [Fortune my Foe] “Allemand – Proportio” (Beckmann, S-B 2245 f. 13) LZ117/F31

Anon. [Fortune my Foe] “Engelsche Fortuyn De le gediminueert” (Valerius 1626, p.132) LZ117/F20

Anon. [Fortune my Foe] “Fortuna” (LT-Va 285-MF-LXXIX, f. 20v) LZ117/F21

Anon. Fortune my Foe] “Fortune Anglese” (Hove 1, f.160) LN 54/2d

Anon. Fortune my Foe] “Fortune Anglese” (Hove 1, f.159) LN 54/2bii

Anon. [Fortune my Foe] “Fortune Angloise” (LT-Va 285-MF-LXXIX, f. 27v, = Vallet) LZ117/F17

Anon. Fortune [my Foe] “Fortune R(ichard) S(umarte)”, transcribed from lyra viol (GB-Mp BRm 832 Vu 51, p. 12)LZ117/F12

Anon. [Fortune my Foe] “Ingelsche Fortune (D’)” [I] (Thysius no. 658, f.387) LZ 117/F22

Anon. [Fortune my Foe] “Ingelsche Fortune (D’)” [II] (Thysius 659, f.387) LZ 117/F11

Anon. [Fortune my Foe] “Lamentation du Duc de Guise” [I] (Thysius no.662, f.388) LN 54/2cLZ 117/F23

Anon. [Fortune my Foe] [“Lamentation du Duc de Guise”, II] (Thysius no.663, f.388) LZ 117/F14

Anon. [Fortune my Foe] [“Lamentation du Duc de Guise”], III] (Thysius 664, f.388) LZ 117/F14

Anon. [Fortune my Foe] “Utaff Fortuna” (S-B PB fil.172, f.14) LN 117/F2Anon. [Fortune my Foe] “Von der Fortuna” (Lüneburg 2000, p.13) LN 54/2bi

LZ 117/F8Anon. [Fortune my Foe] “Von der Fortuna” (Stobaeus, GB-Lbl Sloane 1021 f. 79v) LZ117/F29

Anon. [Fortune my Foe] “Von der Fortuna – Proportio” (Herdringen, D-HRD Fü 9829 ff. 8v) LZ117/F28

Anon. [Fortune my Foe] “Von der Fortuna – proportion” (D-LEm II.6.15, p. 412) LZ117/F18

Anon. [Fortune my Foe] “Von der fortuna würdt ich getrieben liebe - Nota Post Fortuna” (D-LEm II.6.23, ff. 45r-45v)LZ117/F19

Anon. [Fortune my Foe] “Von der Fortune” (PL-Kj Mus.40159, f. 16) LZ117/F16

Anon. [Fortune my Foe] “Von der Fortun[e]” (S-B 2245, f.13v) LZ 117/F3Anon. Fortune my Foe, see also under Hove and Vallet, LN 54; LZ117

Anon. Fortune R(ichard) S(umarte)”, transcribed from lyra viol GB-Mp BRm 832 Vu 51, p. 12), see under Anon. Fortune [my Foe], LZ117/F12

Anon. La Foule d’Engleterre, see under Anon. Ballet des Folles (Thysius no.692, f.396), LN 81/2b I

Anon. La Foule d’Engleterre, see under Anon. [Ballet des Folles], Thysius no.693, f.396), LN 81/2b ii

Anon. The Foure and Twenty Changes on 6 Bells, cittern (Playford 1666, p.1) LZ 127/App 5

Anon. A Ffrentch Daunce, (Trinity O.16.2, p.117), see under Anon. French Dance, LN 78/5cAnon. Franciscano (D-B N 479, f.64v), see under Anon. Mall Symes, LZ 114/1ii

Anon. Franzisgina (D-Ngm 333748/I, f.76), see under Anon. Mall Symes, LZ 114/1ff

Anon. The Freinch Galiard (Westminster Abbey MS 105) LN 55

Anon. [French Dance] “A Ffrentch Daunce”, (Trinity O.16.2, p.117) LN 78/5c

Anon. The French Galiard (Westminster MS 105) LN 53 B5

Anon. Fr[ench?] Galliard (Dd.2.11 no.112, f.41) LN 93/12

Anon. The French King’s Maske (Board no.25, f.8) LN 64/2 iv

Anon. [The French King’s Maske] (Wemyss, f.34v) LN 67/16

Anon. [The French King’s Maske] “Allemande di Bouqueti” (Donaueschingen III, f.30) LN 64/2 v

Anon. [The French King’s Maske] “Ballet” (Montbuysson, f.3v) LN 64/2 viii

Anon. [The French King’s Maske] “Chorea Anglica” (Dresden 297, p.149) LN 64/2 vi

Anon. [The French King’s Maske] “Engelsch Stückh” (Königsberg, f.57v) LN 64/2 vii

Anon. [The French King’s Maske] “Intrada” (Bautzen, p.69) LN 64/2 iii

Anon. [The French King’s Maske] “Intrada Mauitij” (Nürnberg I, f.52v) LN 64/2 ix

Anon. [The French King’s Maske] “The Earle of Darbyes Caraunta” (IRL-Dtc 408/II no.56, p.111) LSJ vol.10 [plate 4] LN 64/2 i

Anon. [The French King’s Maske] “The Kings Maske” (Dd.2.11no.195, f.61v) LN 64/2 ii

Anon. The French Lacoranto (Occ 254, f.144v) LSJ vol.33

Anon. French Volta, in duple time (GB-Cu Dd.3.18, f. 8r) LZ 113/App 4 Anon. A Frenche [Ballet], Scottish Ballads 1 (Skene, p.83) LN73/1

Anon. Frensche Gagliarda (PL-Kj 40032, p.374) LZ 115/App 3

Anon. Der Feundschaftdienst (Wöchentlicher Musicalischer Zeitvertreib, 1760) LN 101 text

Anon. [The Friar and the Nun] “A Toye” (GB-Lbl Eg.2046 Pickeringe, f.34) LN 78LN 122/F1

Anon. The Friar and the Nun (US-Ws V.b.280, f. 6) LN 113/App 1LN 122/F2

Anon. The Fryar and the Nun, arranged from violin (Playford 1651, p.84) LN 122/F3

Anon. The Fryar and the Nun, arranged from violin (Walsh 1718, p.141) LN 122/F5

Anon. The Fryar and the Nun, cittern (Playford 1666, f.D2) LN 122/F6

Anon. Fuga (PL-Wu 2009, p.4) LZ 124

Anon. Fuga, ending reminiscent of Huwet’s Fantasia (D-Kl 4o.108 I, Elizabeth of Hessen’s Lute Book, f.9v) LZ 116/App5

Anon. Fuga sive passagio (GB-HAdolmetsch II.B, f.263v) LZ 107/PP38b

Anon. Furst Jochim Ernsts von Anhalt Lied... (F-Sn R.107 10, f.2), see under Anon. En me revenant, LZ 115/23

Anon. Gagliarda (D-Dl 1.V.8, f.51), see under Anon. Squires Galliard, LZ 122/S2

Anon [Gagliarda], similar in style to Santino Garsi, (I-Fn Gal 6, p.254) LZ 111/ii

Anon [Gagliarda], similar in style to Santino Garsi. (I-Fn Gal 6, p.251) LZ 111/iv

Anon Gagliarda, similar in style to Santino Garsi. (D-Sl G.1.4 II, f.80) LZ 111/vii

Anon [Gagliarda] Agostina, similar in style to Santino Garsi. (I-Fn Gal 6, p.250) LZ 111/vi

Anon Gagliarda del Duca di Lorena, similar in style to Santino Garsi, (PL-Kj 40032, p.322) LZ 111/v

Anon [Gagliarda] L’imperiale, similar in style to Santino Garsi, (I-Fn Gal 6, p.247) LZ 111/iii

Anon Gailliarda, similar in style to Santino Garsi,(Waissel 1591, f.14) LZ 111/i

Anon. Gagliarda [“Walsingham”?] (I-Fn Gal 6, p.269) LZ 104/4b

Anon. Gag[liarda] (Donaueschingen D-Si G.I.4 III, f.36v) LZ 109/25

Anon. Gagliard[a] (Donaueschingen D-Si G.I.4 III, f.40v) LZ 109/26

Anon. Gagliarda (Donaueschingen D-Si G.I.4 I, f.32v) LZ 109/16

Anon. Gagliarda (Donaueschingen D-Si G.I.4 I, f.7) LZ 109/5

Anon. Gagliarda (Donaueschingen D-Si G.I.4 I, f.9) LZ 109/6

Anon. Gagliarda (Donaueschingen D-Si G.I.4 III, f.30) LZ 109/29

Anon. Gagliarda (Donaueschingen D-Si G.I.4 III, f.47v) LZ 109/28

Anon. Gagliarda (Donaueschingen D-Si G.I.4 III, f.54v) LZ 109/33

Anon. Gagliarda] (Donaueschingen D-Si G.I.4 III, f.55) LZ 109/31

Anon. Gagliar[da] (US-PHu f.GrC Ar466 Ef54) LN 115 text

Anon. Gagliarda del Duca di Ferrara (CH-Bu F.IX.70, p.285) LN 126/App 1

Anon. Gagliarda Inglese Bellissima Joan Dooland (D-W Guelf. 18.8 VI, f.185v) see under Anon. Earl of Essex Galliard, LZ 107/42-32

Anon. Gagliarda La Bella Figlia (Donaueschingen D-Si G.I.4 I, f.10v) LZ 109/13

Anon. Gagliarda La Gentile (Donaueschingen D-Si G.I.4 III, f.53) LZ 109/34

Anon. A Gagliarde (Dallis, no.39, p.42) LN 93/20

Anon. Gaiarda, (Wroclaw 52, f.70) LN 72/30d

Anon. Gailliarda, influenced by the Frog Galliard? (Waissel Lautenbuch 1592, sig. f3r) LZ 113/App 6b

Anon. Gaillarda Paduana Lachrymae (LT-Va 285-MF-LXXIX, f.23v), see under Anon. Squires Galliard, LZ 122/S6

Anon. Gailliarde, influenced by the Frog Galliard? (Donaueschingen D-Sl G.I.4 III, f. 33v) LZ 113/App 5b

Anon. Gaillarde (Donaueschingen D-Si G.I.4 I, f.8v) LZ 109/9

Anon. Galiarda (Hove 1601, f.99), see under Anon. Earl of Essex Galliard, LZ 107/42-21

Anon. Galliard Candish (Dd.2.11, f.95) LN 29 Tab sheet 4//6LN 29 C14/6

Anon. Galliard Lachrym[ae] (GB-Lbl Sloane 1021, f.44v), see under Anon. Anon. Squires Galliard, LZ 122/S8

Anon. Galliarda (D-B 40141, f.29), see under Anon. Squires Galliard, LZ 122/S9

Anon. Galliarda (Besard 1603, f.110v), see under Anon. Fin de Galliarde, LZ 125/F8

Anon. Galliarda (Leipzig II.6.15, p.234), see under Dowland (John) Galliarda Dulandi, LN 103/6c; JD 85b

Anon. G[alliarda] (I-Coe 1.1.20, f.45), see under Anon. Fin de Galliarde, LZ 125/F11

Anon. Galliarda 28, influenced by the Frog Galliard? (D-LEm II.6.15, p. 208) LZ 113/App 5c

Anon. Galliarda, influenced by the Frog Galliard? (D-KNh R.242 Romers, f. 136v) LZ 113/App 6a

Anon. Galliarda Englessa (A-Lla hs.475.f.23, 94v and 95v), see under Anon. Squires Galliard, LZ 122/S11, 12, 14, 15, and 17

Anon. Galliarde (GB-HAdolmetsch II.b.1, f.97v), see under Anon. Fin de Galliarde, LZ 125/F10

Anon. Galliarde (D-Si G.I.4 III, f.52v) LZ 109/32a

Anon. A Galliarde (Braye, f.6v) LN 8 text

Anon. Galliarde (CZ-Pum IV.G.18, f.174v), see under Anon. Squires Galliard, LZ 122/S18

Anon. Gaillardo (Munich 1627, f.24) LN 70/16

Anon. Gaillardo di foravia all dalliana (Munich 1627, f.24) LN 70/8

Anon. Gailliarde [II] (Thysius 78) LN 93/4

Anon. A Galiard (Lodge, f.5v) LN 40 B3 (1)/6

Anon. Galiarda [“Walsingham”?] (D-Ngm 33748 I, f.17v ) LZ 104/4e

Anon. Galiarda Pipers (D-BAU Druck 13.4o 85, p.31), see under Anon. Earl of Essex Galliard, LZ 107/42-16

Anon. Galiarta Pipers (D-Ngm 33748/I, f.65v), see under Anon. Earl of Essex Galliard, LZ 107/42-13

Anon. Galiarta Pipers (D-Ngm 33748/I, f.66), see under Anon. Earl of Essex Galliard, LZ 107/42-27

Anon. Una Gallardi un ebreo [“Walsingham”?] (US-BE 757, f.20v) LZ 104/4d

Anon. A Galliard (Stowe 389, f.121v) LN 37 B1/3

Anon. Galliard (Add.3056, f.33) LN 80/10

Anon. [Galliard] (Dd.2.11 no.165, f.55v) LN 80/4

Anon. Galliard (Euing.f.44v) LN 93/6

Anon. Galliard (Nn.6.36, f.45v) LN 78/7

Anon. [Galliard] (GB-Cu Dd.9.33, f.60) LZ 127/ App 9

Anon. Gall[iard] Lord Stra[nge] (Marsh no.122, p.357), see under Lord Strange’s Galliard, LZ 127/S2

Anon. A Galliard lute way, lyra viol (IRL-Dtc 408/I Ballet no.34, p.36), see under Anon. Earl of Essex Galliard, LZ 107/42-33

Anon. Galliard Pipers (D-Ngm 33748/I f.7), see under Anon. Earl of Essex Galliard, LZ 107/42-18

Anon. Galliard Pipers no.1, bass lauten (D-Ngm 33748/I f.6v), see under Anon. Earl of Essex Galliard, LZ 107/42-20

Anon. Galliard Pipers no.2 (D-Ngm 33748/I f.7v,) see under Anon. Earl of Essex Galliard, LZ 107/42-28

Anon. Galliarda (Besard Thesaurus Harmonicus 1603, f.111v) LZ 104/4f

Anon. Galliarda (CZ-Pnm IV.G.18, f.116v) LZ 104/4k Anon. Galliarda (Dolmetsch II.C.23, f.8v) LN 72/37

Anon. Galliarda (D-LEm II.6.15, p.234), see under Dowland (John) Galliarda Dulandi, LN 103/JD 85b Anon. Galliarda (Fuhrmann 1615, p.121), see under Anon. Earl of Essex Galliard, LZ 107/42-14

Anon. Galliarda (D-B 40141, f.123v), see under Anon. Earl of Essex Galliard, LZ 107/42-29



Anon. Galliarda Anglica (D-KNh R.242, f.136v), see under Anon. Earl of Essex Galliard, LZ 107/42-19

Anon. Galliarda Anglesa (Eijsertt, f.81) LN 51 C63/6

Anon. Gal[l]iarda [Angloise] (Bautzen, p.32) LN 51 63/15a i

Anon. Galliarda Angloise (Strobaeus, f.44) LN 51 C63/15 a ii

Anon. Galliarda [Angloise] (Leipzig II.6.15, p.206) LN 51 C63/15 b

Anon. Galliarda Angloise] “Galliarda Englessa Allimodo” (Eisjertt, f.95) LN 51 C63/15 c

Anon. Galliarda Britannica Elegans (Arpin, p.54) LN 51 C63/13

Anon. Galliarda Romana (PL-Kj Mus.40032, f.125, p.323) LZ 104/4a

Anon. Galliarde (Braye f.6v) LN 5

Anon. Galliarde (Dolmetsch II.B.1, f.6v) LZ 104/4l

Anon. Galliard to Passomezo d’Italie, bassus (Thysius 157) LS 7/2

Anon. Galliarde (CZ-Pnm G.IV.18, f.17v) LZ 125/App 1

Anon. Galliart (Luneburg, p.68), see under Anon. Pickle Herring, LN 51 C63/9c

Anon. Ganz lustig ist es spacierenn gehn (CH-Bu F.IX.70, p.268), see under Almande de Don Frederico, LZ 121/30

Anon. Gar Lustisch Ist Spazeren Gan-Proportio (D-B 40141, f.94), see under Almande de Don Frederico, LZ 121/24

Anon. Gar lustisch ist spazieren gehen (LT-Va 285-MF-LXXIX, f.12), see under Almande de Don Frederico, LZ 121/19

Anon. Gar lustig ist spacieren gahn (DK-Kk Thott 841 4o, f.92v), see under Almande de Don Frederico, LZ 121/21

Anon. Gar lustig ich spazieren gieng (PL-Kj 40161, f.1), see under Almande de Don Frederico, LZ 121/18

Anon. Gar lustig ist spaziren gahn (CZ-Pu XXIII.F.174, f.19v), see under Almande de Don Frederico, LZ 121/13

Anon. Gar lustig ist spaziren gahn - Saltar[ello] (D-KNh R242, f.228v), see under Almande de Don Frederico, LZ 121/15

Anon. Gavotta (CZ-Bm371, p.3) LZ 111 text

Anon. A Gayliarde (Dallis no.39, p.42) LN 51 C61LN 93/20

Anon. General Leslys Godnight, Scottish Ballads 9b (Wemyss, f.43v) LN 73/9b

Anon. A Gig, see under Anon. A Jig, (Dd.4.22, f.9), LN 78/1b i

Anon. Gigue Angloise, transcribed to 6-c vieil ton (A-GO II, f.89), see under Anon. Greensleeves, LZ 124/G8a

Anon. Gigue Angloise, 11 course baroque lute (A-GO II, f.89), see under Anon. Greensleeves, LZ 124/G8b

Anon. The Gillyflower (Board no.79, f.25v) LN 41 A6

Anon. The Gipsies Dance (Board no.150, f.38v) LN 66/6

Anon. Go from my Window “Go frome Winde etc.” (D-Kl 4oMus.108 I, f.1r) LZ 109/1b

Anon. Go fro my Windoe goe, original and altered version (Dd 2.11, f.3) LZ 109/1h i-ii

Anon. Go from my Windo[w] (Folger no.45, f.17) LS 2/13LZ 109/1g

Anon. Go from my Window (Thysius no.690, f.395) LN 54/3c iiLZ 109/1k

Anon. [Go from my Window] (GB-Gu Euing 25, f.48v) LZ 109/1l

Anon. [Go from my Window], for lyra viol (US-LAuc.M4 L992, f.24) LZ 109/1r

Anon. [Go from my Window] “Come gentle herdman” [I] (Thysius no.687, f.395) LZ 109/1p

Anon. [Go from my Window] “Come gentle herdman” [II] (Thysius no.688, f.395) LN 54/3bLZ 109/1q

Anon. [Go from my Window] “Come gentle herdman” [III] (Thysius no.689, f.395) LN 54/3c iLZ 109/1j

Anon. [Go from my Window] “Honssup” (Hove 1601, f.107v) LN 54/3aLZ 109/1i

Anon. [Go from my Window] “La Matriciana” (I-Fn Gal.6, p.119) LZ 109/1t

Anon. [Go from my Window] “The New Exchange”, violin, arranged for lute (Playford 1651, p.8) LZ 109/1n

Anon. [Go merely wheel] “Anglicum” (Leipzig II.6.15, p.490) LN 54/5c iv

Anon. [Go merely wheel] “Anglicum. Komb, mein Liebchen” (Sloane 1021, f.79v) LN 54/5c i

Anon. [Go merely wheel] “Chorea Anglica” (Leipzig II.6.15, p.373) LN 54/5c iii

Anon. [Go merely wheel] “Curante” (Leipzig II.6.15, f.6v) LN 54/5b i

Anon. [Go merely wheel] “Schönes Freulein” (Lüneburg 2000, p. 12) LN 54/5b ii

Anon. [Go merely wheel] “Tanz N” (Königsberg, f.15) LN 54/5c ii

Anon. [The Gordian Knot] (Dd.9.33, f.52v) LN 76/13

Anon. Grace & Vertu, after Roquelay (Phalese Des Chansons 1547, f.G4) LN 115

Anon. Grayes Inn Mask (Trinity O.16.2, p.137), see under Anon. Mad Tom of Bedlam, LN 65/2 iii

Anon. Grays Inn Mask (Board no.106, f.31v), see under Anon. Mad Tom of Bedlam, LN 65/2 iAnon. Grays Inn Mask (ML f.29), see under Anon. Mad Tom of Bedlam, LN 65/2 iv

Anon. Grays Inn Mask (Board no.180, f.44), see under Anon. Mad Tom of Bedlam, LN 65/2 iiAnon. Grays Inn Mask (Wemyss, f.18v), see under Anon. Tom of Badlam, LN 65/2 v

Anon. Grays Inn Mask (Osbornfb7 no. 7, f.89v), see under Anon. The queene funerall, LN 65/1 iiiAnon. Graysin Maske (ML f.30), see under Anon. The Queen’s Funeral, LN 65/1 ii

Anon. Grays Inn Mask (Board no.149, f.38v), see under Anon. The Queen’s Funeral, LN 65/1 i

Anon. Grays Inn Mask, see under Anon. The Queen’s Funeral (ML, f.32), LN 65/1 iv

Anon. Green Sleeves, baroque lute and transcription (GB-En Acc.9769, p.62) LZ 124/G14a-b

Anon. Greensle[e]ves, transcribed from bandora (LT-Va 285-MF-LXXIX, f.40) LZ 124/G7a

Anon. Green Sleeves, transcribed from bass viol (GB-Lcm II.F.10(2), f.50v) LZ 124/G12i

Anon. Green Sleeves, duet treble (GB-Cu Dd.3.18, f.8v) LZ 124/G16i

Anon. Green Sleeves, melody with lyrics for “The old year now away is fled” (New Christmas Carols, 1642) LN 100 text

Anon. [Greensleeves] (Thysius no.673, f.390) LN 54/4aLN 124/G2

Anon. Green Sleeves, cittern (GB-Cu Dd.4.23, f.25) LZ 124/G11

Anon. Greensleeves “Greene slehes” for bandora (LT-Va 285-MF-LXXIX Königsberg, f.40) LN 54/4cLZ 124/G7b

Anon. Greensleeves “Greene sleves” (IRL-Dtc 408/II no.41, p.104) LN 124/G1

Anon. Greensleeves “Greene sleves”, cittern (US-CAh 182 Ridout, f.67) LN 124/G5

Anon. Greensleeves “Greene sleves is al mij Joije” (Thysius 672, f.390v) LZ 124/G9

Anon. Green Sleeves, “Greene-Sleeves”, cittern (Playford 1652, p.31) LZ 124/G17

Anon. Greensleeves “Greensleeves and Pudding Pies”, arranged from violin (Playford 7th 1686, p.186) LZ 124/G10a

Anon. Greensleeves “Greensleeves and Yellow Lace”, arranged from violin (Playford 17th 1721, p.113) LZ 124/G10b

Anon. Greensleeves “Greensluevs”, duet reble (Mynshall no.7, f.3) LZ 124/G15ib

Anon. Greensleeves “Griensliefs” (Hove Florida 1601, f.107v) LN 54/4bLN 124/G4

Anon. Greensleeves “Gruen sliefs ey touiou met all myn here” (Thysius no.671, f.390) LZ 124/G6

Anon. [Green Sleeves], transcribed from violin (Playford 1685, f.F1r) LZ 124/G13i

Anon. [Greensleeves] “Gigue Angloise”, 11 course baroque lute and transcription to 6-c vieil ton (A-GO II, f.89)LZ 124/G8a-b

Anon. [Green Sleeves, Ground] (GB-Lcm II.F.10(2), f.51) LZ 124/G12ii

Anon. [Green Sleeves] “The Ground to Grien Sl[i]vis”, duet ground (US-Ws V.b.280 Folger no.18, f.5) LN 64LZ 124/G15ii a-b

Anon. [Green Sleeves] “The Treble to Grien Slivis”, duet treble (US-Ws V.b.280 Folger no.17, f.5) LZ 124/G15ia

Anon. Greensleeves, see also under Cutting, LN 124/G3

Anon. Greenwood, cittern (Playford 1666, f. D2v), see under Anon.The Woode so Wilde, LZ120/G1, p.53 Anon. Grenes Allman (GB-NO Mi LM 16, f.18v), see under Almande de Don Frederico, LZ 121/10

Anon. Grimoda (La) (Paris 429, f.124v) LN 70/5

Anon. Grimstock (Dd.78.3, f.75v) LN 33 A2/2 ii

Anon. [Grimstock] “Anglicum” (Leipzig II.6.15, p.495) LN 54/5a ii

Anon. [Grimstock] “Chorea Anglica” (Bautzen, p.86) LN 54/5a i

Anon. Ground (Dallis no.10, p.16) LN 116 text

Anon. The Ground to Grien Sl[i]vis”, duet ground (US-Ws V.b.280 Folger no.18, f.5), see under Anon. Green Sleeves, LN 64; LZ 124/G15ii a-b

Anon. Guet gesell du must wandern “Deutscher Dantz-Nachtanz” (D-W Guelf.18.8 IV, f.17) LZ 125/H4a

Anon. Guet gesell du must wandern “Anfang dises dantz auf ein andere weiss” (D-W Guelf.18.8 IV, f.17) LZ 125/H4b

Anon. Guet gesell du must wandern, duet part? (D-Sl G.1.4 I, f.38) LZ 125/H4d

Anon. [Guet gesell du must wandern] (NL-Lu 1666 Thysius no.883, f.497v) LZ 125/H4f

Anon. [Gudt gesell du must wandern] (DK-Kk Thott 4o 841, f.63v) LZ 125/H4h

Anon. [Guet gesell du must wandern] (NL-Lu 1666 Thysius no.882, f.497) LZ 125/H4l

Anon. Guet gesell du must wandern, see also under Barbetta, Negri, Terzi, and Waissel

Anon. Guet g[e]sell unndt ich mues wandern (CZ-Pu XXIII.F.174, f.20) LZ 125/H4g

Anon. Guigs (CZ-Bm371, p.81) LZ 111 text

Anon. Half Hannikin, English Gautier tuning (GB Lam 603 Board no.142, f.38) LZ 122/HH1i

Anon. Half Hannikin, transcribed to vieil ton (GB Lam 603 Board no.142, f.38) LN 83/4LZ 122/HH1ii

Anon. Half Hannikin, cittern (US-CAh 179, f.24) LZ 122/HH6

Anon. [Half Hannikin] “Courente”, English Gautier tuning and transcription to vieil ton (D-DO 1214, f.7) LZ 122/HH2i-ii

Anon. [Half Hannikin] “Cour[ente]”, English Gautier tuning and transcription to vieil ton (D-DO 1214, f.19) LZ 122/HH3i-ii

Anon. [Half Hannikin] “Halfe Hannikin”, 2 versions arranged from violin (Playford 1651 & 1670, p.43) LZ 122/HH4

Anon. [Half Hannikin] “Halfe Hannikinge”, cittern (US-CAh 182 Ridout, f.66v) LZ 122/HH5

Anon. [Hanskin] “Courante van Hansken” (NU-Lu 1666 Thysius no.751, f.435) LZ 122/H1

Anon. Hanskin “Jog On” (Playford 1651, p.45) LZ 122/H2

Anon. Hanskin, see also under Anon. Courante (NU-Lu 1666 Thysius no.743, f.431) LZ 122/H4

Anon. Hanskin, see also under Adriaenssen and Hove

Anon. Hark the Herald Angels Sing LN 64

Anon. Harreis Gaziard, Scottish Ballads 15 (Skene, p.99) LN 73/15

Anon. Harte Opprest (Le Roy Briefe and plaine Instruction 1574, f.89) LN 52 A10

Anon. Harte Opprest, duet (Mynshall and reconstruction of second part) LN 52 A10

Anon. Have at thie coate old wom[an], English Gauthier tuning and transcription to vieil ton (GB-Lam 603 Board no.146, f. 38) LZ 119/H3a-b

Anon. Have at thy Coat Old Woman, arranged from violin (Walsh 1718 I, p. 204) LZ 119/H4

Anon. Have at thy Coat Old Woman, 5 variant versions for violin, arranged for lute (Playford 1651-1721) LZ 119/H2a-e

Anon. The Hay (IRL-Dtc 410 I Dallis no.64, p.77), see under Anon. Boeren Dans, LZ 124/B7

Anon. The Haymaker’s Mask (Board no.161, f.40v) LN 66/11

Anon. A Health to Betty (Ctc O.16.2, p.136) LN 14 textLN 83/15LZ 121 B1b

Anon. A Health to Betty (GB-Ctc 0.16.2, pp.118) LZ 121 B1a

Anon. A Health to Betty, transcribed from lyra viol (GB-Lbl Add.63852, f.115) LZ 121/B2

Anon. A Health to Betty, arranged from violin (Playford 1651, p.21) LZ 121/B3

Anon. A Health to Bettie, transcribed from lyra viol (GB-DU Mus.10455, p.4) LZ 121/B4

Anon. A Health to Be[t]ty, transcribed from lyra viol (GB-Lbl Add.59869, f.24) LZ 121/B5

Anon. A Health to Betty, transcribed from cantus and bassus (Orpheus Caledonius 1733, no.25) LZ 121/B8

Anon. [A] Health to Betty], cittern (Playford 1666, f.D2v) LZ 121/B10

Anon. [A Health to Betty] “Besse Bell”, Gautheir tuning and transcription for renaissance lute (GB-Lbl Eg.2046 Pickeringe, f.51v)LZ 121/App 1a-b

Anon. [A Health to Betty] “What You Will”, (GB-Lam 603 Board no.183, f.44v) LZ 121/B11

Anon. [A Health to Betty] “What You Will” lute I and II, transcribed from lyra viol (Ford 1607, f.K2v) LZ 121/B6a-b

Anon. [A Health to Betty] “What You Will”, original tuning and transcription for renaissance lute (Mathew 1652, p.14)LZ 121/B7a-b

Anon. [A Health to Betty] “What You Will”, cittern (Holborne CS, f.D1) LZ 121/B9

Anon. Heaven and Earth “Heven & Erth” (Royal Appendix 58, f.52) LN 38 B2

Anon. [Heidegy] (IRL-Dtc 408/II no. 9, p.84) LZ 117/H1

Anon. [Heidegy] “The hedgynge hay” (Braye/Osborn US NHub Mus.13, f.40) LZ 117/H2i-ii

Anon. Hemp and Flax, also known as The London Gentlewoman, or The Hemp-Dresser, English Gautier tuning and transcription for renaissance lute (GB-Lam 603 Board no.144, f.38) LN 125/H1a-b

Anon. Hemp and Flax “The Hemp Dresser” arr. from violin (Playford 1651, p.58) LN 125/H2

Anon. Het lieuelyck Lidt (Hove 1, f.42v) LN 77/27

Anon. Het was een Engelsch boerken schoenlappen soud’ hy doen (Thysius no.682, f.393), see under Anon. The Cobbler, LZ 113/App 9e

Anon. Hey down a downe, four part song LN 76 text

Anon. Hey Wilder dan Wild (Valerius, p.170), see under Anon. The Woods so Wild, LN 77/25

Anon. Hit (IRL-Dtc 408/II no.6, p.84), see under Anon. Can you not hit it?, LZ115/C1

Anon. Hoboken (Phalese & Bellere HC1592, f.79), see under Anon. Boeren Dans, LZ 124/B21a

Anon. Hoboken, cittern (Phalese & Bellere HC1592, f.79), see under Anon. Boeren Dans, LZ 124/B21b

Anon. Hockley i’th hole (Playford 1652, p.82), see under Anon. “I have been a Piper”, LN 114/App 3a

Anon. Hogys Jigge (Occ 254, f.144v) LSJ vol.33

Anon. Hollanschen Boerendans (Hove Florida 1601, f.107), see under Anon. Canaries, LN 59/2a

Anon. Hollandsche Boerendans (Hove Florida 1601, f.107), see under Anon. Boeren Dans, LZ 124/B19

Anon. Honssup (Hove 1601, f.107v), see under Anon. Go from my Window, LN 54/3a; LZ 109/1i

Anon. Hoode (GB-Cu Add.2764 (2), f.12), see under Anon. Bonny Sweet Robin, LZ 106/1j

Anon. [The Horne Pipe] (Dd.2.11 no.266, f.81) LN 76/8

Anon. A Hornepippe (Lodge, f.8v) LN 40 B3 (1)/24

Anon. Hört hört erstunder? Ding (D-LEm II.6.23, f. 45), see under Anon. Muscadin, LZ 117/M4

Anon. How will, cittern (Dd.4.23, f.23) LN 116/H1

Anon. Klapper Tantz (Leipzig, D-Lem II.6.15, p.369), see under Anon. Muscadin, LN 64/4 vi; LZ117/M9

Anon. Markett is done (Board no.32, f.11) LSJ 28, p.54

Anon. The Hunte is Uppe (Lodge, f.12) LN 40 B3 (1)/21

Anon. The Hunte is Uppe (Lodge, f.12, freely edited) LN 93 text/BL 4

Anon. Hyghtt Mystris Whiller (Lodge, f.5v) LN 40 B3 (1)/8

Anon. I am my Lordship’s Grees [Man] (Lodge, f.4) LN 40 B3 (1)/3

Anon. I choys to ly my lov/Sharp (Wemyss MS, f.45) LSJ vol.27

Anon. I dowe not qunne cold, Scottish Ballads 16 (Skene, p.100#) LN 73/16

Anon. [I have been a Piper] “Hockley i’th hole” (Playford 1652, p.82) LN 114/App 3aAnon. I have been a Piper (US-CAh 182 “Ridout”, f.80v) LN 114/App 3b

Anon. I have been a Piper, for lyra viol (Playford 1661.p.94) LZ 114/App 3cAnon. [I have been a Piper] “Branles” (D-Lem II.6.15, p.487) LZ 114/App 3dAnon. I left my Love behind Me, Scottish Ballads 12 (Skene, p.95) LN 73/12

Anon. I long for her Virginitie, Scottish Ballads 18a (Skene, p.103) LN 73/18a

Anon. I Long for thy Virginitie, Scottish Ballads 18b (Straloch, p.26) LN 73/18b

Anon. I Lothe that I did Love, lute song (Add.Ms. 4900, f.62v) LN 43

Anon. Ich gieng einmal spazierenn (CH-Bu F.IX.70, p. 281), see under Anon. Une Jeune Fillette, LZ 119/28 Anon. Ich gieng ein mage Bayieren (I-BDGchilesotti, p. 225), see under Anon. Une Jeune Fillette, LZ 119/37

Anon. Ich gieng ein mal spacieren - Nach dantz (PL-Kj W510, f. 30v), see under Anon. Une Jeune Fillette, LZ 119/41 Anon. Ich gieng ein mal spatzieren Saltus (CH-Bu F.IX.70, p. 268), see under Anon. Une Jeune Fillette, LZ 119/46 Anon. Ich gieng ein mal spazieren (D-Sl G.I.4 I, f. 40), see under Anon. Une Jeune Fillette, LZ 119/44 Anon. Ich ging einmal spatziren (CZ-Pnm XIII.B.237, no. 9), see under Anon. Une Jeune Fillette, LZ 119/29

Anon. Ich ging ein mal spatsieren ein Wege Hupffauf (D-Mbs 266, f. 109), see under Anon. Une Jeune Fillette, LZ119/39

Anon. Idem (CH-SO DA 111, f.38v), see under Anon. En me revenant de St. Nicolas, LZ 115/4

Anon. Item (Donaueschingen D-Si G.I.4 I, f.9v), see under Anon. Val Cerca, LZ 109/11

Anon. If Care do Cause Men Cry, reconstruction with editorial voice part LN 36

Anon. If “Yf” Care Cause Men to Cry (Royal Appendix 58 Stowe, f.52) LN 38 B2

Anon. If “Yf” Care Doe Cause Men Crie (Stowe 389, f.120r) LN 37 B1/2

Anon. Il Brunello (Donaueschingen D-Si G.I.4 I, f.8v) LZ 109/7

Anon. Im Abzug Paduaner (Wroclaw 352, f.60v, cf. Fulsa peiss mich nith Wroclaw 352, f.48) LN 70/28

Anon. In Crete, dissend Bassu (Lodge, f.19v) LN 41 B3 (2)/8

Anon. In Duci Jubilo LN 60

Anon. In the Bleak Midwinter LN 64

Anon. In Winters Juste Retourne (Lodge, f.13) LN 40 B3 (1)/19

Anon. In Wynters Just Returne (Royal Appendix 58, f.52) LN 38 B2

Anon. D’Ingelsche Fortune (Thysius no.658, f.387), see under Anon. Fortune my Foe, LZ 117/F22

Anon. D’Ingelsche Fortune (Thysius no.659, f.387), see under Anon. Fortune my Foe, LZ 117/F11

Anon. Inglesa (D-Kl 4o Mus.108/I Montbuysson, f.24), see under Anon. Lord Zouches March, LN 64/1 ix; LZ 116/Z22

Anon. Initium et Finis (Lodge, f.11) LN 40 B3 (1)/25

Anon. Intrada (Bautzen, p.69), see under Anon. The French King’s Maske, LN 64/2 iii

Anon. Intrada Anglica (D-Lem II.6.15, p.168), see under Anon. Mall Symes, LZ 114/1a

Anon. Intrada Anglica (Dolmetsch II.B.1, f.148v = Vallet 1615 “Branle d’Irlande”), see under Anon. Lord Zouches March, LN 64/1 viii; LZ 116/Z18

Anon. Intrada Hass[ler] (LT-Va 285-MF-LXXIX Konigsberg, f.35), see under Anon. Mall Symes, LN 54/9a i & LZ 114/1l

Anon. Intrada Mauitij (Nürnberg I, f.52v), see under Anon. The French King’s Maske, LN 64/2 ix

Anon. Item (Donaueschingen D-Si G.I.4 II, f.79v), see under Anon. La Rocha il Fuso, LZ 109/21

Anon. J’aij trouve suij l’herbe (Thysius 631, f.376v, described as “without title”) LN 13 text

Anon. Jamie, transcribed from lyra viol (GB-Lbl Add.56279, f.3v), see under Anon. Put up thy dagger Jemmy, LZ 123/J1b

Anon. Jamie is lost his diger (US-Ws V.b.280, f.87v), see under Anon. Put up thy dagger Jemmy, LZ 123/J3

Anon. Je File, reconstructed duet (Brogyntyn, p.14) LN 48 C52

Anon. Une Jeune Fillette, lute song arranged by Pascale Boquet LN 55

Anon. Une Jeune Fillette (PL-Kj Mus.40143, f. 25) LZ 199/5

Anon. Une Jeune Fillette (PL-Kj Mus.40143, f. 35v) LZ 199/6

Anon. Une Jeune Fillette (NL-Lu 1666 Thysius no.642, f. 380) LZ 199/7 Anon. Une Jeune Fillette (D-BAU Druck 13.4°.85, p. 18) LZ 119/20

Anon. [Une Jeune Fillette] (D-B Danzig 4022, f. 47r) LZ 119/1 Anon. [Une Jeune Fillette] (LT-Va 285-MF-LXXIX, f. 2v) LZ 119/11

Anon. [Une Jeune Fillette] (NL-Lu 1666 Thysius no.643, f. 380v) LZ 119/21

Anon. [Une Jeune Fillette] (US-DMu MS E 19454, f.1v) LZ 119/22 Anon. [Une Jeune Fillette] (GB-Eu Dc.5.125, f. 25) LZ 119/36

Anon. [Une Jeune Fillette] “Almande de la Nonette – Reprinse”, diatonic cittern and transcription for chromatic cittern(Phalèse & Bellère Hortus Citharae 1582, f. 70v) LZ 119/48a-b

Anon. [Une Jeune Fillette] “Almande Ich ging ainmal spaciren”, diatonic cittern and transcription for chromatic cittern (Kargel Renovata Cythara 1578, f. M1) LZ 119/49a-b

Anon. [Une Jeune Fillette] “Almande la nonette” (Phalèse & Bellère 1574, f. 80) LZ 119/34

Anon. [Une Jeune Fillette] “Allemande Nonette” (NL-Lu 1666 Thysius no.897, f. 509) LZ 119/25

Anon. [Une Jeune Fillette] “Almande Nonette - Une Jeusne fillette” (Valerius 1626, p. 180) LZ 119/2

Anon. [Une Jeune Fillette] “Almande Nonette” (GB-Ob D.4.10 Art., f. 1) LZ 119/35 Anon. [Une Jeune Fillette] “Almande Nonette, Of: Vne Juesne fillette”, diatonic cittern and transcription for chromatic cittern

(Valerius 1626, p. 180) LZ 119/38a-b

Anon. [Une Jeune Fillette] “Away I have forsworne her Company” (GB-WPforester-welde no.15, f.6v) LZ 119/30

Anon. [Une Jeune Fillette] “Ballet” (D-Kl 4° Mus. 108.1, f. 11v) LZ 119/3 Anon. [Une Jeune Fillette] “Ballet” (D-Ngm 33748/I, f. 66v) LZ 119/16

Anon. [Une Jeune Fillette] “Courante” (GB-HAdolmetsch II.B.1, f. 64v) LZ 119/18 Anon. [Une Jeune Fillette] “Courr. sur la voix de La jeune fitte” (PL-Kj Mus.40143, f. 35) LZ 119/17

Anon. [Une Jeune Fillette] “Deutscher Dantz” (D-W Guelf 18.3 IV, f. 21v) LZ 119/26 Anon. [Une Jeune Fillette] “Una fillete Cançon François” (PL-Kj Mus. ms. 40032, p. 366) LZ 119/13 Anon. [Une Jeune Fillette] “Juna fillette chancon francoys” (PL-Kj Mus. ms. 40032, p. 382) LZ 119/14

Anon. [Une Jeune Fillette] “Ich gieng einmal spazierenn” (CH-Bu F.IX.70, p. 281) LZ 119/28 Anon. [Une Jeune Fillette] “Ich gieng ein mage Bayieren” (I-BDGchilesotti, p. 225) LZ 119/37

Anon. [Une Jeune Fillette] “Ich gieng ein mal spacieren - Nach dantz” (PL-Kj W510, f. 30v) LZ 119/41 Anon. [Une Jeune Fillette] “Ich gieng ein mal spatzieren Saltus” (CH-Bu F.IX.70, p. 268) LZ 119/46 Anon. [Une Jeune Fillette] “Ich gieng ein mal spazieren” (D-Sl G.I.4 I, f. 40) LZ 119/44 Anon. [Une Jeune Fillette] “Ich ging einmal spatziren” (CZ-Pnm XIII.B.237, no. 9) LZ 119/29

Anon. [Une Jeune Fillette] “Ich ging ein mal spatsieren ein Wege Hupffauf” (D-Mbs 266, f. 109) LZ119/39

Anon. [Une Jeune Fillette] “The Kinge of Africa” (IRL-Dtc 410/1, p. 213) LZ 119/45

Anon. [Une Jeune Fillette] “La Monacha ballo francese, una fillette chançon françoÿs” (PL-Kj Mus. ms. 40032, p. 382) LZ 119/12

Anon. [Une Jeune Fillette] “Pavane” (D-Lr Mus.ant.pract.2000, p. 58) LZ 119/9

Anon. [Une Jeune Fillette] “Tantz Sprunck” (Waissel 1573, f. M2) LZ 119/31

Anon. [Une Jeune Fillette] “Teutscher Dantz Nach dantz” (Jobin 1573, f. F2) LZ 199/42

Anon. [Une Jeune Fillette] “Von Gott will ich nicht lassen” (D-LEm II.6.15, p. 528) LZ 119/23

Anon. [Une Jeune Fillette] “Von Gott will ich nicht lassen” (D-LEm II.6.15, p. 540) LZ 119/24

Anon. [Une Jeune Fillette] “Von gott will Ich nicht lassen” (LT-Va 285-MF-LXXIX, f. 42v) LZ 119/27

Anon. Jewell (Cu Dd.5.78.3, f.49) LN 112/v

Anon. [A Jig] “A Gig” (Dd.4.22, f.9) LN 16/3LN 78/1b i

Anon. Jig (Dd.9.33, f.84 = Dd.9.33, f.84) LN 78/4dLN 16/1

Anon. A Jig (Dd.9.33, f.24) LN 78/6b

Anon. [Jig] (Dd.2.11 no.153, f.52v) LS 1/8aAnon. [Jig] (Ballet no.1, p.3) LN 44 C41

LN 78/4f

Anon. [Jig for Edward Alleyn] “Allins Jigg” (Dd 9.33.1, f.28) LN 81/1b

Anon. [Jig for John Singer] (Board no.27, f.9) LN 81/1e ii

Anon. [Jig for John Singer] “Jo Singer”, transcribed from bandora (Dd.9.33, f.81v) LN 81/1e iii

Anon. [Jig for John Singer] “Singers Jigge” (Nn.6.36, f.3) LN 81/1e i

Anon. Jig for Richard Tarleton, see under Dowland (John) Tarleton’s Jig, (Dd.2.11, f.56), LN 81/1d i

Anon. Jig for Robert Reynolds (B Br 26.369, f.16), see under Anon. Pickle Herring, LN 81/1a iAnon. Jig for Robert Reynolds (D B N 479, f.5 and 69v), see under Anon. Pickle Herring, LN 81/1 ii-iii

Anon. Jig for Will Kemp: see under Anon. Kemps Jigge (Dd.2.11, f.99v), LN 64/3i; LN 81/1c

Anon. A Jigg (Dd.9.33, f.85) LN 29 C4/3

Anon. [A Jigge] (Dd.4.22, f.2 = Dd.9.33, f.84) LN 15 textLN 16/1

Anon. A Jigge (A) (Dd.5.78.3, f.72) LN 29 C4/4

Anon. Jigg[e] (Dd.5.78.3, f.59) LN 93/18LN 103/App.i

Anon. Jiggy-Joggy (Dd.9.33, f.77) LZ 122/J1

Anon. Jo Singer (Dd.9.33, f.81v, transcribed from bandora), see under Anon. Singers Jig, LN 81/1e iiiAnon. Joan to the May Powle (Board no.88, f.27) LN 65/3

Anon. Jog On (Playford 1651, p.45), see under Anon. Hanskin, LZ 122/H2

Anon. John Blundevills last Farewell W. Hollis (Add.3056, f.6v) LN 80/12

Anon. John come kiss me now, see under Anon. The Anticke (Lodge, f.7) LN 40 B3 (1)/13; and Anon. Les Bouffons, LN 81/3a i

Anon. Jour Desire, for bandora, after Clemens Non Papa LN 27 Tab sheet 2/4

Anon. Der Jungen Herren tanz (D-LEm II.6.15, p.389), see under Anon. Kemps Jigge, LZ 126/N9

Anon. The Keiking Glasse, Scottish Ballads 10 (Skene, p.93) LN 73/10

Anon. [Kemp’s Jigge](Dd.2.11 no.316, f.99v) LS 3/2LN 64/3i

LN 81/1cLZ 106 text

Anon. Kemps Jigge (F-Pc Res 22286. F.108) LZ 126/N2

Anon. [Kemps Jigge] “Chorea Anglica A.F.” (CH-Bu F.IX.70, p.279) LZ 126/N8

Anon. [Kemp’s Jigge] “Engels Liedlein” (Krakow 40143, f.63v) LN 64/3 iv

Anon. [Kemps Jigge] “Der Jungen Herren tanz” (D-LEm II.6.15, p.389) LZ 126/N9

Anon. [Kemps Jigge] “Nuttmigs and Ginger”, lute part (GB-Cu Dd.3.18, f.33) LZ 126/N3

Anon. [Kemps Jigge] “Nuttmigs and Ginger”, cittern part (GB-Cu Dd.14.24, f.37) LZ 126/N10

Anon. [Kemp’s Jigge] “Quyns Almand” (Thysius no.859, f.486v) LN 64/3 vLZ 126/N4

Anon. [Kemp’s Jigge] “The Par[l]iame[n]t Engella[n]t” (Danzig 4022, f.44) LN 64/3 iiiLZ 126/N6

Anon. The Kinge of Africa (IRL-Dtc 410/1 Dallis no. 188, p. 213), see under Anon. Une Jeune Fillette, LZ 119/45 Anon. The Kings Mask (Wemyss, f.34v), see under Anon. The French King’s Maske, LN 67/16Anon. The Kings Maske (Dd.2.11no.195, f.61v), see under Anon. The French King’s Maske, LN 64/2 ii

Anon. Klapper Tantz (Leipzig D-Lem II.6.15, p.369), see under Muscadin, LN 64/4 vi; LZ117/M9Anon. Kowaly (D LEm II.6.15, p.520) LN 82/6

Anon. Die Koye (NL-M Coll.169 I-4, f.L3v), see under Anon. Boeren Dans, LZ 124/B6

Anon. The Kynges Pawion (Stowe 389, f.121v) LN 37 LN 37 B1/55

Anon. La bella Francisgina H.D. (D-Mbs 1512, f.67), see under Anon. Mall Symes, LZ 114/App 1

Anon. Labella Franciscana alias Dannenbaum (Lbl Sloane 1021, f.77v), see under Anon. Mall Symes, LZ 114/1gg

Anon. Labellana Fran (Lbl Sloane 1021, f.76v), see under Anon. Mall Symes, LZ 114/1q

Anon. La Volta (Board no.39, f.13) LN 78/2f ii

Anon. [La Volta] (Dd.2.11 no.241, f.73) LN 62

Anon. [La Volta] (Sampson no.7, p.4) LN 78/4b

Anon. [La Volta] (Folger no.32, f.9v) LN 78/5b ii

Anon. [La Volta] “Curranta” (Dd.2.11 no.250, f.75) LN 78/2f iAnon. [La Volta] “Wolt”, (Rowallen, p.1) LN 78/5b iAnon. La Volta, see also Anon. Volte

Anon. Labeckae (Lodge, f.11) LN 40 B3 (1)/27

Anon. Laddie lie near me, Scottish Ballads 22b (NLS 9452, f.2v) LN 73/22b

Anon. Ladi ly nier mee, Scottish Ballads 22a (Wemyss, p.44) LN 73/22a

Anon. Ladie Elizabeths Maske [The Second Tune of the Lord’s Masque], mandora (Skene, p.19) LN 66/3b

Anon. Ladie Laudians Lilt, Scottish Ballads 8b (Straloch, p.21) LN 73/8b

Anon. Lady Careys dompe, arranged as duet LN 61

Anon. [Lady Cassilles Lilt], Scottish Ballads 7 (Skene, p.90) LN 73/7

Anon. Ladie Elizabeths Maske, mandora (Skene p.19) LN 66/3b

Anon. The Lady Phillyes Mask (Board no.49, f.17) LN 66/14

Anon. Lady Russell Pavan (Dd.2.11, f.38v, no.104) LN 93/21

Anon. Lamentatio (D-BAU 13.4o.85, p.53) LZ 126/App 5

Anon. Lamentation du Duc de Guise (Thysius no.662-664, f.388), see under Anon. Fortune my Foe, LN 54/2c; LZ 117/F 14 and F22-23

Anon. Landtgraues Alman (D-Kl 4o Mus.108.1 Montbuisson, f.26v), see under Almande de Don Frederico, LZ 121/22

Anon. Lantiero (GB-Cu Nn.6.36, f.3), see under Anon. Boeren Dans, LN 71/x b; LZ 124/B9

Anon. Lantiero (Robinson 1603, f.M2v), see under Anon. Boeren Dans, LZ 124/B10

Anon. Lapperkenen (Valerius, p.62), see under Anon. The Cobbler, LZ 113/App 9g

Anon. Larouse (IRL-Dtc 408/II no. 39, p.103) LN 114 text/BL 23LZ 117/L1

Anon. [Larouse], transcribed from lyra viol (IRL-Dw Ms 408/1. p.57) LZ 117/L6

Anon. [Larouse], transcribed from lyra viol (GB-Lbl Add.56279 Stirrop, f.6v) LZ 117/L9

Anon. [Larouse], transcribed from lyra viol (IRL-Dtc Ms.408/I Ballet no.59, p.59) LZ 117/L10

Anon. [Larouse] “Ballet”, transcribed from lyra viol (D-Kl Ms 108.3, f.54v) LZ 117/L7

Anon. [Larouse] “Fain I Would”, transcribed from lyra viol (Playford Lyra Viol 1682, p.2) LZ 117/L3

Anon. [Larouse] “May Time”, transcribed from lyra viol (Playford Lyra Viol 1652, p.1) LZ 117/L2

Anon. [Larouse] “May Time”, cittern (Playford 1666, f.B2) LZ 117/L11

Anon. [Larouse] “Maying Time”, transcribed from lyra viol (Playford Lyra Viol 1669, p.1) LZ 117/L4

Anon. [Larouse] “Maying Time”, gittern (Playford 1652, p.4) LZ 117/L12

Anon. [Larouse] “Maying Time”, cittern (US-CAh 181, f.14v) LZ 117/L13

Anon. [Larouse] “Sheapard’s Hay”, transcribed from lyra viol (GB-Add.63852 Boynton f.117) LZ 117/L5

Anon. [Larouse] “Whom serve yea”’transcribed from lyra viol (GB-En Dep.314 no.24 Sutherland, p.4) LZ 117/L8

Anon. The Leaves be Green, treble and ground duet (Eg.2046) LN 66

Anon. [The Leaves be Green] (arr. from GB-Lbl Eg.2046, f.15) LN 128/L1

Anon. [The leaves be green] “A treble” and “The grownd to the treble before” (GB-Lbl Eg.2046, f. 14v) LZ 128/L3i-ii

Anon. Leiblich ist es spazieren gehn (CH-Bu F.IX.70, p.269), see under Almande de Don Frederico, LZ 121/16

Anon. Lesleis Lilt, Scottish Ballads 9a (Skene, p.91) LN 73/9a

Anon. A Lesson for two lutes, see under Anon. Allemande Loreyne: duet, lute 1 and 2 (Folger no.7-8, f.2v), LS 2/10

Anon. Leuflein (CZ-Pu XXIII.F.174, f.12v) LZ 107/PP76

Anon. Leufenlein; Rx (D-LEm II.6.15, p.21 i; 22 i) LZ 107/PP54-55

Anon. Lighte of Love, basis for Holborne’s “The Countess of Ormond’s Galliard”, Spring no. 83 (Board no.14, f.5)LZ 114/2a

Anon. Light of Love (Westminster Abbey 105, f.1 = LZ 114/2c) LN 53 B5LN 55LZ 114/2b

Anon. Light of Love, duple and triple time (US-NJd’andrea, p.2) LZ 114/2g i-ii

Anon. Light of Love, cittern (US-CAh Mus.181, f.26) LZ 114/2h

Anon. Light of Love, cittern (US-CAh Mus.181, f.6) LZ 114/2i

Anon. Light of Love, cittern (Playford 1666 f.B3) LZ 114/2j

Anon. Light of Love, cittern (Playford 1652, p.16) LZ 114/2k

Anon. [Light of Love](US-CAh Mus.179, f.43v) LZ 114/2l

Anon. [Light of Love] “The Countess of Ormonds Galliarde” (Dd.2.11.f.74v) LZ 114/2m

Anon. [Light of Love] “The Countess of Ormonds Galliard” (Dd.2.11.f.87) LZ 114/2n

Anon. [Light of Love] “Engelsche Volte” (NL-Lu 1666 Thysius 607, f.371v) LN 54/6aLZ 114/2e

Anon. [Light of Love] “Saltarello Englesa” (IRL-Dtc 410 I Dallis no.155, p.171) LZ 114/2d

Anon. [Light of Love] “Saltarello Englesa” (Adriaenssen 1584 & 1600, f.92v) LZ 114/2f

Anon. Lightlie Love Ladies (IRL-Dtc 408/II no.38, p.103) = LZ114/2b LZ 114/2c

Anon. [Lilli Bulero] “A Ballad tune or Toy?” (Board no.84, f.26r) LN 78/7d i

Anon. Lilli Burlero: transcribed from violin, [suite 7 d ii] (Playford 1690, p.216) LN 78/7d ii

Anon. Lincoln’s Inn Mask, see under Johnson (Robert) The Princis Masque [1613?], Board no.92, f.28Anon. Linkens Hoven, see under Phalese (Pierre) Linkens Hoven, LN 77/23

Anon. Litttawe Engelsche Leuffauch (Lbl Sloane 1021, f.77v), see under Anon. Mall Symes, LZ 114/1hh

Anon. Lodesana (Mbs 1511b no.24, f.9) LN 70/23a

Anon. Lodesana (Wroclaw 352, f.67v) LN 70/23b

Anon. Lord Hayes Coranto] [suite 2 d] (Sampson no.6, p.4 = Board no.24, f.8) LN 78/2d

Anon. Lord Herefords Galliard “L. Hyryfords Gallyard” (Marsh no.6, p.25) LN49 C58/9

Anon. Lord Russell’s Galliard (Dd.2.11 no.138, f.49) LN 93/15

Anon. [Lord Strange’s Galliard] “Gall[iard] Lord Stra[nge]”(Marsh no.122, p.357) LZ 127/S2

Anon. [Lord Strange’s Galliard] “My Lo[rd] Strange his Galiarde” (UN-NHub Deposit 1, f.10) LZ 122/S5LZ 127/S3

Anon. [Lord Strange’s Galliard] “The Earell of Derbes Galliard”, cittern (US-Cah 181, f.3v) LZ 127/S4

Anon. [Lord Zouche’s March] (Cu Dd.4.22, f.3v) LZ 116/Z11

Anon. [Lord Zouches March] (Dd.9.33, f.88 = Dd.4.22, f.3v) LN 64/1 ii LZ 116/Z13

Anon. [Lord Zouches March] (Thysius no.691, f.395v) LN 64/1 viiLZ 116/Z26

Anon. [Lord Zouches March] “Anglese” (D-Ngm 33748-I “Nürberg I”, f.38) LN 64/1 xiLZ 116/Z2

Anon. [Lord Zouche’s March] “Anglica” (D-B 40141, f.38v) LZ 116/Z8

Anon. [Lord Zouche’s March] “Ballet” (D-KA Mus.Bd.678, f.21) LZ 116/Z16

Anon. [Lord Zouche’s March] “Ballet” (D-Lr 2000 “Luneberg, p.8) LN 64/1 viLZ 116/Z7

Anon. [Lord Zouche’s March] “Balletta Anglica” (D-LEm II.6.15, p.295) LZ 116/Z5

Anon. [Lord Zouche’s March] “Balletto” (D-B 40141, f.138) LZ 116/Z6

Anon. [Lord Zouches March] “Chanson Englesae” (Hove 1601, f.106v) LN 64/1 xiiLZ 116/Z19

Anon. [Lord Zouches March] “Chorea Angl[ica]” (D-LEm II.6.15, p.395) LZ 116/Z21

Anon. [Lord Zouche’s March] “D Do Angleterre” (D-LEm III.11.26, p.4) LZ 116/Z3

Anon. [Lord Zouches March] “Inglesa” (Montbuysson D-Kl 4o Mus.108/I, f.24) LN 64/1 ixLZ 116/Z22

Anon. [Lord Zouches March] “Intrada Anglica” (Dolmetsch II.B.1, f.148v = Vallet 1615 “Branle d’Irlande”) LN 64/1 viiiLZ 116/Z18

Anon. [Lord Zouche’s March] “The Lord Souches Maske” (Lbl Add.38539, f.7v) LN 64/1 iii LZ 116/Z9

Anon. [Lord Zouche’s March] “The L[ord] Such his March”, cittern (US-CA Mus.181, f.35v) LZ 116/Z10

Anon. [Lord Zouche’s March] “My Lord Southes Maske” (Mynshall no.23, f.7v) LN 64/1 iLZ 116/Z12

Anon. [Lord Zouche’s March] “Paulo a[li]t[e]r Ballet” (D-B 40141, f.138v) LZ 116/Z4

Anon. [Lord Zouches March] “Soet Catarijnken” (Hove 1601, f.110) LN 64/1 xiiiLZ 116/Z20

Anon. [Lord Zouches March] “Souch’s March” (Osbornfb7 no. 8, f.81v) LN 64/1 xLZ 116/Z1

Anon. [Lord Zouches March] “Souches March”, cittern (Dd.4.23, f.33v) LZ 116/Z23

Anon. [Lord Zouches March] “Souches March”, cittern (Robinson 1609, f.H1v) LZ 116/Z24

Anon. [Lord Zouches March] “Souches March”, cittern (US-CA Mus.182, f.74v) LZ 116/Z25

Anon. [Lord Zouches March] “Volte” (LT-Va 285-MF-LXXIX “Königseberg”, f.56v) LN 64/1 vLZ 116/Z14

Anon. [Lord Zouches March] “Zouch his March” (Folger no.28, f.8) LN 64/1 ivLZ 116/Z15iLN 120 text

Anon. [Lord Zouches March] “Zouch his March”, second part to LZ 116/Z15i reconstructed by James Tyler LZ 116/Z15ii

Anon. Lord Zouche’s March, see also under Vallet. Branle d’Irlande (Secret I, no.86, p.81), LZ 116/Z17

Anon. [Lost is my Liberty] (Dd.2.11, no.111, f.40v) LN 76/11b-c

Anon. Lost is my Lyberty (Ballet no.9, p.11) LN 76/11a

Anon. Lothe to Depart (Board no.23, f.7v) LZ 109/2c

Anon. [Lothe to Depart] (Gb-Cu Euing 25, f.31) LZ 109/2a

Anon. [Lothe to Depart] (Pickeringe, f.33) LN 76/12aLZ109/2f

Anon. [Lothe to Depart] (Dd.2.11 no.31, f.9) LZ 109/2e

Anon. [Lothe to Depart] (Euing, f.28) LN 76/12bLZ 109/2g

Anon. [Lothe to depart] “Alter part” (Thysius no.685, f.394v) LN 54/7aLZ 109/2b

Anon. [Lothe to Depart] “Come sing with thy mouth” (Ravenscroft 1609, f.2r, harmonised for lute) LZ 109/2d

Anon. [Lothe to depart] “Gailliarde Tel messon” (Thysius no.59, f.20) LN 54/7b LZ 109/2i

Anon. [Lothe to Depart] “Tell me John W.S.” transcribed from bandora (Brown-Braye, f.92v) LN 76/12cLZ 109/2h

Anon. Love will find out the way, transcribed for renaissance lute (GB-Lam 603 Board no.148, f. 38v), see under Anon.Over the Mountains, LN 120/OM2a

Anon. Love will find out the Way (Board no.148, f.38v), see under Anon.Over the Mountains, LN 120/OM2b, p.22

Anon. La luchina, theorbo (F-Pn Rés.1108, f. 46v), see under Anon. La Monaca, LZ 120/M25

Anon. Lusty Gallant (IRL-Dtc 408/II no. 4, p.83) LSJ vol.10, [plate 3]LZ 117/G2

Anon. [Lusty Gallant] (IRL-Dm Z.3.2.13, Marsh no.30, p.61) LZ 117/G1

Anon. [Lusty Gallant] (NL-Lu 1666 Thysius no.683, f.393v) LZ 117/G3

Anon. [Lusty Gallant] “Brandes Englesa” (D-LEm II.6.6, f.6) LZ 117/G6

Anon. [Lusty Gallant] “Branle Englese” (Adraienssen 1600, f.78v) LZ 117/=G7

Anon. [Lusty Gallant] “Branles” seventh section (Adraienssen 1584, f.89) LZ 117/G5

Anon. [Lusty Gallant] “Canson Englesa” (IRL-Dtc 410/I Dallis no.154, p.170) LZ 117/G7

Anon. [Lusty Gallant] “Den Enghelschen Dans” (NL-Lu 1666 Thysius no.724, f.418, third section) LZ 117/G4

Anon. Mad Tom of Bedlam (Sturt, f.29) LS 5/4

Anon. Mad Tom of Bedlam [Grays Inn Mask] (ML, f.29) LN 65/2 iv

Anon. [Mad Tom of Bedlam (Gray’s Inn Mask)] (Board no.106, f.31v) LS 65/2i

Anon. [Mad Tom of Bedlam (Gray’s Inn Mask)] (Board no.178, f.44 = Board no.68) LN 65/2ii

Anon. [Mad Tom of Bedlam (Grays Inn Mask)] “Tom of Badlam” (Wemyss, f.18v) LN 65/2 v

Anon. [Mad Tom of Bedlam (Grays Inn Mask)] “Tom of Bedlam” (Sturt, f.27) LS 5/4

Anon. Madrigale di Cipriano, lute song (Cavalcanti, f.53v) LN 56

Anon. [Mall Peatly] (Board no.104, f.30v) LN 123/M2

Anon. [Mall Peatly] (Board no.167, f.41v) LN 123/M3

Anon. [Mall Peatly] “Mall Pedlie” (Osborn fb7 no. 36, f.89) LN 123/M1

Anon. [Mall Peatly] “Mall Pedlie”, cittern (US-Cah 181, f.15) LZ 123/M6

Anon. [Mall Peatly] “Mall Petly Eights”, trans. from lyra viol (US-LAuc 1970.006, f.25) LZ 123/M5

Anon. [Mall Peatly] “Moll Peatley”, arranged from violin (Playford 1665 sup.p.48) LN 123/M4

Anon. [Mall Peatly] “The Old marrinet or Moll Peatley”, arr. from violin (Playford 1701) LZ 123/M4b

Anon. Mall Pedlie (Osborn fb7 no. 36, f.89), see under Anon. Mall Peatly, LN 123/M1

Anon. Mall Pedlie, cittern (US-Cah 181, f.15) Anon. Mall Peatly, see under Anon. Mall Peatly, LZ 123/M6

Anon. Mall Petly Eights, trans. from lyra viol (US-LAuc 1970.006, f.25), see under Anon. Mall Peatly, LZ 123/M5

Anon. Mall Simes, lyra viol duet (GB-Ob Mus.Sch.D.245, p.3), see under Anon. Mall Symes, LZ 114/1u-i & ii

Anon. Mall Simmes (Lbl Add.38539 ML, f.9v), see under Anon. Mall Symes, LZ 114/1i

Anon. Mall Sims (Cu Dd.9.33, f.62v, original version), see under Anon. Mall Symes, LZ 114/1t-i

Anon. Mall Sims (Cu Dd.9.33, f.62v, altered version), see under Anon. Mall Symes, LZ 114/1t-ii

Anon. Mall Sims, lute duet, lute II reconstructed by Stewart McCoy (US-NHub fb7 Osborn no.7, f.81v), see under Anon. Mall Symes, LZ 114/1f-i &ii

Anon. [Mall Symes], incomplete (Mynshall no 39, f.11v) LZ 114/1n

Anon. [Mall Symes] (Folger no.42, f.15v) LZ 114/1h

Anon. [Mall Symes] (LT-Va 285-MF-LXXIX Konigsberg, f.41v) LZ 114/1c

Anon. [Mall Symes] (LT-Va 285-MF-LXXIX Konigsberg, f.6 = LZ 114/1k) LZ 114/1j

Anon. [Mall Symes] (Lbl Eg.2046 Pickeringe, f.26v) LZ 114/1v

Anon. [Mall Symes] (D-B 40141 Nauclerus, f.187) LN 54/9c LZ 114/1y

Anon. [Mall Symes] (Radauer, p.7) reconstructed LZ 114/1dd

Anon. [Mall Symes] “Alia ejusdem Basis” (LT-Va 285-MF-LXXIX Konigsberg, f.54v) LZ 114/1b

Anon. [Mall Symes] “Ballet” (HAdolmetsch II.B.1, f.129v) LZ 114/App 2d

Anon. [Mall Symes] “Ballett angloys” (D-Kl 4o Mus.108 Montbuisson, f.59v) LN 30 C15/1LZ 114/1z

Anon. [Mall Symes] “Ballet Englese” (Hove 1612, f.59) LZ 114/1m

Anon. [Mall Symes] “Chorea Anglica” (D-LEm III.11.26, p.2) LN 47LZ 114/1cc

Anon. [Mall Symes] “Dumesai” (Lbl Add.6402, f.2) LSJ vol.32LZ 114/1e

Anon. [Mall Symes] “Engels Malsims” (Valerius, p.207) LZ 114/1g

Anon. [Mall Symes] “Engels Malsims”, diatonic and chromatic cittern (Valerius 1626, p.208) LZ 114/1jj-i & ii

Anon. [Mall Symes] “Englischer Laufherger” (D-Dl M 297, p.136) LZ 114/1x

Anon. [Mall Symes] “Farewell Deare Love”, cittern (Robinson 1609, f.I1v) LZ 114/App 2f

Anon. [Mall Symes] “Farewell Dear Love”, lute and voice (Robert Jones 1600, f.D4v) LZ 114/App 2h

Anon. [Mall Symes] “Franciscano” (D-B N 479, f.64v) LZ 114/1ii

Anon. [Mall Symes] “Franzisgina” (D-Ngm 333748/I, f.76) LZ 114/1ff

Anon. [Mall Symes] “Intrada Anglica” (D-Lem II.6.15, p.168) LZ 114/1a

Anon. [Mall Symes] “Intrada Hass[ler]” (LT-Va 285-MF-LXXIX Konigsberg, f.35) LN 54/9a iLZ 114/1l

Anon. [Mall Symes] “La bella Francisgina H.D.” (D-Mbs 1512, f.67) LZ 114/App 1

Anon. [Mall Symes] “Labellana Fran” (Lbl Sloane 1021, f.76v) LZ 114/1q

Anon. [Mall Symes] “Labella Franciscana alias Dannenbaum” (Lbl Sloane 1021, f.77v) LN 54/9bLZ 114/1gg

Anon. [Mall Symes] “Litttawe Engelsche Leuffauch” (Lbl Sloane 1021, f.77v) LZ 114/1hh

Anon. [Mall Symes] “Male Sijmme”, mandore (En Adv.5.2.15, p.3) LZ 114/1ll

Anon. [Mall Symes] “Mall Simes”, lyra viol duet (GB-Ob Mus.Sch.D.245, p.3) LZ 114/1u-i & ii

Anon. [Mall Symes] “Mall Simmes” (Lbl Add.38539 ML, f.9v) LZ 114/1i

Anon. [Mall Symes] “Mall Sims” (Cu Dd.9.33, f.62v, original version) LZ 114/1t-i

Anon. [Mall Symes] “Mall Sims” (Cu Dd.9.33, f.62v, altered version) LZ 114/1t-ii

Anon. [Mall Symes] “Mall Sims”, lute duet, lute II reconstructed by Stewart McCoy (US-NHub fb7 Osborn fb7 no.7, f.81v)LZ 114/1f-i &ii

Anon. [Mall Symes] “Mall Symms” (Cu Add.3056, f.43) LZ 114/1r

Anon. [Mall Symes] “Malsims” (D-B Danzig 4022, f.43v) LN 54/9a ii LZ 114/1d

Anon. [Mall Symes] “Malsymes” (US-CA Mus.182, f.75v) LZ 114/1kk

Anon. [Mall Symes] “Matrigalia” (D-LEm II.6.15, p.483) LZ 114/1p

Anon. [Mall Symes] “O Sillie Soule Alace”, mandore (En Adv.5.2.15, p.6) LZ 114/App 2a

Anon. [Mall Symes] “Paduana” ((D-LEm II.6.15, p.97) LZ 114/1w

Anon. [Mall Symes] “Paduana” (D-Kl 4o Mus.108, f.4) LZ 114/1o

Anon. [Mall Symes] “Paduana Franciscina Bass” (LT-Va 285-MF-LXXIX Konigsberg, f.54v) LZ 114/1k

Anon. [Mall Symes] “Paduana Francis[cina]” (LT-Va 285-Mf-LXXIX Konigsberg, f.54v) LZ 114/1aa

Anon. [Mall Symes] “Paduana Fran[ciscina]” (LT-Va 285-Mf-LXXIX Konigsberg, f.58) LZ 114/1bb

Anon. [Mall Symes] “Slaep soete slaep” (Valerius, p.68) LZ 114/App 2b

Anon. [Mall Symes] “Slaep soete slaep”, diatonic & chromatic cittern (Valerius 1626, p.69) LZ 114/App 2g-i & ii

Anon. [Mall Symes] “Waneer ich slaep” (NL-Lu 1666 Board no.710, f.402v) LZ 114/App 2e

Anon. Mall Symms (Cu Add.3056, f.43), see under Anon. Mall Symes, LZ 114/1r

Anon. Malsims (D-B Danzig 4022, f.43v), see under Anon. Mall Symes, LN 54/9a ii; LZ 114/1d

Anon. Malsymes (US-CA Mus.182, f.75v), see under Anon. Mall Symes, LZ 114/1kk

Anon. Mall Symes, see also under Vallet

Anon. [Malts come down], solo, duet or consort part? (GB-Cu Dd.9.33, f. 89v) LZ 113/App 11

Anon. A Marche, see under Anon. The Earl of Oxford’s March (Ballet, p.95), LN 44 C41Anon. Margraffen Dantz (CH-Bu F.IX.70, p.269) LN 122 text/BL 31

Anon. Markett is done (Board no.32, f.11) LSJ 28, p.54

Anon. Mary Thornyes Galliard, (408/II Ballet, p.101) LN 78/8c

Anon. Mascarada (Bruxelles 26.369, f.114v) LN 66/16

Anon. Mascarade Englesa (Thysius no.700, f.398v) LN 51 C63/4c

Anon. Mascarate En m’en revanant, reconstructed (D-B N479, f.8v), see under Anon. En me revenant, LZ 115/19

Anon. Ane Mask, see under Anon. A Masque (Wemyss, f.20v), LN 67/15a

Anon. Mask, unusual tuning (Basel F.IX.53, f.9v) LN 65/6

Anon. A Maske (Osborn fb7 no.30, f.66v) LN 67/17

Anon. A Maske (O.16.2, p.132), see under Anon. The Turtle Dove, LN 66/4a

Anon. A Maske (Board no.12, f.4) LN 66/15

Anon. A Masking Tune (ML, f.3v) LN 66/13

Anon. [A Masque] “Ane Mask” (Wemyss, f.20v) LN 67/15a

Anon. [A Masque] “De Mezengau” (Werl, f.19) LN 67/15c

Anon. [A Masque] (Trinity O.16.2, p.128) LN 67/15b

Anon. Mataccini (Cavalcanti, f.11), see under Anon. Matachins, LN 81/4c

Anon. Matachin con sus differencias di Lorenzino (Kj 40032, p.352), see under Anon. Matachins, LN 81/4h

Anon. [Matachins] “Den Dooden dans” (Thysius no.719, f.416) LN 81/4e

Anon. [Matachins] “Factie” (Phalese Carminum 1549, I4) LN 81/4a

Anon. [Matachins] “Mataccini” (Cavalcanti, f.11) LN 81/4c

Anon. [Matachins] “Matachin con sus differencias di Lorenzino” (Kj 40032, p.352) LN 81/4h

Anon. [Matachins] “Matacino in tenore” (De Bellis, p.32) LN 81/4f

Anon. [Matachins] “Mattuccino” (Lucca, f.12v) LN 81/4b

Anon. [Matachins] “Moresca Terza, deta il Mattacino” (Barbetta Intavolatura 1585, p.13) LN 28 C13LN 81/4d

Anon. [Matachins] “Tanz Matazina” (Waissel, Tabulatura 1573, M1v) LN 81/4g

Anon. Matacino in tenore (De Bellis, p.32), see under Anon. Matachins, LN 81/4fAnon. La Matriciana (I-Fn Gal.6, p.119), see under Anon. Go from my Window, LZ 109/1t

Anon. Matrigalia (D-LEm II.6.15, p.483), see under Anon. “Mall Symes”, LZ 114/1p

Anon. Mattiae deft Röm... (LT-Va 285-MF-LXXIX, f.65), see under Anon. En me revenant. LZ 115/17

Anon. Mattuccino (Lucca, f.12v), see under Anon. Matachins, LN 81/4bAnon. May Time, see under Anon. Larouse, LZ 117/L2 etc

Anon. Maying Time, see under Anon. Larouse, LZ 117/L4 etc

Anon. The Maypole, see under Anon. Joan to the May Powle (Board no.88, f.27r), LN 65/3

Anon. A Measure (Lodge, f.20): see under Anon. The Black Almain, LN 41 B3 (2)/9

Anon. [Mein Hertz ist Frisch] “Tantz der Cardinall” (DK-Kk Thott 4o.841, f.83) LZ 126/H9a

Anon. [Mein Hertz ist Frisch] “Dantz - Nachdantz” (CH-Bu F.IX.70, p.279) LZ 126/H9d

Anon. [Mein Hertz ist Frisch] “Dantz - Sprung” (CH-Bu F.IX.70, p.279) LZ 126/H9e

Anon. Mein Hertz ist Frisch (DK-Kk Thott 4o.841, f.79v) LZ 126/H9f

Anon. [Mein Hertz ist Frisch] “Dantz – Nach dantz” (Jobin 1573, f.G3v) LZ 126/H9g

Anon. Mein Hertz ist Frisch, see also under Neusidler

Anon. Melyne Gayliarde (Dallis no.40, p.43) LN 51 C61

Anon. Menuet, theorbo (Paris MS R 41035) LN 69

Anon. Menuet (Göess Vogl, f.18v) LN 48

Anon. Men[uet] (CZ-Bm371, p.79) LZ 111 text

Anon. Merry Boys of Christmas, lute song with added tablature (Roxburghe Ballads IV, p.24) LN 76

Anon. The merry Gypsie (Osborn fb7 no.5, f.81) LN 74 text

Anon. Met dat schuitgen al over dat meertgen (NL-Lu 1666 Thysius no.536, f.345) LN 95 text/BL 6

Anon. De Mezengau (Werl, f.19), see under Anon. A Masque, LN 67/15c

Anon. Milanese (PL-Kj 40032, p.314) LZ 115/App 5

Anon. The Miller would a Woing Rid (GB-Lwa Westminster Abbey MS 105, f.1) LN 53 B5LN 55LN 126/M1

Anon. A Miller Would a Wooing Ride, see also under Holborne

Anon. Minuet (I-PEas sec XVII Doni, p.33) LN 112/iv

Anon. Minuet (CZ-Bm371, p.83) LZ 111 text

Anon. Mistris Chidleais Farewell (Mynshall no.24, f.7v), see underAnon. Mrs. Chidley’s Farewell, LN 93/14

Anon. Mit Lust von wenigen Tagen (LT-Va 285-MF-LXXIX, f.14v), see under Anon. Nowells Delighte, LZ 115/N2

Anon. The Mocke Nightingale Mr Silver, transcribed from keyboard (F-Pn 1186, f.62v) LZ 127/App 1a

Anon. The Mocke Nightingale, cittern (US-Cah 179, f.18) LZ 127/App 1b

Anon. Moll Peatley, arranged from violin (Playford 1665 sup.p.48), see under Anon. Mall Peatly, LN 123/M4

Anon. La Mo[na]ca (GB-WMl Thynne, f. 77v-77 & 76-75v) LZ 120/M21

Anon. La Monaca (F-Pn Res Vmd.30, f. 6-7v, cf. M21) LZ 120/M22 Anon. [La Monaca], incipit only (CND Mc w.s., f. 67& 67v) LZ 120/M39, p.96

Anon. [La Monaca] (PL-Kj mus.40591, f. 2) LZ 120/M20

Anon. [La Monaca] (F-Pn Rés Vmd.29, f. 22) LZ 120/M11

Anon. [La Monaca] “Alemana” (US-BE 760, f. 25v) LZ 120/M7

Anon.[La Monaca] “Alemana” (I-Bas IV-86/746, f. 5v-6) LZ 120/M18a

Anon. [La Monaca] “La Alemana in soprano” (US-BE 757, ff. 8v-9v) LZ 120/M6

Anon. [La Monaca] “Alemana in soprano balletto” (US-SFsc M2.1 M3 de Bellis, p. 55) LZ 120/M8

Anon. [La Monaca] “Alemanna” (F-Pn Rés Vmd.31, f. 11v-12) LZ 120/M19

Anon. [La Monaca] “Alemanna” [different tune?] (I-Lg 774, f. 31) LZ 120/M34, p.92

Anon. [La Monac]a “allemande” (F-Pn Res.941, ff. 9r-9v) LZ 120/M4

Anon. [La Monaca] “[Alle]ma[n]de” (F-Pn Res.941, ff. 9v-10) LZ 120/M5

Anon. [La Monaca] “Ball Alemano IATB” [Iohan Antonio Terzi Bergamo? - but different to LZ/M27] (D-Sl G.I.4 I, ff. 40v-41r)LZ 120/M1a

Anon. [La Monaca] “Balletto Francese detto Allemande” (Barbetta 1585, p. 20) LZ 120/M3

Anon. [La Monaca] “Ballo Tedesco & Francese” (Terzi 1593, pp. 115-117) LZ 120/M27a, p.78

Anon. ]La Monaca] “Balo todesco La sua Gagliarda” (cf. Gorzanis 1579, f. K3v-K4) LZ 120/M28, p.81

Anon. La Monaca “Corrente VI Sopra l'Alemana – Partita” (Piccinini 1623, p. 107) LZ 120/M35, p.93

Anon. [La Monaca] “Corrente XII Fatta sopra l'aria Francese, che sta a carte” (Piccinini 1623, p. 84-85) LZ 120/M33, p.92

Anon. [La Monaca] “Courrante Sophla Monycha V. B.22” (D-B Danzig 4022, f. 4-4v) LZ 120/M29, p.82

Anon. [La Monaca] “La luchina”, theorbo (F-Pn Rés.1108, f. 46v) LZ 120/M25

Anon. [La Monaca] “La Monanacha” (I-Fn Magl.XIX.30, f. 5v-6) LZ 120/M2

Anon. [La Monaca] “[M]onycha” (D-B Danzig 4022, f. 1v-4) LZ 120/M30, p.83

Anon. [La Monaca] “Partita”, part of Partita 4 (I-MOs B, f. 8v & 8r) LZ 120/M26. p.77

Anon. [La Monaca] “Partite variate sopra quest’Aria francese deta l’Alemana (Piccinini 1623, p. 104-106) LZ 120/M31, p.88

Anon. [La Monaca] “Principio della Monicha” (F-Pn Rés Vmd.29, f. 4) LZ 120/M13

Anon. [La Monaca] “La proportion dt pto ballo” (D-Sl G.I.4 I, f. 41) LZ 120/M1b

Anon. [La Monaca] “Il Saltarello del prescritto ballo” (Terzi 1593, p. 117) LZ 120/M27b, p.80

Anon. [La Monaca] “La sua corente” (I-Bas IV-86/746, f. 6v-7) LZ 120/M18b

Anon. La Monaca, see also under Anon. Monacha, Monica, and Monicha

Anon. Monacha incipit only (I-Nc 7664, f. 22v) LZ 120/M36, p.33

Anon. Monacha, incipit only (I-Nc 7664, f. 70v) LZ 120/M37, p.33

Anon. La Monacha ballo francese, una fillette chançon françoÿs (PL-Kj Mus. ms. 40032, p. 382), see under Anon. Une Jeune Fillette, LZ 119/12

Anon. La Monanacha (I-Fn Magl.XIX.30, f. 5v-6), see under Anon. La Monaca, LZ 120/M2

Anon. Monica (I-PESc b.10, f. 15) LZ 120/M10

Anon. Monica (I-PESc b.10, f. 26) LZ 120/M16

Anon. La Monica (F-Pn Rés Vmd. 29, f. 1) LZ 120/M23

Anon. Monica (I-PESc b.10, f. 14v) LZ 120/M24

Anon. Monica in Tenore (I-PESc b.10, f. 24) LZ 120/M17

Anon. Monicha (B-Br 16.662, f. 27v) LZ 120/M32, p.91

Anon. Monicha - incipit only (I-PESc b.14, f. 2v) LZ 120/M38, p.96

Anon. La Monicha (PL-Kj 40153, f. 20) LZ 120/M9

Anon. Monicha /Principio della Monicha (F-Pn Rés Vmd.29, f. 4) LZ 120/M15

Anon. [M]onycha (D-B Danzig 4022, f. 1v-4), see under Anon. La Monaca, LZ 120/M30, p.83

Anon. Monsieur’s Almaine, duet, t & g (based on Morley Consort Lessons) LN 43

Anon. [Monsieur’s Almaine] (Dd.9.33, f.47) LZ 110/6

Anon. [Monsieur’s Almaine], consort part? (D-Hs ND VI 3238, p.147) LZ 110/7

Anon. [Monsieur’s Almaine], fragment, consort part (Cu Add. 2764 (2) f.12v)) LZ 110/10

Anon. [Monsieur’s Almaine] “Allemande Mons[ieu]r” (Thysius no.853, f.484) LZ 110/11

Anon. [Monsieur’s Almaine] “Allemande Monsieur” (Thysius no.854, f.484v) LZ 110/12

Anon. [Monsieur’s Almaine] “Allemande Monsieur” (Thysius no.855, f.485) LZ 110/13

Anon. [Monsieur’s Almaine] “Allemande Monsieur” (Thysius no.856, f.485) LN 76/9aLZ 110/14

Anon. [Monsieur’s Almaine] “Allemande Monsieur” (Thysius no.857, f.485v) LZ 110/15

Anon. [Monsieur’s Almaine] “Almande Monsieur”, duet t & g (Valerius, p.286) LZ 110/26a-c

Anon. [Monsieur’s Almaine] “Almande Monsieur”, diatonic cittern, transcribed for chromatic cittern (Valerius 1626, p.286)LZ 110/26d i and ii

Anon. [Monsieur’s Almaine] “Almande Monsieur”, cittern and voice (Valerius 1626, p.286) LZ 110/26e

Anon. Monsieur’s Almaine “Monsieurs Allemande” (Konigsberg f.1) LZ 110/2

Anon. Monsieur’s Almaine “Mounsers Alman”, consort bandore part (GB-Lam 600 “Browne”, f.14) LZ 110/3

Anon. Monsieur’s Almaine “Monnseirs Almayne” (Dd.4.22 f.12) LZ 110/4

Anon. Monsieur’s Almaine “Mounsiers Allman”, different setting to Marsh etc. (Mynshall no.35, f.10) LZ 110/5a

Anon. Monsieur’s Almaine “Mounsiers Allman” (Euing, f.19v = Mynshall no.35, f.10) LN 76/9bLZ 110/5b

Anon. Monsieur’s Almaine “Mounsieur’s Almane” (Welde no.36, f.14v) LZ 110/8a

Anon. Monsieur’s Almaine “Monsier’s Almaine”, mixed consort part? (Folger no.38, f.13) LZ 110/8b

Anon. Monsieur’s Almaine “Mounsieurs Allmaine”, treble part with reconstructed bass (Dd.9.33, f.53) LZ 110/9a-b

Anon. Monsieur’s Almaine “Mounsers Almayne”, cittern (US-Ca Mus 182, f.73) LZ 110/16

Anon. Monsieur’s Almaine “Monsieus Allmaine”, cittern (Dd.4.33, f24) LZ 110/17

Anon. Monsieur’s Almaine “Mounsirs Allman”, cittern (US-Ca Mus 181, f.4v) LZ 110/18

Anon. Monsieur’s Almaine “Mo[u]nsirs Almain”, cittern (US-Ca Mus 181, f.35v) LZ 110/19

Anon. Monsieur’s Almaine “Mons[ieur’s] Allmaine”, consort cittern (Dd.14.24, f.11) LZ 110/20

Anon. Monsieur’s Almaine “Mounsirs Almande”, triplici modi (LT-Va 285-MF-LXXIX, f.39v) LZ 110/21a-c

Anon. Monsieur’s Almaine “Mounseirs Alman”, lyra viol, transcribed for lute (Lbl. Add.15118, f.31v) LZ 110/22a and b

Anon. [Monsieur’s Almaine] “Mownser” (Marsh no.4, p.18) LN 110/1

Anon. More pal. Kul (GB-Lbl Sloane 1021, f.66r), see under Anon. En me revenant, LZ 115/27

Anon. More Palatino (D-HRD Fü 9829, f.10v), see under Anon. En me revenant, LZ 115/5

Anon. More Palatino (I-Fn Magl. XIX 105, f.13), see under Anon. En me revenant, LZ 115/8

Anon. More Palatino (D-D1 M 297, p.132), see under Anon. En me revenant, LZ 115/14

Anon. More Palatino (S-B PB fil.172 Per Brahes, f.35v), see under Anon. En me revenant, LZ 115/20

Anon. More Palatino (S-B PB fil.172 Per Brahes, f.37), see under Anon. En me revenant, LZ 115/21

Anon. More palatino (NL-HOwfa 1667-1, F.2), see under Anon. En me revenant, LZ 115/31

Anon. La Moreda (Simancas MS) LSJ vol.26 part 1

Anon. Moresca Prima deta le Canarie: see under Anon. Canaries, LN 59/6f

Anon. Moresca Terza, deta il Mattacino (Barbetta Intavolatura 1585, p.13), see Anon. Matachins, LN 28 C13; LN 81/4d

Anon. The Moris (Mynshall no.26, f.8) LN 76/1a

Anon. Moriskers Brande (Thysius no.785, f.455) LN 76/1b

Anon. Morris Dr. Colman, transcribed from lyra viol (Playford 1652, p.76) LN 76/1c

Anon. The Motlye (Lodge, f.6) LN 40 B3 (1)/9LN 78/6d

Anon. Mownser (Marsh no.4, p.18), see under Anon. Monsieur’s Almaine, LN 110/1

Anon. Mr. Candish his Galliard (Cosens Lute Book, f.11) LN 29 C14/8

Anon. Mr.Candishe Almaine (Dd.2.11, f.95) LN 29 C14/7

Anon. Mr. Chidley’s Farewell (Dd.2.11 no.124, f.44v) LN 93/2

Anon. Mr. Goodwell’s Masque for St. John’s College, Oxford (Osborn fb7 no. 29, f.87v) LN 65/5

Anon. Mr. Michael Cavendish’s Almaine (Add.15117) LS 1/4a

Anon. Mr Pagonto his Galyarde (GB-Cu Add. 2764(2), f. 2v) see under Anon.Packington’s Galliard, LZ 113/P2d

Anon. Mrs. Chidley’s Farewell “Mistris Chidleais Farewell” (Mynshall no.24, f.7v) LN93/14

Anon. Mrs Jane Leightons Choyce (Mynshall no.16, f.6v) LN 105/JDappAnon. Mrs. E.B. Tears (Nn.6.36, f.17v) LN 80/8

Anon. [Muscadin] (Folger no.70, f. 87) LN 117/M1

Anon. [Muscadin] (GB-Lwa 105, f. 1) LZ 117/M2

Anon. [Muscadin] (GB-Cu Dd.9.33, f. 83v) LZ 117/M10

Anon. [Muscadin] (Montbuisson D-Kl 4o.Mus.108 I f. 2v) LZ 117/M12

Anon. [Muscadin] (GB-Gu Euing 25, f. 29v, opening only) LZ 117/M19

Anon. [Muscadin] “The Cherping of the Larke”, arranged from violin (Playford Dancing Master 1651/2nd ed 1652, p. 26)LZ 117/M6

Anon. [Muscadin] “Chorea Anglicana” (CH-Bu F.IX.70, p. 291) LZ 117/M18

Anon. [Muscadin] “Comedien Tantz” (LT-Va 285-MF-LXXIX, f. 57v) LZ 117/M7

Anon. [Muscadin] “Englische Toy” (Danzig 4022, f.26v) LN 64/4 ivLZ 117/M11

Anon. [Muscadin] “Hört hört erstunder ? dinge (D-LEm II.6.23, f. 45) LZ 117M4

Anon. [Muscadin] “Klapper Tantz” (Leipzig, D-Lem II.6.15, p.369), LN 64/4 viLZ117/M9

Anon. [Muscadin] “Op de Engelsche Foulle” (Valerius 1626, p. 33) LZ 117/M8

Anon. [Muscadin] “Op de Engelsche Foulle. Of: Walsch Wailinneken”, diatonic cittern and transcribed for chromatic cittern(Valerius 1626, p. 33) LZ 117/M22 i & ii

Anon. [Muscadin] “Passemezo” (Phalèse Carminum Quae Chely Liber Primus 1549, f.H3v) LZ 117/M14

Anon. [Muscadin] “Passomezo” (Phalèse Theatrum Musicum 1563, f. 64r) LZ 117/M15

Anon. [Muscadin] “Passemezo d'angleterre” (IRL-Dtc 410/1 Dallis no.58, p. 71) LZ 117/M16

Anon. [Muscadin] “Passemezo d`angleterre - Le reprinse”, diatonic cittern and transcribed for chromatic citternVreedman Carminium quae Cythara 1569, f. 26v) LZ 117/M21 i & ii

Anon. [Muscadin] “Passomezo d'Engleterre” (NL-Lu 1666 Thysius no.234, f. 134r) LZ 117/M17

Anon. [Muscadin] “Phs Toy”, chromatic cittern GB-Cu Dd.4.23, f. 6v) LZ 117/M3

Anon. [Muscadin] “The Queenes Pantophle” (US-NHub Osborn fb7 no.37, f. 89v) LZ 117/ M13

Anon. [Muscadin] “Tantz / Proportio” (Nauclerus D-B 40141, f. 46) LZ 117/M5

Anon. [Muscadin] “Toy” (Robinson 1603, sig. I2, opening only) LZ 117/M20

Anon. My Heart is Surely Sett (Dd.2.11, no.10, f.2v) LN 37 B1/1

Anon. My L[ord?] of Dehims Lamentacion (Dd.2.11, f.41), see under Anon. Lost is my Liberty, LN 76/11c

Anon. My La. P. Paven (Dd.2.11 no.163, f.55) LN 80/5a

Anon. My lady binnis lilt (Wemyss MS, f.45) LSJ vol.27

Anon. My Lady Careys Dompe, t and g duet, (arranged from Royal Appendix 58, f.44v) LN 44

Anon. My La[dy] Hastings Allmaine (Osborn fb7 no.3, f.81) LN 74 textLN 82 cover

Anon. My Lady Laudians Lilt, Scottish Ballads 8a (Skene, p.90) LN 73/8a

Anon. My Lady Rothemais Lilt, Scottish Ballads 3 (Skene, p.85) LN 73/3

Anon. My Lord barbayes his Gallarde, see under Johnson (John) Johnson’s Jewel, (without elaborate repeats) (Thysius no.91, f.32v)

Anon. My L[ord?] of Dehims Lamentacion, see under Anon. Lost is my Liberty (Dd.2.11, f.41), LN 76/11cAnon. My Lord Southes Maske (Mynshall no.23, f.7v), see under Anon. Lord Zouche’s March, LN 64/1 I; LZ 116/Z12

Anon. My M[ist]ris[s] Farwell (Board no.48, f.17) LN 66/18

Anon. My mistress Blush is Bonie, Scottish Ballads 17 (Skene, p.101) LN 73/17

Anon. Mystery Piece, LN 4 text, see under Anon. Watkin’s Ale

Anon. Nachtegale Int Wilde (Die) (PL-Kj 40143, f.54) LZ 127/App 2a

Anon. Nachtegale Int Wilde (PL-Kj 40143, f.63) LS 2/2LZ 127/App 2b

Anon. The New Exchange, violin, arranged for lute (Playford 1651, p.8), see under Anon. Go from my Window, LZ 109/1n

Anon. The new Spanaletto (Osborn fb7 no.40, f.89v) LN 74 text

Anon. Nicola ton nouveau, mandore (D-Us 132, p.71), see under Anon. En me revenant, LZ 115/26

Anon. The Nigitis (IRL-Dtc 408/II no.45, p.104) LZ 117/N1

Anon. The Nightingale, French flat tuning (Mace 1676, p.201) LZ 127/N2

Anon. The Nightingale, cittern (US-Cah 179, f.15v) LZ 127/N4

Anon. The Nightingale, cittern (US-CAh MS Mus. 181, f.16) LZ127/N11

Anon. The Nightingale, baroque lute (GB-En .Acc.9769 84.1.6, p.60) LZ 127/N12

Anon. The Nightingale, see also under Richard Sumarte

Anon. [The Nightingale] (GB-Ctc O.16.2, p.130) LN 127/N1

Anon. [The Nightingale], cittern (US-CAh 179, f.15) LZ 127/N7

Anon. [The Nightingale] “Englische Nachtingall” transcribed from cithrinchen (PL-Kj 40622.f.17v) LZ 127/N5

Anon. Nightingall, transcribed from lyra viol (Playford MB 1651, p.8) LZ 127/N8

Anon. The Nightingall, transcribed from lyra viol (GB-NTu Bell-White 46, f.33v) LZ 127/N3

Anon. The Nightingall, transcribed from lyra viol (GB-En P637 R787.1, f.31v) LZ 127/N9

Anon. Nightingall, transcribed from mandore (GB-En Adv.5.2.15, p.109) LZ 127/N10

Anon. Nine Catalan Songs, arranged by William Walters LZ 124

Anon. Nine Traditional Irish Pieces arranged for baroque lute LN 72

Anon. Noch weet ick een Casteel (Thysius no.546, f.349), see under Adriaenssen (Emanuel)?, LN 77/22

Anon. Non mi negar signora (Thibault MS f.12) LSJ vol.22 part2/1

Anon. Now ye Spring is Come [The Second Dance of the Lord’s Mask] (Board no.154, f.39v) LN 66/5Anon. Nowells Delighte (Welde no.19, f.7) LZ 115/N1

Anon. [Nowells Delighte] “Balletto Dantichano” (D-B 4022, f.21) LZ 115/N3

Anon. Nuttmigs and Ginger, lute part (GB-Cu Dd.3.18, f.33), see under Anon.Kemps Jigge, LZ 126/N3

Anon. Nuttmigs and Ginger, cittern part (GB-Cu Dd.14.24, f.37), see under Anon. Kemps Jigge, LZ 126/N10

Anon. O Come All Ye Faithful LN 64

Anon. O deare lyfe (Marsh no.144, p.383) LSJ vol.11 plate 4

Anon. O Heavenly God My L of Essex songe (US-Es V.a.159 Lodge, f.13v) LN 41 B3 (2)/1 LZ107/6b

Anon. O Little Town of Bethlehem LN 64

Anon. O lux beata trinitas (BL Cotton Titus D. xi, f.55v) LN 61 text

Anon. O Sillie Soule Alace, mandore (En Adv.5.2.15, p.6), see under Anon. Mall Symes, LZ 114/App 2a Anon. O what is love (Dallis no.12, p.17) LN 92 text/BL 3

Anon. Of Love to Learne to Skyll (Lodge, f.11) LN 40 B3 (1)/26

Anon. Oh the Bonny Christ-Church Bells, transcribed from lyra viol (Playford 1682, p.18) LZ126/B5a

Anon. Oh the Bonny Christ Church Bells, transcribed from lyra viol (GB-Lbl Add 59869, f.15) LZ126/B5b

Anon. The Old marrinet or Moll Peatley, arr. from violin (Playford 1701), see under Anon. Mall Peatly, LZ 123/M4b

Anon. Old Measure (The) (Folger V.a.129, f.20), see under Anon. The Black Almaine], LN 78/4cAnon. Olde P[e]rdye (The) (Braye f.5v) LN 5 text

Anon. Omne trium perfectum part1: Allemande, Harmonie des anges a 3 lettres (CZ-Bm. 372, p.27) LN 123

Anon. Omne trium perfectum part 3: Sarabande [a 3 lettres] (CZ-Bm. 372, p.29) LN 123

Anon. Omne trium perfectum part 4: Menuet [a 3 lettres] (CZ-Bm. 372, p.29) LN 123

Anon. Once in Royal David’s City LN 64

Anon. Onder de Linde grine (NL-HOwfa 1667-1, f.5), see under Anon. All in a garden green, LN 116/A3

Anon. Only Joye (Dd.9.33, f.5) LN 76/10

LZ 127/App 8

Anon. Op de Engelsche Foulle (Valerius 1626, p. 33), see under Anon. Muscadin, LZ 117/M8

Anon. Op de Engelsche Foulle. Of: Walsch Wailinneken, diatonic cittern and transcribed for chromatic cittern (Valerius 1626, p. 33), see under Anon. Muscadin, LZ 117/M22 i & ii

Anon. [Open the door to three] (LBL Eg.2046 Pickeringe, f.22) LN 116/D1

Anon. Open the door to three, arranged for lute (Playford 1652/2ed 1670, p.110) LN 116/D2

Anon. Orlandi (Pnm XIII.B.237 no.83), see under Dowland (John) Orlando Sleepeth, LN 102/61g

Anon. Orlando (Dte 408 II Ballet, f.111), see under Dowland (John) Orlando Sleepeth, LSJ vol.10 [plate4]; LN 102/61f

Anon. Orlando Chanson Englesae (Hove 1601, f.106), see under Dowland (John) Orlando Sleepeth, LN 102/61l

Anon. Orlando Furioso (GB Lam 601 Mynshall no. 14, f.5v), see under Dowland (John) Orlando Sleepeth, LN 102/61e

Anon. Orlando Furioso (Mus.108 I, f.23v), see under Dowland (John) Orlando Sleepeth, LN 102/61o

Anon. Orlandus (Druck 12.4o.85, p.50), see under Dowland (John) Orlando Sleepeth, LN 102/61i

Anon. Orlandus furiosus (Fuhrmann 1615, p.47), see under Dowland (John) Orlando Sleepeth, LN 102/61q

Anon. The Oulde Almaine”, cittern (Holborne 1597, f.B4v), see under Anon.The Queenes Allmaine, LZ 121/App 5

Anon. Over and Under, transcribed from violin (Playford 1652, p.109) LZ 124/O1

Anon. Over and Under, cittern (US-Cah 179, f.43) LZ 124/O2

Anon. Over the Broome Bessy (Dd.2.11 no.264, f.80v) LN 76/6LZ 113/App 8a

Anon. [Over the Broom, Bessy] “Browne Besse Sweete Besse com[e] over to me” (Welde no.13, f.6) LZ 113/App8b

Anon. Over the Mountains (O.16.2, p.135) LN83/19LN 120/OM1, p.11

Anon. [Over the Mountains] “Love will find out the way” transcribed for renaissance lute (GB-Lam 603 Board, f. 38v)LN 120/OM2a, p.11

Anon. Over the Mountains] “Love will find out the Way” (Board no.148, f.38v) LN 120/OM2b, p.22

Anon. Over the Mountains, transcribed from lyra viol (fefhf) (Playford A Musicall Banquet 1651, p. 6) LN 120/OM6, p.22

Anon. Over the Mountains, transcribed from lyra viol (fefhf) (Playford Musicks Recreation on the Lyra Viol 1652, p. 2)LN 120/ OM7, p.22

Anon. Over the Mountains, transcribed from lyra viol (defhf) (Playford Musicks Recreation on the Lyra Viol 1669, p. 2) LN 120/ OM8, p.22

Anon. The Owld man (IRL-Dtc.408/II no.3, p.83) LSJ vol.10, [plate 3]LN 116/M1

Anon. The Owld man (IRL-Dtc 408/II no.3, p.83, edited) LN 109 text/BL 19

Anon. Paccetonspon Chanson Engloise (Thysius no.708, f.401v), see under Anon. Packington’s Pound, N 54/10b; LZ 113/P1j

Anon. Packington’s Galliard “Pactkintonns Galliard”, corrupt (Mynshall no.1, f.9) LZ 113/P2aAnon. Packington’s Galliard “Packingtoune Galiarde” (Sampson no.15, p.10) LZ 113/P2bAnon. [Packington’s Galliard] (Marsh no.108, p.266) LZ 113/P2c

Anon. [Packington’s Galliard] “Mr Pagonto his Galyarde (GB-Cu Add.2764(2), f. 2v) LZ 113/P2d

Anon. [Packington’s Galliard] “Pag Gal” (GB-AB 27 Brogyntyn, p. 19) LZ 113/P2e

Anon. [Packington’s Galliard] “Pag Gal”, consort or second duet lute part? (GB-AB 27 Brogyntyn, p. 19) LZ 113/P2f

Anon. Pa[c]kingtonns Pound (Westminster Abbey MS 105) LN 55LN 53 B5LZ 113/P1g

Anon. Packington’s Pound “Pack Pound” (GB-Cu Nn.6.36, f.21) LZ 113/P1c

Anon. Packington’s Pound “Packintons Compounds” (Mynshall no.30, f.8v) LZ 113/P1h

Anon. [Packingtons Pound] “Alia Courante” (Sloane 1021, f.49) LN 54/10a iiLZ 113/P1m

Anon. [Packington’s Pound] “Bockingtons Pound by Fr[ancis] C[utting]”, orpharion (Barley 1596, f. C4v) LZ 113/P1k

Anon. [Packingtons Pound] “Courant” (Dresden 297, p.143) LN 54/10a i LZ 113/P1f

Anon. [Packingtons Pound] “Courant” (D-BAU 13.4o.85, p.17) LZ 113/P1m

Anon. [Packington’s Pound] “Courant Bransle” (D-Lr 2000, p. 9) LZ 113/P1i

Anon. [Packington’s Pound] “Courante”, lute duet (D-B N 479 Grünbühel, f. 25v) LZ 113/P1bi & ii

Anon. [Packington’s Pound] “Englisch Coure[nt]” (A-KR L 81, f. 155r) LZ 113/P1d

Anon. [Packington’s Pound] “Paccetonspon Chanson Engloise” (Thysius no.708, f.401v) LN 54/10bLZ 113/P1j

Anon. [Packington’s Pound] “Passepied” (CZ-Pnm IV.G.18 Rettenwert, f. 82) LZ 113/P1a

Anon. [Packington’s Pound] “Saltatio Anglica” (A-KR L 81, f. 155v) LZ 113/P1e

Anon. Padoana Anglica (Thort 841, 4o, f.115), see under Dowland (John) Orlando Sleepeth, LN 102/61k

Anon. Paduana (Wroclaw 352, f.35) LN 70/4

Anon. Paduana (D-Kl 4o Mus.108, f.4), see under Anon. Mall Symes, LZ 114/1o

Anon. Paduana (D-LEm II.6.15, p.97), see under Anon. Mall Symes, LZ 114/1w

Anon. Paduana and [Saltarello?], suite34 b-c (Craus, f.19v) LN72/34b-c

Anon. Paduana, [Saltarello], and Piva, [suite 8] (Craus, f.12v- 15, cf. Neusidler 1536 Hie folget ein welscher tantz Wascha mesa and Der hupff auff), LN72/38a-c

Anon. [Paduana Francis[cina] (LT-Va 285-Mf-LXXIX Konigsberg, f.54v and f.58), see under Anon. Mall Symes, LZ 114/1aa and 1bb

Anon. Paduana Franciscina Bass (LT-Va 285-MF-LXXIX Konigsberg, f.54v), see under Anon. Mall Symes, LZ 114/1k

Anon. Paduaner and Saltarelo (Craus, f.19v) LN72/35b-c

Anon. Paduaner-tanz (Wroclaw 352, f.41) LN72/30a

Anon. Pag Gal (GB-AB 27 Brogyntyn, p. 19), see under Anon.Packington’s Galliard, LZ 113/P2e-f

Anon. Pamarasken Tantz (D-LEm II.6.15, p.172), see under Anon. Bergamasca, LZ 118/B22

Anon. Pantalone, arranged from mandore, GB-En Adv.5.2.15, p.167), see under Anon. Bergamasca, LZ 118/B70

Anon. The Parlement (Folger no.16, f.4v), see under Anon. Kemp’s Jig, LN 64/3 iiAnon. The Par[l]iame[n]t Engella[n]t (Danzig 4022, f.44), see under Anon. Kemp’s Jigge, LN 64/3 iii; LZ 126/N6

Anon. Part-song arrangement? (Marsh no.21, p.49) LSJ vol.11, plate 2

Anon. Partita, part of Partita 4 (I-MOs B, f. 8v & 8r), see under Anon. La Monaca, LZ 120/M26. p.77

Anon. Partite variate sopra quest’Aria francese deta l’Alemana (Piccinini 1623, p. 104-106), see under Anon. La Monaca, LZ 120/M31, p.88

Anon. Passa Mesure galiarde (Lodge, f.5v) LN 40 B3 (1)/7

Anon. Passagagli [1] (Doni, p.54) LZ 117

Anon. Passagagli [2] (Doni, p.54) LZ 117

Anon. Passage (PL-Kj 40032, p.105) LZ 107/PP63

Anon. Passagg (PL-Kj 40032, p.176) LZ 107/PP39

Anon. Passaggie (D-Hs ND VI 3238, p.3 ii) LZ 107/PP35

Anon. Passagie (D-Hs ND VI 3238, p.45) LZ 107/PP45

Anon. Passaggio (CZ-Pnm IV.G..18, f.147v) LZ 107/PP38a

Anon. Passaggio (D-Hs ND VI 3238, p.1 i) LZ 107/PP19a

Anon. Passaggio (D-Hs ND VI 3238, p.2 i) LZ 107/PP36

Anon. Passaggio (D-Hs ND VI 3238, p.2 ii) LZ 107/PP4

Anon. Passaggio (I-COc 1.1.20, f.12) LZ 107/PP73

Anon. Passaggio; Finale (D-Hs ND VI 3238, p.1 iii) LZ 107/PP62a

Anon. Passaggio J.V. d. Hoven A[nn]os 1614 (D-Hs ND VI 3238, p.2 iii) LZ 107/PP37

Anon. Passagio; Passagio; Untitled (Cz-Pnm IV.G.18, f.39 i; 67 I; 215v ii) LZ 107/PP8-10

Anon. Passagio di giovani Batista dirata di finale (PL-Kj 40032, p.117) LZ 107/PP42

Anon. Passameze de Pavana (Dallis no.14, p.18) LN 51 C61

Anon. Passemezo (Phalèse Carminum Quae Chely Liber Primus 1549, f.H3v), see under Anon. Muscadin, LZ 117/M14

Anon. Passemezo d'angleterre (IRL-Dtc 410/1 Dallis no.58, p. 71), see under Anon. Muscadin, LZ 117/M16

Anon. Passemezo d`angleterre - Le reprinse, diatonic cittern and transcribed for chromatic cittern (Vreedman Carminium quae Cythara 1569, f. 26v), see under Anon. Muscadin, LZ 117/M21 i & ii

Anon. Passamezo Mod[er]no (Dallis no.147, p.163) LN 51 C61

Anon. Passamezze Galliard (The) (Dallis no.15, p.19) LN 51 C61

Anon. [Passamezzo Antico] (Royal Appendix 58, f.54v) LN 38 B2

Anon. [Passamezzo Antico] (Stowe 389, f.123) LN 37 LN 37 B1/7

Anon. Passamezzo Francesse (Munich 9516, f.3), see under Anon. Bassameso Francesse and Salterela, LN 72/31a-b

Anon. A Passe, [a ground] (Lodge, f.11) LN 40 B3 (1)/18

Anon. The Passe a Mesures Pavion (Lodge, f.10) LN 40 B3 (1)/16

Anon. Passemezo, see under Anon. Muscadin, LZ 117/M14

Anon. Passemezo d'angleterre, see under Anon. Muscadin, LZ 117/M16

Anon. Passepied (CZ-Pnm IV.G.18 Rettenwert, f. 82), see under Anon. Packington’s Pound, LZ 113/P1a

Anon. Passingmeasures [Pavan], transcribed from bandora, (Ballet, p.5) LN 78/8b

Anon. The Passingmessures Galliard (Mynshall no.29, f.8v) LN 43

Anon. Passomezo (Phalèse Theatrum Musicum 1563, f. 64), see under Anon. Muscadin, LZ 117/M15

Anon. Passomezo d'Engleterre (NL-Lu 1666 Thysius no.234, f. 134), see under Anon. Muscadin, LZ 117/M17

Anon. Passos de Castillo (PL-Kj 40032, p.105 i) LZ 107/PP14b

Anon. Pastyme [with Good Company] (Royal Appendix 58, f.55) LN 38 B2

Anon. [Paul’s Wharf], lyra viol transcribed for lute (Lam 600, f.36v) LN 116/W1

Anon. [Paul’s Wharf], violin arranged lute (Playford 1651, p.86) LN 116/W2

Anon. [Paul’s Wharf], “Powles Carranta”, cittern (Robinson 1609, no.5 f.C2v) LN 116/W3

Anon. [Paul’s Wharf] (Folger no.14, f.4v) LN 116/W4

Anon. [Paul’s Wharf], lyra viol transcribed for lute (CHEr DLT/B 31, f.46v) LN 116/W5

Anon. Paulo a[li]t[e]r Ballet, see under Anon. Lord Zouche’s March, LZ 116/Z4`

Anon. Pauls Galiarde (Lodge, f.12) LN 40 B3 (1)/22

Anon. Pauren Dantz (D-LEm II.6.15, p.371), see under Anon. Boeren Dans, LZ 124/B16

Anon. Pauren Dantz-Reprise-Variatio (Denss 1594, f.96), see under Anon. Boeren Dans, LZ 124/B20

Anon. A Pavan (Add.8844, f.13v) LN 80/5b

Anon. Pavan (Dd.2.11 no.137, f.48v) LN 93/1

Anon. Pavan (Dd.5.78.3, f.44) LN 93/3

Anon. Pavan (Dd.5.78.3, f.1v) LN 93/5

Anon. Pavan (Dd.5.78.3, f.66) LN 93/7

Anon. Pavan (Dd.5.78.3, f.50) LN 93/9

Anon. Pavan (Marsh no.42, p.82) LN 93/11

Anon. Pavan (Dd.9.33, f24v) LN 93/13

Anon. Pavan (Nn.6.36, f.44v) LN 80/6

Anon. [Pavan], original tuning and transcription into renaissance tuning (Reynes MS, f.30v) LSJ vol.49

Anon. Pavan despagne (D-B 4022, f.35v), see under Anon. The Spanish Pavan, F min, LZ 112/31

Anon. Pavan despagnie (D-B 4022, f.44), see under Anon. The Spanish Pavan, F min, LZ 112/11

Anon. Pavan hispan[ica] (GB-LBl Sloane 1021, f.22v), see under Anon. The Spanish Pavan, G min, LZ 112/35 “36”

Anon. Pavana (Thibault, f.25) LN 72/34a

Anon. Pavana (Mylius p.64) LN96/12




Anon. Pavana (Dallis no.11, p.16) LN 116 text

Anon. Pavana (GB-HAdolmetsch II.B.1, f.23v), see under Anon. The Spanish Pavan, F min, LZ 112/10c

Anon. Pavana (S-B PB fil.172 Brahe, f.20), see under Anon. The Spanish Pavan, F min, LZ 112/13

Anon. Pavana (D-LEm II.6.33, f.36), see under Anon.The Spanish Pavan, F min, LZ 112/19b

Anon. Pavana Alterij toni (GB-HAdolmetsch II.B.1, f.25v), see under Anon.The Spanish Pavan, F min, LZ 112/7b

Anon. Pavana alterij toni (GB-HAdolmetsch II.B.1, f.26v), see under Anon. The Spanish Pavan], G min, LZ 112/37

Anon. Pa[vana] Anglica (Leipzig III.11.26), see under Dowland (John) Lady Laiton’s Almain, LN 47; LN100/48t

Anon. Pavana anglica (R.242, f.104), see under Dowland (John) Orlando Sleepeth, LN 102/61n

Anon. Pavana Anglica (Mylius 1622, p.50) LN 80/1

Anon. Pavana Anglica (Mylius p.61) LN 86LN96/11

Anon. Pavane d’Espagne, lute trio (Valerius, p.258), see under Anon. The Spanish Pavan, F min, LZ 112, 45i-ii

Anon. [Pa]vane [d’Es]paigne (F-Pn Res.941, f.38v), see under Anon. The Spanish Pavan, F min, LZ 112/16

Anon. Pa]vane de Spaigne (F-Pn Res.941, f.32v), see under Anon. The Spanish Pavan, F min, LZ 112/15

Anon. Pavane Despagne (Thysius no.240, f.140), see under Anon. The Spanish Pavan, F min, LZ 112/24a

Anon. Pavana de Espana (PL-KJ 40032, p.354), see under Anon. The Spanish Pavan, F min, LZ 112/30

Anon. Pavana Englessa (A-La 475, f.67v) LN 86

Anon. Pavane Espagnolle (D-LEm II.5.32b, f.5v), see under Anon. The Spanish Pavan, F min, LZ 112/18

Anon. Pavane Espagnolle (Francisque 1600, f.9v), see under Anon. The Spanish Pavan, F min, LZ 112/17

Anon. Pavana Hispanica (D-BAU 13 4o85, p.48), see under Anon. The Spanish Pavan, F min, LZ 112/21

Anon. Pavana Hispanica (S-B 2245, f.14v), see under Anon. The Spanish Pavan, F min, LZ 112/22

Anon. Pavana Hispanica (PL-KJ 40159, f.1), see under Anon. The Spanish Pavan, F min, LZ 112/28

Anon. Pavana hispanica (D-Lr 2000, p.59), see under Anon. The Spanish Pavan], G min, LZ 112/34a

Anon. Pavana Hispanica (D-Lem II.6.15, p.85), see under Anon. The Spanish Pavan], G min, LZ 112/34b

Anon. Pavana Hispanica (D-Lem II.6.15, p.93), see under Anon. The Spanish Pavan], G min, LZ 112/38

Anon. Pavana Regia, Saltarelo, and Piva, (Thibault, f.13, cf. Dalza 1508, f.18) LN 49 C56LN 72/36a-c

Anon. Pavana Spagnolet 2 (Fuhrmann 1615, p.55), see under Anon. The Spanish Pavan, F min, LZ 112/19a

Anon. Pavana Spaniola (RF-Span O No 124, f.53v), see under Anon. The Spanish Pavan, F min, LZ 112/14

Anon. Pavane and [Saltarello?], (Munich 2987, f.8) LN 72/30b-c

Anon. Pavane (D-Lr Mus.ant.pract.2000, p. 58), see under Anon. Une Jeune Fillette, LZ 119/9

Anon. Pavane (D-LEm II.5.32b, f.8), see under Anon. The Spanish Pavan, F min, LZ 112/20

Anon. Pavane d’Engleterre (Thysius no.252, f.146) LN51 C63/1

Anon. Pavane d’Espagne, see under Anon. Spanish PavanAnon. Pavanigli (F-Pn Res.29, f.3v), see under Anon. The Spanish Pavan, F min, LZ 112/53

Anon. Pavaniglia (I-COc 1.1.20, f.3), see under Anon. The Spanish Pavan, F min, LZ 112/51

Anon. Pavaniglia (D-LEm II.6.15, p.126), see under Anon. The Spanish Pavan, F min, LZ 112/54

Anon. Pavaniglia (F-Pn Res.29, f.7), see under Anon. The Spanish Pavan F min, LZ 112/61

Anon. Pavaniglia (I-Fn Magl.XIX.105, f.10v), see under Anon. The Spanish Pavan F min, LZ 112/62

Anon. Pavaniglia (I-Fn Magl.XIX.179, f.4), see under Anon. The Spanish Pavan F min, LZ 112/63

Anon. Pavaniglia (US-SFsc M2.1 M3, p.76), see under Anon. The Spanish Pavan] G min, LZ 112/64

Anon. Pavaniglia (Gardado-Balletti Moderni 1611, p.30), see under Anon. The Spanish Pavan] G min, LZ 112/65a

Anon. Pavaniglia (US-SFsc M2.1 M3, p.76), see under Anon. The Spanish Pavan] G min, LZ 112/64

Anon. Pavaniglia (I-Lg 774, f.19v), see under Anon. The Spanish Pavan] G min, LZ 112/68

Anon. La Pavaniglia (F-Pn Res Vmd.ms.31, f.22v), see under Anon. The Spanish Pavan] G min, LZ 112/69

Anon. Pavaniglia (I-Vnm IV.1793, f.23), see under Anon. The Spanish Pavan] D min, LZ 112/70

Anon. Pavaniglia in tripola (US-SFsc M2.1 M3, p.92), see under Anon. The Spanish Pavan, F min, LZ 112/55

Anon. Pavani[g]lia in soprano (US-SFsc M2.1 M3, p.30), see under Anon. The Spanish Pavan, F min, LZ 112/56

Anon. Pavaniglia in sop[ra]no (US-SFsc M2.1 M3, p.91), see under Anon. The Spanish Pavan, F min, LZ 112/57

Anon. [Pavaniglia] in basso (US-SFsc M2.1 M3, p.91), see under Anon. The Spanish Pavan, F min, LZ 112/58

Anon. Pavanilia (PL-Kj Mus.40153, f.63), see under Anon. The Spanish Pavan, F min, LZ 112/52

Anon. Pavanilla (Simancas MS) LSJ vol.26 part 1

Anon. Pavanna Englessa (Eijsertt, f.68v) LN51 C63/5

Anon. Pavanne despagne (LT-Va 285-MF-LXXiX, f.27), see under Anon. The Spanish Pavan, F min, LZ 112/10b

Anon. Pavanne despagne (NL-Lu BPL 2792, f.24), see under Anon. The Spanish Pavan, F min, LZ 112/27

Anon. Pavin (A) (Ftc 410/1 p.38) LN 80/3

Anon. Pavin Hispanica (IRL-Dtc 410/I Ballet, p.162), see under Anon. The Spanish Pavan, F min, LZ 112/9

Anon. Pavion (A) (Lodge, f.8v) LN 40 B3 (1)/23

Anon. Peckelharing or Pots hondert dusent slapperment (Valerius 1626, p.223), see under Anon. Pickle Herring, LN51 C63/9b; LN 71/vii c; LZ 101 text

Anon. Peggie, transcribed from lyra viol (not a version of Peggy Ramsey), (Browne/Braye, f.77) LN 76/7Anon. Peggy Ramsey “Peg Ramsey”, transcribed from lyra viol (GB-Cu Dd.6.48, f.13) LN 121/P3

Anon. Peggy Ramsey “Pegaramsey” (IRL-Dtc 408/I Ballet no.17, p.26) LN 44 C41LN 121/P1

Anon. [Peggy Ramsey] “Bony Peggie Ramsay”, transcribed from lyra viol (GB-En Dep 314 no.24, p.5) LN 121/P2

Anon. [Peggy Ramsey] “Pigges of Rumsey”, transcribed from lyra viol (GB-Mp Brm 832 Vu 51, p.92) LZ 121/P4

Anon. Pekelhavier Masquerade (Hove 1, f.161), see under Anon. Pickle Herring, LN51 C63 9a; LN 71/vii bAnon. [Pepper’s Black] (IRL-Dm Z.3.2.13 Marsh no.19, p.44) LN 120/P2, p.30

Anon. Peppers Black, transcribed from violin (Playford Dancing Master 1651, p. 41) LN 120/P1, p.4 Anon. Phantasia 60 (reminiscent of Reys) (Mertel 1615, p.196) LZ 126/App 6

Anon. Phantasia 48 (reminiscent of Reys) (Mertel 1615, p.182) LZ 126/App 7

Anon. Phantasia 62 (reminiscent of Reys) (Mertel 1615, p.198) LZ 126/App 9

Anon. Phs Toy, chromatic cittern GB-Cu Dd.4.23, f. 6v), see under Anon. Muscadin, LZ 117/M3

Anon. Philipp Hainhofers Dantz - Nachtantz (Guelf. 18.8 IV, f.14) LN 92/23

Anon. Phoebus is lang ower zea (Valerius, p.110; LN 54), see under Anon. Barafostus Dream, LN 54; LZ 118/D6

Anon. Phs Toy, see under Anon. Muscadin, LZ 117/M3

Anon. Pickle Herrng “Pickell Hehring” (Br 26.369, f.22) LN 81/1a i

Anon. Pickle Herring “Pieckel Hering” (Luneburg, p.72) LN51 C63/8a

Anon. [Pickle Herring] “Englischer Tantz der Pickelhering” (Leipzig II.6.15, p.376) LN51 C63/8b

Anon. [Pickle Herring] “Galliart” (Luneburg, p.68) LN51 C63/9c

Anon. [Pickle Herring] “Jig for Robert Reynolds” (B Br 26.369, f.16) LN 81/1a i

Anon. [Pickle Herring] “Jig for Robert Reynolds” (D B N 479, f.5 and 69v) LN 81/1 ii-iii

Anon. [Pickle Herring] “Peckelhevier Masquerade” (Hove 1, f.161) LN51 C63 9a LN 71/vii b

Anon. [Pickle Herring] “Peckelharing or Pots hondert dusent slapperment” (Valerius 1626, p.223) LN51 C63/9bLN 71/vii cLZ 101 text

Anon. [Pickle Herring] “Soldaten (Ein) ist vorhand” (D B N 479, f.5) LN 81/1 ii

Anon. Pickle Herring, cf. Robinson (Thomas) Walking in a Country Towne (Schoole of Music, 1603, f.M2), LN 71/vii a

Anon. Pigges of Rumsey, transcribed from lyra viol (GB-Mp Brm 832 Vu 51, p.92) see under Anon. Peggy Ramsey, LZ 121/P4

Anon. Pitt on your Shirt on Monday, Scottish Ballads 14a (Skene, p.97) LN 73/14a

Anon. [A Point] (Stowe 389, f.120v) LN 37 B1/9

Anon. Polnisch Tantz (DK Kk Thott 841 4o, f.83v iii) LN 82/7

Anon. Por unos ojuelos negros (Simancas MS) LSJ vol.26 part 1

Anon. Pots hondert duysent flapperment (Valerius, p.222), see under Anon. Pickle Herring, LN 71/vii cAnon. Powles Carranta, cittern (Robinson 1609, no.5 f.C2v), see under Anon.Paul’s Wharf, LN 116/W3

Anon. Power mans doumpe (Royal Appendix 58, f.55) LN 38 B2

Anon. Praeludia 138 (Mertel 1615, p.65) LZ 107/PP21

Anon. Praeludia 152 (Mertel 1615, p.75) LZ 107/PP20b

Anon. Praeludia 159 (Mertel 1615, p.79) LZ 107/PP68a

Anon. [Praeludia] (Mertel 1615 no. 164, p.83) LN 124/T15

Anon. Praeludia 168 (Mertel 1615, p.86) LZ 107/PP19c

Anon. Praeludia 177 (Mertel 1615, p.92) LZ 107/PP62b

Anon. Praeambulum (Grässe, f.72v) LN 32 C16/3

Anon. Praeambulum (Grässe, f.74v) LN 32 C16/2

Anon. Praeambulum [reminiscent of Diomedes Cato] (Grässe, f.70) LN 32 C16/1

Anon. Praeludium (Basel F.IX.56, f.1) LN 68/1

Anon. Praeludium (PL-Wu 2009, p.4) LZ 124

Anon. Praeludium (D-Dl M 297, p.117) LN 119 text/BL 28

Anon. Pr[ae]lud[i]ume (Mynshall, f.1) LN 116 text

Anon. Praeludium 80 (Mertel 1615, p.36, cf. Robinson (Thomas) [xiii a-b] Fantasie for two lutes) LN 71/xiii c

Anon. Prangle de Angleterre (CZ-Pnm.B.237, no.64), see under Anon. Sellingers Round, LZ 114/3aa

Anon. Prannels galiarde (IRL-Dtc.408/I Ballet, p.111) LSJ vol.10, [plate 4]

Anon. Preambl in Re hd (Ein) (D-Mbs, f.16v) LN 98/23

Anon. Preambulo (I-Coc 1.1.20, f.1v) LZ 107/PP53

Anon. Preambulum (Craus, f.25v) LN 68/7

Anon. Preambulum (Craus, f.6) LN 77

Anon. Preambulum (A-Wn 18688, f.69) LN 98/17

Anon. Preambulum (Wroclaw MS 352 no.6, f.3v) LN 26 C12

Anon. Prelud (Leningrad ON.124, f.20) LSJ vol. 30Anon. [Prelude] (Leningrad ON.124, f.7) LSJ vol. 30Anon. Prelude (Herbert 3, f.15v), see under Rosseter (Philip) Prelude, LN 86

Anon. Prelude (Board no.16, f.5) LN 103/App.a

Anon. [Prelude] (Herbert f.60v) LN 110

Anon. [Prelude] (Herbert f.64) LN 110

Anon. Prelude (CZ-Nrlk. Kk73) baroque lute LZ 108

Anon. Prelude (CZ-Bm371, p.44) LZ 111 text

Anon. Prelude? (Dd.2.11 no.306, f.97), see under Anon. Untitled fragment, LN 29 C14/2

Anon. Preludium (D-LEm III.11.26) LN 47

Anon. Preludium (Add.3056 f.22v) LN 91/2

Anon. Preludium (Add.3056 f.23) LN 91/3














Anon. Preludium 70, reminiscent of Reys (Mertel 1615, p.30) LZ 126/App 8

Anon. Preludiume (Sampson no.16, p.10) LN 43LN 103/App.e

Anon. Pretty Nancy, see under Anon Put on your shirt on Monday, LZ 120/P8

Anon. Pretye Shivall (Lodge, f.4) LN 40 B3 (1)/2

Anon. Primero (Dd.2.11, f.87v), see under Anon. All in a garden green, LN 116/A5

Anon. Primero (Board, f.13v), see under Anon. All in a garden green, LN 116/A7

Anon. Primiero, cittern (GB-Cu Dd.2.11, f.87v), see under Anon. The Bells of Osney, LN 126/B1g

Anon. Primiero, cittern (GB-Cu Dd.4.23, f.19v), see under Anon. The Bells of Osney, LN 126/B1h

Anon. [The Princes Masque] (US-DMurl Rare Books 8vo KD8620 1661, f.1) LZ 124/App 2

Anon. Principio della Monicha (F-Pn Rés Vmd.29, f. 4), see under Anon. La Monaca, LZ 120/M13

Anon. Princis Mask Tune (Westminster Abbey MS 105) LN 53 B5LN 55

Anon. The Princis Pavion (Stowe 389, f.122) LN 37 B1/6

Anon. Progresse (Dd.2.11 no.139, f.49) LS 1/8b

Anon. La proportion dt pto ballo (D-Sl G.I.4 I, f. 41), see under Anon. La Monaca, LZ 120/M1b

Anon. APsalm: “St. David’s”, keyboard (Anne Cromwell’s Virginal Book, 1638) LZ 115 text

Anon. Psalm 81: Sing den Hee[r] (Vallet Regia Pietas 1620, p.109) LN 77/24

Anon. Psalm 137 (Osborn fb7 no.28, f.84v, with added four voice setting LN 83 text

Anon. Put on your shirt on Monday “Put on thy sark on Munday” Scottish Ballads 14b (Straloch, p.8) LN 73/14b

Anon. Put on your shirt on Monday “Put on thy sark on Munday” (GB-En Adv.5.2.18 Straloch, p. 8) LZ 120/P1

Anon. Put on your shirt on Monday “Put on your sark on Monday”, transcribed for chromatic cittern, Italian tuning (GB-En 9450, f.41) LZ 120/P7i

Anon. [Put on your shirt on Monday], untitled fragment (Folger no71, f. 87) LZ 120/P2

Anon. Put on your shirt on Monday, “Put on thy Smock a Monday”, violin (Playford 1670, p. 90) LZ 120/P3

Anon. Put on your shirt on Monday “Pitt on your shirt on Monday”, mandore, ffef = lute tuning(GB-En Adv.5.2.15 Skene, p. 97-99) LZ 120/P4

Anon. Put on your shirt on Monday “Pitt on your shirt on Monday”, transcribed from mandore hfhf(GB-En Adv.5.2.15 Skene, p. 136-137) LZ 120/P5

Anon. [Put on your shirt on Monday], chromatic cittern (GB-En 9477 Millar/McAlman, f. 73) LZ 120/P6

Anon. Put on your shirt on Monday “Put on your sark on Monday”, diatonic cittern, French tuning (GB-En 9450, f.41)LZ 120/P7ii

Anon. Put on your shirt on Monday, chromatic cittern, Italian tuning (GB-En 9450, f.41) LZ 120/P7i & ii

Anon. [Put on your shirt on Monday] “Pretty Nancy”, chromatic cittern (GB-Dd.4.23, f. 6v) LZ 120/P8

Anon. Put up thy dagger Jemmy, transcribed from lyra viol (GB-Cu Dd.5.20, f.22v) LZ 123/J1a

Anon. Put up thy dagger Jemmy “Put up thy Dagor Jennie”, transcribed from lyra viol (GB-Du Mus.10455, p.4) LZ 123/J2

Anon. [Put up thy dagger Jemmy] “Jamie”, transcribed from lyra viol (GB-Lbl Add.56279, f.3v) LZ 123/J1b

Anon. [Put up thy dagger Jemmy] “Jamie is lost his diger” (US-Ws V.b.280, f.87v) LZ 123/J3

Anon. Quadro Pavon and Galliard, cittern (MS Dd.14.24) LN 5 textAnon. Quadron Pavan (Ballet, p.8) LN45 C48

Anon. Quand je remue tout branle, mandore (D-Us 133b, f.32v), see under Anon. En me revenant, LZ 115/40

Anon. Quarter Brawles (Lodge, f.15) LN 41 B3 (2)/4

Anon. The Queenes Allmaine, cittern (GB-Cu Dd.4.23, f.32v) LZ 121/App 3

Anon. The Queenes Allmaine “Quenes Almande”, bandora (IRL-Dtc 410/1, p.223) LZ 121/App 7a

Anon. The Queenes Allmaine “Quenes Almande”, transcribed from bandora (IRL-Dtc 410/1, p.223) LZ 121/App 7b

Anon. The Queenes Allmaine “The Queens Almon”, transcribed from lyra viol (GB-NTu Bell White 46, f.29, 41)LZ 121/App 8

Anon. [The Queenes Allmaine] (GB-Cu Add.8844, f.15) LZ 121/App 4

Anon. [The Queenes Allmaine] “The Oulde Almaine”, cittern (Holborne 1597, f.B4v) LZ 121/App 5

Anon. The Queen’s Funeral, also known as The Temple Mask; The Fairest Nymph; and The Standing Mask(Board no.149, f.38v) LN 65/1 i

Anon. The Queen’s Funeral “The Queens funerall” (Osborn fb7 no.42, f.89v) LN 65/1 iii

Anon. [The Queen’s Funeral] (ML f.32) LN 65/1 iv

Anon. [The Queen’s Funeral] “Graysin Maske” (ML f.30) LN 65/1 ii

Anon. The Queen’s Pantofle, (Osborne fb7 no. 37, f.89v = A Toy (LN 64/4 iv), see under Anon. Muscadin, LZ 117/M13

Anon. Queens Masque (The), the First (Reymes, f.59v) LN 67/10

Anon. Queens Masque (The), the Second (Reymes, f.59v) LN 67/11

Anon. Queens Masque (The), the Third (Reymes, f.60) LN 67/12Anon. Queens Masque (The), the Fourth (Reymes, f.60) LN 67/13

Anon. La Quentana (Mbs 1511b no.23, f.9) LN 70/22

Anon. The Quins Mask (Weymyss, f.25v) LN 67/14

Anon. Quyns Almand (Thysius no.859, f.486v), see under Anon. Kemp’s Jigge, LN 64/3v; LZ 126/N4

Anon. Ravysshed was I that well was me (BL Cotton Titus D. xi, f.56v) LN 61 text

Anon. R[ecercar] (D-LEm II.6.15., p.11) LN 98/20

Anon. Recercar [1] (1-PESo 1144, p.27) LN 98/26







Anon. Recercar [8] (1-PESo 1144, p.56) LN 68/5LN 98/9






Anon. Recercar (Paris 429, f.120) LN 68/20

Anon. [Recercar] (I-Fn Magl.XIX.109, f.21v) LZ 123 App 1

Anon. [Recercar?] (GB-HAdolmetsch II.C.23, f.18) LZ 123 App 3

Anon. Recercar? (Craus, f.10v) LN 68/10

Anon. Recercare (A) [2] (Pesaro 1144, p.29) LN 68/4

Anon. Recercare (Craus, f.23v) LN 68/24

Anon. Recercare (Wroclaw MS 352 no.23, f.11v) LN 26 C12Anon. Recercare (Wroclaw MS 352 no.40, f.26v) LN 26 C12

Anon. Recercata bella (Paris 429, f.107v) LN 68/13

Anon. Recercata ser zimlich (F-Pn 429 f.109, cf. Phalèse 1545 p.6) LN 88/1a

Anon. Recerchar (Thibault MS, f.19) LN 68/16

Anon. Recerchar di Benedictus (Thibault MS f.20v) LSJ vol.22 part2/4

Anon. Recerchare (BL 31389, f.13v) LN 68/19

Anon. Reno erat Rudolphus, plainsong LZ 108 text

Anon. Reports J.F.F. (Lodge, f.8) LN 40 B3 (1)/15

Anon. Ribera verde umbrosa (Simancas MS) LSJ vol.26 part 1

Anon. Ricercar de Antonio (Pesaro 1144, p.101) LN 68/2LN 128 text/BL 36

Anon. Ripresa (Donaueschingen D-Si G.I.4 III, f.36v) LZ 109/27 Anon. Ripresa (Donaueschingen D-Si G.I.4 III, f.49v) LZ 109/30 Anon. Riprese (Donaueschingen D-Si G.I.4 I, f.8v) LZ 109/8 Anon. Ricerchare, “Ness’s monster Ricerchare” (NL-DHnmi 28.B.39, f.62v) LZ 108

Anon. Robijn, very basic accompaniment to “Bonny Sweet Robin”? (Thysius no.676, f.391v), see under Anon. Bonny Sweet Robin,LZ 106/4

Anon. Robin, (Dd.2.11, f.53, no.155, different key to Dd.2.11 no.214, f.66), see under Anon. Bonny Sweet Robin, LZ106/1h

Anon. Robin (Dd.2.11 no.215, f.66), see under Anon. Bonny Sweet Robin, LZ 106/1o

Anon. Robin, lyra viol (GB-Cu Nn.6.36, f.19v) see under Anon. Bonny Sweet Robin, LZ 106/1f

Anon. Robin Hood is to the Greenwood Gone (Ballet, p.113), see under Anon. Bonny Sweet Robin, LZ 106/1i

Anon. Robin is to the Greene wood Gonn (Folger no.44, f.16v), see under Anon. Bonny Sweet Robin, LZ 106/1r

Anon. Robin is to the Greenwood Gone (GB-Cu Dd.3.18, f.18, duet), see under Anon. Bonny Sweet Robin, LZ 106/1g

Anon. Robin Hood (IRL-Dtc 408/II no.42, p.104), see under Anon. Bonny Sweet Robin, LZ 106/3a

Anon. Robin Hood, transcription from bandora piece (Dd. 9.33, f.81v), see under Anon. Bonny Sweet Robin, LN 31 A1/5; LZ 106/3c

Anon. Robin Hood, lyra viol (GB-Ob D247, f.47r), see under Anon. Bonny Sweet Robin, LZ 106/3d

Anon. Robin Hoode (Lodge, f.5), see under Anon. Bonny Sweet Robin, LN 40 B3 (1)/4; LZ 106/3b

Anon. Robin Redocke (Ballet, p.26) LN98 text/BL 9LZ 106/5a

Anon. [Robin Reddock] (Folger no.10, f.3) LZ 106/5d

Anon. [Robin Reddock] (Folger no.22, f.6) LZ 106/5e

Anon. [Robin Reddocke] “A Toye” (Pickeringe, f.33v) LN 78LZ 106/5b

Anon. [Robin Redocke] “Roddocks Jigge” (US-NH Osborn fb7 no.12, f.82) LZ 106/5c

Anon. Robinson’s May (GB-Cu Dd.9.33, f.92), see under Anon. Boeren Dans, LZ 124/B8

Anon. La Rocha il Fuso 91511B, F.23v edited) LN 52

Anon. La Rocha il Fuso (Donaueschingen D-Si G.I.4 I, f.10v) LZ 109/19

Anon. La Rocha il Fuso (Donaueschingen D-Si G.I.4 II, f.79v) LZ 109/20

Anon. La Rocha el Fuso (Dagi) (Munich 1511d, f.16v) LN 70/14Anon. [La Rocha el fuso] “Alebon Galiarde” (Lodge, f.7v) LN 40 B3 (1)/20

Anon. [La Rocha il Fuso] “Item” (Donaueschingen D-Si G.I.4 II, f.79v) LZ 109/21

Anon. Rogero, cittern (MS Dd.14.24) LN 5 text

Anon. Roma[nesca?] (US-PHu f.GrC Ar466 Ef54) LN 115 text

Anon. Rose (Dd.2.11 no.161, f.54v) LN 93/8

Anon. Rosemunt (NL-HOwfa 1667-1, f.3), see under Anon. Tower Hill, LN 116/R1

Anon. A Round (Lodge, f.10v) LN 40 B3 (1)/17

Anon. Row well you Marriners (Robinson 1603, f.D2) LZ 118/R1

Anon. Row well ye Marriners, arranged from violin (Playford 1652) LZ 118/R2

Anon. Rundt Tanz and Hupfauff (Craus, f.22) LN 70/12a-b

Anon. Rx (D-LEm II.6.15, p.11) LZ 107/PP25

Anon. Rx (D-LEm II.6.15, p.9 ii) LZ 107/PP33

Anon. Saltarello a la venitiana (Mbs 1511b no.36, f.13) LN 70/7

Anon. Saltarello all visentina (Mbs 1511b no.34, f.12v) LN 70/24a

Anon. Il Saltarello del prescritto ballo (Terzi 1593, p. 117), see under Anon. La Monaca, LZ 120/M27b, p.80

Anon. Saltarello Englesa (IRL-Dtc 410 I, p.171), see under Anon. Light of Love, LZ 114/2d

Anon. Saltarello Englesa (Adriaenssen 1584 & 1600, f.92v), see under Anon. Light of Love, LZ 114/2f

Anon. Saltarello Juan Farnese (PL-Kj 40032, p.315) LZ 115/App 2

Anon. Saltatio Anglica (A-KR L 81, f. 155v), see under Anon. Packington’s Pound, LZ 113/P1e

Anon. A Saraband, Scottish Ballads 19 (Skene, p.103) LN 73/19

Anon. [Sarabande] (CNRS, f.49) LSJ vol.30

Anon. [Sarabande] (Panmure 5, f.4v) LSJ vol.30

Anon. Sarabande, baroque lute (CZ-Nrlk. Kk73) LZ 108

Anon. Sarabande 1 (ms addition to Galilei 1620) LN 61






Anon. Sarabande [7] (ms addition to Galilei 1620) LN 61

Anon. Saturday Night and Sunday Morning, arranged from violin (Playford 1651, p.80) LZ 124/S1

Anon. Saturday Night, transcribed to vieil ton (GB-Lam 603 Board, f.38) LZ 124/S2a

Anon. Saturday Night, edeff tuning (GB-Lam 603 Board, f.38) LZ 124/S2b

Anon. Schon wahr ich gern (D-Kl 4to Mus.108/I.f.3v), see under Anon.Bonny Sweet Robin, LZ106/1p

Anon. Schönes Freulein (Lüneburg 2000, p. 12), see under Anon. Go merely wheel, LN 54/5b ii

Anon. Schwing dich aufNa[c]htigall (D-LEm II.6.15, p.437) LZ 127/App 3

Anon. A scotis gig (IRL-Dtc.408/I Ballet, p.83) LSJ vol.10, [plate 3]

Anon. Ane Scottis Dance, Scottish Ballads 27 (Rowallen, p.18) LN 73/27

Anon. Scottish Jigge, Scottish Ballads 25 (Dd.9.33, f.18) LN 73/25

Anon. Scullione, Scottish Ballads 6 (Skene, p.89) LN 73/6

Anon. The Second Dance of the Lord’s Mask, see under Anon. Now the Spring is Come (Board no.154, f.39v), LN 66/5

Anon. The Second Tune of the Lord’s Masque (ML, f.30v) LN 66/3a

Anon. The Second Tune of the Lord’s Masque, see under Anon. Ladie Elizabeths Maske, LN 66/3bAnon. [See] the Building (GB-Ctc O.16.2, p.136) LN 126/S1

Anon. See the Building, cittern (Playford 1652, p.30) LN 126/S8

Anon. See the building Eights, transcribed from lyra viol (US-LAuc M286M4L992, f.27) LN 126/S5

Anon. See the building Eights, transcribed from lyra viol (US-LAuc M286M4L992, f.27) LN 126/S5

Anon. [See] the Buildings R[icharde] S[umarte], lyra viol (GB-Mp BRm 832Vu51, p.19) LN 126/S2

Anon. [See] the Buildings R[icharde] S[umarte], transcribed from lyra viol (GB-Lbl 63852, f.1-100v) LN 126/S3

Anon. See the Buildings, transcribed from lyra viol (GB-Lbl 63852, f.1-100v) LN 126/S4

Anon. [See the Buildings] “Ayr Mr. Simon Ives” transcribed from lyra viol (Playford 1669, p.601) LN 126/S6

Anon. [See the Buildings] “Ayr by Mr. Simon Ives” transcribed from lyra viol (Playford 1682, p.84) LN 126/S7

Anon. Seest thou not Nann today, voice and bass lute (The Turpyn Book of Songs) LN 72

Anon. Sellingers Round, chromatic cittern (J-Tn BM-4540-ne, f.B4) LZ 114/3ff

Anon. Sellingers Round, or the Beginning of the World (Playford 1652, p.132) LZ 114/3ii

Anon. Sellingers Round “Sallingers Round”, chromatic cittern (US-CAh 179, f.11) LZ 114/3dd

Anon. Sellingers Round “Sallingers Round”, chromatic cittern (US-CAh 179, f.44v) LZ 114/3hh

Anon. Sellingers Round “Sallingers Rounde” (US-NHub fb7 Osborn no.31, f.89v) LZ 114/3a

Anon. Sellingers Round “Selengs Rownde”, duple and triple time (US-NJd’andrea, p.2) LZ 114/3q

Anon. Sellingers Round “Seleingers Round”, chromatic cittern (US-CAh 182 Ridout, f.182) LZ 114/3gg

Anon. Sellingers Round “Sellengers Round” (Board no.35, f.12) LZ 114/3i

Anon. Sellingers Round “Sellingers rownde” (IRL Dtc 408/ II no.37, p.103) LN 52 LN 107 text/BL 17LZ 114/3b

Anon. Sellingers Round “Sillingers Round”, chromatic cittern (US-CAh 182 Ridout, f.79) LZ 114/3ee

Anon. [Sellingers Round] (IRL-Dm Z.3.2.13 Marsh no.18, p.42) LZ 114/3k

Anon. [Sellingers Round] (Folger no.74, f.87v) LZ 114/3o

Anon. [Sellingers Round] (NL-Lu 1666 Thysius no.761, f.422) LZ 114/3y

Anon. [Sellingers Round] (NL-Lu 1666 Thysius no. 762, f.442) LN 54/11b LZ 114/3v

Anon. [Sellingers Round] (NL-Lu 1666 Thysius no.763, f.442v) LZ 114/3s

Anon. [Sellingers Round] (NL-Lu 1666 Thysius no.764, f.442v) LZ 114/3u

Anon. [Sellingers Round] (D-B Danzig 4022, f.20) LZ 114/3h

Anon. [Sellingers Round] (US-Ws V.b.280 Folger no.75, f.87v) LZ 114/3c

Anon. [Sellingers Round], lute duet with reconstructed ground (IRL-Dm Z-3.2.13, p.182) LZ 114/3z-i & ii

Anon. [Sellengers Round] “The Beginning of the World” (O.16.2, p.128) LZ 114/3m

Anon. [Sellingers Round] “Brand” (LT-Va 285.MF.LXXIX Königsberg, f.58) LN 54/11a iiLZ 114/3f

Anon. [Sellingers Round] “Brande A[n]gleterre” (LT-Va 285-Mf-LXXIX Konigsberg, f.68) LZ 114/3p

Anon. [Sellingers Round] “Brande d Angleterre” (NL-Lu 1666 Thysius no.760, f.442) LZ 114/3w

Anon. [Sellingers Round] “Brande Engleterre” (Hove 1612, f.61v) LN 54/11a iv LZ 114/3t

Anon. [Sellingers Round] “Branle” (D-Kl 4o.108.1, f.2) LZ 114/3n

Anon. [Sellingers Round] “[Br]anle” (F-Pn Res.941, f.20) LZ 114/3g

Anon. [Sellingers Round] “Branle Angleterr” (D-KNh R242 Koln, f.204) LN 54/11a iLZ 114/3e

Anon. [Sellingers Round] “Branle d’Angleterre”, diatonic and chromatic cittern (Phalese & Bellere 1582, f.82) LZ 114/3bb-i & ii

Anon. [Sellingers Round] “Branle d’angleterre”, diatonic and chromatic cittern (Vreedman 1569, f.21v) LZ 114/3cc-i & ii

Anon. [Sellingers Round] “Branles 22” (D-LEm II.6.15, p.487) LZ 114/3r

Anon. [Sellingers Round] “Bransle d Angleterre” (CH-Bu F.IX.70, p.291) LZ 114/3j

Anon. [Sellengers Round] “Corrente” (A-KR L64, f.30) LZ 116/App4

Anon. [Sellingers Round] “Courant der Meij” (D-Hs ND VI 3238 Schele, p.59) LN 54/11a iiiLZ 114/3l

Anon. [Sellingers Round] “Prangle de Angleterre” (CZ-Pnm.B.237, no.64) LZ 114/3aa

Anon. [Sellingers Round] “Selnigers Consorte”, bandora and lute transcription (LT-Va 285.MF.LXXIX, f.39) LZ 114/3x-i & ii

Anon. Sequita (Donaueschingen D-Sl G.14 III, f.33v) LZ 114/Don 10

Anon. Shackerley Haye “Sharkle of Hay”, transcribed from mandore (Skene, GB-En Adv.5.2.15, p.181) LZ 117/SH1

Anon. Shackerley Haye, cittern (Boteler, US-CAh 179, f.18) LZ 117/SH1

Anon. The Shaking of the Sheets (IRL-Dtc 408/II, no.10, p.84) LZ 117/S1 Anon. Sheapard’s Hay, see under Anon. Larouse, LZ 117/L5

Anon. Shepherd saw you not, see under Anon.Crimson Velvet, LZ117/C1-3

Anon. The Shefferin, (Cfm 688 f.172v) LN 83/7

Anon. Shepheard Shoot Home, cittern (Robinson 1609 f.G2) LN 116/S2

Anon. [Shepherd Shoot Home] “A Toy” (Robinson 1603 f.12v) LN 116/S1

Anon. Short mesure off my lady Wynkfields rownde (The): arranged as duet LN 61

Anon. Sibit Sant Nikcola (GB-Eu Laing III.487 Rowallan, p.8), see under Anon. En me revenant, LZ 115/13

Anon. Sick Sicke, tune 1 (Osborn fb7 no.4, f.81) LN 74 textLN 123/S1

Anon. [Sick Sicke], tune 2 “The Sick Tune” (Dd.5.78.3, f.39) LN 123/S2

Anon. [Sick Sicke], tune 2 (GB-Cu Dd.9.33, f.73) LN 123/S3

Anon. [Sick Sicke], tune 2 (Welde no.10, f.5) LN 123/S4

Anon. Sick Sick, tune 3, cittern (GB-Cu Dd.4.23, f.6) LN 123/S5

Anon. Sick Sick, tune 3, cittern, see also under Holborne

Anon. Singers Jigge (CUL Nn.6.36, f.3), see under Anon. Jig for John Singer, LN 81/1e i

Anon. The Sinkapace Galliard (Ballet, p.95) LS I6

Anon. The Sinkapace Galliarde (408/II, p.95 = Anon. Untitled, Marsh no.61, p.126) LN 78/2b

Anon. Sinkapace Galliarde (The) (Ballet, p.95) LS 1/6a

Anon. Sinkpays (GB-En Dep.314 no.23, ff.22v), see under Anon. Fin de Galliarde, LZ 125/F15

Anon. Sir Henry Guilforde his Almaine [= Staines Morris] (VLL, f.P1) LN 76/1h

Anon. S[ir] Ro[bert] Sidneys Galliard (Dd.2.11 no.239, f.72v) LN 49 C58/7

Anon. Slaep soete slaep (Valerius, p.68), see under Anon. Mall Symes, LZ 114/App 2b

Anon. Slaep soete slaep (Vallet 1616, p.9), see under Anon. Mall Symes, LZ 114/App 2c

Anon. Slaep soete slaep, (Valerius 1626, p.69), diatonic and chromatic cittern, see under Anon. Mall Symes, LZ 114/App 2g-i & ii

Anon. Soet Catarijnken: see under Anon. Lord Zouches March, LN 64/1 xiii; LZ 116/Z20 Anon. Ein Soldaten ist vorhand (D B N 479, f.5), see under Anon. Pickle Herring, LN 81/1 iiAnon. [The Soldiers Life] “Lusty Soldier” (US-NHub Osborn fb7 no32. f.89) LN 128/S1

Anon. The Soldiers Life ( GB-Lam 603 Board no.145, f.38) LN 128/S2

Anon. The Soldiers Life, transcribed from violin (Playford DM 1551, p.655) LN 128/S3

Anon. The Souldiers Life, transcribed from gittern (Playford 1652, p.6) LZ 128/S4

Anon. Sommersetts Maske, mandora (Skene, p.27) LN 66/10

Anon. Souch’s March (Osborn fb7 no. 8, f.81v), see under Anon. Lord Zouches March, LN 64/1 x; LZ 116/Z1

Anon. Southwells Galliarde (Dd.2.11 f.68) LS 1/9

Anon. Spagnoletta (F-Pn Rés 941, f.6) LN 116 text/BL 25

Anon. The Spanesh Pavine, C min (US-Ws V.b.280, f.1v) LZ 112/4c

Anon. [The Spanish Pavan], C min (Cu.4.22, f.3) LZ 112/4a

Anon. [The Spanish Pavan], C min “Pavana Toni prioris” (GB-HAdolmetsch II.B.1, f.25v) LZ 112/3

Anon. The Spanish Pavane, C min (Welde no.1, f.1) LZ 112/6b

Anon. The Spannish Paven, C min (Cu. Dd.9.33, f.82v) LZ 112/6a

Anon. The Spanish Pavin, C min, duet?, t only (GB-Lam 602 Sampson no.3, f.3v) LZ 112/1cAnon. The Spanishe Pavin, C min (IRL-Dtc 408/II no.58, p.112) LZ 112/4b

Anon. [The Spanish Pavan], F min (Thysius no.241, f.140) LZ 112/24b

Anon. [The Spanish Pavan], F min (Thysius no.242, f.140v) LZ 112/25

Anon. [The Spanish Pavan], F min, two settings (Thysius no.243, f.140v) LZ 112/26a and b

Anon. [The Spanish Pavan], F min (Thysius no. 244, f.141) LZ 112/8a

Anon. [The Spanish Pavan], F min (Thysius no. 245, f.141) LZ 112/8b

Anon. [The Spanish Pavan], F min (Thysius no. 246, f.141v) LZ 112/12

Anon. [The Spanish Pavan], F min, fragment (CH-Bu F.IX.53, f.64) LZ 112/29

Anon. [The Spanish Pavan] F min “La Bavaniglia che si repeta” (A-KR L81, f.124v) LZ 112/59

Anon. [The Spanish Pavan], F min “Pavan despagne” (D-B 4022, f.35v) LZ 112/31

Anon. [The Spanish Pavan], F min “Pavan despagnie” (D-B 4022, f.44) LZ 112/11

Anon. [The Spanish Pavan], F min “Pavana” (GB-HAdolmetsch II.B.1, f.23v = LZ 112/10b) LZ 112/10c

Anon. [The Spanish Pavan], F min “Pavana” (S-B PB fil.172 Brahe, f.20) LZ 112/13

Anon. [The Spanish Pavan], F min “Pavana” (D-LEm II.6.33, f.36) LZ 112/19b

Anon. [The Spanish Pavan], F min “Pavana Alterij toni” (GB-HAdolmetsch II.B.1, f.25v) LZ 112/7b

Anon. [The Spanish Pavan], F min “Pavana de Espana” (PL-KJ 40032, p.354) LZ 112/30

Anon. [The Spanish Pavan], F min “Pavana Hispanica” (D-BAU 13 4o85, p.48) LZ 112/21

Anon. [The Spanish Pavan], F min “Pavana Hispanica” (S-B 2245, f.14v) LZ 112/22

Anon. [The Spanish Pavan], F min “Pavana Hispanica” (PL-KJ 40159, f.1) LZ 112/28

Anon. [The Spanish Pavan], F min “Pavana Spagnolet 2 (Fuhrmann 1615, p.55) LZ 112/19a

Anon. [The Spanish Pavan], F min “Pavana Spaniola” (RF-Span O No 124, f.53v) LZ 112/14

Anon. [The Spanish Pavan], F min “Pavane” (D-LEm II.5.32b, f.8) LZ 112/20

Anon. [The Spanish Pavan] F min “Pavane d’Espagne”, lute trio (Valerius, p.258) LZ 112, 45i-iiiAnon. [The Spanish Pavan], F min “[Pa]vane [d’Es]paigne” (F-Pn Res.941, f.38v) LZ 112/16

Anon. [The Spanish Pavan], F min “[Pa]vane de Spaigne” (F-Pn Res.941, f.32v) LZ 112/15

Anon. [The Spanish Pavan], F min “Pavane Despagne” (Thysius no.240, f.140) LZ 112/24a

Anon. [The Spanish Pavan], F min “Pavane Espagnolle” (D-LEm II.5.32b, f.5v) LZ 112/18

Anon. [The Spanish Pavan], F min “Pavane Espagnolle” (Francisque 1600, f.9v) LZ 112/17

Anon. [The Spanish Pavan], F min “Pavanne despagne” (LT-Va 285-MF-LXXiX, f.27 = LZ112/10c) LZ 112/10b

Anon. [The Spanish Pavan], F min “Pavanne despagne” (NL-Lu BPL 2792, f.24) LZ 112/27

Anon. [The Spanish Pavan] F min “Pavaniglia” (I-COc 1.1.20, f.3) LZ 112/51

Anon. [The Spanish Pavan] F min “Pavaniglia” (F-Pn Res.29, f.3v) LZ 112/53

Anon. [The Spanish Pavan] F min “Pavaniglia” (D-LEm II.6.15, p.126) LZ 112/54

Anon. [The Spanish Pavan] F min “Pavaniglia in tripola” (US-SFsc M2.1 M3, p.92) LZ 112/55

Anon. [The Spanish Pavan] F min “Pavani[g]lia in soprano” (US-SFsc M2.1 M3, p.30) LZ 112/56

Anon. [The Spanish Pavan] F min “Pavaniglia in sop[ra]no” (US-SFsc M2.1 M3, p.91) LZ 112/57

Anon. [The Spanish Pavan] F min “[Pavaniglia] in basso” (US-SFsc M2.1 M3, p.91) LZ 112/58

Anon. [The Spanish Pavan] F min “Pavaniglia” (F-Pn Res.29, f.7) LZ 112/61

Anon. [The Spanish Pavan] F min “Pavaniglia” (I-Fn Magl.XIX.105, f.10v) LZ 112/62

Anon. [The Spanish Pavan] F min “Pavaniglia” (I-Fn Magl.XIX.179, f.4) LZ 112/63

Anon. [The Spanish Pavan] F min “Pavanilia” (PL-Kj Mus.40153, f.63) LZ 112/52

Anon. [The Spanish Pavan], F min “Pavin Hispanica” (IRL-Dtc 410/I Ballet, p.162) LZ 112/9

Anon. The Spanish Pavin, F min (GB-En Dep.314, f.23) LZ 112/32

Anon. [The Spanish Pavan], G min (Cu Nn.6.36, f.23v) LZ 112/33a

Anon. [The Spanish Pavan] G min (D-D1 M 297, p.98) LZ 112/34c

Anon. [The Spanish Pavan], G min (D-B N479, f.3) LZ 112/36

Anon. [The Spanish Pavan], G min (Thysius 247, f.142) LZ 112/41a

Anon. [The Spanish Pavan], G min (Thysius 248, f.142 LZ 112/41b

Anon. [The Spanish Pavan], G min “Pavan hispan[ica]” (GB-LBl Sloane 1021, f.22v) LZ 112/35 “36”

Anon. [The Spanish Pavan], G min “Pavana alterij toni” (GB-HAdolmetsch II.B.1, f.26v) LZ 112/37

Anon. [The Spanish Pavan], G min “Pavana hispanica” (D-Lr 2000, p.59) LZ 112/34a

Anon. [The Spanish Pavan], G min “Pavana Hispanica” (D-Lem II.6.15, p.85) LZ 112/34b

Anon. [The Spanish Pavan], G min “Pavana Hispanica” (D-Lem II.6.15, p.93) LZ 112/38

Anon. The Spanish Pavian, G min (Mynshall no.12, f.5) LZ 112/33b

Anon. Spannish Paven, G min (Dd.2.11 no.218, f.66v) LZ 112/33c

Anon. [The Spanish Pavan] G min “Pavaniglia” (US-SFsc M2.1 M3, p.76) LZ 112/64

Anon. [The Spanish Pavan] G min “Pavaniglia” (Gardado Balletti Moderni 1611, p.30) LZ 112/65a

Anon. [The Spanish Pavan] G min “Pavaniglia di Spagna” (PL-Kj 40032, p.278) LZ 112/66

Anon. [The Spanish Pavan] G min “Pavaniglia” (US-SFsc M2.1 M3, p.76) LZ 112/64

Anon. [The Spanish Pavan] G min “Pavaniglia” (I-Lg 774, f.19v) LZ 112/68

Anon. [The Spanish Pavan] G min “La Pavaniglia” (F-Pn Res Vmd.ms.31, f.22v) LZ 112/69

Anon. [The Spanish Pavan] D min “Pavaniglia” (I-Vnm IV.1793, f.23) LZ 112/70

Anon. Spectri eujusdam sonus nocturnis (Fuhrmann 1615, p.101), see under Anon.The Voice of the Earth, LZ 126/V3

Anon. Squires Galliard (Ballet I, p.15) LN 49 C58/8aLN 122/S1

Anon. Squires Galliard, bandora part (GB-Lam 600 Browne, f.14v) LN 122/S22a

Anon. Squires Galliard, transcribed from bandora part (GB-Lam 600 Browne, f.14v) LN 122/S22b

Anon. Squires Galliard “Squiers Galliard” (Dd.2.11 no.141, f.49v) LN 49 C58/8bLZ 122/S10

Anon. Squires Galliard “Squiers Galliard”, consort cittern (GB-Dd.14.24, ff.21v) LZ 122/S19

Anon. Squires Galliard “Squiers Galliard”, cittern part (US-OAm Parton MS, f.7v) LZ 122/S20

Anon. Squires Galliard “Squiors Galliard” (Dd.2.11, f.71v, no.235) LZ 122/S3

Anon. Squires Galliard “Squyres Gallarde” (NU-Lu 1666 Thysius no.79, f.27v) LN 49 C58/8cLZ 122/S13

Anon. [Squires Galliard] (D-Lem III.11.26, f.3) LN 122/S4

Anon. [Squires Galliard] (D-Lr 2000, p.6) LN 122/S7

Anon. [Squires Galliard], duet for two lutes (lute 2 GB-Lam 602, f.12v) LN 122/S16i and ii

Anon. [Squires Galliard] “The Earell of Derbes Galliard”, cittern (US-Cah 181, f.3v) LZ 122/S21

Anon. [Squires Galliard] “Gagliarda” (D-Dl 1.V.8, f.51) LZ 122/S2

Anon. [Squires Galliard] “Gaillarda Paduana Lachrymae” (LT-Va 285-MF-LXXIX, f.23v) LZ 122/S6

Anon. [Squires Galliard] “Galliard Lachrym[ae]” (GB-Lbl Sloane 1021, f.44v) LZ 122/S8

Anon. [Squires Galliard] “Galliarda” (D-B 40141, f.29) LZ 122/S9

Anon. [Squires Galliard] “Galliarda Engless” (A-Lla hs.475.f.94v) LZ 122/S14

Anon. [Squires Galliard] “Galliarda Englessa” (A-Lla hs.475.f.23) LZ 122/S15

Anon. [Squires Galliard] “Galliarda Englessa” (A-Lla hs.475.f.94v) LZ 122/S11

Anon. [Squires Galliard] “[Galliarda Englessa] Allimodo” (A-Lla hs.475.f.94v) LZ 122/S17

Anon. [Squires Galliard] “[Galliarda Englessa] Allimodo” (A-Lla hs.475.f.95v) LZ 122/S12

Anon. [Squires Galliard] “Galliarde” (CZ-Pum IV.G.18, f.174v) LZ 122/S18

Anon. Staines Morris, transcribed from cittern (DD.4.23, f.19) LN 76/1g

Anon. Staines Morris “Stanes Morris”, transcribed from violin (Playford 1651, p.87) LN 76/1e

Anon. Staines Morris “Staunes Morris” (Trumbull, f.9v) LN 76/1f

Anon. Staines Morris “Staynes Moris” (Ballet, p.91) LN 76/1d

Anon. Step stately, cittern (US-Cah 181, f.16v) LN 116/X1

Anon. Step stately, gittern (Playford 1652, p.5) LN 116/X2

Anon. Step stately, violin, arranged for lute (Playford 1651, p.100) LN 116/X3

Anon. Step stat[e]ly, lyra viol, arranged for lute (Playford MB 1651, p.2) LZ 116/X4

Anon. Step stately, cittern (Playford 1666, f.B8v) LZ 116/X5

Anon. Step stately, treble violin (Playford BISM 1660, p.89) LZ 116/X6

Anon. La sua corente (I-Bas IV-86/746, f. 6v-7), see under Anon. La Monaca, LZ 120/M18b

Anon. Suite in G minor, part 1: Allemenada, Courante, Menuete, Boureé LN 120

Anon. Suite in G minor, part 2: Rigodon, Sarabanda, Menuete, Guige LN 121

Anon. Susanneken (Thysius no.748-750, f.434-434v), see under Anon. Courante, LZ 117/Cor2h-j

Anon. La Tambarina (Us-BEm 757, f.18v) LZ 115/T1

Anon. La Tambarina (PL-Kj 40032, p.387) LZ 115/T11

Anon. La Tambarina “[T]ambarina [G]aliarda [Al]ess Pi[ccinin[i]” (D-B 4022, f.5v) LZ 115/T12

Anon. La Tambarina “La Tamburina” (I-TRc 1947, f.23) LZ 115/T15

Anon. La Tambarina “La TanBurina Gagliarda musichale” (B-Br II.275, f.69v) LZ 115/T8

Anon. La Tambarina “Tamburino” (D-Sl 1.G.4 III, f.59) LZ 115/T3

Anon. La Tambarina “Il Ta[m]burino” (I-TRc 1947, f.13) LZ 115/T5

Anon. [La Tambarina] “Ein gut stuck” (I-BDGchilesotti, f.24) LZ 115/T4

Anon. [La Tambarina] “Gagliarda” (PL-Kj 40032, p.332) LZ 115/T7

Anon. [La Tambarina] “Galliarda Tambourina” (GB-HAdolmetsch II.B.1, f.102v) LZ 115/T14

Anon. [La Tambarina] “Galliarde Tambourina” (CZ-Pnm IV.G.18f.172v) LZ 115/T13

Anon. [La Tambarina] “Jan Barino Galiarda” (D-B 4022, f.20v) LZ 115/T2

Anon. [La Tambarina] “Volte Tambourina” (GB-HAdolmetsch II.B.1, f.104v) LZ 115/Tapp 4

Anon. La Tambarina, see also under Legname and Terzi

Anon. Tanecz Polskey (D Z 115.3, p.24) LN 82/5

Anon. Tantz (Waissel 1591, f.B3), see under Almande de Don Frederico, LZ 121/20

Anon. Tantz (DK-Kk Thott841 4o.f.77v), see under Almande de Don Frederico, LZ 122/32

Anon. Tantz-hupffauff (Neusidler 1574, f.K2), see under Almande de Don Frederico, LZ 121/26

Anon. Tantz Sprunck (Waissel 1573, f. M2), see under Anon. Une Jeune Fillette, LZ 119/31

Anon. Tantz - Sprunck (Waissel 1573, f.M1v) see under Almande de Don Frederico, LZ 121/29

Anon. Tantz der Cardinall (DK-Kk Thott 4o.841, f.83), see under Anon. Mein Hertz ist Frisch, LZ 126/H9a

Anon. Tantz Paduaner, suit 30 a (Wroclaw 52, f.41) LN 72/30a

Anon. Tantz Proportio Nauclerus D-B 40141, f.46), see under Muscadin, LN 64/4 viii and LZ 117/M5Anon. Tanz Matazina (Waissel, Tabulatura 1573, M1v), see under Anon. Matachins, LN 81/4gAnon. Tanz N (Königsberg, f.15), see Anon. Go merely wheel, LN 54/5c ii

Anon. Tears (Nn.6.36, f.17v) LN 80/9

Anon. Tell me John W.S. (Brown-Braye, f.92v), see under Anon. Lothe to Depart, transcribed from bandora, LN 76/12c

Anon. Teutscher Dantz Nach dantz (Jobin 1573, f. F2), see under Anon. Une Jeune Fillette, LZ 199/42

Anon. This One Night, John Reds Way, Scottish Ballads 24b (Balcarres, p.216) LN 73/24b

Anon. This One Night, Scottish Ballads 24a (NLS 9452, f.2) LN 73/24a

Anon. Thomas I Cannot, chromatic cittern (Playford 1666, f.C2v) LN 119/T1

Anon. Thomas I Cannot, gittern (Playford 1652, p.14) LN 119/T2

Anon. Thomas You Cannot (Us-NHub Osborn fb7 no.41, f.89v) LN 119/T3

Anon. Thomas You Cannot (Playford 4th 1670, p.93) LN 119/T4

Anon. [Three divisions on a Romanesca ground] (Stowe 389, f.120v) LN 37 B1/8

Anon. Three Sheep Skins “Thrie Sheips Skinns”, transcribed from mandore (GB-En Adv.5.2.15, p.143) LN 122/T1

Anon. Three Sheep Skins “Three Sheeips Skins”, cittern (US-Cah 182 Ridout, f.71v) LN 122/T2

Anon. Three Sheep Skins “The Three Ship Skins”, arranged from violin (Playford 1698, p.215) LN 122/T4

Anon. Three Sheep Skins, see also under Thomas Robinson

Anon. Tirata (PL-Kj 40143, f.46) LZ 107/PP46

Anon. To Westminster (Marsh no.128, p.364) LN 44with text LN 76 text

Anon. To dance a bout the Bailkzeis Dubb, Scottish Ballads 11 (Skene, p.94) LN 73/11

Anon. Toccata (CH-Bfenyves, f.179v) LZ 123 App 2

Anon. Toccata (I-Peas sec.xvii Doni, p.106) LN 124/T7

Anon. Toccata (D-LEm II.6.23, f.16v) LN 124/T11

Anon. Toccata (I-Peas sec.xvii Doni, p.104) LN 124/T16

Anon. Toccata (I-COc 1.1.20 Raimondo, f.1) LN 124/T24

Anon. Toccata (I-COc 1.1.20 Raimondo, f.34v) LN 124/T26


Anon. Toccata (CDN-Mc w.s. Montreal, f.21) LN 124/T29


Anon. Toccata “Tocata” (Bernardino Balletti Intabolatura de Lauto, 1554, f.D4) LN 124/T5

Anon. Toccata “Tocata” (I-TRc 1947/5, f.7) LN 124/T23

Anon. Toccata “Tocate” (D-Hs ND VI 3238, p.74) LN 124/T30

Anon. Toccata “Tocate” (D-Hs ND VI 3238, p.8) LN 124/T31

Anon. Toccata “Toccado” (D-Hbusch Herold f.6) LN 124/T28

Anon. Toccata “Tochata” (PL-Kj 40032, p.211) LN 124/T10

Anon. Toccata “Tochata” (PL-Kj 40032, p.249) LN 124/T20

Anon. Toccata “Tochatina” (PL-Kj 40032, p.259) LN 124/T22

Anon. Toccata “Tokata” (PL-Kj 40032, p.66) LN 124/T13

Anon. [Toccata] (PL-Kj 40153 Dusiaki, f.45) LN 124/T12

Anon. [Toccata] (Casteliono 1548, f.2) LN 124/T14

Anon. Toccata “[Praeludium]” (Mertel 1615 no.16, p.7) LN 124/T34


Anon. Toccata “[Praeludium]” (Mertel 1615, no.107, p.51) LN 124/T25






Anon. [Toccata] “Tiento over Tochata” (PL-Kj 40032, p.213) LN 124/T21

Anon. Toccata (D-Hs ND VI 3238 Schele, p.101) LN 124/T35

Anon. Toccata “Toccada detta il Morone”, reminiscent of Dowland Fanatasia JD1 (F-PN Res.Vmd.29, f.5) LZ 125/App 13

Anon. Toccata, see also under Borrono (LZ 125/T1, 2, & 4), Hove (LZ 125/T30 & 31), Milano (LZ 125/T3), Terzi (LZ 125/T6)

Anon. Toll, toll gentle Bell, cittern (Playford 1652, p.5) LZ 126/B3a

Anon. Toll, toll gentle Bell, gittern (Playford 1652, p.11) LZ 126/B3bi

Anon. Toll, toll gentle Bell, transcribed from gittern (Playford 1652, p.11) LZ 126/B3bii

Anon. Tom of Badlam [Grays Inn Mask] (Wemyss, f.18v), see under Anon. Mad Tom of Bedlam, LN 65/2 v

Anon. Tom of Bedlam (Sturt, f.27), see under Anon. Mad Tom of Bedlam, LS 5/4Anon. Tomorrow is St. Valentine’s Day, see under Anon. The Soldier’s Life, Board no.145, f.38

Anon. Tous mes Amis (after Claudin de Sermisy) (Phalese Des Chansons 1547, f.C4) LN 115

Anon. [Tower Hill] “Rosemunt” (NL-HOwfa 1667-1, f.3) LN 116/R1

Anon. Toy, opening only (Robinson 1603, f. I2), see under Anon. Muscadin, LZ 117/M20

Anon. A Toy, first of a pair (Pickeringe, f.24 i) LS 6/8LN 77

Anon. A Toy, second of a pair (Pickeringe, f.24 i) LN 45 LN 77

Anon. A Toy (Pickeringe, f.33) LS 6/8

Anon. A Toy (Pickeringe, f.29) LN 78

Anon. [A Toy] (Königsberg, f.57v) LN 64/4 v

Anon. A Toy (Dd.9.33, f.55) LN 78/1b ii

Anon.[ A Toy] (Dd.9.33, f.83v) LN 64/4 i

Anon. [A Toy] (Montbuisson, f.2v) LN 64/4 vii

Anon. [A Toy] (Westminster Abbey 105, f.1) LN 64/4 ix

Anon. A Toy (Robinson 1603 f.12v), see under Anon. Shepherd Shoot Home, LN 116/S1

Anon. A Toye (Pickeringe, f.22 i) LN 77

Anon. A Toye (Pickeringe, f.22 ii) LN 77

Anon. A Toye (Eg.23046, f.34) LN 103/App.f

Anon. A Toye (GB-LBl Eg 2046, f.24), see under Anon. Barafostus Dreame, LZ 118/D2

Anon. A Toye (Pickeringe, f.33v), see under Anon. Robin Reddocke, LN 78; LZ 106/5b

Anon. A Toye (Pickeringe, f.34), see under Anon. Up Tails All], LN 76/4a

Anon. A Toye, lyra viol (IRL-Dtc.408/I Ballet, p.56) LSJ vol.10, [plate 2]

Anon. A Toye (GB-Lbl Eg.2046 Pickeringe, f.34), see under Anon. The Friar and the Nun, LN 78; LN 122/F1

Anon. Trab trab Schimmel trab-Nachtantz (D-W Guelf.18.8, f.35), see under Anon. Boeren Dans, LZ 124/B17

Anon. A treble (GB-Lbl Eg.2046, f. 14v), see under Anon. The leaves be green, LZ 128/L3i

Anon. A treble the grownd to the treble before (GB-Lbl Eg.2046, f. 14v), see under Anon. The leaves be green, LZ 128/L3ii

Anon. The Treble to Grien Slivis”, duet treble (US-Ws V.b.280 Folger no.17, f.5) see under Anon. Green Sleeves, LZ 124/G15ia

Anon. Trenchmore (Lodge, f.10) LN 40 B3 (1)/11

Anon. Trenchmore, freely edited (Lodge, f.12) LN 99 text/BL 10Anon. Trenchmore, in triple time (Nn.6.36, f.33v) LN 76/2

Anon. [Trumpeters Currand], Scottish Ballads 20 (Skene, p.105) LN 73/20

Anon. Tu anderai col bocchalon, with text (Mbs 1511b no.31, f.11v) LZ 109

Anon. Tu dia ch[e] so[n] fa[n]tira (BL Add. 31389 no.10, p.17) LN 70/3

Anon. Turkeylony, [suite 4 a] (408/II, p.91) LN 44 C41LN 78/4a

Anon. [The Turtle Dove] (Board no.157, f.39v), see under Coprario (John) Grays Inn Maske, LN 66/4bAnon. The Turtle Dove (Board no. 186, f.45v), see under Coprario (John) Grays Inn Maske, LN 66/4c

Anon. [The Turtle Dove] “A Maske” (O.16.2, p.132) LN 66/4a

Anon. Tw lessons tot be plaid with tw lowtes (Folger no.7-8, f.2v), see under Anon. Allemande Loreyne, duet, lute 1 and 2, LS 2/10

Anon. Tweedside (Balcarres Lute Book) LN97

Anon. Two English Folk Songs: The Lark in the Morn; O No, John!, voice and lute LN 49

Anon. Tyrada (D-Hs ND VI 3238, p.100) LZ 107/PP1

Anon. Unidentified ballad tune (US-Ws V.b.280, f. 7r) LN 113/App 3

Anon. Untitled (Donaueschingen D-Si G.I.4 I, f.32) LZ 109/15

Anon. Untitled (Donaueschingen D-Si G.I.4 I, f.32v) LZ 109/14

Anon. Untitled (IRL-Dtc 408/II no.57, p.111) LSJ vol.10 [plate 4] LZ 117/U1

Anon. Untitled [A Galliard?] (IRL-Dm Z.3.2.13 Marsh no.13, p.37) LN 122 App 1

Anon. Untitled (Konigsberg, f.5v) LN 66/17

Anon. Untitled (Thysius no.686, f.394v) LN 12 text

Anon. Untitled (Add.15117, f.2 iii) LN 78/6cLS 1/2

Anon. Untitled (Add.15117, f.2 ii) LN 78/6c

Anon. Untitled (Thysius no.686, f.394v) LN 12 text

Anon. Untitled (D-BAU 13.4o.85, p.51) LZ 125/App 10

Anon. Untitled (Dd.9.33, f.92v) LN 103/App.c

Anon. Untitled (Dd.4.22, f.7) LN 15/ 2 textLN 78/3c

Anon. Untitled (Dd.4.22, f.10v) LN 78/2c

Anon. Untitled (Dd.4.22, f.11) LN 16/4 textLN 78/3d

Anon. Untitled (Dd.5.78.3, f.18) LN 103/App.h

Anon. Untitled (Dd.5.78.3, f.29) LN 27 Tab sheet 1/3

Anon. Untitled (Dd.5.78.3, f.74v) LN 78/1a

Anon. Untitled (Dd.5.78.3, f.75v ii) LN 78/7a

Anon. Untitled (Dd.5.78.3, f.75v iii) LN 80/13

Anon. Untitled (Dd.9.33, f.83v) LN 78/6a

Anon. Untitled (Dd.9.33, f.90) LN 27 Tab sheet 1/2

Anon. Untitled (Dd.9.33, f.92v) LN 93/22

Anon. Untitled (Euing 25, f.19) LN 29 Tab sheet 4/5LN 103/App.b

Anon. Untitled (Euing 25, f.23v) LN 103/App.d

Anon. Untitled (ML, f.3) LN 78/2a

Anon. Untitled (GB-Lbl Hirsch 1353, f.68v) LZ126/App 10

Anon. Untitled, lyra viol [similar opening to Earl of Essex Galliard] (GB-Och 439, p.107) LZ 107/7

Anon. Untitled [La Volta?] (Sampson, f.6r) LN 78/4b

Anon. Untitled (GB-Lam 603 Board, f. 27v i) [Robert Spencer considered these to be two parts of A Ballad Tune?]

LZ 128/App 2a

Anon. Untitled (GB-Lam 603 Board, f. 27v ii) LZ 128/App 2b

Anon. Untitled (GB-Lbl Eg.2046 Pickeringe, f. 15) LZ 128/App 3

Anon. Untitled (CZ-Pnm IV.G.18, f.39 ii) LZ 107/PP70

Anon. Untitled (CZ-Pnm IV.G.18, f.215v i) LZ 107/PP44

Anon. Untitled (D-Hs ND VI 3238, p.1 ii) LZ 107/PP20a

Anon. Untitled (D-Hs ND VI 3238, p.16) LZ 107/PP43

Anon. Untitled (D-Hs ND VI 3238, p.95) LZ 107/PP6

Anon. Untitled (D-Hs ND VI 3238, p.116 i) LZ 107/PP68b

Anon. Untitled (D-Hs ND VI 3238, p.116 ii) LZ 107/PP40

Anon. Untitled (D-Hs ND VI 3238, p.140) LZ 107/PP17b

Anon. Untitled (D-Kl 4o Mus.108 I, f.73) LZ 107/PP58

Anon. Untitled (D-Kl 4o Mus.108 I, f.73) LZ 107/PP59f

Anon. Untitled (D-LEm II.6.15, p.19 iii) LZ 107/PP52

Anon. Untitled (D-Mbs 266, f.18v) LZ 107/PP79

Anon. Untitled (PL-Kj 40032, p.132) LZ 107/PP5

Anon. Untitled (Board no. 157, f.39v), see under Coprario (John)? Gray’s Inn Mask, LN 78/3a

Anon. Untitled (Board no.169 f.42v), see under Anon. An Almain?, LN 78/5aAnon. Untitled, duet (A-KR ms.L 79) LN 115 text

Anon. Untitled, lyra viol (IRL-Dtc.408/I Ballet, p.56) LSJ vol.10, [plate 2]

Anon. An Untitled Alman or Toy (Add. 15117) LS 1/2a

Anon. Untitled Ballett (Montbuysson, f.1) LN 30 C15/5

Anon. Untitled masking tune (Königsberg, f.5v) LN 66/17

Anon. An untitled piece (Eg. 2046, f.15) LS 1/1c

Anon. Untitled piece (Euing, f.19) LN 29 C14/5

Anon. Untitled Prelude (Montbuysson, f.73) LN 30 C15/6

Anon. Untitled Prelude? (Dd.2.11 no.306, f.97) LN 29 C14/2

Anon. Untitled [Prelude] (NL-DHgm 28 B 39, f.17, cf. Attaingnant Prelude [1]) LN 88/2b

Anon. Untitled, Scottish Ballads 23 (Folger no.70, f.87) LN 73/23

Anon. Untitled [“Walsingham”] (Dd.9.33, f.21) LZ 104/2a

Anon. Untitled [“Walsingham”?] (B-Bc 16.663, f.8) LZ 104/4c

Anon. Untitled [“Walsingham”?] (US-BE 761, p.12) LZ 104/4g

Anon. Untitled [“Walsingham”?] (NL-DHnmi 28 B39, f.113) LZ 104/4i

Anon. Unto us a boy is born LN 120

Anon. Up Tails All (GB-Cu Nn.6.36, f.10v) LN 76/4b LZ 122/U1

Anon. Up Tails All (GB-Cu Dd.9.33, f.95v) LN 76/4cLZ 122/U2

Anon. [Up Tails All] “A Toye” (GB-Eg. 2046 Pickeringe, f.34) LN 76/4a LZ 122/U3

Anon. Up Tailes All, arranged for violin (Playford) LZ 122/U4

Anon. The Upright Esquire (US-Ws V.b.159 Lodge, f.18v), see under Anon. The Downright Squire, LN 41 B3 (2)/11; LZ 123/D3

Anon. Utaff Fortuna (S-B PB fil.172, f.14), see under Anon. Fortune my Foe, LN 117/F2

Anon. Vaine is all worldlye pleasure, with editorial voice part (Folger, f.18v) LSJ vol.44

Anon. Vaine is Worldlye Pleasure (Lodge, f.18v) LN 41 B3 (2)/10

Anon. Val Cerca (Donaueschingen D-Si G.I.4 I, f.9v) LZ 109/10

Anon. [Val Cerca] “Item” (Donaueschingen D-Si G.I.4 I, f.9v) LZ 109/11

Anon. [Variations] (Dd.9.33, f.30v) LN 65/7

Anon. [Variations] (Dd.2.11 no.158, f.54), see under Anon. Divisions on a Ground, LN93/17Anon. [Variations on an unidentified theme] (Ballet, p.3) LSJ vol.10, [plate 1]

Anon. The Voice [of the Earth], also known as The Ghost, and The Sprite’s Tune (Folger no. 27, f.7v) LZ 126/V4

Anon. [The Voice of the Earth] “The Angel’s Voyce” (US-NHub Osborn fb7 no.10, f.81v) LN 126/V1

Anon. [The Voice of the Earth] “Spectri eujusdam sonus nocturnis” (Fuhrmann 1615, p.101) LZ 126/V3

Anon. [The Voice of the Earth] “Besardes Dantz” (D-Kl 4o.108 1, f.24) LZ 126/V5

Anon. The Voice of the Earthe (IRL-Dtc 408/II no.62, p.113) LZ 126/V2

Anon. The Voice of the Earth, see also under Holborne

Anon. Volte (ML, f.3 = Anon. Corant, Board no.138, f.37) LN 78/1e

Anon. Volte (Dd.9.33, f.55v) LN 78/3e

Anon. Volte (LT-Va 285-MF-LXXIX Königseberg, f.56v), see under Anon. Lord Zouches March, LN 64/1 v; LZ 116/Z14

Anon. Volte (Donaueschingen D-Sl G.14 I, f.31v) LZ 114/Don 1

Anon. Volte (Donaueschingen D-Sl G.14 I, f.30v) LZ 114/Don 2

Anon. Volte (Donaueschingen D-Sl G.14 III, f.49) LZ 114/Don 3

Anon. Volte (Donaueschingen D-Sl G.14 III, f.29v) LZ 114/Don 6

Anon. [Volte] (Donaueschingen D-Sl G.14 I, f.32) LZ 114/Don 7

Anon. Volte Branle (D-KNh R242, f.203), see under Anon. “Sellingers Round”, LZ 114/3d

Anon. Volte de Franza (Donaueschingen D-Sl G.14 I, f.30) LZ 114/Don 5

Anon. Volte de France (Thysius no.602, f.370) LS 7/2

Anon. Volte Jungker Hans (D-LEm II.6.15, p.335) LN 103 text/BL 14

Anon. Volte Tambourina (GB-HAdolmetsch II.B.1, f.104v), see under Anon. La Tambarina, LZ 115/Tapp 4

Anon. Von der Fortuna (Hove 1, f.160), see under Anon. Fortune my Foe, LN 54/2d

Anon. Von der Fortuna (Lüneburg 2000, p.13), see under Anon. Fortune my Foe, LN 54/2bi; LZ 117/F8

Anon. Von der Fortuna (Stobaeus, GB-Lbl Sloane 1021 f. 79v), see under Anon. Fortune my Foe, LZ117/F29

Anon. Von der Fortuna – Proportio (D-HRD Fü 9829 Herdringen, f. 8v), see under Anon. Fortune my Foe, LZ117/F28

Anon. Von der Fortuna – proportion (D-LEm II.6.15, p. 412), see under Anon. Fortune my Foe, LZ117/F18

Anon. Von der fortuna würdt ich getrieben liebe - Nota Post Fortuna” (D-LEm II.6.23, ff. 45r-45v), see under Anon. Fortune myFoe, LZ117/F19

Anon. Von der Fortune” (PL-Kj Mus.40159, f. 16), see under Anon. Fortune my Foe, LZ117/F16

Anon. Von der Fortun[e] (S-B 2245, f.13v), see under Anon. Fortune my Foe, LZ 117/F3

Anon. Von Gott will ich nicht lassen (D-LEm II.6.15, p. 528), see under Anon. Une Jeune Fillette, LZ 119/23

Anon. Von Gott will ich nicht lassen (D-LEm II.6.15, p. 540), see under Anon. Une Jeune Fillette, LZ 119/24

Anon. Von gott will Ich nicht lassen (LT-Va 285-MF-LXXIX, f. 42v), see under Anon. Une Jeune Fillette, LZ 119/27

Anon. Waneer ich slaep (NL-Lu 1666 Thysius no.710, f.402v), see under Anon. Mall Symes, LZ 114/App 2e

Anon. Warder Mut (Royal Appendix 58, f.54v) LN 38 B2

Anon. Watkin’s Ale (Welde no.24, f.8) LN118/W2

Anon. Watkin’s Ale (GB-Lbl Add.41498, f.38) LN 118/W3

Anon. Watkin’s Ale “Mystery Piece” LN 4 text

Anon. Watkin’s Ale, adapted from lyra viol (GB-CHEr DLT B31, f.52) LN 118/W1

Anon. The Welsh (or Farwell) Almaine (Dd.2.11 no.118, f.60) LS 1/7b

Anon. What Ya Pleas[e], transcribed from guitar (US-Cah Mus.139, no.73) LZ 122/W3

Anon. What You Please, arranged from violin (Walsh 1718 I, no.99) LZ 122/W1

Anon. What You Please, cittern (Playford 1666, f.B4) LZ 122/W2

Anon. [What You Please] “Tres Choses”, bandora and transcription (Barley 1596, f.D2v) LZ 122/W4i-ii

Anon. [What You Please] “Tres Choses”, cittern (GB-Cu Dd.4.23, f.9v) LZ 122/W6

Anon. What You Will (GB-Lam 603 Board, f.44v), see under Anon. A Health to Betty, LZ 121/B11

Anon. What You Will, lute I and II, transcribed from lyra viol (Ford 1607, f.K2v, f.L1), see under Anon. A Health to Betty, LZ 121/B6a-b

Anon. What You Will, transcribed for renaissance lute (Mathew 1652, p.14), see under Anon. A Health to Betty, LZ 121/B7a

Anon. What You Will, original tuning (Mathew 1652, p.14), see under Anon. A Health to Betty, LZ 121/B7b

Anon. What You Will, cittern (Holborne CS, f.D1), see under Anon. A Health to Betty, LZ 121/B9

Anon. When I behold the bier, four part song LN 79 text

Anon. When the King enjoys his own again LN 73 text

Anon. While Shepherds Watched LN 64

Anon. Whip of Dunbain, Scottish Ballads 21a (Dd.9.33, f.37) LN 73/21a

Anon. [Whip of Dunbain], Scottish Ballads 21b (Dd.9.33, f.72) LN 73/21b

Anon. Who list to lead a soldier’s life (Board no.145, f.38), see under Anon. The Soldier’s Life, LN 128/S1-2

Anon. Who shall my malady amend?, voice and lute (Musica Scotia II) LN 43

Anon. Whom serve yea (GB-En Dep.314 no.24 Sutherland, p.4), see under Anon. Larouse, LZ 117/L8

Anon. Whoope do me no harme goodman, transcribed from lyra viol (ffhfh) (Corkine Ayres 1610, f. F1v-F2) LZ 120/W1, p.6-7

Anon. [Whoope] Doe me noe harme good man, chromatic cittern (US-CAh Mus.182 Ridout), f. 70) LZ 120/W2, p.17

Anon. Whoop do me no harm (GB-Mp BRm 832 Vu 51, p. 14-15) and other entries for lyra viol and keyboard LZ 120/W3, p.18

Anon. Wie Möcht ich frölich warden (Ein schöner dantz) (PL-Kj W 510, f. 54r) LZ 128/H14b

Anon. Wie möcht ich frölich werdenn (CH-Bu F.IX.70, p. 273) LZ 128/H14f

Anon. [Wie möcht ich frölich werden] “Graff Johann Von Nassaw tantz” (NL-At 208.A.27, f. 62v) LZ 128/H14g

Anon. Wie möcht ich frölich werden (CH-Bu F.IX.70, p. 244) LZ 128/H14h

Anon. Wie möcht ich frölich warden, see also under Adrienssen, Heckel, Jobin, Neusidler, and Rans

Anon. Will Ye Go Walke the Woode So Wilde (US-Ws V.a. 159, f.3), see under Anon. The Woods so Wild, LN 40 B3 (1)/1; LZ 107/2c

Anon. The Willow Song, lute song (Add. MS. 15117) LN 64

Anon. Willson’s Wilde (Folger no.9, f.3) LS 1/1aLZ 118/W2

Anon. [Willson’s Wilde] (GB-Lam 602 Sampson f.4) LZ 118/W3Anon. Willson’s Wilde (cittern, GB-Cu Dd.4.23, f.5v) LZ 118/W9

Anon. Wilson’s Wilde (Dd.2.11 no.226, f.68v) LZ 118/W4

Anon. Wilsons Wil[d]e (IRL-Dtc 408/11 no.59, p.112) LZ 118/W1

Anon. Wilsons Wilde (cittern, Playford 1652, p.2) LZ 118/W8

Anon. Wilsons Wild[e] (cittern, Playford 1666, f.B5) LZ 118/W11

Anon. Wilsons Wilde (cittern, US-Cah Mus.181, f.16) LZ 118/W10

Anon. Wilsons Wilde (cittern, US-Cah Mus.179, f.7) LZ 118/W12

Anon. [Wilsons Wilde] “Anglica Doy” (Dresden 297, p.133) LN 54/12aLZ 118/W5

Anon. [Wilsons Wilde] “Curante” (D-Lem Leipzig II.6.15, p.237) LN 54/12bLZ 118/W6

Anon. [Wilsons Wilde] “Currant” (D-Lr 2000 Lüneburg 2000, p.12) LN 54/12cLZ 118/W7

Anon. [Wilsons Wilde] “Woodsons Willd” (cittern, J-Tn BVM-4540-ne, f.14) LZ 118/W13

Anon. Wilsor Soane (IRL-Dtc 408/II no.61, p.112) LZ 122 App 2

Anon. Wolt, (Rowallen, p.1), see under Anon. La Volta, LN 78/5b i

Anon. The Wood Bynde (Board no.78, f.25v) LN 76/3

Anon. [Woodicock] “Engels Woddecot” (Valerius 1626, p.198) LN 123/W1

Anon. [Woodicock] “Engels Woddecot”, trans chromatic cittern (Valerius 1626, p.198) LN 123/W2a

Anon. [Woodicock] “Engels Woddecot”, diatonic cittern (Valerius 1626, p.198) LN 123/W2b

Anon. Woodicock (Nn.6.36, f.3) LN 76/5aLN 123/W3

Anon. Woodicock (Playford 1651, p.15) LN 76/5b LN 123/W4

Anon. Woodicock “Wooddiecocke”, arranged from bass viol (GB-Cu Dd.5.20, f.33v) LN 123/W5

Anon. Wooddicocke, arranged from bass viol (GB-Mp 832 Vu51, p.4) LZ 123/W6

Anon. Wooddecocke, arranged from bass viol (GB-Och 439, p.97) LZ 123/W7

Anon. The Woodes so Wild (IRL-Dtc 408/I Ballet no.8, p. 84) LZ 107/2d

Anon. [The Woods so Wild] “Farle Become” (IRL-Dtc 408/II no.5, p. 83) LSJ vol.10 [plate 3]LZ 107/2e

Anon. [The Woode so Wilde] “Greenwood”, cittern (Playford 1666, f. D2v) LZ120/G1, p.53

Anon. [The Woods so Wild] “Greenwood or the Huntsman”, arranged for the lute (Playford 1651, p.16) LZ 107/2a

Anon. [The Woods so Wilde] “Hey wilder dem wild” (Valerius, p.170) LN 77/25Anon. [The Woods so Wild] Will Ye Go Walke the Woode So Wilde (US-Ws V.a. 159, f.3) LN 40 B3 (1)/1

LZ 107/2cLN 121 text/BL 30

Anon. The Woods so Wild, see also under William Byrd

Anon. Woodsons Willd” (cittern, J-Tn BVM-4540-ne, f.14), see under Anon.Wilsons Wilde, LZ 118/W13

Anon. Yf Care Doe Cause Men Crie (Stowe 389, f.52 and 120r), see under Anon. If Care Does Cause Men to Cry, LN 38 B2; LN 37 B1/2

Anon. Zouch his March” (Folger no.28, f.8), see under Anon. Lord Zouches March, LN 64/1 iv; LZ 116/Z15i

A. (T.) Quadro Pavan (Willoughby, f.12v) LN 52 A10/6

Abondante (Julio) Bergamasca (Abondante 1587, p.58) LZ 118/B64

Abondante (Julio) [Fantasia] (Db-Mbs 266, f.77) LN94/1a

Abondante (Julio) Fantasia (Scotto 1548, F2v) LN94/1b

Abondante (Julio) Fantasia (Scotto 1548, F3) LN94/2

Abondante (Julio) Fantasia (Scotto 1548, G1) LN94/3

Abondante (Julio) Fantasia (Scotto 1548, G1v) LN94/4

Abondante (Julio) Fantasia (Scotto 1548, F4) LN94/5

Abondante (Julio) Fantasia Prima (Gardano 1587, A2) LN94/6

Abondante (Julio) Fantasia Seconda (Gardano 1587, A2v) LN94/10

Abondante (Julio) Fantasia Terza (Gardano 1587, A3) LN94/7

Abondante (Julio) Fantasia Quarta (Gardano 1587, A3v) LN94/8

Abondante (Julio) Fantasia Quinta (Gardano 1587, A4) LN94/11

Abondante (Julio) Fantasia Sesta (Gardano 1587, A4v) LN94/9

Abondante (Julio) Fantasia Settima (Gardano 1587, B1) LN94/12

Abondante (Julio) Fantasia Ottava (Gardano 1587, B2) LN94/13

Abondante (Julio) Fantasia Nona (Gardano 1587, B2v) LN94/14

Abondante (Julio) Fantasia Decima (Gardano 1587, B3v) LN94/15

Abondante (Julio) Fantasia Undecima (Gardano 1587, B4) LN94/16

Abondante (Julio) Fantasia Duodecima (Gardano 1587, B4v) LN94/17

Abondante (Julio) Fantasia Decimaterza (Gardano 1587, C1v) LN94/18

Adriaenssen (Emanuel) Almande de don Frederico (Pratum musicum, f.86v) LZ 121/15

Adriaenssen (Emanuel) Branles [I], seventh section is “Lusty Gallant” (Pratum musicum, f.89) LZ 117/G5

Adriaenssen (Emanuel) Canson Englesa [Lusty Gallant] (Pratum musicum, f.92v) LN 54/8

Adriaenssen (Emanuel) [Hanskin] “Courante” (Adriaenssen 1592, f.82) LZ 122/H4

Adriaenssen (Emanuel) [Une Jeune Fillette] Almande Nonette (Pratum musicum, f.88) LZ 119/33

Adriaenssen (Emanuel) Light of Love, see under Adriaenssen (Emmanuel) Saltarello Englesa (I, f.92v), LN 54/6b

Adriaenssen (Emanuel) Lusty Gallant, see under Adriaenssen (Emmanuel) Canson Englesa (I, f.92v), LN 54/8

Adriaenssen (Emanuel)? Noch weet ick een Casteel (Thysius no.546, f.349) LN 77/22

Adriaenssen (Emanuel) Saltarello Englesa [Light of Love] (Pratum musicum, f.92v) LN 54/6b

Adriaenssen (Emanuel) [Wie möcht ich frölich werden] “Almande” (Adriaenssen 1592, f. 81v) LZ 128/H14d

Agricola (Martin) Ach Gott von Hymel sich dar eyn (Musica, 1532, f.38v) LN 37 C9/7

Alexander (Allan) Heartland Air LN 49

Allison (Richard) Goe from my Wyndowe/When will my love come Howme [Robinson/McCoy no.11] (Board no.30, f.10) LZ 109/1f

Allison (Richard) or Robert Johnson. A Gallyard [Robinson/McCoy no.16a] (Board no.55, f.19) LZ 110 RJ8c

Allison (Richard) Lord of whom I do depend, voice and lute (The Psalmes of David in meter, 1599) LSJ vol.50

Allison (Richard) Lord consider my distresse, Psalm 51, voice and lute (The Psalmes of David in meter, 1599) LSJ vol.50

Allison (Richard) Psalm 41, for broken consort (The Psalmes of David in meter, 1599) LSJ vol.16, [p.42]

Anerio (Felice) Hor che vezzoza e bella (Verovio Canzonette a Quattro voci 1591) LSJ vol.53

Anthony (Mark) Fantasia (Dallis no.98, p.107) LN 50 A9

Anthony (Mark) Mark Anthonyes Gallyard (Board no.4, f.1v) LN 50 A9

Aquila (Marco dall’) A La Ventura [Aquila 59] (Munich Ms 267 no.73, f.51) LN97

Aquila (Marco dall’) Amour me voyant sans tristesse (Claudin de Sermissy) [Aquila 60] (Ms 266 no.97, f.60) LN98

Aquila (Marco dall’) Amy souffre [Aquila 2] (Munich MS 266 no.62, f.44v) LN 73

Aquila (Marco dall’) Aupres de vous secretement [Aquila 38] (Munich Ms.226, f.56v) LN 92

Aquila (Marco dall) Bwenardo non puol stare (duet) [Aquila 75a-b] (Munich MS 266 no.40, f.35v) LN 101

Aquila (Marco dall’) Bragantin [Aquila 47] (Munich Ms.266 f.37) LN94

Aquila (Marco dall’) Burato [1] [Aquila 44] (Munich Ms.266 f.35) LN94

Aquila (Marco dall’) Burato [2] [Aquila 45] (Munich Ms.266 f.35) LN94

Aquila (Marco dall’) Cara Cosa no.1 [Aquila 48] (Munich Ms 266 no.36a, f.30) LN95

Aquila (Marco dall’) Cara Cosa no.2 [Aquila 49] (Munich Ms 266 no.36b, f.30) LN95

Aquila (Marco dall’) Cara Cosa no.3 [Aquila 50] (Munich Ms 266 no.36c, f.30) LN95

Aquila (Marco dall’) Cara Cosa no.4 [Aquila 51] (Munich Ms 266 no.36d, f.30) LN95

Aquila (Marco dall’) Cara Cosa no.5 [Aquila 52] (Munich Ms 266 no.36e, f.30v) LN95

Aquila (Marco dall’) Cara Cosa no.6 [Aquila 10] (Munich Ms 266 no.36f, f.30v) LN77

Aquila (Marco dall’) Cara Cosa no.7 [Aquila 53] (Munich Ms 266 no.36g, f.30v) LN95

Aquila (Marco dall’) Cara Cossa no.8 [Aquila 68] (Ms 266 no.36h, f.31) LN100

Aquila (Marco dall’) Cara Cossa no.9 [Aquila 69] (Ms 266 no.36i, f.31) LN100

Aquila (Marco dall’) Cara Cossa no.10 [Aquila 70] (Ms 266 no.36k, f.31) LN100

Aquila (Marco dall’) Cara Cossa no.11 [Aquila 71] (Ms 266 no.36l, f.31) LN100

Aquila (Marco dall’) Cest a Grand Tort [Aquila 8] (Munich MS 266 no.95, f.58v) LN 77

Aquila (Marco dall’) Chaualcha [Aquila 46] (Munich Ms.266 f.36v) LN94

Aquila (Marco dall’) Che debo far che mi consegli amore [Aquila 58] (Munich Ms 267 no.32, f.50) LN97Aquila (Marco dall’) Contre Raison [Aquila 35] (Munich Ms 266 no.83 f.54) LN 90

Aquila (Marco dall’) De la Traditora [Aquila 6] (Munich MS 266 no.38c, f.33v) LN 76

Aquila (Marco dall’) De la Traditora, duet [Aquila 74a-b] (Munich MS 266 no.38d, f.33v-34) LN 101

Aquila (Marco dall’) D’una cossa Spagnola [Aquila 64] (Ms 266 no.67, 48) LN99

Aquila (Marco dall’) Fantasia [Aquila 11] (Casteliono 1536, f.57 = Phalèse Hortus 1552, f.8, LN 78) LN 78

Aquila (Marco dall’) Fantasia [Aquila 32] (Casteliano 1536 f.7) LN 89

Aquila (Marco dall’) Fantasia [Aquila 34] (Casteliano 1536 f.29) LN 90LZ 105/17b

Aquila (Marco dall’) Fantasia [Aquila 36] (Barberiis 1549, Cc3v) LN 92LZ 105/17a

Aquila (Marco dall’) Il est bel et bon [Aquila 5] (Munich MS 266 no.63, f.45) LN 75

Aquila (Marco dall’) In te domine speravi [Aquila 55] (Wroclaw Ms. 352, f.30) LN96

Aquila (Marco dall’) Il Marchese di Saluzzo [Aquila 41] (Munich Ms.266 f.36v) LN94

Aquila (Marco dall’) Jayme le ceur de mamye [Aquila 31] (Munich Ms 266 no.98 f.60v) LN 88

Aquila (Marco dall’)? Je ne fais rien que requerir, after Claudin de Sermisy [Aquila 20] (Ms 266 no.82 f.54) LN 84Aquila (Marco dall) La Bataglia [Aquila 40] (Munich Ms 266, f.46v) LN 93

Aquila (Marco dall’) La Rousee du moys de may [Aquila 33] (Munich Ms 266 no.88 f.56) LN 89

Aquila (Marco dall’) Las voules vous que une persone [Aquila 57] (Munich Ms 267 no.72, f.51) LN97Aquila (Marco dall’) L’autre jour je vis pareng matin [Aquila 66] (Ms 266 no.102, f.64) LN99

Aquila (Marco dall’) Mauldicte soit la mondaine richesse [Aquila 37] (Munich Ms.226, f.57) LN 92

Aquila (Marco dall’)? Maulgre Moy (Claudin de Sermisy) [Aquila 18] (Ms 266 no.96 f.59) LN 83

Aquila (Marco dall’) Nous Bergiers da M. Marco [Aquila 15] (Munich Ms 266 no.64, f.46) LN 81

Aquila (Marco dall’) [Passamezzo and Saltarello?] [Aquila 63] (Ms 266 no.97, f.32) LN98

Aquila (Marco dall’) Pioverin [Aquila 43] (Munich Ms.266 f.37) LN94

Aquila (Marco dall’) [Piva?] [Aquila 62] (Ms 266 no.97, f.36v) LN98

Aquila (Marco dall’) Plus nulz regretz [Aquila 54] (Munich Ms 266 no.85, f.55) LN96

Aquila (Marco dall’) Pomo [Aquila 42] (Munich Ms.266 f.36v) LN94

Aquila (Marco dall’) Priambolo [Aquila 9] (Munich MS 266 no.71, f.49) LN 77

Aquila (Marco dall’) Re.car [Aquila 3], also attributed to Milano [Ness 11] (Munich MS 266 no.30, f.27v) LN 74

Aquila (Marco dall’) Re:car [Aquila 28] (Munich Ms 266 no.22 f.22v) LN 87

Aquila (Marco dall’) Re:car [Aquila 29] (Munich Ms 266 no.24 f.23v) LN 87

Aquila (Marco dall’) Re:car [Aquila 39] (Munich Ms.226, f.28v) LN 92

Aquila (Marco dall’) Recercar [Aquila 4] (Munich MS 266 no.68, f.48v) LN 74

Aquila (Marco dall’) Recercar [Aquila 24] (Munich Ms 266 no.23 f.22v) LN 86

Aquila (Marco dall’)? Recercar [Aquila 19] (Ms 266 no.31 f.28) LN 84Aquila (Marco dall’) Recercar [Aquila 61] (Ms 266 no.71, f.49) LN98

Aquila (Marco dall’) Recercar la Zenza canto [Aquila 25] (Munich Ms 266 no.25 f.21) LN 86Aquila (Marco dall’)[ Recercar] “Ree[cer]car de MDLa” [Aquila 1] (Munich MS 266 no.33, f.28v) LN 68/22

LN 73

Aquila (Marco dall’) [Recercar] [Aquila 11] (Munich 266, f.54v) LN 68

Aquila (Marco dall’) [Recercar] [Aquila 12] (Munich MS 266 no.50, f.38) LN 79

Aquila (Marco dall’) [Recercar] [Aquila 13] (Munich MS 266 no.55, f.40v) LN 79

Aquila (Marco dall’) [Recercar] [Aquila 16] (Munich Ms 266 no.53, f.39) LN 82

Aquila (Marco dall’)? [Recercar] [Aquila 17] (Ms 266 no.66 f.48) LN 83

Aquila (Marco dall’) [Recercar] [Aquila 22] (Munich Ms 266 no.28 f.27v) LN 85

Aquila (Marco dall’) [Recercar] [Aquila 23] (Munich Ms 266 no.54 f.40) LN 85

Aquila (Marco dall’) [Recercar] [Aquila 72] (Ferrutio Ms. f.26v-27) LN 101

Aquila (Marco dall’) Recercare [Aquila 21] (Munich Ms 266 no.28 f.27) LN 85

Aquila (Marco dall’) Recircar [Aquila 7] (Munich MS 266 no.69, f.48v) LN 76

Aquila (Marco dall’) Recircar [Aquila 27] (Munich Ms 266 no.18 f.21v) LN 86

Aquila (Marco dall’) Recircar [Aquila 56] (Munich Ms 266 no.19, f.21v) LN96

Aquila (Marco dall’) Recircare [Aquila 14] (Munich Ms 266 no.25, f.24v) LN 80

Aquila (Marco dall’) Recircare [Aquila 26] (Munich Ms 266 no.16 f.21) LN 86

Aquila (Marco dall’) Recircar da Mo Mo [Aquila 30] (Munich Ms 266 no.101 f.64) LN 88

Aquila (Marco dall’) [Romanesca?] [Aquila 65] (Ms 266 no.42, f.36) LN99

Aquila (Marco dall’) Terzetto bello de cantare [Aquila 73] (Ferrutio Ms. f.27) LN 101

Aquila (Marco dall’) Tocha Tocha la Canella [Aquila 76] (Munich Ms 266 no.41 f.36) LN 102

Aquila (Marco dall’) Vous Usurpe [Aquila 67] (Ms 266 no.61, f.53) LN99

Arbeau (Thoinot) Bransle des Chevaulx, melody (Orchésographie) LN 98 text

Ashley (Mike) Five Shakespeare Songs, arranged for lute solo LZ 117

Askue (Robert) Askews Galliard (Dd.2.11 no.262, f.80) LN 33 A2

Askue (Robert) [Bonny Sweet Robin] (Euing 25, f.31) LZ 106/1d

Askue (Robert) [Bonny Sweet Robin] “Jolly Robin” (GB-Lbl Add.31392, f.25) LZ 106/1n

Askue (Robert) [Bonny Sweet Robin] “Robin Galliard” (GB-Cu Add.3506, f.32v LZ 106/1e

Askue (Robert) [Bonny Sweet Robin], “Robin Hoode” (Euing, f.46v) LN 33 A2LZ 106/1c

Askue (Robert) Galliard, treble and ground duet (Dd.9.33, f.88v) LN 33 A2

Askue (Robert) A Gigge (Dd.2.11 no.318, f.100) LN 33 A2

Askue (Robert) Grimstock [Askue 4], (Dd.5.78.3, f.75v) LN 33 A2

Attaingnant (Pierre) Amy Souffrés, after Pierre Moulu ( Tres Breve...Introduction, 1529, f.11v) LN 102

Attaingnant (Pierre) Balle (Dixhuit Basses Dances, 1530, f.34v) LN 106

Attaingnant (Pierre) [Bel Fiore]: Pavane and Sauterelle (Dixhuit Basses Dances, 1530, f.26v and 23v) LN 105

Attaingnant (Pierre) Branle de Poitou (Dixhuit Basses Dances, 1530, f.19) LN 106

Attaingnant (Pierre) Branle Gay (Dixhuit Basses Dances, 1530, f.15) LN 106

Attaingnant (Pierre) Branle Gay (Dixhuit Basses Dances, 1530, f.17v) LN 106

Attaingnant (Pierre) Branle Gay: C’est Mon Amy (Dixhuit Basses Dances, 1530, f.16v) LN 106

Attaingnant (Pierre) La Brosse: Basse dance P.B. [Pierre Blondeau?], Recoupe, Tordion (Dixhuit Basses Dances, 1529, f.12)LN 104

Attaingnant (Pierre) D’estre amoureux (Tres Breve…Introduction, 1529, f.41v) LN 103Attaingnant (Pierre) [D’] Estre Amoueux, lute song (Tres Breve…Introduction, 1529) LN 36Attaingnant (Pierre) D’ou vient cela, after Claudin de Sermisy (Tres Breve…Introduction, 1529, f.37v) LN 103

Attaingnant (Pierre) Fortune a bien couru sur moy (Tres Breve…Introduction, 1529, f.42v) LN 102

Attaingnant (Pierre) Fortune laisse (Tres Breve…Introduction, 1529, f.9v) LN 103

Attaingnant (Pierre) Galliarde (Dixhuit Basses Dances, 1530, f.29v) LN 105

Attaingnant (Pierre) Gaillarde (Dixhuit Basses Dances, 1530, f.31) LN 70/11

Attaingnant (Pierre) Gaillarde P.B. (Dixhuit Basses Dances, 1530, f.39v) LN 104

Attaingnant (Pierre) Haulberroys (Dixhuit Basses Dances, 1530, f.18v) LN 106

Attaingnant (Pierre) Haulberroys (Dixhuit Basses Dances, 1530, f.19) LN 106

Attaingnant (Pierre) Il me suffit, after Claudin de Sermisy (Tres Breve…Introduction, 1529, f.39v) LN 103

Attaingnant (Pierre) J’Atens Secours, lute song (Tres breve…introduction, 1529) LN 36

Attaingnant (Pierre) Je me Repens, lute song (Tres breve…introduction, 1529) LN 36

Attaingnant (Pierre) Languir me fais, after Claudin de Sermisy (Tres breve…introduction, 1529, f.19v) LN 102

Attaingnant (Pierre) La Magdalena: Basse dance P.B., Recoupe, Tordion (Dixhuit Basses Dances, 1530, f.1v-2) LN 104

Attaingnant (Pierre) Pavane (Dixhuit Basses Dances, 1530, f.25) LN 72/35a

Attaingnant (Pierre) Pavane (Dixhuit Basses Dances, 1530, f.30) LN 105

Attaingnant (Pierre) Pavane (Dixhuit Basses Dances, 1530, f.33) LN 105

Attaingnant (Pierre) Pavane P.B. (Dixhuit Basses Dances, 1529, f.35) LN 105

Attaingnant (Pierre) Pavane P.B., Gaillarde, Gaillarde (Dixhuit Basses Dances, 1530, f.30v-31) LN 70/18-20

Attaingnant (Pierre) Prelude [1] (Tres Breve…Introduction, 1529, f.2v) LN 88/2a

Attaingnant (Pierre) Prelude [2] (Tres Breve…Introduction, 1529, f.3v) LN 88/4

Attaingnant (Pierre) Prelude [3] (Tres Breve…Introduction, 1529, f. 4v) LN 88/6

Attaingnant (Pierre) Prelude [4] (Tres Breve…Introduction, 1529, f.5v) LN 88/8

Attaingnant (Pierre) Prelude [5] (Tres Breve…Introduction, 1529, f.9) LN 68/21LN 88/10

Attaingnant (Pierre) Puisque deux cueurs: Basse dance P.B. (Dixhuit Basses Dances, 1530, f.2v) LN 104

Attaingnant (Pierre) Le Rote de Rode (Dixhuit Basses Dances, 1530, f.40v) LN 105

Attaingnant (Pierre) Sansserre Basse dance (Dixhuit Basses Dances 1530, f.8) LN 70/10

Attaingnant (Pierre) Tous mes amys: Basse dance P.B. (Dixhuit Basses Dances 1530, f.7) LN 104

Attaingnant (Pierre) Verdura[n]t: Basse Da[n]ce, Recoupe, Tordion (Dixhuit Basses Dances, 1530, f.31v) LN 72/29a-c

Bach (A.M.) Four short pieces arranged for baroque lute LN 67

Bach (J.S.) Adagissimo [BWV 992], transcribed for baroque lute LN 106

Bach (J.S.) Allemande from Partita [BWV 282], transcribed for baroque lute LN 100

Bach (J.S.) Bist du bei mir, baroque lute song LN 78

Bach (J.S.) Ciaconna, from [BWV 1004] LN95

Bach (J.S.) Choral: Ertot uns durch deine Gute, for baroque lute and voice LZ 103

Bach (J.S.) Chorale, from Cantata [BWV147], baroque lute LN 79

Bach (J.S.) Fuga [BWV 1000] LN97

Bach (J.S.) Fuga [BWV 1000], arranged for liuto attiorbato LZ 120

Bach (J.S.) Präludium d-Moll, arranged as lute duet LN 76

Bach (J.S.) Präludium [BWV 999] LN96

Bach (J.S.) Prelude, Fuga & Allegro [BWV 998] LZ 114

Bach (J.S.) Suite [BWV 995], part 1: Prelude LN 91

Bach (J.S.) Suite [BWV 995], part 2: Allemande etc. LN 92

Bach (J.S) Suite [BWV 996] LN 89/90

Bach (J.S.) Suite [BWV 997], part 1: Prelude and Fuga LN 93

Bach (J.S.) Suite [BWV 997], part 2: Sarabande, Gigue and Double LN 94

Bach (J.S.) Suite [BWV 998], Prelude, Fuga, and Allegro LN 86-88

Bach (J.S.) Suite [BWV 1006a], Part1: Prelude LN98

Bach (J.S.) Suite [BWV 1006a] Part 2: Loure, Gavotte en Rondeau, Menuett I, Menuett II, Bourée, and Gigue LN99Bach (J.S.) Suite [BWV 1009] LN 74

Bacheler (Daniel)? [ Almain], similar to The Nightwatch by Holborne (Board no.170, f.42) LN 90/3eLN 116/DB35

Bacheler (Daniel) Almaine Daniel, almost the same as Board no.170 (Herbert, f.26) LN 85

Bacheler (Daniel) Almayne, based on “En me revenant” (GB-Lbl Add.38539, f.8v), see under Bacheler (Daniel) Daniel Bacheler’s Round, LZ 115/DB43d

Bacheler (Daniel) A Carranta, based on “En me revenant” (GB-Lbl Eg.2046 Pickeringe, f.28v), see under Bacheler (Daniel) Daniel Bacheler’s Round, LN 115/DB43a

Bacheler (Daniel) Courante (Cfm MU MS 689 Herbert, f.25v) LN 78 LN 112/DB36

Bacheler (Daniel) [Courante] (Cfm MU MS 689 Herbert, f.27v) LN 112/DB37

Bacheler (Daniel) Currante (Cu Ms. Dd.4.22, f.7v) LN 112/DB39

Bacheler (Daniel) [Courante] “Volta” (Cu Nn.6.36, f.8) LN 112/DB38

Bacheler (Daniel) [Daniel Bacheler’s Round] “A Carranta”, based on “En me revenant” (GB-Lbl Eg.2046 Pickeringe, f.28v)LN 115/DB43a

Bacheler (Daniel) [Daniel Bacheler’s Round], based on “En me revenant” (GB-Cu Add.3056, f.43v) LZ 115/DB43b

Bacheler (Daniel) Daniel Bacheler’s Round, based on “En me revenant” (GB-Ctc O.16.2, p.139) LZ 115/DB43c

Bacheler (Daniel) [Daniel Bacheler’s Round] “Almayne”, based on “En me revenant” (GB-Lbl Add.38539, f.8v)LZ 115/DB43d

Bacheler (Daniel)? or John Danyel? Daniels Jigge (Dd.5.78.3, f.69) LN 116/App.2

Bacheler (Daniel) [Earl of Essex Galliard] “Galliard Mr.D B” (GB-Cfm Mus.689 Herbert, f.55) LZ 107/42-23LZ 116/DBapp2a

Bacheler (Daniel) [Earl of Essex Galliard] (GB-Cu Add.3056, f.48) LZ 107/42-22LZ 116/DBapp2b

Bacheler (Daniel) Fantaisie, original and altered version (GB-Cfm Mus.689 Herbert, f.56v) LN 113/DB1i-ii

Bacheler (Daniel) [Galliard], almost = 20b (Dd.9.33, f.3v) LN 116/DB20

Bacheler (Daniel) [Galliard] (Dd.2.11, f.97) LZ 116/DB20b

Bacheler (Daniel) [Galliard] (Dd.5.78.3, f.52v, almost = DB20b) LZ 116/DB20c

Bacheler (Daniel) [Galliard] (Dd.5.78.3, f.56v) LN 116/DB21

Bacheler (Daniel) A Galliard (Cu.Nn.6.36, f.5v) LN 72LN 116/DB22

Bacheler (Daniel) Galliard (Cu.Nn.6.36, f.37v) LN 77 (f. 38v)LN 116/DB23


Bacheler (Daniel) [Galliard] (Cu.Nn.6.36, f.36) LN 116/DB26


Bacheler (Daniel) A Galliard (Dd.9.33, f.15v) LN 71LN 116/DB28

Bacheler (Daniel) [Galliard] (Cu.Nn.6.36, f.7v) LN 116/DB29

Bacheler (Daniel) Galliard (Cu Nn.6.36, f.37v almost = DB30b) LN 70 (f.40v)LN 116/DB30a

Bacheler (Daniel) Galliarda Ioannis Dooland (Besard 1603, f.120v), see under Bacheler (Daniel) To Plead my Faith GalliardLZ 116/DB25i

Bacheler (Daniel) Gagliarda Jona Doulandt (D-Ngm 33748-I, f.16), see under Bacheler (Daniel) To Plead my Faith Galliard,LZ 116/DB25j

Bacheler (Daniel) [Galyard] (Lbl Eg.2046 Pickeringe, f.30, almost = DB30a) LZ 116/DB30b



Bacheler (Daniel) A Galliard (Dd.5.78.3, f.30) LN 73LN 116/DB33


Bacheler (Daniel) [Gall[iard] (Cfm Mus.689 Herbert, f.55) LZ 116/DB app2a

Bacheler (Daniel)? [Gall[iard] (Cu Nn.6.36, f.3v) LZ 116/DB app3

Bacheler (Daniel) [Galliard] (GB-Cu Dd.5.78.3, f. 58, almost = DB13a) LZ 119/DB13b

Bacheler (Daniel) Galliard (Board no.45, f.16), see under Bacheler (Daniel) To Plead my Faith, LZ 116/DB25e

Bacheler (Daniel) Ga[lliard] to the pavan before (Cu Add.3056, f.80v, almost = DB13b) LN119/DB13a

Bacheler (Daniel) J[ames] G[alliard] LN 49 C58/2aLZ 116/DBapp3b

Bacheler (Daniel) [James Harding’s] Galliard (Welde no.28, f.9v) LN 116/DBapp3

Bacheler (Daniel) James Harding’s Galliard, see other versions under Harding (James)

Bacheler (Daniel) [Une Jeune Fillette] (Lbl Eg.2046, f.30v) LN 119/DB41a

Bacheler (Daniel) La Jeune Fillette Mr Daniel LZ 119/DB41b

Bacheler (Daniel) [Monsieur’s Almaine] (Dd.9.33, f.38v) LZ 110/24a

Bacheler (Daniel) Mounsiers Almaine (VLL no.22, p.53 ) LZ 110/24b

Bacheler (Daniel) [Monsieur’s Almaine], incomplete (Dd.5.78, f.70v) LZ 110/24c

Bacheler (Daniel)? My Lady Norths Gall[iard] (Dd.5.78.3, f.62v, = App1b) LN 116/App.1

Bacheler (Daniel)? My Lady Norths Gallard] (Cu.Add.3056, f.46v) LZ 116/App.1b

Bacheler (Daniel)? My Lady Norths Galliard] (Dd.5.78.3, f.36, = 1a without divisions) LZ 116/App.1c

Bacheler (Daniel) [The Night Watch] “Almain” (Lbl 603 f.42) LN 90/3e

Bacheler (Daniel) [The Night Watch] “Almain” (Cfm 689 Herbert, f.26) LN 90/3f

Bacheler (Daniel) [Pavan] (Nn.6.36, f.13v) LN 119/DB app.1

Bacheler (Daniel) Pavan (Nn.6.36, f.42v) LN 88

Bacheler (Daniel) Pavan (Nn.6.36, f.4v) LN 74

Bacheler (Daniel) [Pavan] (Cu Add.3056 Cosens, f.80v = LN 119/DB10a) LN 82 Bacheler (Daniel) [Pavan] (Cu Dd.9.33, f.70v) LN 119/DB10a

Bacheler (Daniel) [Pavan] (GB-Cu Add.3056, f. 80v) LZ 119/DB10c

Bacheler (Daniel) [Pavan] (Cu Dd.5.78.3, f.69v) LN 119/DB11

Bacheler (Daniel) [Pavan] (GB-Cu Dd.5.78.3, f. 61v) LZ 119/DB13a

Bacheler (Daniel) [Pavan] (Cu Nn.6.36, f.38v) LN 119/DB14a

Bacheler (Daniel) [Pavan] (Cu Dd.5.78.3, f.72v) LZ 119/DB14b

Bacheler (Daniel) [Pavan] (Cu Dd.9.33, f.40v) LZ 119/DB14c

Bacheler (Daniel) [Pavan] (Cu Dd.5.78.3, f.63v) LN 91 LN 119/DB15

Bacheler (Daniel) [Pavan] (GB-Cu Nn.6.36, f.40v) LN 122/DB6

Bacheler (Daniel) [Pavan] (GB-Cu Nu.6.36, f.39v) LN 1222/DB7

Bacheler (Daniel) [Pavan] (GB-Cu Nn.6.36, f.12v) LN 122/DB9

Bacheler (Daniel) Pavana, and altered version (Cfm Mus.689, f.4) LZ 119/DB10 bi-bii

Bacheler (Daniel) Pavana D. Bacheler (Cu Nn.6.36, f.8v) LN 119/DB12

Bacheler (Daniel) Pavana Danielli Inglese, and altered version (Cfm Mus.689, f.3v) LZ 119/DB13a bi-bii

Bacheler (Daniel) Pavana, revised and original versions (GB-Cfm Mus.689 Herbert, f.52v) LN 122/DB8a-b

Bacheler (Daniel) Pavana (GB-Cu Nn.6.36, f.2v) LN 122/DB17a

Bacheler (Daniel) Pavana, (GB-Cfm Mus.689 Herbert, f.20v, almost = DB17a) LN 122/DB17b

Bacheler (Daniel) Pavana (GB-Cu Nn.6.36, f.9v) LN 122/DB19

Bacheler (Daniel) Pavana (GB-Cu Nn.6.36, f.11v, almost = DB16a) LZ 122/DB16b

Bacheler (Daniel) Pavana (GB-Cfm Mus.689 Herbert, f.19v, almost = DB18a) LZ 122/DB18b

Bacheler (Daniel) Pavana Anglica (Mylius 1622, p.57, almost = DB18a) LN96/8LZ 122/DB18d

Bacheler (Daniel)? Pavana Anglica alia (Mylius 1622, p.50) LN96/3

[Bacheler (Daniel)] Pauana Anglica. Ejusdem (Mylius 1622, p. 46) LZ 119/DB13a-e

Bacheler (Daniel) Pauana del medesimo (Sr Danielli Inglese), as copied by Holmes and altered (GB-Cfm Mus.689 Herbert, f. 4v) LZ 119/DB10bi-bii

Bacheler (Daniel) Pauana del Sr Danielli Inglese, as copied by Holmes and as altered by a different scribe, Bacheler himself? (GB-Cfm Mus.689 Herbert, f. 3v) LZ 119/DB13a bi-bii

Bacheler (Daniel) Pavana del Medesimo (Cfm Mus.689 Herbert, f.5v) LN 69

Bacheler (Daniel) Pavana Quarta (Fuhrmann 1615, .p.56, almost = DB18a) LZ 122/DB18c

Bacheler (Daniel) Pavin (VLL, f.12v) LN 122/DB16a

Bacheler (Daniel) Pavin by Mr Daniell Bachler (Lbl Eg.2046, f.27v) LN 119/DB13a

Bacheler (Daniel) Pavine (GB-Lbl Eg.2046 Pickeringe, f.20v) LN 122/DB18a

Bacheler (Daniel) Prelude (Cfm Mus.689 Herbert, f.58v) LN 76

Bacheler (Daniel) A Prelude (Cfm Mus.689 Herbert, f.56) LN 83

Bacheler (Daniel) [To Plead my Faith Galliard] (Dd.9.33, f.4) LN 116/DB25a

Bacheler (Daniel) [To Plead my Faith Galliard] (Dd.2.11 no.315, f.99v) LN 81LZ 116/DB25b

Bacheler (Daniel) [To Plead my Faith] Galliard (IRL-Dtc 408/I Ballet no.14, p.17) LZ 116/DB25c

Bacheler (Daniel) [To Plead my Faith] Gallyard (Lbl Add.38539 ML, f.15v) LN84LZ 116/DB25d

Bacheler (Daniel) [To Plead my Faith] “Galliard” (Board no.45, f.16) LZ 116/DB25e

Bacheler (Daniel) [To Plead my Faith] Galiard (Dd.4.22.f.6v, almost = DB25d) LZ 116/DB25f

Bacheler (Daniel) [To Plead my Faith] Galliard, short version (Welde no.21, f.7v) LSJ vol.1, plate IILZ 116/DB25g

Bacheler (Daniel) [To Plead my Faith Galliard] (Cu.Euing 25, f.21) LZ 116/DB25h

Bacheler (Daniel) [To Plead my Faith Galliard] “Galliarda Ioannis Dooland”, short version (Besard 1603, f.120v)LZ 116/DB25i

Bacheler (Daniel) To Plead my Faith Galliard] “Gagliarda Jona Doulandt”, short version (D-Ngm 33748-I, f.16)LZ 116/DB25j

Bacheler (Daniel) [To Plead my Faith] Galliarde, short version (HAdolmetsch II.B.I, f.95v) LZ 116/DB25k

Bacheler (Daniel) Variations on Fin de Galliard (GB-Cu Nn.6.36, f.6v) LN 125/DB42

Baker (Robert)? or Bateman (Robert)? Currandt R B (Nauclerus, f.256v) LN 46 C39/10

Baker (Robert)? or Bateman (Robert)? Currant R B (Nauclerus, f.257) LN 46 C39/11

B[aker] (R[obert]) Galliard (Trumbull, f.19) LN52 A10/7a

B[aker] (R[obert]) Galliard (Dd.2.11 no.261, f.80) LN 52 A10/7b

B[aker] (R[obert]) Galliard (Dd.2.11 no.220, f.67) LN 52 A10/7cBakfark (Valentin) Aliud Responsum vel Recercar super Rosignolet VB (PL-Kj 40598, f.21v) LZ 102/10

Bakfark (Valentin) Gagliarda Bofart Hungary [Walsingham?] (D-W Guelf. 18.8 VI, f.187v, 24v) LZ 104/4m

Bakfark (Valentin) Fantasia (Phalèse Luculentum 1568, f.qv.10) LS 9/5

Bakfark (Valentin) Fantasia (Bakfark 1565, f.1-1v) LZ 102/5

Bakfark (Valentin) Fantasia VB (PL-Kj 40598, f.7v-8) LZ 102/8

Bakfark (Valentin) Fantasia VB (PL-Kj 40598, f.8v-9) LZe 102/9

Bakfark (Valentin) Fantasia VB (D-DEI BB 12150, f.54v-55v) LZ 102/11a

Bakfark (Valentin) Fantasia 4 Vocum (Bakfark 1565, f.1v-3) LZ 102/6

Bakfark (Valentin) Fantasia 4 Vocum (Bakfark 1565, f.3-5) LZ 102/7

Bakfark (Valentin) Recercate (Bakfark 1553, f.2v-4) LZ 102/1

Bakfark (Valentin) Recercate (Bakfark 1553, f.4-6) LZ 102/2

Bakfark (Valentin) Recercate (Bakfark 1553, f.6v-8) LZ 102/3

Bakfark (Valentin) Recercate (Bakfark 1553, f.8v-10v) LZ 102/4

Ballard (Robert)? [Une Jeune Fillette] “Gagliarda di Monsu Balaharta” (B-Br II.275, f. 100v) LZ 119/19

Barbaris (Melchiore de) Crucifzus Carpendias in dup, (IV f.22) LZ 105/4

Barbaris (Melchiore de) Duo (IV f.19v) LZ 105/1

Barbaris (Melchiore de) Fantasia (IV f.20v) LZ 105/2

Barbaris (Melchiore de) Fantasia (IV f.21) LZ 105/3

Barbaris (Melchiore de) Fantasia (IV f.22v) LZ 105/5

Barbaris (Melchiore de) Fantasia, on Adieu mes Amours by Josquin (V f.9v) LZ 105/6a

Barbaris (Melchiore de) Fantasia (V f.11) LZ 105/7

Barbaris (Melchiore de) Fantasia (IV f.12) LZ 105/8

Barbaris (Melchiore de) Fantasia (V f.13v) LZ 105/9

Barbaris (Melchiore de) Fantasia (IX f1) LZ 105/10

Barbaris (Melchiore de) Fantasi (IX f1v) LZ 105/11

Barbaris (Melchiore de) Fantasia (IX f4) LZ 105/12

Barbaris (Melchiore de) Fantasia (IX g1) LZ 105/13

Barbaris (Melchiore de) [Fantasia] Recercada Prime and Seconda parte, (X Aa2v-Aa3) LZ 105/14i - ii

Barbaris (Melchiore de) Fantasia, (X Cc2) LZ 105/15

Barbaris (Melchiore de) Fantasia, (X Cc2v) LZ 105/16

Barbaris (Melchiore de) Fantasia, (X Cc3v) LZ 105/17a

Barbaris (Melchiore de) Fantasia, (X Dd1) LN 28 C13/3 LZ 105/18

Barbaris (Melchiore de) Fantasia Discord ail Basso con il Tenore unisono (X Dd1) LZ 105/19

Barbaris (Melchiore de) Fantasia sopra Se mai provasti donna (X Dd4) LZ 105/20i

Barbaris (Melchiore de) Fantasia Soprano (X Ee4v) LZ 105/21a

Barbaris (Melchiore de) Fantasia Tenor (X Ff1) LZ 105/21b

Barbaris (Melchiore de) Fantasia (X Ff1v) LZ 105/22a

Barbaris (Melchiore de) Fantasia per sonar un Lauto & farsi Tenor & Soprano, original version and transcription into renaissance tuning (X Ff2v) LZ 105/23a-b

Barbaris (Melchiore de) Fantasia discordata, original version and transcription into renaissance tuning (X Ff3) LZ 105/24a-b

Barbaris (Melchiore de) Fantasia discordata, original version and transcription into renaissance tuning (X Ff3v) LZ 105/25a-b

Barbaris (Melchiore de) Fantasia, Prime, Seconda and Terze parte, (X Ff4v - Gg3) LZ 105/26i - iii

Barbaris (Melchiore de) Madrigale Se mai provasti donna (X Dd3v) LZ 105/20ii

Barbaris (Mechiore de) Qui tollis peccata [Richafort] (IV f.17), see also Bianchini (Domenicho) Recercar quarto (1546 A4) LZ 105/27a

Barbaris (Melchiore de) Vesentio (Contina 1549, f.c3) LN 70/24b

Barbetta (Giulio Cesare) Baletto d’Inghilterra deto il Bufon (Intavolatura 1585, p.18) LS 9/4LN 66

Barbetta (Giulio Cesare) Baletto de Rusia deto L’Orso (Intavolatura 1585, p.13) LS 9/4LN 66

Barbetta (Giulio Cesare) Baletto Francese detto la Volta (Intavolatura 1585, p.19) LS 9/4LN 73

Barbetta (Gulio Cesare) [Bergamasca] “Moresca Quarta Detala Bergamasca” (Barbetta 1585, p.14) LZ 118/B41

Barbetta (Giulio Cesare) Le Canarie (Intavolatura 1585, p.11) LS 9/4

Barbetta (Giulio Cesare) [Guet gesell du must wander] “Baletto Todesco” (Barbetta 1585, p.22) LZ 125/H4c

Barbetta (Giulio Cesare) Il Mattacino, see under Barbetta (Giulio Cesare) Moresca detta Il Mattacino (Intavolatura 1585, p.13)LN 28 C13/2

Barbetta (Giulio Cesare) La Volta, see under Barbetta (Giulio Cesare) Baletto Francese detto la Volta (Intavolatura 1585, p.19)LN 73

Barbetta (Giulio Cesare) Moresca detta Il Mattacino (Intavolatura 1585, p.13) LN 28 C13/2

Barbetta (Giulio Cesare) Pavana detta La Porcelina (Primo Libro 1569, p.3) LN 28 C13/4

Barbetta (Giulio Cesare) La Porcelina, see under Barbetta (Giulio Cesare) Pavana detta La Porcelina (Primo Libro 1569, p.3)LN 28 C13/4

Bassano (Augustine) Pavan (Trumbull, f.7v) LN 50 A9

Bassano (Augustine) Pavan, for bandora (Trumbull, f.7v) LN 50 A9

Bassano (Augustine) Pavan (Trumbull, f.8v) LN 50 A9

[Bassano?] (Lodwick) Galliard (Dd.2.11 no.105, f.38v) LN 50 A9

Bassano (Lodwick) Pavan (31392, f.19v) LN 50 A9Bassano (Lodwick) Pavana Helena (Dd.2.11 no.25, f.7v) LN 50 A9

Basse (William) The Hunters Careere (GB-Lam 603 Board no.89, f. 27v) LZ 119/C1 Basse (William) Hunters Careire (GB-En Adv.5.2.18 Straloch, p. 16) LZ 119/ C2

Basse (William) humbers carrere, arranged from keyboard (Och 437, f. 8v) LZ 119/C3

Basse (William) The Hunt, arranged from melody (Pills VI 1720, p. 197) LZ 119/C4 Basse (William) Hunters Carrier, mandore and arrangement for lute (GB-En Adv.5.2.15 Skene, p. 125)

LZ 119/C5a-b

Basse (William) The [hunter’s] carrier, chromatic and diatonic cittern (GB-En 9450 Edwards, f. 42) LZ 119/C6a-b

Basse (William) The hunters Careare, cittern (US-CAh 179 Boteler, f. 18r) LZ 119/C7

Bataille (Gabriel) Ballet (RF-Span o No 124, f.35v), see under Bataille (Gabriel) Ma bergere non legere, LN 128/Bataille 5a

Bataille (Gabriel) Ballet (Fuhrmann 1615, p.149), see under Bataille (Gabriel) Ma bergere non legere, LN 128/Bataille 5b

Bataille (Gabriel) Cadence Bataille (GB-Cfm 689 Herbert, f.39v) LN 128/Bataille 6

Bataille (Gabriel) Courante Bataille (GB-Cfm 689 Herbert, f.69v) LN 128/Bataille 4

Bataille (Gabriel) Courante de la Bataille (D-KNu K.16a, qu, p.15) LN 128/Bataille 3

Bataille (Gabriel) Fantasie Bataille (GB-Cfm 689 Herbert, f.12) LN83LN 128/Bataille 2

Bataille (Gabriel) [Ma bergere non legere] “Ballet” (RF-Span o No 124, f.35v) LN 128/Bataille 5a

Bataille (Gabriel) [Ma bergere non legere], section C and D of “Ballet” (Fuhrmann 1615, p.149) LN 128/Bataille 5b

Bataille (Gabriel) Prelude Bataille (GB-Cfm 689 Herbert, f.19) LN 128/Bataille 1

Bateman (Robert)? or Baker (Robert)? Currandt R B (Nauclerus, f.256v), see under Baker, LN 46 C39/10

Bateman (Robert)? or Baker (Robert)? Currant R B (Nauclerus, f.257), see under Baker, LN 46 C39/11

Becchi (Antonio) [L’autre jour par un matin] “Fantasia” (Becchi 1568, p.79) LZ 127/B1a

Becchi (Antonio) L’autre jour par un Matin (D-Mbs 266, f.64) LZ 127/B1b

Becchi (Antonio) Fantasia (Becchi 1568, p.80) LZ 127/B2

Becchi (Antonio) Fantasia (Becchi 1568, p.81) LN 28 C13/1LZ 127/B3



Becchi (Antonio) Recercare (Becchi 1568, p.82) LZ 127/B5

Becchi (Antonio) Recercare, based on Milano [Ness no.26], lowered one tone (Becchi 1568, p.85) LZ 127/B7a



Beck (Mr.) Hold her goeing Mr Mclaughlans way (Balcarres MS, p.145) LSJ vol.32 plate 1

Beck (Mr.) If thou wert myne own thing Mr Mclaughlans way (Balcarres MS, p.145) LSJ vol.32 plate 1

Belleville (Jacques de)Alio modo (CH-SO Da 111, f.42), see under Belleville (Jacques de) Courante, LZ 128/Belleville 5h

Belleville (Jacques de) Courante Belleville (GB-Cfm 689 Herbert, f.65v) LN 128/Belleville 2a

Belleville (Jacques de) [Courante Belleville] (B-Bc 26,369, f.20 and 3) LN 128/Belleville 2b

Belleville (Jacques de) Courante Belleville (GB-Cfm 689 Herbert, f.11v) LN 128/Belleville 3

Belleville (Jacques de) [Courante Belleville] “Canzon” (RF-Span o No 124, f.36) LN 128/Belleville 4a

Belleville (Jacques de) Courante Belleville sur bien qu’un cruel martir (GB-Cfm 689 Herbert, f.69v) LSJ vo.30LN 128/Belleville 4b

Belleville (Jacques de) Cor (RUS-SPan O No.124, f. 35), see under Belleville (Jacques de) Courante, LZ 128/Belleville 5g

Belleville (Jacques de) Courant (D-Dl M 297, p. 82) LZ 128/Belleville/5f

Belleville (Jacques de)? [Courante] Belleville, setting of Boyer’s air “Sa beauté extreme” (D-B N 479, f.59v) LN 128/Belleville 5a

Belleville (Jacques de) [Co]urante L’Espine (CH-SO DA 111, f. 41v) LZ 128/Belleville 5e

Belleville (Jacques de)? Courante Francoyse, setting of Boyer’s air “Sa beauté extreme” (Valerius 1626 p.271) LN 128/Belleville 5d

Belleville (Jacques de)? Courante Gautier, setting of Boyer’s air “Sa beauté extreme” (CZ-Pnm G.IV.18, f.20v) LN 128/Belleville 5b

Belleville (Jacques de)? Courente, setting of Boyer’s air “Sa beauté extreme” (I-Tn IV.23.2, f.12v) LN 128/Belleville 5c

Belleville (Jacques de) [Courante] “Cor” (RUS-SPan O No.124, f. 35) LZ 128/Belleville 5g

Belleville (Jacques de) [Courante] “Alio modo” (CH-SO Da 111, f.42, = 5b) LZ 128/Belleville 5h

Belleville (Jacques de) [Courante] “Ich habe mein Liebchen zum Tantze gefuret Curant” (GB-Lbl Sloane 1021, f. 49v)LZ 128/Belleville 5i

Belleville (Jacques de) Courante (CH-Bu F.IX.53, f. 13v) LZ 128/Belleville 5j

Belleville (Jacques de) [Courante] “Current Con” (D-LEm II.6.15, p. 264) LZ 128/Belleville 5k

Belleville (Jacques de) Courante (GB-HAdolmetsch II.B.1, f. 239) LZ 128/Belleville 5l

Belleville (Jacques de) [Courante], transitional tuning (efdeh) (CH-BEsa 123, p. 123) LZ 128/Belleville 5m

Belleville (Jacques de) Courante Belleville (GB-Cfm 689 Herbert, f.66) LN 128/Belleville 6

Belleville (Jacques de) Courante de Belleville (GB-Cfm 689 Herbert, f.10v) LN 128/Belleville 1

Belleville (Jacques de) Courante del [Belleville] (GB-Cfm 689 Herbert, f.11) LN 128/Belleville 7

Belleville (Jacques de) Curent La bellvell[e] (GB-En Dep.314 no.23, f.31) LN 128/Belleville 9

Belleville (Jacques de) Ich habe mein Liebchen zum Tantze gefuret Curant” (GB-Lbl Sloane 1021, f. 49v), see under Belleville (Jacques de) Courante, LZ 128/Belleville 5i

Belleville (Charles de) Sarabande Belleville (Ballard 1631, p.64) LSJ vol.30

Belleville (Jacques de) [Volta] (B-Br 26.369, f. 20) LZ 128/Belleville 6b

Belleville (Jacques de) Volte Belleville (GB-Cfm 689 Herbert, f.70) LN 128/Belleville 8

Belleville (Jacques de) Volte Belleville (GB-Cfm 689 Herbert, f.68) LN 128/Belleville 10

Bellman (Carl Michael) Fredman’s Song no.64, voice and guitar LZ 119 text

Berhandtzky (R.C.) Tombeau du feu son E. Monseignor le General Sereni, allemande (A-KR L83, f.47v) LZ 111 text

Bergen (Ferdinand Graf von) Allemande du Comte Bergen; Courante; Menuet; La tournée; Gigue (A-Wn 1078, p.19-23)LN 117

Bernia (Vincenzo) Baletto (US-BEm 757, f.22) LN 106/4b

Bernia (Vincenzo) Baletto (US-BEm 757, f.13v-14) LN 106/6b

Bernia (Vincenzo) Uno Baletto (US-BEm 757, f.30) LN 106/5b

Bernia (Vincenzo) Baletto del Bernia (US-BEm 757, f.22) LN 106/3

Bernia (Vincenzo) Baletto del Bernia (US-BEm 757, f.21) LN 106/4a

Bernia (Vincenzo) Baletto del Bernia (US-BEm 757, f.28) LN 106/6a

Bernia (Vincenzo) Baletto del Sig.V.B. (I-TRc 1947, f.19v-20) LN 106/9

Bernia (Vincenzo) Baletto del Sig.V.B. (I-TRc 1947, f.20) LN 106/10

Bernia (Vincenzo) Baletto in Corrente del Bernia (US-BEm 757, f.24v) LN 106/7

Bernia (Vincenzo) Baletto V.B. (I-TRc 1947, f.7) LN 106/8

Bernia (Vincenzo) Bolognia Baletto Vincenzo Bernia (D-B 4022f.4v-5) LN 106/5a

Bernia (Vincenzo) Corente del Bernia (US-BEm 757, f.21v) LN 106/11

Bernia (Vincenzo) Courrante Sophia Monycha V.B. (D-B 4022, f.4-4v) LN 106/13

Bernia (Vincenzo) CurantaV.B. (I-TRc 1947, f.10) LN 106/12

Bernia (Vincenzo) Gagilarda V.B. (CH-Bu F.IX.70, p.299) LN 72/40LN 106/15

Bernia (Vincenzo) Gallus et Gallina D. Vincent. Bernia (Besard 1617, pp.47) LN 106/16

Bernia (Vincenzo) Ricercar dell’ istesso sopra ut re mi fa sol la (Besard 1617, pp.33-34) LN 106/2

Bernia (Vincenzo) Toccata Cromatica (Besard 1617, p.32) LN 106/1a

Bernia (Vincenzo) Toccata (Mylius 1622, p.21) LN 106/1b

Bernia (Vincenzo) Toccata (CZ-Pnm IV.G.18, f.110v-111) LN 106/1c

Bernia (Vincenzo) Volta (Una) dettala favorita di V.B. (I-TRc 1947, f.22v) LN 106/14

Besard (Jean-Baptiste) Alemande Vne Ieune fillette (Besard 1603, f. 131v), see under Besard (Jean-Baptiste) Une Jeune Fillette,LZ119/4

Besard (Jean Baptiste) Bergamasco (Besard 1603, f.106v) LZ 118/B57

Besard (Jean-Baptiste) Canaries (Thesaurus Harmonicus 1603, f.168v) LN 48 C53

Besard (Jean-Baptiste) En [me] revenant de Saint Nicolas, lute quartet (Besard 1617, no.9) Z 115/33

Besard (Jean-Baptiste) Gagliarda (D-W Guelf 18.8 VI, f.171), see under Vaumesnil (Guillaume Le Boulanger, Lord of)Gagliarda J.B. Besard, LN 109 Add.b

Besard (Jean-Baptiste) Une Jeune Fillette Testudo Minor (Besard 1617, f. D2) LZ 119/43a

Besard (Jean-Baptiste) Une Jeune Fillette Nova Testudo (Besard 1617, f. D1v) LZ 119/43b

Besard (Jean-Baptiste) Une Jeune Fillette Testudo Major (Besard 1617, f. D2) LZ 119/43c

Besard (Jean-Baptiste) [Une Jeune Fillette] Alemande Vne Ieune fillette (Besard 1603, f. 131v) LZ119/4

Besard (Jean-Baptiste) [Une Jeune Fillette] Ma belle, si ton âme, lute and voice (Besard 1603, f. 73) LZ 119/50 Besard (Jean-Baptiste) Ma belle, si ton âme, lute and voice (Besard 1603, f. 73), see under Besard (Jean-Baptiste) Une Jeune Fillette,

LZ 119/50 Besard (Jean-Baptiste) Pavana Hispanica [The Spanish Pavan] (Besard 1603, f.105) LZ 112/23

Beyer (Johann Christian) Der Blinde und der Lahme, voice and lute (Lieder und Fabeln) LN 49

Bianchini (Domenicho) El Burato (Intabolatura 1554, p.15) LN 48 C52

Bianchini (Domenicho) Recercar (Gardane/Bianchini 1546, f. D2) LZ 199/B5

Bianchini (Domenicho) Recercar (Gardane/Bianchini 1546, f. D4v) LZ 119/B6

Bianchini (Domenicho) [Recercar] Das 9. Preambel Rossetto (Gerle 1552, f. C4v) LZ 119/B1 Bianchini (Domenicho) Recercar quarto (Gardane/da Crema 1546, f. A4), see also Barbaris (Mechiore de) Qui tollis peccata

[Richafort] (IV f.17), LZ 105/27b ` LZ 119/ B2b Bianchini (Domenicho) Recercar Segondo (Gardane/Bianchini 1554, f. A2v) LZ 119/B2a

Bianchini (Domenicho) [Recercar] Das 11. Preambel [Rossetto] (Gerle 1552, F. D2) LZ 119/ B3 Bianchini (Domenicho) Recercar Quarto (Gardane/Bianchini 1554, f. A4) LZ 119/ B4a

Bianchini (Domenicho) Qui tollis peccata [Richafort] ([Scotto]/Barberiis IV 1546, f. 17) LZ 119/B4b

Biechteeler (Matthias Sigismund) Exercise (Kremsmūnster MS L78) LZ 116 text

Blanks [(Edward)] Allmaine (Dd.2.1, f.59) LN 45 C47/1

Bocquet (Charles) Allemande di Bouquet (D-SI G.I.4 III, f.30) LN 117/38

Bocquet (Charles) Allemande du [Seigneur Bocquet] (PL-Kj 40143, f.47v) LN 117/17

Bocquet (Charles) Bargemasco Bocqueti (D-BAU 13.4o.85, p.52) LN 117/31

Bocquet (Charles) Bocqueti Nicht lang ich spazieren ging (D-BAU 13.4o.85, p.80) LN 117/33

Bocquet (Charles) Chorea Bocqueti (D-BAU 13.4o.85, p.78) LN 117/32

Bocquet (Charles) Courant Bocq[uet] (D-BAU 13.4o.85, p.17) LN 117/23

Bocquet (Charles) Courant Bouquet (A-KR L.81, f. 49r, edeff and transcription) LZ 117/24i-ii

Bocquet (Charles) Courant Bouquet (GB-Cfm Mus.689, f.15) LN 117/22

Bocquet (Charles) Courante de Mon[sieur] Bocquet (CH-Bu F.IX.70, p.293) LN 117/18

Bocquet (Charles) Courante (Hove 1601, f. 103 i) LN 117/20a

Bocquet (Charles) Courante (Hove 1601, f. 103 ii) LZ 117/20b

Bocquet (Charles) Courante Boqueti (CZ-Pnm IV.g.18, f.71v) LN 117/21

Bocquet (Charles) Curranta [Bouquet] (GB-Cu Dd.9.33, f.57) LN 117/19

Bocquet (Charles) Currante Bouqu[et] (D-KNu K.16a.6745. p.1) LN 117/30

Bocquet (Charles) Currente Bouquet (D-SI G.I.4 III, f.34) LN 117/39

Bocquet (Charles) Fantasia Boqueti (CZ-Pnm IV.G.18, f.161v) LN 117/5

Bocquet (Charles) Fantasia excellens domini Bocqueti Galli (PL-Kj 40143, f.41v) LN 117/4

Bocquet (Charles) Gagliarda Car[olus] Bocquet (D-W Guelf.18.8 VI, f.178) LZ 117/14

Bocquet (Charles) Gagliarda novella dj Bocquet (D-Sl G.I.4 III, f.53) LZ 117/37a

Bocquet (Charles) Gagliarde de Bocquet (D-Sl G.I.4 III, f.49) LN 117/36

Bocquet (Charles) Galiarda (Besard 1603, f. 115) LZ 117/37b

Bocquet (Charles) Galliard (PL-Kj 40641 Krakow no.14, f. 7v) LZ 117/13b

Bocquet (Charles) Galliarda Bocqueti (Besard 1603, f.108) LN 117/9 Bocquet (Charles) Galliarda Bocqueti (Besard 1603, f.113) LN 117/12 Bocquet (Charles) Galliarda Bocqueti (Besard 1603, f.113) LN 117/12 Bocquet (Charles) Galliarda [Bocqueti] (Besard 1603, f.108v) LN 117/11

Bocquet (Charles) Galliarda Boqueti (Fuhrmann 1615, p. 129) LN 117/16

Bocquet (Charles) Galliarda Boqueti (Fuhrmann 1615, p. 117) LZ 117/15b Bocquet (Charles) Galliarde [Bocquet] (GB-HAdolmetsch II.B.1, f.31) LN 117/15a

Bocquet (Charles) Galliarde Bocqueti (B-Bc 26.369, f.2) LN 117/35

Bocquet (Charles) Gallyard [Bocquet] (GB-Lbl Add.38539, f.21) LN 117/13 Bocquet (Charles) Lamentatio Bocqueti (D-Hs ND VI 3238, p.37) LN 117/34 Bocquet (Charles) Nicht lang ich spazieren ging (D-BAU 13.4o.85, p.80), LN 117/33

Bocquet (Charles) Passemeze excellent (PL-Kj 40143, f. 44v; also in Besard 1603, f. 100) LZ 117/7

Bocquet (Charles) Passemezo [antico], 7 parts, (Besard 1603, f. 92v; also in D-Dl M297, p.100) LZ 117/6

Bocquet (Charles) Passemezo [modern] Boquie[t] (D-Mbs Werl, f. 71) LZ 117/40

Bocquet (Charles) Passo e mezo (D-W Guelf. 18.8, f. 104v) LZ 117/8 Bocquet (Charles) Praelud[ium] Bocqueti (Besard 1603, f.5v) LN 117/1 Bocquet (Charles) Prelude (GB-Cfm Mus.689, f.18v) LN 117/2

Bocquet (Charles) Prelude [Bocquet] (PL-Kj 40143, f.37v LN 117/3

Bocquet (Charles) Volte Boc[quet] (D-KNu K.16a.6745. p.1) LN 117/27

Bocquet (Charles) Volte Bocq[uet] (D-KNu K.16a.6745. p.1) LN 117/26

Bocquet (Charles) Volte Bocquet (D-KNu K.16a.6745. p.6) LN 117/28

Bocquet (Charles) Volte [Bocquet] (PL-Kj 40143, f.44) LN 117/25

Bocquet (Charles) Volte Bocqueti (Fuhrmann 1615, p. 178) LN 11729

Bocquet (Charles) Volte Bocqueti (Fuhrmann 1615, p. 180, adds a 3rd strain) LZ 11730b

Boësset (Antoine) Courante sur J’avois brise mes fers (GB-Cfm 689 Herbert, f.50) LN 128/Boesset 1

Boësset (Antoine) [En sortant de nos froides prisons] (D=Us 132, p.58) LN 128/Boesset 2

Boguña (Joaquim) Fantasia no.1 LN 49 C59

Boguña (Joaquim) Fantasia no.2 LN 49 C59

Boguña (Joaquim) Pavana Breu LN 49 C59

Borrono (Pietro Paulo) La Barberina (Intabulatura 1546, f.6v), see under Borrono (Pietro Paulo) Saltarello detto la BarberinaLN 28 C13/5; LN 72/39e

Borrono (Pietro Paulo) La Borroncina (Intabulatura 1546, f.2), see under Borrono (Pietro Paulo) Pavana detta la Borroncina, LN 72/39a

Borrono (Pietro Paulo) La Duchessa (Intabulatura 1546, f.4v), see under Borrono (Pietro Paulo) Saltarello secondo lella Duchessa, LN 72/39c

Borrono (Pietro Paulo) Fantasia [1a] (Casteliono 1536, f.33) LS 8/3LN 75

Borrono (Pietro Paulo) Fantasia] [1b] first 30 bars only (D-Mbs 266, f.73) LN 75

Borrono (Pietro Paulo) Fantesia [2] (Scotto 1546, f.28) LN 75

Borrono (Pietro Paulo) Fantesia [3] (Scotto 1546, f.31v) LN 75

Borrono (Pietro Paulo) Fantesia [4a] (Scotto 1546, f.33) LN 75

Borrono (Pietro Paulo) Phantasia [4b] (D-DO G.I.4 III, f.9v) LN 75Borrono (Pietro Paulo) Fantasia [5] (Scotto 1548, f.G1v) LN 75

Borrono (Pietro Paulo) Fantasia [6] (Scotto 1548, f.G4v) LN 75

Borrono (Pietro Paulo)? El Mazolo (Casteliono f.23v), see under Borrono (Pietro Paulo)? Saltarello chiamato el Mazolo, LN 113

Borrono (Pietro Paulo) Pavana detta la Borroncina (Intabulatura 1546, f.2) LN 72/39a

Borrono (Pietro Paulo) Rose Viole, see under Borrono (Pietro Paulo)? Saltarello chiamato Rose Viole, and Le Riprese, LS 8/3

Borrono (Pietro Paulo) La Represe (Intabulatura 1546, f.5v) LN 72/39d

Borrono (Pietro Paulo)? Saltarello chiamato el Mazolo (Casteliono f.23v) LN 113

Borrono (Pietro Paulo)? Saltarello chiamato Rose Viole, and Le Riprese (Casteliono 1536, f.11v) LS 8/3

Borrono (Pietro Paulo) Saltarello Primo (Intabulatura 1546, f.3v) LN 72/39b

Borrono (Pietro Paulo) Saltarello secondo della Duchessa (Intabulatura 1546, f.4v, cf. Phalèse Carminum, Galiarda IIII)LN 72/39c

Borrono (Pietro Paulo) Saltarello terzo detto la Barberina (Intabulatura 1546, f.6v) LN 28 C13/5LN 72/39e

Borrono (Pietro Paulo) Tochata da sonare nel fine del ballo (Casteliono 1536, f.13v) LN 75 LN 124/T1

Borrono (Pietro Paulo) Tochata nel fine del Ballo (Casteliono 1536, f.17v) LN 75

LN 124/T2

Borrono (Pietro Paulo) Thochata (Casteliono 1536, f.53v) LS 8/3 LN 75

LN 124/T4

Βοrronο (Pietro Paulo)? [Tochata?] (Scotto 1546, f.1v; Casteliono 1548, f.2) LN 75

Bossinensis (Francisco) A la fama si va per varie scale, recorder/viol & lute (1509, f.24) LN 62

Bossinensis (Francisco) Chi in Pregion Crede Tornami, recorder/viol & lute (1509, f.25) LN 62

Bossinensis (Francisco) Chi pregionide Tor Nami, duet, lute and viol (1509, f.25) LS 3/4

Bossinensis (Francisco) Lasa Masua per va ne scale, duet, lute and viol (1509, f.24) LS 3/4

Bossinensis (Franciscus) Recercar primo (Bossinensis I, f.49v) LZ 108

Bossinensis (Franciscus) Recercar 2 (Bossinensis I, f.49v) LN 88/14LZ 108

Bossinensis (Franciscus) Recercar 3 (Bossinensis I, f.50) LN68/19LZ 108

Bossinensis (Franciscus) Recercar 4 (Bossinensis I, f.50) LZ 108

Bossinensis (Franciscus) Recercar 5 (Bossinensis I, f.50v) LZ 108



Bossinensis (Franciscus) Recercar 8 (Bossinensis I, f.51) LN 45 ` LZ 108


Bossinensis (Franciscus) Recercar 10 (Bossinensis I, f.51) LN 68/8LZ 108

Bossinensis (Franciscus) Recercar 11 (Bossinensis I, f.51v) LN 68/14LZ 108






Bossinensis (Franciscus) Recercar 17 (Bossinensis I, f.52v) LN88/21LZ 108










Bossinensis (Franciscus) Recercar primo (Bossinensis II, f.55v) LZ 108

Bossinensis (Franciscus) Recercar 2 (Bossinensis II, f.55v) LZ 108

Bossinensis (Franciscus) Recercar 3 (Bossinensis II, f.56) LZ 108


















Brade (Christian)? Galliarda Brad[e] (Fabritius, f.113v) LN 46 C39/6

Brade (William)? Pavana Wilhelmi Angli (Mylius p.44) LN80/2LN96/1

Brade (William)? Pavana Anglica Eiusdem (Mylius p.46) LN96/2

Brahes (Per) Symbell, Balletto, Courante, Galiarda (Upsala 1620) LN 16 text

Braysinger (Gregor), see under Howet (Gregory) [15] Passa Messo de M gregorio [Gregor Braysinger?] (Munich 1511d, f.14), LN 39 A5 2/15

Brewster. A Pavyn Bruzter owt of Grenes Book Brewster. [Brewster 1a] (Willoughby, f.10v) LN 58/1a

Brewster. A Paven of Breuusters Makinge [Brewster 1b] (Dallis no.94, p.104) LN 58/1b

Bulman. A Paven (Euing, f.47v) LN 58/2

Byrd (William) Agnus Dei, mass for four voices arranged for lute LZ 107

Byrd (William) The Bells, transcribed from keyboard (GB-Cfm 168 Fitzwilliam Virginal Book, p.132) LZ 126/B1d

Byrd (William) Callino Casturame, transcribed from keyboard (GB-Cfm 168, p.311) LZ 125/C3

Byrd (William) [Fantasia] (GB-Lbl Hirsch 1353, f.21v) LN 127/1

Byrd (William) Fantasy à 3 no.2, original version and reconstruction (BL Add.MS. 29246 Paston, f.22v) LSJ vol.26 part 1

Byrd (William) Mr. Birde. Fantasia, lute entabulation of the three lower voices (GB-Lbl Add.29246, f.41v) LZ 127/1b LZ 127/Hi15

Byrd [(William)] The Galiarde (Welde no.23, f.8) LN 127/7a

[Byrd (William)] [Galliard] (GB-Lbl Hirsch M.1353, f.2, almost identical to Welde no.23 without graces) LZ 127/7b

[Byrd (William)] [Galliard] (GB-Cu Dd 9.33, f.59v, almost = Welde no.23 without graces) LZ 127/7c

Byrd (William)? [Galliard] WB (GB-Cu Dd.5.78.3, f.53 i) LN 127/9

Byrd (William)? [Galliard] WB (GB-Cu Dd.5.78.3, f.53 ii) LN 127/8

Byrd (William) Galliard “Mr Birdes [Galliard]”, different key to Welde no.23 (Dd.2.11, no.323, f.101v) LZ 127/7d

Byrd (William) Galliard “Mr. Birds Galliarde”, cittern (GB-Cu Dd.4.23, f.1v) LZ 127/7f

Byrd (William) A Ground (GB-Cu Dd.5.78.3, f.41v, and Dd.2.11, no.322, f.101), see under Collard (Edward)A Ground [variations on “Hugh Ashtons Grownde” by William Byrd], LS 6/2; 127/13a; LN 105/9a

Byrd (William) Lord Willoughbies Welcome Home (GB-Lbl Eg.2046, f.33v) LN 127/11

Byrd (William) Lullaby, cittern (GB-Cu Dd.4.23, f.8v) LZ 127/10c

Byrd (William) Master Birds Pavan (Barley 1696), see under Byrd (William) Pavana Bray, LZ 127/5b

Byrd (William) Mr. Birdes Lullaby, arranged by Francis Cutting (GB-Cu Dd.9.33, f.4v) LN 127/10a

Byrd (William) Mr. Byrde Lullaby, lacking cantus (GB-Lbl Ad.31992, f.21v) LZ 127/10b

Byrd (William) Mr. Birdes [Pavan] (GB-Cu Dd.9.33, f.35v) LN 127/4

Byrd (William) [Pavana Bray] “Master Birds Pavan” (Barley 1696, = LZ 127/5a without repeats) LZ 127/5b

Byrd (William) Pavana Bray, see also under Cutting (Francis) Pavan (Dd.9.33, f.12v), LN 51C62; LN 127/5a

Byrd (William) Pavane (Welde no.22, f.7v) LSJ vol.1 plate IILN 127/2

Byrd (William) Pavane, bass part in staff notation (Welde no.22a, f.7v) LSJ vol.1, plate II

Byrd (William) A Paven by Mr. Birde (GB-Cu Dd.9.33, f.11v), see under Cutting (Francis) A Pavan Mr. Birde,LN 61/3; LN 127/3

Byrd (William)? William Birdes Pavine (Irl-Dtc 410-I Dallis no.80, p.90) LN 127/6

Byrd (William) [The Woods So Wild], arranged by Francis Cutting? (GB-Gu Euing 25, f.33v) LN 64 LZ 107/2b

LN 127/12

Calestani (Vincenzio) Damigella tutta bella (madrigal with vocal part) LZ 104

Campion (Thomas) As by the streames of Babilon, voice and lute LN 93 text

Campion (Thomas) Away with these selfe loving lads, voice and lute LZ 109 textLZ 121 text

Campion (Thomas) Come cheerful day, three-part lute song (Two Bookes of Ayres, I xvii) LSJ vol.23 part 2

Campion (Thomas) Good men show if you can tell, voice and lute with reply by Mary Ensor LZ 122 text

Campion (Thomas) If she forsake me, voice and lute LZ 109 text

Campion (Thomas) Jack and Joan, voice and lute LN 71 text

Campion (Thomas) Never weather-beaten saile, voice and lute LN 87 text

Campion (Thomas) The peacefull westerne winde, voice and lute LN67 text

Campion (Thomas) A secret love or two, voice and lute LZ 105 text

Campion (Thomas) Sweet, exclude mee not (Two Bookes of Ayres, II xi) LSJ vol.23 part 2

Campion (Thomas) When Laura smiles LZ 105 text

Campion (Thomas) Where she her sacred bower adorns, voice and lute LZ 102 text

Capirola (Vicenzo) Padoana bellisima, descorda nel ton d[i] S[an]ta Tri[inita]s, split 3rd course [Capirola 17] (Compositione, p.54), cf. Anon. The Duke of Somersettes Dompe (Royal Appendix 58, f.51v), LN38 B2 LN45 C48

Capirola (Vicenzo) Recercar primo [Capirola 2] (Compositione, p.10) LN 68/23

LZ 106

Capirola (Vicenzo) Recercar secondo [Capirola 4] (Compositione, p.15) LZ 106

Capirola (Vicenzo) Recercar terzo [Capirola 7] (Compositione, p.25) LZ 106

Capirola (Vicenzo) Recercar quarto [Capirola 16] (Compositione, p.50) LZ 106

Capirola (Vicenzo) Recercar quinto [Capirola 18] (Compositione, p.58) LZ 106

Capirola (Vicenzo) Recercar sesto [Capirola 19] (Compositione e, p.64) LZ 106

Capirola (Vicenzo) Recercar setimo [Capirola 23] (Compositione, p.81) LZ 106

Capirola (Vicenzo) Recercar otavo [Capirola 25] (Compositione, p.88) LZ 106

Capirola (Vicenzo) Recercar nono [Capirola 26] (Compositione, p.90) LZ 106

Capirola (Vicenzo) Recercar decimo [Capirola 27] (Compositione, p.92) LZ 106

Capirola (Vicenzo) Recercar undecimo ala spagnola facile [Capirola 29] (Compositione, p.96) LZ 106

Capirola (Vicenzo) Recercar xii che sona m. Vincenzo [Capirola 40] (Compositione, p.135) LZ 106

Capirola (Vicenzo) Recercar xiii [Capirola 41] (Compositione, p.141) LZ 106

Capirola (Vicenzo) Ti[entalore?] baleto da balar bello [Capirola 12] (Compositione, p.38) LN 44 C41LN 70/25

Carols: see Anon. As with Gladness, LN 56

Carols: see Anon. Hark the Herald Angels Sing, LN 64

Carols: see Anon. In Duci Jubilo, LN 60

Carols: see Anon. In the Bleak Midwinter, LN 64

Carols: see Anon. Lobe den Herren, baroque lute, LN 44 C41

Carols: see Anon. O Come All Ye Faithful, LN 64

Carols: see Anon. O Little Town of Bethlehem, LN 64

Carols: see Anon. Once in Royal David’s City, LN 64

Carols: see Anon. While Shepherds Watched, LN 64

Carols: see Reusner (Esaias) In Dulci Jubilo (Musicalisher Lustgarten p.[3]), LN 35 A3

Caroso (Fabritio) Alta Regina, Cascarda (Il Ballerino, f.9) LN 42

Caroso (Fabritio) Balletto Alta Morona La sua Sciolta (Caroso 1581, f. 135), see under Caroso (Fabritio) La Monaca, LZ 120/M12

Caroso (Fabritio) Ballo del Fiore (Il Ballerino, f.159) LN 42

Caroso (Fabritio) Bella Gioiosa, Cascarda (Il Ballerino, f.95v) LN 42

Caroso (Fabritio) Candida Luna, Cascarda, = triple section of Bassa Honorata (Il Ballerino, f.125) LN 42

Caroso (Fabritio) Celeste Giglio - volta - Canario (Caroso 1600, p. 135), see under Caroso (Fabritio) La Monaca, LZ 120/M14, p.66

Caroso (Fabritio) Il Conto dell’ Orco, Balletto (Il Ballerino, f.51) LN 42LN 52 LN 101 text/BL 12

Caroso (Fabritio) Florido Giglio, Cascarda (Il Ballerino, f.32v) LN 42

Caroso (Fabritio) Giunto m’ha Amore, Balletto (Il Ballerino, f.136v) LN 42

Caroso (Fabritio) [La Monaca] “Balletto Alta Morona La sua Sciolta” (Caroso 1581, f. 135) LZ 120/M12, p.65

Caroso (Fabritio) [La Monaca] “Celeste Giglio – volta - Canario” (Caroso 1600, p. 135) LZ 120/M14, p.66

Caroso (Fabritio) Ombrosa Valle, Balletto (Il Ballerino, p.129) LN 42

Caroso (Fabritio) Pavaniglia [The Spanish Pavan] (Il Ballerino, f.39v) LZ112/67a

Caroso (Fabritio) Tordiglione (Il Ballerino, p.169) LN 42

Castaldi (Bellerofonte) Chromatica Corrente (Castaldi 1622, p.61) LZ 125/App 2

Cato (Diomedes) Alamanda (Fuhrmann 1615 p.145) LN 90/12b

Cato (Diomedes) Balletto Diomedes (Busch f.41) LN 90/12a

Cato (Diomedes) Balletto Diomedes (Busch f.41v), see under Cato (Diomedes) Polnische Tanz, LN 90/3c

Cato (Diomedes) Ballo Polacco (D-B 4022, f.32), see under Cato (Diomedes) Polnische Tanz, LN90/3d

Cato (Diomedes) Barriera Diomedes (Guelf18.8 f.226v-228) LN 90/4

Cato (Diomedes) Cantio Polonica Diomedes (Em II.6.15 p.489) LN 90/15

Cato (Diomedes) Chorea Polonica (M.VIII.24 f.138), see under Cato (Diomedes) Polnische Tanz, LN 90/3b

Cato (Diomedes) Chorea Polonica Diomedes (Besard 1603 f.138 i) LN 90/2

Cato (Diomedes) Chorea Polonica II (Besard 1603 f.138 ii) LN 90/10

[Cato (Diomedes)?] Chorea Polonica Diomedes (Besard 1603 f.138 iii) LN 90/5

Cato (Diomedes) Chorea Polonica Diomedes (Besard 1603 f.138v i) LN 90/6

Cato (Diomedes) Chorea Polonica Diomedes (Besard 1603 f.138v ii) LN 90/7a

Cato (Diomedes) Chorea Polonica Diomedes (Ch-Bu F.IX.70, pp.293-294) LN 90/7b

Cato (Diomedes) Chorea Polonica Diomedes (Besard 1603 f.138v iii) LN 90/8

Cato (Diomedes) Chorea Polonica (Besard 1603 f.139 i) LN 90/13

Cato (Diomedes) Chorea Polonica (Besard 1603 f.139 ii) LN 90/14

Cato (Diomedes) Chorea Polonica (M.VIII.24 f.139 i) LN 90/11

Cato (Diomedes) Chorea Polonica (M.VIII.24 f.139 ii) LN 90/9

Cato (Diomedes) Diom: p[re]ludium (D-LEm II.6.15, p.19) LN 87/2

Cato (Diomedes) Donna Crud: Diom (D-LEm II.6.15, p.516) LN 87/6a

Cato (Diomedes) Donna cruel alterius melodae quam superioris Diomed (Besard 1603, f.45v) LN 87/6b

Cato (Diomedes) Fantasia (Herbert f.76) LN 95/1

Cato (Diomedes) Fantasia (Herbert f.80) LN 95/3a

Cato (Diomedes) Fantasia (D-Hs M B 2768 p.42) LN 95/4a

Cato (Diomedes) Fantasia (Herbert f.74v) LN 95/4b

Cato (Diomedes) Fantasia Diomedes (GB-Cfm 689 Herbert, f.38) LN 95/5a LZ 125/App 6a

Cato (Diomedes) Fantasia (Molinaro 1599, p.125, att. to Giovanni Battista dalla Gostena) LN 95/5b

Cato (Diomedes) Fantasia (Besard 1603, f.17) LN 95/6

Cato (Diomedes) Fantasia (D-W Guelff 18.7/III f.11v) LN 95/7

Cato (Diomedes) Fantasia (D-LEm II.6.15, p.59) LN 95/8

Cato (Diomedes) Fantasia (Herbert f.80v) LN 95/9

Cato (Diomedes) Fantasia Diomedes (Besard 1603, f.29v), see under Tracetti (Lorenzino) Fantasia Diomedes, LN 121/C78

Cato (Diomedes) Fantasia (Besard 1603, f.33v) LN 95/10

Cato (Diomedes) Fantasia (GB-Cfm 689 Herbert f.60) LN 97/11

Cato (Diomedes) Fantasia (GB-Cfm 689 Herbert f.16v) LN 97/12

Cato (Diomedes) Fantasia (GB-Cfm 689 Herbert f.72v) LN 97/13

Cato (Diomedes) Fantasia (GB-Cfm 689 Herbert f.59v) LN 97/14a

Cato (Diomedes) Fantasia (Besard 1603 f.24v) LN 97/15

Cato (Diomedes) Fantasia (Besard 1603 f.29v) LN 97/16a

Cato (Diomedes) Fantasia (PL-Kj 40032 f.76v) LN 97/16b

Cato (Diomedes) Fantasia (Besard 1603 f.25v) LN 97/17

Cato (Diomedes) Fantasia (Besard 1603 f.28) LN 97/18

Cato (Diomedes) Fantasia (GB-Cfm 689 Herbert f.13v) LN 77 textLN 97/19a

Cato (Diomedes) Fantasia (Mertel 1615 p.268) LN 97/19b

Cato (Diomedes) Fantasia (Mertel 1615 p.251) LN 97/20

Cato (Diomedes) Fantasia (VLL, f.E2v) LN 95/2

Cato (Diomedes) Fantasia Cidrac Rael (D-W Guelf.18.7 III. f.202v) LN 97/14b

Cato (Diomedes) Favorito Diomedes (Hove 1612, f.50) LN 85/10

Cato (Diomedes) Fuga Diomedes (I-Gu M.VIII.24, f.30) LN 95

Cato (Diomedes) Fuga Diomedi (PL-LZu M 6983, f. 65v) LN 87/12

Cato (Diomedes) Fuga Diomedi (PL-LZu M 6983, f. 66v) LN 87/5

Cato (Diomedes) Gagliarda di Diomede (I BDG, p.20) LN 85/6a

Cato (Diomedes) Gagliarda di Diomede (I-BDG Chilesotti, p. 21) LN 85/1

Cato (Diomedes) Gagliarda Diomedes (D-W Guelf 18.8/VI, f.174v) LN 85/8

Cato (Diomedes) Gagliarda Diomedes (D-W Guelf 18.8/VI, f.175) LN 85/9LZ 115/Tapp 1

Cato (Diomedes)? [Gagliarda Diomedes] “Eadem Gagliarda alio modo” (D-W Guelf 18.8/VI, f.175) LZ 115/Tapp 2

Cato (Diomedes) Galliarda Diomedes (GB-Hadolmetsch II.B.1, f.9v) LN 85/7bCato (Diomedes) Galliarda Diomedi (PL-Lzu M 6983, f.84) LN 85/14

Cato (Diomedes) Galliarda [VII] (Grässe, f.84v) LN 32 C16/4

Cato (Diomedes) Galliarda Diom. (Besard 1603, f.123) LN 85/13a

Cato (Diomedes) Galliarda Diomedi (PL-Lzu M 6983, f.84v) LN 85/2

Cato (Diomedes) Galliarda Diomedi (PL-Lzu M 6983, f.85v) LN 32 C16/7LN 85/3

Cato (Diomedes) Galliarda Diomedi (PL-Lzu M 6983, f.86v) LN 85/4

Cato (Diomedes) Galliarda Diomedi, Ein freulein lebet uf diese erdtt (PL-Lzu M 6983, f.85v) LN 85/5b

Cato (Diomedes) Galliarda Diomedis (D-Knu K 16a 6745, p.4) LN 85/5a

Cato (Diomedes) Galliarda Diomedis (Rudenius Flores f.hh4v) LN 85/5c

Cato (Diomedes) Galliarda Diomedis (Besard 1603, f.122v) LN 85/6b

Cato (Diomedes) Galliarda eiuldem [Diomedes] (Besard 1603, f.123v) LN 85/5d

Cato (Diomedes) Galliarda nova Diomedi (PL-Lzu M 6983, f.85) LN 85/12

Cato (Diomedes) Galliarde Diomedes (CZ-Pnm IV.G.18, f.167v) LN 85/7a

Cato (Diomedes) Galliarde Diomedes (Hove 1612, f.52v) LN 85/13b

Cato (Diomedes) Galliarde Diomedes (Hove 1612, f.51) LN 85/11

Cato (Diomedes) Passomezo Diomedes (Fuhrmann 1615 p.87-89) LN 90/16

Cato (Diomedes) Passomezo Diomedes (Fuhrmann 1615 p.94-96) LN 90/17

Cato (Diomedes) Passomezzo Diomedes (Chilesotti p.80) LN 90/1

Cato (Diomedes) Polnische Tanz (Waissel 1591 E4v) LN 90/3a

Cato (Diomedes) [Polnische Tanz] Balletto Diomedes (Busch f.41v) LN 90/3c

Cato (Diomedes) [Polnische Tanz] Ballo Polacco (D-B 4022, f.32) LN90/3d

Cato (Diomedes) [Polnische Tanz] Chorea Polonica (M.VIII.24 f.138) LN 90/3b

Cato (Diomedes) Praelud. Diomed (Besard 1603, f.4v) LN July 1981 text

Cato (Diomedes) Praeludium Dio (D-Hs M B 2678, p.9) LN 87/8LN 87/9a

Cato (Diomedes) Praelud. Diomed (Besard 1603, f.4) LN 87/10bCato (Diomedes) Praelud. Diomed (Besard 1603, f.11v) LN 87/7

Cato (Diomedes) Praelud.eiuldem [Diomed] (Besard 1603, f.11v) LN 87/3

Cato (Diomedes) Praeludium Diomedis (Fuhrmann 1615, p.6) LN 87/11

Cato (Diomedes) Prelude (Francisque 1600, f.5v) LN 87/4bCato (Diomedes) [Prelude] Eigdem [Diomedes] (D-LEm II.6.15, p.20) LN 87/10a

Cato (Diomedes) Prelude] Re mi fa sol la (D-Hs M B 2678, p.39) LN 87/4a

Cato (Diomedes) Prelude des preludes par Sr Diomede (GB-Cfm 689, f.1) LN 87/9b

Cato (Diomedes) Ut re mi fa sol la (GB-Cfm 689, f.2v) LN 87/13a

Cato (Diomedes) Ut re mi fa sol la (GB-Lbl Add.15117, f.8v) LN 87/13b

Cato (Diomedes) Vola pensier (Besard 1603, f.41v) LN 87/1

Chamb[er]laine (Jeremy) Almain (Dd.9.33, f.76) LN 45 C47/6

Chamb[er]laine (Jeremy) Jig (Dd.9.33, f.76) LN 45 C47/5

Chancy (François Sieur de) En me revenant de S. Nicolas (Tablature de mandore, Paris, 1629, f.5v) LZ 115/32

Chillester (Henry) I sigh to see, lute song reconstruction (Brogyntyn MS, p.130) LSJ vol.44

Clarke (Jeremiah) Chaconne: arranged as duet, (no lute II) LN55

Clarke [(Richard)] Clarks Galliard, in C (Nn.6.36, f.14v) LN 49 C58/1a

Clarke [(Richard)] A Galiarde of Clarkes, in B flat (Wickhambrook, f.11), see under Holborne (Anthony) Jast, or Clark’s Galliard [Spring 33a], LN 49 C58/1b

Collard (Edward) [As I Went to Walsingham] “Walsingham” (Add.3056, f.4v) LS 6/7LN 63LN 105/5a

Collard (Edward) [As I Went to Walsingham] “Walsingham” (Dd.2.11 no.304, 96v) LN 105/5b

[Collard (Edward)] As I Went to Walsingham, variations (Welde no.29, f.9v) LZ 104/2gLN 105/5c

Collard (Edward) A Galliard (BM Eg.2046, f.28) LS 6/4 iiLN 61LN 105/6

Collard (Edward) A Galliard (Dd.5.78.3, f.32v), see also Collard (Edward) The May Galliard (Welde no.26, f.9), LS 6/7; LN 66

Collard (Edward) The Galliard to Mr. Anthony Mildmay’s Pavan (Dd.5.78, f.54v) LS 6/4 iLN 83LN 105/4

Collard (Edward) Go from my Window (Dd.9.33, f.31v) LS 6/6LN 63

LN 105/8LZ 109/1c

Collard (Edward) A Ground [variations on “Hugh Ashtons Grownde” by William Byrd] (Dd.5.78, f.41v) LS 6/2LN 127/13a

Variations on a Ground LN 105/9a

Collard (Edward) [Variations on “Hugh Ashtons Grownde” by William Byrd] (Dd.2.11, no.322, f.101, = 13a) LZ 127,13b Variations on a Ground LN 105/9b

Collard (Edward) [The Maye Galliard] “A Galliard” (Dd.5.78.3, f.32v) LS 6/7LN 66LN 105/7a

Collard (Edward)] The Maye Galliard (Welde no.26, f.9) LN 105/7b

Collard (Edward) Mr. Anthony Mildmay’s Pavan (Dd.5.78, f.53v) LS 6/3LN 105/3

Collard (Edward) A Pavan (Dd.9.33 [c], f.65v) LS 6/5LN 87LN 105/2

Collard (Edward) Pavan (A) (Dd.5.78.3, f.4v) LS 6/1LN 71LN 105/1

Collard (Edward) Walsingham, see under Collard (Edward) As I Went to Walsingham, LN 105 a-c Confesse (Mr.)? Coranto Confes[se] (Nn.6.36, f.36v = Anon. Corant, Board no. 139, f.37 and Anon. Untitled ( Board no. 177, f.43v),

see under Anon. Coranto Confesse, LN 78/8e

Confesso (Mr.) The First Tune of the Lord’s Masque (ML f.30v), see also under Taylor (Robert) Antique Maske per Mr Confessoset by Mr.Taylor (Board no.91, f.27v), LN 41 A6/1 LN 66/2a

[Conti?] (Anthony) Pavan (Willoughby, f.14v) LN 50 A9

Cooper. Jigge (Königsberg, f.51v) LN 46 C39/4

Coprario (John)? [Gray’s Inn Mask] (Board no.157, f.39v) LN 78/3a

Coprario (John)? [Gray’s Inn Mask] “The Turtle Dove” (Board no.186, f.45v) LN 66/4c

Coprario (John)? The Lord’s Maske (Trinity O.16.2, p.132) LN 66/4a

Coprario (John)? The Turtle Dove (Board no.186, f.45v), see under Coprario (John)? [Gray’s Inn Mask], LN 66/4c

Corbetta (Francesco) Ballet, guitar (Castillion B:Lc Ms.245) LN 80 text

Corbetta (Francesco) Marionas, guitar (pirated edition) LN 80 text

Corelli (Arcangelo) Corrente, Sonata n.7 op.V, original version (Roma 1700) LN 123 text

Corelli (Arcangelo) Corrente, Sonata n.7 opV, transcription for 4-course baroque mandolin (Mūnster Diözedsanbibliothek HS 4110, f.19) LN 123 text

Corelli (Arcangelo) Corrente, first part, tablature for 4-course baroque mandolino (Mūnster Diözedsanbibliothek HS 4110, f.19)LN 123 text

Corelli (Arcangelo) Corrente, final part , tablature for 4-course baroque mandolin (Mūnster Diözedsanbibliothek HS 4110, f.19v)LN 123 text

Corelli (Arcangelo) Preludio, Sonata n.7 op.V, original version (Roma 1700) LN 123 text

Corelli (Arcangelo) Preludio, Sonata n.7 op.V, transcription for 4-course baroque mandolin (Mūnster Diözedsanbibliothek HS 4110, f.18)LN 123 text

Cotton [(Clement?)] Cottons [Chi Passa] [Cotton 2a] (Marsh no.10, p.30) LN 58/4a

Cotton [(Clement?)] Goodnight [Variations on the Goodnight ground] [Cotton 3] (Marsh no.127, p.362) LN 58/5

Cotton [(Clement?)] The Quadran Paven [Cotton 1a] (Ballet, p.88) LN 58/3a

Cotton [(Clement?)] Quadran F.C. [Cotton 1b] (Dallis no.23, p.28) LN 58/3b

Cotton [(Clement?)] Quadro Pavane [Cotton 1c] (Dallis no.20, p.24) LN 58/3c

Cotton [(Clement?)] [Untitled Variations] [Cotton 2b] ( Marsh no.103, p.248) LN 58/4b

Cotton [(Clement?)] [Variations on the Goodnight ground] (Marsh, p.362), see under Cotton [(Clement?)] Goodnight [Cotton 3], LN 58/5

Couperin. Third Prelude, arranged for lute LN 79

Creighton (Robert)? [Kemps Jigge] “Nutmegs and Ginger”, transcribed from keyboard (F-Pc Res 22286. F.108)LN 126/N1

Cutting (Francis) Almaine LN 78

Cutting (Francis) [As I went toWalsingham], untitled variations (Dd.2.11, no.303, f.96; Euing 25, f.43v) LZ 104/2d

Cutting (Francis) A Galliarde fr. Cuttinge [Poulton no.92, based on Poulton 24a] (GB-Cu Dd.5.78.3, f.63) LN 111/24c

Cutting (Francis) [Galliard on Go from my Window] (Dd.2.11, no.157, f.53v) LZ 109/1s

Cutting (Francis) Greensleeves (GB-Lbl Add.31392, f.29) LN 124/G3

Cutting (Francis) A Jigg (Dd.2.11 no.311, f.98) LS 1/7a

C(utting) F(rancis) [My Lord Willoughby's Welcome Home] (GB-Cu Dd.5.78.3, f. 28v) LN 113/JD66h

Cutting (Francis) Pavan (Dd.2.11 no.24, f.6v) LN 27 Tab sheet 2/1

Cutting (Francis) Pavan (Dd.2.11 no.237, f.72), see under Ferrabosco (Alphonso) Pavan, LN 103/5a

Cutting (Francis) Pavan, [setting of William Byrd’s Pavana Bray] (Dd.9.33, f.12v) LN 51C62LN 127/5a

Cutting (Francis) A Pavan Mr. Birde set to lute by Fr. Cutting, ascribed to Thomas Morley [Morley 3], (Dd.9.33, f.11v) LN 61/3LN 127/3

[Cutting (Francis)?] Untitled [quoting The Woods so Wild] (GB-Gu Euing 25, f.44v) LZ 107/4

Cutting (Francis), see also under Byrd (William) The Woods So Wild, arranged by Francis Cutting? (GB-Gu Euing 25, f.33v), LN 64; LZ 107/2b; LN 127/12

D. (C.) Almande (Schele, p.141) LN 52 A10/8

D.(H.) D’annto Boloigna and Saltarell, suite 32 a-b (Munich 1512, f.58v) LN 72/32a-b

D.(H.) Ein schoner Paduaner and Saltarell darauf, suite 33 a-b (Munich 1512, f.63v) LN 72/33a-b

da Crema (Giovanni Maria) Allde (Heckel 1556 & 1562 Discant, p.229) LZ 124/11i

da Crema (Giovanni Maria) Fantasie Commune (CH-Bu F.IX.70, p.56) LZ 124/11g

da Crema (Giovanni Maria) Fantasia (I-CFVd, f.35v) LZ 123/10

da Crema (Giovanni Maria) Fantasia (CH-Bu F.IX.70, p.41) LZ 124/11f

da Crema (Giovanni Maria) [Fantasia] (GB-Cu Dd.2.11, f.23) LZ 124/5b

da Crema (Giovanni Maria) [Fantasia] (NL-DHnmi Kluis A20, f.8) LZ 124/5c

da Crema (Giovanni Maria) [Fantasia] (NL-DHnmi Kluis A20, f.14) LZ 124/12b

da Crema (Giovanni Maria) [Fantasia] (D-Mbs Mus.266, f.71) LZ 124/15b

da Crema (Giovanni Maria) [Fantasia] (NL-DHnmi Kluis A20, f.21) LZ 124/23b

da Crema (Giovanni Maria) Fantasia 3 (D-Lem II.6.15, p.44) LZ 124/8b

da Crema (Giovanni Maria) Fantasia 7a (Matelart 1559, f.11v) LZ 124/5d-i

da Crema (Giovanni Maria) [Fantasia] “De Io. Matelart a voci pari” (Matelart 1559, f.12) LZ 124/5d-ii

da Crema (Giovanni Maria) O Felici ochi miei de, after Archadelt (da Crema 1546, f.H4v) LZ 126/App 3

da Crema (Giovanni Maria) Phantasia 9 (Mertel 1615, p.140) LZ 124/11e

da Crema (Giovanni Maria) Preambl Joan Maria (Gerle 1552, f.B2v) LZ 123/4

da Crema (Giovanni Maria) Das 6 Preambel (Gerle 1552, f.C1) LZ 124/11d

da Crema (Giovanni Maria) Preambulum (S-Sackska samlingen.f.22) LZ 124/9c

da Crema (Giovanni Maria) [Recercar] (Phalese 1549 f.B2) LZ 123/11

da Crema (Giovanni Maria) Recercar J (F-Pn 429, f.135) LZ 124/9b

da Crema (Giovanni Maria) Recerchar Primo (Scotto 1546, f.3) LZ 123/1

da Crema (Giovanni Maria) Recercar Primo Julio da Modena (Scotto 1548, f.C4) LZ 123/16

da Crema (Giovanni Maria) Recerchar Secondo (Scotto 1546, f.3v) LZ 123/2

da Crema (Giovanni Maria) Recercar Secondo Julio da Modena (Scotto 1548, f.C4v) LZ 123/17

da Crema (Giovanni Maria) Recercar Terzo (Scotto 1548, f.D1) LZ 123/18

da Crema (Giovanni Maria) Recerchar Terzo (Gardano 1546, f.A3v) LZ 123/3

da Crema (Giovanni Maria) Recercar terzo, after Julio de Modena [cf. Ness 88] LN 110

da Crema (Giovanni Maria) Recercar Quarto (Scotto 1548, f.D2) LZ 123/19

da Crema (Giovanni Maria) Recerchar Quinto (Gardano 1546, f.B1) LZ 123/5

da Crema (Giovanni Maria) Recercar Quinto (Scotto 1548, f.D3v) LZ 123/20

da Crema (Giovanni Maria) Recercar Salamonis (CH-SAM M 1 , p.41) LZ 124/23c

da Crema (Giovanni Maria) Recercar Sesto (Scotto 1548, f.D4v) LZ 123/21

da Crema (Giovanni Maria) Recercar Sexto (Gardano 1546, f.B1v) LZ 123/6

da Crema (Giovanni Maria) Recerchar Settimo (Scotto 1546, f.7) LZ 123/7

da Crema (Giovanni Maria) Recercar Setimo (Scotto 1548, f.E1) LZ 123/22

da Crema (Giovanni Maria) Recercar Ottavo (Scotto 1548, f.E2v) LZ 123/23a

da Crema (Giovanni Maria) Recerchar Ottavo (Scotto 1546, f.7v) LZ 123/8a

da Crema (Giovanni Maria) Recerchar Nono (Scotto 1546, f.7v) LZ 123/9a

da Crema (Giovanni Maria) Recercar Nono (Scotto 1548, f.E3v) LZ 123/24

da Crema (Giovanni Maria) Recercar Decimo (Scotto 1548, f.F1) LZ 123/25

da Crema (Giovanni Maria) Recercar Undecimo (Gardano 1546, f.B4v) LZ 124/11b

da Crema (Giovanni Maria) Recercar Undecimo (Scotto 1546, f.9) LZ 124/11c

da Crema (Giovanni Maria) Recercar Undecimo (Scotto 1548, f.F1v) LZ 123/26

da Crema (Giovanni Maria) Recercar Duodecimo (Scotto 1548, f.F3) LZ 123/27

da Crema (Giovanni Maria) Recerchar Duodecimo (Scotto 1546, f.9v) LZ 123/12a

da Crema (Giovanni Maria) Recerchar Tredecimo (Scotto 1546, f.10) LZ 123/13

da Crema (Giovanni Maria) Recercar Decimoquarto (Gardano 1546, f.C2) LZ 123/14

da Crema (Giovanni Maria) Recerchar Decimoquinto (Scotto 1546, f.11) LZ 123/15a

da Crema (Giovanni Maria) Ricerchar Franc[esc]o Milanese (I-Fn Magl.xix.168, f.12v) LZ 124/11h

Dalitio (Cristofero) Sonata I – Peludio (Six Baroque Sonatas for the Archlute) LN 48

Dallis (Thomas) Fansye (Dallis no.22, p.27) LN 29 C14/1LN 83/1

Dallis (Thomas) Galliard All a Green Willow (Dallis no.21, p.26) LN 83/2a

Dallis (Thomas) All of Green Willow (Ws V.a.159, f.19) LN 83/2b

Dallis (Thomas) Psalm 5, arranged by Thomas Dallis (Dallis no.192, p.215) LN 83/5

Dallis (Thomas) Psalm 6, arranged by Thomas Dallis (Dallis no.193, p.215) LN 83/6

Dallis (Thomas)] Si pur ti guardo, arranged by Thomas Dallis? (Dallis no.63, p.76) LN 83/3a

Dallis (Thomas)] Si pur ti guardo, arranged by Thomas Dallis? (Dallis no.95, p.105) LN 83/3b

Dalza (Joanambrosio) Calata [2] de strambotti [Dalza 45] (Intabulatura, 1508, f.44v) LN 70/27

Dalza (Joanambrosio) Calata ala spagnola [6] ditto terzetti [Dalza 55] (Intabulatura, 1508, f.50v) LN 53

Dalza (Joanambrosio) Laudato deo, [Dalza 59] (Intabulatura, 1508, f.55v) LN 73 (Italian tablature)

Dalza (Joanambrosio) Pavana alla ferrarese [3], suite 8 a, 6th course down a tone, [Dalza 35] (Intabulatura, 1508, f.27v)LN 53

Dalza (Joanambrosio) Pavana alla venetiana [4], suite 4 a, [Dalza 23] (Intabulatura, 1508, f.16v) LN 72/35dLN 73 (Italian tablature)

Dalza (Joanambrosio) Piva [2], suite 2 c, [Dalza 19] (Intabulatura, 1508, f.13v) LN 46 C50

Dalza (Joanambrosio) Piva [4], suite 4 c, [Dalza 25] (Intabulatura, 1508, f.17) LN 46 C50LN 73 (Italian tablature)

Dalza (Joanambrosio) Recercar [8], [Dalza 13] (Intabulatura, 1508, f.8) LN 68/9

Dalza (Joanambrosio) Saltarello [4], suite 4 b, [Dalza 24] (Intabulatura, 1508, f.17) LN 73 (Italian tablature)

Dalza (Joanambrosio) Tastar de corde [1], [Dalza 3] (Intabulatura, 1508, f.3v) LS 10/1LN 73 (Italian tablature)

Dalza (Joanambrosio) Tastar de corde [2] and Recercar dietro [2], [Dalza 4-5] (Intabulatura, 1508, f.3v) LS 10/1LN 73 (Italian tablature)LN 89 text

Dalza (Joanambrosio) Tastar de corde [3] and Recercar dietro [3], [Dalza 6-7] (Intabulatura, 1508, f.4) LS 10/1LN 88.17 (Recercar only)

Danyel (John) Dost, dost thou withdraw my grace LN 122 text

Danyel (John) Mrs Anne Grene her leaves bee greene (Songs for the Lute Viol and Voice 1606, f. L1v) LZ128/L2a-i

Danyel (John) Mrs Anne Grene her leaves bee greene,, transcribed for vieil ton (Songs for the Lute Viol and Voice 1606, f. L1v)LZ128/L2a-ii

Danyel (John) Mrs Anne Grene her leaves bee greene (GB-Cu Add.3056, f. 60) LZ128/L2b

Danyel (John) Mounsiers Allmayne (Cu.Add.3056, f.15v) LZ 110/23a

Danyel (John) Mounsiers Allmayne D.B. (Cu.Add.3056, f.44v) LZ 110/23b

Danyel (John) Pavan (Dd.9.33, f.49v) LN 44

Danyel (John) “Jo. Daniell” Rosa (Add.3056, f.19) LS 2/2

Danyel (John) Rosamunda (C.U.L. Add 3056, f.18) LSJ vol. 13 supplement

Danyel (John) What delight can they enjoy?, for two voices, lute and bass viol LSJ vol. 13 supplement

d’Aragona (Paulo) Toccate (Schele MS) LSJ vol.34

De Visee (Robert) Chaconne (Saizenay I, p.100) LZ 116/5

De Visee (Robert) La Musette, rondeau, and La même musette en mineur [S-C (Saizenay MS, p.152-153) LZ 111 text

De Visee (Robert) Suite en ré mineur – Courante, recorder and theorbo LN 49

De Visee (Robert de) Tombeau de Mr. Mouton: Allemande (F-B: 279152 Saizenay MS I, 76) LN 114

De Visee (Robert) and Anon. Six Noels for Theorbo LN 56

Dentice (Fabrizio) Fantasia [I] (Besard 1603, for almost identical version see K. (C.) A Fancy (Dd.2.11 no.259, f.79v), LN 52 A10/2a)LS 10/5

Dentice (Fabrizio) Fantasia [II], see under Neusidler (Melchior) (Besard 1603), LS 10/6; LZ 127/MN2a-iii

Derby (William, Earl of), see under Pilkington (Francis)? A Pavin made fore the Orpharion by the Right Honorable William Earle of Darbie (Second Set of Madrigals no.27), LN 69/18

Despont (Pierre or Luc) Ballet par Despont [viel ton] (CH-Bu F.IX.53, f.24) LN99/4a

Despont (Pierre or Luc) Ballet par Despont [harp way] (CH-Bu F.IX.53, f.24) LN99/4bDespont (Pierre or Luc) Courant Despont (GB-Cm Mus.689 Herbert, f.69) LN99/7

Despont (Pierre or Luc) Courante Despond (GB-Cm Mus.689 Herbert, f.63v) LN99/6a

Despont (Pierre or Luc) Co[urante Despont] (RUS-Span O no.124 f.34v) LN99/6b

Despont (Pierre or Luc) Prelude Desponde (GB-Cm Mus.689 Herbert, f.44) LSJ vol. 30

Despont (Pierre or Luc) Courante Desponde (GB-Cm Mus.689 Herbert, f.11v) LN99/16Despont (Pierre or Luc) Courante Despont (GB-Cm Mus.689 Herbert, f.15v) LN99/11

Despont (Pierre or Luc) Courante du mesme D[esponde] (GB-Cm Mus.689 Herbert, f.30v) LN99/8Despont (Pierre or Luc) Courante du mesme D[esponde] (GB-Cm Mus.689 Herbert, f.31) LN99/14

Despont (Pierre or Luc) Courante par Despont, viel ton and harp way (CH-Bu F.IX.53, f.25) LN99/5a-b

Despont (Pierre or Luc) Filon Desponde (GB-Cm Mus.689 Herbert, f.41v) LN99/3Despont (Pierre or Luc) Prelude Desponde (GB-Cm Mus.689 Herbert, f.30v) LN99/1

Despont (Pierre or Luc) Prelude Desponde (GB-Cm Mus.689 Herbert, f.44) LN99/2

Despont (Pierre or Luc) Volte du mesme [Desponde] (GB-Cm Mus.689 Herbert, f.63v) LN99/18

D[espont (Pierre or Luc)?] Courante (CZ-Pnm. G.IV.18, f.54v) LN99/9a

D[espont (Pierre or Luc)?] Courante detta la bella Caterina (Meli IV 12616, p.23) LN99/9bD[espont (Pierre or Luc)?] Courante (RUS-Span O no.124, f.56v) LN99/10a

D[espont (Pierre or Luc)?] Courante (CZ-Pnm. G.IV.18, f.12) LN99/10b

D[espont (Pierre or Luc)?] Courante (CZ-Pnm. G.IV.18, f.165v) LN99/12D[espont (Pierre or Luc)?] Courante (CZ-Pnm. G.IV.18, f.164v) LN99/13

D[espont (Pierre or Luc)?] Courante (CZ-Pnm. G.IV.18, f.5165) LN99/15

D[espont (Pierre or Luc)?] Courante (CZ-Pnm. G.IV.18, f.80v) LN99/17

D[espont (Pierre or Luc)?] Courante (CZ-Pnm. G.IV.18, f.126) LN99/19

D[espont (Pierre or Luc)?] Courante (CZ-Pnm. G.IV.18, f.79v) LN99/20Dixon (Ailsa) Since by Man came Death, for two lutes LN37

Dlugoraj (Albert) Chor[ea] Pol[onica] (Leipzig II.6.15, p.407) LN 63/Dlugoraj 18

Dlugoraj (Albert) Chorea Polonica] (Leipzig II.6.15, p.407) LN 63/Dlugoraj 19

Dlugoraj (Albert)? Courrent Amb/Alb (Leipzig II.6.15, p.254), cf. Mason (Mathias)? [Corant] (Dd.9.33, f.75), LN 47 A7/3LN 63/Dlugoraj 22

Dlugoraj (Albert) Fantasia (Besard 1603, f.27) LN 62/Dlugoraj 3a

Dlugoraj (Albert) Fantasia (Basel F.IX.70, p.40) LN 63/Dlugoraj 3b

Dlugoraj (Albert) Fantasia (Genova, f.179v) LS 3/3

LN 62/Dlugoraj 4

Dlugoraj (Albert) Fantasia (Leipzig Ms. II.6.15, p.58) LN 62/Dlugoraj 5a

Dlugoraj (Albert)? Fantasia Diomedis (Besard 1603, f.24v) LN 62/Dlugoraj 8

Dlugoraj (Albert) Finale (Besard 1603, f.36) LS 3/ 3LN 62/ Dlugoraj 1a

Dlugoraj (Albert) Fuga (Leipzig Ms. II.6.15, p.378 LN 62/Dlugoraj 6a

Dlugoraj (Albert) Phantasia et Fuga 55 (Mertel 1615, p.190) LN 62/Dlugoraj 5bDlugoraj (Albert) Phantasia et Fuga 104 (Mertel 1615, p.253) LN 62/Dlugoraj 6b

Dlugoraj (Albert) Pollnischer Dantz and Nachtantz (Hainhofer 18.8, f.263v) LN 63/Dlugoraj 20

Dlugoraj (Albert) Praelud[ium] (Genova, f.6v) LN 62/Dlugoraj 2Dlugoraj (Albert) Praeludium 28 (Mertel 1615, p.13) LN 62/Dlugoraj 1b

Dlugoraj (Albert)? Recercar Alb (Leipzig II.6.15, p.462) LN 62/Dlugoraj 7

Dlugoraj (Albert) Villanella (Besard 1603, f.48) LS 3/3LN 63/Dlugoraj 9a

Dlugoraj (Albert) Villanella (Köln 16a 6745, p.10) LN 63/Dlugoraj 9c

Dlugoraj (Albert) Villanella (Besard 1603, f.48) LN 63/Dlugoraj 10

Dlugoraj (Albert) Villanella (Besard 1603, f.48) LN 63/Dlugoraj 11a

Dlugoraj (Albert) Villanella] Pars 2a (Köln 16a 6745, p.10) LN 63/Dlugoraj 11b

Dlugoraj (Albert) Villanella (Besard 1603, f.48v) LN 63/Dlugoraj 12a

Dlugoraj (Albert) Villanella (Besard 1603, f.48v) LN 63/Dlugoraj 13

Dlugoraj (Albert) Villanella (Besard 1603, f.48v) LN 63/Dlugoraj 14

Dlugoraj (Albert) Vil[lanella] (Leipzig II.6.15, p.517) LN 63/Dlugoraj 15

Dlugoraj (Albert) Vil[lanella] (Leipzig II.6.15, p.518) LN 63/Dlugoraj 16

Dlugoraj (Albert) Villanella (Genova 3.M.VIII.24, f.48) LN 63/Dlugoraj 17

Dlugoraj (Albert) Vil[lanella] Po[lonoca] (Köln 16a 6745, p.9) LN 63/Dlugoraj 12b

Dlugoraj (Albert) Volte (Basel F.IX.70, p.40) LN 63/Dlugoraj 9b

Dlugoraj (Albert)? Volte (Leipzig II.6.15, p.340) LN 63/Dlugoraj 21

[Domenicho (Gioan. Battista)] Bergamas[ca] (D-Hbusch, f.28) LZ 118/B45a

[Domenicho (Gioan. Battista)] Bargamasco (D-Hs ND VI 3238, p.10) LZ 118/B45b

Domenicho (Gioan. Battista) Bargasmesca (Hove 1612, f.54v) LZ 118/B45c

Dowland (John) Almande Monsieur Johan Douland Angl[ium] (I-Gu M.VIII.24f.140), see under Dowland (John) Monsieur’s Almaine, LN 110/JD106b

Dowland (John) Almayne Dowland (Welde no.11, f.5), see under Dowland (John) Lady Laiton’s Almain, LN100/48eDowland (John) Ane almane (US-NHub Music Dep. 1, f.17), see under Dowland (John) Lady Laiton’s Almain, LN100/48gDowland (John) Anglicum (D-LEm II.6.15, p.498), see under Dowland (John) Lady Laiton’s Almain, LN100/48bDowland (John) All the Day, cittern (US-CA Mus.181, f.11), see under Dowland (John) Come Again, LZ 121/JD60b

Dowland (John) Allemande (Folger no.51, f.22v), see under Dowland (John) My Lady Hunsdons Puffe, LN 111/54a

Dowland (John) Allemande (Besard Thesaurus Harmonicus 1603, f. 134v), see under Dowland (John) My Lord Willoughby’s Welcome Home, LZ 113/JD66s

Dowland (John) Allemande, consort or duet part? (D-Hs ND VI 3238, p. 148), see under Dowland (John) Sir John Smith’s Almaine, Z113/JD47f

Dowland (John) Allemande Anglloyse (Thysius no.889, f.503), see under Dowland (John) Sir John Smith’s Almaine, LZ 113/ JD47i

Dowland (John) Allemande Dolland Englessa (A-Lla hs.475, f.28), see under Dowland (John) Lady Laiton’s Almain, LN100/48a

Dowland (John) Allemande Inglese (PL-Kj Mus.40143, f.59v), see under Dowland (John) Lady Laiton’s Almain, LN100/48kDowland (John) An Almain [Poulton 49] (Dd.2.11 no.103, f.38) LN 101/49a

Dowland (John) An Almain (Dd.2.11 no.132, f.47) LN 101/49b

Dowland (John) Almaine (En K.33b, part III, after p.65), see under Dowland (John) Mr. Dowlands Midnight, LN 100/99b

Dowland (John) Allmaine J. Dowland (Dd.2.11. no. 135, f.48), see under Dowland (John) Lady Laiton’s Almain, LN100/48d

Dowland (John) Almand, in German tablature (D-KA Bd.A.678, f. 21r), see under Dowland (John) Sir John Smith’s Almaine, LZ 113/ JD47h

Dowland (John) Allmande Doulant (D-Hs ND VI 3238, p.145), see under Dowland (John) Lady Laiton’s Almain, LN100/48fl

Dowland (John) Almanda Dulandi (D-LEm II 6.15, p.491), see under Dowland (John) Lady Laiton’s Almain, LN100/48j

Dowland (John) Almande [Poulton 96] (Board no.38, f.13) LN 108

Dowland (John) Almande Angl. (D-B 40141 Nauclerus, f. 43r), see under Dowland (John) Sir John Smith’s Almaine, LZ 113/ JD47g

Dowland (John) Almayne (Marsh no.145, p. 384), see under Dowland (John) Sir John Smith’s Allmaine, LN 113/ JD47c

Dowland (John) Almayne Dowland (Welde no.11, f.5), see under Dowland (John) The Lady Laiton’s Almain [Poulton 48],LN100/48e

Dowland (John) Almins Engleiso (D-LEm II.6.15, p.479) LN 101/49cDowland (John) [Aloe] [Poulton 68] (Cu Dd.5.78.3, f.38v) LN 119/JD68a

Dowland (John) Alo[e] (Cu Add.8844 Trumbull, f.25) LN 119/JD68b Dowland (John) [Aloe] (Gu Euing no.25, f.21v) LN 119/JD68c Dowland (John) Anglesa (Thysius no.701, f.399), see under Dowland (John) Orlando Sleepeth, LN 102/61d

Dowland (John) Anglicum (D-LEm II.6.15, p.499), see under Dowland (John) My Lady Hunsdons Puffe, LZ 111/54j

Dowland (John) Anglicus aer (D-LEm II.6.15, p. 518), see under Dowland (John) The Battle Galliard, LZ 120/JD40m

Dowland (John) [As I went to Walsingham], untitled variations [Poulton no.67] (Dd.9.33, f.67v) LZ 104/2c

Dowland (John) Away with these self loving lads, voice and lute, 1597 LZ 117 text

Dowland (John) Ballet (D-LEm II.6.6. f.7v), see under Dowland (John) Lady Laiton’s Almain, LN100/48p

Dowland (John) Ballet (D-LEm II.6.15, p.296), see under Dowland (John) Mistress Nichol’s Almain, LN 100/52bDowland (John) Ballet Englese (Hove 1612, f.59), see under Dowland (John) Lady Laiton’s Almain, LN100/48r

Dowland (John) Balletto (S-B PB fil.172, ff. 16v-17r), see under Dowland (John) Sir John Smith’s Almaine, LZ 113/ JD47j

Dowland (John) Ba[l]let[t]o in Soprano (US-BE 760, ff.17), see under Dowland (John) My Lady Hunsdons Puffe, LZ 111/54o

Dowland (John) The Battell Gallyard Mr Dowland (US-Ws V.b.280 Folger, no.34, f. 10v) LN 120/JD40a

Dowland (John) [The Battle Galliard] “Galliarda Anglic Dulandt / Variatio” (LT-Va 285-MF-LXXIX, Königsberg, f. 22v) LZ 120/JD40b

Dowland (John) the battell galyerd by mr. dowlande (GB-Lbl Eg.2046 Pickeringe, f. 17v-18) LZ 120/JD40c

Dowland (John) [The Battle Galliard] “The King of Denmark’s Galliard” (Welde no. 12, f.5v) LZ 120/JD40d

Dowland (John) [The Battle Galliard] “Mr Mildmays Galliard J D.” (GB-Cu Dd.9.33, f. 23)continued as Dowlande plus in prima pa[rte libri] (GB-Cu Dd.9.33, f. 94v) LZ 120/JD40e

Dowland (John) The Battaile Galliarde by Johnson (Sampson no.11, f.7v) LZ120/JD40f

Dowland (John) [The Battle Galliard] “Galliarda Dulandi” (D-B 40141 Nauclerus, f. 239) LZ120/JD40g

Dowland (John) [The Battle Galliard] “The most high and mightie Christianus the fourth King of Denmarke, his Galliard” [Poulton 40] (VLL f.L2v) LZ 120/JD40h

Dowland (John) the Battle galliard by me Dowland (GB-Lbl Add.38539 ML, f. 12v) LZ 120/JD40i

Dowland (John) [The Battle Galliard] “Galliarda Robert. Doulandt. 5.29” (Fuhrmann 1615, p. 112) LN 74/4 LZ 120/JD40j

Dowland (John) [The Battle Galliard] “The kinge of Den his gall” [Poulton appendix two, no. 5] (Board no.50, f.17v)LZ 120/JD40k

Dowland (John) [The Battle Galliard] “The King of Denmarks Galiard. Io. Dowland”, string consort a5 and lute (Dowland Lachrimae 1604, f. G2v) LZ 120/JD40l

Dowland (John) [The Battle Galliard] “Anglicus aer” (D-LEm II.6.15, p. 518) LZ 120/JD40m

Dowland (John) [The Battle Galliard] “Galliardt Duland” (D-Lr 2000a Harling, p. 68) LZ 120/JD40n

Dowland (John) [The Battle Galliard] “Galliarda” (D-LEm II.6.15, p. 202) LZ 120/JD40o

Dowland (John) [The Battle Galliard] “Galiarda Englese” (S-B PB fil.172 Per Bhahes, f. 33) LZ 120/JD40p

Dowland (John) [The Battle Galliard] “Galliarda Gre/gorij .14.” (D-LEm II.6.15, p. 198) LZ 120/JD40q

Dowland (John) Bonny Sweete Robin (GB-Lam 601 Mynshall no.28, f.8), see under Dowland (John) Robin is to the Greenwood Gone, LN 106/[70] App.3

Dowland (John) Can shee excuse my wrongs, (First Booke of Songes 1597) LSJ vol.53

Dowland (John) Can she excuse my wrongs, see also under Dowland (John) The Earl of Essex’s Galliard, LZ 125 text; LN 107/42-8a and b

Dowland (John) Captain Cavendish’s Galliard “Capit Candische his Galy” (GB-Cu Add.2764 (2), f.6v) LN 115/JD21a

Dowland (John) [Captain Cavendish’s Galliard] [Poulton 21] (Dd.2.11 no.167, f.56) LN 115/JD21b

Dowland (John) [Captain Cavendish’s Galliard] (GB-Lbl M.1353 Hirsch, f.11v) LN 115/JD21dDowland (John) [Captain Cavendish’s Galliard] “John Dowland’s Galliarde” (Mynshall no.3, f.1) LN 115/JD21c

Dowland (John) Captayne Pipers Galliard, cittern part (GB-Lam 600, f.89), see under Dowland (John) Pipers Galliard, LZ 124/JD19n

Dowland (John) Captain Pipers Paven/Pavin, see under Dowland (John) Pipers Pavan, LZ 124/JD8

Dowland (John) Chanson Inglese (PL-Kj Mus.40143, f.60v), see under Dowland (John) Mistress Nichol’s Almain,LN 100/52e

Dowland (John) Chorea Anglica (Fuhrmann 1615, p.80), see under Dowland (John) Lady Laiton’s Almain, LN100/48o

Dowland (John) Chorea Anglica (D-LEm II.6.15. p.367), see under Dowland (John) Lady Laiton’s Almain,LN100/48q

Dowland (John) Chorea Anglicana Doolandi (Besard 1603, f.139v), see under Dowland (John) Lady Laiton’s Almain, LN100/48n

Dowland (John) [Come Again] “Come Away” [Poulton 60] (GB-Cu Nn.6.36, f.21v) LN 121/JD60a

Dowland (John) [Come Again] “All the Day”, cittern (US-CA Mus.181, f.11) LZ 121/JD60b

Dowland (John) [Come Again] “Paduana” (D-Kl 4o 108/I, f.1v) LZ 121/JD60c

Dowland (John) [Come Again] “Paduana Anglois” (D-Kl 4o 108/I, f.64v) LZ 121/JD60d

Dowland (John) [Come Again], variation on “Paduana Anglois” (D-Kl 4o 108/I, f.64v) LZ 121/JD60e

Dowland (John) [Come Again] “Commia guinae Dulandi” (D-LEm II.6.15, p.472) LZ 121/JD60f

Dowland (John) [Come Again] “Commia Doulandi” (D-LEm II.6.15, p.502) LZ 121/JD60g

Dowland (John) [Come Again] “Engels Com again” (Valerius, p.166) LZ 121 /JD60h

Dowland (John) [Come Again] “Engels Com again” diatonic cittern and transcription for chromatic cittern (Valerius 1626, p.167)LZ 121/JD 60 i i-ii

Dowland (John) Come Againe, lute song (Dowland 1597, I1v) LZ 121/JD60j

Dowland (John) Come away, come sweet love (First Booke of Songs1597, no.11) LSJ vol. 52

Dowland (John) Commedianten dans [Berg op Zoom], diatonic cittern and transcription for chromatic cittern (Valerius 1626, p.248), see under Dowland (John) What if a Day, LZ 121/JD79q i-ii

Dowland (John) Complainte [Poulton 63] (Dd.2.11 no.168, f.56) LZ117/JD63a

Dowland (John) Complainte, cittern (GB-Cu Dd.4.23, f. 23) LZ117/JD63b

Dowland (John) Corranto [Poulton 100] (Board no.99, f.30) LN 112/JD100

Dowland (John) A Coye Toye, an early version of “Mrs. Vauxes Gigge”? [Poulton 80] (Mynshall no.19, f.7) LN113/JD80Dowland (John) Currant (D-Lr 2000 Harling, p.12), see under Dowland (John) Mrs. Winter’s Jump, LN 100/55a

Dowland (John) Currant Dulandi (D-LEm II.6.15, p.241), see under Dowland (John) Mrs. Winter’s Jump, LN 100/55f

Dowland (John) Deutscher Danz (D-W Guelf. 18.8/IV Hainhofer, f. 34r), see under Dowland (John) My Lord Willoughby’s Welcome Home, LZ 113/JD66y

Dowland (John) Digorie Piper Galiard, lute part (Dowland Lachrimae, f.L2), see under Dowland (John) Pipers Galliard,

LZ 124/JD19g

Dowland (John) Do. Cases Paven (Dd.2.11 no.47, f.14v) LSJ vol.45

Dowland (John) Dolandi Saltarella (D-B Mus. 40141, f.46v), see under Dowland (John) Mistress Nichol’s AlmainLN 100/52d

Dowland (John) Dowland Gal, cittern (US-CAh Mus.181, f.14), see under Dowland (John) Pipers Galliard, LZ 124/JD19p

Dowland (John) Dowlandes Lacrima (GB-Cu Add.1764(2), f.5v), see under Dowland (John) Lachrimae, LN 123/JD15o

Dowland (John) Dowlandes Lamentation Semp dolent (GB-Lbl Eg.2046, f.31v), see under Dowland (John) Semper Dowland Semper Dolens, LN 128/JD9a

Dowland (John) Dowlands Bells (Mynshall no.27, f.8), see under Dowland (John) Lady Rich’s Galliard [Poulton 43],LN 104/43f

Dowland (John) [Dowland’s First Gallyard] (Dd.2.11 no.171. f.56) LN 105/22a

Dowland (John) [Dowland’s First Gallyard] “Dowlands Galliard” (Dd.2.11 no.187. f.60) LN 105/22b

Dowland (John) [Dowland’s First Gallyard] (Ewing 25, f.23) LN 105/22c

Dowland (John) [Dowland’s First Gallyard] “Dowlands Galliarde” [Poulton 22] (Dd.2.11 no.299. f.95) LN 105/22d

Dowland (John) [Dowland’s First Gallyard] “A Gallyard” [Poulton appendix two no.7] (Board no.64, f.22v) LN 105/22e

Dowland (John) Dowland’s First Gallyard, see also Howet (Gregory) Galiarda Gregory, and Gagliarda, LN 105/22g and h

Dowland (John) [Dowlands Galliard] “Douwlantes Gailliarde” (NL-Lu 1666 Thysius no.65, f. 22) LN 120/JD20a

Dowland (John) Dowlands Galliard [Poulton 20] (Dd.2.11 no.27, f.7v) LZ 120/JD20b

Dowland (John) [Dowlands Galliard] (Dd.2.11 no.222, f.67v) LZ 120/JD20c

Dowland (John) [Dowlands Galliard] A Galliard by Dowla (GB-Lam 602 Sampson no.9, f. 6v) LZ 120/JD20d

Dowland (John) Dowlands Galliard, bandora and transcription for lute (GB-Lam 600 Browne, f. 10v) LZ 120/JD20e i-ii

Dowland (John)? Dowland’s Galliard [Poulton 83] (Mynshall no.40, f.12v), see under Johnson (Robert)? My Lady Mildmay’s Delight, LN 110/ JD83

Dowland (John) Dowlands Paven, cittern, long A strain (GB-Cu Dd.4.23, f.27v), see under Dowland (John) Pipers Pavan, LZ 124/JD8i

Dowland (John) [Earl of Derby’s Galliard] “A Galiarde” (Sampson no.26, f.13v) LN 127/JD44a

Dowland (John) [Earl of Darby’s Galliard] J D (GB-Cu Dd.5.78.3, f.38) LN 127/JD44b

Dowland (John) The Earl of Derby’s Galliard [Poulton 44] (GB-Cu Nn.6.36, f.2) LZ 127/JD44c

Dowland (John) [Earl of Derby’s Galliard] (GB-Gu Euing 25, f.21) LZ 127/JD44d

Dowland (John) [Earl of Derby’s Galliard] (Nn.6.36, f.1) LZ 127/JD44e

Dowland (John) [Earl of Derby’s Galliard] “Galliard” (Welde no.20, f.7) LZ 127/JD44f

Dowland (John) Earl of Derby (The Right Honourable Ferdinando), his Galliard [Poulton 44a] (VLL, f.M2v) LZ 127/JD44g

Dowland (John) [Earl of Derby’s Galliard] “Darbois Galliard” (D-Hs ND VI 3238, p.142) LZ 127/JD44h

Dowland (John) [Earl of Derby’s Galliard] “Galliarda” (D-Hbusch f.39v) LZ 127/JD44i

Dowland (John) [Earl of Derby’s Galliard] “[Passamezzo] terza p[art]e” (CDN-Mc w.s., f.80) LZ 127/JD44app

Dowland (John) [Earl of Essex Galliard] “Can she excuse” [Poulton 42] (US-Ws V.b.280 Folger no.43, f.16) LS 2/6LN 107/42-1

Dowland (John) [Earl of Essex Galliard] “A Galliard made by I[ohn] D[owland]”, orpharion (Barley 1596, f.B4v)LN 107/42-2

Dowland (John) Earle of Essex, his Galliard (The Right Honorable Robert,) [Poulton 42a] (VLL, f.M2v) LN 89 textLN 107/42-3

Dowland (John) [Earl of Essex Galliard] (Dd.2.11 no.199, f.62v) LN 107/42-4

Dowland (John) [Earl of Essex Galliard] (GB-Cu Euing 25, f.24) LN 107/42-5

Dowland (John) [Earl of Essex Galliard] (GB-Lbl M.1353, f.11v) LN 107/42-6

Dowland (John) [Earl of Essex Galliard] (Dd.2.11 no.109, f.40v) LN 107/42-7

Dowland (John) [Earl of Essex Galliard] “Can shee excuse my wrongs”, duet (N-Lu 1666 Thysius no.66-67, f.22v)LN 107/42 8a-b

Dowland (John) [Earl of Essex Galliard] “Gagliarda” (D-Kl 4o Mus.108 I, f.2) LN 107/42-9

Dowland (John) [Earl of Essex Galliard] “Daulant Gagliarde” (D-Kl 4o Mus.108 I, f.56v) LN 107/42-10

Dowland (John) [Earl of Essex Galliard] “Galliarda Englessa” (A-Lla hs.475, f.41) LN 107/42-11

Dowland (John) [Earl of Essex Galliard] (D-Kl 4o Mus.108 I, f.2v) LN 107/42-12

Dowland (John) Earle of Essex Galliard, consort lute part (Dowland 1604, f.H1v) LZ 107/42-25

Dowland (John) [Earl of Essex Galliard], consort lute part (GB-Cu Nn.6.36, f.37) LN 107/42-26

Dowland (John) [Earl of Essex Galliard] “Can she excuse my wrongs”, voice and lute LZ 125 text

Dowland (John) Earl of Essex Galliard, see also under Anon, Bacheler, Howet, Robinson, Strobel, and Vallet

Dowland (John) The Earl of Oxford’s March (Dd.2.11 no.179, f.58), see under Dowland (John) Lord Strang’s March [Poulton 65], LN 100/65; LZ 127/JD65-S5

Dowland (John) Ein schon Liedt (Thott 841 4o, f.14), see under Dowland (John) Mrs. White’s Thinge, LN100/50e

Dowland (John) Engel dantz-Nachdantz (Guelf.18.8 IV, f.37v), see under Dowland (John) Orlando Sleepeth, LN 102/61r

Dowland (John) Engels Com again (Valerius, p.166 and 167), see under Dowland (John) Come again, LZ 121/JD60h, i-i and i-ii

Dowland (John) Engels Nou Nou (Valerius, p.54), see under Dowland (John) Frog Galliard, LZ 113/ JD23t-i and ii

Dowland (John) Engelsch Stuck (LT-Va 285-MF-LXXIX, f.66v), see under Dowland (John) Lady Laiton’s Almain, LN100/48s

Dowland (John) Englesa (Pu XXIII.F.174, f.22v), see under Dowland (John) Orlando Sleepeth, LN 102/61h

Dowland (John) Englisch auffzug (Bd.A.678, f.22), see under Dowland (John) Orlando Sleepeth, LN 102/61j

Dowland (John) Entrata (Rude 1600 II, f.112v), see under Dowland (John) Mistress Nichol’s Almain , LN 100/52f

Dowland (John) [Fantasia] “A Fantasie” [Poulton no.1] (GB-Lbl Add.31392, f.13v) LN 125/JD1a

Dowland (John) [Fantasia] (B-Bc 26.369, p.37-38 & 33) LZ 125/JD1b

Dowland (John) Fantasia Joh[n] Dulant (D-D1 1.V.8, f.7v) LZ 125/JD1c

Dowland (John) [Fantasia] (GB-Cu Add.3056, f.8v) LZ 125/JD1d

Dowland (John) [Fantasia] (GB-Gu Euing 25, f.16v) LZ 125/JD1e

Dowland (John) Fantasia (GB-Lbl Eg.2046, f.24v) LN 125/JD1f

Dowland (John) [Fantasia] “Fuga” (S-B PB fil.172, f.27v) LZ 125/JD1g

Dowland (John) Fantasia Ioannis Dooland (Besard 1603, f.170v) LZ 125/JD1h

Dowland (John) [Fantasia] “Fantasie Iohn Douland” [Poulton 1a] (VLL, f.H1) LZ 125/JD1i

Dowland (John) [Fantasia] (GB-Lbl Add.38539.f.14v) LZ 125/JD1j

Dowland (John) [Fantasia] (GB-Cu Add.3056, f.17v) LN 125/JD5

Dowland (John) [Fantasia] (GB-Cu Nn.6.36, f.29v) LN 125/JD6a

Dowland (John) [Fantasia] “A Fancy” (GB-Cu Add.3056, f.7v) LZ 125/JD6b

Dowland (John) [Fantasia] (GB-Cu Dd.9.33, f.43v) LZ125/JD6c

Dowland (John) Fantasi[a] (UKR-LVu 1400 I, f.39v) LZ125/JD6d

Dowland (John) [Fantasia] Phantasia (Mertel 1615, P.208) LZ 125/JD6e

Dowland (John) Fantasia (Mylius 1622, p.30) LZ125/JD6f

Dowland (John) [Fantasia] (GB-Gu Euing 25, f.35) LN 125/JD7a

Dowland (John) Fantasia “Fantasia Gregorij Houuet” (D-D1 1.V.8, f.43v) LZ 125/JD7b

Dowland (John) Fantasia “A Fancy” [Poulton 7] (GB-Cu Dd.9.33, f.6v) LZ 125/JD7c

Dowland (John) Fantasia [Poulton 71] (GB-Lbl Eg.2046, f.23v) LN 125/JD71a

Dowland (John) [Fantasia] “Grammatica Rosideri Angli generosi” (Mylius 1622, p.28) LZ 125/JD71b

Dowland (John)? [Fantasia] [Poulton 72] (GB-Gu Euing 25, f.42v) LN 125/JD72

Dowland (John)? [Fantasia] [Poulton 73] (GB-Cu Dd.9.33, f.44v) LN 125/JD73

Dowland (John) [Fantasia] [Poulton 74] (GB-Lbl Add.31392, f.24) LN 125/JD74

Dowland (John) [Fantasia] Phantasia (Mertel 1615, p.211) LN 108/JD App

Dowland (John) Fantasia (UKR-LVu 1400, f.62v), see under Dowland (John) Forlorne Hope Fancye, LN 81 text; LZ 125/JD2b

Dowland (John) Fantasia (UKR-LVu 1400 I, f.49v), see under Dowland (John) Farewell 1, LN 81 text; LZ 125/JD3c

Dowland (John) Fantasia 6 (Fuhrmann 1615, p.18), see under Dowland (John) Farewell 1, LZ 125/JD3d

Dowland (John) Fantasia (Mylius 1622, p.37), see under Dowland (John) Forlorne Hope Fancye, LZ 125/JD2d

Dowland (John) Fantasia Ioannis Dooland Angli Lachrimae (Besard 1603, f. 16v), see under Dowland (John) Lacrimae, LZ 128/JD15app 9a

Dowland (John) Fantasia Joannis Dulandi (D-B 40141, f. 36v), see under Dowland (John) Lacrimae, LZ 128/JD15app 9b

Dowland (John) Far[e]well Jo Dowlande [Farewell 1] [Poulton 3] (GB-Cu Dd.5.78.3, f.43v) LN 125/JD3a

Dowland (John) [Farewell 1] (GB-Cu Euing 25, f.41v) LZ 125/JD3b

Dowland (John) [Farewell 1] “Fantasia” (UKR-LVu 1400 I, f.49v) LN 81 textLZ 125/JD3c

Dowland (John) [Farewell 1] “Fantasia 6” (Fuhrmann 1615, p.18) LZ 125/JD3d

Dowland (John) [Farewell 1] “Grammatica Illustriss Doulandi” (Mylius 1622, p.1) LZ 125/JD3e

Dowland (John) [Farewell 2] Far[e]well Jo Dowlande [Poulton 4] (GB-Cu Dd.9.33, f.41v) LN 125/JD4a

Dowland (John) [Farewell 2] (GB-Cu Dd.9.33, f.50v) LZ 125/JD4b

Dowland (John) Floodis of teares, mandore and transcription for lute (GB-Eu Adv 5.2.15, p.108), see under Dowland (John) Sleep, wayward thoughts, LZ 121/JDapp ci-ii

Dowland (John) Flow my teares, lute song (Dowland 1600 f.B2v), see under Dowland (John) Lachrimae, LZ 123/JD15q

Dowland (John) Forlorne Hope Fancye [Poulton 2] (GB-Cu Dd.9.33, f.16v) LN 125/JD2a

Dowland (John) [Forlorne Hope Fancye] “Fantasia” (UKR-LVu 1400, f.62v) LN 81 text LZ 125/JD2b

Dowland (John) [Forlorne Hope Fancye] “Phantasia” (Mertel 1615, P.210) LZ 125/JD2c

Dowland (John) [Forlorne Hope Fancye] “Fantasia” (Mylius 1622, p.37) LZ 125/JD2d

Dowland (John) Fortune [my Foe] (Barley New Booke, f.F3, almost identical to Dd.4.22, f.11v) LN 117/ JD62a

Dowland (John) Fortune [my Foe] [Poulton 62] (GB-Cu Dd.4.22, f. 11v) LZ 117/JD62b

Dowland (John) [Fortune my Foe] (GB-En K.33b, part III, after p. 65) LZ 117/JD62c

Dowland (John) [Fortune my Foe] (GB-Gu Euing 25, f. 27) LZ 117/JD62d

Dowland (John) Fortune [my Foe] (GB-Lam 601 Mynshall no.32, f. 9v) LZ117/JD62e

Dowland (John) Fortune [my Foe] (Welde no.17, f. 2) LZ117/JD62f

Dowland (John) Fortune my Foe to the consort (IRL-Dtc 408/I Ballet no.11, p. 14) LZ117/JD62g

Dowland (John) Fortune [my Foe] (Eijsertt, A-Lla hs.475 f. 38) LZ117/JD62h

Dowland (John) Fortune [my Foe] (A-Lla hs.475, f. 34) LZ117/JD62i

Dowland (John) Fortune [my Foe] (NL-Lu 1666 Thysius no.660, f. 387v) LZ117/JD62j

Dowland (John) Fortune [my Foe] (Königsberg, LT-Va 285-MF-LXXIX, f. 7v) LZ117/JD62k

Dowland (John) [Fortune my Foe] (D-B Danzig 4022, ff. 11v) LZ117/JD62l

Dowland (John) Frayge Gallarde (Thysius no.81, f.28v), see under Dowland (John) The Frog Galliard, LZ 113/JD 23h

Dowland (John) The Frog Galliard [Poulton 23] (Dd.2.11 no.295, f.93) LN 113/JD23a

Dowland (John) The Frog Galliard [Poulton 23a] (Folger no.37, f.12v) LN 113/JD23b

Dowland (John) [The Frog Galliard] (Euing 25, f.26v, almost = JD23a) LN 113/JD23c

Dowland (John)? The Frog Galliard [Poulton 90] (Add.3056, f.42v) LN 113/JD23d

Dowland (John) [Frog Galliard], simple setting (Dd.2.11 no.110, f.40) LN 113/JD23e

Dowland (John) [Frog Galliard] (LT-Va285-MF-LXXIX Königsberg, f. 5v) LZ 113/JD23f

Dowland (John) [Frog Galliard], “Frogge Galliard” (D-Hs ND VI 3238 Schele, p. 144) LZ 113/JD23g

Dowland (John) [Frog Galliard], “Frayge Gallarde” (Thysius no.81, f.28v) LZ 113/JD 23h

Dowland (John) [Frog Galliard], “galliarda Frog Cantus” [duet - lute I] (D-Ngm 33748/I, f. 9v) LZ 113/ JD 23i-i

Dowland (John) [Frog Galliard], “galliarda Frog Pasus” [duet - lute II] (D-Ngm 33748/I, f. 10r) LZ 113/ JD 23i-ii

Dowland (John) [Frog Galliard] “Frog Galiard”, second part of duet (DBN 479 f.60v) LN84/5LZ 113/JD23j

Dowland (John) [Frog Galliard] “Galliard gantz berümbt” (D-D1 M 297, p.134) LZ 113/ JD 23k

Dowland (John) [Frog Galliard] “gaillarde” (NL-Lu BPL 2792, f. 19r) LZ 113/ JD 23l

Dowland (John) [Frog Galliard] “Galiarda the frog” (S-B PB fil.172 Per Brahe, f. 15v) LZ 113/ JD 23m

Dowland (John) [Frog Galliard] “Galliard” (D-Lr 2000 Harling, p.4) LZ 113/ JD23n

Dowland (John) [Frog Galliard] “Galliarda” (D-Ngm 33748/I, 8, f.13v) LZ 113/ JD23o

Dowland (John) [Frog Galliard] “Galliarda” (D-LEm II.6.15, p.230-231) LZ 113/ JD23p

Dowland (John) [Frog Galliard] “Rechenbergers Galliardt” (D-LEm II.6.15, p.198) LZ 113/ JD23q

Dowland (John) [Frog Galliard] “Nou Nou” (Valerius, p.54) LZ 113/ JD23r

Dowland (John) [Frog Galliard] “Galliarda Frosce”, lute I (LT-Va 285-MF-LXXIX, f. 21r) LZ 113/ JD23s-i

Dowland (John) [Frog Galliard] “Galliarda Frisco. Bass”, lute II (LT-Va 285-MF-LXXIX, f. 22v) LZ 113/ JD23s-ii

Dowland (John) [Frog Galliard] “Engels Nou Nou”, diatonic cittern and transcription for chromatic cittern (Valerius, p.54) LZ 113/ JD23t i-ii

Dowland (John) The Frogs Galliard, bandora and transcription for lute (LT-VA 285-MF-LXXIX, f.40v) LZ 113/ JD23u i-ii

Dowland (John) Frog Galliard, editorial arrangement as duet (Königsberg, f. 5v and “Now, O now” (First Book of Songs)LS Meeting 15/11/2003 LN 68 text

Dowland (John) Frog Galliard, see also under F. (A.) Galliarda 3 (Leipzig II.6.15, p.230), LN 60/18; and Hoffmann von Grünbühel (Wolfgang) Frog Galliard (DBN 479 f.60v), LN84/5

Dowland (John) Fuga (S-B PB fil.172, f.27v), see under Dowland (John) Fantasia, LZ 125/JD1g

Dowland (John) Gagliarda (US-SFsc M2.1 M3, p.79), see under Dowland (John) My Lady Hunsdons Puffe, LZ 111/54k

Dowland (John) Gagliarda det[t]a la mezza pace (US-Sfsc M2.1 M3, p.26), see under Dowland (John) My Lady Hunsdons Puffe, LZ 111/54n

Dowland (John) Gagliarda Dooland (Guelf 18.8/VI f.169v) LN 103

Dowland (John) Gagliarda Jona Doulandt (D-Ngm 33748-I, f.16), see under Bacheler (Daniel) [To Plead my Faith Galliard],LZ 116/DB25j

Dowland (John) Gaillarde (NL-Lu BPL 2792, f. 19), see under Dowland (John) Frog Galliard, LZ 113/ JD 23l Dowland (John) Gaillarda Paduana Lachrymae (LT-Va 285-MF-LXXIX, f.23v), see under Anon. Squires Galliard,

LZ 122/S6

Dowland (John) Galiarda Englese (S-B PB fil.172 Per Bhahes, f. 33), see under Dowland (John) The Battle Galliard, LZ 120/JD40p

Dowland (John) Galiarda Englese (S-B PBfil 172 Per Bhahes, f.25v), see under Dowland (John) Lady Rich’s Galliard, LN 104/43k

Dowland (John) Galiarda the frog (S-B PB fil.172 Per Brahe, f. 15v), see under Dowland (John) Frog Galliard, LZ 113/ JD 23m

Dowland (John) A Galiarde (Sampson no.26, f.13v), see under Dowland (John) The Earl of Derby’s Galliard, LN 127/JD44a

Dowland (John) Gallarda (D-LEm II.6.15, p.190), see under Dowland (John) Lady Rich’s Galliard, LN 104/43b

Dowland (John) Gallarde, similar to Poulton 35 but section 1, 3 and 4 only (Thysius no.77, f.26v) LN 114/JD35b

Dowland (John) Galliard [Poulton no.24] (Dd.2.11 no.178, f.58) LN 111/24a

Dowland (John) Galliard (GB-Cu Add.3056, f.33v, almost the same as 24a) LN 111/24b

Dowland (John) A Galliard fr. Cuttinge [Poulton 92, based on Poulton 24a] (Dd.5.78.3, f.63), also listed under CuttingLN 111/ 24c

Dowland (John) A Galliard [Poulton 27] (Dd.5.78.3, f.49v) LN103

Dowland (John) A Galliard [Poulton 30] (Dd.5.78.3, f.25v) LN103

Dowland (John) A Galliard [Poulton 35] (Dd.9.33, f.37v) LN 114/JD35a

Dowland (John) Galliard (D-DI M 297, p.88), see under Dowland (John) Lady Rich’s Galliard, LN 104/43a; LN 125 text/BL 33

Dowland (John) Galliard (D-Lr 2000 Harling, p.4), see under Dowland (John) Frog Galliard, LZ 113/ JD23n Dowland (John) Galliard (Welde no.9, f.5), see under Dowland (John) Lady Rich’s Galliard [Poulton no.43], LN 104/43gDowland (John) Galliard (Dd.2.11 no.196, f. 62r), see under Dowland (John) The Queen’s Galliard, LN 113/ JD97a

Dowland (John) A Galliard by Dowla (Sampson no.9, f.6v), see under Dowland’s Galliard [Poulton 20], LZ 120/JD20dDowland (John) Galliard gantz berümbt (D-D1 M 297, p.134), see under Dowland (John) Frog Galliard, LZ 113/ JD 23k Dowland (John) Galliard J Dowl, cittern (GB-Cu Dd.4.23, f.28), see under Dowland (John) Pipers Galliard, LZ 124/JD19s

Dowland (John) Galliard Mr Dowland (Welde no.9, f.5), see under Dowland (John) Lady Rich’s Galliard, LN 104/43g

Dowland (John) A Galliard [on Walsingham] [Poulton no.31] (Dd.5.78.3, f.37) LZ 104/1a

Dowland (John) [A Galliard on Walsingham] (Dd.2.11 no.271, f.82v, almost identical to Dd.5.78.3) LZ 104/1b

Dowland (John) Galliard to Captaine Pipers Pavin, cittern part, short A strain (Morley 1599, f.A4v), see under Dowland (John) Pipers Galliard, LZ 124/JD19o

Dowland (John) Galliard to Captaine Pipers Pavin, cittern part (Morley 1599, f.A4v), see under Dowland (John) Pipers Galliard, LZ 124/JD19q

Dowland (John) The Galliard to the Pavan before (GB-Cu Add.3056, f.3v), see under Dowland (John) Pipers Galliard, LZ 124/JD19f

Dowland (John) Galliarda (D-Ngm 33748/I, 8, f.13v), see under Dowland (John) Frog Galliard, LZ 113/ JD23o

Dowland (John) Galliarda (D-LEm II.6.15, p.230), see under Dowland (John) Frog Galliard, LZ 113/ JD23p

Dowland (John) Galliarda Anglic Dulandt / Variatio” (LT-Va 285-MF-LXXIX, Königsberg, f. 22v), see under Dowland (John)The Battle Galliard, L Z 120/JD40b

Dowland (John) Galliarda Anglica (D-Ngm 33748-I, f.3), see under Dowland (John) Lady Rich’s Galliard, LN 104/43c

Dowland (John) Galliarda Doulandij Discant (Konigsberg f.21), see under Dowland (John) Lady Rich’s Galliard, LN 104/43r-i

Dowland (John) Galliarda Doulandij Bass (Konigsberg f.21), see under Dowland (John) Lady Rich’s Galliard, LN 104/43r-ii

Dowland (John) Galliarda Dulandi (Konigsberg f.56v), see under Dowland (John) Lady Rich’s Galliard, LN 104/43h

Dowland (John) galliarda Frog Cantus and Pasus, duet (D-Ngm 33748/I, f. 9v and 10), see under Dowland (John) Frog Galliard,LZ 113/ JD 23i-i

Dowland (John) Galliarda Dulandi [Poulton no.85] (Leipzig II.6.15, p.218) LN 103/6b JD 85a

Dowland (John) Galliarda (Leipzig II.6.15, p.234, almost identical to 85a) LN 103/6c JD 85b

Dowland (John) [Galliard] “Ferrabosco (Alfonso) Galliard Alfonsus” (Marsh no.147, p.386) LN 103/JD 85c

Dowland (John) [Galliard] (Add.31392, f.34 = Euing f.29 without divisions) LN103/85d

Dowland (John) [Galliard] Cuttings Galliard (Dd.2.11 no.236, f.71v) LN 103/85e

Dowland (John) [Galliard] (Euing, f.29) LN 103/85f

Dowland (John) A Galiard by mr Cuttinge (Add.31392, f.34) LN103/85g

Dowland (John) [Galliard] “Maister Hayls Gallard” (Thysius no.92, f.33) LN 103/85h

Dowland (John) Galliarda Joannis Doland (Besard 1603, f.107v), see under Dowland (John) Pipers Galliard, LZ 124/JD19l

Dowland (John) Galliarda 6 J.D. (Fuhrmann 1615, p.114), see under Dowland (John) Robin is to the Greenwood Gone, LN 106/70d

Dowland (John) Galliarde (Francisque 100, f.13), see under Dowland (John) Pipers Galliard, LZ 124/JD19j

Dowland (John) Galliarde (GB-HAdolmetsch II.B.1, f.92v), see under Dowland (John) Pipers Galliard, LZ 124/JD19i

Dowland (John) Galliard Dullande (D-Kl 4o.Mus.108 I, f.94v), see under Dowland (John) A Galliard on Bacheler’s Galliard, LZ 116/JD28f

Dowland (John) A Galliard [on a Galliard by Daniel Bacheler] [Poulton 28] (Dd.5.78.3, f.35v) LN 116/JD28a

Dowland (John) Galliarda [on Bacheler’s Galliard] (Cfu. Mus 689 Herbert, f.54v) LZ 116/JD28b

Dowland (John) A Gallyard [on Bacheler’s Galliard], has extra bar at start of second section not in P 28a[Poulton appendix two, no. 4] (Board no.47, f.16v) LZ 116/ JD28c

Dowland (John) A Gallyard [on Bacheler’s Galliard] (Lbl Add.38539, f.15v) LZ 116/JD28d

Dowland (John) [A Galliard on Bacheler’s Galliard] (Cu. Euing 25, f.20v) LZ 116/JD28e

Dowland (John) [A Galliard on Bacheler’s Galliard], “Galliard Dullande” (D-Kl 4o.Mus.108 I, f.94v) LZ 116/JD28f

Dowland (John) [A Galliard on Bacheler’s Galliard], “Galliarda” (Fuhrmann 1615, p.108) LZ 116/JD28g

Dowland (John) Galliard to the Lachrimae [Poulton 46] (Pilgrim’s Solace no. 22, f.M2v) LS 2/12LN 122/JD46

Dowland (John) Galliarda (D-LEm II.6.15, p. 202), see under Dowland (John) The Battle Galliard, LZ 120/JD40o

Dowland (John) Galliarda (Fuhrmann 1615, p.108), see under Dowland (John) A Galliard on Bacheler’s Galliard,LZ 116/JD28g

Dowland (John)? Galliarda Douland Cantus, duet part? (D-Ngm 33748-I, f.4v) LN 116/JD105

Dowland (John) Galliarda Dulandi (D-B 40141 Nauclerus, f. 239), see under Dowland (John) The Battle Galliard,LZ120/JD40g

Dowland (John) Galliarda Ioannis Dooland (Besard 1603, f.120v), see under Bacheler (Daniel) To Plead my Faith Galliard,LZ 116/DB25i

Dowland (John) Galliarda Dulandi 8 [Poulton no.87] (Leipzig II.6.15, p.194) LN 103/JD 87

Dowland (John) Galliarda Gre/gorij .14. (D-LEm II.6.15, p. 198), see under Dowland (John) The Battle Galliard,LZ 120/JD40q

Dowland (John) Galliarda Lachrima (D-Hbusch, f. 27), see under Dowland (John) Lacrimae, LZ 128/JD15app 11-ii

Dowland (John) Galliarda Robert. Doulandt. 5.29 (Fuhrmann 1615, p. 112), see under Dowland (John) The Battle Galliard,LN 74/4; LZ 120/JD40j

Dowland (John) Galliardt Duland (D-Lr 2000a Harling, p. 68), see under Dowland (John) The Battle Galliard, LZ 120/JD40n

Dowland (John) A Gallyard (Board no.64, f.22v), see under Dowland (John) Dowland’s First Gallyard [Poulton appendix two no.7], LN 105/22e

Dowland (John) Giles Hobie’s Galliard [Poulton 29] (Dd.5.78.3, f.16v) LN 103

Dowland (John) Go from my Window [Poulton 64] (Dd.5.78.3, f.39v) LN 109/JD64a

Dowland (John) Go from my Window (Euing 25, f.17v) LN 109/JD64b

Dowland (John) Go from my Window (GB-Lbl Eg.2046 Pickeringe, f.29v) LN 109/JD64c

Dowland (John) Go from my Windowe, orpharion (Barley 1596, C2v) LN 109/JD64d

Dowland (John) Grammatica Rosideri Angli generosi” (Mylius 1622, p.28), see under Dowland (John) Fantasia, LZ 125/JD71b

Dowland (John)? Hasellwood’s Galliard (Dd.9.33, f.17; Hirsh, f.3), see under Holborne (Anthony) Galliard [Spring 47a] (Dd.9.33, f.17),attributed to Dowland [Poulton no.84], LN 43

Dowland (John) Henry Noel his Galliard (lute part, Lachrymae, f.11v), see under Dowland (John) Mignarda, LZ 126/JD34d

Dowland (John) Home Eiusdem Autoris [Caspari H(a)usmanni] (DK-Kk Thott 841,4o Fabritius, f. 12v), see under Dowland (John) My Lord Willoughby’s Welcome, LZ 113/JD66o

Dowland (John) O nactbar Voulandt [but not the version by Dowland] (CZ-Pnm XIII.B.237 Jacobides, no 8), see under Dowland (John)

My Lord Willoughby’s Welcome Home, LZ 113/JD66z

Dowland (John) If my complaints, see under Dowland (John) Pipers Galliard, LZ 124/JD19k, 19m, and 19u

Dowland (John) Inrada 6 (D-LEm II.6.15, p.145), see under Dowland (John) Lady Rich’s Galliard, LN 104/43s

Dowland (John) [Une Jeune Fillette] [Poulton 93] (D-Hs ND VI 3238, p.25) LN 119/JD93

Dowland (John) John Dowland’s Galliarde (Mynshall no.3, f.1), see under Dowland (John) Captain Cavendish’s Galliard, LN 115/JD21c

Dowland (John) K. Darcyes Spirite (GB-Cu Dd.2.11, f. 58r), simple version of JD45b, see under Dowland (John) Lady Clifton’s Spirit,LN 113/JD45a

Dowland (John) The King of Denmark’s Galliard, see under Dowland (John) Battle Galliard, LZ 120/JD 40d, 40k, and 40l

Dowland (John) Lachrimae “Lacrime” (GB-Lbl Eg.2046 Pickeringe, f.16v) LN 122/JD15a

Dowland (John) Lachrimae “Lacrime” (GB-Lbl Add. 38539, f.22v) LN 122/JD15b

Dowland (John) Lachrymae “Lachrame” (US-Ws V.b.280 Folger no.47, f.18v) LZ 122/JD15c

Dowland (John) Lachrimae “Lacrame” (GB-Lbl Add. 6402, f.1) LSJ vol. 32

LZ 122/JD15d

Dowland (John) Lachrimae Pavan (GB-Cu Dd.2.11, f.81v) LZ 122/JD15e

Dowland (John) [Lachrimae] [Poulton 15] GB-Cu Dd.5.78.3, f.9v & 21) LZ 122/JD15f

Dowland (John) Lachrimae “Pavane Lachrimae” (GB-WPforester welde no.8, f.4v) LZ 122/JD15g

Dowland (John) Lachrymae [Poulton appendix two, no. 2] (GB-Lam 603 Board no.34, f.11v) LZ 122/JD15h

Dowland (John) Lachrimae “Lacrime” (Barley 1596, f.E1) LZ 122/JD15i

Dowland (John) Lachrimae Pavan (GB-Lbl Add.31392, f.35v) LZ 122/JD15j

Dowland (John) [Lachrimae] (GB-Gu Euing 25, f.25v) LZ 122/JD15k

Dowland (John) Lachrimae Pavana (GB-Cfm Mus.689 Herbert, f.8v) LZ 122/JD15l

Dowland (John) [Lachrimae], first two bars only (GB-Lam 601Mynshall no.38, f.11) LZ 122/JD15m

Dowland (John) [Lachrimae] (GB-Lbl Hirsch 1353, f.11v) LN 123/JD15n

Dowland (John) Lachrimae “Dowlandes Lacrima” (GB-Cu Add.1764(2), f.5v) LN 123/JD15o

Dowland (John) Lachrimae GB-Cu Dd.2.11, f.75v & 77) LN 123/JD15p

Dowland (John) [Lachrimae] “Flow my teares” lute song (Dowland 1600 f.B2v) LZ 123/JD15q

Dowland (John) Lachrimae J.D., bandora (GB-Cu Dd.2.11, f.84v) LZ 123/JD15r

Dowland (John) Lachrimae J. Dooland Testudo Maior (Besard 1617, f.D4v) LZ 123 JD15app 2

Dowland (John) Lachrimae “Pavana Lacrumae” (D-LEm II.6.15, p.122) LZ 123/JD15app 3

Dowland (John) Lachrimae “Pavana Lachrimi” (A-Lla Hs.475, f.12) LZ 123/JD15app 4

Dowland (John) Lachrymae “Pavane Lachrimae met den Bass” (Valerius, p.216) LZ 128/JD15app 5

Dowland (John) Lacrimae “Pavana Lacrymae V.S.” (Fuhrmann 1615p.60) LZ 128/JD15app 6a

Dowland (John) Lacrimae “Pavana Lacryme” (GB-HAdolmetsch II.B.1, f. 225v) LZ 128/JD15app 6b

Dowland (John) Lacrimae C.K. (GB-Cu Add.3056, f. 36v) LZ 128/JD15app 6c

Dowland (John) Lacrimae by MR Dowlande (GB-Cu Add.3056, f. 4v) LZ 128/JD15app 7

Dowland (John) [Lacrimae] “Pavana à 5 voc. Dulandi Angli” in index (Rude 1600, f. GG5v) LZ 128/JD15app 8

Dowland (John) Lacrimae “Fantasia Ioannis Dooland Angli Lachrimae” (Besard 1603, f. 16v) LZ 128/JD15app 9a

Dowland (John) [Lacrimae] “Fantasia Joannis Dulandi” (D-B 40141, f. 36v) LZ 128/JD15app 9b

Dowland (John) [Lacrimae] (GB-Cu Add.3056, f. 14v) LZ 128/JD15app 10

Dowland (John) Lacrimae “Pauana Lachrime (D-Hbusch, f. 24r) LZ 128/JD15app 11-i

Dowland (John) Lacrimae “Galliarda Lachrima” (D-Hbusch, f. 27) LZ 128/JD15app 11-ii

Dowland (John) Lacrimae “Pauana Lachrimae Joachimi vanden Houen den 16 Febr Anno 1614 (D-Hs ND.VI .3238, p. 17) LZ 128/JD15app 12

Dowland (John) Lacrimae “Pavana Lachrime” (Hove 1601, f. 94) 128/JD15app 13-i

Dowland (John) [Lacrimae] “Reprinse sequitur” (Hove 1601, f. 95r) LZ 128/JD15app 13-ii

Dowland (John) Lachrimae, see also under Hove (Joachim van den) Preludium Lachrimae, LZ 128/JD15 app 1

Dowland (John) Lachrimae Antiquae (Dowland 1604, f.B2) LZ 123/JDlost 1

Dowland (John) Lachrimae Antiquae Novae (Dowland 1604, f.C1) LZ 123/JDlost 2

Dowland (John) Lachrimae Gementes (Dowland 1604 f.C2) LZ 123/JDlost 3

Dowland (John) Lachrimae Tristes (Dowland 1604 f.D1) LZ 123/JDlost 4

Dowland (John) Lachrimae Coactae (Dowland 1604 f.D2) LZ 123/JDlost 5

Dowland (John) Lachrimae Amantis (Dowland 1604 f.E1) LZ 123/JDlost 6

Dowland (John) Lachrimae Verae (Dowland 1604 f.E2) LZ 123/JDlost 7

Dowland (John) [Lady Clifton’s Spirit] “K. Darcyes Spirite”, simple version of JD45b (GB-Cu Dd.2.11, f. 58r) LN 113/JD45a

Dowland (John) Lady Clifton’s Spirit (The Right Honourable the) [Poulton 45] (VLL, f.N1v) LN89 textLN 113/JD45b

Dowland (John) [Lady Laiton’s Almain] “Allemande Dolland Englessa” (A-Lla hs.475, f.28) LN100/48a

Dowland (John) [Lady Laiton’s Almain] “Anglicum” (D-LEm II.6.15, p.498) LN100/48b

Dowland (John) [Lady Laiton’s Almain] (Cu Add.2764 (2), f.10v) LN100/48c

Dowland (John) [Lady Laiton’s Almain] “Allmaine J. Dowland” (Dd.2.11. no. 135, f.48) LN100/48d

Dowland (John) [Lady Laiton’s Almain] “Almayne Dowland” (Welde no.11, f.5) LN100/48e

Dowland (John) [Lady Laiton’s Almain] (Thysius, no.875, f.492v) LN100/48f

Dowland (John) [Lady Laiton’s Almain] “Ane almane” (US-NHub Music Dep. 1, f.17) LN100/48g

Dowland (John) [Lady Laiton’s Almain] (Thysius, no.873, f.492) LN100/48h

Dowland (John) [Lady Laiton’s Almain] “The Sedreppetis Lamentation” (Mynshall no.34, f.10) LN100/48i

Dowland (John) [Lady Laiton’s Almain] “Almanda Dulandi” (D-LEm II 6.15, p.491) LN100/48j

Dowland (John) [Lady Laiton’s Almain] “Allemande Inglese” (PL-Kj Mus.40143, f.59v) LN100/48k

Dowland (John) [Lady Laiton’s Almain] “Allmande Doulant” (D-Hs ND VI 3238, p.145) LN100/48l

Dowland (John) [Lady Laiton’s Almain] “The Lady Laitons Almone Jo. Doulande”, mixed consort part? (Folger, no.35, f.11v) [Poulton 48a] LN100/48m

Dowland (John) [Lady Laiton’s Almain] “Chorea Anglicana Doolandi” (Besard 1603, f.139v) LN100/48n

Dowland (John) [Lady Laiton’s Almain] “Chorea Anglica” (Fuhrmann 1615, p.80) LN100/48o

Dowland (John) [Lady Laiton’s Almain] “Ballet” (D-LEm II.6.6. f.7v) LN100/48p

Dowland (John) [Lady Laiton’s Almain] “Chorea Anglica” (D-LEm II.6.15. p.367) LN100/48q

Dowland (John) [Lady Laiton’s Almain] “Ballet Englese” (Hove 1612, f.59) LN100/48r

Dowland (John) [Lady Laiton’s Almain] “Engelsch Stuck” (LT-Va 285-MF-LXXIX, f.66v) LN100/48s

Dowland (John) [Lady Laiton’s Almain] “Pa. Anglica” (D-LEm III. 11.26, p.2) LN 47LN100/48t

Dowland (John) [Lady Laiton’s Almain] “Mr. Daulants almande” [Thysius no.872, f.492] LN100/48u

Dowland (John) [Lady Laiton’s Almain] “Volte Pavana” (D-Ngm 33748-I, f.36v) LN100/48v

Dowland (John) [Lady Laiton’s Almain] (Thysius no.874, f.492v) LN100/48w

Dowland (John) [Lady Rich’s Galliard] “Galliard” (D-DI M 297, p.88) LN 104/43aLN 125 text/BL 33

Dowland (John) [Lady Rich’s Galliard] “Gallarda” (D-LEm II.6.15, p.190) LN 104/43b

Dowland (John) [Lady Rich’s Galliard] “Galliarda Anglica” (D-Ngm 33748-I, f.3) LN 104/43c

Dowland (John) [Lady Rich’s Galliard], 5 bars only (Marsh no.89a, p.190) LN 104/43d

Dowland (John) [Lady Rich’s Galliard] “J.D.” (Dd.5.78.3, f.9) LN 104/43e

Dowland (John) [Lady Rich’s Galliard] “Dowlands Bells” [Poulton 43] (Mynshall no.27, f.8) LN 104/43f

Dowland (John) [Lady Rich’s Galliard] “Galliard Mr Dowland” (Welde no.9, f.5) LN 104/43g

Dowland (John) [Lady Rich’s Galliard] “Galliarda Dulandi” (Konigsberg f.56v) LN 104/43h

Dowland (John) [Lady Rich’s Galliard] “The Lady Rich hir Gaillard” (Thysius 63, f.21v = Poulton 43 without elaborated repeats)LN 104/43i

Dowland (John) [Lady Rich’s Galliard], first third and fourth sections only (Thysius 681, f.392v) LN 104/43j

Dowland (John) [Lady Rich’s Galliard] “Galiarda Englese” (S-B PBfil 172, f.25v) LN 104/43k

Dowland (John) Lady Rich’s Galliard “My Ladie Richis Galliard”, for lyra viol (Ballet no.35, p.37) LN 104/43l

Dowland (John) Lady Rich’s Galliard “My Ladij Riches Galliard” (Schele p.146) LN 104/43m

Dowland (John) [Lady Rich’s Galliard] [Poulton 43] (Dd.9.33, f.91v) LN 104/43n

Dowland (John) Lady Rich’s Galliard “My Ladie Riches Galyerd” (Pickeringe f.18) LN 104/43o

Dowland (John) Lady Rich’s Galliard “My Ladie Riche’s Galliard” (Marsh no.140, p.381) LN 104/43p

Dowland (John) [Lady Rich’s Galliard] “The Right Honourable the Lady Rich, her Galliard” [Poulton no.43a] (VLL, f.N1)LN 104/43q

Dowland (John) [Lady Rich’s Galliard] “Galliarda Doulandij Discant” (Konigsberg f.21) LN 104/43r-i

Dowland (John) [Lady Rich’s Galliard] “Galliarda Doulandij Bass” (Konigsberg f.21) LN 104/43r-ii

Dowland (John) [Lady Rich’s Galliard] “Inrada 6” (D-LEm II.6.15, p.145) LN 104/43s

Dowland (John) Laminiard (GB-Ctc O.16.2, p.123), see under Dowland (John) Mr. Knights Galliard, LZ 126/JD36app

Dowland (John) My Lord Chamberlain, his Galliard, an invention for two to play upon one lute [Poulton 37] (First Booke of Songes 1597, f.L2v) LN 126/JD37ia & iia

Dowland (John) My Lord Chamberlaine Galliard, lute duet (First Booke of Ayres, 1613, f.L2v) LZ 126/JD37ib & iib

Dowland (John) Lord Chamberlaine Galliard, lute duet (GB-Cu Dd.9.33, f.90 & First Booke of Ayres 1597, f.L2v)LZ 126/JD37ic & iia

Dowland (John) [Lord Chamberlaine Galliard], lute duet “for two to play upon one lute” (GB-Cu Add.8844, f.32v)LZ 126/JD37app i & ii

Dowland (John) Lord Strangs March [Poulton 65] (Dd.2.11. no.179, f.58) LN 100/65LZ 127/JD65-S5

Dowland (John) Loth to Depart [Poulton 69] (Dd.9.33, f.68v) LN109/ JD69

Dowland (John) Maister Hayls Gallard (Thysius no.92, f.33), see under Dowland (John) Galliard, LN 103/85h

Dowland (John) La Megia Pase Francesca (US-BE 757, ff.1v), see under Dowland (John) My Lady Hunsdons Puffe, LZ 111/54g

Dowland (John) Mein hertz mit schwertz (Fabricius, f.13v), see under Dowland (John) Mrs. White’s Thinge, LN 100/50c

Dowland (John) Mein zung zu exprimiren (D-LEm II.6.15, p.454), see under Dowland (John) My Lady Hunsdons Puffe, LZ 111/54i

Dowland (John) Melancholy Galliard [Poulton 25] (Dd.2.11 no.40, f.12) LN 126/JD25a

Dowland (John) Melancholy Galliard (GB-Gu Euing 25, f.24v) LZ 126/JD25b

Dowland (John) [Melancholy Galliard] “Subplementum” (Fuhrmann 1615, p.119) LZ 126/JD25app

Dowland (John) Mignarda [Poulton 34] (GB-Cu Dd.9.33, f.29) LN 126/JD34a

Dowland (John) Mignarda “Mignarde” (GB-Cu Dd.2.11, f.77) LZ 126/JD34b

Dowland (John) [Mignarda] (GB-Cu Dd.5.78.3, f.31v) LZ 126/JD34c

Dowland (John) [Mignarda] “Henry Noel his Galliard” (lute part, Lachrymae, f.11v) LZ 126/JD34d

Dowland (John) [Mignarda] “Shall I strive with words to move”, lute song (A Pilgrim’s Solace, f.D1v) LZ 126/JD34e

Dowland (John) [Mistress Nichol’s Almain] [Poulton 52] (Dd. 2.11 no.320, f.100v) LN 100/52a

Dowland (John) [Mistress Nichol’s Almain] “Ballet” (D-LEm II.6.15, p.296) LN 100/52b

Dowland (John) [Mistress Nichol’s Almain] (Gu Euing 25, f.24) LN 100/52c

Dowland (John) [Mistress Nichol’s Almain] Dolandi Saltarella (D-B Mus. 40141, f.46v) LN 100/52d

Dowland (John) [Mistress Nichol’s Almain] Chanson Inglese (PL-Kj Mus.40143, f.60v) LN 100/52e

Dowland (John) [Mistress Nichol’s Almain] Entrata (Rude 1600 II, f.112v) LN 100/52f

Dowland (John) [Mistress Nichol’s Almain] Sich hertz aller liebstes (D-LEm II.6.15, p.448) LN 100/52g

Dowland (John) Mistress Norrish’s Delight [Poulton 77] (Marsh no.141, p.382) LSJ vo. 11 plate 4LN 100/77

Dowland (John) [Monsieur’s Almaine] (Dd.2.11, f.33v) LN 110/JD106a

Dowland (John) [Monsieur’s Almaine] “Almande Monsieur Johan Douland Angl[ium]” (I-Gu M.VIII.24f.140) LN 110/JD106b

Dowland (John) Monsieur’s Almaine “Mounsers Almane” (US-NH Deposit 1, f.17) LN 110/JD106c

Dowland (John) [Monsieur’s Almaine] (Dd.3.18, f.35v) LN 110/JD106d

Dowland (John) Mr. Daulants almande (Thysius no.872, f.492), see under Dowland (John) Lady Laiton’s Almain,LN100/48u

Dowland (John) Mr. Dowlands Midnight [Poulton 99; Appendix 2 no.9] (Board no.86, f.26v) LN 100/99a

Dowland (John) [Mr. Dowlands Midnight] “Almaine” (En K.33b, part III, after p.65) LN 100/99b

Dowland (John) Mr. John Langton’s Pavan [Poulton 14] (Dd.5.78.3, f.2v) LN 118/JD14a

Dowland (John) [Mr. John Langton’s Pavan] “Sir John Langton his Pavin” (VLL, f.K1v) LZ 118/JD14b

Dowland (John) [Mr. John Langton’s Pavan] “Pavana Englese tertia” (Fuhrmann 1615, p.53) LZ 118/JD14c

Dowland (John) [Mr. John Langton’s Pavan] “Pavana Anglica Excellens” (Mylius p.48) LN 96/4LN 118/JD14d

Dowland (John) M[r]. John Langton’s Pavan], consort part (Lachrimae 1604, f.G2) LZ 118/JD14e

Dowland (John) M[r]. John Langton’s Pavan], consort part (Hove 1612, f.46v) LZ 118/JD14f

Dowland (John) Mr. Langton’s Galliard [Poulton 33] (Dd.9.33, f.17v) LN 118/JD33a

Dowland (John) Mr. Langton’s Galliard] (Euing 25, f.18v, nearly identical to JD33a) LZ 118/JD33b

Dowland (John) Mr. Knights Galliard (GB-Cu Dd.5.78.3, f.56) LN 126/JD36a

Dowland (John) Mr. Knights Galliard [Poulton 36] (GB-Cu Dd.9.33, f.19v) LZ 126/JD36b

Dowland (John) [Mr. Knights Galliard] “Laminiard” (GB-Ctc O.16.2, p.123) LZ 126/JD36app

Dowland (John) Mr. Mildmay’s Galliard (GB-Cu Dd.9.33, f. 23), see under Dowland (John) The Battle Galliard [Poulton 40], LZ 120/JD40e

Dowland (John) Mr. Smythes Allmond [Folger no.39, f.13v], see under Dowland (John) Sir John Smith’s Almaine,LN 113/JD47a

Dowland (John) Mrs. Brigide fleetwoods paven als Solus sine sola (GB-Cu Dd.9.33, f.33v), see under Dowland (John) Solus sine sola [Poulton 11], LN 128/JD11a

Dowland (John) Mrs Clifton’s Allmaine (GB-Cu Dd.9.33, f. 28v) LN 113/JD53a

Dowland (John) [Mrs Clifton’s Allmaine] (GB-Gu Euing 25, f. 44r, simple version of 53a ) LN 113/JD53b

Dowland (John) [Mrs. Clifton’s Almain [Poulton 53] (Folger no.53, f.23v, simple version of JD53a) LN 113/JD53c

Dowland (John) Mrs. Vaux Galliard [Poulton 32] (Dd.9.33, f.20) LS 2/3LN 112/JD32

Dowland (John) Mrs. Vaux Galliard (Cu Dd.5.78.3. , f.18v) LN 112/App.

Dowland (John) Mrs. Vauxes Gigge [Poulton 57] (Dd.9.33, f.21v) LN 112/JD57

Dowland (John) Mrs. Vauxes Gigge, see also Dowland (John) A Coye Toye (Mynshall no.19, f.7), LN 113/JD80

Dowland (John) Mrs. Whites Choice, see under Dowland (John) Mrs. White’s Thinge, LN 100/50f-h

Dowland (John) Mrs. White’s Nothinge [Poulton 56] (Dd.2.11 no.63, f.22) LN 100/56

Dowland (John) [Mrs. White’s Thinge] “W. Thinge” (GB-Cu Dd.2.11 no.205, f.63v) LN 100/50a

Dowland (John) [Mrs. White’s Thinge], incomplete (GB-Cu Add.2764 (2), f.6) LN 100/50b

Dowland (John) [Mrs. White’s Thinge] “Mein hertz mit schwertz” (Fabricius, f.13v) LN 100/50c

Dowland (John) [Mrs. White’s Thinge] “Mistris Whittes thinge” [Poulton 50] (Wickhambrook, f.15) LN 100/50d

Dowland (John) [Mrs. White’s Thinge] “Ein schon Liedt” (Thott 841 4o, f.14) LN100/50e

Dowland (John) [Mrs. White’s Thinge] “Mrs. Whites Choice” (Sampson no.10, f.7) LN 100/50f

Dowland (John) [Mrs. White’s Thinge] “Mrs. Whites Choice set by Henry Sampson” (Sampson no.10a, f.7) LN100/50g

Dowland (John) [Mrs. White’s Thinge] “Mris. Whites Choyce” (Lbl Add.38539 Sturt, f.2) LN 100/50h

Dowland (John) [Mrs. White’s Thinge] (Lbl Eg. 2046 Pickeringe, f.19) LN 100/50i

Dowland (John) [Mrs. Winter’s Jump] “Currant” (D-Lr 2000 Harling, p.12) LN 100/55a

Dowland (John) Mrs. Winter’s Jump (Lbl. Add.31392, f.23) LN 100/55b

Dowland (John) [Mrs. Winter’s Jump] (Gu Euing 25, f.24v) LN 100/55c

Dowland (John) [Mrs. Winter’s Jump] “Mistress Winters Jumpe” (Barley 1596 f.D1) LN 100/55d

Dowland (John) [Mrs. Winter’s Jump] “Winter Gomps” [Poulton 55] (Folger no.20, f.5v) LN 100/55e

Dowland (John) [Mrs. Winter’s Jump] “Currant Dulandi” (D-LEm II.6.15, p.241) LN 100/55fDowland (John) My Lady Hunsdons Puffe] “Allemande” (Folger no.51, f.22v) LN 111/54a

Dowland (John) [My Lady Hunsdons Puffe] [Poulton 54] (Dd.5.78, f.7) LN 111/54b

Dowland (John) My Lady Hunssdons Puffe (GB-Lbl Add.6402, f.2) LSJ vol. 32LN 111/54c

Dowland (John) [My Lady Hunsdons Puffe] (GB-Cu Dd.9.33, f.38) LN 111/54d

Dowland (John) [My Lady Hunsdons Puffe] (NL-DHnmi Kluis 1, f.113v) LZ 111/54f

Dowland (John) [My Lady Hunsdons Puffe] “La Megia Pase Francesca” (US-BE 757, ff.1v) LZ 111/54g

Dowland (John) My Lady Hunsdons Puffe, see also under Donino Garsi Balletto (PL-Kj 40153, f.59v, LZ 111/Donino 4)LZ 111/54h

Dowland (John) [My Lady Hunsdons Puffe] “Mein zung zu exprimiren” (D-LEm II.6.15, p.454) LZ 111/54i

Dowland (John) [My Lady Hunsdons Puffe] “Anglicum” (D-LEm II.6.15, p.499) LZ 111/54j

Dowland (John) [My Lady Hunsdons Puffe] “Gagliarda” US-SFsc M2.1 M3, p.79) LZ 111/54k

Dowland (John) [My Lady Hunsdons Puffe] (CZ-Pnm IV.G.18, f.138v) LZ 111/54l

Dowland (John) [My Lady Hunsdons Puffe] “Pezzo Italiano” (I-GBDchilesotti, p.213) LZ 111/54m

Dowland (John) [My Lady Hunsdons Puffe] “Gagliarda det[t]a la mezza pace” (US-Sfsc M2.1 M3, p.26) LZ 111/54n

Dowland (John) [My Lady Hunsdons Puffe] “Ba[l]let[t]o in Soprano” (US-BE 760, ff.17) LZ 111/54o

Dowland (John) My Lady Hunsdons Puffe, see also Anon. Balletto La Pace, LN 111/54e

Dowland (John) My Lord Willoughby's Welcome Home “My L Willaghby Tune” (GB-Cu Dd.2.11, f. 58v) LN 113/ JD66a

Dowland (John) [My Lord Willoughby's Welcome Home] (GB-Gu Euing 25, f. 38r) LN 113/ JD66b

Dowland (John) My Lord Willoughby's Welcome Home “Mmy lord wilobie” (Mynshall no.2, f.1) LN 113/JD66c

Dowland (John) My Lord Willoughby's Welcome Home “my lo willobeis’ tune” (US-NHub Deposit 1, f. 12r) LN 113/JD66d

Dowland (John) [My Lord Willoughby's Welcome Home] “Rolandt” (LT-Va 285-MF-LXXIX, f. 57r) LN 113/JD66e

Dowland (John) My Lord Willobes Wellcome Home [Poulton 66] (B-Lbl Eg.2046, Egerton, f.25) LN 113/JD66f

Dowland (John) [My Lord Willoughby's Welcome Home] (NL-Lu 1666 Thysius no.667, f. 389) LN 113/ JD66g

Dowland (John) [My Lord Willoughby's Welcome Home] (Folger no.31, f. 9v) LN 113/JD66i-i

Dowland (John) My Lord Willoughby’s Welcome Home “Lo[rd] Wilobies Welcom Hom”, duet, second part only [Poulton 66a] (Sampson no.21, f.11v) LN 113/JD66i-ii.

Dowland (John) [My Lord Willoughby’s Welcome Home] “Rolandt” (LT-Va 285-MF-LXXIX, f. 14v) LZ 113/JD66j

Dowland (John) [My Lord Willoughby’s Welcome Home] “Rolandt lieber Rolandt” (D-B 4022 Danzig, f. 49v) LZ 113/JD66k

Dowland (John) [My Lord Willoughby’s Welcome Home] “Ach Nachbaur Rolandt”, bandora and transcription for lute(LT-Va 285-MF-LXXIX, f. 41r) LZ 113/JD66 l i-ii

Dowland (John) [My Lord Willoughby’s Welcome Home] “Rowland” (GB-Ob Top.gen.c.90, 99v) LZ 113/JD66m Dowland (John) [My Lord Willoughby’s Welcome Home] “Roland” (CZ-Pu XXIII.F.174, f. 16v) LZ 113/JD66n

Dowland (John) [My Lord Willoughby’s Welcome Home] “Rolant Eiusdem Autoris” [Caspari H(a)usmanni] (DK-Kk Thott 841,4o Fabritius, f. 12v 9) LZ 113/JD66o

Dowland (John) [My Lord Willoughby’s Welcome Home] “Der Englisch Roland”, German tablature (CH-Bu F.IX.70 Wurstisen, pp. 331-332) LZ 113/JD66p

Dowland (John) [My Lord Willoughby’s Welcome Home] “Der Rolandt” (D-LEm II.6.15, p. 372) LZ 113/JD66q

Dowland (John) [My Lord Willoughby’s Welcome Home] “Soet Robbert” (Vallet Secret I, p.47) LZ 113/JD66r

Dowland (John) [My Lord Willoughby’s Welcome Home] “Allemande” (Besard Thesaurus Harmonicus 1603, f. 134v)LZ 113/JD66s

Dowland (John) [My Lord Willoughby’s Welcome Home] “Roland/ vei si variatur” (PL-Kj Mus.40143, f. 24r, = JD66s)LZ 113/JD66t

Dowland (John) [My Lord Willoughby’s Welcome Home] “Soet, Soet Robertgen” (NL-Lu 1666 Thysius no.666, f. 389r i)

LZ 113/JD66u

Dowland (John) [My Lord Willoughby’s Welcome Home] “Soet Robert” (Hove Florida 1601, f. 107v) LZ 113/JD66v Dowland (John) My Lord Willobies Welcome Home (Robinson The Schoole of Musicke 1603, f. K2v) LZ 113/JD66w

Dowland (John) My Lord Willoughbies Welcome Home, after William Byrd (GB-Lbl Eg.2046 Pickeringe, f. 33v)LZ 113/JD66x

Dowland (John) [My Lord Willoughby’s Welcome Home] “Deutscher Danz” (D-W Guelf. 18.8/IV Hainhofer, f. 34r)LZ 113/JD66y

Dowland (John) [My Lord Willoughby’s Welcome Home] “O nactbar Voulandt” [but not the version by Dowland] (CZ-Pnm XIII.B.237 Jacobides, no 8) LZ 113/JD66z

Dowland (John) [My Lord Willoughby’s Welcome Home] “Roland” (CZ-Pu XXIII.F.174 Scmal, f. 21v) LZ 113/JD66aa Dowland (John) [My Lord Willoughby’s Welcome Home], bandora & lute transcription (Dd.2.11, f. 14v) LZ 113/JD66bb-i & ii Dowland (John) [My Lord Willoughby’s Welcome Home] “Soet soet Robbertgen” (Valerius 1626 p. 83) LZ 113/JD66cc

Dowland (John) My Lord Willoughby's Welcome Home, see also under C(utting) F(rancis) (GB-Cu Dd.5.78.3, f. 28v),LN 113/JD66h

Dowland (John) Nou, Nou (Valerius, p.54), see under Dowland (John) The Frog Galliard, LZ 113/ JD23r

Dowland (John) O nactbar Voulandt [but not the version by Dowland] (CZ-Pnm XIII.B.237 Jacobides, no 8)see under Dowland (John) My Lord Willoughby’s Welcome Home, LZ 113/JD66z

Dowland (John) Orlandi/ Orlando/ Orlandus, see under Dowland (John) Orlando Sleepeth, LN 102/61

Dowland (John) Orlando Sleepeth [Poulton 61] (Dd.2.11 no.166, f.55v) LS 1/1bLN 102/61a

Dowland (John) Orlando Sleepeth, for cittern (Dd.14.24, f.16v) LN 102/61b

Dowland (John) Orlando Sleepeth (Board no.2, f.1) LN 102/61c

Dowland (John) [Orlando Sleepeth] “Anglesa” (Thysius no.701, f.399) LN 102/61d

Dowland (John) [Orlando Sleepeth] (Thysius no.702, f.399) LN 102/61p

Dowland (John) [Orlando Sleepeth] “Engel dantz-Nachdantz” (Guelf.18.8 IV, f.37v) LN 102/61r

Dowland (John) [Orlando Sleepeth] “Englesa” (Pu XXIII.F.174, f.22v) LN 102/61h

Dowland (John) [Orlando Sleepeth] “Englisch auffzug” (Bd.A.678, f.22) LN 102/61j

Dowland (John) [Orlando Sleepeth] “Orlandi” (Pnm XIII.B.237 no.83) LN 102/61g

Dowland (John) [Orlando Sleepeth] “Orlando” (Dtc 408, II no.53, f.111) LSJ vol.10 [plate 4]LN 102/61f

Dowland (John) [Orlando Sleepeth] “Orlando Chanson Englesae” (Hove 1601, f.106) LN 102/61l

Dowland (John) [Orlando Sleepeth] “Orlando Furioso” (Mynshall no.14, f.5v) LN 102/61e

Dowland (John) [Orlando Sleepeth] “Orlando Furioso” (Mus.108 I, f.23v) LN 102/61o

Dowland (John) [Orlando Sleepeth] “Orlandus” (Druck 12.4o.85, p.50) LN 102/61i

Dowland (John) [Orlando Sleepeth] “Orlandus furiosus” (Fuhrmann 1615, p.47) LN 102/61q

Dowland (John) [Orlando Sleepeth] “Padoana Anglica” (Thort 841, 4o, f.115) LN 102/61k

Dowland (John) [Orlando Sleepeth] “Pavana anglica” (R.242, f.104) LN 102/61n

Dowland (John) [Orlando Sleepeth] “Pavana Orlandi” (Druck 13, 4o.85, p.50) LN 102/61m

Dowland (John) Pa. Anglica (D-LEm III. 11.26, p.2), see under Dowland (John) Lady Laiton’s Almain, LN 47; LN100/48t

Dowland (John) Padoana Anglica (Thort 841, 4o, f.115), see under Dowland (John) Orlando Sleepeth, LN 102/61k

Dowland (John) Paduana (D-Kl 4o 108/I, f.1v), see under Dowland (John) Come Again, LZ 121/JD60c

Dowland (John) Paduana Anglois” (D-Kl 4o 108/I, f.64v), see under Dowland (John) Come Again, LZ 121/JD60d

Dowland (John) Paduana I.D.” in index (Rude 1600 II, f. ii), see under Dowland (John) Solus sine sola, LZ 128/JD11b

Dowland (John) A Pavan [Poulton 16] (Dd.5.78.3, f.47v) LN 114/JD16

Dowland (John) Pavana (D-LEm II.6.15, p.104), see under Dowland (John) Solus cum sola, LZ 128/JD10f

Dowland (John) Pavana à 5 voc. Dulandi Angli [in index] (Rude 1600, f. GG5v), see under Dowland (John) Lacrimae, LZ 128/JD15app 8

Dowland (John) Pavana anglica (R.242, f.104), see under Dowland (John) Orlando Sleepeth, LN 102/61n

Dowland (John) Pavana Anglica Excellens (Mylius p.48), see under Dowland (John) Mr. John Langton’s Pavan[Poulton 14], LN96/4

Dowland (John) Pavana Douland CZ-Pnm IV.G.18, f. 40v), see under Dowland (John) Semper Dowland Semper dolens,LZ 128/JD9e

Dowland (John) Pavana Douulandi Angli [not in Poulton] (Mylius p.52) LN96/5

Dowland (John) Pavana Douulant [not in Poulton] (Mylius p.54) LN96/6

Dowland (John) Pavana Douland (CZ-Pnm IV.G.18, f. 40v), see under Dowland Semper Dowland Semper dolens, LZ 128/JD9e

Dowland (John)? Pavana Dulandi (D-LEm II.6.15, p.115) LN 121/JD86

Dowland (John) Pavana Lachrimae, see also under Hoffmann von Grünbühel (Wolfgang) Pavana Lachrimae (DBN 479 f.72v), LN 84/6

Dowland (John) Pauana Lachrimae Joachimi vanden Houen den 16 Febr Anno 1614 (D-Hs ND.VI .3238, p. 17), see under Dowland (John) Lachrimae, LZ 128/JD15app 12

Dowland (John) Pauana Lachrime (D-Hbusch, f. 24r), see under Dowland (John) Lachrimae, LZ 128/JD15app 11-i

Dowland (John) Pavana Lachrime (Hove 1601, f. 94), see under Dowland (John) Lachrimae, LZ128/JD15app 13-i

Dowland (John) Pavana Lachrimi (A-Lla Hs.475, f.12), see under Dowland (John) Lachrimae, LZ 123/JD15app 4

Dowland (John) Pavana Lacrumae (D-LEm II.6.15, p.122), see under Dowland (John) Lachrimae, LZ 123/JD15app 3

Dowland (John) Pavana Lacrymae V.S. (Fuhrmann 1615p.60), see under Dowland (John) Lachrimae, LZ 128/JD15app 6a

Dowland (John) Pavana Lacryme (GB-HAdolmetsch II.B.1, f. 225v), see under Dowland (John) Lachrimae, LZ 128/JD15app 6b

Dowland (John) Pavana Orlandi (Druck 13,4o.85, p.50), see under Dowland (John) Orlando Sleepeth, LN 102/61m

Dowland (John) Pavana Pijper Dovvlant, short A strain (Hove 1612, f.37v), see under Dowland (John) Pipers Pavan, LZ 124/JD8k

Dowland (John) Pavane, long A strain (A-Lla hs.475f.22), see under Dowland (John) Pipers Pavan, LZ 124/JD8h

Dowland (John) Pavane Lachrimae (GB-WPforester welde no.8, f.4v), see under Dowland (John) Lachrimae, LZ 122/JD15g

Dowland (John) Pavane Lachrimae met den Bass (Valerius, p.216), see under Dowland (John) Lachrymae Pavan [Poulton 15]LZ 128/JD15app 5

Dowland (John) Paven, long A strain [Poulton 8] (Dd.2.11 no.131, f.46v), see under Dowland (John) Piper’s Pavan, LN 124/JD8b

Dowland (John) Pezzo Italiano (I-GBDchilesotti, p.213), see under Dowland (John) My Lady Hunsdons Puffe, LZ 111/54m

Dowland (John) Phantasia (Mertel 1615, p.208), see under Dowland (John) Fantasia, LZ 125/JD6e

Dowland (John) Phantasia (Mertel 1615, P.210), see under Dowland (John) Forlorne Hope Fancye, LZ 125/JD2c

Dowland (John) Phantasia (Mertel 1615, p.211) see under Dowland (John) Fantasia, LN 108

Dowland (John)? Phantasia Dooland (Guelf. 18.7 III, f.17) LN 105/JD101

Dowland (John)? Phantasia Dooland (Guelf. 18.7 III, f.210) LN 125/JD101

Dowland (John) A Piece without Title [Almaine?] [Poulton 51] (Dd.5.78.3, f.32) LN 108

Dowland (John) A Piece without Title [Poulton 78] (GB-Gu Euing 25, f.26) LN 127/JD78

Dowland (John) Piper’s Galliard [Poulton 88] (Add.3056, f.3v) LN 124/JD19a

Dowland (John) [Pipers Galliard] [Poulton 19] (GB-Cu Dd.2.11 no.154, f.53) LZ 124/JD19b

Dowland (John) Pipers Galliard “Pypers Galiard” (GB-Lbl Add.31392, f.27v) LZ 124/JD19c

Dowland (John) [Pipers Galliard] (GB-Gu Euing 25, f.28v) LZ 124/JD19d

Dowland (John) [Pipers Galliard] (GB-Lbl M.1353 Hirsch, f.11) LZ 124/JD19e

Dowland (John) Pipers Galliard “The Galliard to the Pavan before” (GB-Cu Add.3056, f.3v) LZ 124/JD19f

Dowland (John) Pipers Galliard “Digorie Piper Galiard”, lute part (Dowland Lachrimae, f.L2) LZ 124/JD19g

Dowland (John) [Pipers Galliard] (GB-Cu Dd9.33, f.73v) LZ 124/JD19h

Dowland (John) Pipers Galliard “Galliarde” (GB-HAdolmetsch II.B.1, f.92v) LZ 124/JD19i

Dowland (John) Pipers Galliard “Galliarde” (Francisque 100, f.13) LZ 124/JD19j

Dowland (John) Pipers Galliard “If my Complaynts” (GB-Lam 603 Board no.62, f.21v) LZ 124/JD19k

Dowland (John) Pipers Galliard “Galliarda Joannis Doland” (Besard 1603, f.107v) LZ 124/JD19l

Dowland (John) Pipers Galliard “If my complaints”, with text (Dowland 1597, f.B2v) LZ 124/JD19m

Dowland (John) Pipers Galliard “Captayne Pipers Galliard”, cittern part (GB-Lam 600, f.89) LZ 124/JD19n

Dowland (John) Pipers Galliard “Galliard to Captaine Pipers Pavin”, cittern part, short A strain (Morley 1599, f.A4v) LZ 124/JD19o

Dowland (John) Pipers Galliard “Dowland Gal”, cittern solo (US-CAh Mus.181, f.14) LZ 124/JD19p

Dowland (John) Pipers Galliard “Galliard to Captaine Pipers Pavin”, cittern part (Morley 1599, f.A4v) LZ 124/JD19q

Dowland (John) Pipers Galliard “Galliard J Dowl”, cittern solo (GB-Cu Dd.4.23, f.28) LZ 124/JD19s

Dowland (John) Pipers Galliard “If my complaints”, transcribed from lyra viol (Corkine 1612, f.G1v) LZ 124/JD19u

Dowland (John) Pipers Galliard, cittern (GB-Cu Dd.4.23, f.4v), see under Robinson (Thomas) Pipers Galliard,LZ 124/JD19r

Dowland (John) Pipers Galliard, cittern (Robinson 1609, f.D4v), see under Robinson (Thomas) Pipers Galliard,LZ 124/JD19t

Dowland (John) Piper’s Pavin, short A strain (Barley New Booke, f. E3) LN 124/JD8a

Dowland (John) [Piper’s Pavan] “Paven”, long A strain [Poulton 8] (Dd.2.11 no.131, f.46v) LN 124/JD8b

Dowland (John) Pipers Pavan “Pypers Pavyn”, long A strain GB-Lbl Add.31392, f.27v) LZ 124/JD8c

Dowland (John) [Pipers Pavan], long A strain (GB-Gu Euing 25, f.29v) LZ 124/JD8d

Dowland (John) Pipers Pavan “Pipers Paven”, long A strain (GB-Cu Add.3056, f.2v) LZ 124/JD8e

Dowland (John) Pipers Pavan “Pipers Pavinge”, long A strain (GB-Lbl Eg.2046 Pickeringe, f.19v) LZ 124/JD8f

Dowland (John) [Pipers Pavan] “C[aptain] Pipers Paven”, bandora and transcription for lute, long A strain (GB-Cu Dd.2.11, f.82)LZ 124/JD8g i-ii

Dowland (John) [Pipers Pavan] “Pavane”, long A strain (A-Lla hs.475f.22) LZ 124/JD8h

Dowland (John) [Pipers Pavan] “Dowlands Paven”, cittern, long A strain (GB-Cu Dd.4.23, f.27v) LZ 124/JD8i

Dowland (John) Pipers Pavan “Pipers Paduan”, short A strain (D-Kl 4o.Mus 108 Montbuisson, f.70v) LZ 124/JD8j

Dowland (John) [Pipers Pavan] “Pavana Pijper Dovvlant”, short A strain (Hove 1612, f.37v) LZ 124/JD8k

Dowland (John) Pipers Pavan “Pipers Pavin”, bandora part, short A strain (GB-Lam 600, f.89) LZ 124/JD8l

Dowland (John) [Pipers Pavan] “Captaine Pipers Pavin”, bandora part, short A strain (Morley 1599, f.A4) LZ 124/JD8m

Dowland (John) [Pipers Pavan] “Capt. Pipers Paven”, cittern part, short A strain (GB-Cu Dd.14.24, f.32v) LZ 124/JD8n

Dowland (John) [Pipers Pavan[ “Captaine Pipers Pavin”, pandora part (Morley 1599, f.A4) LZ 124/JD8o

Dowland (John)? Preambulum Dooland [not in Poulton](D-W Guelf 18.7 III f.17,) LN 101/102

Dowland (John) Preludium [Poulton 98; appendix 2 no.10] (Board no.97, f.29) LN100/98LN 128 text

Dowland (John) Psalm 100, with four voice setting (Osborn fb7 no.16, f.85) LN 74 textDowland (John) Robin Hoode (GB-Cu Add.2764-2, f.12), see under Dowland (John) Robin is to the Greenwood Gone,

LN 106/[70] App.2

Dowland (John) Queen Elizabeth (The Most Sacred), her Galliard [Poulton 41] (VLL, f.M1v) LN 89 textLN 113/JD41a and b

Dowland (John) The Queenes Gallyard [Poulton 97] (Board no.73, f.24) LN 113/JD97b

Dowland (John) Rechenbergers Galliardt (D-LEm II.6.15, p.198), see under Dowland (John) Frog Galliard, LZ 113/ JD23q

Dowland (John) Reprinse sequitur (Hove 1601, f. 95r), see under Dowland (John) Lachrimae, LZ 128/JD15app 13-ii

Dowland (John) The Right Honourable the Lady Rich, her Galliard [Poulton no.43a] (VLL, f.N1), see under Dowland (John) Lady Rich’s Galliard, LN 104/43q

Dowland (John) Robin [is to the Greenwood Gone] [Poulton 70] (Dd.9.33, f.29v) LN 106/70a

Dowland (John) [Robin is to the Greenwood Gone] “Sweet Robyne” (Egerton, f.22v) LN 106/70b

Dowland (John) [Robin is to the Greenwood Gone] “Sweet Robyhn” (Egerton, f.35) LN 106/70c

Dowland (John) [Robin is to the Greenwood Gone] “Galliarda 6 J.D.” (Fuhrmann 1615, p.114) LN 106/70d

Dowland (John) Robin Hood is to the Greenwood Gone (IRL-Dtc 408/ II no.63, p.113) LN 106/[70] App. 1

Dowland (John) [Robin is to the Greenwood Gone] “Robin Hoode” (GB-Cu Add.2764-2, f.12) LN 106/[70] App.2

Dowland (John) [Robin is to the Greenwood Gone] “Bonny Sweete Robin” (GB-Lam 601 Mynshall no.28, f.8) LN 106/[70] App.3

Dowland (John) [Robin is to the Greenwood Gone] (D. Ngm I, f.52) LN 106/[70] App.4Dowland (John) Roland /Rolandt/ Rolant/Rowland, see under Dowland (John) My Lord Willoughby's Welcome Home, LN 113/JD66

Dowland (John) Rounde Battell Galyarde (Folger no.21, f. 6) LN 120/JD39a

Dowland (John) Round Battell galliarde, bass viol part (GB-Cu Dd.5.20, f. 5) LZ 120/JD39b round Battell galliarde, recorder part (GB-Cu Dd.5.21, f. 5v) Rounde b galliarde, cittern part (GB-Cu Dd.14.24, f. 36v)

Dowland (John) The Sedreppetis Lamentation (Mynshall no.34, f.10), see under Dowland (John) Lady Laiton’s Almain,LN100/48i

Dowland (John) [Semper Dowland Semper Dolens] “Dowlandes Lamentation Semp dolent” (GB-Lbl Eg.2046, f.31v)LN 128/JD9a

Dowland (John) [Semper Dowland] Semper dolens (GB-WPforester welde no.42, f. 14v) LZ 128/JD9b

Dowland (John) [Semper Dowland Semper dolens] [Poulton 9] (GB-Gu Euing 25, f. 25r) LZ 128/JD9c

Dowland (John) Semper Dowland semper dolens, viol consort à 5 and lute (Dowland Lachrimae 1604, f.E2v) LZ 128/JD9d

Dowland (John) [Semper Dowland Semper dolens] “Pavana Douland” CZ-Pnm IV.G.18, f. 40v) LZ 128/JD9e

Dowland (John) Semper Dowlant semper dolens (Hove Delitiae Musicae 1612, f. 38v) LZ 128/JD9f

Dowland (John) Shall I strive with words to move, lute song, (A Pilgrim’s Solace, f.D1v), see under Dowland (John) Mignarda,LZ 126/JD34e

Dowland (John) [The Shoemakers Wife] (GB-Cu Dd.5.78.3, f. 6v, almost = JD58b) LN 113/ JD58a

Dowland (John) The Shoemakers Wife. A Toye [Poulton 58] (GB-Cu Dd.9.33, f.21v) LN 113/JD58b

Dowland (John) Sich hertz aller liebstes (D-LEm II.6.15, p.448), see under Dowland (John) Mistress Nichol’s Almain, LN 100/52g

Dowland (John) Sir John Langton his Pavin (VLL, f.K1v), see under Dowland (John) Mr. John Langton’s Pavan [ Poulton no.14a], LZ 118/JD14b

Dowland (John) [Sir John Smith’s Almaine] “Mr Smythes Allmon” (Folger no.39, f.13v, almost = JD47b) LN 113/JD47a

Dowland (John) [Sir John Smith his Almaine [Poulton 47] (VLL, f.P2v) LN 113/ JD47b

Dowland (John) [Sir John Smith’s Allmaine] “Almayne” (Marsh no.145, p. 384) LN 113/ JD47c

Dowland (John) [Sir John Smith’Almaine], first strain and beginning of division only, reconstruction based on JD47e-f, (GB-Cu Add.2764(2), f. 10r) LZ 113/ JD47d

Dowland (John) Sir John] Smythes Allmayne, consort or duet part? [Poulton 47a] (GB-Lbl Add.38539 ML, f. 8v)LZ 113/ JD47e

Dowland (John) [Sir John Smith’s Almaine] “Allemande” consort or duet part? (D-Hs ND VI 3238, p. 148 = JD47e), LZ113/JD47f

Dowland (John) [Sir John Smith’s Almaine] “Almande Angl.” (D-B 40141 Nauclerus, f. 43r) LZ 113/ JD47g

Dowland (John) [Sir John Smith’s Almaine] “Almand”, in German tablature (D-KA Bd.A.678, f. 21r = JD47g) LZ 113/ JD47h

Dowland (John) [Sir John Smith’s Almaine] “Allemande Anglloyse” (Thysius no.889, f.503) LZ 113/ JD47i

Dowland (John) [Sir John Smith’s Almaine] “Balletto” (S-B PB fil.172, ff. 16v-17r) LZ 113/ JD47j

Dowland (John) [Sir John Smith’s Almaine], duet or consort part? (IRL-Dtc 408/I Ballet no.5 , p. 7) LZ 113/ JD47k

Dowland (John) Sir John Souch’s Galliard [Poulton 26] (Dd.5.78.3, f.26) LN 103

Dowland (John) Sleep, wayward thoughts, lute song (Dowland 1597, G1v) LZ 121/JDapp-a

Dowland (John) [Sleep, wayward thoughts], accompaniment transcribed from lyra viol (GB-Och Mus.439, p.46)LZ 121/JDapp-b

Dowland (John) [Sleep, wayward thoughts] “Floodis of teares”, mandore and transcription for lute (GB-Eu Adv 5.2.15, p.108)LZ 121/JDapp ci-cii

Dowland (John) Sleep, wayward thoughts, transcribed from lyra viol (GB-En Dep 314 no.24, p.6) LZ 121/JDapp-d

Dowland (John) Soet Robbert, see under Dowland (John) My Lord Willoughby’s Welcome Home, LZ 113/JD66

Dowland (John) Sweet Robyhn (Egerton, f.35), see under Dowland (John) Robin is to the Greenwood Gone, LN 106/70c

Dowland (John) Sweet Robyne (Egerton, f.22v), see under Dowland (John) Robin is to the Greenwood Gone, LN 106/70b

Dowland (John) Solus cum sola [Poulton appendix two, no. 1] (GB-Lam 603 Board no.31, f.10v) LN 128/JD10a

Dowland (John) Solus cu[m] sola (GB-Cu Dd.2.11, f. 58v) LZ 128/JD10b

Dowland (John) Solus cum Sola [Poulton 10] (Euing f.27v) LZ 128/JD10c

Dowland (John) Solus cum sola (GB-Lbl Add.31392, f. 14v) LZ 128/JD10d

Dowland (John) Solus cum sola (Barley Orpharion 1596, f. B3v) LZ 128/JD10e

Dowland (John) [Solus cum sola] “Pavana” (D-LEm II.6.15, p.104) LZ 128/JD10f

Dowland (John) Solus cum sola, arranged by R[ichard] S[umarte] for lyra viol (GB-Mr 832 Vu 51, p. 20) LZ 128/JD10g

Dowland (John) Solus cu[m] sola, cittern part (GB-Cu Dd.14.24, f.27) LZ 128/JD10h

Dowland (John) Solus sine sola “Mrs. Brigide fleetwoods paven als Solus sine sola” [Poulton 11] (GB-Cu Dd.9.33, f.33v) LN 128/JD11a

Dowland (John) [Solus sine sola] “Paduana I.D.” in index (Rude 1600 II, f. ii) LZ 128/JD11b

Dowland (John) Subplementum (Fuhrmann 1615, p.119), see under Dowland (John) Melancholy Galliard, LZ 126/JD25app

Dowland (John) [Tarleton’s Jig] (Dd.2.11, f.56) LN 127/JD81-i

Dowland (John) [Tarletons Jig] [Poulton 81] (Dd.2.11 no.169, f.56, annotated) LN 127/JD 81-ii

Dowland (John) Tarleton Jigg, lute part for broken consort (GB-Cu Dd.3.18, f.53) LZ 127/JD81 app 1

Dowland (John) Tarletons Jigg “Willy”, cittern and transcription for lute(GB-Cu Dd.423, f.25) LZ 127/JD81 app 2 i-ii

Dowland (John) Tarleton Jigg, cittern part for broken consort (GB-Cu Dd.14.24, f.17) LZ 127/JD81 app 3 Dowland (John) Volte Pavana (D-Ngm 33748-I, f.36v), see under Dowland (John) Lady Laiton’s Almain, LN100/48vDowland (John) W. Thinge (GB-Cu Dd.2.11, f.63v), see under Dowland (John) Mrs. White’s Thinge, LN 100/50a

Dowland (John) What if a Day [Poulton 79] (Folger no.52, f.23) LS 2/1LN 121/JD79a

Dowland (John) What if a Day, lyra viol (GB-CHEr DLT/B31, f.53) LZ 121/JD79b

Dowland (John) What if [a] day or a nigihte or a yere (US-Ws V.b.280, f.87) LZ 121/JD79c

Dowland (John) [What if a Day] (GB-Lbl Eg.22046, f.19) LZ 121/JD79d

Dowland (John) [What if a Day] (GB-Cu Add.8844, f.2) LZ 121/JD79e

Dowland (John) [What if a Day] (GB-u Cu Dd.9.33, f.62v) LZ 121/JD79f

Dowland (John) [What if a Day] (CH-Bu F.IX.53, f.19) LZ 121/JD79g

Dowland (John) [What if a Day] (D-B 40141, f.186v) LZ 121/JD79h

Dowland (John) [What if a Day] “Commedianten dans Berg op Zoom (Valerius 1626, p.248) LZ 121/JD79i

Dowland (John) What if a day, a month, or a year, baroque lute and transcription for renaissance lute (GB-En Acc.9769, p.127)LZ 121/JD79j i-ii

Dowland (John) What if a Day, mandore and transcription for lute (GB-En Adv 5.2.15, p.107) LN 121/JD79k i-ii

Dowland (John) What if a Daye, lyra viol (GB-Mp BRm 832 Vu51, p.12) LZ 121/JD79l

Dowland (John) What if a Day, transcribed from lyra viol (GB-Lbl Add.63852, f.114) LZ 121/JD79m

Dowland (John) What if a Day, transcribed from lyra viol (GB-En Dep314 no.24, p.20) LZ 121/JD79n

Dowland (John) What if a Day, transcribed from lyra viol (GB-En P637 R787.1, f.4v) LZ 121/JD79o

Dowland (John) What if a Day, transcribed from lyra viol (GB-CHEr DLT/B31, f.7) LZ 121/JD79p

Dowland (John) [What if a Day] “Commedianten dans”, diatonic cittern and transcription for chromatic cittern (Valerius 1626, p.248)LZ 121/JD79q i-ii

Dowland (John) What is a day or a night or an hower, chromatic cittern (GB-Cu Dd.4.23, f.32) LZ 121/JD79r

Dowland( John) [What if a Day] “Quhat if a Day”, diatonic cittern and transcription for chromatic cittern (GB-En 9450, f.42)LZ 121/JD79s i-ii

Dowland (John) What if a Day, chromatic cittern (Robinson 1609, f.K2) LZ 121/JD79t

Dowland (John) Winter Gomps (Folger no.20, f.5v), see under Dowland (John) Mrs. Winter’s Jump [Poulton 55], LN 100/55e

Dowland (John) Yf my Complaints (Board no.62, f.21v), see under Dowland (John) Captain Digory Piper’s Galliard, LZ 124/JD19k and LZ 124/JD19m

Drusina (Benedict de) Adieu mes Amours (after Josquin, see also under Barberis) LZ 105/6b

Drusina (Benedict de) Wer wolet ihr in ehren nicht sain holt, German tablature (Tablatur, 1556) LSJ vol.25 part 2

du But (Jean-François/Pierre?) Rondo chaconne (Saizenay MS, p.186) LZ 111 text

du But (Jean-François/Pierre?) Rondo (Barbe MS, p.54) LZ 111 text

Dufault (François) Allemande du Faut (CZ-Nrlk. Kk73) baroque lute LZ 108

Dufaut (François) Contrepartie duet: Gigue, with second parted added by Jean-Marie Poirier LZ 115

Dufault (François) Courante du Faut (CZ-Nrlk. Kk73) baroque lute LZ 108

Dufault (François) Courante du Faut (CZ-Nrlk. Kk73) baroque lute LZ 108

Dufault (François) Gigue du Faut (CZ-Nrlk. Kk73) 2 versions, baroque lute LZ 108

Dupré d’Angleterre. Suite for 11 course lute LN 56

E. Pavan (3056, f.19v) LN 52 A10/9

E. (E.) A Doomp (Marsh no.100, p.243) LN 58/6

Elgar (Edward) Trio to Piacevole, transcribed for lute LZ 126/App 1

Eman (Mr.), see under Adriaenssen (Emanuel)? Noch weet ick een Casteel (Thysius 546), LN 77/22

F. (A.) Bariera (Basel F.IX.70, p.104) LN 60/1

F. (A.) La Barriera, see under F. (A.) Tantz Alphonso (Königsberg, f.12v), LN 60/19

F. (A.) Cantio (Basel F.IX.70, p.105) LN 60/2

F. (A.) Chorea Anglica (Basel F.IX.70 p.329) LN 51 C63/7LN 60/15

F. (A.) Chorea (Basel F.IX.70, p.282) LN 60/7

F. (A.) Chorea Polo (Basel F.IX.70, p.94) LN 60/9

F. (A.) Chor[ea] Pol[o] (Basel F.IX.70, p.295) LN 60/10

F. (A.) Galliarda (Basel F.IX.70 p.329) LN 60/13



F. (A.) Galliarda (Basel F.IX.70 p.330) LN 60/17LZ 109/32b

F. (A.) Galliarda 3 [Frog Galliard] (Leipzig II.6.15, p.230) LN 60/18

F. (A.) Galliarda Anglicana (Basel F.IX.703 p.316) LN 60/11

F. (A.) Intrada di Mascara (Basel F.IX.70, p.286) LN 60/8

F. (A.) Passomezzo [Antico] and Saltarello (Basel F.IX.70, p.126) LN 60/3a-b

F. (A.) Passomezzo [Antico] (Basel F.IX.70, p.159) LN 60/4

F. (A.) Passomezzo [Antico] Laurenz A.F. (Basel F.IX.70, p.232) LN 60/6

F. (A.) Passomezzo [Moderno] (Basel F.IX.70, p.228) LN 60/5

F. (A.) Pavana la Chrymarum “lachrijmarum” (Basel F.IX.70, p.329) LN 60/12

F. (A.) Tantz Alphonso [La Barriera] (Königsberg, f.12v) LN 60/19

Fallamero (Gabriel) Amante miei, voice and lute (Il Primo Libro de Intavolatura da Liuto, 1584) LN 111 text

Fallamero (Gabriel) Amante miei, voice and lute (Il Primo Libro de Intavolatura da Liuto, 1584) LN 111 text

Fallamero (Gabriel) Livia gentil, voice and lute (Il Primo Libro de Intavolatura da Liuto, 1584) LN 111 text

Fallamero (Gabriel) Madona mia gentile dil Marentio, madrigal intabulation (Il Primo Libro de Intavolatura da Liuto, 1584)LN 111 text

Fallamero (Gabriel) Voria Madonna, voice and lute (Il Primo Libro de Intavolatura da Liuto, 1584) LN 111 text

Farrant (Daniel) [Pavan] (Dd.5.78.3, f.71v) LN 45 C47/2

Fernyers. [Fantasia] (Marsh no.65, p.133) LN 58/7

Ferrabosco (Alfonso) Baduanna Englessa (A-Lla 475, f.62r) LN 103/2c

Ferrabosco (Alfonso) Fantasia (Dd.5.78.3 f.58v-59) LN 89/1a

Ferrabosco (Alfonso) Fantasia [bandora] (Add.31392 f.40v) LN 89/1b

Ferrabosco (Alfonso) Fantasia “Ut Re Mi Fa Sol” (GB-Lbl Hirsch 1353, f.64v) LN 89/2LZ 127/Hi17

Ferrabosco (Alfonso) Fantasia (Mus.689 f.44v) LN 89/3a

Ferrabosco (Alfonso) Fantasia (VLL, f.G1) LN 89/3b

Ferrabosco (Alfonso) Fantasia (Besard 1603 f.32) LN 89/3c

Ferrabosco (Alfonso) Fantasia (Welde 32, f.12v) LN 89/4[Ferrabosco (Alfonso) Fantasia] (GB-Lbl Hirsch 1353, f.8v) LZ 127/Hi2

[Ferrabosco (Alfonso) Fantasia] (GB-Lbl Hirsch 1353, f.13v) LZ 127/Hi4

Ferrabosco (Alfonso) Fantasia (GB-Lbl Hirsch M.1353 f.14) LN 89/5aLZ 127/H15

Ferrabosco (Alfonso) Fantasia (Besard 1603 f.32v) LN 89/5b

Ferrabosco (Alfonso) Fantasia [bandora] (Add.31392 f.39v) LN 89/6

Ferrabosco (Alfonso) Fantasia (Dd.2.11 no.54, f.18v) LN 89/7

Ferrabosco (Alfonso) Fantasia [bandora] (Add.31392 f.43v) LN 89/8a

Ferrabosco (Alfonso) Fantasia [bandora] (Dd.2.11 no.281, f.85v) LN 89/8b

Ferrabosco (Alfonso) Fantasia (Omc.265 62) LN 89/9

Ferrabosco (Alfonso) Fantasia [bandora] (Add.31392 f.42v) LN 89/10

Ferrabosco (Alfonso) Gagliarda (Guelf 18.8, f.186) LN 103/8

Ferrabosco (Alfonso) Galliard 987 (Dd.5.78.3, f.35) LS 3/2LN 103/7

Ferrabosco (Alfonso) Galliard Alfonsus (Marsh no.147, p.386), see under Dowland (John) Galliarda Dulandi, LN 103/JD 85c

Ferrabosco (Alfonso) Pavan (Dd.5.78.3, f.36v) LN 103/1a

Ferrabosco (Alfonso) Pavan (Hirsh M.1353, f.12v) = Cutting (Francis) Pavan (Dd.2.11 no.237, f.72) LN 103/5a

Ferrabosco (Alfonso) [Pavan] (Euing 25, f.22r) LN 103/2b

Ferrabosco (Alfonso) Pavan Alfonso (Dd.2.11 no.4, f.1v) LN 103/5b

Ferrabosco (Alfonso) Pavan Alfonso (Dd.2.11, no.193, f.61) LN 103/2a

Ferrabosco (Alfonso) Pavan Alfonso Ferrabosco (Dd.2.11, no.253, f.77v) LN 103/3

Ferrabosco (Alfonso) Pavan Alfonso Ferrabosco (Welde no.18, f.7 ) LN 103/4b

Ferrabosco (Alfonso) Pavin (VLL, f.K2v) LN 103/1b

Ferrabosco (Alfonso) Pavyn (Add.31392, f.34v) LN103/4cFerrabosco (Alfonso) The Spanish Pavan, “The Treble [and Ground] to the Spanish Pavinge”

(GB-Lbl Eg.2046 Pickeringe, f.10v) LZ112/5iia and i

Ferrabosco (Alfonso) The Spanish Paven, C min, treble only (Cu.Dd.3.18, f.14v) LZ112/5iib

Ferrabosco (Alfonso) Untitled (Dc.5.125 f.86) LN 89

Fiorentino (Perino) O Felici ochi miei de, after Archadelt (Milano III 1547, f.E1v) LZ 126/App 2

Francisco. [Almain] (Dd.2.11 no.3, f.1) LSJ vol. 45

Francisque (Antoine) Fantasia (D-Hs ND VI 3238 Schele, p.45) LN 126/App 2

Francisque (Antoine) Premier Bransle Double de Poitou (Tresor d’Orphee) LS 2/8

Fraser (Jo-Anne) Sweet Remembrance LN 87 insert

Frescobaldi (Girolamo) Aria detta la Frescobalda LN 60

Fuenllana (Miguel de) Fantasia quinta (Orphénica Lyra, 1554 [no.86], f.101v) LN 44

Fuenllana (Miguel de) O Felici ochi miei de, after Archadelt (Orphénica Lyra, 1554, f.120v) LZ 126/App 4

Galilei (Vincenzo) Introito in materia del Primo Passamezo [Moderno] (Libro d’Intavolatura di liuto 1584, p.133)LZ 120

Galilei (Vincenzo) Passamezzo Prima (Antico) (Libro d’Intavolatura di liuto 1584, p.1) LZ 120

Galilei (Vincenzo) Passamezzo Secondo (Antico) (Libro d’Intavolatura di liuto 1584, p.10) LZ 120

Galilei (Vincenzo) Prima Romanesca (Moderna) (Libro d’Intavolatura di liuto 1584, p.137) LZ 120

Galilei (Vincenzo) Romanesca Prima (Antica) (Libro d’Intavolatura di liuto 1584, p.4) LZ 120

Galilei (Vincenzo) Romanesca Seconda (Antica) (Libro d’Intavolatura di liuto 1584, p.12) LZ 120

Galilei (Vincenzo) Salterello Prima (Antico) (Libro d’Intavolatura di liuto 1584, p.7) LZ 120

Galilei (Vincenzo) Salterello Secondo (Antico) (Libro d’Intavolatura di liuto 1584, p.13) LZ 120

Galilei (Vincenzo) Seconda Romanesca (Moderna) (Libro d’Intavolatura di liuto 1584, p.140) LZ 120

Galilei (Vincenzo) Secondo Passamezzo (Moderno) (Libro d’Intavolatura di liuto 1584, p.138) LZ 120

Gallot (Jacques de) Allemande (Vaudry de Saizenay MS) LN 97 text

Gallot (Jacques de) L’Amant Malheureux (Vmb.ms 7) LN 83

Gallot (Jacques de) or Jean-François/Pierre? du But. La belle ebraise, sarabande (Saizenay MS, p.127) LZ 111 text

Gallot (Jacques de) La belle chromatique, Sarabande (D-LEm II.6.14, f.69v) LZ 111 text

Gallot (Jaques de) Belle voilée, Chaconne, baroque lute LN 104

Gallot (Jaques de) Comète (La), Chaconne, baroque lute LN 78

Gallot (Jacques de) Folies d’Espagne, baroque lute LN 60

Gallot (Jaques de) L’Espagnolette, Passacuille, baroque lute LZ 107

Gallot (Jacques de) Le petit seraille, baroque lute LN 105

Garsi di Parma (Ascanio) Corenta (PL-Kj 40153, f.15v) LZ 111/Ascanio 1a

Garsi di Parma (Ascanio) [Corenta] “Courante de Gauthier” (CH-Bu F.IX.53, f.18v) LZ 111/Ascanio 1b

Garsi di Parma (Donino) Balletto (PL-Kj 40153, f.59v, = Dowland (John) My Lady Hunsdons Puffe) LZ 111/Donino 4

Garsi di Parma (Donino) Battalia (PL-Kj 40153, f.5v) LZ 111/Donino 13

Garsi di Parma (Donino) Folia (PL-Kj 40153, f.9v) LZ 111/Donino 12

Garsi di Parma (Donino) Gag[liarda] (PL-Kj 40153, f.8v) LZ 111/Donino 6

Garsi di Parma (Donino) Gag[liar]da (PL-Kj 40153, f.9v) LZ 111/Donino 7

Garsi di Parma (Donino) Gag[liar]da (PL-Kj 40153, f.3) LZ 111/Donino 8



Garsi di Parma (Donino) Gagliarda (PL-Kj 40153, f.66v) LZ 111/Donino 11

Garsi di Parma (Donino) Pavana in soprano (PL-Kj 40153, f.63v) LZ 111/Donino 5

Garsi di Parma (Donino) Preludio (PL-Kj 40153, f.67) LZ 111/Donino 1

Garsi di Parma (Donino) Sop[r]a il Ballo del S. Duca (PL-Kj 40153, f. 70v) LZ 111/Donino 3

Garsi di Parma (Donino) Toccata (PL-Kj 40153, f.64v) LZ 111/Donino 2

Garsi di Parma (Santino) Aria, keyboard, transcribed for lute (I-Fn Magl.XIX.115, f.4v) LN 111/4

Garsi di Parma (Santino) Aria de Gran Duca, original and transcription for 6-course lute (PL-Kj mus.40153, f.7v)LZ 111/28i-ii

Garsi di Parma (Santino) Balletto [1] (PL-Kj mus.40153, f.62v) LZ 111/25

Garsi di Parma (Santino) Balletto [2] (PL-Kj mus.40153, f.65) LZ 111/26

Garsi di Parma (Santino) B[allett]o Morescha (B-Br II.275, f.12) LZ 111/27

Garsi di Parma (Santino) Ballo del Seren[issi]mo Duca di Parma, original and transcription for 6-course lute (PL-Kj mus.40153, f.70)LZ 111/24i-ii

Garsi di Parma (Santino) Brettes Corante (GB-Lbl Add.38539, f.3v), see under Garsi di Parma (Santino) Courante, LZ 111/30j

Garsi di Parma (Santino) Capriccio (D-Sl G.I.4 III, f.25v) LZ 111/31

Garsi di Parma (Santino) La Contessa di Sala Gagliarda - variation (PL-Kj 40032, p.392) LN 111/20

Garsi di Parma (Santino) Courante “Corenta” (PL-Kj mus.40153, f.4v) LZ 111/30a

Garsi di Parma (Santino) [Courante] (D-Kl 4o.108.1, f.25v) LZ 111/30b

Garsi di Parma (Santino) [Courante] “Fransche Corante” (Valerius, p.52) LZ 111/30c

Garsi di Parma (Santino) [ourante “Courant” (S-B 2245, f.3v) LZ 111/30d

Garsi di Parma (Santino) Courante (Besard 1603, f.153v) LZ 111/30e

Garsi di Parma (Santino) Courante (Fuhrmann 1615, p.174) LZ 111/30f

Garsi di Parma (Santino) Courante “Curranta” (GB-Cu Dd.5.78.3, f.74v) LZ 111/30g

Garsi di Parma (Santino) Courante “Curranta” (GB-Cu Dd.9.33, f.42v) LZ 111/30h

Garsi di Parma (Santino) Courante]“A Corranto” (GB-Cu. O.16.2, p.126) LZ 111/30i

Garsi di Parma (Santino) [Courante] “Brettes Corante” (GB-Lbl Add.38539, f.3v) LZ 111/30j

Garsi di Parma (Santino) Courante “Curent” (GB-Eu Laing III.487, p.3) LZ 111/30k

Garsi di Parma (Santino) [Courante] “The Giuens Corant” (GB-En Dep 314 no.23, f.19v) LZ 111/30l

Garsi di Parma (Santino) Courante “Currant” (GB-Cu Dd.9.33, f.58) LZ 111/30m

Garsi di Parma (Santino) Courante (GB-HAdolmetsch II.B.1, f.34) LZ 111/30n

Garsi di Parma (Santino) Courante (GB-HAdolmetsch II.B.1, f.22v) LZ 111/30o

Garsi di Parma (Santino) Courante “Corente” D-Mbs 21646, f.91v) LZ 111/30p

Garsi di Parma (Santino) Courante “Corente in basso” (US-SFsc M2.1 M3, p.39) LZ 111/30q

Garsi di Parma (Santino) Courante “Correntta” (F-Pn Res.1108, f.46) LZ 111/30r

Garsi di Parma (Santino) Courante “Curante” (CZ-Pnm IV.G.18, f.132v) LZ 111/30s

Garsi di Parma (Santino) Courante “Courant” (Fuhrmann 1615, p.124) LZ 111/30t

Garsi di Parma (Santino) Courante “a cordes avalle” and transcription to vieil ton (GB-HAdolmetsch II.B.1, f.283v) LZ 111/30u i-ii

Garsi di Parma (Santino) Fransche Corante (Valerius, p.52), see under Garsi di Parma (Santino) Courante, LZ 111/30c

Garsi di Parma (Santino) Gagliarda (PL-Kj 40032, p.305) LN 111/1





Garsi di Parma (Santino) or Lorenzino Tracetti. Gagliarda di (Lorenzino) Santino (PL-Kj 40032, p.361) LZ 111/34LN 115/L3

Garsi di Parma (Santino) Gagliarda (I-Fn Magl.XIX.30, f.33v) LN 111/23

Garsi di Parma (Santino)? Gagliarda, Santino crossed out (PL-Kj 40032, p.313) LZ 111/33

Garsi di Parma (Santino) Gagliarda, see also Anon. Gagliarda (similar in style to Santino Garsi), LZ111i-vii

Garsi di Parma (Santino) Gagliarda detta La Garsa (PL-Kj 40032, p.311) LN 111/10

Garsi di Parma (Santino) Gagliarda detta menti per la gola di] (PL-Kj 40032, p.310) LN 111/9

Garsi di Parma (Santino) Gagliarda detta Valdes (PL-Kj 40032, p.312) LN 111/11

Garsi di Parma (Santino) Gagliarda La Baldovina (I-Fn Gal 6, p.252) LN 111/17

Garsi di Parma (Santino) [Gagliarda le ne menti per la gola di] (PL-Kj 40032, p.319) LN 111/8

Garsi di Parma (Santino) Galgliarda (B-Br II.275, f.3) LN 111/12

Garsi di Parma (Santino) Galgliarda (B-Br II.275, f.23) LN 111/14

Garsi di Parma (Santino) Galgiarda [Gagliarda Moriro in index] (B-Br II.275, f.89) LN 111/3

Garsi di Parma (Santino) Galgliarda (La Cesarina) (B-Br II.275, f.8v) LN 111/13

Garsi di Parma (Santino) Galgliarda Lanfredina (B-Br II.275, f.89v) LN 111/5

Garsi di Parma (Santino) Galiard (US-BE 760, f.22) LN 111/22

Garsi di Parma (Santino) The Giuens Corant (GB-En Dep 314 no.23, f.19v), see under Garsi di Parma (Santino) Courante, LZ 111/30l

Garsi di Parma (Santino) La Marignanina (PL-Kj 40032, p.306) LN 111/2

Garsi di Parma (Santino) La Mutia (PL-Kj 40032, p.316) LN 111/15

Garsi di Parma (Santino) Rotta (D-W Guelf.18.8 III, f.212) LZ 111/32

Garsi di Parma (Santino) Ruggieri (B-Br II.275, f.94) LZ 111/29

Garsi di Parma (Santino) Saltarello (PL-Kj 40032, p.316) LN 111/16

Garsi di Parma (Santino) Viva Don Giovanni (I-Fn Gal 6, p.255) LN 111/21

Gasparo. Recercata 7 and 8 (Pesaro 1144, p.96) LN 68/3

Gaultier (Denis) and Charles Mouton. La Belle homicide, baroque lute LN 76

Gaultier (Denis) Le Canon où Courante and Suite (Perrine Live de Musique pour le Lut, 1679) LN 85 textLN 97 text

Gaultier (Denis) Courante [1] (Herbert, f.46v) LSJ vol.11, plate 1

Gaultier (Denis) Courante [2] (Herbert, f.46v) LSJ vol.11, plate 1

Gaultier (Denis) Courante (Goess MS no.5) LN 97 text

Gaultier (Denis) Courante (Pieces de luth, 1672) LN 97 text

Gaultier (Denis) Fantasies, baroque lute LN 73

Gaultier (Denis) Prelude, baroque lute LN 73

Gaultier (Denis) Prelude in G Major LN 116

Gautier (Denis) Prelude 1 (Pieces de luth 1669?) LN 115


Gautier (Denis) Prelude 3 (Pieces de luth 1669?) LZ 111 textLN 115





[Gaultier (Denis)] Sarabande, for 11 course lute (National Archive box C/108/63) LSJ vol.48

Gaultier (Denis) Tombeau de Monsr. De Lenclos, three versions LN 85 text

[Gaultier (Denis)] Volte, for 11 course lute (National Archive box C/108/63) LSJ vol.48

Gaultier (Ennemond) Chaconne ou cascade de Mr Launay LZ 124

Gautier (Ennemond?) Courante Gautier, see under Belleville (Jacques de)? Courante Gautier, LN 128/Belleville 5b

Gauthier (Ennemond?) Courante Gothier [C, divisions] (Aegidius, f.100v) LN 42/13

Gauthier (Ennemond?) Courante Gothier [F, divisions] (Aegidius, f.19v) LN 42/31

Gauthier (Ennemond?) Courante Gothier [G] (Aegidius, f.67v) LN 42/2

Gauthier (Ennemond?) Courente Gothier [F, divisions] (Aegidius, f.3v) LN 42/34Gauthier (Jacques?) Cloches Mr. Gauthier [E flat] (Herbert, f.42) LN 42/43

Gauthier (Jacques?) Courante du mesme [E flat] (Herbert, f.40v) LN 42/29

Gauthier (Jacques?) Courante Gauthier [B flat] (Herbert, f.46v) LN 42/9

Gauthier (Jacques?) Courante Gauthier [C] (Herbert, f.65) LN 42/25

Gauthier (Jacques?) Courante Gauthier [E flat] (Herbert, f.40) LN 42/28Gauthier (Jacques?) Volte Gauthier [E flat] (Herbert, f.42v) LN 42/39Gaultier (Pierre) Ballet 2, baroque lute (Oeuvres 1638) LN 65

Gaultier (Pierre) Ballet 3, baroque lute (Oeuvres 1638) LN 65

Gaultier (Pierre) Ballet sur l’entrée de Monseigneur le Prince d’Eggenberg a Rome, baroque lute (Oeuvres 1638)LN 65

Gaultier (Pierre) Five pieces for baroque lute LN 71

Gaultier (Pierre) Sarabande Ballet 4, baroque lute (Oeuvres 1638) LN 65

Gerle (Hans) Ein Gut Priambel auff allerley Claues (Gerle 1533, f.3v) LZ 103/3

Gerle (Hans) Nachlauf auff das Priambel (Gerle 1533, f.9) LZ 103/4

Gerle (Hans) Praeludium ( Phalèse 1545, p.16) LZ 103/2b

Gerle (Hans) Priambel (Gerle 1532, f.L3v) LZ 103/1

Gerle (Hans) Priambel (Gerle 1532, f.N1) LZ 103/2a

Gerle (Hans) Priambel (Gerle 1533, f.9v) LZ 103/5

Gerle (Hans) Priambel (Gerle 1533, f.9v = Phalese 1545, p.16) LZ 103/6a-b

Gerle (Hans) Priambel (Gerle 1533, f.11) LZ 103/7

Gerle (Hans) Priambel (Gerle 1533, f.11v, similar to Milano Fantasia, Ness 5) LZ 103/8a

Gerle (Hans) Priambel (Gerle 1546, f.a1v, similar to Milano Fantasia, Ness 3) LZ 103/9a

Gershwin (George) Prelude II, arranged by Mike Ashley LN114

Ghizeghem (Hayne van) Amours, amours, lute song (Thibault MS f.12) LSJ vol.22 part2/1

Gianoncelli (Bernardo) Bergamasca (1650) LS 9/2

Gianoncelli (Bernardo) Bergamasca (Il Liuto, Venice 1600) LZ 115

Gianoncelli (Bernardo) Tastegiata (Gianoncelli 1650, p.17) LZ 125/App 3

Gintzler (Simon) Ricercare Quinto (6 Ricercari) LN 48

Giovanni (Gulio) Calata (B.Br II.275, f.93) LN 109/12

Giovanni (Gulio) Galgliarda (B.Br II.275, f.100) LN 109/13

Giovanni (Giuseppe) Ricercata prima (PL-Kj 40032, p.227) LZ 109/1ia

Giovanni (Giuseppe) Ricercare, seconda parte, terza parte, quarta parte (PL-Kj 40032, p.228) LZ 109/1ib, 1ii, 1iii & 1iv

Giovanni (S[igno]r) Pavana (I-Fn XIX.179, f.14v) LN 109/14

Goodwin (Chris) Bluff your way with Nicola Matteis’? “Universal Scale” LN 50 C60

Gorzanis (Giacomo) Fantasia prima (Gardano IV 1579 A2-A3) LN 101/11

Gorzanis (Giacomo) Fantasia seconda (Gardano IV 1579 A3-A4) LN 101/12

Gorzanis (Giacomo) Fantasia terza (Gardano IV 1579 A4-B1) LN 101/13

Gorzanis (Giacomo) Fantasia quarta (Gardano IV 1579 B1-B2) LN 101/14

Gorzanis (Giacomo) Fantasia quinta (Gardano IV 1579 B2-B2v) LN 101/15

Gorzanis (Giacomo) Fantasia sesta (Gardano IV 1579 B2v-B3v) LN 101/16

Gorzanis (Giacomo) Ricercar primo (Gardano I 1561 H4v-I1v) LN 93 (text)LN 101/1a

Gorzanis (Giacomo) [Ricercar primo] Untitled (D-Mbs 266 81& 82) LN 101/1b

Gorzanis (Giacomo) Ricercar secondo (Gardano I 1561 I1v-I2v) LN 101/2

Gorzanis (Giacomo) Ricercar terza (Gardano I 1561 i3-i3V) LN 101/3a

Gorzanis (Giacomo) [Ricercar terza] Untitled (D-Mbs 1511a 36v-37v) LN 101/3b

Gorzanis (Giacomo) Ricercar quarto (Gardano I 1561 I4-I4v) LN 101/4

Gorzanis (Giacomo) Ricercar primo (Gardano II 1565 I1-I2) LN 101/5

Gorzanis (Giacomo) Ricercar secondo (Gardano II 1565 I2-I3) LN 101/6

Gorzanis (Giacomo) Ricercar terzo (Gardano II 1565 I3-I4) LN 101/7

Gorzanis (Giacomo) Ricercar quarto (Gardano II 1565 I4-K1) LN 101/8

Gorzanis (Giacomo) Ricercar primo (Gardano III 1564 K3-K4) LN 101/9

Gorzanis (Giacomo) Ricercar secondo (Gardano III 1564 K4-K4v) LN 101/10

Gostena (Giovanni Battista dalla) Fantasia, see under Molinaro (Simone) Fantasia di Giovanni Battista dalla Gostena(Molinaro 1599, p.125), LN 44; LZ 125/App 6b

Greaves (Thomas), see under Taylor (Robert) A Pavyn (Trinity O.16.2, p.122), LN 41 A6/6Green (Richard?) [Almain] ( Marsh no.59, p.123), see under Anon. Almande de Don Frederico, LZ 121/10Greene (Richard), see under Hall (James)? Hawles Galliard (Willoughby, f.32v), LN 49 C58/3Greene (Robert?) Greenes Paven (Dd.2.11 no.285, f.86v) LN 56/4

Greeves [(Thomas?] [Galliard] (Dd.5.73.3, f.47) LN 41A6/7

G[regorie] (T[homas]) Loath to Depart, lyra viol and transcription for lute (GB-Ob Mus.Sch.221, p.13) LZ 109/2j

Grieve (David) Pantaloon (GB-En Acc.9769 84/1/6, p.67) LZ 118/B67

Gumprecht (Johann) Sarabande and Allemande, duets (PL-Kj ms.mus 40637) LN 115 text

H. (F.R.) Courante (Aegidius, f.28v) LN 48 A8/4

Hagen (B.J.) Sonata à Liuto Solo: Andantino; Allegro; Gustoso LN 52

Hales (Robert) Eyes leave off your weeping, two-part lute song (A Musicall Banquet 1610, no.11) LSJ vol. 32

Hall (James)? Hawles Galliard sett owt p[er] Ry[chard] Grene (Willoughby, f.32v) LN 49 C58/3

Handel (G.F.) Fuga, Air and Gavotte LN 114

Handel (G.F.) Sarabane con Variazioni, baroque lute LN 62

Handel (G.F.) Sient Worship, arranged as lute song LN 70

[Harding (James)] James Galliarde (Dd.3.18, f.34) LZ 116/JH1

[Harding (James)] [James Galliard] (Dd.5.78.3, f.45) LZ 116/JH2[Harding (James)] Division to Ja[mes] Gall[iard]” (in G minor, Dd.9.33, f.85v) LN 49 C58/2b ii

LZ 116/JH3

[Harding (James)] James his Galliard, lute part (Dd.3.18, f.58v) LZ 116/JH4

[Harding (James)] [James Galliard] “Gagliarda by Mr Jeames” (in G minor, Cfm MU MS 689 Herbert, f.9vvery similar to JH2) LN 49 C58/2b i

LZ 116/JH5

[Harding (James)] James Galliard (Cu Nn.6.36, f.1v) LZ 116/JH6

[Harding (James)] [James Galliard] “Galliard James Cantus”, duet lute I (D-Ngm 33748-I, f.8v, almost = JH5) LZ 116/JH7

[Harding (James)] James Galliard] “Galliarda James Pasus”, duet lute II (D-Ngm 33748-I, f.9) LZ 116/JH8

Hassler (Hans Leo) Ach Fräwlein zart (Fuhrmann 1615, p.41) LN 79/47

Hassler (Hans Leo) Alles Lust und Freud [Gagliarda] (LT Va 285-Mf-LXXIX, f.36) LN 79/49

Hassler (Hans Leo) Ascendo [ad Patrem meum] (A LIa 475, f.21v) LN 79/17

Hassler (Hans Leo) Canzon (A LIa 475, f.72v) LN 79/10a

Hassler (Hans Leo) Canzon (A LIa 475, f.73) LN 79/11

Hassler (Hans Leo) Canzon (A LIa 475, f.73v) LN 79/12

Hassler (Hans Leo) Canzon (Fuhrmann 1615, f.22) LN 79/13

Hassler (Hans Leo) Chi gliochi vostri (Rude 1600 I, f.L2) LN 79/33

Hassler (Hans Leo) Chiara et Lucente Stella (D W Guelf.18.7 II, f.103) LN 79/32

Hassler (Hans Leo) Das Hertz tut mir auf springen (A LIa 475, f.54) LN 79/52

Hassler (Hans Leo) Ein alter Greiss [wolt ein junge Maidlein] (Fuhrmann 1615, p.44) LN 79/54

Hassler (Hans Leo) Ein guetter Tantz (PL-Lzu M 6983, f.105v) LN 79/15

Hassler (Hans Leo) Fantasia 5 (Fuhrmann 1615, p.17) LN 79/9

Hassler (Hans Leo) Fröllich zu sein [in Ehren] (A LIa 475, f.54) LN 79/59

Hassler (Hans Leo) Galliard (D KA A.678, f.18v)] LN 79/14

Hassler (Hans Leo) Herzlieb zu dir allein (D W Guelf.18.7 II, f.111v) LN 79/60

Hassler (Hans Leo) Intrada 10 (D LEm II.6.15, p.149) LN 79/7

Hassler (Hans Leo) Mein G’müet ist mier Verwühret (D Ngm 33748 I, f.60v) LN 79/66

Hassler (Hans Leo) O auffenthalt [meines Leben] (D KA A.678, f.2v) LN 79/71

Hassler (Hans Leo) Prima] Intrada (D K1 4o Mus.108, f.56v) LN 79/1a

Hassler (Hans Leo) [Prima Intrada] “Intradae primae” (LT Va 285-MF-LXXIX, f.34v) LN 79/1b

Hassler (Hans Leo) Quarta] Intrada (D LEm II.6.15, p.148) LN 79/4

Hassler (Hans Leo) Ridon di maggio (Rude 1600II, f.Bb4) LN 79/44

Hassler (Hans Leo) Intrada , incomplete (D.KA A.678, f.19v) LN 79/2

Hassler (Hans Leo) Intrata 3 (Fuhrmann 1615, p.133) LN 79/6

Hassler (Hans Leo) Intrada (D HRD Fü 9829, f.19v)] LN 79/3

[Hassler (Hans Leo)] “Hasla”. Untitled [similar opening to Earl of Essex Galliard] (D-Lem II.6.23, f.19v) LZ 107/5

Hassler (Hans Leo) Vattene pur crudel (Fuhrmann 1615, p.33) LN 79/45a

Hassler (Hans Leo) Verbum caro factum est (A LIa 475, f.8v) LN 79/30

Héart (Jean or Marin) Courant (D-Dl Ms. 297, p. 83) LZ 128/ Héart 2i

Héart (Jean or Marin) Courante (Fuhrmann 1615, p.168) LN 128/Heart 2b

Héart (Jean or Marin) Courante (Besard 1603, f.159v) LN 128/Heart 2c

Héart (Jean or Marin) Courante (D-Ngm 33748/I, f. 27v) LZ 128/ Héart 2d

Héart (Jean or Marin) Courante “Courente” (CH-SO DA 111, f. 18v) LZ 128/ Héart 2e

Héart (Jean or Marin) Courante (D-Hs ND VI 3238, p. 84) LZ 128/ Héart 2f

Héart (Jean or Marin) Courante (GB-HAdolmetsch II.B.1, f. 58v) LZ 128/ Héart 2g

Héart (Jean or Marin) [Courante] Dixiesme (Ballard 1614, p. 30) LZ 128/ Héart 2h

Héart (Jean or Marin) Courante Heart (GB-Cfm 689 Herbert, f.41) LN 128/Heart 1

Héart (Jean or Marin) Courante Heart (GB-Cfm 689 Herbert, f.62v) LN 128/Heart 2a



Héart (Jean or Marin) Curant (D-Lr 2000, p.47) LZ 128/ Héart 2j

Heckel (Wolff) Erstlich der Juden Tanz (Tenor Lauten Buch, p.169) LN 41 C51

Heckel (Wolff) Graff Johan von Nassaw Dantz, see under Heckel (Wolff) Wie möcht ich frölich warden, LZ 128/H14e

Heckel (Wolff) Der Kochelsperger Tantz in dem zug wie der Juden Tanz (Tenor Lauten Buch, p.174) LN 37 C9/5LN 41 C51

Heckel (Wolff) Languir me fais, duet LN 45

Heckel (Wolff) Praeambulum (Discant/Tenor Lautten Buch 1556, p.191) LN98/5

Heckel (Wolff) Proportz auff den Juden Tanz, variant tuning (Tenor Lauten Buch, p.172) LN 41 C51

Heckel (Wolff) Proportz auff den Kochelsperger Tantz, variant tuning (Tenor Lauten Buch, p.176) LN 41 C51

Heckel (Wolff) Proportz auff den Sibentaler, variant tuning (Tenor Lauten Buch, p.169) LN 41 C51

Heckel (Wolff) Schweitzer Tanz (Ein) den sibentaler genandt im zug wie der Juden Tanz, variant tuning (Tenor Lauten Buch, p.177) LN 41 C51

Heckel (Wolff) [Wie möcht ich frölich werden] “Graff Johan von Nassaw Dantz, Wie kan ich frölich werden – Proportz darauff” ( Tenor Lauten Buch, 1556/1562, p. 100) LZ 128/H14e

Herbert (Edward) Courante (Cfm 689, f.15v) LN 83/18

Herbert (Edward) Courante (Cfm 689, f.78) LN 83/12

Herbert (Edward) Pavan (Cfm 689, f.13v) LN 83/13

Herbert (Edward) Pavan (Cfm 689, f.79) LN 83/16a

Herbert (Edward) Pavan (Cfm 689, f.82) LN 83/16b

Herbert (Edward) Pavan (Cfm 689, f.90) LN 83/11

Herbert (Edward) Pavan (Cfm 689, f.90v) LN 83/17

Herbert (Edward) Prelude (Cfm 689, f.51) LN 83/9

Herbert (Edward) Prelude (Cfm 689, f.68) LN 83/10

Heringman (Jacob) Exercise LN 9 text

Hervás (Francisco) and others. “Welladay” Composition Contest LN 53

Hilton (John) Jog on, jog on, round version LZ 110 text

Hoffmann von Grünbühel (Wolfgang) Almande gratiae [En me revenant] (DBN 479 f.46v) LN 84/8

Hoffmann von Grünbühel (Wolfgang) Ballet (DBN 479 f.66v) LN 84/9

Hoffmann von Grünbühel (Wolfgang) Ballet (DBN 479 f.67v) LN 84/14

Hoffmann von Grünbühel (Wolfgang) Ballet Anglois (DBN 479 f.36v) LN 84/3

Hoffmann von Grünbühel (Wolfgang) Ballet Madame (DBN 479 f.43) LN 84/15

Hoffmann von Grünbühel (Wolfgang) Bargamasco (DBN 479 f.70v) LN 84/10

Hoffmann von Grünbühel (Wolfgang) Courante (DBN 479 f.49v) LN 84/12

Hoffmann von Grünbühel (Wolfgang) Courante (Jacques Salmon) (DBN 479 f.20v) LN 84/10

Hoffmann von Grünbühel (Wolfgang) Courante (Packingtons Pound) lute duet (DBN 479 f.25v) LN 84/7a-b

Hoffmann von Grünbühel (Wolfgang) Franciscano [Mal Sims] (DBN 479 f.64v) LN 84/4

Hoffmann von Grünbühel (Wolfgang) Frog Galliard (DBN 479 f. 06v), see also under Dowland (John) Frog Galliard, LN84/5

Hoffmann von Grünbühel (Wolfgang) Ingleza (DBN 479 f.65v) LN 84/11

Hoffmann von Grünbühel (Wolfgang) Mascarate (DBN 479 f.8v) LN 84/2

Hoffmann von Grünbühel (Wolfgang) Pavana Lachrimae (DBN 479 f.72v) LN 84/6

Hoffmann von Grünbühel (Wolfgang) Praeludium (DBN 479 f.68v) LN 84/1

Hoffmann von Grünbühel (Wolfgang) Sarabande (DBN 479 f.53v) LN 84/13

Hoffmann von Grünbühel (Wolfgang) Volte (DBN 479 f.10) LN 84/16

Holborne (Anthony) Almaine (Welde no.14 f.6v), see under Holborne (Anthony) The Night Watch [Spring 52], LN 90/3g

Holborne (Anthony) [As I went to Walsingham], untitled divisions [Spring 58] (Dd.5.78.3, f.12) LZ 104/2f

Holborne (Anthony) Bonny Sweet Robin, cittern (Holborne 1597) LSJ vol. 17 [plate 1]

Holborne (Anthony) Countess of Pembroke’s Paradise [Spring 7] (Dd.9.33, f.70) LS 2/5LN 59

Holborne (Anthony) Fantasia [Spring 2a] (GB-Lbl Hirsch, f.64) LZ 127/Hi16

Holborne (Anthony) [Fantasia] [Spring 3] (Hirsch f.65) LZ 127/Hi19

Holborne (Anthony) Haselwood’s Galliard [Spring 47a] (Dd.9.33, f.17) LN 43

Holborne (Anthony) [Il nodo di gordio (The Gordian Knot)] [Spring 57] (Dd.9.33, f.52v) LN 76/13

Holborne (Anthony) Master Mathias his Galliard [Spring 27d] (Ballet I, p.6) LN47 A7/4

Holborne (Anthony) A Miller Would a Wooing Ride “The Miller”, cittern [Kanazawa 18] (Holborne 1597, f.C4v)LZ 126/M2

Holborne (Anthony) [The Night Watch] “Almaine” [Spring 52] (Welde no.14 f.6v) LN 90/3g

Holborne (Anthony) [The Night Watch], bandora, [Spring 74] (Dd.2.11 no.94. f.36) LN90/3h

Holborne (Anthony) [The Night Watch] “Almain”, cittern [Kanazawa 47] (Dd.4.23. f.9) LN90/3i

Holborne (Anthony) Sicke sicke and very sicke, tune 3, cittern [Kanazawa 25] (Holborne 1597, f.D3) LN 123/S6

Holborne (Anthony) What You Please “Tres Choses”, bandora and transcription [Spring 77] (GB-Cu Dd.2.11, f.35v)LZ 122/W5i-ii

Hollis (W.)?, see under Anon. John Blundevills last Farewell (Add.3056, f.6v) LN80/12

[Holmes (Mathew)?] Galliard [to Dr. Case’s Pavan?, the Pavan by Dowland] (Dd.2.11 no.1, f.1) LSJ vol. 45

Hoskins (John) Fantasia (Könisberg, f.64v) LN 46 C39/13

Hoskins (John) Galliard (A) (Könisberg, f.60v) LN 46 C39/14

Hoskins (John) Preludium (Könisberg, f.60) LN 46 C39/12

Hove (Joachim van den) Almande, (Delitiae Musicae, f.60v) LN 44 C40/68

Hove (Joachim van den) Almande, (Hove 1, f.35v) LN 44 C40/70

Hove (Joachim van den) Almande [de] Don Frederico (Hove 1601, f.100v) LZ 121/1

Hove (Joachim van den) Brande Westmunster [To Westminster] (Delitiae 1612) LN 77

Hove (Joachim van den) Courante, (Delitiae Musicae, f.63v) LN 44 C40/77

Hove (Joachim van den) Fantasia sexta, (Hove Florida 1601, f.5v) LN 44 C40/44

Hove (Joachim van den)? [Fortune my Foe] “Fortune Anglese” (Hove 1, f. 158v) LZ117/F13

Hove (Joachim van den)? [Fortune my Foe] “Fortune Anglese” (Hove 1, f. 160) LZ117/F10

Hove (Joachim van den)? [Fortune my Foe] “Fortuna Englesae” (Hove 1601, f. 106v) LZ117/F24

Hove (Joachim van den)? [Fortune my Foe] (Schele, D-Hs ND VI 3238 p. 20) LZ117/F25

Hove (Joachim van den)? [Fortune my Foe] “Fortune Anglese” (Hove 1, f. 159) LZ117/F26

Hove (Joachim van den)? [Fortune my Foe] “Fortune Anglese” (Hove 1, f. 159v) LZ117/F27

Hove (Joachim van den)? [Fortune my Foe] “Fortuna di Joachimo van den Hovo" (Herold, D-Hbusch f. 18v) LZ117/F30

Hove (Joachim van den) Galliarde, (Hove 1, f.36v) LN 44 C40/53

Hove (Joachim van den) Galliarde, (Hove 1, f.44v) LN 44 C 40/54

Hove (Joachim van den) Hansken is so Fraeyen Gesel (Hove 1601, f.110) LZ 122/H3

Hove (Joachim van den) Une Jeune Fillette Ultima Parte (Hove 1612, f. 56v continuation to Reys 119/8) LZ 119/10

Hove (Joachim van den) Monsieur’s Almaine] “Almande Monsieur”, (Hove 1601, f.99v) LZ 110/27

Hove (Joachim van den) Monsieur’s Almaine] “Almande Monsieur”, (Hove 1601, f.108v) LZ 110/28

Hove (Joachim van den) Orlando, Chanson Englesae (Florida, cf. P61) LS 1/5

Hove (Joachim van den) Passagio, (Schele, p.2) LN 44 C 40/1

Hove (Joachim van den) Pavana (Delitiae Musicae, f.37) LN 44 C 40/47

Hove (Joachim van den) Praeludium (Delitiae Musicae, f.2) LN 44 C 40/6

Hove (Joachim van den) Preludium Lachrimae [after Dowland] (Delitiae Musicae, f.2v) LZ 123 JD15app 1

Hove (Joachim van den) Susanneken (Hove 1601, f. 108) LZ 117/Cor2f

Hove (Joachim van den) Toccate (Schele, p.74) LN 44 C40/33LN 124/T30

Hove (Joachim van den) Toccate (Schele, p.77) LN 44 C40/36LN 124/T31

Howet (Gregory)? As I wente to Walsinghame, G minor (Wickhambrook, f.17) LN 44 C40 A5/7a vLZ 104/3a

Howet (Gregory)] [As I went to Walsingham], G minor (Dd.2.11 no.78, f.29, almost identical to Wickhambrook f.17)LZ 104/3b

Howet (Gregory)] [As I went to Walsingham], G minor “Galliarda Anglica” (Fabritius/Thott 841,4o, f.110) LN 39 A5/7a i LZ 104/3c

Howet (Gregory) [As I went to Walsingham], G minor “Galliarda Gregoris” (D-K R.242, f.129v) LZ 104/3d

Howet (Gregory)] As I went to Walsingham], G minor (LT-Va 285-MF-LXXIX, f.42) LZ 104/3e

Howet (Gregory) [As I went to Walsingham], G minor “Galliarda Gregorij Huwet” (D-LEm II.6.15, p.212) LZ 104/3f

Howet (Gregory) [As I went to Walsingham], G minor “Galliarde Monsieur Gregorij” (B-BcLittera S 26.369 f.12 etc.) LZ 104/3g

Howet (Gregory) [As I went to Walsingham], G minor “Galliarda Gregorij” (S-B 2245, f.5v) LZ 104/3hHowet (Gregory) [As I went to Walsingham], G minor “Galliarda Dulandi” (LT-Va 285-MF-LXXIX, f.66) LZ 104/3i

Howet (Gregory) [As I went to Walsingham], G minor “Galliarda Gregorij” (D.LEm III.11.26, f.8) LZ 104/3j

Howet (Gregory) [As I went to Walsingham], G minor “Johan Dulandt Galliard” (LT-Va 285-MF-LXXIX, f.24) LZ 104/3k

Howet (Gregory) [As I went to Walsingham], G minor “Galiarda Tertius Modus” (Nurnberg/D-Ngm 33748-I, f.69v) LN 39 A5/7a ii

LZ 104/3l

Howet (Gregory) [As I went to Walsingham], G minor “Gagliarda G.H.” (Rude Flores Musicae, 1600, f.Hh2) LZ 104/3m

Howet (Gregory) [As I went to Walsingham], G minor “Galiarda” (D-BAU Druck 13.4o.85, p.35) LZ 104/3n

Howet (Gregory) [As I went to Walsingham], D minor “Galliard” (Danzig/D-B 4022, f.47) LN 39 A5/7a iii LZ 104/3o

Howet (Gregory) [As I went to Walsingham], D minor “Galiarda Tobiae Kuhnen” (D.LEm II.6.15, p.187) LZ 104/3p

Howet (Gregory) [As I went to Walsingham], D minor “Galliarda Tobias Kuhn” (Fuhrmann Testudo Gallo-Germanica, p.110) LZ 104/3q

Howet (Gregory) [As I went to Walsingham], D minor “Galliardae Gregorij Huberti variatio prima”

(Rude Flores Musicae, 1600, f.Gg6v) LZ 104/3r

Howet (Gregory) [As I went to Walsingham], D minor “Galliardae Gregorij Huberti variatio secunda” (Rude Flores Musicae, 1600, f.Gg6v) LN 40 A5/7b

LZ 104/3s

Howet (Gregory) [As I went to Walsingham], D minor “Galliarda Gregorij” (D-Ngm 33748 I, f.2v) LZ 104/3t

Howet (Gregory) [As I went to Walsingham], F minor “Galiard” (D-BAU Druck 13.4o.85, p.33) LZ 104/3u

Howet (Gregory) [As I went to Walsingham], F minor Untitled (D.LEm II.6.23, f.36v) LZ 104/3v

Howet (Gregory) [As I went to Walsingham], F minor “Galliarda Englessa” (Eijsertt/A-Lla 475, f.95) LN 39 A5/7a iv LZ 104/3w

Howet (Gregory) [As I went to Walsingham], F minor “Galiarta Zasij” (D-Ngm 33748 I, f.68v) LZ 104/3x

Howet (Gregory) [As I went to Walsingham], F minor “Galliarda Secundus Modus” (D-Ngm 33748 I, f.69) LZ 104/3y

Howet (Gregory) [As I went to Walsingham], F minor “Galliarda Gregorij” (D-B Mus.40141, f.61) LZ 104/3z

Howet (Gregory) [As I went to Walsingham], F minor “Galliarda Gregorj” (D-Ngm 33748 I, f.14v) LZ 104/3aa

Howet (Gregory) [As I went to Walsingham], C minor “Galliarde” (D-KNu K.16a.6745qu, f.12) LZ 104/3bb

Howet (Gregory) [As I went to Walsingham], C minor “Gagliard Anglica” (I-Gu M.VIII.24, f.119v) LZ 104/3cc

Howet (Gregory) [Earl of Essex Galliard] Galliarda (D-B 40141, f.239) LZ 107/42-15

Howet (Gregory) Fantasia (Dlugoraj p.56) LN 39 A5/3

Howet (Gregory) Fantasia alia eiusdem, (Denss, f.68v) LN 40 A5/1

Howet (Gregory) Fantasia Gregory Howet, (Denss, f.67v) LN 40 A5/2

Howet (Gregory) Fantazia Gregory, (Schele, p.103) LN 39 A5/3

Howet (Gregory) Gagliard Anglica (I-Gu M.VIII.24, f.119v), see under Howet (Gregory) As I went to Walsingham, LZ 104/3cc

Howet (Gregory) Gagliarda Bella Laurencini, (Hainhofer VI, f.183v) LN 40 A5/7c

Howet (Gregory) Gagliarda G.H. (Rude Flores Musicae, 1600, f.Hh2), see under Howet (Gregory) As I went to Walsingham, LZ 104/3m

Howet (Gregory) Galiard (D-BAU Druck 13.4o.85, p.33), see under Howet (Gregory) As I went to Walsingham, LZ 104/3u

Howet (Gregory) Galiarda (D-BAU Druck 13.4o.85, p.35), see under Howet (Gregory) As I went to Walsingham, LZ 104/3n

Howet (Gregory) Galiarda Tertius Modus (Nurnberg/D-Ngm 33748-I, f.69v), see under Howet (Gregory) As I went to Walsingham, LN 39 A5/7a ii; LZ 104/3l

Howet (Gregory) Galiarda Tobiae Kuhnen (D.LEm II.6.15, p.187), see under Howet (Gregory) As I went to Walsingham, LZ 104/3p

Howet (Gregory) Galiarda Gregory, (Dlugoraj, p.235, cf. Poulton 22) LN 39 A5/9

Howet (Gregory) Galiarda Gregory (D-LEm II.6.15, p.235) LN 105/22g

Howet (Gregory) Gagliarda (Rude II 1600, f. hh2v) LN 105/22h

Howet (Gregory) Galiarta Zasij (D-Ngm 33748 I, f.68v), see under Howet (Gregory) As I went to Walsingham, LZ 104/3x

Howet (Gregory) Galliard (Danzig/D-B 4022, f.47), see under Howet (Gregory) As I went to Walsingham, LN 39 A5/7a iii; LZ 104/3o

Howet (Gregory) Galliarda Anglica (Fabritius/Thott 841,4o, f.110), see under Howet (Gregory)] As I went to Walsingham,LN 39 A5/7a I; LZ 104/3c

Howet (Gregory) Galliarda Dulandi (LT-Va 285-MF-LXXIX, f.66), see under Howet (Gregory) As I went to Walsingham, LZ 104/3i

Howet (Gregory) Galliarda Englessa (Eijsertt/A-Lla 475, f.95), see under Howet (Gregory) As I went to Walsingham, LN 39 A5/7a iv; LZ 104/3w

Howet (Gregory) Galliarda Gregorii, (Nauclerus, f.239, cf. P 42) LN 40 A5/10

Howet (Gregory)? Gagliarda Gregor, (Loss, f.46v) LN 40 A5/13

Howet (Gregory)? Galliarda Gregory Ansini 16, (Dlugoraj, p.199) LN 39 A5/12

Howet (Gregory) Galliarda Gregory 14, (Dlugoraj, p. 198, cf. P 40) LN 39 A5/8

Howet (Gregory) Galliarda Gregorij/ Gregorj/ Gregoris, see under Howet (Gregory) As I went to Walsingham, LZ 104/3

Howet (Gregory) Galliarda Huewet, (Dlugoraj, p.193) LN 39 A5/6

Howet (Gregory) Galliarda Secundus Modus (D-Ngm 33748 I, f.69), see under Howet (Gregory) As I went to Walsingham, LZ 104/3y

Howet (Gregory) Galliarda Tobias Kuhn (Fuhrmann Testudo Gallo-Germanica, p.110), see under Howet (Gregory) As I went to Walsingham, LZ 104/3q

Howet (Gregory) Galliarde (D-KNu K.16a.6745qu, f.12), see under Howet (Gregory) As I went to Walsingham, LZ 104/3bb

Howet (Gregory) Galliarde Monsieur Gregorij (B-BcLittera S 26.369 f.12 etc.), see under Howet (Gregory) As I went to Walsingham, LZ 104/3g

Howet (Gregory) Johan Dulandt Galliard (LT-Va 285-MF-LXXIX, f.24), see under Howet (Gregory) As I went to Walsingham, LZ 104/3k

Howet (Gregory)? Passa Messo de M gregorio [Gregor Braysinger?] (Munich 1511d, f.14) LN 40 A5/15

Howet (Gregory) Pavana, (Rude 1600 II/109, f.6v) LN 40 A5/14

Howet (Gregory) Pavana à 5 voc., Grgorij Huberti (Rude, f.gg5) LN 39 A5/5

Howet (Gregory) Tertius Modus, see under Howet (Gregory) As I went to Walsingham (Nurnberg 33.748/1, f.69v), LN 39 A5/7a ii

Hume (Tobias) A Pollish Ayre, lyra viol (The First Part of Ayres) LN 97 text

Isaac (Heinrich) Benedictus, for three lutes (Bl Add MS31922, f.3v) LN 55

Janequin. Quelqu’un me disoit l’autre jour (lute song) LZ 103

Jeffers (Tom) Arnold Dolmetsch’s setting of “Come Away, Death”, arranged for voice and guitar LZ 110 text

Jenkins (John)?] Courrent Jenickens (Dlugoraj, p.248) LN 46 C39/1

Jenkins (John)?] Current Jenicij (Dlugoraj, p.257) LN 46 C39/2

Jobin (Bernhart) [Almande de Don Frederico] “Tantz – Nach dantz” (Jobin 1573, f.G1v) LZ 1221/31

Jobin (Bernhart) [Wie möcht ich frölich werden] “Dantz - Nach dantz” ( Jobin 1573, f. H1) LZ 128/H14j

Johnson (Edward) Galliard Ed[ward] I[ohnson] (Barley, f.C1v) LN 49 C58/4

Johnson (John) [As I went to Walsingham] Untitled variations (Dd.2.11 no.310, f.98) LZ 104/2e

Johnson (John) [Bergamasca], (GB-Lbl Add.38539, f.4v) LZ 118/B75

Johnson (John)? [Bergamasca], ground and treble (GB-Lam 603, f.1 and GB-Lbl Add 38539, f.5) LZ 118/B76

Johnson (John) Carmans Whistle (GB-Lbl Eg.2046 Pickeringe, f.32v) LZ 121/CW1

Johnson (John) Carmans Whistle (GB-Cu Dd 5.78.3, f.48v) LZ 121/CW2

Johnson (John) [Gathering Peascods] “Jig for Edward Alleyn” (Dd.9.33, f.28) LN 81/1b

Johnson (John) Jig for Edward Alleyn (Dd.9.33, f.28), see under Johnson (John) Gathering Peascods, LN 81/1b

Johnson (John)?] The Oulde Spannyshe Paven, C min (US-NHub Deposit I Wickambrook, f.14v) LZ 112/1a listed 1b in error

Johnson (John) Quadro Pavane (Dallis no.76, p.86) LN 48 C52Johnson (John)? The Spanish Pavan, C min (Cu.Add.8844, f.23v) LZ 112/1b listed 1a in error

Johnson (Robert) Allmaine, for lyra viol (GB-SA 38740-2, p.22), see under Johnson (Robert) The Prince’s Almaine, LN 108/1e

Johnson (Robert) An Allmaine (GB-Ctc O.16.2., p.115), see under Johnson (Robert) The Prince’s Almaine, LN 108/1f

Johnson (Robert) An allmaine (GB-Ctc O.16.2, p.131, almost the same as 3c) LN 108/3b

Johnson (Robert) An allman (GB-Cu Dd.4.22, f.10), see under Johnson (Robert) The Prince’s Almaine, LN 108/1g

Johnson (Robert) Allmayne (GB-Lbl Add.38539, f. 17), see under Johnson (Robert) The Prince’s Almaine, LN 108/1a

Johnson (Robert) [Almain] (Board no.182, f.44v, short version of Board no.93) LN 108/3a

Johnson (Robert) Almain (GB-Lbd 38559, f.16) LN 108/4a

Johnson (Robert) [Almain] “Ballet” (Krakow no.17, f.9v same as 4a but without ornaments) LN 108/4b

Johnson (Robert) [Almain], lyra viol, adapted for 7 course lute (GB-Lbl Add.63852, f.78) LZ 108/15

Johnson (Robert) Almaine (GB-Cfm 689, f.70v), see under Johnson (Robert) The Prince’s Almaine, LN 108/1c

Johnson (Robert) [Almaine] (S-Ngm 33748/I, f.41), see under Johnson (Robert) Balletto, LZ 108/13e

Johnson (Robert) [Almaine] “BalletMertelij” (D-Ngm 33748 I, f.67v) LZ 108/13a

Johnson (Robert) [Almaine] “Ballet” (GB-HAdolmetsch II.B1, f.38v) LZ 108/13b

Johnson (Robert) [Almaine] “Ballet” (CZ-Pnm G.IV.18, f.75v) LZ 108/13c

Johnson (Robert) Almaine (D-Kl 4o Mus.108 I, f.27) LZ 108/13d

Johnson (Robert) [Almaine] “Balletto” (S-Ngm 33748/I, f.41) LZ 108/13e

Johnson (Robert) [Almaine] “Ballet par Ballart” (de Moy 1631, p.1) LZ 108/13f

Johnson (Robert) Alman (GB-Cu DD.4.22, f.10) LN 108/8Johnson (Robert) Alman (Board no.100, f.30) LN 108/9

Johnson (Robert) Alman R. Johnson to the stump by F.P. (Och 532 no.32) LN 69/16a LZ 108/10 ii

Johnson (Robert) Alman R. Johnson to the stump by F.P., transcription for lute (Och 532 no.32) LN 69/16b LN 108/10 i

Johnson (Robert) Almande (D-LEm II.6.15, p.504) LN 108/2

Johnson (Robert) Almane (Board no.160, f.40) LN 108/11c

Johnson (Robert) Almane, 12 course lute (Mathew 1652, p.30), see under The Prince’s Almaine, LN 108/1n

Johnson (Robert) Almane R Jo, lyra viol and transcription (IRL-Dm z.3.4.13, f.16v) LZ 108/14a i-ii

Johnson (Robert) [Almane], lyra viol (GB-Ob Mus.Sch. D247, f.33) LZ 108/14b

Johnson (Robert) [Almane], arranged by Gregorie Thomas, lyra viol (GB-Ob Mus.Sch. D221, p.8) LZ 108/14c

Johnson (Robert) Allmayne, also known as Hit It and Take It (GB-Lbl Add.38539, f.20v) LN 108/5a

Johnson (Robert) [Allmayne] “Ballet” (Krakow no.18, f.9v = Board no.165) LN 108/5b

Johnson (Robert) [Allmayne] (Board no.165, f.41) LN 108/5c

Johnson (Robert) [Allmayne], transcribed from lyra viol (GB-CHEr DLT-B 31, f.50v) LN 108/5d

Johnson (Robert) [Allmayne] “Almane hit it and take it”, 12 course lute (Mathew 1652, p.34) LN 108/5eJohnson (Robert) Almayne (Board no.93, f.28, extended version of Board no.182) LN 108/3c

Johnson (Robert) An Almayne (GB-Lbl Add.38539, f.28 ii) LN 108/7Johnson (Robert) An Almayne (GB-Lbl Add.38539, f.28 iii) LZ 108/16

Johnson (Robert) Almayne, transcription and lyra viol (GB-Lbl. Add.63852, f.102), see under Johnson (Robert) Kits Almande, LN 108/12c I and LZ 108/12c ii

Johnson (Robert) Almayne Mr. Johnson, transcribed from lyra viol (GB-Lbl Add.63852, f.100), see under Johnson (Robert) The Prince’s Almaine, LN 108/1l ii

Johnson (Robert) Almayne Mr. Johnson (GB-Lbl. Add.63852, f.102), see under Johnson (Robert) Kits Almaine, LZ 108/12c ii

Johnson (Robert) An Almayne (Board no.101, f.30) LN 108/11a

Johnson (Robert) [Almayne] “Ball[et]” (Krakow no.1, f.1) LN 108/11b

Johnson (Robert) [Almayne] “Ballet” (Vallet 1615 II, p.1) LN 108/11d

Johnson (Robert) [Almayne] “Ballet -Variatio prioris” (GB-Lbl Sloane 1021, f.30) LN 108/11e

Johnson (Robert) [An Almayne] “Ballet (superus)” (GB-HAdolmetsch II.B.1, f.130v) LZ 108/1lf

Johnson (Robert) [An Almayne] “Ballet a 4”, lute quartet (Vallet 1615 .p.30) LZ 108/11g i-iv

Johnson (Robert) Almayne, transcribed from lyra viol (GB-Lbl Add.63852, f.100), see under The Prince’s Almaine, LN 108/1l-i

Johnson (Robert) Ball[et] (Krakow no.1, f.1), see under Johnson (Robert) Almain, LN108/11b

Johnson (Robert) Ball[et] (Krakow no.2, f.1), see under Johnson (Robert)? The First of the Prince’s Masque, LN 67/1a

Johnson (Robert)? Ballet (Krakow no.4, f.1v), see under Johnson (Robert) The Second of the Prince’s Masque, LN 67/2a

Johnson (Robert)? Ballet (Krakow no. 5, f.2), see under Johnson (Robert) The Third of the Prince’s Masque LN 67/3aJohnson (Robert) [Ballet] (Krakow no.7, f.3), see under Johnson (Robert) The Prince’s Almain, LN 108/1m

Johnson (Robert) Ballet (Krakow no.17, f.9v), see under Johnson (Robert) Almain, LN 108/4b

Johnson (Robert) Ballet (Krakow no.18, f.9v), see under Johnson (Robert) Allmayne, LN 108/5b

Johnson (Robert)? Balett (Montbuysson, f.78) see under Johnson (Robert) The Third of the Prince’s Masque, LN 67/3b

Johnson (Robert) Ballet (RUS-Span O No 124, f.69v), see under Johnson (Robert) Kits Almande, LN 108/12b i-ii

Johnson (Robert) Ballet (Vallet 1615 II, p.1), see under Johnson (Robert) Almayne, LN 108/11d

Johnson (Robert) Ballet a 4, lute quartet (Vallet 1615 .p.30), see under Johnson (Robert) Almayne, LZ 108/11g i-iv

Johnson (Robert) Ballet (GB-HAdolmetsch II.B1, f.38v), see under Johnson (Robert) Almaine, LZ 108/13b

Johnson (Robert) Ballet (CZ-Pnm G.IV.18, f.75v), see under Johnson (Robert) Almaine, LZ 108/13c

Johnson (Robert) Ballet, transposed and original (RUS-Span O No 124, f.69v), see under Johnson (Robert) Kits Almande, LN 108/12b i-ii

Johnson (Robert) Ballet Mertelij (D-Ngm 33748 I, f.67v), see under Johnson (Robert) Almaine, LZ 108/13a

Johnson (Robert) Ballet par Ballart (de Moy 1631, p.1), see under Johnson (Robert) Almaine, LZ 108/13f

Johnson (Robert) Ballet (superus) (GB-HAdolmetsch II.B.1, f.130v), see under Johnson (Robert) Almaine, LZ 108/1lf

Johnson (Robert) Ballet – Variatio prioris (GB-Lbl Sloane 1021, f.30), see under Johnson (Robert) Almayne, LN 108/11e

[Johnson (Robert)] Courante del Prince de Angelterra (D-B Danzig 4022, f.12), see under Johnson (Robert) The Prince’s Almaine,LN 108/1j

Johnson (Robert) Dowland’s Galliard [Poulton 83] (Mynshall no.40, f.12v), see under Johnson (Robert) My Lady Mildmay’s Delighte, LN 110/ JD83

[Johnson (Robert)] Engels Prins Daphne (Valerius, p.213), see under Johnson (Robert) The Prince’s Almaine, LN 108/1k

[Johnson (Robert)] Engels Prins Daphne, diatonic cittern (Valerius, p.213), see under Johnson (Robert) The Prince’s Almaine, LZ 108/1o i-ii

Johnson (Robert) Fantasie (Herbert f.16) LN 110/RJ1

Johnson (Robert)? The Fayris Daunce (Nn.6.36, f.24v) LN 67/4

Johnson (Robert)? [The First of the Prince’s Masque] “Ball[et]” (Krakow no.2, f.1) LN 67/1a

Johnson (Robert)? [The First of the Prince’s Masque] “The La.Elyza her Masque” (Board no.103, f.30v) LN 67/1b

Johnson (Robert)? [The First of the Prince’s Masque] “Ye Princis Mask Tune” (Westminster 105, f.1) LN 67/1c

Johnson (Robert)? [The First of the Prince’s Masque] “The Princis Masque” (Board no.92, f.28) LN 67/1d

Johnson (Robert)? [The First of the Prince’s Masque] “Prince Henreis Maske”, mandora (Skene, p.44) LN 67/1e

Johnson (Robert)? The First of the Queenes Maske (VLL, f.P1v) LN 67/6

Johnson (Robert) Galliard, for lyra viol, transcribed for lute (Dd.5.20, f.36v) LN 110/ RJ4a and b

Johnson (Robert) Galliard (Konigsberg, f.20v), see under Johnson (Robert) My Lady Mildmay’s Delight, LN 110/ RJ6b

Johnson (Robert) Galliard 1335 (Dd.9.33, f.74v) LS 3/1 LZ 110/ RJ8e

Johnson (Robert) Galliard Ro Johnson (Cu.Nn6.36. f.11), see under Johnson (Robert) My Lady Mildmay’s Delight, LS 3/1; LZ 110/ RJ6e

Johnson (Robert) A Gallyard (Lbl Add.38539, f.20v) LN 110/ RJ8a

Johnson (Robert) [Galliard] (Euing 25, f.49) LN 110/ RJ8b

Johnson (Robert) Galliarda (D-Ngm 3378/I, f.11), see under Johnson (Robert) My Lady Mildmay’s Delight, LZ 110/ RJ6d

Johnson (Robert) Galliarda (D-BN 479, f.12v), see under Johnson (Robert) My Lady Mildmay’s Delight, LZ 110/ RJ6f

Johnson (Robert) Galliarda, lute duet (D-Ngm 3378/I, f.1v), see under Johnson (Robert) My Lady Mildmay’s Delight, LZ 110/ RJ6i-i and ii

Johnson (Robert) Galliarde (CZ-Pnm G.IV.18, f.173v), see under Johnson (Robert) My Lady Mildmay’s Delight, LZ 110/ RJ6g

Johnson (Robert) A Galyard (A) (Pickeringe f.173v) LZ 110/ RJ8f

Johnson (Robert) Hit it and Take it, see under Johnson (Robert) Allmayne, LN108/5a and 5eJohnson (Robert) Johnsons Gallyard (Folger no.50, f.22), see under Johnson (Robert) My Lady Mildmay’s Delighte,

LZ 110/ RJ6c

Johnson (Robert) Kits Almande (Valerius, p.186) LN 108/12a

Johnson (Robert) [Kits Almande] “Ballet”, original and transposed version (RUS-Span O No 124, f.69v) LZ 108/12b i-ii

Johnson (Robert) [Kits Almande] “Almayne”, lyra viol and transcription for lute (GB-Lbl. Add.63852, f.102) LN 108/12c i-ii

Johnson (Robert) Kits Almande, diatonic cittern and transcription for chromatic cittern (Valerius 1626, p.187) LZ 108/12 d i-ii

Johnson (Robert) The La. Eliza her Masque (Board no.103, f.30v), see under Johnson (Robert) The First of the Prince’s Masques, LN67/1b

Johnson (Robert)? The Last of the Queenes Maske (VLL, f.P2) LN 67/8a

Johnson (Robert)? [The Last of the Queenes Maske] (Board no.164, f.41) LN 67/8b

Johnson (Robert)? Maske (Nn.6.36, f.18v), see under Johnson (Robert) The Second of the Prince’s Masque, LN 67/2b

Johnson (Robert)? Maske (Nn.6.36, f.18v), see under Johnson (Robert) The Third of the Prince’s Masque, LN 67/3c

Johnson (Robert) [My Lady Mildmay’s Delight] “Mr. Johnsons Gallyard” (Lbl Add.38539, f.16v) LN 110/ RJ6a

Johnson (Robert) [My Lady Mildmay’s Delight] “Galliard” (Konigsberg, f.20v) LN 110/ RJ6b

Johnson (Robert) My Lady Mildmay’s Delighte] “Johnsons Gallyard” (Folger no.50, f.22) LZ 110/ RJ6c

Johnson (Robert) [My Lady Mildmay’s Delight] “Galliarda” (D-Ngm 3378/I, f.11) LZ 110/ RJ6d

Johnson (Robert) [My Lady Mildmay’s Delight] “Galliard Ro Johnson” (Cu.Nn6.36. f.11) LS 3/1 LZ 110/ RJ6e

Johnson (Robert) [My Lady Mildmay’s Delight] “Galliarda” (D-BN 479, f.12v) LZ 110/ RJ6f

Johnson (Robert) [My Lady Mildmay’s Delight] “Galliarde” (CZ-Pnm G.IV.18, f.173v) LZ 110/ RJ6g

Johnson (Robert) [My Lady Mildmay’s Delight] “RJ Galliard” (Welde no.38, f.15v) LZ 110/ RJ6h

Johnson (Robert) [My Lady Mildmay’s Delight] “Galliarda”, lute duet (D-Ngm 3378/I, f.1v) LZ 110/ RJ6i-i and ii

Johnson (Robert) [My Lady Mildmay’s Delighte] “Dowland’s Galliard” [Poulton 83] (Mynshall no.40, f.12v) LN 110/ JD83

Johnson (Robert) My La[dy] Strangs [Almaine] (Dd.9.33, f.42v) LS 3/2LN 108/6a

LZ 127/S6

Johnson (Robert) My La[dy] Strangs [Almaine], 4th lower (Dd.9.33, f.42v) LN 108/6b

[Johnson (Robert)] Nagel blum (D-Lem II.6.15, p.348), see under Johnson (Robert) The Prince’s Almaine, LN 108/1h

[Johnson (Robert)] Nalcken blumen (D-Lem II.6.15, p.441), see under Johnson (Robert) The Prince’s Almaine, LN 108/1i

Johnson (Robert)? The Noble Man (ML, f.19) LN 67/5a

Johnson (Robert)? [The Noble Man] “The Noble Menes Mask Tune” (Dd.4.22, f.8v) LN 67/5b

Johnson (Robert) Pavan (GB. Clm 689, f.60v) LN 110/RJ3b

Johnson (Robert) Pavan, transcription from keyboard (GB. Cfm mus.168, p.72) LN 110/RJ7

Johnson (Robert) Pavana (GB. Clm 689, f.55v) LN 110/RJ9a

Johnson (Robert) Pavana (GB. Clm 689, f.22v) LN 110/RJ5a

Johnson (Robert) A Pavin (Cfm 689, f.22v) LN 110/RJ5a

Johnson (Robert) A Pavin (Lbl Add.38539, f.31v) LN 110/RJ9b

Johnson (Robert) A Pavin (Lbl Add.38539, f.22v) LN 110/RJ3a

Johnson (Robert) A Pavin (Lbl Add.38539, f.9v) LN 110/RJ5b

Johnson (Robert) The pr allm (GB-Cu Nn.6.36, f.15v), see under Johnson (Robert) The Prince’s Almaine, LN 108/1d

Johnson (Robert)? Prince Henreis Maske, mandora (Skene, p.44), see under Johnson (Robert) The First of the Prince’s Masque, LN 67/1e

Johnson (Robert) The Prince his Coranto (Board no.87, f.27r) LN 110/RJ2

Johnson (Robert) [The Prince’s Almaine] “Allmayne” (GB-Lbl Add.38539, f. 17) LN 108/1aLN 125 text

[Johnson (Robert)] The Prince’s Almaine “The Prince his Almayne” (Board no.46, f.16= 1a without divisions) LN 108/1b

Johnson (Robert) [The Prince’s Almaine] “Almaine” (GB-Cfm 689, f.70v) LN 108/1c

[Johnson (Robert)] [The Prince’s Almaine] “The pr allm” (GB-Cu Nn.6.36, f.15v) LN 108/1d

[Johnson (Robert)] [The Prince’s Almaine] “Allmaine” for lyra viol (GB-SA 38740-2, p.22) LN 108/1e

Johnson (Robert) [The Prince’s Almaine] “An Allmaine pr Mr. Johnson” (GB-Ctc O.16.2., p.115) LN 108/1f

Johnson (Robert) [The Prince’s Almaine] “An allman by mr Robert Jhonson” (GB-Cu Dd.4.22, f.10) LN 108/1g

[Johnson (Robert)] [The Prince’s Almaine] “Nagel blum” (D-Lem II.6.15, p.348) LN 108/1h

[Johnson (Robert)] [The Prince’s Almaine] “Nalcken blumen” (D-Lem II.6.15, p.441) LN 108/1i

[Johnson (Robert)] [The Prince’s Almaine] “Courante del Prince de Angelterra” (D-B Danzig 4022, f.12) LN 108/1j

[Johnson (Robert)] [The Prince’s Almaine] “Engels Prins Daphne” (Valerius, p.213 = first two sections of Krakow no.7)LN 108/1k

Johnson (Robert) [The Prince’s Almaine] “Almayne Mr. Johnson” lyra viol and transcription (GB-Lbl Add.63852, f.100) LN 108/1l i-ii

[Johnson (Robert)] [The Prince’s Almaine] “Ballet” (Krakow no.7, f.3= first two sections of Board no.46) LN 108/1m

[Johnson (Robert)] [The Prince’s Almaine] “Almane” (Mathew 1652, p.30) LZ 108/1n

[Johnson (Robert)] [The Prince’s Almaine] “Engels Prins Daphne” diatonic and chromatic cittern (Valerius 1626 p.213)LZ 108/1o i-ii

[Johnson (Robert)] The Princes Toy, lyra viol and transcription for lute (Lbl Add.63852, f.104) LZ 110/RJ app a-b

Johnson (Robert)? Ye Princis Mask Tune (Westminster 105, f.1), see under Johnson (Robert) The First of the Prince’s Masque, LN 67/1c

Johnson (Robert)? The Princis Masque, (Board no.92, f.28), see under Johnson (Robert) The First of the Prince’s Masque, LN 67/1d

Johnson (Robert) RJ Galliard (Welde no.38, f.15v), see under Johnson (Robert) My Lady Mildmay’s Delight, LZ 110/ RJ6h

Johnson (Robert)? [The Second of the Prince’s Masque] “Maske” (Nn.6.36, f.18v) LN 67/2b

Johnson (Robert)? The Second of the Queenes Maske (VLL, f.P1v) LN 67/7

Johnson (Robert)? [The Third of the Prince’s Masqus] “Ballet” (Krakow no.5, f.2) LN 67/3a

Johnson (Robert)? [The Third of the Prince’s Masqus] “Balett” (Montbuysson, f.78) LN 67/3b

Johnson (Robert)? [The Third of the Prince’s Masque] “Maske” (Nn.6.36, f.18v) LN 67/3c

Johnson (Robert)? The Witches Daunce [? from the Masque of Queens, 1609] (Board no.81, f.26) LN 67/9a

Johnson (Robert)? The Witches Daunce (ML, f.4) LN 67/9b

Johnson (Robert)? The Witches Daunce, lyra viol (Ballet, p.65) LN 67/9c

Josquin des Prez. Plus Nulz Regretz, arranged as lute duet LZ 118

Judenkünig (Hans) Das Ander Priamell (Unterweisung, 1523 no.13, f.D2) LZ 103/2

Judenkünig (Hans) Christ ist erstanden (Introductio c.1519, f.C1) LN 53LN 91 text/ BL 2

Judenkünig (Hans) Das Erst Priamell (Unterweisung, 1523 no.7, f.C2) LZ 103/1

Judenkünig (Hans) Das Fierd Priamel (Unterweisung, 1523 no.25, f.G1) LZ 103/4

Judenkünig (Hans) Das Fünfft Priamel (Unterweisung, 1523 no.30, f.H3) LZ 103/5

Judenkünig (Hans) Hast du mich Genumen (Introductio c.1519, f.C4v) LN 56LN 108 text/BL 18

Judenkünig (Hans) Der Hoffdanz [Schwartz Knab] and Nach Tantz (Introductio c.1519, f.C1v) LS 9/1

Judenkünig (Hans) Ich traw der Lieben woll (Introductio c.1519, f.C2) LS 9/1

Judenkünig (Hans) Madonna Katerina, oder Hast du mich genummen (Introductio c.1519, f.C1) LN 53

Judenkünig (Hans) Schwartz Knab, see under Judenkünig (Hans) Das Hoffdanz and Nach Tantz (Introductio c.1519, f.C1v), LS 9/1

Judenkünig (Hans) Und wer er nit erstanden (Introductio c.1519, f.C1) LN 53

Judenkünig (Hans) Untitled (Introductio c.1519, f.C3) LN 55

Judenkünig (Hans) Von edler Art (Introductio c.1519, f.C4) LN 56

Judenkünig (Hans) Wo sol ich mich hin keren (Introductio c.1519, f.C4v) LN 56

Judenkünig (Hans) Zaert Schöste Fraw and Nach lust (Introductio c.1519, f.C2v) LN 53

Judenkünig (Hans) Zucht er und Lob (Introductio c.1519, f.C3v) LN 56

K. (C.) An Answere to Cookow (3056, f.12v) LN52 A10/3

K. (C.) A Fancy (3056, f.39r) LN52 A10/1

K. (C.) A Fancy (GB-Cu Dd.2.11. f.79v), see under Neusidler (Melchior) [Fantasia] “A Fancy CK”, LS 10/5; LN52 A10/2a; LZ 127/MN2aii

K. (C.) Fantasia (Krakow 40598, f.17) LN52 A10/2b

K. (C.) Lacrimae (3056, f.36v) LN52 A10/5

K. (C.) Pavana in fugis, (Leipzig II.6.15, p.116) LN52 A10/4

Kapsberger (Girolamo) Corrente [Septi]ma, chitarrone (Kapsberger 1640, p.48) LZ 125/App 5

Kapsberger (Girolamo) Passaggi diversi su le note per sonare sopra la HK (Kapsberger III 1626, p.35) LZ 125

Kapsberger (Girolamo) Toccata (Libro Primo 1611, p.8) LS 8/4

Kapsburger (Girolamo) Gagliarda 5 (Libro Primo 1611, p.18) LS 8/4

Kargel (Sixtus) Fantasia IIII (Lautenbuch 1586) LS 10/2

Kellner (David) Phantasia A moll (XVI. auserlesene Lauten-Stücke, 1747, no.1) LSJ vol.29 and 52

Kennerley (Robert) Mrs. Ellnar Staffords Galliard (Dd.5.78.3, f.7v) LN 41 A6/2

Kennerley (Robert) Mrs. Fr[ances] Taylers Galliard (Dd.5.78.3, f.8) LN 41 A6/3

Killigrew (Lady Mary) Dearest Love I do Not Go, lute song LN 75

Kindersley (Robert) Allmayne [The Gilly Flower] (ML f.40) LN 41 A6/4a

[Kindersley (Robert)] The Gilly Flower (Board no.79, f.25v) LN 41 A6/4b

Kindersley (Robert) Gallyard (A) (ML, f.13) LN 41 A6/5

Knowles ([Robert]) Galliarda Englessa (Eysertt, f.24) LN 41 C58/5

Konopacky (Petrus)? Fantasia (I Gu M.VIII.24, f.177v) LN 82/1Konopacky (Petrus)? Fantasia (D.Hs M B/2768 p.40) LN 82/2

Krengal (Gregorius) Ohn dich mus ich aller Freunden massen, duet after Jacques Regnart (Tablatura Nova, f.M1v)LN 37 /9a and b

Khüne (Tobias) Fuga sup[er] Verleih und friedt (D-Dl 1-V-8, f.42) LZ 116/TK6

Khüne (Tobias) Gagliarda (D-Dl 1-V-8, f.51) LZ 116/TK3b

Khüne (Tobias) Ga[l]liarda Tobiae Kuhnen (D-LEm II.6.15, p.187) LZ 116/TK3c

Khüne (Tobias) Galliarda T K (Fuhrmann 1615, p.110) LZ 116/TK3d

Khüne (Tobias) Galliardae Greogorij Huberti variario prima (Rude, f.gg6v) LZ 116/TK3e

Khüne (Tobias) Galliarda T K (Fuhrmann 1615, p.111) LZ 116/TK4

Khüne (Tobias) Galliarda T K (Fuhrmann 1615, p.118) LZ 116/TK5

Khüne (Tobias) Padoana (Rude II 1600, f.gg1v) LZ 116/TK2b

Khüne (Tobias) Pavana (Rude II 1600, f.hh3) LZ 116/TK2a

Khüne (Tobias) Pavana Dullande (D-Kl 4o Mus.108 I, f.92v) LZ 116/TK1b

Khüne (Tobias) Pavana Gregorij Huberti (Rude 1600, f.gg5) LZ 116/TK1c

Khüne (Tobias) Pavana Respondens Lachrimae (Fuhrmann 1615, p.62) LZ 116/TK1a

Khüne (Tobias) Variario Secunda (Rude 1600, f.6v) LZ 116/TK3a

Kopperud (Espen) Fanatasia ninnananna LN 47

Kopperud (Espen) Springar, Nowegian Dance LN 47

La Grotte. Courante (CZ-Pnm IV.G.18, ff.107v-108) LN 107/1

La Grotte. Courante, and Response (GB-HAdolmetsch H.B.1, f.179v-180) LN 107/2 and 3

Labarre (Pierre?) Courante, baroque lute and transcription (F-B 279.152, p.5) LN 107/4i-ii

Labarre (Pierre le jeune?) Courante (Besard 1617, p.38) LN 107/5

Lanclos (Henri de) Courante (GB-Cfm Mus.689 Herbert, f.64v) LN 107/11a

Lanclos (Henri de)] Courante de Mr. Jacob (D-Ngm 33748 I, f.43, almost identical to 11a) LN 107/11b

Lanclos (Henri de) Volte (Moy 1631, f.8v) LN 107/12

Lanier (Nicholas) Amorosa Pargoletta: lute song (Complete Works) LN 42

Laurencini (Lorenzino) C]arente (F-Pn Res.941, f.14) LN 114/App 4b

Laurencini (Lorenzino) or Lorenzino Tracetti. Courante Laurenzini (Fuhrmann 1615, p.169) LN 114/App 5

Laurencini (Lorenzino) Galliarda eiusdem (Besard 1603, f.127) LN 115/L17

Laurencini (Lorenzino) La Medisima [Galliard] in un’ altro tono (D-W Guelf.18.8 Hainhofer VI, f.183) LN 115/L13

Lawrence (John) Ballet (Lbl Eg.2046 f.43 ii) LN83/23

Lawrence (John) Coranto (Lam 603 f.35) LN83/24

Lawrence (John) Pavan, transcribed from lyra viol (Mp BRm 832 Vu 51, p.89) LN83/22

Lawrence (John) Saraband (Lbl Eg.2046 f.44 ii) LN83/24

Le Roy (Adrian) and Robert Ballard. Autre Bransle de Poictou (adapted from Tiers Livre de Guiterre 1552, f.24)LN 48 C53

Le Roy (Adrian) and Robert Ballard. Bransle de Poictou (adapted from Tiers Livre de Guiterre 1552, f.23) LN 48 C53

Le Roy (Adrian) Est il conclud, Galliarde and Galliard plus diminuee (Premier Livre 1551 no.13) LN 108LZ 108

Le Roy (Adrian) Fantasie (Le Roy 1568, f.17) LN 127 text/BL 35

Le Roy (Adrian) Fantasie Seconde (Premier Livre 1551, f.4, no.2) LN 107

Le Roy (Adrian) The Fift [Gaillarde] Milanoise (Fantasies et Danses 1568 no.23) LZ 107/3

Le Roy (Adrian) The Fowerth Branle of Malte (Fantasies et Danses 1568 no.14) LN 51 C61

Le Roy (Adrian) Gaillarde Romanesque (A briefe and easye instruction, 1568, f.31v) LN 110

Le Roy (Adrian) Huitieme Branle de Bourgogne (Premier Livre 1551 no.29) LZ 110

Le Roy (Adrian) J’aymeroye mieux dor[mir] (A briefe and easye instruction, 1568, f.34) LN 110

Le Roy (Adrian) N’ayant le souvenir (Premier Livre 1551, f.19) LN 107

Le Roy (Adrian) Le Petit gentilhomme (A briefe and easye instruction, 1568, f.23) LN 110

Le Roy (Adrian) Prelude (A briefe and easye instruction, 1568, f.8) LN 94 text/BL 5

Le Roy (Adrian) The Second Branle of Malte (A briefe and easye instruction, 1568, f.25v) LN 51 C61

Le Roy (Adrian) Second Branle de Bourgogne (Premier Livre 1551 no.23) LZ 110

Le Roy (Adrian) Tintalore (La) (A briefe and easye instruction, 1568, f.21) LN 110

Le Roy (Adrian) Une m’avoit promis (Second livre de guiterre, ?1552, f.18v) LSJ vol.35

Le Roy (Adrian) La Volte de Provence (Fantasies et Danses 1568 no.10) LZ 110

Le Sage de Richie (Philipp Franz) Chiacone and Pasagallia, barioque lute LN 63

Le Sage de Richie (Phillip Franz) Menuet en Rondeau, baroque lute LN 73

Le Sage de Richie (Phillip Franz) Prelude, baroque lute LN 126 text

Lefvert (Jonas)? Lion’s Pride-Tavern Theme LZ 124

Legname (Nicolo) Ballo: Bella (Guelf. 18.8 VII, f.245v) LN 92/22

Legname (Nicolo) Ballo: Chaligaretta (Guelf. 18.8 VII, f.242v) LN 92/15

Legname (Nicolo) Ballo: Claudia (Guelf. 18.8 VII, f.242) LN 92/18

Legname (Nicolo) Ballo: Finetta (Guelf. 18.8 VII, f.243) LN 92/17

Legname (Nicolo) Ballo: Giannetta (Guelf. 18.8 VII, f.246) LN 92/20

Legname (Nicolo) Ballo: Letitia (Guelf. 18.8 VII, f.242v) LN 92/16

Legname (Nicolo) Ballo: Nobile (Guelf. 18.8 VII, f.245) LN 92/21

Legname (Nicolo) Ballo: Tamburino (Guelf. 18.8 VII, f.242) LN 92/14LZ 115/T10

Legname (Nicolo) Ballo: Trevisana (Guelf. 18.8 VII, f.244) LN 92/19

Legname (Nicolo) Barriera (Guelf. 18.8 VI, f.176v) LN 92/13

Legname (Nicolo) Gagilarda [I] (Guelf. 18.8 VI, f.167v) LN 92/7

Legname (Nicolo) Gagliarda [II] (Guelf. 18.8 VI, f.176v) LN 92/8

Legname (Nicolo) Gagliarda [IV] (Guelf. 18.8 VI, f.186v) LN 92/11

Legname (Nicolo) Gagliarda l’Angelo bella (Guelf. 18.8 VI, f.182) LN 92/10

Legname (Nicolo) Gagliarda la poveretta (Guelf. 18.8 VI, f.179v) LN 92/9

Legname (Nicolo) La paganina (Guelf. 18.8 VII, f.225) LN 92/12

Legname (Nicolo) Passamezo parte prima (Guelf. 18.8 V, f.77) LN 92/6

Legname (Nicolo) Passo e mezzo quinta parte (Guelf. 18.8 V, f.107) LN 92/5

Legname (Nicolo) Prelude [I] (Guelf. 18.7 III, f.206) LN 92/1

Legname (Nicolo) Prelude [II] (Guelf. 18.7 III, f.214v) LN 92/2

Legname (Nicolo) Prelude [III] and Toccata (Guelf. 18.7 III, f.201, 213) LN 92/3-4

Leighton (Sir William) Attend unto my teares O Lord, for broken consort (The Teares or Lamentations, 1614) LSJ vol. 16, [p.54]

Lespine (Charles de) Prelude (Stockholm S.253) LSJ vol.30

Lichfield ([Thomas?]) [Galliard] (Dd.5.125, f.35v) LN 49 C58/6

Logis (C.) Suite of eleven pieces, baroque lute: Ouverture; Allemande; Courrente; Sarabande; Gavotte; Menuette; Bouree; Guige; Menuette; Double; Guige (Ősterreichische Nationalbibliotek Ms.Mus 18761) LN 57

Logy (C. de) Five pieces, baroque lute: Sarabande; Sarabande; Menuet; Menuet; Menuet (Göttweg 2) LN 118

Losius (Jacobus) Galliarda (Grässe, f.60v) LN 32 C16/6

Losius (Jacobus) Intrada (Grässe, f.81) LN 32 C16/5

Losy(Count) Allemande (Stockholm 1715 MS 21,072) LN 126 text

Losy(Count) Sarabande (Goess IV) LN 53

Lupo? (Ambrose) Ambroses Pavin (Board no.9, f.3v) LN 50 A9

Lupo? (Ambrose) Gallyard, to Board no. 9 ( Board no.11, f.4) LN 50 A9

Lupo? (Ambrose) Paven (Marsh no.102, p.247) LN 50 A9

Lupo (Peter)?] Galliard Mr. Petro (Willoughby, f.29r) LN 50 A9

Lushier (Mr.) [Almain] (Dd.2.11 no.34, f.10) LN 35 A3/2

Lushier (Mr.) Almayne (Board no.61, f.21= Mynshall no.37, for 6 courses) LN 35 A3/6

Lushier (Mr.)? [Galliard] (Dd.5.78.3, f.31v) LN 35 A3/8

Lushier (Mr.) Lushiers Allmaine (Dd.5.78.3, f.44v) LN 35 A3/4

Lushier (Mr.) [Lushiers Allmaine] (Euing, f.20) LN 35 A3/5

Lushier (Mr.) [Pavan] (Dd.9.33, f.16) LN 35 A3/3

Lushier (Mr.) A Paven (Dd.9.33, f.13v) LN 35 A3/1

Lushier (Mr.)? Untitled Piece (Dd.5.78.3, f.18) LN 35 A3/7

M. (H.S.) Gagliarda dj H.S.M. (Donaueschingen D-Si G.I.4 I, f.32v) LZ 109/17

M. (H.S.) Gagliarda dj H.S.M. (Donaueschingen D-Si G.I.4 I, f.32v) LZ 109/18

Mace (Thomas) The Author’s Mistress, duet (Music’s Monument, p. 121-122) LN 115 text

Machyn (Richard) Pavyn de Lyght [after John Johnson] (Thysius no.255, f.147v) LN 46 C39/15

Maffon (Franciszek) Fantasia (Besard Thesaurus, f.26 “Fant. Fuga Maphonio”) LN82/3

Marchant (John) Almain, duet (Samson, f.11v and Brogyntyn, p.31: “Eccho by Francis Pilkington”) LN 47 A7/5a-bLN 69/17a

Marchant (John) [Fantasia?] (Dd.2.11 no.319, f.100v) LN 47 A7/1

Marchant (John) Fantasia, duet (Brogyntyn, p.15 and Hirsch, f.6v) LN 47 A7/4a-bLZ 127/Hi1a

Marchant (John) Fantasia, treble and ground duet (Dc.5.125, f.77v and reconstruction) LN 47 A7/6LN 53

Marchant (John) Galliard (Dd.5.78.3, f.18v) LN 47 A7/3

Marchant (John) [As I went to Walsingham] untitled variations (Dd.9.33, f.26v) LN 47 A7/2LZ 104/2b

Marchant (John), see also under Pilkington (Francis)? An Allman for ii lute by Mr. Marchant: duet, lute 2, (Sampson no.21, p.15), LN 69/17b

Marin (José) Quien son Aquellos Villanos, baroque guitar song (51 Tonos) LN 43

Marks (Andrew) [Pavan] (Nn.6.36, f.35) LN 47 C47/3

Marten (Mr.) see under Persijn (Marten) Almande Prince Parma, after G.G. Gastoldi (Thysius no.833, f.475), LN 77/3Mason (Mathias) [Corant] (Dd.9.33, f.75v) LN 47 A7/2

[Mason (Mathias) or Perrichon (Julien] [Corant] (Dd.9.33, f.75 LN 47 A7/3

Mason (Mathias)] Pavane (Welde no.39, f.16v) LN 47 A7/1

Mason (Mathias), see under Holborne (Anthony) Master Mathias his Galliard [Spring 27d] (Ballet no.4 p.6), LN 47A7/4Maynard (John) Adew, with bass viol (Maynard, G2v) LN 86

Maynard (John) An Almond to both, with bass viol (Maynard, H2) LN 86

Maynard (John) A Galliard to the Pavin , with bass viol (Maynard, H1v) LN 86

Maynard (John) The Galliard to the Pavan before, in cordes avalée, with bass viol (Maynard, I1v) LN 86

Maynard (John) A Pavin, with bass viol (Maynard, G2v) LN 86

Maynard (John) A Pavin, in cordes avalée, with bass viol (Maynard, H2v) LN 86

McConnell (David E.) Exercices de Technique LN 7 text

McConnel (David E.) Fantasie Mélancolique LN 83McConnell (David E.) Toccata per il Liuto, for technical development of both hands LN 7 text

Melii (Pietro Paulo) Corrente Chromatica detta la Bernardella (Melii II 1614, p.24) LZ 125/App 4

Mercury d’Orleans. Ballet 19 / Ballet M. (Fuhrmann 1615, p. 157) LN 120/18

Mercury d’Orleans. Ballet Mercurij (D-Lr 2000 Harling, p. 26) LN 120/26

Mercury d’Orleans. Balletto du Roÿ Mercurÿ (D-B 4022, f. 11) LN 120/19a

Mercury d’Orleans. Ballet de M. Le Davfin, Premier-Troisieme chant (Ballard Premier Livre 1611, p. 10-11) LZ 120/19c

Mercury d’Orleans. Ballet (LT-Va 285-MF-LXXIX Königsberg, f.75-75v) LN 120/22

Mercury d’Orleans. Ballet Mercury (D-Ngm 33748 I, f. 67) LN 120/20

Mercury d’Orleans. Ballet Mercurÿ (D-Ngm 33748 I, f. 68) LN 120/21a

Mercury d’Orleans. Ballet (Hove Delitiae Musicae 1612, f. 58v) LZ 120/21b

Mercury d’Orleans. Ballet de la déesse diane (D-Kl 108.I Montbuisson, f. 60) LZ 120/21c

Mercury d’Orleans. Balletto (S-Sk PB fil 172, f.13v-14) LN 120/23a

Mercury d’Orleans. ballet de mercure (D-Kl 4° Mus. 108 I, f.66v-67) LZ 120/23b

Mercury d’Orleans. Branle Noveau M. / Branle M. (Fuhrmann 1615, p. 143) LN 120/16

Mercury d’Orleans. Branle Mercurii / Branle M. (Fuhrmann 1615, p. 144) LN 120/17

Mercury d’Orleans. Corant (D-Ngm 33748 I, f.75v) LN 120/5

Mercury d’Orleans. Corant (GB-Lbl Add.38539 (ML, f. 25) LN 102, Saman 1a

Mercury d’Orleans. Corante Mercury (D-Hs ND VI 3238 Schele, p.16) LN 120/4a

Mercury d’Orleans. Corante Mercurÿ Aos 1615 (D-Hs ND VI 3238 Shele, p. 64) LN 120/25

Mercury d’Orleans. Couranta (D-Mbs 21646 Werl, f.73v) LN 120/6a

Mercury d’Orleans. Courante (CH-Bu F.IX.53, f.11-12) LN 102, Saman 1b

Mercury d’Orleans. Courante (CZ-Pnm IV.G.18, f. 99) LN 102, Saman 1c

Mercury d’Orleans. [Courante] A Volte, (extended version of 6a, GB-Lbl Add.38539, f.17v) LZ 120/6b

Mercury d’Orleans. Courante ejusdem [Mercurÿ] (D-Hs ND VI 3238, p. 65) LN 120/9

Mercury d’Orleans. Courante eiusdem authoris [Mercurÿ] (D-Hs ND VI 3238, p. 66) LN 120/10

Mercury d’Orleans. Courante Mercurÿ (D-Hs ND VI 3238, p. 64) LN 120/7

Mercury d’Orleans. Courante Mercury, revised version (D-Hs ND VI 3238, p. 64) LN 123/App 3

Mercury d’Orleans. Courante mercurÿ (D-Hs ND VI 3238, p. 65) LN 120/8 Mercury d’Orleans. Courante Mercurÿ (D-Ngm 33748 I, f. 63) LN 120/11

Mercury d’Orleans. Currant (GB-Cu Nn.6.36, f.25v) LZ 120/4b

Mercury d’Orleans. Gagliarda [to Passo e mezzo] (D-W Guelf. 18.8., f.117) LZ 120/2b

Mercury d’Orleans. Galliarda (Fuhrmann 1615, p.130) LN 120/3

Mercury d’Orleans. Les Grand Balletts du Roy (GB-HAdolmetch II.B.1, f. 191v-192) LZ 120/19b

Mercury d’Orleans. Passo e mezzo (D-W Guelf. 18.8., f.114) LZ 120/2a

Mercury d’Orleans. Praeludium (D-Hs ND VI 3238 Schele, p.4) LN 120/1

Mercury d’Orleans. Praeludium Auff die Schlacht Pavia. Mercurii /Praeludium (Fuhrmann 1615, p. 184) LZ 120/24a

Mercury d’Orleans. Schlacht vor Pavia Mercurii /La e Grre. M. (Fuhrmann 1615, p. 185-190) LZ 120/24b

Mercury d’Orleans. Volta eiusdem [Mercurii] (Besard 1603, f.161v-162) LN 120/12a

Mercury d’Orleans. A Volte (GB-Lbl 38539, f. 20) LZ 120/12b

Mercury d’Orleans. [Volte] (B-Bc 26369, f. 3v) LZ 120/14b

Mercury d’Orleans. Volte Mercurii. Gerire / Volte (Fuhrmann 1615, p. 177) LN 120/14a

Mercury d’Orleans. Volte Mercurij (LT-Va 285-MF-LXXIX, f. 56) LN 120/13

Mercury d’Orleans. Volte Mercurÿ (D-Ngm 33748 I, f. 51) LN 120/15

Mertel (Elias) Alamanda [Mertel 3] (Fuhrmann 1615, p.145) LN46 C49

Mertel (Elias) Ballet [Mertel 5] (Mylius 1622, p.92) LN46 C49

Mertel (Elias) Ballet [Mertel 6] (Lüneburg 2000, p.23) LN46 C49

Mertel (Elias) Ballet [Mertel 7] (Fuhrmann 1615, p.155) LN46 C49

Mertel (Elias) Balletto [Mertel 4] (Dlugoraj, p.300) LN46 C49

Mertel (Elias) Chorea [Mertel 19] (Bautzen 13.4.85, p.78) LN46 C49

Mertel (Elias) Chorea [Mertel 20] (Bautzen 13.4.85, p.82) LN46 C49

Mertel (Elias) Ein gar sehr Trauriges Leidlein [Mertel 21] (Bautzen 13.4.85, p.76) LN46 C49

Mertel (Elias) Galliard [Mertel 13] (Fuhrmann 1615, p.123) LN46 C49

Mertel (Elias) Galliard [Mertel 15] (Besard 1603, f.120) LN46 C49

Mertel (Elias) Galliard [Mertel 16] (Besard 1603, f.120) LN46 C49

Mertel (Elias) Galliard [Mertel 17] (Nürnberg 33748 I, f.70v) LN46 C49

Mertel (Elias) Orlandus Furiosus [Mertel 26] (Fuhrmann 1615, p.47) LN46 C49

Mertel (Elias) Phantasia 71, related to Dowland CLM 6e and 2c (Mertel 1615, p.211) LZ 125/App 12

Mertel (Elias) Phantasia 83, related to Dowland Fantasia JD1 (Mertel 1615, p.226) LZ 125/App 11

Mertel (Elias) Praeludium [Mertel 1] (Schele, p.6) LN46 C49

Mertel (Elias) Praeludium [Mertel 2] (Basel F.IX.70, f.15) LN46 C49

Mertel (Elias) So wunsch ich ihr ein Gute Nacht [Mertel 23] (Fuhrmann 1615, p.46) LN46 C49

Mertel (Elias) Wilhemus van Nassouwe [Mertel 25] (Fuhrmann 1615, p.40) LN46 C49

Milan (Luis) Fantasía [8] del quarto tono (El Maestro 1536 I , f.C4v) LS 5/5LN26 C12

Milano (Francisco da) Canono a Dua Liutti di F (Cavalcanti f.35v) LN 115

Milano (Francesco da) Duet (Castelfranco Veneto cathedral library) LN 44

Milano (Francesco da) Recercata [Ness 1] (Intavolatura 1536, I f.5, no.2) LN 67



Milano (Francesco da) Fantasia (Gardano 1546, f.C4, see also Gerle Priambel 1546, f.a1v for alternative version)LZ 103/Gerle 9b


Milano (Francesco da) Ricercata (Intavolatura 1536, II f.12v, no.8) LN48 C53

Milano (Francesco da) Fantasia (Phalèse Luculentum 1568, f.10) LS 9/5

Milano (Francesco da) Recercata [Ness 5] (Intavolatura 1536, I f.8v, no.6) LN 68

Milano (Francesco da) Fantasia (Gardano 1546, f.D1, see also Gerle Priambel 1533, f.11v for earlier version) LZ 103/Gerle 8b


Milano (Francesco da) Recercata [Ness 7] (Intavolatura 1536, I f.12v, no.8) LN 68Milano (Francesco da) Recercata [Ness 8] (Intavolatura 1536, II f.15, no.10) LN 69Milano (Francesco da) Recercata [Ness 9] (Intavolatura 1536, II f.24, no.18) LN 69

Milano (Francesco da) Recercata [Ness 10] (Intavolatura 1536 II f.24v, no.19) LN 69

Milano (Francesco da) Ricercare, similar to Ness 10 (no source given) LN 44

Milano (Francesco da) Recercata” [Ness 11] (Intavolatura 1536, II f.27, no.22) LN 70

Milano (Francesco da) Re.car, also attributed to Marco dall’Aquila (Munich MS 266 no.30, f.27v) LN 74

Milano (Francesco da) Recercata [Ness 12] (Intavolatura 1536, II f.27v, no.23) LN 70




Milano (Francesco da) Recercata [Ness 16] (Intavolatura 1536, II f.3, no.1) LN 71

Milano (Francesco da) Recercata, see also “Nine newly-composed duets and a trio on Fantasia Ness 16” LN 48 Special Supplement

Milano (Francesco da) Recercata [Ness 17] (Intavolatura 1536, II f.3v, no.2) LN 73

Milano (Francesco da) Fantasia [Ness 18] (Intavolatura da Leuto, 1546, f.15) LN 73


Milano (Francesco da) Fantasia [Ness 20] (Casteliono 1536, f.3) LN 74

Milano (Francesco da) Fantasia [Ness 21] (Casteliono 1536, f.25) LN Nov.1980 textLN 74




Milano (Francesco da) Fantasia [Ness 25] (Intabulatura 1546, f.26v) LN 77


Milano (Francesco da) Recercata (Intavolatura 1536, II f.22v, no.17) LZ 127/B7b

Milano (Francesco da) Recercata (F-Pa Res 429, f.81v) LZ 127/B7c



Milano (Francesco da) Fantesta (Gardano 1546 I D3v) LZ 105/22b


Milano (Francesco da) Fantasia [Ness 30] (Sienna MS, f.8) LN 78

Milano (Francesco da) Fantasia [Ness 31] (Intabulatura III, 1547, f.A2v) LN 79Milano (Francesco da) Fantasia [Ness 32] (Intabulatura III, 1547, f.A3v) LN 79

Milano (Francesco da) Fantasia [Ness 33] (reworking from Kargel Lautenbuch 1586) LN 65

Milano (Francesco da) Fantasia (Sienna Ms f.58v) LN 80

Milano (Francesco da) Fantasia (reconstruction from Christchurch fragment) LN95

Milano (Francesco da) Fantasia “Fantasia La Compagna” [Ness 34] (Sienna Ms.f.59) LSJ vol.44LN 80

Milano (Francesco da) Fantasia [Ness 35] (Sienna MS, f.69) LN 81

Milano (Francesco da) Fantasia “Fantasia di Montriste” [Ness 36] (Sienna MS, f.20v) LN 81

Milano (Francesco da) Fantasia [Ness 37] (Intabolatura libro primo 1566 [?1546]) LN 83

Milano (Francesco da) Fantasia [Ness 38] (Intabolatura libro primo 1566 [?1546]) LN 83

Milano (Francesco da)[ Fantasia] [Ness 39] (Intabolatura libro primo 1566 [?1546]) LN 84

Milano (Francesco da) Fantasia [Ness 40] (Intabolatura 1547, D4v) LN 84

Milano (Francesco da) Fantasia “Fantasia la Quinta”: duet with second part by Joanne Matelart (Duets by Francesco da Milano and Joanne Matelart) LN 43

Milano (Francesco da) Fantasia [Ness 41] (Intavolatura Libro Terzo, E2v) LN 85Milano (Francesco da) Fantasia [Ness 42] (Sienna Mss f.18) LN 85

Milano (Francesco da) Fantasia [Ness 43] (Sienna Mss f.69) LN 85

Milano (Francesco da) Ricercar [Ness 44] (Lib.7 1548, A2v) LN 88

Milano (Francesco da) [Fantasia] “Duna cossa spagnola” [Ness no.45] (Munich 266 f.48) LN 88

Milano (Ferancesco da) [Fantasia] [Ness 46] (Sienna Mss f.32) LN 88

Milano (Ferancesco da) [Fantasia] [Ness 47] (Sienna Mss f.5b) LN 88

Milano (Francesco da) Recercario [Ness 48] (Lib.7 1548, B1) LN 89

Milano (Francesco da) Recercario [Ness 49] (Lib.7 1548, B1v) LN 89



Milano (Francesco da) Ricercario [Ness App.6/52] (Lib.7 1548, B4v) LN 90

Milano (Francesco da) [Ricercario] [Ness App.7/53] (Lib.7 1548, C1) LN 90

Milano (Francesco da) Ricercario [Ness 54] (Lib.7 1548 C1v) LN 91

Milano (Francesco da) Fantasia [Ness 55] (Lib.8 1548, E2) LN 92

Milano (Francesco da) Fantasia [Ness 56] (Lib.8, 1548, E4v) LN 93

Milano (Francesco da) Fantasia [Ness 57] (Lib.8, 1548, F) LN 93

Milano (Francesco da) [Fantasia] [Ness 58] (Sienna, f.22v) LN94

Milano (Francesco da) Fantasia [Ness 59] (Lib.8, 1548, F3) LN94

Milano (Francesco da) Fantasia [Ness 60] (Lib.8, 1548, F3v) LN94

Milano (Francesco da) Ricercar [Ness 61] (Siena f.21v) LN96

Milano (Francesco da) Fantasia [Ness 62] (GB-Lbl Hirsch f.64v) LN 48 LN 96LZ 129/Hi18

Milano (Francesco da) Fantasia [Ness 63] (Lib.8, 1548, G1) LN96

Milano (Francesco da) Fantasia [Ness 64] (1548-8 G2v) LN97

Milano (Francesco da) Fantasia [Ness 65] (1548-8 G3) LN97Milano (Franceso da) Fantasia [Ness 66] (48C, f.32v) LN98Milano (Francesco da) Fantasia sexta [Ness 67] (Paris MS 429, f.49), duet with contrapartie by Joanne Matelart

(Intavolatura de leuto, Rome, 1559) LN99 Milano (Francesco da) Ricercare primo [Ness 68] (Galilei, 1563, f.24) LN100

Milano (Francesco da) Ricercare secondo [Ness 69] (Galilei, 1563, f.25) LN100

Milano (Francesco da) Ricercare terzo [Ness 70] (Galilei, 1563, f.25v) LN100Milano (Francesco da) Ricercare Quinto [Ness 71] (Galilei, 1563, p.49) LN101

Milano (Francesco da) Ricercare quarto [Ness 72] (Galilei, 1563, p.48) LN101

Milano (Francesco da) Ricercare sesto [Ness 73] (Galilei, 1563, p.50) LN101

Milano (Francesco da) Ricercha [Ness 74] (Cavalcanti f.36) LN 102


Milano (Francesco da) Fantasia, similar to Ness 75 (CH-Bu Ms.F.IX.70 Wurstisen, Fantasia IV, p.41) LN 122




Milano (Francesco da) Ricercha [Ness 79] (Cavalcanti f.44v) LN 103

Milano (Francesco da) Ricercha [Ness 80] (Cavalcanti f.46v) LN 104

Milano (Francesco da) Fantasia [Ness 81] (Cavalcanti f.74) LN 104

Milano (Francesco da)] Fantasia [Ness 82] ( Dd.2.11 no.49, f.16) LN 106

Milano (Francesco da)] Fantasia, [Ness 83] (Dd.2.11 no.48, f.16) LN 106

Milano (Francesco da)] [Fantasya] ((Dd.2.11 no.48.f.18, supposedly Ness 83 in different key) LN 106

Milano (Francesco da)] [Fantasya] (GB-Lbl Hirsch 1353, f.65v, supposedly Ness 83 in different key) LZ 127/Hi20

Milano (Francesco da)] Ricercha [Ness 84] (Florence, f.11v) LN 107

Milano (Francesco da)] Fantasia, similar to Ness 84 (CH-Bu Ms.F.IX.70 Wurstisen, Fantasia II, p.41) LN 122

Milano (Francesco da) Fantasie commune, ornamented copy of Ness 84 (CH-Bu Ms.F.IX.70 Wurstisen, Fantasia XIX, p.55) LZ 122

[Milano (Francesco da)] Ricercar [Ness 85] (Munich 266, f.22) LN 107

[Milano (Francesco da)] Ricercar [Ness 86] (Munich 266, f.38) LN 107

Milano (Francesco da) Ricercar [Ness 87a] (F Pn Res 429, f.59v) LN 108

Milano (Francesco da) Ricercar [Ness 87b] (EUL Ms Dc.5.125, f.84v) LN 109

Milano (Francesco da) Ricercar [Ness 88] (Intavolatura 1536) LN 110

Milano (Francesco da) Recercar [Ness 89] (Sulzbach, f.18v) LN 111

Milano (Francesco da) Recercar [Ness 90] (Sulzbach, f.29) LN 111

Milano (Francesco da) Ricercar [Ness 91] (1536 Sulzbach, f.31) LN 112

Milano (Francesco da) B [Recercar] [Ness 95] incomplete (1536 Sulzbach, f.21) LN 116

Milano (Francesco da) Duna cossa spagnola (Munich 266 f.48), see under Milano (Francesco da) [Fantasia] [Ness no.45],LN 88

Milano (Francesco da) Fort seulement [Ness 100] (47G3, f.Fv) LN 120Milano (Francesco da) Gentil galans [Ness 104] (Intavolatura 1536, I 19v, no.15) LN 126

Milano (Francesco da) Las yie my plains, after Claudin de Sermisy [Ness 106] (Intavolatura 1536, I f.21v, no.17)LN 47 C54LN 127

Milano (Francesco da) Le plus gorgias du monde [Ness 97] (1546 (2), f. D4v) LN 117

Milano (Francesco da) Mon per si ma marie [Ness 96] LN 118

Milano (Francesco da) Nous bergiers [Ness 101] (Milano 1546 (2), f.E3v) LN 121

Milano (Francesco da) Paternoster de Josquin [Ness 108a] (Intavolatura, 1536, I f.23v, no.19) LN 127

Milano (Francesco da) Pour quoy alles vous seullette [Ness 107] (Intavolatura 1546, f.E2v) LN 128

Milano (Francesco da) Que voles vous dire de moy [Ness 98] (1547 3 f.F2v) LN 119

Milano (Francesco da) Resjouissez vous bourgeois, after Jean Mouton [Ness 105] LN 126

Milano (Francesco da) Si la natura en la diversite [Ness 103] LN 125

Milano (Francesco da) Spagnia Contrapunto, duet (Cavalcanti, f.36v) LN 114

Milano (Franceso da) Tirate per far la mano – Molto legiadre (I-CFVc w.s., f.60v) LZ 108

Milano (Francesco da) Tochata [Ness 92] (Casteliono 1536, f.24v) LN 113LN 124/T3

Milano (Francesco da) Tu discois [Ness 99] (1546 (2), f. E5) LN 119

Milano (Giovanni Battista) [Fantasia] (PL-Kj 40032, p.75) LZ 109/2a

Milano (Giovanni Battista) Fantasia (DL-Hnmi Kluis A20, f.72) LZ 109/2b

Milano (Giovanni Battista) Passagio, dirata di finale (PL-Kj 40032, p.117) LZ 109/3

Milano (Giovanni Battista) Passemezzi (PL-Kj 40032, p.169) LZ 109/4

Milano (Giovanni “Nanni” da) Balleto del Nanni alla Venuta della Regina di Spagnia (D-B 4022, f.6) LN 109/4

Milano (Giovanni “Nanni” da) Courante del Nanni da Milano (I-PESc b.10, f.4) LN 109/2

Milano (Giovanni “Nanni” da) Courante del Nanni da Milano (I-PESc b.10, f.20v) LN 109/3

Milano (Giovanni “Nanni” da) Preludium nani di Milann (D-B (Danzig) 4022, f.1 LN 109/1

Milano (Giovanni “Nanni” da) Salterello in quilio Di M.Giouanj (B-Br II.275, f.7) LN 109/5

Milano (Giovanni “Nanni” da) Salterello in quilio Di M.Giouanj (B-Br II.275, f.7) LN 109/6

Molinaro (Simone) Ballo detto Il Conto Orlando (Intavolatura 1599, p.8) LN March 1981LN52 A10

Molinaro (Simone) Fantasia di Giovanni Battista dalla Gostena (Molinaro 1599, p.125) LN 44LZ 125/App 6b

Molinaro (Simone) Saltarello [to Ballo detto Il Conto Orlando] (Intavolatura 1599, p.9) LN March 1981LN 523 A10

Moone (Thomas) Pavan [based on Dowland’s Lacrymae] (En K.33b) LN80/11

Montbuisson (Victor de) Balletto Francese (Terzi 1599, p.21) LN 112/9c

Montbuisson (Victor de) Chorea (D-LEm II.6.15, p.368) LN 112/3

Montbuisson (Victor de) Courante (D-Kl 4o Mus.108/1, f.66v) LN 112/4

Montbuisson (Victor de) Courante (Denss 1594, f.91v) LN 112/5

Montbuisson (Victor de) Courante (Denss 1594, f.92v) LN 112/6

Montbuisson (Victor de) Courante (Denss 1594, f.92) LN 112/7a

Montbuisson (Victor de) Courante (D-W Guelf.18.8.XII, f.291v) LN 112/9a

Montbuisson (Victor de) [Courante] second (Ballard 1614, p.46) LN 112/12b

Montbuisson (Victor de) Gagliarda (I-COc 1.1.20, f.94v) LN 112/9b

Montbuisson (Victor de) Gagliarda francese (D-W Guelf.18.8.V, f.167) LN 112/12a

Montbuisson (Victor de) Galliarda (Besard 1603, f.119v) LN 112/12c

Montbuisson (Victor de) Galliarda (CH-Bu F.IX.70, p.330) LN 112/8

Montbuisson (Victor de) Galliarda eiusdem (Besard 1614, p.46) LN 112/11

Montbuisson (Victor de) Galliarda incerti Authoris (Fuhrmann 1615, p.120) LN 112/10

Montbuisson (Victor de) Galliarde (Dolmetsch H.B.I., f.96v, almost the same as 7a without second section) LN112/7b

Montbuisson (Victor de) Grammatica, first and second parts (Mylius 1622, p.25) LN 112/2i - ii

Montbuisson (Victor de) Toccata (Mylius 1622, p.18) LN 112/1

Morlaye (Guillaume) Fantasie (Premier Livre 1552, f.8) LN 112

Morlaye (Guillaume) Fantasie (Second Livre 1558, f.3v) LN 113

Morlaye (Guillaume) Gaillarde (Premier Livre 1552, f.35v) LN 112

Morlaye (Guillaume) Gaillarde [la Milanoise] (Second Livre 1558, f.20) LN 113

Morlaye (Guillaume) Pavane la Milanoise (Second Livre 1558, f.19) LN 113

Morlaye (Guillaume) Quand io penso al martire (after Arcadelt) (Premier Livre 1552, f.22v) LN 112

Morley (Thomas) Allemande à Globe (Königsberg, f.59), see under (Morley (Thomas) Now is the Month of Maying, LN 61/6c

Morley (Thomas) Anglicum (Leipzig II.6.15, p.494), see under (Morley (Thomas) Now is the Month of Maying, LN 61/6a

Morley (Thomas) April is in my mistress’ face (BL MS Add.151117, f.9v) LSJ vol.8, plate 1

Morley (Thomas) Can I forget what reasons force, voice and lute LN 83 text

Morley (Thomas) Come, Sorrow Come: lute song LN 76

Morley (Thomas) Feines Lieb du wirst nachkommen (Königsberg, f.8), see under (Morley (Thomas) Now is the Month of Maying, LN 61/6b

Morley (Thomas) Monsieur’s Almaine, arrangement for two lutes LN 43

Morley (Thomas) Mounsiers Almaine, bandore and cittern parts (Morley 1599, C1) LZ 110/29 i and ii

Morley (Thomas) [Now is the Month of Maying] “Anglicum” (Leipzig II.6.15, p.494) LN 61/6a

Morley (Thomas) [Now is the Month of Maying] “Feines Lieb du wirst nachkommen (Königsberg, f.8) LN 61/6b

Morley (Thomas) [Now is the Month of Maying] “Allemande à Globe” (Königsberg, f.59) LN 61/6c

Morley (Thomas) O Grief, e’en on the Bud, lute song (Canzonets or Little Short Aers, 1597, no.7) LSJ vol.8, supplementLSJ vol. 53

Morley (Thomas) O grief even on the bud, set with the words of “Blow, Blow, thou winter winde” LSJ vol. 52

Morley (Thomas) A Pavan Mr. Birde set to lute by Fr. Cutting, see under Cutting , LN 61/3;LN 127/3

Morley (Thomas) Pavana Englesa (Eijsertt, f.24) LN 61/2d

Morley (Thomas) Pavana Sacredent (Herdringen 9829, f.22v), see under Morley (Thomas) The Sacred End Pavan, LN 61/2e

Morley (Thomas) Pavana Sacradenti (Leipzig II.6.15, p.98) see under Morley (Thomas) The Sacred End Pavan , LN 61/2fMorley (Thomas) Pavana Sacradenti (Leipzig II.6.15, p.106), see under Morley (Thomas) The Sacred End Pavan, LN 61/2c

Morley (Thomas) Pavan LN 61/1

Morley (Thomas) [The Sacred End Pavan] (Dd.9.33, f.25v) LN 61/2a

Morley (Thomas) [The Sacred End Pavan] (Trumbull, f.2v) LN 61/2b

Morley (Thomas) [The Sacred End Pavan] “Pavana Sacradenti” (Leipzig II.6.15, p.106) LN 61/2c

Morley (Thomas) [The Sacred End Pavan] “Pavana Englesa” (Eijsertt, f.24) LN 61/2d

Morley (Thomas) [The Sacred End Pavan] “Pavana Sacredent” (Herdringen 9829, f.22v) LN 61/2e

Morley (Thomas) [The Sacred End Pavan] “Pavana Sacradenti” (Leipzig II.6.15, p.98) LN 61/2f

Morley (Thomas) [The Sacred End Pavan] “The Sacred Ende” (Thysius no.256, f.148) LN 61/2g

Mouton (Charles) La Belle Espagnolle, Chaconne, baroque lute LZ 107

Mouton (Charles) Chaconne, baroque lute (Milleran MS, f.77v) LN 68LZ 116/1

Mouton (Charles) Chaconne, baroque lute (D-Bsa.4060, f.227v) LZ 116/2

Mouton (Charles) Chaconne, baroque lute (Barbe MS, p.110) LN 69LZ 116/3

Mouton (Charles) Chaconne, baroque lute (Dolmetsch II.B2, 119) LZ 116/4

Mouton (Charles) La Mallassis Sarabande LN 109 text

Mouton (Charles) La Princesse Sarabande LN 109 text

Mouton (Charles) Prelude (Oxford G617) LN 85 text

Mouton (Charles) Tombeau de gogo Allemande LN 109 text

Mudarra (Alonso) Claros y frescos rios, vihuela song LN 96 text

Mudarra (Alonso) Fantasía que contrahaze la harpa en la manera de Luduvico (Tres libros 1546 I , f.13) LN 55

Mudarra (Alonso) O gelosia de amanti, vihuela song LN 96 text

Mudarra (Alonso) Ysabel, perdiste la tu faxa, vihuela song LN 96 text

Murer (Jacob) En me revenant de St. Nicolas (CH-SO DA 111, f.33) LZ 115/2

N. Untitled (Dd.5.78.3, f.43), see under [Nicholson (Richard)?] Untitled, LN 52 A10/10

Negri (Cesare) Balletto detto Bizzarria d’Amore [Guet gesell du must wandern] (Negri 1602, p.255) LZ 125/H4i

Negri (Cesare) La Bassa delle Ninse LN 117 text/ BL 25

Negri (Cesare) Il Bianca Fiore (Nuovo Inventioni, f.147 ) LN61

Negri (Cesare) [The Spanish Pavan] “La Pavaniglia” (Nuovo Inventioni, f.135) LZ112/65b

Neusidler (Melchior) Carita di Signor (Neusidler I 1566, pp. xi) LZ 128/MN3b

Neusidler (Melchior) Der alten Weiber Tantz; Hupffauff (Neusidler 1574, f.K4) LZ 127/MN2c/H2a

Neusidler (Melchior)? Fantasia, (CH-Bu Ms.F.IX.70 Wurstisen, Fantasia VIII, p.44) LN 122

Neusidler (Melchior)? Fantasia, (CH-Bu Ms.F.IX.70 Wurstisen, Fantasia X, p.47) LZ 122

Neusidler (Melchior) Fantasia (PL-Kj 40598, f.9v) LZ 127/MN1a

Neusidler (Melchior) Fantasia (PL-Kj 40598, f.17) LZ 127/MN2ai

Neusidler (Melchior) Fantasia “A Fancy CK” (GB-Cu Dd.2.11. f.79v) LN 52 A10/2aLZ 127/MN2aii

Neusidler (Melchior) Fantasia (Besard 1603 f.14v, attributed to Fabrizio Dentice) LZ 127/MN2aiii

Neusidler (Melchior) Fantasia Newsadler (GB-Cu Add.3056, f. 40v) LZ 128/MN3a

Neusidler (Melchior) Der Fuggerin Dantz and Hupffauff (Teutsch Lautenbuch, f.K3) LN 37 C9/6

Neusidler (Melchior )? [Une Jeune Fillette] Ich gieng ein mal spacieren Volget der Hupffauff (Neusidler 1574, f. K1v) LZ 119/40

Neusidler (Melchior)? [Une Jeune Fillette] Teutscher dantz M[elchior?] Hupffauf (D-Sl G.I.4 I, f. 40) LZ 119/47

Neusidler (Melchior) Mein Hertz ist Frisch - Hupffauff (Neusidler 1574, f.L1v) LZ 126/MN1c

Neusidler (Melchior) O Felici ochi miei, after Archadelt (Neusidler 1574, f.H3v) LZ 126/MN1b

Neusidler (Melchior)? Teutscher dantz M[elchior?] Hupffauf (D-Sl G.I.4 I, f. 40), see under Neusidler (Melchior)? Une Jeune Fillette, LZ 119/47

Neusidler (Melchior) Vita de la mia vita, after Verdalot (Neusidler 1566 I, p.7) LZ 127/MN2b

Neusidler (Melchior) Wie möcht ich frölich werden - Volget der Hupffauff (Neusidler 1574, f. K4) LZ 128/MN3c; H14a

Neusidler (Melchior) Wie möcht ich frölich werden Tantz weyß - Volgt der Hupff auff (Newsidler 1549, f. i1r) LZ 128/H14c

Newm[an (Master)] Fancy [Newman 1a] (Marsh no.22, p.49 = Marsh no. 93) LSJ vol. 11 plate 2LN 38 A4/1a

Newman (Master) [A Fancy] (Marsh no.93, p.230 = Marsh no.22) LN 38 A4/1b

Newman (Master) Fancy (Paris 429, f.105) LN 38 A4/1c

Newman (Master) Galiarde of Newman (Dallis no.179, p.200) LN 38 A4/5

Newman (Master) Mr.Numans Pavin (IRL-Dtc 408/II no.51, p.110) LN 38 A4/4a

Newman (Master)] Newmans Pavan, consort part? (Folger no.29, f.8v) LN 38 A4/3

Newman (Master) Pavane of Newman (Dallis no.176, p.196) LN 38 A4/4b

Newman (Master) A Pavyon (transcribed from Mulliner, f.10) LN 38 A4/2

Newman (Master) Wigmores Galiarde (IRL-Dtc 408/II no.60, p.112) LN 38 A4/6b

Newman (Master) Wugorns Gayliarde (Dallis no.17, p.20) LN 38 A4/6aLN 116 text

Newsidler (Hans) Ander fundament (Nun folgt ein) (Newsidler 1536a, f.d1) LZ 103/1

Newsidler (Hans) Die Ander Regel “Ander Fundament” (Newsidler 1536a, f.c3v) LZ 103/3

Newsidler (Hans) Die drit Regel “Drit Fundament” (Newsidler 1536a, f.c3v) LZ 103/4

Newsidler (Hans) Elslein liebstes Elslein mein (Newgeordent 1536) LS 8/1Newsidler (Hans) Elslein liebstes Elslein mein (Das Erst Buch 1544, no.21) LN 104 text/BL 15

Newsidler (Hans) Die Erst Regel “Erst Fundament” (Newsidler 1536a, f.c3) LZ 103/2

Newsidler (Hans) Es reyt ein armes Reuterlein and Der Hupff Auff (Newes Lautenbuechlein 1540) LN 52 A10

Newsidler (Hans) Gassenhauer (Newgeordent 1536) LN 46 C50

Newsidler (Hans) Ein Gut Preambel (Newgeordent no.73, f.X3) LS 8/1LZ 103/10

Newsidler (Hans) Ein Gut Preambel (Newsidler 1549, f.f1) LZ 103/15

Newsidler (Hans) Ein Gut Preambel mit fugen (Newsidler 1549, f.9) LZ 103/16

Newsidler (Hans) Ein Gut Preambl fur junge Schuler (Newsidler 1549, f.f1) LZ 103/13

Newsidler (Hans) Ein Gut Preambulum (Newsidler 1547, f.f1, shorter version of 1536a, f.s3v) LZ 103/7b

Newsidler (Hans) Ein Gut trium, mit schönen fugen (Newsidler 1536b, f.D3) LZ 103/9

Newsidler (Hans) Ein Guter Preambulum (Newsidler 1547, f.f4, alternative version of 1536a, f.s3v) LZ 103/11b

Newsidler (Hans) Ein Guter Hofftantz, with Hupff auff (Das Erst Buch 1544 no.6) LS 6/8

Newsidler (Hans) Hastu mich genumen (Das Erst Buch 1544 no.1) LN 97 text/BL 8

Newsidler (Hans) Hie folgen ettlich Preambumum (Newsidler 1536a, f.s3) LZ 103/5

Newsidler (Hans) Hier volget ein sehr kunstreicher Preambel oder Fantasey (Newsidler 1536b, f.Aa1v) LZ 103/12

Newsidler (Hans) Ich ging wol bey der Nacht (Newgeordent 1536) LN 46 C50

Newsidler (Hans) Ich klag den tag (Newgeordent 1536) LN 26 Tab sheet [1]

Newsidler (Hans) Im Abzug ein guter Tanz and Der Hupff Auff (Newes Lautenbuechlein 1540) LN 52 A10

Newsidler (Hans) Konigs Ferdinandus Tantz [Welsch Tentz] (Das Ander Buch, f.L3v) LN 37 C9/3

Newsidler (Hans) La Morra, after H. Isaac (Newgeordent 1536) LS 8/1

Newsidler (Hans) Mein hertz hat sick mit lieb verpflicht (Newgeordent 1536) LN 26 Tab sheet [1]

Newsidler (Hans) Nach willen dein (Newgeordent 1536) LN 26 Tab sheet [1]LN 57

Newsidler (Hans) Ein Niderlendisch tentzlein (Das Erst Buch 1544 no.3) LS 6/8

Newsidler (Hans) Preambel (Newgeordent no.63, f.S3v) LS 8/1LZ 103/6

Newsidler (Hans) Preambel (Newgeordent no.64, f.S4) LZ 103/7a

Newsidler (Hans) Preamel (Newgeordent no.65, f.S4v) LZ 103/11a

Newsidler (Hans) Preambel oder Fantasey (Newsidler 1536b, f.Aa1v) LZ 103/12

Newsidler (Hans) Ein Sehr gutter Organistischer Preambel (Newsidler 1536b, f.A3v) LZ 103/8

Newsidler (Hans) Ein Ser guter Hoff Tanz mit durch straichen and Hupff Auff (Newgeordent 1536) LN 46 C50

Newsidler (Hans) Volgt ein gut Preambl (Newsidler 1549, f.f4) LZ 103/14

Newsidler (Hans) Wascha Mesa “Hie folget ein welsche tantz” and Der Haupff Auf (Newgeorgent 1536) LS 2/11

Newsidler (Hans) Wol Kumpt der May (Newgeordent 1536, f.G1) LS 8/1LN 43

Nicholson (Richard) The Jewes Dawnce, lute and recorder parts (Dd.3.18, f.48 and Dd.5.21, f.12) LSJ vol.51

[Nicholson (Richard)?] Untitled (Dd.5.78.3, f.43) LN 52 A10/10

Nognies [Vaumesniel?] (Monsieur) Volte tres excellente (D-W Guelf. 18.8 XII, f.290v) LN 107/13

Pacolini (Giovanni) Padoana Commun-Superius LN 48

Pacolini (Giovanni) La Padona Verlata , “La Verlata” suite b (Cracow MS 1400.1, f.45) LN 72

Pacolini (Giovanni) Pass’e Meze de la Verlata, “La Verlata” suite a (Cracow MS 1400.1, f.45) LN 72

Pacolini (Giovanni) Saltarello, “La Verlata” suite c (Cracow MS 1400.1, f.45, cf. Borrono Saltarello detto la Barbarina LN 72/39e) LN

72Pacolini (Giovanni) La Verlata, see under Pacolini (Giovanni) Pass’e Meze, Padona and Saltarello, “La Verlata” suite a-c,

LN 72

Padrué (David Janszoon)? Aensiet Schoon lieff met Moede Fier (Thysius no.541, f.348) LN 77/15

Padrué (David Janszoon) Al sick roep’ verstaet myn redden [Psalm 61], (Thysius no.423, f.264) LN 77/9

Padrué (David Janszoon)? Almande hier buyten inden houte (Thysius no.871, f.491v) LN77/19

Padrué (David Janszoon)? Almande Prince Parma, after G.G. Gastoldi (Thysius no.834, f.475v) LN 71/18

Padrué (David Janszoon)? Chanson de David (Thysius no.633, f.377) LN 77/17

Padrué (David Janszoon) Ick voer al over Rijn (Thysius no.549, f.350) LN 77/16

Padrué (David Janszoon) Lieff wtv[er]coren, lieff triumphant (Thysius no.534, f.344) LN77/14

Padrué (David Janszoon)? Pass[omezo antico in C] (Dallis no.99, p.109; no 102, p113; no.105, p,117, no.164, p.181; no.166, p.183; no.97, p.107; no.128, p.139) LN 77/5a-g

Padrué (David Janszoon)? Pass[omezo antico in F] (Dallis no.181, p.203) LN 77/7

Padrué (David Janszoon)? Pas[somezo moderno] (Dallis no.36, p.39; no.61, p.73; no.67, p.80) LN 77/4a-c

Padrué (David Janszoon)? Pass[omezo moderno] (Dallis no.67, p.80; no.85, p.94) LN 77/6a-b

Padrué (David Janszoon)? Prince of Parma’s Almande (Thysius no.834, f.475v), see under Padrué (David Janszoon)? Almand Prince Parma, LN 77/18

Padrué (David Janszoon)? Schoon lief ghij sijt prijs waert Alleyne (Thysius no.502, f.330) LN 77/10

Padrué (David Janszoon)? Se pur ti guardo (after Baldasaro Donato or Rogier Pathie) [I] (Thysius no.273, f.167)LN 77/8

Padrué (David Janszoon)? Te Meij als alle di voghelen singhen (Thysius no.509, f.333) LN 77/12

Padrué (David Janszoon)? U Liefde quelt mij totter doot (Thysius no.506, f.332) LN 77/11

Paladin (Jean Paul) Fantasia (Tablature de Lutz 1549, f.11) LN 65

Paladin (Jean Paul) Fantasia (Tablature de Lutz 1549, f.9) LN 65LN114

Paladin (Jean Paul) Fantasia (Premier Livre 1560, f.1) LN 116

Paladin (Jean Paulo) Gagliarda sopra la detta [La Milanesa] (PremierLivre 1560, f.35) LN 117

Paladin (Jean Paulo) Gaillarde and Reprise (Tabulature de lutz 1549, p.21) LN 114

Paladin (Jean Paul) La Milanesa, see under Paladin (Jean Paul) Pavana chiamata la Milanesa (Premier Livre 1560, f.33v), LN 117

Paladin (Jean Paul) Pavane (Tablature de Lutz 1549, f.17) LN 65LN 114

Paladin (Jean Paul) Pavana chiamata la Milanesa (Premier Livre 1560, f.33v) LN 117

Paladin (Jean Paul) Un jour passé avec Collete (Premier Livre 1560, f.22) LN 116

Paradiso (Renaldo) Fantasia (Dd.2.11 no.144, f.50v) LN 50 A9

[Paradiso (Renaldo) Fantasia] (GB-Lbl Hirsch 1353, f.16, simpler version of Dd.2.11 no.144) LZ 127/Hi11

Parsons (Robert) In Nomine] (Marsh no.112, p.274) LN 55

Parsons (Robert) Parsons in no[m]i[n]e set forth by HR (Dallis no.114, p.130) LN 55/2a

Parsons (Robert) Parson[s] In no[m]i[n]e (Dd.2.11 no.243, f.73v) LN 55/2b

Parsons (Robert) In Nomine] (Marsh, p.274) LN 55/2c

Parsons (Robert) Trumpetts: Replete for 3 lutes (Brogyntyn lute book, f.18) LSJ vol.24 part 1

Pauli (Gio[vanni]) Courent (US-RO Vault M140.V186, p.12) LN 109/15

Pauli (Gio[vanni]) Courent (US-RO Vault M140.V186, p.15) LN 109/16

Pedrizzano (Giulio) Una Corente (US-BE 757 Berkeley, f.29) LN 114/App 4a

Perino Fiorentino. Fantasia Quinta (Italian Lute Soc.) LN 44

Perla (Hortense) Bergamasca (D-W Guelf.18.8, f.248v) LZ 118/B56

Perla (Hortensio)? Gagliarda (Besard 1603, f.121) LN 53Perrichon (Julien) Une aultre J. Per. (D-w Guelf18.8.XII Hainhofer, f.289), see under Perrichon (Julien) [Courante], LN 114/14

Perrichon (Julien) Carranta (CZ-Pu XXIII.174 Schmall, f.43) LN 114/18a

Perrichon (Julien) Cor (D-Ngm 33748/1, f.27) LZ 114/18f

Perrichon (Julien) A Corant (Lbl Add. 38539 ML, f.8) LZ 114/17g

Perrichon (Julien) Corante (D-Hs ND VI 3238 Schele, p.33) LN 114/10

Perrichon (Julien) Courante [parody] (D-Hs ND VI 3238, p.88) LN 114/18b

Perrichon (Julien) Corente in soprano (US-SFsc M2.1 M3 de Bellis, p.49) LZ 114/17h

Perrichon (Julien) Courant (D-BAU Druck 13.4o.85, p.18) LN 114/17b

Perrichon (Julien) Corrente (Calvi 1646 guitar, p34) LZ 114/17i

Perrichon (Julien) Corrente Francese (I-PESc Rari b.10, f.9v) LZ 114/17e

Perrichon (Julien) Courant (Fuhrmann 1615p.124) LZ 114/13b

Perrichon (Julien) Courant (S-B 225 Beckmann, f.9v) LZ 114/17f

Perrichon (Julien) Courant (Lbl Add.38539, f.26v) LZ 114/18i

Perrichon (Julien) Courante (D-KNa W 4o 328, f.6) LZ 114/18g

Perrichon (Julien) [Courante] (LT-Va 285-MF-LXXIX Konigsberg, f.2) LN 114/17a

Perrichon (Julien) [Courante] (D-B Danzig 4022, f.15v) LN 114/18c

Perrichon (Julien) [Courante] (Cfm MU MS 689 Herbert, f.29) LZ 114/18d

[Perrichon (Julien) or Mason (Mathias)] [Corant] (Dd.9.33, f.75) LN 47 A7/3

Perrichon (Julien) Courante “Corrant Mrs. Lettice Riche her Corranto” (Board f.18v) LZ 114/11b

[Perrichon (Julien)] [Courante] Quatorsiesme (Ballard: Diverses Pieces, 1614, p.36) LZ 114/18h

Perrichon (Julien) [Courante] “John Perrichon his Coranto” LN 114/11a

Perrichon (Julien) [Courante] “Une aultre J. Per.” (D-w Guelf18.8.XII Hainhofer, f.289) LN 114/14

Perrichon (Julien) Courante de Perrichon (Besard 1603, f.150) LN 114/12

Perrichon (Julien) Cour[ante de Perichon] (CH-SO DA 111, f.45V) LZ 114/18e

Perrichon (Julien) Une Courante francoise Joan. Perrichonii (D-w Guelf18.8.XII Hainhofer, f.289) LN 114/13a

Perrichon (Julien) Courante Perrichon (Cfm MU MS 689 Herbert f.29) LZ 114/17c

Perrichion (Julien) Curranto (Lbl Add.135117, f.2v) LZ 114/17d

Perrichon (Julien) En me revenant “La Nonette” (Fuhrmann 1615, p.43) LN 114/21LZ 115/12

Perrichon (Julien) - Gaillarde faicte sur une volte de feu Perrichon (Francisque: Le Tresor d’Orphee, 1600, f.13v) LZ 114/22

Perrichon (Julien) Galliarda Perrich. (Besard 1603, f.121v) LN 114/8

Perrichon (Julien) Galliarda euisdem (Besard 1603, f.122v) LN 114/9

Perrichon (Julien) Galliarda Perrichonii (Besard 1603, f.112v) LN 114/6

Perrichon (Julien) Galliarda Perrichonii (Besard 1603, f.121v) LN 114/ 7b

Perrichon (Julien) Galliarde (Dolmetsch II.B.11, f.99) LN 114/7a

Perrichon (Julien) La Nonette, see under Perrichon (Julien) En me revenant, LN 114/21; LZ 115/12 Perrichon (Julien) [Praeludium] (Mertel 1615, p.2) LN 114/4

Perrichon (Julien) [Praeludium] (Mertel 1615, p.5) LN 114/5 Perrichon (Julien) Prelude (Cfm MU MS 689 Herbert, f.1v) LN 79

LN 114/1

Perrichon (Julien) Prelude (Cfm MU MS 689 Herbert, f.30) LN 114/2

Perrichon (Julien) Prelude (Cfm MU MS 689 Herbert, f.31v) LN 114/3

Perrichon (Julien) Sonate...1, for theorbo (Castaldi Capricci 1622, p.67) LZ 114/18j

Perrichon (Julien) Le Sonate...14, for theorbo (Castaldi Capricci 1622, p.72) LZ 114/20b

Perrichon (Julien) Volt (D-Ngm 33748 I, f.36) LZ 114/19b

Perrichon (Julien) Volte (Dolmetsch II.B.1f.108) LN 114/15a

Perrichon (Julien) Volte (CZ-Pnm IV.G.18, f.24v) LN 114/16a

Perrichon (Julien) Volte (D-Kl 4o Mus.108.1, f.58v) LN 114/16b

Perrichon (Julien) Volte de Perrichon (Besard 1603, f.162v) LN 114/19a

Perrichon (Julien) Volte Perrichon (GB Cfm MU MS 689) LN 114/20a

Perrichon (Julien) [Volte] (CH-O DA 111, f.18) LZ 123/P22

Perrichon (Julien) Volte] “Un aulte J.P.” (D-w Guelf18.8.XII Hainhofer, f.289) LZ 114/15b

Perrichon (Julien) - Gaillarde faicte sur une volte de feu Perrichon (Francisque Le Tresor d’Orphee, 1600, f.13v) LZ 114/22

Persijn (Marten) [Almande Prince Parma], after G.G. Gastoldi (Thysius no.833, f.474) LN 77/3 cf. Padrué (David Janszoon)? [Almande Prince Parma] (Thysius no.834, f.475v), LN 71/18

Persijn (Marten)? Brande Communijn; Reprise; and Saltarello (Thysius no.802- 804, f.462) LN 77/2

Persijn (Marten) Een kindeken is ons gheboren [I] (Thysius no.497, f.320v) LN 77/1

Phalèse (Pierre) Alemaigne (Carminum Liber Primus 1549, H4v) LZ 120LN 124

Phalèse (Pierre) Aliud Praeludium (1545, p.3 = 1547a, B1v) LN88/7

Phalèse (Pierre) Almande Nonette. Reprinse (Phalèse 1568, f. 88), see under Phalèse (Pierre) Une Jeune Fillette,LZ 119/32

Phalèse (Pierre) La Bella Franciskina (Carminum Liber Primus 1549, f.I3v) LN 119

Phalèse (Pierre) Branle de Champaigne (Carminum Liber Primus 1549, G4v) LZ 120LN 121

Phalèse (Pierre) [Les Bouffons] “Si vous estes belle” (Carminum Liber Primus 1549, f.I4) LN 119

Phalèse (Pierre) La Carracossa (Thesaurus Musicus, 1574) LN 43

Phalèse (Pierre) [La Cara Cossa] “Gaillarde” (Carminum Liber Primus 1549, f.I1v) LN 119

Phalèse (Pierre) Currendo (Carminum Liber Primus 1549, G4v) LZ 120LN 121

Phalèse (Pierre) Factie (Carminum Liber Primus 1549, f.I4), see under Phalèse (Pierre) Les Matachins, LN 119

Phalèse (Pierre) Fantasia (1545, p.11) LN88/20

Phalèse (Pierre) Fantasia (1545, p.12 = Dalza Recercar dietro, Intabulatura f.4v) LN88/17

Phalèse (Pierre) Fantasia (1545, p.14 = 1547b, A1v) LN88/13

Phalèse (Pierre) Fantasie (1545, p.10 = 1546a, c4v) LN88/9

Phalèse (Pierre) Gaillarde (Carminum Liber Primus 1549, H4) LZ 120LN 124

Phalèse (Pierre) Gaillarde (Carminum Liber Primus 1549, f.I1v), see under Phalèse (Pierre) La Cara Cossa, LN 119

Phalèse (Pierre) Grace & vertu, duet LN 45

Phalèse (Pierre) [Une Jeune Fillette] “Almande Nonette. Reprinse” (Phalèse 1568, f. 88) LZ 119/32

Phalese (Pierre) Linkens Hoven (Phalèse Theatrum 1563, f.68v) LN 77/23

Phalèse (Pierre) [Les Matachins] “Factie” (Carminum Liber Primus 1549, f.I4) LN 119

Phalèse (Pierre) Padoana Romanisca (Luculentum 1568, f.80v) LS 9/5

Phalèse (Pierre) Paduana (Carminum Liber Primus 1549, f.I1) LN 119

Phalèse (Pierre) Le Pied Cheval (Carminum Liber Primus 1549, H3) LZ 120LN 121

Phalèse (Pierre) Praeludium (Phalèse 1545, p.13) LN 88/15



Phalèse (Pierre) Praeludium (Des Chansons 1547, f.8) LN 48 C53


Phalèse (Pierre) Praeludium (Des Chansons 1547, f.8v) ` LN 48 C53


Phalèse (Pierre) Praeludium (Phalèse 1547a, f.B2) LN 88/14

Phalèse (Pierre) Preludium (Phalèse 1545, p.7) LN 88/12

Phalèse (Pierre) Praeludium (Phalèse 1546a, f.b1) LN 88/5

Phalèse (Pierre) Praeludium (Phalèse 1545, p.6) LN 88/1b

Phalèse (Pierre) Primum Fundamentum (Phalese 1545 p.1) LN 90 text/ BL 1

Phalèse (Pierre) Quatre Branles (Carminum Liber Primus 1549, f.H1v) LN 119

Phalèse (Pierre) Ronde (Carminum Liber Primus 1549, G4v) LZ 120LN 121

Phalèse (Pierre) Traditora (Carminum Liber Primus 1549, f.I3v) LN 119

Philips (Peter) 1580 Pavan [Smith/Robinson 3e] (Bautzen, f.39) LN 48

Piccinini (Alessandro) Aria di Saravanda in Varie Partite (Intavolatura …Primo 1623) LS 5/1

Piccinin (Alessandro) Bergamasca] “Bergemasco” (Piccinini 1639, p.16) LZ 118/B25

Piccinini (Alessandro) Chiaccona in partite variate (Piccinini 1623.p.121) LZ 124/App1b

iccinini (Allesandro?) Toccata a dui Liuti: duet (Intavolatura 1623, p.122) LN 57

Pierce (Edward) [Galliard] (Dd.2.11 no.173, f.56v) LN 31 A1/2

Pierce (Edward) [Galliard] (Dd.5.78.3, f.69) LN 31 A1/4

Pierce (Edward) A Gallyard (IRL-Dtc 408/II no.30, p.98) LN 31 A1/1

Pierce (Edward) Of Enamouring the Mistris of her Servant, voice and lute (A Brief Discourse 1614, no.15) LN 108 text

Pierce (Edward) The Quenes Galliard (IRL-Dtc 408/II no.25, p.94) `LN 31 A1/3

Pietro (Giovanni/Johann)] Gagliard, end missing? (D-Sl G.I.4 III, f.47v) LN 109/7

Pietro (Giovanni/Johann) Pavane dj S[ign]or Gio[vanni] Pietro (D-Sl G.I.4 III,f.48v) LN 109/8

Pietro (Giovanni/Johann) La premiere gaillarde du dit [Signor Gio. Pietro] (D-Sl G.I.4 III, f.48v) LN 109/9

Pietro (Giovanni/Johann) Gagl[iarda] Gio[vanni] Pietro (D-Sl G.I.4 III,f.54v) LN 109/10a

Pietro (Giovanni/Johann) Gagl[iarda] (D-Sl G.I.4 III,f.54v) LN 109/10b

Pietro (Giovanni/Johann) Gaillarde du S[e]igne[ur] Johan Pietro (D-DEl BB 12150, f.79) LN 109/10c

Pietro (Giovanni/Johann) Gagliarda Gio[vanni] Pietro (D-Sl G.I.4 III,f.51v) LN 109/11

Pilkington (Francis)? An Allman for ii lute by Mr. Marchant: duet [lute 2] (Sampson, f.11v), see under Marchant (John) Almain, duet, LN 47 A7/5a-b; LN 69/17b

Pilkington (Francis)? Alman R. Johnson to the stump by F.P. (Och 532), see under Johnson, LN 69/16a; LZ 108/10 ii

Pilkington (Francis) Curranta for Mrs E. Murcott (Dd.2.11 no.14, f.3v) LN 69/12

Pilkington (Francis) Eccho for 2 luts (Brogyntyn p.31), see under Marchant (John) Almain: duet, LN 47 A7/5a-b; LN 69/17a

Pilkington (Francis) A Galliarde (Dd.9.33, f.8) LN 69/6

Pilkington (Francis) Georg[e] Pilkingtons Funerall (Dd.2.11 no.22, f.6) LN 69/1

Pilkington (Francis) Goe from my Wyndowe (Lbl 31392, f.26v) LN 69/15LZ 109/1a

Pilkington (Francis) The L. Hastings God Morow (Dd.2.11 no.21, f.5v) LN 69/14

Pilkington (Francis) Mer Ti[mothy?] Wagstaffs Content of Desier ( Dd.2.11 no.20, f.5v) LN 69/11

Pilkington (Francis) Mris Anne Harecourts Galliarde (Dd.2.11 no.280, f.85) LN 69/8

Pilkington (Francis) Mrs Elizabeth Murrcots [Galliard] (Dd.2.11 no.19, f.5) LN 69/10

Pilkington (Francis) Mrs Marie Oldfields Galliard (Lbl 31392, f.22v) LN 69/9

Pilkington (Francis) Mrs. E. Murcots Delight (Dd.2.11 no.16, f.4) LN 69/7

Pilkington (Francis) A Paven (Lbl 31392, f.23v) LN 69/2

Pilkington (Francis) A Paven (Dd.2.11 no.44, f.14) LN 69/4

Pilkington (Francis) A Paven (Lbl 31392, f.24v) LN 69/5

Pilkington (Francis) A Pavin for the Lute and Bass Viol (First Book of Songs 1605, f.Miiv) LN 69/3

Pilkington (Francis)? A Pavin made fore the Orpharion by the Right Honorable William Earle of Darbie, (Second Set of Madrigals no.27) LN 69/18

Pilkington (Francis) The Spanish Paven, C min (Lbl 31392, f.25v) LN 69/13LZ 112/2

Pinti (Vincenzo) [Fantasia] Equitis Romani (Besard 1603, f.3v) LN 121/C86

Pinti (Vincenzo) Fantasia Equitis Romani (Besard 1603, f.28v) LN 121/C87

Pinti (Vincenzo)? Gagliarda del Cavaliere (F-Pn Res.Vnd.29, f.5v) LN 115/L2a

Pinti (Vincenzo)? Gagliarda dell’ Cavaliereo del leuto (I-PESc b10, f.11b) LZ 115/L2b

Pinti (Vincenzo)? Gagliarda] (B-Br Lit.S 16.663, f.3v) LZ 115/L2c

Pinti (Vincenzo)? Galliarda equitis Romani (Besard 1603, f.107v) LN 115/L15a

Pinti (Vincenzo)? Galliarda (D-Hbusch w.s. Herold, f.22) LZ 115/L15b

Pinti (Vincenzo)? Gagliarda VI (Piccinini Libro Primo 1623, p.60) LZ 115/L15c

Pinti (Vincenzo)? Gagliarda (incipit only) CDN-Mc w.s., f.61v) LZ 115/L15d

Pinti (Vincenzo)? Gagliarda Equitis Romanj (D-W Guelf.18.8 “Hainhofer” VI, f.168v) LN 115/L20

Porter (H[enry?]) Countesse of Bedford’s [Galliard] (The ) (Dd.5.78.3, f.70v) LN 45 C47/4

Purcell (Henry) Air (Abdelazer) Music for the Stage 2 LN 84

Purcell (Henry) Air (The Double Dealer) Music for the Stage 7 LN 84

Purcell (Henry) Air (The Indian Queen) Music for the Stage 5 LN 84

Purcell (Henry) Canary (The Indian Queen) Music for the Stage 6 LN 84

Purcell (Henry) Hornpipe (Abdelazer) Music for the Stage 4 LN 84

Purcell (Henry) Hornpipe (The Old Bachelor) Music for the Stage 9 LN 84

Purcell (Henry) Jig (Abdelazer) Music for the Stage 3 LN 84

Purcell (Henry) Minuet (Raise the Voice) Music for the Stage 8 LN 84

Purcell (Henry) A New Ground (Welcome to All the Pleasures) Music for the Stage 10 LN 84

Purcell (Henry) Pieces in G Major: Untitled; Almand; Corant; Minuet LN 51

Purcell (Henry) Round O (Abdelazer) Music for the Stage 1 LN 84

Purcell (Henry) Suite of Lessons in D: Prelude; Almand; Hornpipe, transcribed for baroque lute LN 49

Quaresmine (Francisco) Courante (D-Hs ND VI 3238 Shele, p.83) LN 123/App 1

R. (H.), see under Parsons (Robert) Parsons in no[m]i[n]e set forth by HR (Dallis no.114, p.130), LN 55/2a

R. (J.) Galliard (Welde no.37, f.15v) LN 52 A10/11

Radino (Giovanni Maria) Gagliarda Prima (Radino 1592, f.C4v) LZ 115/R1

Radino (Giovanni Maria) Gagliarda Seconda (Radino 1592, f.D1) LZ 115/R2

Radino (Giovanni Maria) Gagliarda Tertza (Radino 1592, f.D2) LZ 115/R3

Radino (Giovanni Maria) Gagliarda Quatra (Radino 1592, f.D3) LZ 115/R4

Rans (Nicolas)? [Wie möcht ich frölich werden] “Tantz Wie mecht ich frölich warden”, duet for lutes a tone apart (PL-Kj 40598, f. 128v-129) LZ 128/H14i i-ii

Ravenscroft (Thomas) By a banke as I lay, four part song (Deuteromelia, 1609, cf. Anon. By a banke) LN 108 text

Ravenscroft (Thomas) A Round of three Country dances in one, four part song LZ 106 text

Ravenscroft (Thomas) Who Liveth so Merry, part song with added lute part (Deuteromelia 1609) LN 53

Read (Richard) A Jigg (B-Cu Dd.3.18, f. 31r) LZ 113/App 7

Read (Richard) A Jigge (GB-Cu Dd.3.18, f. 24r) LZ 113/App 3

Read (Richard) Reads La Volta, duple time (GB-Cu Dd.3.18, f. 38r) LZ 113/App 1

R[ead] R[ichard] Sweet Bryer/A Northern Jigge, consort lute part (GB-Cu Dd.3.18, f. 32r) LN 113/App 2

Reusner (Esaias) In Dulci Jubilo (Musicalisher Lustgarten p.[3]) LN 35 A3

Reusner (Esaias) Sarabanda (Erfreuliche Lauten-Lust, 1697, p.33) LZ 111text

Reusner (Esaias) Sarabanda (Neue Lanten-Früchte, 1676, p.20) LZ 111text

Reymann (Matteus) Ballet (Dlgoraj, p.288) LN 46 C49

Reymann (Matteus) Galliard (Dlgoraj, p.201) LN 46 C49

Reymann (Matteus) Galliard (Dlgoraj, p.215) LN 46 C49

Reys (Jacob) Ballard Premier couple Polonois le 2d (GB-Cfm Mus.689 Herbert, f.71), see under Reys (Jacob) Courante, LZ 123/C7h

Reys (Jacob) Bransle d. S.Nicola (Fuhrmann 1615, p.141), see under Reys (Jacob) En me revenant, LZ 115/1c

Reys (Jacob) Cavallant a S. Nicola Chanson (D-B 4022, f.17), see under Reys (Jacob) En me revenant, LZ 115/1d

Reys (Jacob) Corante (D-Hs ND VI 3238 Shele, p.57) LN 123/C7

Reys (Jacob) Courante (Besard 1603, f.156v ii) LN 123/C1

Reys (Jacob) Courante (CZ-Pnm IV.G.18, f.37v) LZ 123/C2e

Reys (Jacob) Courante (D-Hs ND VI 3238 Shele, p.88) LN 123/C6

Reys (Jacob) [Courante] (D-Ngm 33748 I, f.15) LN 123/C2

Reys (Jacob) [Courante] (B-Bc 26.369, .p.39) LZ 123/C7j

Reys (Jacob) [Courante] “Ballard Premier couple Polonois le 2d (GB-Cfm Mus.689 Herbert, f.71) LZ 123/C7h

Reys (Jacob) [Courante] “Mounsier Ballard his Coranto” (VLL, f.Q1v) LZ 123/C6c

Reys (Jacob) [Courante] “Premiere Courante” (Ballard 1611, p.36) LZ 123/C7c

Reys (Jacob) [Courante] “Sur le Courante de Perrichon Jacob” (GB-Cfm Mus.689 Herbert, f.36v) LZ 123/C6b

Reys (Jacob) Courante Balard (GB-HAdolmetsch II.B.1, f.213v) LZ 123/C7d

Reys (Jacob) Courante Ballarde (GB-Cfm Mus.689 Herbert, f.64) LZ 123/C7b

Reys (Jacob) Courante du Poulonois (GB-Cfm 689 Herbert.f.10v) LZ 123/C2c

Reys (Jacob) Courante “Coarant [Jacob]” (F-Sn R 10.7.10, f.1v) LZ 123/C7i

Reys (Jacob) [Courante Jacob], 4 bar fragment (GB-Cu Dd.9.33, f.87) LZ 123/C7k

Reys (Jacob) Courante Jacob (GB-Cfm 689, f.39) LN 123/C5

Reys (Jacob) Courante [Jacob] (GB-HAdolmetsch II.B.1, f.217v) LZ 123/C2f

Reys (Jacob) Courante [Jacob] (Fuhrmann 1615, p.166) LZ 123/C2g

Reys (Jacob) Courante [Jacob] (D-Kl 4o Mus.108.I, f.24v) LZ 123/C2h

Reys (Jacob) Courante [Jacob] (Fuhrmann 1615, p.164) LZ 123/C7e

Reys (Jacob) Courante [Jacob] (D-B autog. Hove 1, f.27v) LZ 123/C7f

Reys (Jacob) [Courante Jacob] (GB-Cfm Mus.689 Herbert, f.43) LZ 123/C7g

Reys (Jacob) Coura[n]te Mr Jacques Pollonois (Hove 1612, f.62) LN 34/6LZ 123/C2d

Reys (Jacob) Courante Mr Jacques Pollonois (Hove 1612, f.62v) LN 123/C3

Reys (Jacob) Courante Mr Jacques Pollonois (Hove 1612, f.63) LN 123/C4

Reys (Jacob) Corandt de Mr Jacob (Nürnberg 33748/1, f.43) LN 34/5 LN 123/C8

Reys (Jacob) Courante Lanclos (GB-Cfm Mus.689 Herbert, f.64v) LZ 123/C8b

Reys (Jacob) Courente (D-Kl 4o Mus.108 1, f.66) LZ 123/C2b

Reys (Jacob) En me revenant (GB-Cfm 689, f.44) LZ 115/1b

Reys (Jacob) [En me revenant] “Bransle d. S.Nicola” (Fuhrmann 1615, p.141) LZ 115/1c

Reys (Jacob)[ En me revenant] “Cavallant a S. Nicola Chanson” (D-B 4022, f.17) LZ 115/1d

Reys (Jacob) [En me revenant] “More Palatino” (GB-Lbl Sloane 1021, f.65) LZ 115/1a

Reys (Jacob) Fantasia (NL-DHnmi Kluis A20, f.70), see under Reys (Jacob) Praeludium, LZ 126/P4g

Reys (Jacob) Fantasia Jac. Reys (Besard 1603, f.21v) LN June 1980 textLN 126/F1

Reys (Jacob) Fantasia Jacobus Reis of Augusta (VLL, f.F2) LN 126/F4

Reys (Jacob) Fantasie (CH-Bu F.IX.70. p.52), see under Reys (Jacob) Praeludium, LZ 126/P3c

Reys (Jacob) Fantasie Jacob (GB-Cfm 689 Herbert, f.14) LN 34/4LN120

Reys (Jacob) Fantasie Jacob (GB-Cfm 689 Herbert, f.17v) LN 126/F7

Reys (Jacob) Fantasie Jacob (GB-Cfm 689 Herbert, f.44) LZ 120 text

Reys (Jacob) Fantasie Jacob (GB-Cfm 689 Herbert, f.66v) LN 126/F13

Reys (Jacob) Fantasie Jacob (GB-Cfm 689 Herbert, f.73) LN 126/F14

Reys (Jacob) Fantasie Jacob (GB-Cfm 689 Herbert, f.84) LN 126/F17

Reys (Jacob) Fantasie Jacob “Phantasiae 61” (Mertel 1615, p.197) LZ 126/F17b

Reys (Jacob) Fantasie Polonois (GB-Cfm 689 Herbert, f.32) LN 91LN 126/F8

Reys (Jacob) Fantasie Polonois (GB-Cfm 689 Herbert, f.48v) LN 126/F10

Reys (Jacob) Fantasie Polonois (GB-Cfm 689 Herbert, f.57v) LN 126/F12

Reys (Jacob) Gagliarda del Signor Jacob gia chiamata il Polleneze (Besard 1617) LN 10 text

Reys (Jacob) Galliard (Besard 1617, f.L2v) LN 34/7

Reys (Jacob) Une Jeune Fillette Mr Iacques Pollonis (Hove 1612, f. 55v) LZ 119/8

Reys (Jacob) More Palatino (GB-Lbl Sloane 1021, f.65), see under Reys (Jacob) En me revenant, LZ 115/1a

Reys (Jacob) Mounsier Ballard his Coranto (VLL 1610, f.Q1v), see under Reys (Jacob) Courante, LZ 123/C6c

Reys (Jacob) Phantasia Jacob Reys (D-W Guelf.18.7 III, f.211v) LN 126/F3a

Reys (Jacob)? Polon Volte (Fuhrmann 1615, p.140) LN 123.App 2

Reys (Jacob) Porquetus (D-LEm II.6.15, p.510), see under Reys (Jacob) Prelude, LZ 126/P7c

Reys (Jacob) Praelud Iacobi Reys (Besard 1603, f.9v) LN June 1980 textLN 34/3LN 120 textLZ 120 textLN 126/P1

Reys (Jacob) Prael[udium] (Besard 1603, f.9v) LN 126/P2

Reys (Jacob) Prael[udium] Iac[obi] Reys (Besard 1603, f.10) LN 120 textLZ 120 textLN 126/P3a

Reys (Jacob) Praeludi[um] 110 (Mertel 1615, p.53) LZ 126/P3b

Reys (Jacob) [Praeludium] “Fantasie” (CH-Bu F.IX.70. p.52) LZ 126/P3c

Reys (Jacob) Praeludiu[m] (CZ-Pnm G.IV.18, f.1) LN 126/P4a

Reys (Jacob) Prael[udium] (Besard 1603, f.10) LN 120 textLZ 126/P4b

Reys (Jacob) [Praeludium] (D-LEm II.6.15, p.5) LZ 126/P4c

Reys (Jacob) [Praeludium] (D-KNh R141, f.7) LZ 126/P4d

Reys (Jacob) [Praeludium] (D-Mbs pr.93, f.63v) LZ 126/P4e

Reys (Jacob) [Praeludium] (D-Hs ND VI 3238, p.133) LZ 126/P4f

Reys (Jacob) [Praeludium] “Fantasia” (NL-DHnmi Kluis A20, f.70) LZ 126/P4g

Reys (Jacob) Praeludium 205 (Mertel 1615, p.111) LN 126/P5a

[Reys] (Jacob) Prelude (GB-Cfm 689 Herbert, f.52) LN 109

Reys (Jacob) [Prelude] “Porquetus” (D-LEm II.6.15, p.510) LZ 126/P7c

Reys (Jacob) Prelud[e] Boqueti (Besard 1603, f.5v) LZ 126/P7b

Reys (Jacob) Prelude Jacob (GB-Cfm 689 Herbert, f.2) LZ 126/P5b

Reys (Jacob) Prelude Jacob (GB-Cfm 689 Herbert, f.13) LN 86LN 126/P6

Reys (Jacob) Prelude Jacob (GB-Cfm 689 Herbert, f.18v) LN 126/P7a

Reys (Jacob) Prelude Polonois (GB-Cfm 689 Herbert, f.74) LZ 120 text

Reys (Jacob) Prelude Polonois (GB-Cfm 689 Herbert, f.19) LN 126/P8

Reys (Jacob) Prelude Jacob (GB-Cfm 689 Herbert, f.36v) LN 126/P9

Reys (Jacob) Premiere Courante (Ballard 1611, p.36), see under Reys (Jacob) Courante, LZ 123/C7c

Reys (Jacob) Sur le Courante de Perrichon Jacob (GB-Cfm Mus.689 Herbert, f.36v), see under Reys (Jacob) Courante, LZ 123/C6b

Reys (Jacob) Volte Jacob (GB-Cfm 689, f.68) LN 123/V1

Reys (Jacob) Volte (GB-HAdolmetsch II.B.1, f.106v) LN 123/V2

Reys (Jacob) Volte (D-Ngm 33748 I, f.77v) LZ 123/V2c

Reys (Jacob) Volta (D-Ngm 33748 I, f.78) LZ 123/V2d

Reys (Jacob) Volte (Besard 1603, f.16) LZ 123/V2e

Reys (Jacob) [Volte] (I-COc 1.1.20, f.80) LZ 123/V2f

Reys (Jacob) Volte Jacob (GB-Cfm Mus.689 Herbert, f.69) LN 34/1LZ 123/V2b

Reys (Jacob) [Volte] Jacob (GB-Cfm 689 Herbert, f.78) LN 123/V3

Reys (Jacob) Volte Jacob (GB-Cfm 689 Herbert, f.79v) LN 123/V4

Reys (Jacob) Volte Jacob (Herbert, f.80) LN 34/2LN 123/V5



Reys (Jacob) Volte Jacob (GB-Cfm 689 Herbert, f.87) LN 123/V8

Richard (Balthasar) Ballet de Larcheducq Leopolde, tablature and transcriptions LZ 120 text

Rippe (Albert de) Fantasia (Casteliono 1536, f.5) LZ 116/12a

Rippe (Albert de) [Fantasia] “La troisieme Fantasie” (Fezandet III 1554, F.7v) LZ 116/12b

Rippe (Albert de) Fa[n]tasie (Le Roy & Ballard V 1562, f.22) LZ 116/12c

Rippe (Albert de) Fantasia] (Valderravano 1547, f.68) LZ 116/12d

Rippe (Albert de) Fantasia (Casteliono 1536, f.26v) LZ 114/16a

Rippe (Albert de) Fantasia contrahecha a la del milanes (Valderravano 1537, f.70 [Ness App.10]) LZ112/Rippe 21c

Rippe (Albert de) Fantasia del ditto (Casteliono 1536, f.55 = Milano [Ness 23]) LZ112/Rippe 21b

Rippe (Albert de) Fantasia di Messer Alberto (S-Uu Vok.mus.hs.87, f.59v) LZ 122/1b

Rippe (Albert de) Fantasie (Le Roy and Ballard IV 1553, f.5 [Ness App.12]) LZ 112/Rippe 21a

Rippe (Albert de) Fantasie (Fezandat 1 1552, f.1) LZ 122/1a

Rippe (Albert de) Fantasie (Fezandet V 1555, f.2) LZ 114/16b

Rippe (Albert de) Fantasie (Fezandet V 1555, f.5) LZ 114/17

Rippe (Albert de) Fantasie (Fezandet IV 1544, f.2) LZ 115/13

Rippe (Albert de) Fantasie (Fezandet IV 1544, f.8) LZ 115/15a

Rippe (Albert de) Fantasie (Fezandet I 1552, f. 8v-10v) LZ 120, p.94

Rippe (Albert de) [Fantasie] “Recercar” (D-Mbs mus.266, f.67) LZ 115/15c

Rippe (Albert de) F[antasie] [index: La quatriesme fant.] (Fezandet I 1552, f. 11) LZ 119/R4 Rippe (Albert de) F[antasie] [index: La sixiesme fant.] (Fezandet I 1552, f. 18) LZ 119/R6

Rippe (Albert de) Fantasie seconde (Le Roy & Ballard I 1562, f.6v) LZ 121/Rippe 2

Rippe (Albert de) Fantasie 4 (Phalèse and Bellère 1574, f.6v) LZ112/Rippe 20a

Rippe (Albert de) Fantasie 5 (Fezandet I 1552, f.17) LZ 110

Rippe (Albert de) Fantasie quatriesme (Le Roy & Ballard I 1562, f.10v) LZ 118/Rippe 7

Rippe (Albert de) Fantasie cinquiesme (Le Roy & Ballard I 1562, f.12v) LZ 118/Rippe 8

Rippe (Albert de) Fantasie sixiesme (Le Roy & Ballard I 1562, f. 14v) LZ 117/Rippe 9

Rippe (Albert de) Fantasie (Fezandet III 1554, f. 2) LZ 117/Rippe 10

Rippe (Albert de) Fantasie (Fezandet III 1554, f. 4) LZ 117/ Rippe 11

Rippe (Albert de) Fantasie 18 (Fezandet VI 1558, f. 2r) LZ 113

Rippe (Albert de) Fantasie 19a (Fezandet VI 1558, f 5) LZ 113

Rippe (Albert de) Fantasie 19b (Le Roy & Ballard V 1562, f.16v) LZ 113

Rippe (Albert de) Fantasie 22 (Le Roy and Ballard IV 1553, f.8) LZ 111

Rippe (Albert de) Fantasie 23 (Le Roy and Ballard IV 1553, f.10v) LZ 111

Rippe (Albert de) Fantasie 24 (Le Roy and Ballard IV 1553, f.13v) LZ 111

Rippe (Albert de) Fantasie 25a (Le Roy and Ballard V 1562, f.18v) LZ 110

Rippe (Albert de) Fantasie 25b (PL-Kj mus.440598, f.11v) LZ 110

Rippe (Albert de) Fantasie 26 (Le Roy and Ballard V 1562, f.20) LZ 110

Rippe (Albert de) Fantasie 27i, adapted for lute (Morlaye IV 1552, f.1) LZ 109

Rippe (Albert de) Fantasie 27ii, guitar (Morlaye IV 1552, f.1) LZ 109

Rippe (Albert de) Fantasie 28i, adapted for lute (Morlaye IV 1552, f.4v) LZ 109

Rippe (Albert de) Fantasie 28ii, guitar (Morlaye IV 1552, f.4v) LZ 109

Rippe (Albert de) Fantasie neufiesme (Le Roy & Ballard I 1562, f.22v) LZ 115/15b

Rippe (Albert de) Fantasie pour jouer sans chanterelle (Fezandet IV 1544, f.5v) LZ 115/14

Rippe (Albert de) Gaillarde (Sixieme Livre, 1558, f.21) LN 70/17

Rippe (Albert de) Mais Pourquoy (Sandrin) (Rippe Tiers Livre 1562, f.17) LZ 123LN 125

Rippe (Albert de) Pavane Est il conclude à corde avalée (Quatre Livre 1553, f.22) LN 121

Rippe (Albert de) Pavane La Romanseque (Quatre Livre 1553. f.19v) LN 121

Rippe (Albert de) Pavane d’Albert, and Galliard (De Rippe 1555) LN 79 text

Rippe (Albert de) Pavin of Alberti, arranged for two lutes (Lumley part books) LN 79 text

Rippe (Albert de) Pleurés mes yeux, after Sandrin (Rippe Second Livre 1562, f.12) LZ 123LN 125

Rippe (Albert de) Preambulum? (A-Wn18688f.65) LZ 110

Rippe (Albert de) Praeludium (D-Lem III 11.26, f.2) LZ 110

Rippe (Albert de) Primer ton por ge sol re ut (Narvaez 1538, f.1) LZ112/Rippe 20b

Rizzio (Davide) The broome of Cowdenknowes (Balcarres lute book) LN 120 text

Robinson (Thomas)? An Allman (Mynshall no.20, f.7) LN 71/xii a

Robinson (Thomas)? [An Allman] (Dd.9.33, f.87v) LN 71/xii b

Robinson (Thomas) An Almaigne (Schoole of Music, 1603, f.H2v) LN 71/iii a

Robinson (Thomas) [The Bells of Osney] “Twenty waies upon the bels”, duet (Robinson 1603, f.D1v) LZ 126/B1e

Robinson (Thomas) Bo Peep, an Allmane for 2 lute: duet, lute II only (Sampson no.25, p.17) LN 71/xiv c

Robinson (Thomas) [Bonny Sweet Robin] “Robin is to the greenwood gone” (Schoole, 1603) LZ106/1b

Robinson (Thomas) Bony Sweet Boy (Schoole of Music, 1603, f.M2) LN 71/ix aLZ 106/6b

Robinson (Thomas) Chorea Anglica (Nauclerus, f.28), see under Robinson (Thomas) A Toy , LN 71/v f

Robinson (Thomas) [Earl of Essex Galliard] A Galliard can she excuse my wrongs, cittern (Robinson 1609, f.E2v)LZ 107/42-34

Robinson (Thomas) Englishe Toy (Leipzig II.6.15, p.505), see under Robinson (Thomas) A Toy, LN 71/v d

Robinson (Thomas) Excuse Me [parody on the Earl of Essex Galliard], cittern (Robinson 1609, f.F3v) LZ 107/1c

Robinson (Thomas) Fantasie for two lutes (Schoole of Music, 1603, f.F1v) LN 71/xiii a-b

Robinson (Thomas) [The Friar and the Nun] cittern duet (Robinson 1609, f.C3v-D2v) LN 122/F4i

Robinson (Thomas) [The Friar and the Nun] cittern duet (Robinson 1609, f.C4-D3) LN 122/F4ii

Robinson (Thomas) A Galliard can she excuse my wrongs, cittern (Robinson 1609, f.E2v), see under Robinson (Thomas) Earl of Essex Galliard, LZ 107/42-34

Robinson (Thomas) A Gigue (Schoole of Music, 1603, f.M1v) LN 71/viii a

Robinson (Thomas) Goe from my Window (Robinson 1603, f.H1r) LN 71/i a LZ 109/1d

Robinson (Thomas) [Goe from my Window] (Dd.5.78.3, f.40v) LN 71/i bLZ 109/1e

Robinson (Thomas) The Hay (Dallis no.64, p.77, cf. Robinson (Thomas) Robinsons May (Dd.9.33, f.92, LN 71/xi a)LN 71/xi b

Robinson (Thomas) Katherine Bairdie (Rowallen, p.49) LN 71/viii b

Robinson (Thomas) Kattie Bairdie, baroque lute (Balcarres, p.100) LN 71/viii c

Robinson (Thomas) Kette Bairde, mandora (Skene, p.21) LN 71/viii d

Robinson (Thomas) Lantero (Schoole of Music, 1603, f.M2v) LN 71/x a

Robinson (Thomas) Lord that are my righteousnesse (The Schoole of Music, 1603) LN 114 text

Robinson (Thomas) Pipers Galliard, cittern (GB-Cu Dd.4.23, f.4v) LZ 124/JD19r

Robinson (Thomas) Pipers Galliard, cittern (Robinson 1609, f.D4v) LZ 124/JD19t

Robinson (Thomas) Robinsons Allemande (Thysius no.862, f.487v) LN 71/iii b

Robinson (Thomas) Robinsons May (Dd.9.33, f.92), cf. [Robinson (Thomas)] The Hay (Dallis no.64, p.77), LN 71/xi bLN 71/xi a

Robinson (Thomas) Robinsons Toye (IRL-Dtc 408/II no.34, p.100), see under Robinson (Thomas) A Toy, LN 71/v e

Robinson (Thomas) Spanish Paven, G min (Cu Add.3056, f.20v) LN 71/iiLZ 112/39a

Robinson (Thomas) The Spanish Pavin, G min (Robinson 1603, f.L2v) LZ 112/39b

Robinson (Thomas) Sweet Iesu who shall lend mee wings (Schoole of Music, 1603, f.O2) LN 71/vi a

Robinson (Thomas) Sweet Iesu who shall lende mee whings, bandora (Browne, f.58v) LN 71/vi b

Robinson (Thomas) [Three Sheep Skins] “A Gigue”(Schoole of Musicke 1603, f.H2) LN 122/T3

Robinson (Thomas) [Three Sheep Skins] cittern duet (Robinson 1609, f.I4v & K1v) LN 122/T5i

Robinson (Thomas) [Three Sheep Skins] cittern duet (Robinson 1609, f.K1 & K1v) LN 122/T5ii

Robinson (Thomas) A Toy (Danzig 4022, f.26v) LN 71/v c

Robinson (Thomas) A Toy (Schoole of Music, 1603, f.I2) LN 71/iv a

Robinson (Thomas) A Toy (Schoole of Music, 1603, f.H1v) LN 71/v a

Robinson (Thomas) A Toy for two lutes: duet (Schoole of Music, 1603, f.Fiiv) LN 71/xiv a-b

Robinson (Thomas) A Toy (Euing, f.29v) LN 71/iv b

Robinson (Thomas) [A Toy] (Dd.5.78.3, f.11) LN 71/v b

Robinson (Thomas) [A Toy] “Chorea Anglica” (Nauclerus, f.28) LN 71/v f

Robinson (Thomas) [A Toy] “Englishe Toy” (Leipzig II.6.15, p.505) LN 71/v d

Robinson (Thomas) [A Toy] “Robinsons Toye” (IRL-Dtc 408/II no.34, p.100) LN 71/v e

Robinson (Thomas) Walking in a Country Towne (Schoole of Music, 1603, f.M2, cf. Anon. Pickle Herring, LN 81/1 ii)LN 71/vii a

Roelkin. De tous biene plaine: 2 parts, one intabulated for lute LN 55

Rore (Cypriano de) Anchor che col partire, lute and bass voice (Cavalcanti MS) LN 58 text

Rosseter (Philip) Galliard (KS, Ms 4to Mus.108 (1). f.99) LSJ vol.36

Rosseter (Philip) If she forsake me, voice and lute (Book of Ayres) LN 83 textLZ 121 text

Rosseter (Philip) Pavana Anglica (Mylius p.59) LN96/9

Rosseter (Philip) Prelude (Herbert 3, f.15v, authorship LS meeting Sept. ’06) LN 86

Rosseter (Philip) The Second Galliard of the Countess of Sussex (Barley, f.B2) LN 46

Rosseter (Philip) Whethermen doe laugh or weepe, voice and lute LZ113 text

Rotta (Antonio) Recercar primo (Gardane/Rotta 1546, f. I3v) LZ 119/R1

Rotta (Antonio) [Recercar] Das 17. Preambel [Anthoni Rotta] (Gerle 1552, f. E4v) LZ 119/R2

Rotta (Antonio) Recercar terzo (Gardane/Rotta 1546, f. K1) LZ 119/R3 Rotta (Antonio) Reccerchar d'A. R.(D-W Guelf 18.7 III, f. 207v) LZ 119/ R4

Rotta (Antonio) Recercar quinto (Gardane/Rotta 1546, f. K2v) LZ 119/ R5

Rotta (Antonio) Reccerchar. A. R. ([Scotto]/Rotta 1546, f. 51) LZ 119/ R6 Rude (Johan) Praeludium (Schele, p.3) LN 46 C49

Rust (Friedrich Wilhelm) Arioso, for lute and violin (Drei Sonaten) LN 53

Saboly (Nicholas) Noëls Provenceaux: De bon matin LN 80

Saboly (Nicholas) Noëls Provenceaux: La Cambo me fai mau LN 80

Saboly (Nicholas) Noëls Provenceaux: La Cambo me fai mau, simple version LN 80

Saboly (Nicholas) Noëls Provenceaux: Li Pastoureu LN 80

Saboly (Nicholas) Noëls Provenceaux: Pastre Pastresso LN 80

Saboly (Nicholas) Noëls Provenceaux: Pèr noun langui LN 80

Salfield (Ben) Miss Sally Brown’s Puffe LN 9 text

Salmon (Jacques) Courante (DBN 479 f.20v), see under Hoffmann von Grünbühel (Wolfgang) Courante (Jacques Salmon), LN 84/10

Salomon (Mr.) Courante (D-B N 479, f.20v) LN 107/8a

Salomon (Mr.) Courante, almost identical to 8a (US-R M 140 V 186S, p.34) LN 107/8b

Salomon (Mr.) Untitled, and transcription (D-SI Mus.1214, p.17) LN 107/10a i-ii

Salomon (Mr.) Untitled, and transcription (D-SI Mus.1214, p.29) LN 107/10b i-ii

[Salomon?] Salamon (Mr.) Courante, and transcription (A-KR L 81, f.51v) LN 107/9 i-ii

Saman (René) Cor. (D-Ngm 33748/1 f.47v) LN 102/3b

Saman (René) Corant (Lbl Add.38539, f.6) LN 102/4a

Saman (René) Corant (Lbl Add.38539, f.25) LN 102/1a

Saman (René)] Coranto 5 (VLL, f.Q3) LN 102/5

Saman (René)] Coranto 7 (VLL, f.Q3v) LN 102/2

Saman (René) Courante (Bu F.IX.53 f.11) LN 102/1b

Saman (René) Courante (Pnm IV.G.18, f.99) LN 102/1c

Saman (René) Courante du Sieur Samand (Besard 1617, p.42) LN 102/10

Saman (René) Courante Saman (Cfm Mus.689, f.31v) LN 102/9

Saman (René) Courante Saman (Cfm Mus.689, f.47) LN 102/8

Saman (René) Courante Saman (Cfm Mus.689, f.61v) LN 102/6

Saman (René) Courante Samant (Cfm Mus.689, f.70) LN 102/7

Saman (René) Courante Seconde (Ballard 1614, p.16) LN 102/4b

Saman (René) Untitled [Courante] (D-B 4022, f.15) LN 102/3a

Sante Maria (Thomas de) Duos from “Arte de Tañer fantasia”, segunde parte LZ125

Scarlatti (Domenico) Sonata K11/L352, baroque lute LN 62






Schlick (Arnolt) All Ding mit Radt (Tablaturen 1512 no.27, p.79) LN 37 C9/1

Schlick (Arnolt) Hertz liebstes pild, after Paul Hofheimer (Tabulaturen, 1512) LN 11 text

Schlick (Arnolt) Weg wart dein Art (Tablaturen 1512, p.81) LN 37 C9/4

Schlick (Arnolt) Wer gnad durch Klaff (Tablaturen 1512, p.81) LN 37 C9/2

Schuman (Frederic) Lesson XII LN 88 text

Sermisy (Claude de) Jen e fais rien que requerir, see under Aquila (Marco dall’)? [Aquila 20] (Ms 266 no.82, f.54), LN 84

Sielicki (Kasper) Gagliarda (D Do G.1.4 III f.48) LN 82/9

Sielicki (Kasper) Galliard (D Do G.1.4 III f.48) LN 82/12a

Sielicki (Kasper) Galliarda (CH Bu F.IX.70, p.332) LN 82/12b

Sielicki (Kasper) Galliarda (I Gu M.VIII.24, f.127) LN 82/10

Sielicki (Kasper) Galliarda (I Gu M.VIII.24, f.128) LN 82/14a

Sielicki (Kasper) Galliarda (PL LZu M 6983, f.83v) LN 82/14b

Sielicki (Kasper) Galliarda (PL LZu M 6983, f.86) LN 82/11

Sielicki (Kasper)? Galliarda (D Do G.1.4 III f.30) LN 82/13

Sielicki (Kasper) Phantasia (D Do G.1.4 III f.53v) LN 82/8

Sim[me]s [William?] [Galliard] (Nn.6.36, f.32) LN 45 C47/9

Sim[me]s [William?] [Pavan] (Nn.6.36, f.22v) LN 45 C47/8

Simson (Thomas) Corant (Herdringen 9829, f.16v) LN 46 C39/5

Simson (Thomas) Volte (Herdringen 9829, f.17v) LN 46 C39/7

S[myth] (T[homas]) Galliard [1] (3056, f.35) LN 45 C47/11



Smyth (Thomas) Galliard [4] (3056, f.47) LN 45 C47/14

S[myth] (T[homas]) Pavan (3056, f.34v) LN 45 C47/10

Southwell (Robert)? Southwell’s Galliarde ( Dd.2.11 no.223, f.68v) LS 1/9LN 56/5

Stanley (David) Eight pieces LZ 125

Staube (Rudolf) Rondeau LN 88 text

Striggio (Alessandro) Nasce la pena mia (First Book of Madrigals à 6) LN 58 text

Strobel (Valentin) [Bergamasca] “Pergamasco” (Fuhrmann 1615, p.182) LZ 118/B42a

Strobel (Valentin) the Elder. Exercitium V.S. (Lüneberg 2000, p.48) LN 57/1

Strobel (Valentin) the Elder. Galliarda 12 [Earl of Essex Galliard] (Fuhrmann 1615, p.122) LN 57/5LZ 107/42-17

Strobel (Valentin) the Elder. Passomezo V.S. (Fuhrmann 1615, p.75) LN 57/6

Strobel (Valentin) the Elder. Pavana lacrymae (Dolmetsch II.B.1, f.225v) LN 57/4

Strobel (Valentin) the Elder. Pavana octava (Fuhrmann 1615, p.63) LN 57/3a

Strobel (Valentin) the Elder. Pavana Ursina (Dolmetsch II.B.1, f.233v) LN 57/3b

Strobel (Valentin) the Elder. Pavana Ursina (Prague G.IV.18, f.149v) LN 57/3c

Strobel (Valentin) the Elder. Pergamasco V.S. [= Buffons] (Fuhrmann 1615, p.182) LN 57/8

Strobel (Valentin) the Elder. Praeludium (Schele, p.5) LN 57/2a

Strobel (Valentin) the Elder. Preludium (CUL Add.3056, f.28) LN 57/2bLN91/19

Strobel (Valentin) the Elder. Saltarello V.S. (Fuhrmann 1615, p.81) LN 57/7

Strogers (Nicholas) In no[m]i[n]e pavan Strogers basso: lute II of duet (Dallis no.69, p.81) LN 55/3b

Strogers (Nicholas) In Nomine Galliard] (Dd.9.33, f.60v) LN 55/4a i

Strogers (Nicholas) In Nomine Galliard] (Hirsch, f.3) LN 55/4a ii

Strogers (Nicholas) [In Nomine Galliard] “Inno myne Gallarde” (Thysius no. 89, f.31v) LN 55/4a iii

Strogers (Nicholas) [In Nomine] Galliard (Dd.2.11 no.302, f.95v) LN 55/4b

Strogers (Nicholas) In Nomine Galliard, duet (Dallis no.83, p.93) LN 55/4c i-ii

Strogers (Nicholas) [In Nomine Pavan] (Hirsch, f.2v) LN 55/3a i

Strogers (Nicholas) In Nomine Pavana (Bautzen, p.72) LN 55/3a ii

Sturt (John) Allmayne (ML, f.19v) LN 53/2

Sturt (John) Allmayne (ML, f.2v), see under Sturt (John) Mrs. Mary Hofmanns Allmayne, LN 53/3aSturt (Jo[hn]) Courant (Krakow no.22, f.11v) LN 53/5

Sturt (John) The Lady Banning her Almand (Board, no.29, f.10r) LN 53/4

Sturt (John) Mrs Mary Hofmans Almand (Valerius, p.266) LN 53/3b

Sturt (John) [Mrs. Mary Hofmanns Allmain] “Almayne” (ML, f.2v) LN 53/3aSturt (John) A Prelude (ML, f.22r) LN 53/1

Sturt (John) A Volte (ML, f.18) LN 53/6

Sturt (John) A Volte (ML, f.21v) LN 53/7

Sumarte (Richard) [Bonny Sweet Robin] “Roben is to the Greense wood Gon” (GB-Mr 832 Vu51, p.14) LZ 106/1m

Sumarte (Richard) Mounsiers Allman (Mp BRm 832Vu 51, p.17) LZ 110/25

Sumarte (Richard) The Nightingale, lyra viol (GB-Mp BRm832Vu51, p.212) LZ 127/N6

Taire (William)? or William Tisdale? Courante (Dresden 297, p.114) LN 46 C39/8

Taire (William) Almandt (Karlsruhe Bd.A.678, f.21) LN 46 C39/9

Tallis (Thomas) Mr Tallis his Offetory (Dd.9.33, f.77v) LN 55/5

Taverner (John) Tavern[er]s In nmoie [nomine] (Dd.9.33, f.61) LN 55/1b

Taverner (John) Taverners In no[m]i[n]e (Dd.2.11 no.55, f.19) LN 55/1a

Taylor ([Robert]) Antiq Masque per mr Confesso set by mr. Taylor (Board no.91, f.27v) LN 41 A6/1

Taylor (Robert) A Pavyn, ye divisiones sett by Mr. Thos Greaves (Trinity O.16.2, p.122) LN 41 A6/6

Telemann (George Philip) Fantasie 3, baroque lute LN 77

Telemann (George Philip) Fantasie per il violine senza basso, arranged for baroque lute (Hamburg 1735) LN 66

Telemann (George Philip) Fantasie 2 TWV 40:15, baroque lute LN 68

Telemann (George Philip) Fantasie 5 TWV 40:18, baroque lute LN 101

Telemann (George Philip) Fantasie no.10, 5 TWV 40:23, baroque lute LN 109

Telemann (George Philip) Fantasie No.12, TWV 40.25, baroque lute LN 108

Telemann (George Philip) Fantasia 6 TWV 40:19, baroque lute LN 103

Telemann (George Philip) Fantasie no. 7, TWV 40:20, baroque lute LN 106

Telemann (George Philip) Fantasia no.8, TWV 40:21, baroque lute LN 110



Terzi (Giovanni Antonio) Gagliarda detta Tamburin (Intavolatura, Secondo Libro, p.4) LZ 115/T6

Terzi (Giovanni Antonio) Guet gesell du must wandern “Balletto Alemano” (Terzi 1599, p.22) LZ 125/H4b

Terzi (Giovanni Antonio) Pass’e mezzo per b molle (Intavolatura, Libro Primo, p.102) LN 44

Terzi (Giovanni Antonio) Toccata [prima] (Intavolatura, Secondo Libro, p.26) LN 124/T6

Tessier (Charles) Or que la nuiet d’un bandeau, lute song (Bodleian Library MS.Mus.Sch d.237, f.21v) LSJ vol.20 plate 3

Tessier (Charles) Quand loin de palestin, lute song (Bodleian Library MS.Mus.Sch d.237, f.34v) LSJ vol.20 plate 3

Tessier (Charles or Velère) Ballet (F-Pn Res.F.993, f.2v) LN 128/Tessier 1c

Tessier (Charles or Velère) [Ballet] (A-SPL KK 35, p.75) LN 128/Tessier 1a

Tessier (Charles or Velère) Balletto Tessier (Mylius 1622, p.81) LN 128/Tessier 1b

T[ildius] (C.) Gaillarde (Donaueschingen D-Si G.I.4 II, f.79) LZ 109/22

Tisdale (William)?, see under Taire (William)? Courante (Dresden 297, p.114), LN 46 C39/8

Tracetti (Lorenzino) or Lorenzino Laurencini. Altro Ricercare del primo tuono (Galilei 1584, p.88) LN 118/C79a

Tracetti (Lorenzino) [Fantasia] (PL-Kj 40032, p.130) LZ 121/C71b

Tracetti (Lorenzino) [Fantasia] “Ricercare a 4 voci di B.M.” (Galilei Fronimo 1584, p.116) LZ 121/C80b

Tracetti (Lorenzino)? Fantasia Cavallier du Luth (GB-Cfm 689 Herbert, f.75v) LN 121/C83

Tracetti (Lorenzino)? Fantasia Cavalier du Luth (GB-Cfm 689 Herbert, f.78v) LN 121/C84

Tracetti (Lorenzino) Fantasia di Lorenzino (PL-Kj 40032, p.206) LN 121/C78

Tracetti (Lorenzino) Fantasia Laurencini (Besard 1603, f.20) LZ 121/C66b

Tracetti (Lorenzino) Fantasia Laurencini (Besard 1603, f.13v) LZ 121/C72b

Tracetti (Lorenzino) Fantasia Laurencini] (Besard 1603, f.18v) LN 121/C74

Tracetti (Lorenzino) Fantasia Laurencini (Besard 1603, f.19) LN 121/C75

Tracetti (Lorenzino) Fantasia Laurenc[ini] (Besard 1603, f.14) LN 121/C77 Tracetti (Lorenzino)? Fantasia Lorenzino (GB-Cfm 689 Herbert, f.14v) LN 121/C82aTracetti (Lorenzino) [Fantasia Lorenzino] (PL-Kj 40032 Barbarini p.209) LN 121/C66

Tracetti (Lorenzino) Fantasia L[orenzino] (D-Hs ND VI 3238 Schele, p.137) LN 121/C71a

Tracetti (Lorenzino) Fantasia [Lorenzino] (PL-Kj 40032, p.208) LN 121/C72a

Tracetti (Lorenzino) Fantasia [Lorenzino] (I-COc 1.1.20 Raimondo, f.46v) LN 121/C80a

Tracetti (Lorenzino)? Fantasia 2 composed by…the Knight of the Lute (VLL, f.F1v) LN 121/C82b

Tracetti (Lorenzino) Fantasie 4 Laurencini of Rome (VLL, f.F2v) LZ 121/C80c

Tracetti (Lorenzino) or Vincenzo Pinti. [Gagliarda] (B-Br Lit.S 16.663, f.3v) LZ 115/L2c

Tracetti (Lorenzino) Gagliarda bella Laurencinus (D-W Guelf.18.8 Hainhofer VI, f.177v) LN 115/L10

Tracetti (Lorenzino) Gagliarda bella Laurencinj (D-W Guelf.18.8 Hainhofer VI, f.183) LN 115/L19

Tracetti (Lorenzino) Gagliarda bella Laurencinj (D-W Guelf.18.8 Hainhofer VI, f.183v) LN 115/L11

Tracetti (Lorenzino) or Vincenzo Pinti. Gagliarda del Cavagliere (I-COc 1.1.20 Raimondo, f.63v) LN 115/L14

Tracetti (Lorenzino) or Vincenzo Pinti. Gagliarda del Cavaliere (F-Pn Res.Vnd.29, f.5v) LN 115/L2a

Tracetti (Lorenzino) or Vincenzo Pinti. Gagliarda del Cavagliere (I-COc 1.1.20 Raimondo, f.85v) LN 115/L18

Tracetti (Lorenzino) or Vincenzo Pinti. Gagliarda dell’ Cavaliereo del leuto (I-PESc b10, f.11b) LZ 115/L2b

Tracetti (Lorenzino) Gagliarda di Lorenzino (PL-Kj 40032, p.304) LN 115/L1

Tracetti (Lorenzino) [Gagliarda] La medisima [Laurencini] in un’ altro tono (D-W Guelf.18.8 Hainhofer VI, f.184)LN 115/L12

Tracetti (Lorenzino) [Gagliarda] La medisima [Laurencini] in un’ altro tono (D-W Guelf.18.8 Hainhofer VI, f.183)LN 115/L13

Tracetti (Lorenzino) Galliarda eiusdem [Laurencini] (Besard 1603, f.127v) LN 115/L4

Tracetti (Lorenzino) Galliarda eriusdem [Laurencini] (Besard 1603, f.127) LN 115/L17

Tracetti (Lorenzino) Galliarda Laurencini (Besard 1603, f.121) LN 115/L5a

Tracetti (Lorenzino) Gailliarda Laurencini (Hove Florida 1601, f.98) LN 115/L5b

Tracetti (Lorenzino) Galliarda Laurencini (Besard 1603, f.126v) LN 115/L6



Tracetti (Lorenzino) Galliarda Laurencini (Besard 1603, f.117) LN 115/L9


Tracetti (Lorenzino) Phantasia (Mertel 1615, p.195) LZ 121/C72c

Tracetti (Lorenzino) Praelude (Besard f.8 = C73) LS 5/4

Tracetti (Lorenzino) Praeludia (Mertel 1615, p.31) LZ 118/C61b

Tracetti (Lorenzino) Praeludii primi (Reymann 1598, f.A1, more elaborate working of C55) LZ 118/C55b

Tracetti (Lorenzino)? Praeludium (Besard Thesaurus, f.11) LN 118/C47

Tracetti (Lorenzino) Praeludium (Besard Thesaurus, f.2v) LN 118/C48

Tracetti (Lorenzino)? Praeludium (Besard Thesaurus, f.12v) LZ 118/C50b

Tracetti (Lorenzino) Praeludium (Besard Thesaurus, f.1) LN 118/C51









Tracetti (Lorenzino) Praeludium (Besard Thesaurus f.12) LN 118/C62


Tracetti (Lorenzino) [Praeludium] (Fuhrmann 1615, p.29) LZ 118/C63b

Tracetti (Lorenzino) or Lorenzino Laurencini. Praeludium (Besard Thesaurus, f.12) LZ 118/C79b

Tracetti (Lorenzino)? Praeludium (Mertel 1615, p.40) LZ 118/C49 app1

Tracetti (Lorenzino)? Praeludium (D-B N479 Grünbühel, f.31) LZ 118/C49 app2

Tracetti (Lorenzino)? Praeludium Incert Auctoris (Fuhrmann 1615, p.3) LZ 118/C47b

Tracetti (Lorenzino) Praeludium Laurencini (D-B 40141, f.27) LN 118/C55

Tracetti (Lorenzino) or Vincenzo Pinti. Preambulum equitis aur Laurencini civis Romani (D-W Guelf.18.7, f.200v) LN 118/C81

Tracetti (Lorenzino) Prelude (D-Kl 4oMus.108 I, Montbuisson, f.38v) LN 118/C49

Tracetti (Lorenzino) Prelude (D-Kl 4oMus.108 I Montbuisson, f.67v) LN 118/C61

Tracetti (Lorenzino) Prelude (D-Kl 4oMus.108 I , f.14v) LZ 118/C59b

Tracetti (Lorenzino) Prelude (D-Kl 4oMus.108 I Montbuisson, f.19v) LN 118/C73

Tracetti (Lorenzino) Prelude Laurencini Romani (Fuhrmann 1615, p.1) LN 118/C64

Tracetti (Lorenzino) Preludia (Mertel 1615, p.43) LN 118/C49b

Tracetti (Lorenzino) Preludia (Mertel 1615, p.46) LN 118/C73b

Tracetti (Lorenzino) Preludia (Mertel 1615, p.94) LN 118/C47c

Tracetti (Lorenzino) Preludio (I-COc 1.1.20, f.15) LN 118/C50

Tracetti (Lorenzino) Preludio (PL-Kj 40032, p.243) LZ 118/C58b

Tracetti (Lorenzino) Ricercata di Lorenzino (PL-Kj 40032, p.277) LN 121/C65

Tracetti (Lorenzino) Tiento over Tochata (PL-Kj 40032, p.216) LN 118/C68

Tracetti (Lorenzino) Tocata di Lorenzino (PL-Kj 40032, p.280) LN 118/C69

Tracetti (Lorenzino) Toccata Lorenzino (Cu 689 Herbert, f.58v) LN 118/C70

Tracetti (Lorenzino) Tochata del Laurenzino (PL-Kj 40032, p.215) LN 118/C67

Tromboncino (Bartolomeo) Su, Su, leva, alza le ciglia, lute song LZ 103

Tromboncino (Bartolomeo) Vale diva mia, vale in pace, lute song (Thibault MS) LSJ vol.22 part2/1

Tuenhuijsen (Monsieur) Courante (Schele, p.90) LN 77/21

Tuenhuijsen (Monsieur) Courante Venetijs (Schele, p.90) LN 77/20

Tyack (Mike) The Artichoke LN 44

Valderrabano (Enriquez de) Musica para discantar sobre un punto (Silva de Sirena, VII f.103v) LN 44

Vallet (Nicolas) [All in a garden green] “Onder de Lindergröne” (Secret II, p.7) LN 116/A2

Vallet (Nicolas) [Barafostus Dreame] “Chanson Angloise” (Secret I, p.93) LZ 118/D16

Vallet (Nicolas) Branle d’Irlande (Secret I, p.91), see under Vallet (Nicolas) Lord Souche’s Maske, LZ 116/Z15

Vallet (Nicolas) Chanson Angloise (Secret I, p.93), see under Vallet (Nicolas) Barafostus Dreame, LZ 118/D16

Vallet (Nicolas) Courante sur la gaillarde de bocquet (Secret I, p. 78) LZ 117/13c

Vallet (Nicolas) [Earl of Essex Galliard] Gaillarde du Comte Essex; and second partie (Secret I, p.36) LZ 107 42/24a-b

Vallet (Nicolas) [Est ce Mars] “Courante de Mars” (Secret I, p.63) LZ 123/E15

Vallet (Nicolas) [Est ce Mars] “Courante de Mars” (Secret I, p.70) LZ 123/E16

Vallet (Nicolas) [Fin de Galliard] (Secret I, p.39) LZ 125/F9a

Vallet (Nicolas) Fortune my Foe] “Fortune Angloise” (Secret II, p.8) LN 54/2aLZ117/F15

Vallet (Nicolas) Une Jeune fillette (Secret I, p. 43) LZ 119/15

Vallet (Nicolas) [Lord Souche’s Maske] “Branle d’Irlande” (Secret I, p.91) LZ 116/Z15

Vallet (Nicolas) Mal Simmes, Bal Anglois (Secret I, p.92) LZ 114/1s

Vallet (Nicolas) Mall Symes “Malsimmes” ( Secret II, p.8) LZ 114/1ee

Vallet (Nicolas) [Mall Symmes] “Slaep soete slaep” (Secret II, p.9) LZ 114/App 2c

Vallet (Nicolas) La Mariniare (Secret I, p.86) LN 114 text

Vallet (Nicolas) Onder de Lindergröne (Secret II, p.7), see under Vallet (Nicolas) All in a garden green, LN 116/A2

Vallet (Nicolas) Les Pantalons (Secret I, no.33, p.41) LZ 118/52a

Vallet (Nicolas) Pavane de Spagne (Secret II, p.6), see under Vallet (Nicolas) The Spanish Pavan, LZ112/7a

Vallet (Nicolas) Pavanne d’espagne (Secret II, p.57), see under Vallet (Nicolas) The Spanish Pavan, LS 2/4; LZ 112/10a

Vallet (Nicolas) Pavanne en forme de Complainte (Secret I, p.20) LS 2/9

Vallet (Nicolas) Psalm 81 Sing den Hee (Regina Pietas 1620, p.109) LN77/24

Vallet (Nicolas) Slaep soete slaep (Secret II, p.9), see under Vallet (Nicolas) Mall Symmes, LZ 114/App 2c

Vallet (Nicolas) [The Spanish Pavan], F min “Pavane de Spagne” (Secret II, p.6) LZ112/7a

Vallet (Nicolas) [The Spanish Pavan], F min “Pavanne d’espagne” (Secret II, p.57) LS 2/4LZ 112/10a

van Wilder (Philip) Je file quand Dieu me donne de quoi: duet (Brogyntyn, p.14 with added cantus) LN 48 C52

van Wilder (Philip) Shall I dispaire, lute song reconstruction (BL Add MS 31390, f.40 v, etc.) LSJ vol.43

Varenne (Monsieur de) Ballet (CH-Bu F.IX.70, p.294) LN 107/6

Varenne (Monsieur de) Volte (CH-Bu F.IX.70, p.293) LN 107/7

[Vaumesnil (Guillaume Le Boulanger, Lord of)] [As I went to Walsingham] “Gagliarda francese molto gioconda”(D-W Guelf. 18.8 VI, f181v, 18v) LZ 104/4h

Vaumesnil (Guillaume Le Boulanger, Lord of)] Courrent Vommaney (B-Bc S.26.369, f.16v) LN 107/16

Vaumesnil (Guillaume Le Boulanger, Lord of)] Fantasie de Monsieur de Vaumeny (Besard 1613, f. 171v) LN 107/17

Vaumesnil (Guillaume Le Boulanger, Lord of) Gagliarda (D-Sl G.1.4 III, f.47v) LN 109 Add.a

Vaumesnil (Guillaume Le Boulanger, Lord of) Gagliarda Francese (D-W Guelf.18.8 VIf.181v) LN 107/14

[Vaumesnil (Guillaume Le Boulanger, Lord of)] Gagliarda francese molto gioconda (D-W Guelf. 18.8 VI, f181v, 18v),

see under Vaumesnil. As I went to Walsingham, LZ 104/4h

Vaumesnil (Guillaume Le Boulanger, Lord of) Gagliarda J.B. Besard (D-W Guelf 18.8 VI, f.171) LN 109 Add.b

Vaumesnil (Guillaume Le Boulanger, Lord of) Gagliarda nova (I-BDG w.s., p.222) LN 107/15

[Vaumesnil (Guillaume Le Boulanger, Lord of)] Gaillarde Vommenj (NL-Lu 1666 Thysius no.62, f.21) LN 107/18

Vaumesnil (Guillaume Le Boulanger, Lord of)?], see under Nognies (Monsieur) Volte tres excellente, (D-W Guelf. 18.8 XII, f.290v), LN 107/13

[Vaumesnil (Guillaume Le Boulanger, Lord of)], see under Kenopacky (Petrus)? Fantasia (D.Hs M B/2768 p.40; Besard Thesaurus f.171v “Fantasia Vausmenil”), LN82/2

Vautor (T[homas]) Almaine (3056, f.47v) LN 45 C47/7

Vecchi (Orazio) Caro dolce mio bene (Third Book of Canzonets à 4) LN 58 text

Viola (Raphael) Fantasia [1] (Phalèse 1571 16/22) LN 48 A8/1

Viola (Raphael) Fantasia [2] (Dlugoraj, p.42) LN 48 A8/2

Virdung (Sebastian) O Haylige Onbeflecte Zart Jungkfrawschaffte Marie, duet (Musica Getutscht, f.M1v) LN 37 C9/8a and b

Waissel (Matthäus ) [Guet gesell du must wandern] “Polnischer Tantz” (Waissel 1591, f.E3v) LZ 125/H4j

Waissel (Matthäus) Praeambulum 1 (Tabulatura 1573 no.1, f.A4) LN 98/6

Waissel (Matthäus) Praeambulum 2 (Tabulatura 1573 f.A4v) LN 98/21

Waissel (Matthäus) Praeambulum 1 (Tabulatura 1591 f.A4) LN 98/2

Waissel (Matthäus) Praeambulum 2 (Tabulatura 1591 f.A4) LN 98/10Waissel (Matthäus) Praeambulum 3 (Tabulatura 1591 f.A4v) LN 98/27

Waissel (Matthäus) Praeambulum 4 (Tabulatura 1591 f.A4v) LN 98/12

Waissel (Matthäus) Praeambulum 5 (Tabulatura 1591 f.B1) LN 98/14

Waissel (Matthäus) Praeambulum 6 (Tabulatura 1591 f.B1) LN 98/16

Waissel (Matthäus) Praeambulum 7 (Tabulatura 1591 f.B1v) LN 98/8

Waissel (Matthäus) Praeambulum 8 (Tabulatura 1591 f.B1v) LN 98/19

Waissel (Matthäus) Tanz and Sprung, [Deutche Tenze] (Tablatura 1591, f.D4) LN 37 C9/11

Waissel (Matthäus) Tanz and Sprung, [Deutche Tenze] (Lautenbuch 1592, f.D1) LN 37 C9/12

Waissel (Matthäus) Tanz and Sprung: duet (Tablatura auff zweyen Lauten 1592, f.A2v) LN 37 C9/10a- b

Waters (William) Catalan Songs: Adéu Nina; El Cant dels Ocells (duet); La Presco de Lleida; Martinet M’en en LLevo; Muntanyes del Canigó; El Testament d’Amelia; Els Segadors (duet) LZ 122

[Webster (George)?] Galliarda Engl Georg Wesper (Fuhrmann 1615, p.116) LN 46 C39/3

Weichenberger J.G.) Praelude, baroque lute LN 119

Weinman (Matthew) Fantasia LN 50

Weiss (Sylvius Leopold) L’Amant Malheureux, after Jacques de Gallot [S-C 8*] (Lbl. Add.MS 30387) LN 83

Weiss (Silvius Leopold) Chaconne [S-C 1.12] (PL-Wu 2004.f.9) LZ 124

Weiss (Silvius Leopold) Courante [S-C 108.2] (Omne trium perfectum part 2, CZ-Bm. 372, p.28) LN 123

Weiss (Silvius Leopold) Guige [S-C 108.8](Omne trium perfectum part2, CZ-Bm. 372, p.28) LN 123

Weiss (Silvius Leopold) Partita in A Minor: Entrée; Paisan; Gig; Menuet [S-C 71.1-4] (Lautencodex M III 25, Salzburg)LN 80

Weiss (Silvius Leopold) Partita in B flat Major: Menue[t] [S-C 15.6] LN 48

Weiss Sylvius Leopold) Partita in F Major: Ouverture; Courante; Galanto; Menuet; Gig [S-C 62.1, 62.2, 624, 62.9](Lautencodex M III 25) LN 81

Weiss (Sylvius Leopold) Partita in G Major: Pastorale; Paysane; Menuet; Gig [S-C 70.1-4] (Lautencodex M III 25) LN 82

Weiss (Silvius Leopold) Passagaille from Sonata no.18 [S-C 18.6] (BL Add.MS 30387, f.87v) LN 75

Weiss (Silvius Leopold) Sarabande [S-C 19.5] (GB-Lbl Add. MS 303387, f.94v) LZ 111 text

Weiss (Silvius Leopold) Sonata in D minor: Fantasia; Allemande; Courante; Gavotte; Sarabande; Menuet; Gigue[S-C 11.7, 11.1-6] (Dresden 2841-V-I, etc.) LN 54

Weiss (Silvius Leopold) Suite in F major: Ouverture; Courente; [Bouree]; La galante; Minuet; Sarabande; [Minuet]; Gig; Minuet [S-C 62.1-9] (Rés Vmc. Ms 61/Laiteencodex M III 25) LN 58

Weiss (Silvius Leopold) Suite in G major: Phantasie; Allemande; Courrente; Sarabande; Guige; Gavotte; Menuette [S-C 65.1-7] LN 50 D3

Weiss (Silvius Leopold) Tombeau sur la Mort de M. Cajetan Baron d’Hartig [S-C 11*] (BL Add.MS 30387, f.88v)LN 75

Werl (Albertus)? Corrente (ms addition to Galilei 1620) LN 61

Werl (Albertus)? Corrente, 3 parts (ms addition to Galilei 1620) LN 61

Werl (Albertus)? Volta (ms addition to Galilei 1620) LN 61

Weston. [The Passameasures Pavan ] “West. Pav.” (Marsh no.23, p.50) LN 58/9a

Weston. The Passameasures Pavin (ML, f.10v) LN 58/9b

Weston. [Weston’s Pavan] (Dallis no.19, p.22) LN 58/8a

Weston. [Weston’s Pavan] (Marsh no.89, p.188) LN 58/8b

Weston. [Weston’s Pavan] “A Pavin” (Dallis no.87, p.96) LN 58/8c

Weston. Weston’s Pavan] “Westones pavion” (Lodge f.20v) LN 39 B3/7

White (Robert) Fantasia no.6 (BL Add.MS. 29246 Paston, f.43v) LSJ vol.26 part 1

Whitfield (John) Daphney and Corridon (Pickeringe, f.35v) LN 56/3

Whitfield (John) The English Huntsuppe (Pickeringe, f.32) LS 1/6bLN 56/2

Whitfield (John) Mr Strange Gregery hitts (Dd.2.11 no.35, f.10) LN 56/1b LZ 127/S1

Whitfield (John) [The Scottish Huntsupe] (Dd.2.11, f.9v, cf. Mynshall, f.5v) LN 56/1a

Wilbye (John) Weepe, weepe, myne eyes, voice and figured bass (BL Egerton MS 2971, f.30v) LN 50

Wilson (John) Prelude 2 (Ob Mus.b.1 3v ii) LN 83/20Wilson (John) Prelude 17 (Ob Mus.b.1 7v i) LN 83/21

Wormaciensis (Jud)? Fantasia (CH-Bu Ms.F.IX.70 Wurstisen, Fantasia XVIII, p.41) LZ 122 Wright (Brian) In a Lydian Mode LN 8 text

Wright (Brian) Lyric Piece LN 8 text

Wright (Brian, arranger) O little town of Bethlehem, voice and lute LN 128

Wright (Brian, arranger) Suite of Christmas Carols: Prelude; Unto us is born a son; The holly and the Ivy; We three kings of Orient are; Blessed be that Maid Marie LZ 127

Wright (Brian) Suite in Eight Movements – Prelude LN 52

Wully (Hieronymus) CXLI Tantz Hyer Vull - Nachdantz ( CH-Bu F.IX.70, p. 289) LZ 120/HW1

Wully (Hieronymus) Ein Tanz. Hieronymi Wully (PL-Lu M 6983, f. 107) LZ 120/HW2

Wully (Hieronymus) Ein ander Tantz Hier: Wull: (PL-Lu M 6983, f. 107v) LZ 120/HW3

Wully (Hieronymus) Ein ander ejusdem (PL-Lu M 6983, f. 107v) LZ 120/HW4

Wully (Hieronymus) XLIX. Galliarda Hyer Vull (CH-Bu F.IX.70, p. 317) LZ 120/HW5

Wully (Hieronymus) Praeludium HW (CH-SAM Ms. M 1, f. 4) LZ 120/HW6

Zamboni (Giovanni) Ceccona, for archlute LZ 105

Zamboni (Giovanni) Ceccona, for 10 course renaissance lute LZ 105

Zamboni (Giovanni) Ceccona, for 13 course baroque lute LZ 105

Zamboni (Giovanni) Sonata 1, arranged for 13 course Dm lute: Preludio; Alemanda; Currente; Sarabanda Largo; Minuet LN 125

Zamboni (Giovanni) Sonata no.2: Alemanda; Current; Sarbanda Largo; Giga LN 126

Zamboni (Giovanni) Sonata 3 – Fuga (Intavolatura di Leuto, 1718) LN 47

Zamboni (Giovanni) Sonata 3, arranged for 13 course Dm lute: Alemanda; Giga; Sarabanda Andante; FugaLN 127

Zamboni (Giovanni) Sonata no.4: Alemanda Adagio; Current; Sarabanda; and Minuet LN 128

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